Infelix ego omnium - 3a pars (of 3): Ad te igitur
| Composer | |
|---|---|
| Genre | Motet |
| Cycles |
|
Appears in
| Source | Location | Source Attribution | Voices |
|---|---|---|---|
| GB-Lbl Add. MS 29247 (Paston MS) | 54v–55 | - | |
| GB-Ob MS. Tenbury 341 | 57r–58r | - | |
| GB-Ob MS. Tenbury 342 | 70v–71r | - | |
| GB-Ob MS. Tenbury 343 | 59v–60r | - | |
| GB-Ob MS. Tenbury 344 | 60v–61r | - | |
| GB-Ob MS. Tenbury 389 | 192–193 | - | |
| GB-Ob MS. Tenbury 807 | 2v–3v | [Byrd] |
Voice:
Medius
Voice Text:
Ad te igitur pissime
|
| GB-Ob MS. Tenbury 808 | 2v–3 | [Byrd] |
Voice:
Contratenor
Mensuration:
cut-c
Clef:
c4
Voice Text:
Ad te igitur piissime
|
| GB-Ob MS. Tenbury 809 | 3–3v | [Byrd] |
Voice:
Contratenor secundus
Voice Text:
[Ad te igitur] Quoniam tu solus spes mea
|
| GB-Ob MS. Tenbury 810 | 2v–3 | [Byrd] |
Voice:
Tenor
Mensuration:
cut-c
Clef:
c5
Voice Text:
[Ad te igitur] Quoniam tu solus
|
| GB-Ob MS. Tenbury 811 | 2v–3 | [Byrd] |
Voice:
Bassus
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ad te igitur piissime
|
| GB-CF MS D/DP Z6/1 | 64v | - | |
| GB-DORmcghie McGhie manuscript | 180–182 | - |