Dame, a vous sans retollir

Appears in

Source Location Voices
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) 114v–115
Voice: [no designation]
Voice Text: Dame, a vous sans retollir
GB-Cmc MS 1594 (Pepys) 29–29v
Voice: [no designation]
Voice Text: Dame, a vous sans retollir
US-NYpm M. 396 68v
Voice: [no designation]
Voice Text: Dame, a vous sans retollir
F-Pa 5203 71
Voice: [no designation]
Voice Text: Dame, a vous sans retollir
F-Pnm Français 843 (Machaut M) 71v–72
Voice: [no designation]
Voice Text: Dame, a vous sans retollir
F-Pnm Français 1586 (Machaut C) 51–51v
F-Pnm Français 9221 (Machaut E) 33v
F-Pnm Français 22545-22546 (Machaut F-G) F:59
US-PHu Ms. Codex 902 49–49v

Bibliography

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Hoffmann-Axthelm, Dagmar. 1991. Die Musik des 14. Jahrhunderts: Musikleben und Musikanschauung. Die Musik des Mittelalters, Neues Handbuch der Musikwissenschaft. edited by Dagmar Hoffmann-Axthelm, 335-51(notes430-32). Laaber: Laaber. pp. 351.

Leech-Wilkinson, Daniel. 1991. Not Just a Pretty Tune: structuring devices in four Machaut virelais. Sonus, 22-31. pp. 27-30.

Switten, Margaret. 1988 rev. The Medieval Lyric: A Project Supported by the National Endowment for the Humanities and Mount Holyoke College. Anthology I: Monastic Song, Troubadour Song, German Song, Trouvère Song.  South Hadley, Mass. pp. 67-68.

Wimsatt, James I, William W. Kibler, and Rebecca A. Baltzer (editors). 1988. Guillaume de Machaut. Le Jugement du roy de Behaigne and Remede de Fortune, Music edited by Rebecca A. Baltzer. The Chaucer Library.  Athens GA. and London: The University of Georgia Press. pp. 444-445.

Wimsatt, James I, William W. Kibler, and Rebecca A. Baltzer (editors). 1988. Guillaume de Machaut. Le Jugement du Roy de Behaigne and Remede de Fortune, music ed. Rebecca A. Baltzer. The Chaucer Library.  Athens, GA: University of Georgia Press. pp. 360-63, 430.

Schindler, Allan W (editor). 1987. The European Musical Heritage 800-1750.  New York: Knopf. pp. 113-15.

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Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler.  Winterthur/Switzerland: Amadeus Verlag. pp. 263.

Marks, Diane R. 1984. Christine de Pizan and the Jews: Political and Poetic Implications. Politics, Gender, and Genre: The Political Thought of Christine de Pizan, edited by Diane R. Marks, 53-73. Boulder, Colo. and Oxford: Westview Press. pp. 105-8.

Malizia, Uberto. 1984. Guillaume de Machaut: Le sette chansons del Remede de Fortune. Quaderni di filologia e lingue romanze, 11-48. pp. 37-40.

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Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. pp. 118.

Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. pp. 147-48.

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Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 2:216-28.

Ludwig, Friedrich. 1908-1921. La musique des intermèdes lyriques dans le Remede de Fortune. Oeuvres de Guillaume de Machaut, edited by Friedrich Ludwig, 3 vols.405-413. pp. 20, 27, 412-13.

Ambros, August Wilhelm. 1864. Die Anfänge der europäisch-abendländischen Musik. Die Entwicklung des geregelten mehrstimmigen Gesanges. Allgemeine Geschichte der Musik.  Breslau: Leuckart. pp. 251.

Kiesewetter, Raphael Georg. 1838. Über den weltlichen und volksmässigen Gesang im Mittelalter. Allgemeine musikalische Zeitung, 233-47andBeilageno.15. pp. no.13.

Bottée de Toulmon, Auguste. 1836. De la chanson musicale en France, au Moyen Age. Annuaire historique pour l'année 1837 (Société de l'Histoire de France), 214-220. Paris: Renouard. pp. appendix 2, p.4, 217, 5 ex. 3.