Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1–2 | Domine Jesu Christe respicere digneris | Clemens NP | |
Appears on:
1–2
Genres:
Motet
Source Attribution:
Clemens NP
|
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2v–3 | In me transierunt irae tuae et terrores | Maillart | |
Appears on:
2v–3
Genres:
Motet
Source Attribution:
Maillart
|
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3v–5 | Timor et tremor venit in Nivem civitatem | Clemens NP | |
Appears on:
3v–5
Genres:
Motet
Source Attribution:
Clemens NP
|
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5–5v | In principio erat verbum - 2a pars (of 3): Fuit homo missus | Orlandi | |
Appears on:
5–5v
Genres:
Motet
Source Attribution:
Orlandi
General Noteonly the 2a pars is copied |
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5v–6 | Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus | Clemens NP | |
Appears on:
5v–6
Genres:
Motet
Source Attribution:
Clemens NP
|
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6–6v | Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco | - | |
Appears on:
6–6v
Genres:
Motet
General NoteIt is not clear from Hartmann & RISM-online whether the 2a pars is copied. |
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6v–7v | Factum est silentium in caelo dum draco | Ivo de Vento | |
Appears on:
6v–7v
Genres:
Motet
Source Attribution:
Ivo de Vento
|
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7v–8v | Laudate Dominum in sanctis eius (4vv) | Jacobus Hendel | |
Appears on:
7v–8v
Genres:
Motet
Source Attribution:
Jacobus Hendel
|
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8v–9v | Tota pulchra es amica mea et macula | Cle: Morel | |
Appears on:
8v–9v
Genres:
Motet
Source Attribution:
Cle: Morel
|
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10–11 | Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus | Berthe: le Bel | |
Appears on:
10–11
Genres:
Motet
Source Attribution:
Berthe: le Bel
|
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11–11v | Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit | - | |
Appears on:
11–11v
Genres:
Motet
|
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11v–12 | Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | - | |
Appears on:
11v–12
Genres:
Motet
|
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12v–13 | Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
Appears on:
12v–13
Genres:
Motet
|
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13–14 | Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum | T. Crequillon | |
Appears on:
13–14
Genres:
Motet
Source Attribution:
T. Crequillon
|
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14–15 | Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis | - | |
Appears on:
14–15
Genres:
Motet
General Noteit is not clear from Hartmann (or RISM-online) whether the 2a pars is copied |
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15v–17 | Beati omnes qui timent Dominum | Davidis Palladii | |
Appears on:
15v–17
Genres:
Motet
Source Attribution:
Davidis Palladii
|
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17–18v | Nisi Dominus aedificaverit | Davidis Palladii | |
Appears on:
17–18v
Genres:
Motet
Source Attribution:
Davidis Palladii
|
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18v–19v | Omnia quae fecisti nobis Domine in vero | Orlandi | |
Appears on:
18v–19v
Genres:
Motet
Source Attribution:
Orlandi
|
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19v–20v | In me transierunt irae tuae | Orland: | |
Appears on:
19v–20v
Genres:
Motet
Source Attribution:
Orland:
|
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20v–21 | Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper | Eiusdem (= Lassus) | |
Appears on:
20v–21
Genres:
Motet
Source Attribution:
Eiusdem (= Lassus)
|
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21v–22 | Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea | - | |
Appears on:
21v–22
Genres:
Motet
|
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22v–23 | Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius | Orland: | |
Appears on:
22v–23
Genres:
Motet
Source Attribution:
Orland:
|
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23–23v | Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius | - | |
Appears on:
23–23v
Genres:
Motet
|
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23v–24v | Angelus ad pastores ait annuntio vobis | - | |
Appears on:
23v–24v
Genres:
Motet
|
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24v–25 | Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum | Orl[ando di Lasso] | |
Appears on:
24v–25
Genres:
Motet
Source Attribution:
Orl[ando di Lasso]
General NoteOnly this 3a pars is copied |
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25v–26 | Geh deinen Weg auf rechtem Steg | - | |
Appears on:
25v–26
Genres:
Motet
General Noteanonymous here, the piece is attributed to Lassus in Liegnitz 36 (Lublin N-3792 – N-3795) & Berlin 40210; also anon in 3 prints & Sammlung Bohn 15. For concordances and notes on the various attributions, see ZieglerS 2003 Item BibliographyZiegler, Reinald. 2003. Die Musikaliensammlung der Stadtkirche St. Nikolai in Schmölln/Thüringen. Repertoiregeschichtliche Studien und Katalog. Ein Beitrag zur Musiküberlieferung im 16. und 17. Jahrhundert in Mitteldeutschland. Tübinger Beiträge zur Musikwissenschaft. Tutzing: Hans Schneider. Pages: I:191-2. |
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26–26v | Freut euch ihr Christen, freut euch von Herzen sehr | - | Anonymous |
Appears on:
26–26v
Genres:
Motet
ConcordancesRISM 1570-4: 5 (Eber, Etliche Geistliche vnd liebliche Gesenge I); RISM 1591-2:5 (Fuhrmann, Canilenae Latinae et Germanicae) |
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26v | Ehre sei Gott in der Hohe | - | Anonymous |
Ehre sei Gott in der HoheAnonymous
Appears on:
26v
Genres:
Doxology
General NoteIdentified as an 'Appendix' to the previous piece in the Altus book, and in Bassus 'sequens adiungatur' ("the following piece is added on") this doxology is not transmitted with the printed versions of 'Freut euch'; it is also scored for a different group of voices. |
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26v–27v | Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem | C.N.P. [= Clemens non Papa] | |
Appears on:
26v–27v
Genres:
Motet
Source Attribution:
C.N.P. [= Clemens non Papa]
|
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27v–28 | Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt | - | |
Appears on:
27v–28
Genres:
Motet
|
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30 | Rector potens verax Deus [Veni creator spiritus] | Martin.... [damaged] | |
Appears on:
30
Genres:
Hymn
Source Attribution:
Martin.... [damaged]
|
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30v | Summam quae doceant salutis [Vitam quae faciunt] | Martini Agricolae | |
Appears on:
30v
Genres:
Hymn
Source Attribution:
Martini Agricolae
|
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31 | Tu verus in verbis Deus [Iam lucis orto sidere] | Martini Agricolae | |
Appears on:
31
Genres:
Hymn
Source Attribution:
Martini Agricolae
|
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31v | Aufer immensam Deus aufer iram | - | Anonymous |
Aufer immensam Deus aufer iramAnonymous
Appears on:
31v
Genres:
Motet
ConcordancesLubeck Mus A 217 (Bassus only) & several prints |
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31v–32 | Nocte surgentes vigilemus omnes | Martini Agricolae | |
Appears on:
31v–32
Genres:
Motet
Source Attribution:
Martini Agricolae
|
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32v | Qui super celsum resides Olympum (= Iam satis terris) | - | |
Appears on:
32v
Genres:
Motet
|
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33 | A Deo scirem nisi me creatum | Joachimi à Burck civis Mulhusini | |
Appears on:
33
Genres:
Motet
Source Attribution:
Joachimi à Burck civis Mulhusini
General NoteThis and the following 12 pieces are a group: "Sequuntur aliquot Odae Ludovici Helmboldi Mulhusini, suavibus harmoniis ornatae studio Joachimi à Burck civis Mulhusini." They were published in his Odae Sacrae I (1572), RISM A/I B 4961, nos. 1, 3, 5-10, 12-14, 17, 20. ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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33v | Curarum nihil invenitur expers | [Joachim à Burck] | |
Appears on:
33v
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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34 | Proh summe contemplata universi | [Joachim à Burck] | |
Appears on:
34
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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34v | Quid toties animam | [Joachim à Burck] | |
Appears on:
34v
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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35–35v | Beatus ille quisquis est ut Enos | [Joachim à Burck] | |
Appears on:
35–35v
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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36–36v | Sabbati colendi Deus autor est | [Joachim à Burck] | |
Appears on:
36–36v
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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36v–37 | Quantus homunicionis | [Joachim à Burck] | |
Appears on:
36v–37
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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37v–38 | Quam delicatuli sumus | [Joachim à Burck] | |
Appears on:
37v–38
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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38v–39 | Prudentes oculos habe | [Joachim à Burck] | |
Appears on:
38v–39
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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39–39v | Ter decem, ter et trecentos vixit Adamus annos | [Joachim à Burck] | |
Appears on:
39–39v
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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40 | Quid speciosa veste superbis? | [Joachim à Burck] | |
Appears on:
40
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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40v–41 | Quam mirabilis est | [Joachim à Burck] | |
Appears on:
40v–41
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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41v–42 | Vini potente Noa victus haustu | [Joachim à Burck] | |
Appears on:
41v–42
Genres:
Motet
Source Attribution:
[Joachim à Burck]
ConcordancesRISM A/I B 4961 (Burck, Odae Sacrae I) |
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42v–43 | Dilexi quoniam exaudiet Dominus vocem | - | Anonymous |
Dilexi quoniam exaudiet Dominus vocemAnonymous
Appears on:
42v–43
Genres:
Psalm
|
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45 | Dulcis memoria et suavis recordatio (= Doulce memoire) | Clemens Marotus (text author) | |
Appears on:
45
Genres:
Motet
Source Attribution:
Clemens Marotus (text author)
|
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45v | Susanna se videns rapi stuprandam fraude (= Susanne un jour) | - | |
Appears on:
45v
Genres:
Motet
|
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46 | Cantate Domino (= Sta notte) | Antonii Scandelli | |
Appears on:
46
Genres:
Contrafactum, Motet
Source Attribution:
Antonii Scandelli
|
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46v–47 | O caeli o terrae o maris (= S'io canto) | Antonii Scandelli | |
Appears on:
46v–47
Genres:
Contrafactum, Motet
Source Attribution:
Antonii Scandelli
|
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47–47v | Cum sit omnipotens rector Olympi (= Madonna mia pieta) | - | |
Appears on:
47–47v
Genres:
Contrafactum, Motet
|
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47v–48 | Cum ignoremus Domini | - | Anonymous |
Cum ignoremus DominiAnonymous
Appears on:
47v–48
Genres:
Motet
General Noteperhaps an unidentified contrafact, as it is surrounded by other contrafacta |
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48–48v | Vere Deus qui pater es dilecti filii (= C'est a grand tort) | - | |
Appears on:
48–48v
Genres:
Contrafactum, Motet
|
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48v–49 | Jerusalem quae occidis | - | Anonymous |
Jerusalem quae occidisAnonymous
Appears on:
48v–49
Genres:
Motet
General Noteperhaps an unidentified contrafact, as it is surrounded by other contrafacta |
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49–49v | Quaerite primum regnum Dei | - | Anonymous |
Quaerite primum regnum DeiAnonymous
Appears on:
49–49v
Genres:
Motet
General Noteperhaps an unidentified contrafact, as it is surrounded by other contrafacta |
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50–50v | Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita) | - | |
Appears on:
50–50v
Genres:
Contrafactum, Motet
Concordancesalso appears as "Veni novena turba" in RISM B/I 1580-7, no.23 |
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51–51v | Dulce commercium | - | |
Appears on:
51–51v
Genres:
Motet
Concordancesconcordance in RISM A/I: S 2229 (= RISM B/I 1576-2), no.8 |
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52 | Laudate Dominum omnes gentes | - | Anonymous |
Laudate Dominum omnes gentesAnonymous
Appears on:
52
Genres:
Psalm
|
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52v–53v | In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum | - | Anonymous |
Appears on:
52v–53v
Genres:
Psalm
|
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53v–54 | O lux beata trinitas | - | Anonymous |
O lux beata trinitasAnonymous
Appears on:
53v–54
Genres:
Hymn
|
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54–54v | Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes | Joan: Tolpius (sic) | |
Appears on:
54–54v
Genres:
Motet
Source Attribution:
Joan: Tolpius (sic)
General Note"Fuga 3. Vocum. Secundus Discantus in eodem post medium tempus. Bassus in subdiapason post mediam pausam per contrarium motum." ConcordancesOnly this 2a pars is copied; the whole motet is printed in RISM A/I: T 913 (Jan Tollius, Moduli trium vocum, 1597) |
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54v–55 | Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia | Orlandi | |
Appears on:
54v–55
Genres:
Motet
Source Attribution:
Orlandi
General NoteAn arrangement as a bicinium of the 1a pars (only) of Lassus's motet, by Friedrich Lindner, as published in Bicinia sacra, RISM B/I: 1591-27, |
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55–55v | Penitential psalms 5vv - 5. Domine exaudi orationem: (excerpt) Tota die exprobabant mihi) | Orlandi | |
Appears on:
55–55v
Genres:
Motet
Source Attribution:
Orlandi
General NoteA bicinium, the 9th section of the penitential psalm extracted & arranged by Friedrich Lindner, and published in Bicinia sacra, RISM B/I: 1591-27 |
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55v–56v | Amici mei et proximi mei | Jacob: Reineri | |
Appears on:
55v–56v
Genres:
Motet
Source Attribution:
Jacob: Reineri
ConcordancesLindner, Bicinia sacra, 1591 |
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56v–57 | Auditam fac mihi - 2a pars (of 4): Eripe me Domine | Jacob: Hendel | |
Appears on:
56v–57
Genres:
Motet
Source Attribution:
Jacob: Hendel
ConcordancesOnly the 2a pars, extracted as a bicinium. Published in Bicinia sacra, RISM B/I: 1591-27; and as part of Gallus's Opus musicum |
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57–58 | Jubilate Deo omnis terra servite Domino | Hendl | |
Appears on:
57–58
Genres:
Motet
Source Attribution:
Hendl
General NoteThe piece is omitted from the Tenor book (the 4th voice was perhaps in the Quintus). |
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58v–59 | Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me | - | |
Appears on:
58v–59
Genres:
Motet
General Note6th section of the penitential psalm, "Dixi confitebor adversum me", extracted as a tricinium |
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61–61v | Allein nach dir Herr Jesu Christ (= Si pur ti guardo) | - | |
Appears on:
61–61v
Genres:
Contrafactum, Hymn
|
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62–62v | Mein Trost und Hülf' ist Gott allein | - | |
Appears on:
62–62v
Genres:
Motet
|
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62v–63v | Wer in der Welt recht leben will | Davidis Palladii | |
Appears on:
62v–63v
Genres:
Motet
Source Attribution:
Davidis Palladii
|
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63v–64 | Auf dich allein du treuer Gott | - | |
Appears on:
63v–64
Genres:
Motet
|
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64–65 | Bewahr mich Herr und sei nicht fern | - | |
Appears on:
64–65
Genres:
Sacred Song
|
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65–66 | Der Herr ist mein Hirte | David: Palladii | |
Appears on:
65–66
Genres:
Motet
Source Attribution:
David: Palladii
|
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66–67 | Da Jacob das Kleid ansah mit großem Schmerzen | - | |
Appears on:
66–67
Genres:
Motet
|
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67–67v | Christe du Lamm Gottes | Davidis Palladii | |
Appears on:
67–67v
Genres:
Motet
Source Attribution:
Davidis Palladii
|
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68–68v | Ach Herr in deine Hande | - | |
Appears on:
68–68v
Genres:
Motet
|
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68v–69 | Lasset die Kindlein zu mir kommen | Leonardus Scröterus (sic) | |
Appears on:
68v–69
Genres:
Motet
Source Attribution:
Leonardus Scröterus (sic)
|
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69v–70 | Gott ist mein licht und mein seligkeit | - | |
Appears on:
69v–70
Genres:
Motet
General Notemodern pencil attribution "M.Praetorius?"; like much of the music in this part of the book, the piece appeared anonymously in his 'Musae Sioniae' bk 7 |
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70v | Wer Gott vertraut hat wohl gebaut | - | |
Appears on:
70v
Genres:
Motet
General NoteAppears in Magdeburg's 'Tischgeseng' of 1572 and a number of later prints; but Magdeburg may be the text author rather than the composer |
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70v–71 | Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir | Galli Dresleri | |
Appears on:
70v–71
Genres:
Motet
Source Attribution:
Galli Dresleri
|
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71v–72 | Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf | - | |
Appears on:
71v–72
Genres:
Motet
|
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72–72v | Betruebet sehr bin ich von Herzen (= Bon jour mon coeur) | Orlandi | |
Appears on:
72–72v
Genres:
Contrafactum, Motet
Source Attribution:
Orlandi
|
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72v–73v | Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier | Leonardi Lechneri | |
Appears on:
72v–73v
Genres:
Motet
Source Attribution:
Leonardi Lechneri
|
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73v–74 | Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein | - | |
Appears on:
73v–74
Genres:
Motet
|
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74–74v | Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott | - | |
Appears on:
74–74v
Genres:
Motet
|
|||
74v–75 | Auf dich trau ich mein Herr und Gott | - | |
Appears on:
74v–75
Genres:
Hymn
|
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75v | O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich | Jacobi Hendl | |
Appears on:
75v
Genres:
Motet
Source Attribution:
Jacobi Hendl
|
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76 | O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist | - | |
Appears on:
76
Genres:
Motet
|
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76v | O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist | - | |
Appears on:
76v
Genres:
Motet
|
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76v–77 | Wer Gott vertraut zu aller Stund | - | |
Appears on:
76v–77
Genres:
Motet
|
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77v–78 | Gott der Vater wohn uns bei | - | Anonymous |
Gott der Vater wohn uns beiAnonymous
Appears on:
77v–78
Genres:
Motet
|
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80 | Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt) | - | |
Appears on:
80
Genres:
Contrafactum, Motet
General NoteA contrafact of Tritonius's Horatian setting, from Odarum Horatii concentus (1532) |
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80v–81 | Was mein Gott will das g'scheh allzeit (= Il me suffit) | - | |
Appears on:
80v–81
Genres:
Contrafactum, Motet
|
|||
81v–82 | Nun lasst uns Gott dem Herren | - | |
Appears on:
81v–82
Genres:
Chorale
Concordancesprinted in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him |
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82v–83 | Lobet den Herren, den er ist sehr freundlich | - | |
Appears on:
82v–83
Genres:
Lied, Sacred Song
|
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83v–84 | Herzlich lieb hab ich dich o herr | - | |
Appears on:
83v–84
Genres:
Chorale
General Noteprinted in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him |
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84v–85 | Mei'm lieben Gott ergeb' ich mich | - | Anonymous |
Mei'm lieben Gott ergeb' ich michAnonymous
Appears on:
84v–85
Genres:
Motet
|
|||
85v–86 | Allein zu dir Herr Jesu Christ (= Le jaune et bleu) | - | Anonymous |
Appears on:
85v–86
Genres:
Contrafactum, Motet
ConcordancesGerman contrafact text; the French chanson in in RISM B/I: 1528-7 |
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86v–87 | Von Gott will ich nicht lassen | - | Anonymous |
Von Gott will ich nicht lassenAnonymous
Appears on:
86v–87
Genres:
Motet
Concordancesprinted in J Magdeburg, 'Tischgeseng', 1572 |
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87v–88 | Patientiam muss ich han und lieget mir nicht viel daran | - | Anonymous |
Appears on:
87v–88
Genres:
Lied
General Notewith text "Patientiam muß ich han und soll nicht viel liegen daran" in Das deutsche Kirchenlied |
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88v–89 | Wenn wir in höchsten nothen sein | - | |
Appears on:
88v–89
Genres:
Hymn
|
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89–89v | Hats Gott versehn wer will uns wehrn | - | |
Appears on:
89–89v
Genres:
Chorale
General Noteprinted in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him (note-values here are halved vs the print) |
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89v–90 | Herr Gott du bist von Ewigkeit | - | |
Appears on:
89v–90
Genres:
Motet
|
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90v–91 | Warumb betriebstu dich mein herz | - | |
Appears on:
90v–91
Genres:
Song
General Noteprinted in Magdeburg's 'Tischgeseng' (1572); perhaps he is text authot, or perhaps composed the piece |
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91v–92 | Ach Vater unser all (= Venus du und dein Kind) | Jacobus Regnart | |
Appears on:
91v–92
Genres:
Contrafactum, Motet
Source Attribution:
Jacobus Regnart
General Notewith note in the ms: "Ein Vater vnser auff die Melodie Venus du vnd dein Kind &c." |
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92v | Ach Satan wie oft krankest du | - | Anonymous |
Ach Satan wie oft krankest duAnonymous
Appears on:
92v
Genres:
Motet
|
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93 | Bei deinem Wort erhalt uns Herr | - | Anonymous |
Bei deinem Wort erhalt uns HerrAnonymous
Appears on:
93
Genres:
Motet
|
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93v–94 | Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut) | Jacobus Regnart | |
Appears on:
93v–94
Genres:
Contrafactum, Motet
Source Attribution:
Jacobus Regnart
|
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93v–94 | So wahr ich leb spricht Gott der Herr | eiusdem (=Regnart) | |
Appears on:
93v–94
Genres:
Motet
Source Attribution:
eiusdem (=Regnart)
General NoteAlthough attributed to Regnart ("eiusdem"), the music is not found in Regnart's 3vv - unlike the previous 2 3vv Regnart contrafacta |
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94v–95 | Christe qui lux es, et dies / Christe der du bist Tag und Licht | - | Anonymous |
Appears on:
94v–95
Genres:
Hymn
|
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95v–96 | Da Jesus an dem Kreuze stund | Christopho: Praetori: | |
Appears on:
95v–96
Genres:
Motet
Source Attribution:
Christopho: Praetori:
|
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96v–97v | Patris sapientia veritas divina / Christus der uns selig macht | Euricius Dedeki: | |
Appears on:
96v–97v
Genres:
Motet
Source Attribution:
Euricius Dedeki:
|
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97v–98 | Danket dem Herren denn er ist sehr freundlich | Lech: | |
Appears on:
97v–98
Genres:
Motet
Source Attribution:
Lech:
|
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100 | Veni redemptor gentium ostende partum | Martinus Agricola | |
Appears on:
100
Genres:
Hymn
Source Attribution:
Martinus Agricola
|
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100v | A solis ortu cardine | Martini Agricolae | |
Appears on:
100v
Genres:
Hymn
Source Attribution:
Martini Agricolae
|
|||
101 | Von Himmel kam der Engel Schar | David Palladius | |
Appears on:
101
Genres:
Motet
Source Attribution:
David Palladius
|
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101v–103 | Christum wir sollen loben schon | - | Anonymous |
Christum wir sollen loben schonAnonymous
Appears on:
101v–103
Genres:
Motet
Concordancesprinted by Eitner 1544; Eber "Etliche Geistliche und liebliche Gesenge" 1570; Fuhrmann 1591 |
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103v–104 | Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem | - | |
Appears on:
103v–104
Genres:
Hymn
|
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104v–105 | Gelobet seist Du, Jesu Christ, dass Du Mensch | - | |
Appears on:
104v–105
Genres:
Chorale, Sacred Song
|
|||
105v–106 | Allein Gott in der Höhe sei Ehr | - | Anonymous |
Allein Gott in der Höhe sei EhrAnonymous
Appears on:
105v–106
Genres:
Motet
General Notemodern ascription in pencil (wrongly) to Leonhard Schröter General Notemodern asciptionr in pencil (wrongly) to Leonhard Schröter |
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106v–107 | In dulci jubilo | - | Anonymous |
In dulci jubiloAnonymous
Appears on:
106v–107
Genres:
Hymn
|
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107v–108 | Herr Christ der einig Gottes Sohn | - | |
Appears on:
107v–108
Genres:
Chorale, Sacred Song
|
|||
108–109 | Das alte Jahr vergangen ist, wir danken dir | - | |
Appears on:
108–109
Genres:
Motet, Sacred Song
|
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109v | Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit | Christiani praetorii | |
Appears on:
109v
Genres:
Motet
Source Attribution:
Christiani praetorii
|
|||
110 | Fortiter elapsum - 2a pars (of 2): Avertitque favens | - | |
Appears on:
110
Genres:
Motet
|
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110v | Grates nunc omnes / Dank sagen wir - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo / Dank sagen wir alle Gott | - | Anonymous |
Appears on:
110v
Genres:
Motet
General NoteAnnotated 'Fuga in diapason post unum tempus' - but the part copied is the same in both books! (The canon is not written out) |
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110v | Grates nunc omnes - 2a pars (of 2): Huic oportet / Den sollen wir alle | - | Anonymous |
Appears on:
110v
Genres:
Motet
|
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111 | Rex regum - 1a pars (of 2): Rex regum Dominus dominorum | Christiani praetorii | |
Appears on:
111
Genres:
Motet
Source Attribution:
Christiani praetorii
|
|||
111v | Rex regum - 2a pars (of 2): Huic pateant urbes | - | |
Appears on:
111v
Genres:
Motet
|
|||
112 | Jetzt sprosst herfür aus Davids Stämmelein (4vv) | - | |
Appears on:
112
Genres:
Sacred Song
|
|||
112v–113 | Nun komm der Heiden Heiland | Autore M. Joh. Heil F. R. L L. ad D. Thom: | |
Appears on:
112v–113
Genres:
Hymn
Source Attribution:
Autore M. Joh. Heil F. R. L L. ad D. Thom:
|
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113v–114 | Das alte Jahr vergangen ist | - | |
Appears on:
113v–114
Genres:
Motet
|
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114v–115 | Uber's Gebirg Maria geht | - | |
Appears on:
114v–115
Genres:
Motet
|
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115v–116 | Der Zacharias ganz verstummt | - | |
Appears on:
115v–116
Genres:
Motet
|
|||
115v–116 | Der Heiland offenbaret | - | |
Appears on:
115v–116
Genres:
Motet
|
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117v–118 | Der heiligen Dreifaltigkeit Fest | Joach: à Burck | |
Appears on:
117v–118
Genres:
Motet
Source Attribution:
Joach: à Burck
|
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118v–119 | Der Heilig Geist vom Himmel kam | Joh: Eccardi Mulhusini | |
Appears on:
118v–119
Genres:
Motet
Source Attribution:
Joh: Eccardi Mulhusini
|
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119v | Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit | Jacobi Hendl | |
Appears on:
119v
Genres:
Motet
Source Attribution:
Jacobi Hendl
General NoteHartmann's catalogue does not indicate that the 2a pars is present |
|||
120 | Ecce quomodo - 2a pars (of 2): In pace factus est locus eius | - | |
Appears on:
120
Genres:
Motet
General NoteHartmann's catalogue does not indicate that the 2a pars is present |
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120v–121 | Herr Jesu Christ wahr'r Mensch und Gott | - | Anonymous |
Herr Jesu Christ wahr'r Mensch und GottAnonymous
Appears on:
120v–121
Genres:
Motet
|
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121v–122 | Ich weiss, dass mein Erlöser lebt | Joach: a Burgk | |
Appears on:
121v–122
Genres:
Hymn
Source Attribution:
Joach: a Burgk
General Note"Epitaphium hertzogk Johann Wilhelms zu Sachsenn &c unter S. F. D. Namen begriffen" i.e. the initial letters of the verses make an acrostic of his name |
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122v–123 | Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ | Christophori Praetorii | |
Appears on:
122v–123
Genres:
Motet
Source Attribution:
Christophori Praetorii
General NoteTwo pieces of music are copied across the opening, both sharing the same text. Hartmann ascribes both to Praetorius; RISM assumes the ascription does not apply to the second setting. |
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122v–123 | Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ | - | Anonymous |
Appears on:
122v–123
Genres:
Motet
General NoteTwo pieces of music are copied across the opening, both sharing the same text. Hartmann ascribes both to Praetorius; RISM assumes the ascription does not apply to the second setting. |
|||
123v–124 | Ach wir armen Sunder | compositum per Joannem Bertramum, Cantorem Lunaeburg: | |
Appears on:
123v–124
Genres:
Motet
Source Attribution:
compositum per Joannem Bertramum, Cantorem Lunaeburg:
|
|||
124v | O Lamm Gottes unschuldig | - | Anonymous |
O Lamm Gottes unschuldigAnonymous
Appears on:
124v
Genres:
Motet
ConcordancesMagdeburg 'Tischgeseng' 1572 |
|||
125 | O Christ der du bist vom Tod auferstanden | Joachim à Burgk | |
Appears on:
125
Genres:
Motet
Source Attribution:
Joachim à Burgk
|
|||
125v–126 | Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ | - | Anonymous |
Appears on:
125v–126
Genres:
Motet
ConcordancesPraetorius 'Musae Sioniae' V (1607), 131 |
|||
126v | Jesus Christus unser Heiland | - | Anonymous |
Jesus Christus unser HeilandAnonymous
Appears on:
126v
Genres:
Hymn
Concordancesprinted in "Psalmodia, hoc est Cantica Sacra", Nuremberg 1553, edited by Lucas Lossius, p.295; there notated in hufnagel General NoteThe following setting (by Dedekind) uses the Tenor melody from this bicinium as its DIscantus. Hartmann's catalogue identifies both under the same piece-number. |
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126v | Jesus Christus unser Heiland | Euri: Dedekin: | |
Appears on:
126v
Genres:
Hymn
Source Attribution:
Euri: Dedekin:
General Noteuses the tenor melody of the Lossius piece above as Discantus; only the first 5 notes of it are (re-)written in the Discantus |
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127–127v | Ich bin die aufferstehung und das leben | - | |
Appears on:
127–127v
Genres:
Motet
|
|||
127v–128v | Congratulamini mihi omnes qui diligitis | Clemens NP | |
Appears on:
127v–128v
Genres:
Motet
Source Attribution:
Clemens NP
|
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128v–130 | Tulerunt Dominum meum et nescio ubi | Jean Pierre | |
Appears on:
128v–130
Genres:
Motet
Source Attribution:
Jean Pierre
|
|||
130–130v | Vespera nunc [jam] venit nobiscum Christo maneto | - | |
Appears on:
130–130v
Genres:
Motet
|
|||
131v–132 | Ascendit Christus hodie / Gefahren ist der heil'ge Christ | - | Anonymous |
Appears on:
131v–132
Genres:
Motet
|
|||
132v–133 | Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad | - | Anonymous |
Appears on:
132v–133
Genres:
Motet
|
|||
133v | Veni maxime spiritus | Martinus Agricola | |
Appears on:
133v
Genres:
Motet
Source Attribution:
Martinus Agricola
|
|||
133v | Veni maxime spiritus | - | Anonymous |
Veni maxime spiritusAnonymous
Appears on:
133v
Genres:
Motet
General NoteAnother setting of teh text following the Agricola version General NoteAnother setting of the text following the Agricola version |
|||
134 | Quando Christus ascenderat / Da Christus aufgefahren war | Christophori Praetorii | |
Appears on:
134
Genres:
Motet
Source Attribution:
Christophori Praetorii
|
|||
134v–135 | Viri Galilaei quid aspicitis in caelum | - | |
Appears on:
134v–135
Genres:
Motet
|
|||
135v–136 | Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit | Joh: Eccardi Mulhusini | |
Appears on:
135v–136
Genres:
Motet
Source Attribution:
Joh: Eccardi Mulhusini
|
|||
136v–137 | Der Heiland ist erhoehet | - | |
Appears on:
136v–137
Genres:
Motet
|
|||
137v–138 | Gen Himmel fahrt der Herre Christ | Joh: Eccardi | |
Appears on:
137v–138
Genres:
Motet
Source Attribution:
Joh: Eccardi
|
|||
138v | Der Heiland hoch erhaben | - | |
Appears on:
138v
Genres:
Motet
|
|||
140–141 | Ach du edler Rebensaft wie wünsch' ich mir so oft | - | |
Appears on:
140–141
Genres:
Lied
|
|||
141v | Musica Klang lieblicher Gsang | Leonardi Lechneri | |
Appears on:
141v
Genres:
Lied
Source Attribution:
Leonardi Lechneri
ConcordancesLechner 'Dreistimmige deutsche Lieder I', 1576, no.17 |
|||
142 | Jagen Hetzen und Federspiel bringen dem Herzen Freuden viel | Lechneri | |
Appears on:
142
Genres:
Lied
Source Attribution:
Lechneri
ConcordancesLechner 'Dreistimmige deutsche Lieder II', 1577, no.5 |
|||
142v | Geduld um Schuld will haben ich | Lechneri | |
Appears on:
142v
Genres:
Lied
Source Attribution:
Lechneri
ConcordancesLechner 'Dreistimmige deutsche Lieder II', 1577, no.17 |
|||
143 | Gut Singer und ein Organist | Lechneri | |
Appears on:
143
Genres:
Lied
Source Attribution:
Lechneri
ConcordancesLechner 'Dreistimmige deutsche Lieder I', 1576, no.1 |
|||
143v | Durch Wald und Tal gar mannig mal | Leonardi Lechneri | |
Appears on:
143v
Genres:
Lied
Source Attribution:
Leonardi Lechneri
ConcordancesLechner 'Dreistimmige deutsche Lieder II', 1577, no.1 |
|||
144 | Patientiam muss ich han wohlan | - | |
Appears on:
144
Genres:
Lied
ConcordancesLechner 'Dreistimmige deutsche Lieder II', 1577, no.8 |
|||
144v–145 | Wer sich allein auf Gluck verlat | Leonardi Lechneri | |
Appears on:
144v–145
Genres:
Lied
Source Attribution:
Leonardi Lechneri
ConcordancesLechner 'Dreistimmige deutsche Lieder II', 1577, no.6 |
|||
145v–146 | Vinum quae pars verstehst du das | Ivonis de Vento | |
Appears on:
145v–146
Genres:
Lied
Source Attribution:
Ivonis de Vento
|
|||
146–146v | Mancher der spricht im Maien | Ivonis de Vento | |
Appears on:
146–146v
Genres:
Lied
Source Attribution:
Ivonis de Vento
|
|||
147–148 | Ich weiss mir ein festes gebautes haus | Ant: Scandell: | |
Appears on:
147–148
Genres:
Song
Source Attribution:
Ant: Scandell:
|
|||
148v–149v | Ein treues Herz in Ehren | - | Anonymous |
Ein treues Herz in EhrenAnonymous
Appears on:
148v–149v
Genres:
Lied
|