I-PIarc Cartella 11/III (Lucca choirbook or Strohm Codex)

Biblioteca Arcivescovile Cardinale Pietro Maffi, Pisa, Italy

fragment of polyphony: Ca. 1467-70, with additions c. 1485-1500

Archive Biblioteca Arcivescovile Cardinale Pietro Maffi, Pisa, Italy (I-PIarc)
Shelfmark Cartella 11/III (Lucca choirbook or Strohm Codex)
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Format portrait
Measurements orig. ca. 470 x 340 mm
Other Identifiers
  • CCM: PisaBA s.s.
Copyists
Relationships
Provenance
  • Italy
Contents 3 pieces from 1 composers
General Description

Single bifolio, removed from bindings; part of a collection of leaves, possibly more than 70 ff in total originally, all removed from bindings and mostly held in Lucca, which formed part of larger musical manuscript.

Copied by one main scribe (Netherlandish hand), with several additions by later (Italian) hands. Main corpus probably copied in Bruges (StroMB). By 1472 at latest, manuscript given to Lucca Cathedral by Giovanni Arnolfini, a Lucca merchant doing business in Bruges. Used by cathedral's maestro di cappella, John Hothby; several pieces added, along with some texts and notes.

Original manuscript disassembled in early 17th century; folios used as binding material. In 1963-4, Reinhard Strohm recovered 56 folios from bindings of archival registers in the Archivio di Stato at Lucca, and an additional bifolio at the Biblioteca Arcivescovile at Pisa. In 1976, Agostino Ziino and Strohm recovered, respectively, three and two additional folios at the Archivio di Stato in Lucca.

This bifolio discovered in Pisa (= PisaBA s.s) is ff. 41/44 in Strohm's reconstruction of the choirbook.

The main body of leaves are inventoried as I-Lcr MS 238. See also the fragments of the same book held as I-Lcr MS 97, and the reconstruction of the fragments.

Reinhard Strohm
Notation

not indicated

Reinhard Strohm
Foliation

41r-v, 44r-v

Strohm's foliation of the full set of fragments can be found here.

Reinhard Strohm
Decoration

Painted initials and inked calligraphic initials in blue, brownish-red, and gold.

Reinhard Strohm
Surface

parchment

Reinhard Strohm
RISM Description

RISM B/IV 5: XVe s. 58ff. Parchemin, 460 x 340 mm. Foliotation moderne en haut des ff. Les ff. 11, 21, 35v, 48, 58r-v sont blancs. Lef. 1 coupé longitudinalement, le f. 11 très mutilé. Notation mesurée blanche. 10 portées par p. Six capitales enluminées or et coul., restes d'une miniature au f. 1v.

Dépecé au XVIIe s. pour servir de couvertures aux actes notariés des Archives, ce ms. reconstitué en 1965 à partir de feuillets épars, appartient au même groupe que les mss. de l'Estense à Modena (MOe 456) et de la Vaticana (Rvat. 51) copiés à la fin du XVe s. et avec lesquels il présente d'ailleurs quelques concordances (nos 2, 5b, 11, 13, 14). Il est possible qu'il ait été copié en Flandre vers 1470 et qu'il soit en relation avec l'évêque de Lucca Stefano Trenta (1448-1478) qui était nonce du pape en Angleterre et en Bourgogne sous Paul II dont on relève le nom plusieurs fois au f. 1. Le répertoire en tout cas, ne permet guère de repousser la date de la copie au delà de 1485. Malheureusement, aucune pièce n'est complète, mais le ms. a tout de même permis de découvrir l'auteur d'une messe restée jusque là anonyme dans TR89 (nos 736-740): Henricus Tik (no 1), ainsi qu'un Kyrie inconnu de Frye (no 4).

Le dépouillement suit la numérotation donnée par Strohm qui a découvert, mis en ordre et étudié le ms.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 Masses, 2 Magnificats, 9 motets = 28 (fragmentary and in-complete)

Domarto-1, (Dufay)-1 + 1?, Frye-1, (Heyns)-1, (Isaac)-1, (Martini)-1, (Plummer)-1, J.? Stone-1, Tik-1, anon-18

61 parchment folios, originally ca. 470 x 340. Once part of larger musical manuscript; two additional folios from same manuscript now PisaBA s.s. Modern (1976) foliation by Reinhard Strohm: 1-24; 24bis; 24ter; 25-30; 30bis; 31-40; 42-43; 45-46; 46bis; 47-48; 48bis; 49-58. Preserved loose, as fascicles reflecting above foliation, in modern folder. Modern index by Reinhard Strohm. Copied by one main scribe (Netherlandish hand), with several additions by later (Italian) hands. Painted initials and inked calligraphic initials in blue, brownish-red, and gold.

Ca. 1470, with additions ca. 1485-1500 (StroMB). Main corpus probably copied in Bruges (StroMB). By 1472 at latest, manuscript given to Lucca Cathedral by Giovanni Arnolfini, a Lucca merchant doing business in Bruges. Used by cathedral's maestro di cappella, John Hothby; several pieces added, along with some texts and notes. Original manuscript disassembled in early 17th century; folios used as binding material. In 1963-4, Reinhard Strohm recovered 56 folios from bindings of archival registers in the Archivio di Stato at Lucca, and an additional bifolio at the Biblioteca Arcivescovile at Pisa. In 1976, Agostino Ziino and Strohm recovered, respectively, three and two additional folios at the Archivio di Stato in Lucca. Bifolio discovered in Pisa (= ff. 41/44 in Strohm's reconstruction) is PisaBA s.s.

Vol. 3:

2 Masses (fragmentary) Anonymous

2 parchment folios, originally ca. 470 x 340, recovered by Reinhard Strohm from binding of archival register. Folios are from same original manuscript as LucAS 238. Strohm assigned single system of foliation to LucAS 238 and PisaBA s.s. in 1976; leaves at Pisa are f. 41 and f. 44.

Ca. 1470, with additions ca. 1485-1500. Main corpus of original manuscript probably copied in Bruges. See LucAS 238 for subsequent history, bibliography, and more detailed physical description.

Catalogue entries for LucAS 238:

Vol 4

Composers: Add "(Busnois?)-1" and "(Joye?)-2"; change "(Plummer)-1 " to "(Plummer)-1 + 1?"; change "anon-18" to "anon-14."

Physical: Main scribe was a certain "Waghes" (inscriptions on ff. 7, 15, 49'); later additions by three other scribes (StroMB).

Date: Ca. 1467-70 (main corpus), with additions from 1470's until ca. 1500 (StroMB).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
41 Missa Haec dies: Sanctus - Anonymous
Appears on: 41
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Hec dies
41v Missa Haec dies: Agnus Dei - Anonymous
Appears on: 41v
Genres: Agnus Dei, Mass Ordinary
44–44v Missa Nos amis [Lucca]: Credo - Anonymous
Appears on: 44–44v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Nos amis
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Missa Haec dies: Agnus Dei Anonymous 41v
Missa Haec dies: Sanctus Anonymous 41
Missa Nos amis [Lucca]: Credo Anonymous 44–44v

denotes primary source study

Strohm, Reinhard. 2008. The Lucca Choirbook: Lucca, Archivio di Stato, MS 238; Lucca, Archivio Arcivescovile, MS 97; Pisa, Archivio Arcivescovile, Biblioteca Maffi, Cartella 11/III, facs. ed. with an introduction and inventory. Late Medieval and Early Renaissance Music in Facsimile.  Chicago and London: University of Chicago Press.

Taruskin, Richard. 1986. Antoine Busnoys and the L'Homme armé Tradition. Journal of the American Musicological Society, 255-93. Pages: 258-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Strohm, Reinhard. 1985. Music in Late Medieval Bruges.  Oxford. Pages: 120-42, 192-200,220-35,238-49; frontispiece; Plates 6 and 8. Notes: physical description; contents list; concordances; incipits (partial); transcription (partial); facsimile (partial); mention of MS; discussion.

Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 34-51. Pages: 39. Notes: contents list (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxix, 30-1, 60, 86; III, 87-9. Notes: physical description; contents list (partial); concordances (partial).

Planchart, Alejandro Enrique. 1976. Guillaume Dufay's Masses: A View of the Manuscript Traditions. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7, 1974, 26-60,150-1. Brooklyn. Pages: 37-8, 41-2. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Ann Besser Scott. 1972. A Study and Inventory of the Manuscript Modena, Biblioteca Estense, a.X.I.11 (ModB). Musica Disciplina, 101-43. Pages: 138. Notes: contents list (partial); concordances (partial).

Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 1-23. Pages: 1, 8-13. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Scott, Ann Besser. 1972. English Music in Modena, Biblioteca Estense, a. X. 1.11 and Other Italian Manuscripts. Musica Disciplina, 145-60. Pages: 146. Notes: mention of MS.

Strohm, Reinhard. 1968. Ein unbekanntes Chorbuch des 15. Jahrhunderts. Die Musikforschung, 40ff. Notes: physical description; contents list; concordances.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: XXII, 173ff. Notes: mention of MS; contents list (partial); concordances (partial).

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Julia Craig-McFeely

Wednesday, 26 July, 2017

Changed the name of MS 97 and of Cartella 11/III to 'Lucca choirbook (or Strohm Codex)'

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description