| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
F-Pnm Français 1584 (Machaut A) (416v—417)
F-Pnm Français 1585 (Machaut B) (260v—261)
F-Pnm Français 1586 (Machaut C) (208v—209)
F-Pnm Français 9221 (Machaut E) (133v—134)
F-Pnm Français 22545-22546 (Machaut F-G) (104v—105)
|
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. pp. 2:19-21 3:33-36.
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:487-88.
Wimsatt, James I. 1991. Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century. Toronto, Buffalo, and London: University of Toronto Press,. pp. 129-30.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 13: 197-216. pp. 200-201, 209.
Koehler, Laurie. 1990. Pythagoreisch-platonische Proportionen in Werken der ars nova und ars subtilior. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter. pp. 1:106-7.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 244-45.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 5: 438-465. pp. 443.
Patch, Howard Rollin. 1927. The Goddess Fortuna in Mediaeval Literature. Cambridge, Mass.: Harvard University Press. pp. 108.
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 551.
Huot, Sylvia. 1994. Patience in Adversity: The Courtly Lover and Job in Machaut's Motets 2 and 3. Medium Aevum, 63: 222-238. pp. 227-32, 237.
Woodrow Hassel Jr., James. 1982. Middle French Proverbs, Sentences and Proverbial Phrases. Subsidia Mediaevalia. Toronto: Pontifical Institute of Mediaeval Studies. pp. A63.
Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. pp. 1:349.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2:39, 3:9-12.
van den Boogaard, Nico H.J. 1969. Rondeaux et refrains du XIIe siècle au début du XIVe. Collationnement, introduction et notes. Bibliothèque Française et Romane. Paris: Klincksieck. pp. 457 no.450.
Kittredge, George Lyman. 1915. Guillaume de Machaut and the Book of the Duchess. Publications of the Modern Language Association of America, 30: 1-24. pp. 8.
Wimsatt, James I. 1968. Chaucer and the French Love Poets: the Literary Background of the Book of the Duchess. University of North Carolina Studies in Comparative Literature. Chapel Hill: University of North Carolina Press. pp. 158.
Butterfield, Ardis. 1991. Lyric and Elegy in the Book of the Duchess. Medium Aevum, 60: 33-60. pp. 56, 58.
Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 29: 119-127. pp. 122, 126.
Wooldridge, Harry Ellis. 1932, 2nd ed., rev. by Percy C. Buck . The Oxford History of Music, vol. 2, The Polyphonic Period, Part 2: Method of Musical Art, 1400-c. 1600. edited by Percy C. Buck, London: Oxford University Press. pp. (2), 28-30.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:115-18.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 76.
Ficker, Rudolf von. 1920. Die Kolorierungstechnik der Trienter Messen. Studien zur Musikwissenschaft, 7: 5-47. pp. 211.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:71-73.
Fuller, Sarah. 1992. Tendencies and Resolutions: The Directed Progression in Ars Nova Music. Journal of Music Theory, 36: 229-258. pp. 232-4.
Schrade, Leo (ed.) 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 115-118.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 487.
Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Guido Adler, pp. 9.