D-Lr Mus.ant.pract.K.N.144 (1)

Ratsbücherei, Lüneburg, Germany

partbook: c. 1590

Archive	Ratsbücherei, Lüneburg, Germany (D-Lr)
Shelfmark	Mus.ant.pract.K.N.144 (1)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Format	landscape
Measurements	165 x 219 mm
Other Identifiers	CCM: LuneR 144
Copyists	Velbonius, Joannes Music
Relationships	Velbonius, Joannes (dedicator) Witzendorff, Hieronymus von (owner) Witzendorff family (owner) Witzendorff, Franciscus (mentioned in dedication)
External Authorities	RISM Online (sources/453012100)
Provenance	Lüneburg, Germany
Contents	179 pieces from 47 composers

General Description

A Discantus partbook from a set originally of five volumes. Seven repertorial sections in each book ('Prima Pars,' 'Secunda Pars,' etc.). Although the Quintus is missing, most pieces are complete in 4vv or less - only 6 pieces in the Prima Pars and 3 pieces in sections 6-7 are in 5vv. Some pieces composed in rhythmic style of the humanistic ode. There are many concordances with D-B Mus. ms. 40241.

Copied in Lüneburg, as didactic gift for Franciscus von Witzendorff III (b. 1578), by his tutor, Joannes Velbonius of Braunschweig. Dated 1590, but some pieces added subsequently. Owned by members of Witzendorff family until 18th century; probably included in collection of books bequeathed by Hieronymus von Witzendorff to Lüneburg city library in 1711.

DIAMM, 2023

Extent

D. i + 174 + i ff; A. i + 185 + i ff.; T. i + 188 + i ff.; B. 186ff.

DIAMM, 2023

Binding

Original covers of white leather tooled with initials 'F.W.' (= Franciscus Witzendorff), date '1590,' and voice designations.

DIAMM, 2017

Watermark

Resembles Briquet #15948

DIAMM, 2017

Liminary Note

Several Latin poems appear on 'Prima Pars' title page in each book

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Dedication

Dedicatory inscription to Franciscus von Witzendorff III at beginning of D book

DIAMM, 2017

Ruling

Staves generally in red ink, with clefs & mensural signs in green ink

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces in each book (section I: 1-13; II: 1-19; III: 1-13; IV: 1-16; V: 1-16; VI: 1-13; VII: 1-10); modern pencil numbering continues count of pieces from end of original numbering (I: 14-18, 18a-21; II: 20; III: 14-21; IV: 17-19; V: 17-22; VI: 14-43; VII: 11, 11a, 12) and duplicates many original numbers.

DIAMM, 2017

Foliation

Pieces originally numbered; 'Sexta Pars' has original ink pagination, 1-78. New pencil foliation D: 1-149; A: 1-151; T: 1-140; B: 1-145 omits flyleaves and some blank folios.

DIAMM, 2017

Decoration

Small plain initials, titles, original piece numbers, clefs, mensural signs, and closing notes generally in green ink.

DIAMM, 2017

Index

Original indices at beginning of sections I (D and T books), II (D book), and III (D book) list only pieces with original numbers. Original indices at beginning of section VI (T and B books) list pieces in original layer and some later additions, in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 psalm, 1 hymn, 69 motets, 10 Latin/German sacred pieces, 67 German sacred pieces, 12 German secular pieces, 1 textless piece = 161

M. Agricola-7, (Alder/Senfl)-1, Bel-1, Bertram-1, Burck-21, Burck/(Vulpius)-1, Clemens non Papa-5, (Clemens non Papa/Manchicourt)-1, Crecquillon-1, E. Dedekind-2, (Donato)-1, Dressler-5, Eccard-3, Eccard/(Burck)-1, (Figulus)-1, (Fine)-1, (Freundt)-1, Händl-5, Heil-1, Ivo de Vento-3, Lassus-11 + 1?, Lechner-9, (Didier Lupi Second)-1, Maillard-1, (Manchicourt/Sandrin)-1, Morel-1, Palladius-6, Pierre-1, C. Praetorius-5, Regnart-2 + 1?, Reiner-1, Scandello-4, (Schramm)-1, Schröter-1, (Sermisy)-1, (Steurlein)-1, Tollius [Tolpii]-1, (Vulpius)-1, (Walter)-2, (Zirler)-1, anon-44

4 paper partbooks of an original 5 (D-i + 174 + i folios, A-i + 185 + i, T-i + 188 + i, B-186), 165 x 219. New pencil foliation (D: 1-149; A: 1-151; T: 1-140; B: 1-145) omits flyleaves and some blank folios. Seven repertorial sections in each book ("Prima Pars," "Secunda Pars," etc.); "Sexta Pars" has original ink pagination, 1-78. Original ink numbering of pieces in each book (section I: 1-13; II: 1-19; III: 1-13; IV: 1-16; V: 1-16; VI: 1-13; VII: 1-10); modern pencil numbering continues count of pieces from end of original numbering (I: 14-18, l8a-21; II: 20; III: 14-21; IV: 17-19; V: 17-22; VI: 14-43; VII: 11, 11a, 12) and duplicates many original numbers. Original covers of white leather tooled with initials "F.W." [= Franciscus Witzendorff], date "1590," and voice designations. Original indices at beginning of sections I (D and T books), II (D book), and III (D book) list only pieces with original numbers. Original indices at beginning of section VI (T and B books) list pieces in original layer and some later additions, in order of appearance. Copied by Joannes Velbonius of Braunschweig, a household tutor employed by the Witzendorff family of Lüneburg. Staves generally in red or green ink; small plain initials, titles, original piece numbers, clefs, mensural signs, and closing notes generally in green ink. Dedicatory inscription to Franciscus von Witzendorff III at beginning of D book; several Latin poems appear on "Prima Pars" title page in each book. Watermark resembles Briquet # 15948. Some pieces composed in rhythmic style of the humanistic ode.

Ca. 1590, with additions during 1590's. Copied in Lüneburg, as didactic gift for Franciscus von Witzendorff III (b. 1578), by his tutor, Joannes Velbonius of Braunschweig. Owned by members of Witzendorff family until 18th century; probably included in collection of books bequeathed by Hieronymus von Witzendorff to Lüneburg city library in 1711.

Vol 4

Composers: Change "Clemens non Papa-5" to "Clemens non Papa-7"; change "(Donato)-1" to "(Donato/Willaert)-1''; change "Scandello-4" to "Scandello-6"; add "(Tritonius)-1"; change "anon-44" to "anon-39."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Domine Jesu Christe respicere digneris	Clemens NP	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Domine Jesu Christe respicere digneris Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 1–2 Genres: Motet Source Attribution: Clemens NP Number of voices: 4
2v–3	In me transierunt irae tuae et terrores	Maillart	Maillard, Jean (fl. c1538–1570)
In me transierunt irae tuae et terrores Maillard, Jean (fl. c1538–1570) Appears on: 2v–3 Genres: Motet Source Attribution: Maillart Number of voices: 4
3v–5	Timor et tremor venit in Nivem civitatem	Clemens NP	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Timor et tremor venit in Nivem civitatem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 3v–5 Genres: Motet Source Attribution: Clemens NP Number of voices: 4
5–5v	In principio erat verbum - 2a pars (of 3): Fuit homo missus	Orlandi	Lassus, Orlande de (ca. 1532–1594)
In principio erat verbum - 2a pars (of 3): Fuit homo missus Lassus, Orlande de (ca. 1532–1594) Appears on: 5–5v Genres: Motet Source Attribution: Orlandi Number of voices: 4 General Note only the 2a pars is copied
5v–6	Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus	Clemens NP	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 5v–6 Genres: Motet Source Attribution: Clemens NP Number of voices: 4
6–6v	Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 6–6v Genres: Motet Number of voices: 4 General Note It is not clear from Hartmann & RISM-online whether the 2a pars is copied.
6v–7v	Factum est silentium in caelo dum draco	Ivo de Vento	Vento, Ivo de
Factum est silentium in caelo dum draco Vento, Ivo de Appears on: 6v–7v Genres: Motet Source Attribution: Ivo de Vento Number of voices: 4
7v–8v	Laudate Dominum in sanctis eius (4vv)	Jacobus Hendel	Handl (Gallus), Jacobus (1550–1591)
Laudate Dominum in sanctis eius (4vv) Handl (Gallus), Jacobus (1550–1591) Appears on: 7v–8v Genres: Motet Source Attribution: Jacobus Hendel Number of voices: 4
8v–9v	Tota pulchra es amica mea et macula	Cle: Morel	Morel, Clement
Tota pulchra es amica mea et macula Morel, Clement Appears on: 8v–9v Genres: Motet Source Attribution: Cle: Morel Number of voices: 4
10–11	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus	Berthe: le Bel	Le Bel, Barthelemy
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus Le Bel, Barthelemy Appears on: 10–11 Genres: Motet Source Attribution: Berthe: le Bel Number of voices: 4
11–11v	Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	-	Le Bel, Barthelemy
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit Le Bel, Barthelemy Appears on: 11–11v Genres: Motet Number of voices: 4
11v–12	Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?) Appears on: 11v–12 Genres: Motet Number of voices: 4
12v–13	Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 12v–13 Genres: Motet Number of voices: 4
13–14	Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum	T. Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 13–14 Genres: Motet Source Attribution: T. Crequillon Number of voices: 4
14–15	Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 14–15 Genres: Motet Number of voices: 4 General Note it is not clear from Hartmann (or RISM-online) whether the 2a pars is copied
15v–17	Beati omnes qui timent Dominum	Davidis Palladii	Palladius, David
Beati omnes qui timent Dominum Palladius, David Appears on: 15v–17 Genres: Motet Source Attribution: Davidis Palladii Number of voices: 4
17–18v	Nisi Dominus aedificaverit	Davidis Palladii	Palladius, David
Nisi Dominus aedificaverit Palladius, David Appears on: 17–18v Genres: Motet Source Attribution: Davidis Palladii Number of voices: 4
18v–19v	Omnia quae fecisti nobis Domine in vero	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Omnia quae fecisti nobis Domine in vero Lassus, Orlande de (ca. 1532–1594) Appears on: 18v–19v Genres: Motet Source Attribution: Orlandi Number of voices: 4 of 5
19v–20v	In me transierunt irae tuae	Orland:	Lassus, Orlande de (ca. 1532–1594)
In me transierunt irae tuae Lassus, Orlande de (ca. 1532–1594) Appears on: 19v–20v Genres: Motet Source Attribution: Orland: Number of voices: 4 of 5
20v–21	Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper	Eiusdem (= Lassus)	Lassus, Orlande de (ca. 1532–1594)
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper Lassus, Orlande de (ca. 1532–1594) Appears on: 20v–21 Genres: Motet Source Attribution: Eiusdem (= Lassus) Number of voices: 4 of 5
21v–22	Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea	-	Lassus, Orlande de (ca. 1532–1594)
Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea Lassus, Orlande de (ca. 1532–1594) Appears on: 21v–22 Genres: Motet Number of voices: 4 of 5
22v–23	Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius	Orland:	Lassus, Orlande de (ca. 1532–1594)
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius Lassus, Orlande de (ca. 1532–1594) Appears on: 22v–23 Genres: Motet Source Attribution: Orland: Number of voices: 4 of 5
23–23v	Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius	-	Lassus, Orlande de (ca. 1532–1594)
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius Lassus, Orlande de (ca. 1532–1594) Appears on: 23–23v Genres: Motet Number of voices: 4 of 5
23v–24v	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 23v–24v Genres: Motet Number of voices: 4 of 5
24v–25	Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum	Orl[ando di Lasso]	Lassus, Orlande de (ca. 1532–1594)
Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum Lassus, Orlande de (ca. 1532–1594) Appears on: 24v–25 Genres: Motet Source Attribution: Orl[ando di Lasso] Number of voices: 3 General Note Only this 3a pars is copied
25v–26	Geh deinen Weg auf rechtem Steg	-	Lassus, Orlande de (ca. 1532–1594) (?) Meiland, Jacob (1542–1577) (?) Lange, Gregor (ca. 1540–1587) (?)
Geh deinen Weg auf rechtem Steg Lassus, Orlande de (ca. 1532–1594) (?) Meiland, Jacob (1542–1577) (?) Lange, Gregor (ca. 1540–1587) (?) Appears on: 25v–26 Genres: Motet Number of voices: 4 of 5 General Note anonymous here, the piece is attributed to Lassus in Liegnitz 36 (Lublin N-3792 – N-3795) & Berlin 40210; also anon in 3 prints & Sammlung Bohn 15. For concordances and notes on the various attributions, see ZieglerS 2003 Item Bibliography Ziegler, Reinald. 2003. Die Musikaliensammlung der Stadtkirche St. Nikolai in Schmölln/Thüringen. Repertoiregeschichtliche Studien und Katalog. Ein Beitrag zur Musiküberlieferung im 16. und 17. Jahrhundert in Mitteldeutschland. Tübinger Beiträge zur Musikwissenschaft, vol. 23. Tutzing: Hans Schneider. Pages: I:191-2.
26–26v	Freut euch ihr Christen, freut euch von Herzen sehr	-	Anonymous
Freut euch ihr Christen, freut euch von Herzen sehr Anonymous Appears on: 26–26v Genres: Motet Number of voices: 4 Concordances RISM 1570-4: 5 (Eber, Etliche Geistliche vnd liebliche Gesenge I); RISM 1591-2:5 (Fuhrmann, Canilenae Latinae et Germanicae)
26v	Ehre sei Gott in der Hohe	-	Anonymous
Ehre sei Gott in der Hohe Anonymous Appears on: 26v Genres: Doxology Number of voices: 4 General Note Identified as an 'Appendix' to the previous piece in the Altus book, and in Bassus 'sequens adiungatur' ("the following piece is added on") this doxology is not transmitted with the printed versions of 'Freut euch'; it is also scored for a different group of voices.
26v–27v	Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem	C.N.P. [= Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 26v–27v Genres: Motet Source Attribution: C.N.P. [= Clemens non Papa] Number of voices: 4
27v–28	Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 27v–28 Genres: Motet Number of voices: 4
30	Rector potens verax Deus [Veni creator spiritus]	Martin.... [damaged]	Agricola, Martin (ca. 1486–1556)
Rector potens verax Deus [Veni creator spiritus] Agricola, Martin (ca. 1486–1556) Appears on: 30 Genres: Hymn Source Attribution: Martin.... [damaged] Number of voices: 4
30v	Summam quae doceant salutis [Vitam quae faciunt]	Martini Agricolae	Agricola, Martin (ca. 1486–1556)
Summam quae doceant salutis [Vitam quae faciunt] Agricola, Martin (ca. 1486–1556) Appears on: 30v Genres: Hymn Source Attribution: Martini Agricolae Number of voices: 4
31	Tu verus in verbis Deus [Iam lucis orto sidere]	Martini Agricolae	Agricola, Martin (ca. 1486–1556)
Tu verus in verbis Deus [Iam lucis orto sidere] Agricola, Martin (ca. 1486–1556) Appears on: 31 Genres: Hymn Source Attribution: Martini Agricolae Number of voices: 4
31v	Aufer immensam Deus aufer iram	-	Anonymous
Aufer immensam Deus aufer iram Anonymous Appears on: 31v Genres: Motet Number of voices: 4 Concordances Lubeck Mus A 217 (Bassus only) & several prints
31v–32	Nocte surgentes vigilemus omnes	Martini Agricolae	Agricola, Martin (ca. 1486–1556)
Nocte surgentes vigilemus omnes Agricola, Martin (ca. 1486–1556) Appears on: 31v–32 Genres: Motet Source Attribution: Martini Agricolae Number of voices: 4
32v	Qui super celsum resides Olympum (= Iam satis terris)	-	Tritonius, Petrus
Qui super celsum resides Olympum (= Iam satis terris) Tritonius, Petrus Appears on: 32v Genres: Motet Number of voices: 4
33	A Deo scirem nisi me creatum	Joachimi à Burck civis Mulhusini	Burck, Joachim à (1546–1610)
A Deo scirem nisi me creatum Burck, Joachim à (1546–1610) Appears on: 33 Genres: Motet Source Attribution: Joachimi à Burck civis Mulhusini Number of voices: 4 General Note This and the following 12 pieces are a group: "Sequuntur aliquot Odae Ludovici Helmboldi Mulhusini, suavibus harmoniis ornatae studio Joachimi à Burck civis Mulhusini." They were published in his Odae Sacrae I (1572), RISM A/I B 4961, nos. 1, 3, 5-10, 12-14, 17, 20. Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
33v	Curarum nihil invenitur expers	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Curarum nihil invenitur expers Burck, Joachim à (1546–1610) Appears on: 33v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
34	Proh summe contemplata universi	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Proh summe contemplata universi Burck, Joachim à (1546–1610) Appears on: 34 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
34v	Quid toties animam	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quid toties animam Burck, Joachim à (1546–1610) Appears on: 34v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
35–35v	Beatus ille quisquis est ut Enos	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Beatus ille quisquis est ut Enos Burck, Joachim à (1546–1610) Appears on: 35–35v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
36–36v	Sabbati colendi Deus autor est	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Sabbati colendi Deus autor est Burck, Joachim à (1546–1610) Appears on: 36–36v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
36v–37	Quantus homunicionis	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quantus homunicionis Burck, Joachim à (1546–1610) Appears on: 36v–37 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
37v–38	Quam delicatuli sumus	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quam delicatuli sumus Burck, Joachim à (1546–1610) Appears on: 37v–38 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
38v–39	Prudentes oculos habe	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Prudentes oculos habe Burck, Joachim à (1546–1610) Appears on: 38v–39 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
39–39v	Ter decem, ter et trecentos vixit Adamus annos	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Ter decem, ter et trecentos vixit Adamus annos Burck, Joachim à (1546–1610) Appears on: 39–39v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
40	Quid speciosa veste superbis?	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quid speciosa veste superbis? Burck, Joachim à (1546–1610) Appears on: 40 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
40v–41	Quam mirabilis est	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quam mirabilis est Burck, Joachim à (1546–1610) Appears on: 40v–41 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
41v–42	Vini potente Noa victus haustu	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Vini potente Noa victus haustu Burck, Joachim à (1546–1610) Appears on: 41v–42 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I B 4961 (Burck, Odae Sacrae I)
42v–43	Dilexi quoniam exaudiet Dominus vocem	-	Anonymous
Dilexi quoniam exaudiet Dominus vocem Anonymous Appears on: 42v–43 Genres: Psalm Number of voices: 4
45	Dulcis memoria et suavis recordatio (= Doulce memoire)	Clemens Marotus (text author)	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Dulcis memoria et suavis recordatio (= Doulce memoire) Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 45 Genres: Motet Source Attribution: Clemens Marotus (text author) Number of voices: 4
45v	Susanna se videns rapi stuprandam fraude (= Susanne un jour)	-	Lupi (II), Didier
Susanna se videns rapi stuprandam fraude (= Susanne un jour) Lupi (II), Didier Appears on: 45v Genres: Motet Number of voices: 4
46	Cantate Domino (= Sta notte)	Antonii Scandelli	Scandello, Antonio
Cantate Domino (= Sta notte) Scandello, Antonio Appears on: 46 Genres: Contrafactum, Motet Source Attribution: Antonii Scandelli Number of voices: 4
46v–47	O caeli o terrae o maris (= S'io canto)	Antonii Scandelli	Scandello, Antonio
O caeli o terrae o maris (= S'io canto) Scandello, Antonio Appears on: 46v–47 Genres: Contrafactum, Motet Source Attribution: Antonii Scandelli Number of voices: 4
47–47v	Cum sit omnipotens rector Olympi (= Madonna mia pieta)	-	Lassus, Orlande de (ca. 1532–1594)
Cum sit omnipotens rector Olympi (= Madonna mia pieta) Lassus, Orlande de (ca. 1532–1594) Appears on: 47–47v Genres: Contrafactum, Motet Number of voices: 4
47v–48	Cum ignoremus Domini	-	Anonymous
Cum ignoremus Domini Anonymous Appears on: 47v–48 Genres: Motet Number of voices: 4 General Note perhaps an unidentified contrafact, as it is surrounded by other contrafacta
48–48v	Vere Deus qui pater es dilecti filii (= C'est a grand tort)	-	Baston, Josquin (fl. 1542–63)
Vere Deus qui pater es dilecti filii (= C'est a grand tort) Baston, Josquin (fl. 1542–63) Appears on: 48–48v Genres: Contrafactum, Motet Number of voices: 4
48v–49	Jerusalem quae occidis	-	Anonymous
Jerusalem quae occidis Anonymous Appears on: 48v–49 Genres: Motet Number of voices: 3 General Note perhaps an unidentified contrafact, as it is surrounded by other contrafacta
49–49v	Quaerite primum regnum Dei	-	Anonymous
Quaerite primum regnum Dei Anonymous Appears on: 49–49v Genres: Motet Number of voices: 4 General Note perhaps an unidentified contrafact, as it is surrounded by other contrafacta
50–50v	Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita)	-	Donato, Baldassare (ca. 1529–1603)
Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita) Donato, Baldassare (ca. 1529–1603) Appears on: 50–50v Genres: Contrafactum, Motet Number of voices: 4 Concordances also appears as "Veni novena turba" in RISM B/I 1580-7, no.23
51–51v	Dulce commercium	-	Schroeter, Leonhard
Dulce commercium Schroeter, Leonhard Appears on: 51–51v Genres: Motet Number of voices: 4 Concordances concordance in RISM A/I: S 2229 (= RISM B/I 1576-2), no.8
52	Laudate Dominum omnes gentes	-	Anonymous
Laudate Dominum omnes gentes Anonymous Appears on: 52 Genres: Psalm Number of voices: 4
52v–53v	In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum	-	Anonymous
In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum Anonymous Appears on: 52v–53v Genres: Psalm Number of voices: 4
53v–54	O lux beata trinitas	-	Anonymous
O lux beata trinitas Anonymous Appears on: 53v–54 Genres: Hymn Number of voices: 4
54–54v	Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes	Joan: Tolpius (sic)	Tollius, Joannes
Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes Tollius, Joannes Appears on: 54–54v Genres: Motet Source Attribution: Joan: Tolpius (sic) Number of voices: 3 General Note "Fuga 3. Vocum. Secundus Discantus in eodem post medium tempus. Bassus in subdiapason post mediam pausam per contrarium motum." Concordances Only this 2a pars is copied; the whole motet is printed in RISM A/I: T 913 (Jan Tollius, Moduli trium vocum, 1597)
54v–55	Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia Lassus, Orlande de (ca. 1532–1594) Appears on: 54v–55 Genres: Motet Source Attribution: Orlandi Number of voices: 2 General Note An arrangement as a bicinium of the 1a pars (only) of Lassus's motet, by Friedrich Lindner, as published in Bicinia sacra, RISM B/I: 1591-27,
55–55v	Penitential psalms 5vv - 5. Domine exaudi orationem: (excerpt) Tota die exprobabant mihi)	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Penitential psalms 5vv - 5. Domine exaudi orationem: (excerpt) Tota die exprobabant mihi) Lassus, Orlande de (ca. 1532–1594) Appears on: 55–55v Genres: Motet Source Attribution: Orlandi Number of voices: 2 General Note A bicinium, the 9th section of the penitential psalm extracted & arranged by Friedrich Lindner, and published in Bicinia sacra, RISM B/I: 1591-27
55v–56v	Amici mei et proximi mei	Jacob: Reineri	Reiner, Jacob
Amici mei et proximi mei Reiner, Jacob Appears on: 55v–56v Genres: Motet Source Attribution: Jacob: Reineri Number of voices: 2 Concordances Lindner, Bicinia sacra, 1591
56v–57	Auditam fac mihi - 2a pars (of 4): Eripe me Domine	Jacob: Hendel	Handl (Gallus), Jacobus (1550–1591)
Auditam fac mihi - 2a pars (of 4): Eripe me Domine Handl (Gallus), Jacobus (1550–1591) Appears on: 56v–57 Genres: Motet Source Attribution: Jacob: Hendel Number of voices: 2 Concordances Only the 2a pars, extracted as a bicinium. Published in Bicinia sacra, RISM B/I: 1591-27; and as part of Gallus's Opus musicum
57–58	Jubilate Deo omnis terra servite Domino	Hendl	Handl (Gallus), Jacobus (1550–1591)
Jubilate Deo omnis terra servite Domino Handl (Gallus), Jacobus (1550–1591) Appears on: 57–58 Genres: Motet Source Attribution: Hendl Number of voices: 3 of 4 General Note The piece is omitted from the Tenor book (the 4th voice was perhaps in the Quintus).
58v–59	Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me	-	Lassus, Orlande de (ca. 1532–1594)
Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me Lassus, Orlande de (ca. 1532–1594) Appears on: 58v–59 Genres: Motet Number of voices: 3 General Note 6th section of the penitential psalm, "Dixi confitebor adversum me", extracted as a tricinium
61–61v	Allein nach dir Herr Jesu Christ (= Si pur ti guardo)	-	Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?)
Allein nach dir Herr Jesu Christ (= Si pur ti guardo) Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 61–61v Genres: Contrafactum, Hymn Number of voices: 4
62–62v	Mein Trost und Hülf' ist Gott allein	-	Dressler, Gallus
Mein Trost und Hülf' ist Gott allein Dressler, Gallus Appears on: 62–62v Genres: Motet Number of voices: 4
62v–63v	Wer in der Welt recht leben will	Davidis Palladii	Palladius, David
Wer in der Welt recht leben will Palladius, David Appears on: 62v–63v Genres: Motet Source Attribution: Davidis Palladii Number of voices: 4
63v–64	Auf dich allein du treuer Gott	-	Burck, Joachim à (1546–1610)
Auf dich allein du treuer Gott Burck, Joachim à (1546–1610) Appears on: 63v–64 Genres: Motet Number of voices: 4
64–65	Bewahr mich Herr und sei nicht fern	-	Zirler, Stephan (ca. 1518–1568)
Bewahr mich Herr und sei nicht fern Zirler, Stephan (ca. 1518–1568) Appears on: 64–65 Genres: Sacred Song Number of voices: 4
65–66	Der Herr ist mein Hirte	David: Palladii	Palladius, David
Der Herr ist mein Hirte Palladius, David Appears on: 65–66 Genres: Motet Source Attribution: David: Palladii Number of voices: 4
66–67	Da Jacob das Kleid ansah mit großem Schmerzen	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550)
Da Jacob das Kleid ansah mit großem Schmerzen Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550) Appears on: 66–67 Genres: Motet Number of voices: 4
67–67v	Christe du Lamm Gottes	Davidis Palladii	Palladius, David
Christe du Lamm Gottes Palladius, David Appears on: 67–67v Genres: Motet Source Attribution: Davidis Palladii Number of voices: 4
68–68v	Ach Herr in deine Hande	-	Dressler, Gallus
Ach Herr in deine Hande Dressler, Gallus Appears on: 68–68v Genres: Motet Number of voices: 4
68v–69	Lasset die Kindlein zu mir kommen	Leonardus Scröterus (sic)	Schroeter, Leonhard
Lasset die Kindlein zu mir kommen Schroeter, Leonhard Appears on: 68v–69 Genres: Motet Source Attribution: Leonardus Scröterus (sic) Number of voices: 4
69v–70	Gott ist mein licht und mein seligkeit	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Gott ist mein licht und mein seligkeit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 69v–70 Genres: Motet Number of voices: 4 General Note modern pencil attribution "M.Praetorius?"; like much of the music in this part of the book, the piece appeared anonymously in his 'Musae Sioniae' bk 7
70v	Wer Gott vertraut hat wohl gebaut	-	Magdeburg, Joachim (?)
Wer Gott vertraut hat wohl gebaut Magdeburg, Joachim (?) Appears on: 70v Genres: Motet Number of voices: 4 General Note Appears in Magdeburg's 'Tischgeseng' of 1572 and a number of later prints; but Magdeburg may be the text author rather than the composer
70v–71	Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir	Galli Dresleri	Dressler, Gallus
Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir Dressler, Gallus Appears on: 70v–71 Genres: Motet Source Attribution: Galli Dresleri Number of voices: 4
71v–72	Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf	-	Dressler, Gallus
Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf Dressler, Gallus Appears on: 71v–72 Genres: Motet Number of voices: 4
72–72v	Betruebet sehr bin ich von Herzen (= Bon jour mon coeur)	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Betruebet sehr bin ich von Herzen (= Bon jour mon coeur) Lassus, Orlande de (ca. 1532–1594) Appears on: 72–72v Genres: Contrafactum, Motet Source Attribution: Orlandi Number of voices: 4
72v–73v	Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier	Leonardi Lechneri	Lechner, Leonhard
Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier Lechner, Leonhard Appears on: 72v–73v Genres: Motet Source Attribution: Leonardi Lechneri Number of voices: 4
73v–74	Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein	-	Lechner, Leonhard
Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein Lechner, Leonhard Appears on: 73v–74 Genres: Motet Number of voices: 4
74–74v	Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott	-	Lechner, Leonhard
Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott Lechner, Leonhard Appears on: 74–74v Genres: Motet Number of voices: 4
74v–75	Auf dich trau ich mein Herr und Gott	-	Scandello, Antonio
Auf dich trau ich mein Herr und Gott Scandello, Antonio Appears on: 74v–75 Genres: Hymn Number of voices: 4
75v	O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich	Jacobi Hendl	Handl (Gallus), Jacobus (1550–1591)
O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich Handl (Gallus), Jacobus (1550–1591) Appears on: 75v Genres: Motet Source Attribution: Jacobi Hendl Number of voices: 4
76	O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist	-	Handl (Gallus), Jacobus (1550–1591)
O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist Handl (Gallus), Jacobus (1550–1591) Appears on: 76 Genres: Motet Number of voices: 4
76v	O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist	-	Handl (Gallus), Jacobus (1550–1591)
O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist Handl (Gallus), Jacobus (1550–1591) Appears on: 76v Genres: Motet Number of voices: 4
76v–77	Wer Gott vertraut zu aller Stund	-	Schramm, Melchior
Wer Gott vertraut zu aller Stund Schramm, Melchior Appears on: 76v–77 Genres: Motet Number of voices: 4
77v–78	Gott der Vater wohn uns bei	-	Anonymous
Gott der Vater wohn uns bei Anonymous Appears on: 77v–78 Genres: Motet Number of voices: 4
80	Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt)	-	Tritonius, Petrus
Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt) Tritonius, Petrus Appears on: 80 Genres: Contrafactum, Motet Number of voices: 4 General Note A contrafact of Tritonius's Horatian setting, from Odarum Horatii concentus (1532)
80v–81	Was mein Gott will das g'scheh allzeit (= Il me suffit)	-	Sermisy, Claudin de (ca. 1490–1562)
Was mein Gott will das g'scheh allzeit (= Il me suffit) Sermisy, Claudin de (ca. 1490–1562) Appears on: 80v–81 Genres: Contrafactum, Motet Number of voices: 4
81v–82	Nun lasst uns Gott dem Herren	-	Musculus [or Meusel], Balthasar
Nun lasst uns Gott dem Herren Musculus [or Meusel], Balthasar Appears on: 81v–82 Genres: Chorale Number of voices: 4 Concordances printed in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him
82v–83	Lobet den Herren, den er ist sehr freundlich	-	Scandello, Antonio
Lobet den Herren, den er ist sehr freundlich Scandello, Antonio Appears on: 82v–83 Genres: Lied, Sacred Song Number of voices: 4
83v–84	Herzlich lieb hab ich dich o herr	-	Musculus [or Meusel], Balthasar
Herzlich lieb hab ich dich o herr Musculus [or Meusel], Balthasar Appears on: 83v–84 Genres: Chorale Number of voices: 4 General Note printed in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him
84v–85	Mei'm lieben Gott ergeb' ich mich	-	Anonymous
Mei'm lieben Gott ergeb' ich mich Anonymous Appears on: 84v–85 Genres: Motet Number of voices: 4
85v–86	Allein zu dir Herr Jesu Christ (= Le jaune et bleu)	-	Anonymous
Allein zu dir Herr Jesu Christ (= Le jaune et bleu) Anonymous Appears on: 85v–86 Genres: Contrafactum, Motet Number of voices: 4 Concordances German contrafact text; the French chanson in in RISM B/I: 1528-7
86v–87	Von Gott will ich nicht lassen	-	Anonymous
Von Gott will ich nicht lassen Anonymous Appears on: 86v–87 Genres: Motet Number of voices: 4 Concordances printed in J Magdeburg, 'Tischgeseng', 1572
87v–88	Patientiam muss ich han und lieget mir nicht viel daran	-	Anonymous
Patientiam muss ich han und lieget mir nicht viel daran Anonymous Appears on: 87v–88 Genres: Lied Number of voices: 4 General Note with text "Patientiam muß ich han und soll nicht viel liegen daran" in Das deutsche Kirchenlied
88v–89	Wenn wir in höchsten nothen sein	-	Scandello, Antonio
Wenn wir in höchsten nothen sein Scandello, Antonio Appears on: 88v–89 Genres: Hymn Number of voices: 4
89–89v	Hats Gott versehn wer will uns wehrn	-	Musculus [or Meusel], Balthasar
Hats Gott versehn wer will uns wehrn Musculus [or Meusel], Balthasar Appears on: 89–89v Genres: Chorale Number of voices: 4 General Note printed in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him (note-values here are halved vs the print)
89v–90	Herr Gott du bist von Ewigkeit	-	Burck, Joachim à (1546–1610)
Herr Gott du bist von Ewigkeit Burck, Joachim à (1546–1610) Appears on: 89v–90 Genres: Motet Number of voices: 4
90v–91	Warumb betriebstu dich mein herz	-	Magdeburg, Joachim
Warumb betriebstu dich mein herz Magdeburg, Joachim Appears on: 90v–91 Genres: Song Number of voices: 4 General Note printed in Magdeburg's 'Tischgeseng' (1572); perhaps he is text authot, or perhaps composed the piece
91v–92	Ach Vater unser all (= Venus du und dein Kind)	Jacobus Regnart	Regnart, Jacob (ca. 1540–1599)
Ach Vater unser all (= Venus du und dein Kind) Regnart, Jacob (ca. 1540–1599) Appears on: 91v–92 Genres: Contrafactum, Motet Source Attribution: Jacobus Regnart Number of voices: 3 General Note with note in the ms: "Ein Vater vnser auff die Melodie Venus du vnd dein Kind &c."
92v	Ach Satan wie oft krankest du	-	Anonymous
Ach Satan wie oft krankest du Anonymous Appears on: 92v Genres: Motet Number of voices: 4
93	Bei deinem Wort erhalt uns Herr	-	Anonymous
Bei deinem Wort erhalt uns Herr Anonymous Appears on: 93 Genres: Motet Number of voices: 4
93v–94	Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut)	Jacobus Regnart	Regnart, Jacob (ca. 1540–1599)
Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut) Regnart, Jacob (ca. 1540–1599) Appears on: 93v–94 Genres: Contrafactum, Motet Source Attribution: Jacobus Regnart Number of voices: 3
93v–94	So wahr ich leb spricht Gott der Herr	eiusdem (=Regnart)	Regnart, Jacob (ca. 1540–1599) (?)
So wahr ich leb spricht Gott der Herr Regnart, Jacob (ca. 1540–1599) (?) Appears on: 93v–94 Genres: Motet Source Attribution: eiusdem (=Regnart) Number of voices: 3 General Note Although attributed to Regnart ("eiusdem"), the music is not found in Regnart's 3vv - unlike the previous 2 3vv Regnart contrafacta
94v–95	Christe qui lux es, et dies / Christe der du bist Tag und Licht	-	Anonymous
Christe qui lux es, et dies / Christe der du bist Tag und Licht Anonymous Appears on: 94v–95 Genres: Hymn Number of voices: 4
95v–96	Da Jesus an dem Kreuze stund	Christopho: Praetori:	Praetorius, Christoph
Da Jesus an dem Kreuze stund Praetorius, Christoph Appears on: 95v–96 Genres: Motet Source Attribution: Christopho: Praetori: Number of voices: 4
96v–97v	Patris sapientia veritas divina / Christus der uns selig macht	Euricius Dedeki:	Dedekind, Euricius
Patris sapientia veritas divina / Christus der uns selig macht Dedekind, Euricius Appears on: 96v–97v Genres: Motet Source Attribution: Euricius Dedeki: Number of voices: 4
97v–98	Danket dem Herren denn er ist sehr freundlich	Lech:	Lechner, Leonhard
Danket dem Herren denn er ist sehr freundlich Lechner, Leonhard Appears on: 97v–98 Genres: Motet Source Attribution: Lech: Number of voices: 4
100	Veni redemptor gentium ostende partum	Martinus Agricola	Agricola, Martin (ca. 1486–1556)
Veni redemptor gentium ostende partum Agricola, Martin (ca. 1486–1556) Appears on: 100 Genres: Hymn Source Attribution: Martinus Agricola Number of voices: 4
100v	A solis ortu cardine	Martini Agricolae	Agricola, Martin (ca. 1486–1556)
A solis ortu cardine Agricola, Martin (ca. 1486–1556) Appears on: 100v Genres: Hymn Source Attribution: Martini Agricolae Number of voices: 4
101	Von Himmel kam der Engel Schar	David Palladius	Palladius, David
Von Himmel kam der Engel Schar Palladius, David Appears on: 101 Genres: Motet Source Attribution: David Palladius Number of voices: 4
101v–103	Christum wir sollen loben schon	-	Anonymous
Christum wir sollen loben schon Anonymous Appears on: 101v–103 Genres: Motet Number of voices: 4 Concordances printed by Eitner 1544; Eber "Etliche Geistliche und liebliche Gesenge" 1570; Fuhrmann 1591
103v–104	Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem	-	Figulus, Wolfgang (ca. 1525–1589)
Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem Figulus, Wolfgang (ca. 1525–1589) Appears on: 103v–104 Genres: Hymn Number of voices: 4
104v–105	Gelobet seist Du, Jesu Christ, dass Du Mensch	-	Walter, Johann (1496–1570)
Gelobet seist Du, Jesu Christ, dass Du Mensch Walter, Johann (1496–1570) Appears on: 104v–105 Genres: Chorale, Sacred Song Number of voices: 4
105v–106	Allein Gott in der Höhe sei Ehr	-	Anonymous
Allein Gott in der Höhe sei Ehr Anonymous Appears on: 105v–106 Genres: Motet Number of voices: 4 General Note modern asciptionr in pencil (wrongly) to Leonhard Schröter General Note modern ascription in pencil (wrongly) to Leonhard Schröter
106v–107	In dulci jubilo	-	Anonymous
In dulci jubilo Anonymous Appears on: 106v–107 Genres: Hymn Number of voices: 4
107v–108	Herr Christ der einig Gottes Sohn	-	Walter, Johann (1496–1570)
Herr Christ der einig Gottes Sohn Walter, Johann (1496–1570) Appears on: 107v–108 Genres: Chorale, Sacred Song Number of voices: 4
108–109	Das alte Jahr vergangen ist, wir danken dir	-	Fine, Arnoldus de
Das alte Jahr vergangen ist, wir danken dir Fine, Arnoldus de Appears on: 108–109 Genres: Motet, Sacred Song Number of voices: 4
109v	Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit	Christiani praetorii	Praetorius, Christian
Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit Praetorius, Christian Appears on: 109v Genres: Motet Source Attribution: Christiani praetorii Number of voices: 4
110	Fortiter elapsum - 2a pars (of 2): Avertitque favens	-	Praetorius, Christian
Fortiter elapsum - 2a pars (of 2): Avertitque favens Praetorius, Christian Appears on: 110 Genres: Motet Number of voices: 4
110v	Grates nunc omnes / Dank sagen wir - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo / Dank sagen wir alle Gott	-	Anonymous
Grates nunc omnes / Dank sagen wir - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo / Dank sagen wir alle Gott Anonymous Appears on: 110v Genres: Motet Number of voices: 2 General Note Annotated 'Fuga in diapason post unum tempus' - but the part copied is the same in both books! (The canon is not written out)
110v	Grates nunc omnes - 2a pars (of 2): Huic oportet / Den sollen wir alle	-	Anonymous
Grates nunc omnes - 2a pars (of 2): Huic oportet / Den sollen wir alle Anonymous Appears on: 110v Genres: Motet Number of voices: 2
111	Rex regum - 1a pars (of 2): Rex regum Dominus dominorum	Christiani praetorii	Praetorius, Christian
Rex regum - 1a pars (of 2): Rex regum Dominus dominorum Praetorius, Christian Appears on: 111 Genres: Motet Source Attribution: Christiani praetorii Number of voices: 4
111v	Rex regum - 2a pars (of 2): Huic pateant urbes	-	Praetorius, Christian
Rex regum - 2a pars (of 2): Huic pateant urbes Praetorius, Christian Appears on: 111v Genres: Motet Number of voices: 4
112	Jetzt sprosst herfür aus Davids Stämmelein (4vv)	-	Freundt, Cornelius (1535–1591)
Jetzt sprosst herfür aus Davids Stämmelein (4vv) Freundt, Cornelius (1535–1591) Appears on: 112 Genres: Sacred Song Number of voices: 4
112v–113	Nun komm der Heiden Heiland	Autore M. Joh. Heil F. R. L L. ad D. Thom:	Heil, Joh[ann]
Nun komm der Heiden Heiland Heil, Joh[ann] Appears on: 112v–113 Genres: Hymn Source Attribution: Autore M. Joh. Heil F. R. L L. ad D. Thom: Number of voices: 4
113v–114	Das alte Jahr vergangen ist	-	Steurlein, Johannes
Das alte Jahr vergangen ist Steurlein, Johannes Appears on: 113v–114 Genres: Motet Number of voices: 4
114v–115	Uber's Gebirg Maria geht	-	Eccard, Johannes (1553–1611)
Uber's Gebirg Maria geht Eccard, Johannes (1553–1611) Appears on: 114v–115 Genres: Motet Number of voices: 4
115v–116	Der Zacharias ganz verstummt	-	Burck, Joachim à (1546–1610)
Der Zacharias ganz verstummt Burck, Joachim à (1546–1610) Appears on: 115v–116 Genres: Motet Number of voices: 4
115v–116	Der Heiland offenbaret	-	Burck, Joachim à (1546–1610)
Der Heiland offenbaret Burck, Joachim à (1546–1610) Appears on: 115v–116 Genres: Motet Number of voices: 4
117v–118	Der heiligen Dreifaltigkeit Fest	Joach: à Burck	Burck, Joachim à (1546–1610)
Der heiligen Dreifaltigkeit Fest Burck, Joachim à (1546–1610) Appears on: 117v–118 Genres: Motet Source Attribution: Joach: à Burck Number of voices: 4
118v–119	Der Heilig Geist vom Himmel kam	Joh: Eccardi Mulhusini	Eccard, Johannes (1553–1611)
Der Heilig Geist vom Himmel kam Eccard, Johannes (1553–1611) Appears on: 118v–119 Genres: Motet Source Attribution: Joh: Eccardi Mulhusini Number of voices: 4
119v	Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit	Jacobi Hendl	Handl (Gallus), Jacobus (1550–1591)
Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit Handl (Gallus), Jacobus (1550–1591) Appears on: 119v Genres: Motet Source Attribution: Jacobi Hendl Number of voices: 4 General Note Hartmann's catalogue does not indicate that the 2a pars is present
120	Ecce quomodo - 2a pars (of 2): In pace factus est locus eius	-	Handl (Gallus), Jacobus (1550–1591)
Ecce quomodo - 2a pars (of 2): In pace factus est locus eius Handl (Gallus), Jacobus (1550–1591) Appears on: 120 Genres: Motet Number of voices: 4 General Note Hartmann's catalogue does not indicate that the 2a pars is present
120v–121	Herr Jesu Christ wahr'r Mensch und Gott	-	Anonymous
Herr Jesu Christ wahr'r Mensch und Gott Anonymous Appears on: 120v–121 Genres: Motet Number of voices: 4
121v–122	Ich weiss, dass mein Erlöser lebt	Joach: a Burgk	Burck, Joachim à (1546–1610)
Ich weiss, dass mein Erlöser lebt Burck, Joachim à (1546–1610) Appears on: 121v–122 Genres: Hymn Source Attribution: Joach: a Burgk Number of voices: 4 General Note "Epitaphium hertzogk Johann Wilhelms zu Sachsenn &c unter S. F. D. Namen begriffen" i.e. the initial letters of the verses make an acrostic of his name
122v–123	Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ	Christophori Praetorii	Praetorius, Christoph
Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ Praetorius, Christoph Appears on: 122v–123 Genres: Motet Source Attribution: Christophori Praetorii Number of voices: 4 of 5 General Note Two pieces of music are copied across the opening, both sharing the same text. Hartmann ascribes both to Praetorius; RISM assumes the ascription does not apply to the second setting.
122v–123	Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ	-	Anonymous
Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ Anonymous Appears on: 122v–123 Genres: Motet Number of voices: 4 of 5 General Note Two pieces of music are copied across the opening, both sharing the same text. Hartmann ascribes both to Praetorius; RISM assumes the ascription does not apply to the second setting.
123v–124	Ach wir armen Sunder	compositum per Joannem Bertramum, Cantorem Lunaeburg:	Bertram, Johann
Ach wir armen Sunder Bertram, Johann Appears on: 123v–124 Genres: Motet Source Attribution: compositum per Joannem Bertramum, Cantorem Lunaeburg: Number of voices: 4
124v	O Lamm Gottes unschuldig	-	Anonymous
O Lamm Gottes unschuldig Anonymous Appears on: 124v Genres: Motet Number of voices: 4 Concordances Magdeburg 'Tischgeseng' 1572
125	O Christ der du bist vom Tod auferstanden	Joachim à Burgk	Burck, Joachim à (1546–1610)
O Christ der du bist vom Tod auferstanden Burck, Joachim à (1546–1610) Appears on: 125 Genres: Motet Source Attribution: Joachim à Burgk Number of voices: 4
125v–126	Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	-	Anonymous
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ Anonymous Appears on: 125v–126 Genres: Motet Number of voices: 4 Concordances Praetorius 'Musae Sioniae' V (1607), 131
126v	Jesus Christus unser Heiland	-	Anonymous
Jesus Christus unser Heiland Anonymous Appears on: 126v Genres: Hymn Number of voices: 2 General Note The following setting (by Dedekind) uses the Tenor melody from this bicinium as its DIscantus. Hartmann's catalogue identifies both under the same piece-number. Concordances printed in "Psalmodia, hoc est Cantica Sacra", Nuremberg 1553, edited by Lucas Lossius, p.295; there notated in hufnagel
126v	Jesus Christus unser Heiland	Euri: Dedekin:	Dedekind, Euricius
Jesus Christus unser Heiland Dedekind, Euricius Appears on: 126v Genres: Hymn Source Attribution: Euri: Dedekin: Number of voices: 4 General Note uses the tenor melody of the Lossius piece above as Discantus; only the first 5 notes of it are (re-)written in the Discantus
127–127v	Ich bin die aufferstehung und das leben	-	Dressler, Gallus
Ich bin die aufferstehung und das leben Dressler, Gallus Appears on: 127–127v Genres: Motet Number of voices: 4
127v–128v	Congratulamini mihi omnes qui diligitis	Clemens NP	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Congratulamini mihi omnes qui diligitis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 127v–128v Genres: Motet Source Attribution: Clemens NP Number of voices: 4
128v–130	Tulerunt Dominum meum et nescio ubi	Jean Pierre	Pierre, Jean
Tulerunt Dominum meum et nescio ubi Pierre, Jean Appears on: 128v–130 Genres: Motet Source Attribution: Jean Pierre Number of voices: 4
130–130v	Vespera nunc [jam] venit nobiscum Christo maneto	-	Dressler, Gallus
Vespera nunc [jam] venit nobiscum Christo maneto Dressler, Gallus Appears on: 130–130v Genres: Motet Number of voices: 4
131v–132	Ascendit Christus hodie / Gefahren ist der heil'ge Christ	-	Anonymous
Ascendit Christus hodie / Gefahren ist der heil'ge Christ Anonymous Appears on: 131v–132 Genres: Motet Number of voices: 4
132v–133	Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad	-	Anonymous
Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad Anonymous Appears on: 132v–133 Genres: Motet Number of voices: 4
133v	Veni maxime spiritus	Martinus Agricola	Agricola, Martin (ca. 1486–1556)
Veni maxime spiritus Agricola, Martin (ca. 1486–1556) Appears on: 133v Genres: Motet Source Attribution: Martinus Agricola Number of voices: 4
133v	Veni maxime spiritus	-	Anonymous
Veni maxime spiritus Anonymous Appears on: 133v Genres: Motet Number of voices: 4 General Note Another setting of teh text following the Agricola version General Note Another setting of the text following the Agricola version
134	Quando Christus ascenderat / Da Christus aufgefahren war	Christophori Praetorii	Praetorius, Christoph
Quando Christus ascenderat / Da Christus aufgefahren war Praetorius, Christoph Appears on: 134 Genres: Motet Source Attribution: Christophori Praetorii Number of voices: 4
134v–135	Viri Galilaei quid aspicitis in caelum	-	Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Viri Galilaei quid aspicitis in caelum Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 134v–135 Genres: Motet Number of voices: 4
135v–136	Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit	Joh: Eccardi Mulhusini	Eccard, Johannes (1553–1611)
Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit Eccard, Johannes (1553–1611) Appears on: 135v–136 Genres: Motet Source Attribution: Joh: Eccardi Mulhusini Number of voices: 4
136v–137	Der Heiland ist erhoehet	-	Burck, Joachim à (1546–1610)
Der Heiland ist erhoehet Burck, Joachim à (1546–1610) Appears on: 136v–137 Genres: Motet Number of voices: 4
137v–138	Gen Himmel fahrt der Herre Christ	Joh: Eccardi	Eccard, Johannes (1553–1611)
Gen Himmel fahrt der Herre Christ Eccard, Johannes (1553–1611) Appears on: 137v–138 Genres: Motet Source Attribution: Joh: Eccardi Number of voices: 4
138v	Der Heiland hoch erhaben	-	Burck, Joachim à (1546–1610)
Der Heiland hoch erhaben Burck, Joachim à (1546–1610) Appears on: 138v Genres: Motet Number of voices: 4
140–141	Ach du edler Rebensaft wie wünsch' ich mir so oft	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Ach du edler Rebensaft wie wünsch' ich mir so oft Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 140–141 Genres: Lied Number of voices: 4
141v	Musica Klang lieblicher Gsang	Leonardi Lechneri	Lechner, Leonhard
Musica Klang lieblicher Gsang Lechner, Leonhard Appears on: 141v Genres: Lied Source Attribution: Leonardi Lechneri Number of voices: 4 Concordances Lechner 'Dreistimmige deutsche Lieder I', 1576, no.17
142	Jagen Hetzen und Federspiel bringen dem Herzen Freuden viel	Lechneri	Lechner, Leonhard
Jagen Hetzen und Federspiel bringen dem Herzen Freuden viel Lechner, Leonhard Appears on: 142 Genres: Lied Source Attribution: Lechneri Number of voices: 3 Concordances Lechner 'Dreistimmige deutsche Lieder II', 1577, no.5
142v	Geduld um Schuld will haben ich	Lechneri	Lechner, Leonhard
Geduld um Schuld will haben ich Lechner, Leonhard Appears on: 142v Genres: Lied Source Attribution: Lechneri Number of voices: 3 Concordances Lechner 'Dreistimmige deutsche Lieder II', 1577, no.17
143	Gut Singer und ein Organist	Lechneri	Lechner, Leonhard
Gut Singer und ein Organist Lechner, Leonhard Appears on: 143 Genres: Lied Source Attribution: Lechneri Number of voices: 3 Concordances Lechner 'Dreistimmige deutsche Lieder I', 1576, no.1
143v	Durch Wald und Tal gar mannig mal	Leonardi Lechneri	Lechner, Leonhard
Durch Wald und Tal gar mannig mal Lechner, Leonhard Appears on: 143v Genres: Lied Source Attribution: Leonardi Lechneri Number of voices: 3 Concordances Lechner 'Dreistimmige deutsche Lieder II', 1577, no.1
144	Patientiam muss ich han wohlan	-	Lechner, Leonhard
Patientiam muss ich han wohlan Lechner, Leonhard Appears on: 144 Genres: Lied Number of voices: 3 Concordances Lechner 'Dreistimmige deutsche Lieder II', 1577, no.8
144v–145	Wer sich allein auf Gluck verlat	Leonardi Lechneri	Lechner, Leonhard
Wer sich allein auf Gluck verlat Lechner, Leonhard Appears on: 144v–145 Genres: Lied Source Attribution: Leonardi Lechneri Number of voices: 3 Concordances Lechner 'Dreistimmige deutsche Lieder II', 1577, no.6
145v–146	Vinum quae pars verstehst du das	Ivonis de Vento	Vento, Ivo de
Vinum quae pars verstehst du das Vento, Ivo de Appears on: 145v–146 Genres: Lied Source Attribution: Ivonis de Vento Number of voices: 4
146–146v	Mancher der spricht im Maien	Ivonis de Vento	Vento, Ivo de
Mancher der spricht im Maien Vento, Ivo de Appears on: 146–146v Genres: Lied Source Attribution: Ivonis de Vento Number of voices: 4
147–148	Ich weiss mir ein festes gebautes haus	Ant: Scandell:	Scandello, Antonio
Ich weiss mir ein festes gebautes haus Scandello, Antonio Appears on: 147–148 Genres: Song Source Attribution: Ant: Scandell: Number of voices: 4 of 5
148v–149v	Ein treues Herz in Ehren	-	Anonymous
Ein treues Herz in Ehren Anonymous Appears on: 148v–149v Genres: Lied Number of voices: 4

Composer	Compositions
Agricola, Martin (ca. 1486-1556)	A solis ortu cardine – 100v Nocte surgentes vigilemus omnes – 31v–32 Rector potens verax Deus [Veni creator spiritus] – 30 Summam quae doceant salutis [Vitam quae faciunt] – 30v Tu verus in verbis Deus [Iam lucis orto sidere] – 31 Veni maxime spiritus – 133v Veni redemptor gentium ostende partum – 100
Alder, Cosmas (1500-1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 66–67
Anonymous	Ach Satan wie oft krankest du – 92v Allein Gott in der Höhe sei Ehr – 105v–106 Allein zu dir Herr Jesu Christ (= Le jaune et bleu) – 85v–86 Ascendit Christus hodie / Gefahren ist der heil'ge Christ – 131v–132 Aufer immensam Deus aufer iram – 31v Bei deinem Wort erhalt uns Herr – 93 Christe qui lux es, et dies / Christe der du bist Tag und Licht – 94v–95 Christum wir sollen loben schon – 101v–103 Cum ignoremus Domini – 47v–48 Dilexi quoniam exaudiet Dominus vocem – 42v–43 Ehre sei Gott in der Hohe – 26v Ein treues Herz in Ehren – 148v–149v Freut euch ihr Christen, freut euch von Herzen sehr – 26–26v Gott der Vater wohn uns bei – 77v–78 Grates nunc omnes - 2a pars (of 2): Huic oportet / Den sollen wir alle – 110v Grates nunc omnes / Dank sagen wir - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo / Dank sagen wir alle Gott – 110v Herr Jesu Christ wahr'r Mensch und Gott – 120v–121 In dulci jubilo – 106v–107 In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum – 52v–53v Jerusalem quae occidis – 48v–49 Jesus Christus unser Heiland – 126v Laudate Dominum omnes gentes – 52 Mei'm lieben Gott ergeb' ich mich – 84v–85 O Lamm Gottes unschuldig – 124v O lux beata trinitas – 53v–54 Patientiam muss ich han und lieget mir nicht viel daran – 87v–88 Quaerite primum regnum Dei – 49–49v Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad – 132v–133 Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ – 122v–123 Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ – 125v–126 Veni maxime spiritus – 133v Von Gott will ich nicht lassen – 86v–87
Baston, Josquin (1542–63)	Vere Deus qui pater es dilecti filii (= C'est a grand tort) – 48–48v
Bertram, Johann	Ach wir armen Sunder – 123v–124
Burck, Joachim à (1546-1610)	A Deo scirem nisi me creatum – 33 Auf dich allein du treuer Gott – 63v–64 Beatus ille quisquis est ut Enos – 35–35v Curarum nihil invenitur expers – 33v Der Heiland hoch erhaben – 138v Der Heiland ist erhoehet – 136v–137 Der Heiland offenbaret – 115v–116 Der Zacharias ganz verstummt – 115v–116 Der heiligen Dreifaltigkeit Fest – 117v–118 Herr Gott du bist von Ewigkeit – 89v–90 Ich weiss, dass mein Erlöser lebt – 121v–122 O Christ der du bist vom Tod auferstanden – 125 Proh summe contemplata universi – 34 Prudentes oculos habe – 38v–39 Quam delicatuli sumus – 37v–38 Quam mirabilis est – 40v–41 Quantus homunicionis – 36v–37 Quid speciosa veste superbis? – 40 Quid toties animam – 34v Sabbati colendi Deus autor est – 36–36v Ter decem, ter et trecentos vixit Adamus annos – 39–39v Vini potente Noa victus haustu – 41v–42
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	(?) Ach du edler Rebensaft wie wünsch' ich mir so oft – 140–141 Congratulamini mihi omnes qui diligitis – 127v–128v Domine Jesu Christe respicere digneris – 1–2 Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus – 5v–6 Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco – 6–6v Gott ist mein licht und mein seligkeit – 69v–70 Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem – 26v–27v Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt – 27v–28 (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 11v–12 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 12v–13 Timor et tremor venit in Nivem civitatem – 3v–5
Crecquillon, Thomas (ca. 1505-ca. 1557)	Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum – 13–14 Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis – 14–15 (?) Viri Galilaei quid aspicitis in caelum – 134v–135
Dedekind, Euricius	Jesus Christus unser Heiland – 126v Patris sapientia veritas divina / Christus der uns selig macht – 96v–97v
Donato, Baldassare (ca. 1529-1603)	Allein nach dir Herr Jesu Christ (= Si pur ti guardo) – 61–61v Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita) – 50–50v
Dressler, Gallus	Ach Herr in deine Hande – 68–68v Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir – 70v–71 Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf – 71v–72 Ich bin die aufferstehung und das leben – 127–127v Mein Trost und Hülf' ist Gott allein – 62–62v Vespera nunc [jam] venit nobiscum Christo maneto – 130–130v
Eccard, Johannes (1553-1611)	Der Heilig Geist vom Himmel kam – 118v–119 Gen Himmel fahrt der Herre Christ – 137v–138 Uber's Gebirg Maria geht – 114v–115 Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit – 135v–136
Figulus, Wolfgang (ca. 1525-1589)	Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem – 103v–104
Fine, Arnoldus de	Das alte Jahr vergangen ist, wir danken dir – 108–109
Freundt, Cornelius (1535-1591)	Jetzt sprosst herfür aus Davids Stämmelein (4vv) – 112
Handl (Gallus), Jacobus (1550-1591)	Auditam fac mihi - 2a pars (of 4): Eripe me Domine – 56v–57 Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit – 119v Ecce quomodo - 2a pars (of 2): In pace factus est locus eius – 120 Jubilate Deo omnis terra servite Domino – 57–58 Laudate Dominum in sanctis eius (4vv) – 7v–8v O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich – 75v O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist – 76 O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist – 76v
Heil, Joh[ann]	Nun komm der Heiden Heiland – 112v–113
Lange, Gregor (ca. 1540-1587)	(?) Geh deinen Weg auf rechtem Steg – 25v–26
Lassus, Orlande de (ca. 1532-1594)	Angelus ad pastores ait annuntio vobis – 23v–24v Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper – 20v–21 Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea – 21v–22 Betruebet sehr bin ich von Herzen (= Bon jour mon coeur) – 72–72v Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia – 54v–55 Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius – 22v–23 Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius – 23–23v Cum sit omnipotens rector Olympi (= Madonna mia pieta) – 47–47v (?) Geh deinen Weg auf rechtem Steg – 25v–26 In me transierunt irae tuae – 19v–20v In principio erat verbum - 2a pars (of 3): Fuit homo missus – 5–5v Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum – 24v–25 Omnia quae fecisti nobis Domine in vero – 18v–19v Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me – 58v–59 Penitential psalms 5vv - 5. Domine exaudi orationem: (excerpt) Tota die exprobabant mihi) – 55–55v
Le Bel, Barthelemy	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus – 10–11 Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit – 11–11v
Lechner, Leonhard	Danket dem Herren denn er ist sehr freundlich – 97v–98 Durch Wald und Tal gar mannig mal – 143v Geduld um Schuld will haben ich – 142v Gut Singer und ein Organist – 143 Jagen Hetzen und Federspiel bringen dem Herzen Freuden viel – 142 Musica Klang lieblicher Gsang – 141v Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier – 72v–73v Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein – 73v–74 Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott – 74–74v Patientiam muss ich han wohlan – 144 Wer sich allein auf Gluck verlat – 144v–145
Lupi (II), Didier	Susanna se videns rapi stuprandam fraude (= Susanne un jour) – 45v
Magdeburg, Joachim	Warumb betriebstu dich mein herz – 90v–91 (?) Wer Gott vertraut hat wohl gebaut – 70v
Maillard, Jean (c1538–1570)	In me transierunt irae tuae et terrores – 2v–3
Manchicourt, Pierre de	(?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 45 (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 11v–12 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 12v–13
Meiland, Jacob (1542-1577)	(?) Geh deinen Weg auf rechtem Steg – 25v–26
Morel, Clement	Tota pulchra es amica mea et macula – 8v–9v
Musculus [or Meusel], Balthasar	Hats Gott versehn wer will uns wehrn – 89–89v Herzlich lieb hab ich dich o herr – 83v–84 Nun lasst uns Gott dem Herren – 81v–82
Palladius, David	Beati omnes qui timent Dominum – 15v–17 Christe du Lamm Gottes – 67–67v Der Herr ist mein Hirte – 65–66 Nisi Dominus aedificaverit – 17–18v Von Himmel kam der Engel Schar – 101 Wer in der Welt recht leben will – 62v–63v
Pierre, Jean	Tulerunt Dominum meum et nescio ubi – 128v–130
Praetorius, Christian	Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit – 109v Fortiter elapsum - 2a pars (of 2): Avertitque favens – 110 Rex regum - 1a pars (of 2): Rex regum Dominus dominorum – 111 Rex regum - 2a pars (of 2): Huic pateant urbes – 111v
Praetorius, Christoph	Da Jesus an dem Kreuze stund – 95v–96 Quando Christus ascenderat / Da Christus aufgefahren war – 134 Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ – 122v–123
Regnart, Jacob (ca. 1540-1599)	Ach Vater unser all (= Venus du und dein Kind) – 91v–92 Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut) – 93v–94 (?) So wahr ich leb spricht Gott der Herr – 93v–94
Reiner, Jacob	Amici mei et proximi mei – 55v–56v
Sandrin, Pierre (ca. 1490-ca. 1560)	(?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 45
Scandello, Antonio	Auf dich trau ich mein Herr und Gott – 74v–75 Cantate Domino (= Sta notte) – 46 Ich weiss mir ein festes gebautes haus – 147–148 Lobet den Herren, den er ist sehr freundlich – 82v–83 O caeli o terrae o maris (= S'io canto) – 46v–47 Wenn wir in höchsten nothen sein – 88v–89
Schramm, Melchior	Wer Gott vertraut zu aller Stund – 76v–77
Schroeter, Leonhard	Dulce commercium – 51–51v Lasset die Kindlein zu mir kommen – 68v–69
Senfl, Ludwig (ca. 1486-ca. 1543)	(?) Da Jacob das Kleid ansah mit großem Schmerzen – 66–67
Sermisy, Claudin de (ca. 1490-1562)	Was mein Gott will das g'scheh allzeit (= Il me suffit) – 80v–81
Steurlein, Johannes	Das alte Jahr vergangen ist – 113v–114
Tollius, Joannes	Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes – 54–54v
Tritonius, Petrus	Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt) – 80 Qui super celsum resides Olympum (= Iam satis terris) – 32v
Vento, Ivo de	Factum est silentium in caelo dum draco – 6v–7v Mancher der spricht im Maien – 146–146v Vinum quae pars verstehst du das – 145v–146
Walter, Johann (1496-1570)	Gelobet seist Du, Jesu Christ, dass Du Mensch – 104v–105 Herr Christ der einig Gottes Sohn – 107v–108
Willaert, Adrian (ca. 1490-1562)	(?) Allein nach dir Herr Jesu Christ (= Si pur ti guardo) – 61–61v
Zirler, Stephan (ca. 1518-1568)	Bewahr mich Herr und sei nicht fern – 64–65

Composition	Composers (? Uncertain)	Folios / Pages
A Deo scirem nisi me creatum	Burck, Joachim à (1546–1610)	33
A solis ortu cardine	Agricola, Martin (ca. 1486–1556)	100v
Ach du edler Rebensaft wie wünsch' ich mir so oft	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	140–141
Ach Herr in deine Hande	Dressler, Gallus	68–68v
Ach Satan wie oft krankest du	Anonymous	92v
Ach Vater unser all (= Venus du und dein Kind)	Regnart, Jacob (ca. 1540–1599)	91v–92
Ach wir armen Sunder	Bertram, Johann	123v–124
Allein Gott in der Höhe sei Ehr	Anonymous	105v–106
Allein nach dir Herr Jesu Christ (= Si pur ti guardo)	Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?)	61–61v
Allein zu dir Herr Jesu Christ (= Le jaune et bleu)	Anonymous	85v–86
Amici mei et proximi mei	Reiner, Jacob	55v–56v
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	23v–24v
Ascendit Christus hodie / Gefahren ist der heil'ge Christ	Anonymous	131v–132
Auditam fac mihi - 2a pars (of 4): Eripe me Domine	Handl (Gallus), Jacobus (1550–1591)	56v–57
Auf dich allein du treuer Gott	Burck, Joachim à (1546–1610)	63v–64
Auf dich trau ich mein Herr und Gott	Scandello, Antonio	74v–75
Aufer immensam Deus aufer iram	Anonymous	31v
Beati omnes qui timent Dominum	Palladius, David	15v–17
Beatus ille quisquis est ut Enos	Burck, Joachim à (1546–1610)	35–35v
Bei deinem Wort erhalt uns Herr	Anonymous	93
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper	Lassus, Orlande de (ca. 1532–1594)	20v–21
Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea	Lassus, Orlande de (ca. 1532–1594)	21v–22
Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes	Tollius, Joannes	54–54v
Betruebet sehr bin ich von Herzen (= Bon jour mon coeur)	Lassus, Orlande de (ca. 1532–1594)	72–72v
Bewahr mich Herr und sei nicht fern	Zirler, Stephan (ca. 1518–1568)	64–65
Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia	Lassus, Orlande de (ca. 1532–1594)	54v–55
Cantate Domino (= Sta notte)	Scandello, Antonio	46
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus	Le Bel, Barthelemy	10–11
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	Le Bel, Barthelemy	11–11v
Christe du Lamm Gottes	Palladius, David	67–67v
Christe qui lux es, et dies / Christe der du bist Tag und Licht	Anonymous	94v–95
Christum wir sollen loben schon	Anonymous	101v–103
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius	Lassus, Orlande de (ca. 1532–1594)	22v–23
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius	Lassus, Orlande de (ca. 1532–1594)	23–23v
Congratulamini mihi omnes qui diligitis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	127v–128v
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum	Crecquillon, Thomas (ca. 1505–ca. 1557)	13–14
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis	Crecquillon, Thomas (ca. 1505–ca. 1557)	14–15
Cum ignoremus Domini	Anonymous	47v–48
Cum sit omnipotens rector Olympi (= Madonna mia pieta)	Lassus, Orlande de (ca. 1532–1594)	47–47v
Curarum nihil invenitur expers	Burck, Joachim à (1546–1610)	33v
Da Jacob das Kleid ansah mit großem Schmerzen	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550)	66–67
Da Jesus an dem Kreuze stund	Praetorius, Christoph	95v–96
Danket dem Herren denn er ist sehr freundlich	Lechner, Leonhard	97v–98
Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt)	Tritonius, Petrus	80
Das alte Jahr vergangen ist	Steurlein, Johannes	113v–114
Das alte Jahr vergangen ist, wir danken dir	Fine, Arnoldus de	108–109
Der Heiland hoch erhaben	Burck, Joachim à (1546–1610)	138v
Der Heiland ist erhoehet	Burck, Joachim à (1546–1610)	136v–137
Der Heiland offenbaret	Burck, Joachim à (1546–1610)	115v–116
Der Heilig Geist vom Himmel kam	Eccard, Johannes (1553–1611)	118v–119
Der heiligen Dreifaltigkeit Fest	Burck, Joachim à (1546–1610)	117v–118
Der Herr ist mein Hirte	Palladius, David	65–66
Der Zacharias ganz verstummt	Burck, Joachim à (1546–1610)	115v–116
Dilexi quoniam exaudiet Dominus vocem	Anonymous	42v–43
Domine Jesu Christe respicere digneris	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	1–2
Dulce commercium	Schroeter, Leonhard	51–51v
Dulcis memoria et suavis recordatio (= Doulce memoire)	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	45
Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	5v–6
Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	6–6v
Durch Wald und Tal gar mannig mal	Lechner, Leonhard	143v
Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit	Handl (Gallus), Jacobus (1550–1591)	119v
Ecce quomodo - 2a pars (of 2): In pace factus est locus eius	Handl (Gallus), Jacobus (1550–1591)	120
Ehre sei Gott in der Hohe	Anonymous	26v
Ein treues Herz in Ehren	Anonymous	148v–149v
Factum est silentium in caelo dum draco	Vento, Ivo de	6v–7v
Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit	Praetorius, Christian	109v
Fortiter elapsum - 2a pars (of 2): Avertitque favens	Praetorius, Christian	110
Freut euch ihr Christen, freut euch von Herzen sehr	Anonymous	26–26v
Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir	Dressler, Gallus	70v–71
Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf	Dressler, Gallus	71v–72
Geduld um Schuld will haben ich	Lechner, Leonhard	142v
Geh deinen Weg auf rechtem Steg	Lassus, Orlande de (ca. 1532–1594) (?) Meiland, Jacob (1542–1577) (?) Lange, Gregor (ca. 1540–1587) (?)	25v–26
Gelobet seist Du, Jesu Christ, dass Du Mensch	Walter, Johann (1496–1570)	104v–105
Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut)	Regnart, Jacob (ca. 1540–1599)	93v–94
Gen Himmel fahrt der Herre Christ	Eccard, Johannes (1553–1611)	137v–138
Gott der Vater wohn uns bei	Anonymous	77v–78
Gott ist mein licht und mein seligkeit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	69v–70
Grates nunc omnes - 2a pars (of 2): Huic oportet / Den sollen wir alle	Anonymous	110v
Grates nunc omnes / Dank sagen wir - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo / Dank sagen wir alle Gott	Anonymous	110v
Gut Singer und ein Organist	Lechner, Leonhard	143
Hats Gott versehn wer will uns wehrn	Musculus [or Meusel], Balthasar	89–89v
Herr Christ der einig Gottes Sohn	Walter, Johann (1496–1570)	107v–108
Herr Gott du bist von Ewigkeit	Burck, Joachim à (1546–1610)	89v–90
Herr Jesu Christ wahr'r Mensch und Gott	Anonymous	120v–121
Herzlich lieb hab ich dich o herr	Musculus [or Meusel], Balthasar	83v–84
Ich bin die aufferstehung und das leben	Dressler, Gallus	127–127v
Ich weiss mir ein festes gebautes haus	Scandello, Antonio	147–148
Ich weiss, dass mein Erlöser lebt	Burck, Joachim à (1546–1610)	121v–122
In dulci jubilo	Anonymous	106v–107
In me transierunt irae tuae	Lassus, Orlande de (ca. 1532–1594)	19v–20v
In me transierunt irae tuae et terrores	Maillard, Jean (fl. c1538–1570)	2v–3
In principio erat verbum - 2a pars (of 3): Fuit homo missus	Lassus, Orlande de (ca. 1532–1594)	5–5v
In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum	Anonymous	52v–53v
Jagen Hetzen und Federspiel bringen dem Herzen Freuden viel	Lechner, Leonhard	142
Jerusalem quae occidis	Anonymous	48v–49
Jesus Christus unser Heiland	Anonymous	126v
Jesus Christus unser Heiland	Dedekind, Euricius	126v
Jetzt sprosst herfür aus Davids Stämmelein (4vv)	Freundt, Cornelius (1535–1591)	112
Jubilate Deo omnis terra servite Domino	Handl (Gallus), Jacobus (1550–1591)	57–58
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	26v–27v
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	27v–28
Lasset die Kindlein zu mir kommen	Schroeter, Leonhard	68v–69
Laudate Dominum in sanctis eius (4vv)	Handl (Gallus), Jacobus (1550–1591)	7v–8v
Laudate Dominum omnes gentes	Anonymous	52
Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita)	Donato, Baldassare (ca. 1529–1603)	50–50v
Lobet den Herren, den er ist sehr freundlich	Scandello, Antonio	82v–83
Mancher der spricht im Maien	Vento, Ivo de	146–146v
Mei'm lieben Gott ergeb' ich mich	Anonymous	84v–85
Mein Trost und Hülf' ist Gott allein	Dressler, Gallus	62–62v
Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum	Lassus, Orlande de (ca. 1532–1594)	24v–25
Musica Klang lieblicher Gsang	Lechner, Leonhard	141v
Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier	Lechner, Leonhard	72v–73v
Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein	Lechner, Leonhard	73v–74
Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott	Lechner, Leonhard	74–74v
Nisi Dominus aedificaverit	Palladius, David	17–18v
Nocte surgentes vigilemus omnes	Agricola, Martin (ca. 1486–1556)	31v–32
Nun komm der Heiden Heiland	Heil, Joh[ann]	112v–113
Nun lasst uns Gott dem Herren	Musculus [or Meusel], Balthasar	81v–82
O caeli o terrae o maris (= S'io canto)	Scandello, Antonio	46v–47
O Christ der du bist vom Tod auferstanden	Burck, Joachim à (1546–1610)	125
O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich	Handl (Gallus), Jacobus (1550–1591)	75v
O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist	Handl (Gallus), Jacobus (1550–1591)	76
O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist	Handl (Gallus), Jacobus (1550–1591)	76v
O Lamm Gottes unschuldig	Anonymous	124v
O lux beata trinitas	Anonymous	53v–54
Omnia quae fecisti nobis Domine in vero	Lassus, Orlande de (ca. 1532–1594)	18v–19v
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)	11v–12
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	12v–13
Patientiam muss ich han und lieget mir nicht viel daran	Anonymous	87v–88
Patientiam muss ich han wohlan	Lechner, Leonhard	144
Patris sapientia veritas divina / Christus der uns selig macht	Dedekind, Euricius	96v–97v
Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me	Lassus, Orlande de (ca. 1532–1594)	58v–59
Penitential psalms 5vv - 5. Domine exaudi orationem: (excerpt) Tota die exprobabant mihi)	Lassus, Orlande de (ca. 1532–1594)	55–55v
Proh summe contemplata universi	Burck, Joachim à (1546–1610)	34
Prudentes oculos habe	Burck, Joachim à (1546–1610)	38v–39
Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem	Figulus, Wolfgang (ca. 1525–1589)	103v–104
Quaerite primum regnum Dei	Anonymous	49–49v
Quam delicatuli sumus	Burck, Joachim à (1546–1610)	37v–38
Quam mirabilis est	Burck, Joachim à (1546–1610)	40v–41
Quando Christus ascenderat / Da Christus aufgefahren war	Praetorius, Christoph	134
Quantus homunicionis	Burck, Joachim à (1546–1610)	36v–37
Qui super celsum resides Olympum (= Iam satis terris)	Tritonius, Petrus	32v
Quid speciosa veste superbis?	Burck, Joachim à (1546–1610)	40
Quid toties animam	Burck, Joachim à (1546–1610)	34v
Rector potens verax Deus [Veni creator spiritus]	Agricola, Martin (ca. 1486–1556)	30
Rex regum - 1a pars (of 2): Rex regum Dominus dominorum	Praetorius, Christian	111
Rex regum - 2a pars (of 2): Huic pateant urbes	Praetorius, Christian	111v
Sabbati colendi Deus autor est	Burck, Joachim à (1546–1610)	36–36v
So wahr ich leb spricht Gott der Herr	Regnart, Jacob (ca. 1540–1599) (?)	93v–94
Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad	Anonymous	132v–133
Summam quae doceant salutis [Vitam quae faciunt]	Agricola, Martin (ca. 1486–1556)	30v
Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ	Praetorius, Christoph	122v–123
Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ	Anonymous	122v–123
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	Anonymous	125v–126
Susanna se videns rapi stuprandam fraude (= Susanne un jour)	Lupi (II), Didier	45v
Ter decem, ter et trecentos vixit Adamus annos	Burck, Joachim à (1546–1610)	39–39v
Timor et tremor venit in Nivem civitatem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	3v–5
Tota pulchra es amica mea et macula	Morel, Clement	8v–9v
Tu verus in verbis Deus [Iam lucis orto sidere]	Agricola, Martin (ca. 1486–1556)	31
Tulerunt Dominum meum et nescio ubi	Pierre, Jean	128v–130
Uber's Gebirg Maria geht	Eccard, Johannes (1553–1611)	114v–115
Veni maxime spiritus	Agricola, Martin (ca. 1486–1556)	133v
Veni maxime spiritus	Anonymous	133v
Veni redemptor gentium ostende partum	Agricola, Martin (ca. 1486–1556)	100
Vere Deus qui pater es dilecti filii (= C'est a grand tort)	Baston, Josquin (fl. 1542–63)	48–48v
Vespera nunc [jam] venit nobiscum Christo maneto	Dressler, Gallus	130–130v
Vini potente Noa victus haustu	Burck, Joachim à (1546–1610)	41v–42
Vinum quae pars verstehst du das	Vento, Ivo de	145v–146
Viri Galilaei quid aspicitis in caelum	Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	134v–135
Von Gott will ich nicht lassen	Anonymous	86v–87
Von Himmel kam der Engel Schar	Palladius, David	101
Warumb betriebstu dich mein herz	Magdeburg, Joachim	90v–91
Was mein Gott will das g'scheh allzeit (= Il me suffit)	Sermisy, Claudin de (ca. 1490–1562)	80v–81
Wenn wir in höchsten nothen sein	Scandello, Antonio	88v–89
Wer Gott vertraut hat wohl gebaut	Magdeburg, Joachim (?)	70v
Wer Gott vertraut zu aller Stund	Schramm, Melchior	76v–77
Wer in der Welt recht leben will	Palladius, David	62v–63v
Wer sich allein auf Gluck verlat	Lechner, Leonhard	144v–145
Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit	Eccard, Johannes (1553–1611)	135v–136

Set: Mus. ant. pract. K.N. 144 (1-4)

Type: Partbooks

No images available

D-Lr Mus.ant.pract.K.N.144 (1)

No images available

D-Lr Mus.ant.pract.K.N.144 (2)

No images available

D-Lr Mus.ant.pract.K.N.144 (3)

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D-Lr Mus.ant.pract.K.N.144 (4)

‡ denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 789. Notes: contents list (partial); concordances (partial).

Beebe, Ellen Scott. 1976. Mode, Structure, and Text Expression in the Motets of Jacobus Clemens non Papa: A Study of Style in Sacred Music. Yale University, Unpublished Ph.D. dissertation. Pages: 87-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen, vol. 6. Wiesbaden. Pages: 129. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 4. Notes: contents list (partial); concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 18: 85-150. Pages: 113,120,144. Notes: contents list (partial); concordances (partial).

Hartmann, Karl-Günther. 1960. Die Handschrift KN 144 der Ratsbücherei zu Lüneburg. Die Musikforschung, 13: 1-27,459. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 827. Notes: mention of MS.

Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 35-6. Notes: physical description (partial); contents list (partial).

Welter, Friedrich. 1950. Katalog der Musikalien der Ratsbücherei Lüneburg. Lippstadt. Pages: 35-6, passim. Notes: physical description (partial); contents list; incipits (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description