| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genres | Canon, Lai |
| Appears in |
CH-BEb Cod. 218 (128)
F-Pa 5203 (141v—143)
F-Pnm Français 843 (Machaut M) (230v—232)
F-Pnm Français 1584 (Machaut A) (399—401)
F-Pnm Français 1585 (Machaut B) (251v—254v)
F-Pnm Français 9221 (Machaut E) (121—122v)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:415-24 no.17.
Wimsatt, James I. 1975. Machaut's Lay de Confort and Chaucer's Book of the Duchess. Chaucer and Albany, Middle English Texts & Contexts. 11-26. New York: Franklin. pp. 13-15, 18-23.
Wimsatt, James I. 1991. Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century. Toronto, Buffalo, and London: University of Toronto Press,. pp. 113-14, 129.
Kelly, Douglas. 1978. Medieval Imagination. Rhetoric and the Poetry of Courtly Love. Madison: University of Wisconsin Press. pp. 288 n.59.
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 3:249-50.
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 409.
Reaney, Gilbert. 1967. Towards a Chronology of Machaut's Musical Works. Musica disciplina, 21: 87-96. pp. 90, 95.
Kügle, Karl. 1991. Die Musik des 14. Jahrhunderts: Frankreich und sein direkter Einflussbereich. Die Musik des Mittelalters, Neues Handbuch der Musikwissenschaft. edited by Hartmut Möller and Rudolf Stephan, 352-384. Laaber: Laaber. pp. 381-82.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2:41 n.1, 4:54-66.
Patch, Howard Rollin. 1927. The Goddess Fortuna in Mediaeval Literature. Cambridge, Mass.: Harvard University Press. pp. 77, 96, 119, 134.
Calin, William. 1971. A Reading of Machaut's Jugement dou Roy de Navarre. Modern Language Review, 66: 294-197. pp. 244.
Günther, Ursula. 1984. Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Ursula Günther and Ludwig Finscher, 229-268. Kassel: Bärenreiter. pp. 264-65.
Newes, Virginia Ervin. 1991. Turning Fortune's Wheel: Musical and Textual Design in Machaut's Canonic Lais. Musica disciplina, 45: 95-121. pp. 103, 115-21.
Woodrow Hassel Jr., James. 1982. Middle French Proverbs, Sentences and Proverbial Phrases. Subsidia Mediaevalia. Toronto: Pontifical Institute of Mediaeval Studies. pp. M160.
Kittredge, George Lyman. 1915. Guillaume de Machaut and the Book of the Duchess. Publications of the Modern Language Association of America, 30: 1-24. pp. 13-14, 18.
Wimsatt, James I. 1968. Chaucer and the French Love Poets: the Literary Background of the Book of the Duchess. University of North Carolina Studies in Comparative Literature. Chapel Hill: University of North Carolina Press. pp. 159-60.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:52-74.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 65-67.
Reaney, Gilbert. 1955-56. The Lais of Guillaume de Machaut and Their Background. Proceedings of the Royal Musical Association, 82: 15-31,discussion31-32. pp. 30-31.
Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 14: 13-27. pp. 17, 18.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. Ph.D. dissertation, University of Hamburg. pp. 127-28.
Günther, Ursula. 1962-63. Die Mensuralnotation der Ars nova in Theorie und Praxis. Archiv für Musikwissenschaft, 19-20: 1962-63. pp. 21-22.
Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton. pp. 408.
Feininger, Laurence K. 1937. Die Frühgeschichte des Kanons bis Josquin des Prez (um 1500). Emsdetten: Lechte. pp. None.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 1:119, 1:123, 124, 126-27.
Newes, Virginia Ervin. 1987. Fuga and Related Contrapuntal Procedures in European Polyphony ca. 1350-ca. 1420. PhD Dissertation, Brandeis University. pp. 115-17, 134-50.
Cross, Lucy E. 1990. Chromatic Alteration and Extrahexachordal Intervals in Fourteenth-Century Polyphonic Repertories. PhD Dissertation, Columbia University. pp. 29.