Digital Image Archive of Medieval Music :: Hé, mors, com tu yes haÿe de moi / Fine amour qui me vint navrer / Quare non sum mortuus

Hé, mors, com tu yes haÿe de moi / Fine amour qui me vint navrer / Quare non sum mortuus

Composer	Machaut, Guillaume de (ca. 1300–1377)
Genre	Motet

Appears in

Source	Location	Voices
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg)	262v–263	Voice: [no designation] Clef: c2 Voice Text: Hé, mors, com tu yes haïe de moy Voice: [no designation] Clef: c3 Voice Text: Fine Amour qui me vint navrer Voice: [no designation] Clef: c4 Voice Text: Quare non sum mortuus
F-Pnm Français 1584 (Machaut A)	416v–417	Voice: [no designation] Clef: c2 Voice Text: Hé, mors, com tu yes haïe de moy Voice: [no designation] Clef: c3 Voice Text: Fine Amour qui me vint navrer Voice: Tenor Clef: c4 Voice Text: Quare non sum mortuus
F-Pnm Français 1585 (Machaut B)	260v–261	Voice: [no designation] Clef: c2 Voice Text: HE mors com tu yes haie Voice: [no designation] Clef: c3 Voice Text: Fine amour qui me vint naurer Voice: Tenor Clef: c4 Voice Text: Quare non sumus mortuus
F-Pnm Français 1586 (Machaut C)	208v–209	Voice: [no designation] Clef: c2 Voice Text: HE mors com tu es haie Voice: [no designation] Clef: c3 Voice Text: Fine amour qui me vint naurer Voice: Tenor Clef: c4 Voice Text: Quare non sumus mortuus
F-Pnm Français 9221 (Machaut E)	133v–134	Voice: [no designation] Clef: c2 Voice Text: Hé, mors, com tu yes haÿe de moy Voice: [no designation] Clef: c3 Voice Text: Fine amour qui me vint navrer Voice: Tenor Clef: c4 Voice Text: Quare non sum mortuus
F-Pnm Français 22545-22546 (Machaut F-G)	104v–105	Voice: [no designation] Clef: c2 Voice Text: HE mors com tu es haie Voice: [no designation] Clef: c3 Voice Text: FIne amour qui me vint navrer Voice: Tenor Clef: c4 Voice Text: Qvare non sumus mortuus

Bibliography

Huot, Sylvia. 1994. Patience in Adversity: The Courtly Lover and Job in Machaut's Motets 2 and 3. Medium Aevum, 222-238. pp. 227-32, 237.

Fuller, Sarah. 1992. Tendencies and Resolutions: The Directed Progression in Ars Nova Music. Journal of Music Theory, 229-258. pp. 232-4.

Butterfield, Ardis. 1991. Lyric and Elegy in the Book of the Duchess. Medium Aevum, 33-60. pp. 56, 58.

Wimsatt, James I. 1991. Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century. Toronto, Buffalo, and London: University of Toronto Press,. pp. 129-30.

Koehler, Laurie. 1990. Pythagoreisch-platonische Proportionen in Werken der ars nova und ars subtilior. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter. pp. 1:106-7.

Woodrow Hassel Jr., James. 1982. Middle French Proverbs, Sentences and Proverbial Phrases. Subsidia Mediaevalia. Toronto: Pontifical Institute of Mediaeval Studies. pp. A63.

Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 438-465. pp. 443.

Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 119-127. pp. 122, 126.

Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 244-45.

van den Boogaard, Nico H.J. 1969. Rondeaux et refrains du XIIe siècle au début du XIVe. Collationnement, introduction et notes. Bibliothèque Française et Romane. Paris: Klincksieck. pp. 457 no.450.

Wimsatt, James I. 1968. Chaucer and the French Love Poets: the Literary Background of the Book of the Duchess. University of North Carolina Studies in Comparative Literature. Chapel Hill: University of North Carolina Press. pp. 158.

Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 551.

Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 487.

Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 76.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 115-118.

Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 200-201, 209.

Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:71-73.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:115-18.

Wooldridge, Harry Ellis. 1932, 2nd ed., rev. by Percy C. Buck . The Oxford History of Music, vol. 2, The Polyphonic Period, Part 2: Method of Musical Art, 1400-c. 1600. edited by Harry Ellis Wooldridge, London: Oxford University Press. pp. (2), 28-30.

Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Friedrich Ludwig, pp. 9.

Patch, Howard Rollin. 1927. The Goddess Fortuna in Mediaeval Literature. Cambridge, Mass.: Harvard University Press. pp. 108.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2:39, 3:9-12.

Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. pp. 1:349.

Ficker, Rudolf von. 1920. Die Kolorierungstechnik der Trienter Messen. Studien zur Musikwissenschaft, 5-47. pp. 211.

Kittredge, George Lyman. 1915. Guillaume de Machaut and the Book of the Duchess. Publications of the Modern Language Association of America, 1-24. pp. 8.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. pp. 2:19-21 3:33-36.

Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:487-88.