| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Ballade |
| Appears in |
F-Pnm Français 1586 (Machaut C) (162v—163v)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:547-48 no.15.
Wilkins, Nigel E. 1988; 2nd rev. ed. 1989. The Lyric Art of Medieval France. Fulbourn: New Press. pp. 149.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:26-29, 57.
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 3:249.
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 198n..
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:10-11.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:83.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 105-6.
Dömling, Wolfgang. 1970. Die mehrstimmigen Balladen, Rondeaux und Virelais von Guillaume de Machaut. Untersuchungen zum musikalischen Satz. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing: Schneider. pp. 30-31.
Reaney, Gilbert. 1971. Guillaume de Machaut. Oxford Studies of Composers. London: Oxford University Press. pp. 40-42.
Dömling, Wolfgang (ed.) 1972. Die Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile. II: Übertragung der Organa und Motetten. Das Erbe deutscher Musik. Kassel: Bärenreiter. pp. 302-3, 305.
Lühmann, Rose. 1978. Versdeklamation bei Guillaume de Machaut. PhD Dissertation, Ludwig-Maximilians-Universität Munich. pp. 201.
Hirshberg, Jehoash. 1980. Hexachordal and Modal Structure in Machaut's Polyphonic Chansons. Studies in Musicology in Honor of Otto E. Albrecht: A Collection of Essays by His Colleagues and Former Students at the University of Pennsylvania, edited by John Walter Hill, 19-42. Kassel: Bärenreiter. pp. 38.
Welker, Lorenz. 1992. Die Musik der Renaissance. Musikalische Interpretation, Neues Handbuch der Musikwissenschaft. edited by Hermann Danuser, 139-215. Laaber: Laaber. pp. 184.
Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. pp. 1:123-24.
Apel, Willi (ed.) 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 3:162-68 no.290.
Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton. pp. 127-133 no. 60.
Greene, Gordon Kay, and Terence Scully (eds.) 1981-89. French Secular Music (I-II). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 20:209-17 no.64.
Reaney, Gilbert. 1955. The Manuscript Oxford, Bodleian Library, Canonici Misc. 213. Musica Disciplina, 9: 73-104. pp. 52.
Günther, Ursula. 1972. Un Codice Trecentesco, Bibi. Nat. Paris fonds ital. 568. Lochamer-Liederbuch / Fundamentum organisandi , Documenta Musicologica. Series II. Kassel: International Society for Musicology. pp. 54-55.
Frobenius, Wolf. 1971. Ballade (Mittelalter). Handwörterbuch der musikalischen Terminologie, edited by Hans Heinrich Eggebrecht, Wiesbaden: Steiner. pp. 11.
Newes, Virginia Ervin. 1987. Fuga and Related Contrapuntal Procedures in European Polyphony ca. 1350-ca. 1420. PhD Dissertation, Brandeis University. pp. 87-89, 99-101.
Newes, Virginia Ervin. 1991. Turning Fortune's Wheel: Musical and Textual Design in Machaut's Canonic Lais. Musica disciplina, 45: 95-121. pp. 99-100.
Kügle, Karl. 1990. Codex Ivrea, Bibl. cap. 115: A French Source 'Made in Italy'. Revista de musicología, 13: 527-561. pp. 534 n.32.
Kügle, Karl. 1993. The Manuscript Ivrea, Biblioteca capitolare 115: Studies in the Transmission and Composition of Ars Nova Polyphony. PhD Dissertation, New York University. pp. 258-82.
Kügle, Karl. 1991. Die Musik des 14. Jahrhunderts: Frankreich und sein direkter Einflussbereich. Die Musik des Mittelalters, Neues Handbuch der Musikwissenschaft. edited by Hartmut Möller and Rudolf Stephan, 352-384. Laaber: Laaber. pp. 379-84.