| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Ballade |
| Appears in |
F-Pnm Français 1586 (Machaut C) (161—161v)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:542-43 no.8.
Wimsatt, James I. 1978. Guillaume de Machaut and Chaucer's Love Lyrics. Medium Aevum, 47: 66-87. pp. 72.
Wimsatt, James I. 1991. Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century. Toronto, Buffalo, and London: University of Toronto Press,. pp. 313 n.14.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:7.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:79.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 1-3.
Wilkins, Nigel E (ed.) 1980. Chaucer Songs. Chaucer Studies. Cambridge: Brewer and Totowa, N.J., Rowman and Littlefield. pp. 25-26.
Lowinksy, Edward E. 1945. The Function of Conflicting Signatures in Early Polyphonic Music. The Musical Quarterly, 31: 227-60. pp. 186, 241.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:24.
Hoppin, Richard H. 1956. Some Remarks a propos of Pic. Revue Belge de Musicologie, 10: 105ff. pp. 109-10.
Reaney, Gilbert. 1963. Modes in the Fourteenth Century, in Particular in the Music of Guillaume de Machaut. Organicae voces: Festschrift Joseph Smits von Waesberghe, edited by Pieter Fischer, 137-143. Amsterdam: Institute for Medieval Music. pp. 141-42.
Salop, Arnold. 1971. Studies in the History of Musical Style. Detroit: Wayne State University Press. pp. 61-62.
Dömling, Wolfgang (ed.) 1972. Die Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile. II: Übertragung der Organa und Motetten. Das Erbe deutscher Musik. Kassel: Bärenreiter. pp. 302.
Hirshberg, Jehoash. 1980. Hexachordal and Modal Structure in Machaut's Polyphonic Chansons. Studies in Musicology in Honor of Otto E. Albrecht: A Collection of Essays by His Colleagues and Former Students at the University of Pennsylvania, edited by John Walter Hill, 19-42. Kassel: Bärenreiter. pp. 38-39.
Reaney, Gilbert. 1982. La tonalité des ballades et des rondeaux de Guillaume de Machaut. Guillaume de Machaut: Poète et Compositeur. Colloque-Table Ronde organisé par l'Université de Reims (19-22 avril, 1978), Actes et Colloques. 295-300. Paris: Klincksieck. pp. 238-39.
Fuller, Sarah. 1987. Line, Contrapunctus and Structure in a Machaut Song. Music Analysis, 6: 37-58. pp. 54.
Karp, Theodore. 1988. Compositional Process in Machaut's Ballades'. Music from the Middle Ages through the Twentieth Century: Essays in Honor of Gwynn S. McPeek, Monographs on Musicology. edited by Carmelo Peter Comberiati and Matthew Steel, 64-78. New York: Gordon and Breach. pp. 71.
Hoppin, Richard H. 1989. Conflicting Views in Retrospect. Edward Lowinsky: Music in the Culture of the Renaissance and Other Essays, edited by Bonnie J Blackburn, 2 vols.678-680. Chicago and London: University of Chicago Press. pp. None.