Dame, je suis cilz qui vueil endurer vostre vouloir / Fins coeurs douces, on me deffent / Fins coeurs douces
Composer | |
---|---|
Genre | Motet |
Appears in
Source | Location | Voices |
---|---|---|
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 270v–271 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Dame, je sui cilz weil endurer vostre voloir
Voice:
[no designation]
Clef:
c2
Voice Text:
Fins cuers doulz, on me deffent
Voice:
[no designation]
Clef:
c4
Voice Text:
Fins cuers doulz
|
F-Pnm Français 1584 (Machaut A) | 425v–426 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Dame, je sui cilz weil endurer vostre voloir
Voice:
[no designation]
Clef:
c2
Voice Text:
Fins cuers doulz, on me deffent
Voice:
Tenor
Clef:
c4
Voice Text:
Fins cuers doulz
|
F-Pnm Français 1585 (Machaut B) | 268v–269 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Dame ie suis cilz qui vveil endurer
Voice:
[no designation]
Clef:
c2
Voice Text:
Fins cuers doulz on me deffent
Voice:
Tenor
Clef:
c4
Voice Text:
[F]ins cuers doulz
|
F-Pnm Français 1586 (Machaut C) | 215v–216 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Dame, je sui cilz weil endurer vostre voloir
Voice:
[no designation]
Clef:
c2
Voice Text:
Fins cuers doulz, on me deffent
Voice:
Tenor
Clef:
c4
Voice Text:
Fins cuers doulz
|
F-Pnm Français 9221 (Machaut E) | 140 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Dame, je sui cilz qui vueil endurer vostre vouloir
Voice:
[no designation]
Clef:
c2
Voice Text:
Fins cuers doulz, on me deffent
Voice:
Tenor
Clef:
c4
Voice Text:
Fins cuers doulz
|
F-Pnm Français 22545-22546 (Machaut F-G) | 112v–113 |
Voice:
[no designation]
Clef:
c1
Voice Text:
DAme ie sui cils qui vveil endurer
Voice:
[no designation]
Clef:
c2
Voice Text:
Fins cuers dous on me deffent
Voice:
Tenor
Clef:
c4
Voice Text:
Fins cuers doulz
|
Bibliography
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Danckwardt, Marianne. 1993. Möglichkeiten dreistimmigen Komponierens bei Guillaume de Machaut. De musica et cantu: Studien zur Geschichte der Kirchenmusik und der Oper; Helmut Hucke zum 60. Geburtstag, Musikwissenschaftliche Publikationen, Hochschule für Musik und darstellende Kunst Frankfurt/Main. edited by Marianne Danckwardt, 372-382. Hildesheim, Zürich, and New York: Olms. pp. .
Fuller, Sarah. 1992. Tendencies and Resolutions: The Directed Progression in Ars Nova Music. Journal of Music Theory, 229-258. pp. 243-44.
Keitel, Elizabeth A. 1976. A Chronology of the Compositions of Guillaume de Machaut Based on a Study of Fascicle-Manuscript Structure in the Larger Manuscripts. Cornell University, PhD Dissertation. pp. 97-102.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 144-51.
Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 564.
Günther, Ursula. 1960. Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047. Archiv für Musikwissenschaft, 277-297. pp. 296.
Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 13-27. pp. 19-20.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 29.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 501, 503.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 81-82.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 141-143.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:85-87.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:144-46.
Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co. pp. 355.
Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Friedrich Ludwig, pp. 37, 41.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:41-43.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:503-4, n.11.