| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Ballade |
| Appears in |
F-Pa 5203 (65v)
F-Pnm Français 22545-22546 (Machaut F-G) (143v—144)
|
Droz, Eugénie, Arthur Piaget, and Antoine Vérard (eds.) 1910 & 1925. Le Jardin de Plaisance et Fleur de Rhétorique publiée par Antoine Vérard vers 1501. Société des Anciens Textes Français. Paris: Champion. pp. vol 1 fol 65v.
Tarbé, Louis Hardouin Prosper (ed.) 1849. Les Oeuvres de Guillaume de Machaut. Collection des Poëtes Champenois Antérieurs au XVIe Siècle. Reims and Paris: Techener. pp. 60.
Tarbé, Louis Hardouin Prosper. 1856. oésies d'Agnès de Navarre-Champagne, dame de Foix. Collection des Poëtes Champenois Antérieurs au XVIe Siècle. Paris: Aubry, and Reims: Brissart-Binet. pp. xxxi.
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 1:183 no.203.
Wilkins, Nigel E (ed.) 1972. Guillaume de Machaut. La Louange des dames. Edinburgh: Scottish Academic Press and London, Chatto and Windus. pp. 79 no.115.
Apel, Willi, and Archibald Thompson Davison (eds.) 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music. Cambridge, Massachusetts. pp. 245 no.45; 48 no.45.
Reaney, Gilbert. 1959. The Poetic Form of Machaut's Musical Works: I. The Ballades, Rondeaux and Virelais. Musica disciplina, 13: 25-41. pp. 26.
Apel, Willi. 1978. The French, Italian and Latin Poems in 14th-Century Music. Journal of the Plainsong & Mediæval Music Society, 1: 39-56. pp. 40.
Allorto, Riccardo (ed.) 1983. Antologia storica della musica Vol.1: Dai Greci al Rinascimento. Milan: Ricordi. pp. 44 no. 48, 157.
Berthelot, Anne, and Jacqueline Cerquiglini-Toulet (eds.) 1987. Poètes du Moyen Age. Chants de guerre, d'amour et de mort. Librairie Générale Française. Paris: Livre de Poche. pp. 115-16.
Campbell, Thomas P. 1989-90. Machaut and Chaucer: Ars nova and the Art of Narrative. Chaucer Review, 24: 275-289. pp. 279-84, 280-81, 288-89 no.6.
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 3:257.
Marks, Diane R. 1984. Christine de Pizan and the Jews: Political and Poetic Implications. Politics, Gender, and Genre: The Political Thought of Christine de Pizan, edited by Margaret Brabant, 53-73. Boulder, Colo. and Oxford: Westview Press. pp. 108-9.
Kelly, Douglas. 1978. Medieval Imagination. Rhetoric and the Poetry of Courtly Love. Madison: University of Wisconsin Press. pp. 48, 129-30, 234, 272 n.71, 285 n.19.
Badel, Pierre-Yves. 1980. Le Roman de la Rose au XIVe siècle: Etude de la réception de l'œuvre. Publications romanes et françaises. Geneva: Droz. pp. 91 n.78.
Cerquiglini-Toulet, Jacqueline. 1980. Le lyrisme en mouvement. Perspectives médiévales , 6: 75-86. pp. 85 n.31.
Cerquiglini-Toulet, Jacqueline. 1985. "Un Engin si soutil": Guillaume de Machaut et l'écriture au XIVe siècle. Bibliothèque du XVe Siècle. Geneva: Slatkine. pp. 207-8, 272.
Huot, Sylvia. 1987. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca: Cornell University Press. pp. 285 n.8.
Heinrichs, Katherine. 1990. The Myths of Love: Classical Lovers in Medieval Literature. University Park and London: Pennsylvania State University Press. pp. 135 n.32.
Calin, William. 1994. The French Tradiiton and the Literature of Medieval England. Toronto, Buffalo, and London: University of Toronto Press. pp. 217-18.
McGregor Jr., Rob Roy (ed.) 1975. The Lyric Poems of Jehan Froissart. Chapel Hill: University of North Carolina Press. pp. 218-19, 232-33.
Baudouin, Rae S (ed.) 1978. Jean Froissart: Ballades et rondeaux. Edition avec introduction, notes et glossaire. Texte Littéraires Français. Geneva: Droz. pp. 24-25 no.17, 44-45 no.35.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:131.
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 215.
Günther, Ursula. 1972. Un Codice Trecentesco, Bibi. Nat. Paris fonds ital. 568. Lochamer-Liederbuch / Fundamentum organisandi , Documenta Musicologica. Series II. Kassel: International Society for Musicology. pp. 57-58.
Mossler Figg, Kristen. 1994. The Short Lyric Poems of Jean Froissart: Fixed Forms and the Expression of the Courtly Ideal. Garland Studies in Medieval Literature; Garland Reference Library of the Humanities. New York and London: Garland. pp. 241-42.
Hoppin, Richard H (ed.) 1960-3. The Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale, J.II.9. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 3:148-49, 3:67-68.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:112-113.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 114.
Hamburg, Otto, and Margaretha Landwehr von Pragenau (eds.) 1976. Musikgeschichte in Beispielen, von der Antike bis Johann Sebastian Bach. Taschenbücher zur Musikwissenschaft. Wilhelmshaven: Heinrichshofen. pp. 19 no.23.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:41-42.
Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 14: 13-27. pp. 16-17 .
Martinez, Marie Louise. 1963. Die Musik des Frühen Trecento. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing: Schneider. pp. 104-5.
Junger, Erwin. 1967. Aspecte cromatice în stilul armonic modal al secolelor XIV-XVI (Chromatic aspects in the modal harmonic style of the fourteenth to sixteenth centuries; in Rumanian; summary in French, Russian, and German). Lucrari de Musicologie, 3: 171-182. pp. 176-77.
Salop, Arnold. 1971. Studies in the History of Musical Style. Detroit: Wayne State University Press. pp. 64-65.
Dömling, Wolfgang (ed.) 1972. Die Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile. II: Übertragung der Organa und Motetten. Das Erbe deutscher Musik. Kassel: Bärenreiter. pp. 305-7.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 155-58, 213.
Saponov, Mikhail A. 1978. Menzural' naya ritmika i ea apogee v tvorchestve Guillauma de Machaut' (Mensural rhythm and its apogee in the works of Guillaume de Machaut). Problemy muzykal' nogo ritma (Problems in musical rhythm: in Russian), edited by Valentina N. Holopova, Moscow: Muzyka. pp. 36.
Hirshberg, Jehoash. 1980. Hexachordal and Modal Structure in Machaut's Polyphonic Chansons. Studies in Musicology in Honor of Otto E. Albrecht: A Collection of Essays by His Colleagues and Former Students at the University of Pennsylvania, edited by John Walter Hill, 19-42. Kassel: Bärenreiter. pp. 29.
Karp, Theodore. 1988. Compositional Process in Machaut's Ballades'. Music from the Middle Ages through the Twentieth Century: Essays in Honor of Gwynn S. McPeek, Monographs on Musicology. edited by Carmelo Peter Comberiati and Matthew Steel, 64-78. New York: Gordon and Breach. pp. 74-75.
Göllner, Marie Louise. 1989. Musical and Poetic Structure in the Refrain Forms of Machaut. Liedstudien. Wolfgang Osthoff zum 60. Geburtstag, edited by Martin Just and Reinhard Wiesend, 61-76. Tutzing: Schneider. pp. 73-75.
Danckwardt, Marianne. 1993. Möglichkeiten dreistimmigen Komponierens bei Guillaume de Machaut. De musica et cantu: Studien zur Geschichte der Kirchenmusik und der Oper; Helmut Hucke zum 60. Geburtstag, Musikwissenschaftliche Publikationen, Hochschule für Musik und darstellende Kunst Frankfurt/Main. edited by Peter Cahn and Ann-Katrin Heimer, 372-382. Hildesheim, Zürich, and New York: Olms. pp. 374-77, 381-2.
Reaney, Gilbert. 1955. The Manuscript Oxford, Bodleian Library, Canonici Misc. 213. Musica Disciplina, 9: 73-104. pp. 47.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. Ph.D. dissertation, University of Hamburg. pp. 80-84.
Hirshberg, Jehoash. 1971. he Music of the Late Fourteenth-Century: A Study in Musical Style. PhD Dissertation, University of Pennsylvania. pp. 120-33.
Little, Patrick. 1980. Three Ballades in Machaut's Livre du Voir-Dit. Studies in Music (Australia), 14: 45-60. pp. 49.
Arlt, Wulf. 1993. Donnez signeurs - Zum Brückenschlag zwischen Ästhetik und Analyse bei Guillaume de Machaut. Tradition und Innovation in der Musik. Festschrift für Ernst Lichtenhahn zum 60. Geburtstag, edited by Christoph Ballmer and Thomas Gartmann, 39-64. Winterthur: Amadeus. pp. 63.
Crocker, Richard L. 1967. A new source for medieval music theory. Acta Musicologica, 39: . pp. 166, 169-70 (by Thomas Walker).
Apel, Willi (ed.) 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 2:37-38 no.148.
Greene, Gordon Kay, and Terence Scully (eds.) 1981-89. French Secular Music (I-II). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 20:117-19 no.36.