GB-Odiamm Virtual Reconstruction of the Lucca Choirbook (Strohm Codex)

DIAMM Virtual Manuscript Archive, Oxford, England

Reconstruction of dispersed fragments of a manuscript: Mid-15th century: ca. 1467-70, with additions c. 1485-1500

Archive DIAMM Virtual Manuscript Archive, Oxford, England (GB-Odiamm)
Shelfmark Virtual Reconstruction of the Lucca Choirbook (Strohm Codex)
Surface Parchment
Numbering System Foliation
Measurements 475 x 345 mm
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 75 pieces from 14 composers
General Description

Virtual reconstruction of the Lucca Choirbook, comprising folios (many of them bifolios) now held as Lucca MS 238, Pisa Cartella 11/III & Lucca MS 97.

The original manuscript was disassembled in the early 17th century; folios used as binding material. In 1963-4, Reinhard Strohm recovered 56 folios from bindings of archival registers in the Archivio di Stato at Lucca, and an additional bifolio at the Biblioteca Arcivescovile at Pisa. These form Lucca MS 238. The Pisa bifolio (= ff. 41/44 in Strohm’s reconstruction) is I-Plarc Cartella 11/III (or PisaBA s.s).

In 1976, Agostino Ziino and Strohm recovered, respectively, three and two additional folios at the Archivio di Stato in Lucca. Four of these bifolios are catalogued as I-Lcr MS 97.

Main scribe was a certain 'Waghes' (inscriptions on ff. 7, 15, 49'); later additions by three other scribes (StroMB). Main corpus probably copied in Bruges (StroMB). By 1472 at latest, manuscript given to Lucca Cathedral by Giovanni Arnolfini, a Lucca merchant doing business in Bruges. Used by cathedral's maestro di cappella, John Hothby; several pieces added, along with some texts and notes.

DIAMM, 2020
General Description

Note: the location (shelfmark) of a small number of folios is under investigation.

DIAMM, 2020
Binding

Preserved loose, as fascicles reflecting above foliation, in modern folder.

DIAMM, 2020
Ruling

10 staves per page; Width of rastrum: 18mm (measured on fol. 1)

DIAMM, 2020
Foliation

Strohm's modern foliation has been updated several times, interpolating new numbers in the 'original' modern foliation as additional leaves were found; with his facsimile of 2008 he completely reorganised the earlier foliation. However, while folios in gatherings 1-10 & 17-20 are numbered consecutively (apart from f. 30.5, the sole survivor of gathering 8), the folios in gatherings 11-16 are numbered with decimals to indicate the approximate placings within the gathering.

Strohm's final foliation, replacing earlier (1976) foliation: 1-30; 30.5; 31-36; 37.1-2, 37.5-6; 38, 38.1-5, 38.9; 39, 39.1, 39-7-8; 40.2-3, 40.5-6, 40.8-9; 41-42; 42.1-4; 43-60.

For this virtual representation of the manuscript, DIAMM has provided a new simplified listing, numbering each leaf consecutively in a continuous foliation 1-82. The chart below shows the cross-references to Strohm's foliation.

Strohm foliation

DIAMM, 2020
Decoration

Painted initials and inked calligraphic initials in blue, brownish-red, and gold.

DIAMM, 2020
Index

Modern index by Reinhard Strohm

DIAMM, 2020
DIAMM Note

For bibliography etc, see the entries for the sources: Lucca MS 97 and MS 238, and Pisa Cartella 11/III.

DIAMM, 2020
RISM Description

Catalogue entries for LucAS 238:

RISM B/IV 5: XVe s. 58ff. Parchemin, 460 x 340 mm. Foliotation moderne en haut des ff. Les ff. 11, 21, 35v, 48, 58r-v sont blancs. Lef. 1 coupé longitudinalement, le f. 11 très mutilé. Notation mesurée blanche. 10 portées par p. Six capitales enluminées or et coul., restes d'une miniature au f. 1v.

Dépecé au XVIIe s. pour servir de couvertures aux actes notariés des Archives, ce ms. reconstitué en 1965 à partir de feuillets épars, appartient au même groupe que les mss. de l'Estense à Modena (MOe 456) et de la Vaticana (Rvat. 51) copiés à la fin du XVe s. et avec lesquels il présente d'ailleurs quelques concordances (nos 2, 5b, 11, 13, 14). Il est possible qu'il ait été copié en Flandre vers 1470 et qu'il soit en relation avec l'évêque de Lucca Stefano Trenta (1448-1478) qui était nonce du pape en Angleterre et en Bourgogne sous Paul II dont on relève le nom plusieurs fois au f. 1. Le répertoire en tout cas, ne permet guère de repousser la date de la copie au delà de 1485. Malheureusement, aucune pièce n'est complète, mais le ms. a tout de même permis de découvrir l'auteur d'une messe restée jusque là anonyme dans TR89 (nos 736-740): Henricus Tik (no 1), ainsi qu'un Kyrie inconnu de Frye (no 4).

Le dépouillement suit la numérotation donnée par Strohm qui a découvert, mis en ordre et étudié le ms.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

DIAMM, 2020
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 Masses, 2 Magnificats, 9 motets = 28 (fragmentary and in-complete)

Domarto-1, (Dufay)-1 + 1?, Frye-1, (Heyns)-1, (Isaac)-1, (Martini)-1, (Plummer)-1, J.? Stone-1, Tik-1, anon-18

61 parchment folios, originally ca. 470 x 340. Once part of larger musical manuscript; two additional folios from same manuscript now PisaBA s.s. Modern (1976) foliation by Reinhard Strohm: 1-24; 24bis; 24ter; 25-30; 30bis; 31-40; 42-43; 45-46; 46bis; 47-48; 48bis; 49-58. Preserved loose, as fascicles reflecting above foliation, in modern folder. Modern index by Reinhard Strohm. Copied by one main scribe (Netherlandish hand), with several additions by later (Italian) hands. Painted initials and inked calligraphic initials in blue, brownish-red, and gold.

Ca. 1470, with additions ca. 1485-1500 (StroMB). Main corpus probably copied in Bruges (StroMB). By 1472 at latest, manuscript given to Lucca Cathedral by Giovanni Arnolfini, a Lucca merchant doing business in Bruges. Used by cathedral's maestro di cappella, John Hothby; several pieces added, along with some texts and notes. Original manuscript disassembled in early 17th century; folios used as binding material. In 1963-4, Reinhard Strohm recovered 56 folios from bindings of archival registers in the Archivio di Stato at Lucca, and an additional bifolio at the Biblioteca Arcivescovile at Pisa. In 1976, Agostino Ziino and Strohm recovered, respectively, three and two additional folios at the Archivio di Stato in Lucca. Bifolio discovered in Pisa (= ff. 41/44 in Strohm's reconstruction) is PisaBA s.s.

Vol. 3:

2 Masses (fragmentary) Anonymous

2 parchment folios, originally ca. 470 x 340, recovered by Reinhard Strohm from binding of archival register. Folios are from same original manuscript as LucAS 238. Strohm assigned single system of foliation to LucAS 238 and PisaBA s.s. in 1976; leaves at Pisa are f. 41 and f. 44.

Ca. 1470, with additions ca. 1485-1500. Main corpus of original manuscript probably copied in Bruges. See LucAS 238 for subsequent history, bibliography, and more detailed physical description.

Catalogue entries for LucAS 238:

Vol 4

Composers: Add "(Busnois?)-1" and "(Joye?)-2"; change "(Plummer)-1 " to "(Plummer)-1 + 1?"; change "anon-18" to "anon-14."

Physical: Main scribe was a certain "Waghes" (inscriptions on ff. 7, 15, 49'); later additions by three other scribes (StroMB).

Date: Ca. 1467-70 (main corpus), with additions from 1470's until ca. 1500 (StroMB).

DIAMM, 2020

(3v) I-La MS 238, 3v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) I-La MS 238, 1 blank page - -

blank page

Appears on: (1) I-La MS 238, 1
(1v) I-La MS 238, 1v–(2) I-La MS 238, 2 Missa [de BMV]: Kyrie -
Appears on: (1v) I-La MS 238, 1v–(2) I-La MS 238, 2
Genres: Kyrie eleison, Mass Ordinary
(2v) I-La MS 238, 2v–(5) I-La MS 238, 5 Missa [de BMV]: Et in terra pax [Gloria] -
Appears on: (2v) I-La MS 238, 2v–(5) I-La MS 238, 5
Genres: Gloria (et in terra pax), Mass Ordinary
(5v) I-La MS 238, 5v–(8) I-La MS 238, 8 Missa [de BMV]: Patrem omnipotentem [Credo] -
Appears on: (5v) I-La MS 238, 5v–(8) I-La MS 238, 8
Genres: Credo (patrem omnipotentem), Mass Ordinary
(8v) I-La MS 238, 8v–(10) I-La MS 238, 10 Missa [de BMV]: Sanctus -
Appears on: (8v) I-La MS 238, 8v–(10) I-La MS 238, 10
Genres: Mass Ordinary, Sanctus [& Benedictus]
(10v) I-La MS 238, 10v Missa [de BMV]: Agnus Dei -
Appears on: (10v) I-La MS 238, 10v
Genres: Agnus Dei, Mass Ordinary
(11) I-La MS 238, 11 blank page - -

blank page

Appears on: (11) I-La MS 238, 11
(11v) I-La MS 238, 11v–(13) I-La MS 238, 13 Missa Spiritus almus: Kyrie -
Appears on: (11v) I-La MS 238, 11v–(13) I-La MS 238, 13
Genres: Kyrie eleison, Mass Ordinary
(13v) I-La MS 238, 13v–(14v) I-La MS 238, 14v Missa Spiritus almus: Et in terra pax [Gloria] -
Appears on: (13v) I-La MS 238, 13v–(14v) I-La MS 238, 14v
Genres: Gloria (et in terra pax), Mass Ordinary
(15) I-La MS 238, 15–(16) I-La MS 238, 16 Missa Spiritus almus: Sanctus -
Appears on: (15) I-La MS 238, 15–(16) I-La MS 238, 16
Genres: Mass Ordinary, Sanctus [& Benedictus]
(16v) I-La MS 238, 16v–(17) I-La MS 238, 17 Missa Spiritus almus: Agnus Dei -
Appears on: (16v) I-La MS 238, 16v–(17) I-La MS 238, 17
Genres: Agnus Dei, Mass Ordinary
(17v) I-La MS 238, 17v–(19) I-La MS 238, 19 Missa Caput: Kyrie Deus creator omnium -
Appears on: (17v) I-La MS 238, 17v–(19) I-La MS 238, 19
Genres: Mass Ordinary, Troped Kyrie
(19v) I-La MS 238, 19v Missa Caput: Et in terra pax [Gloria] -
Appears on: (19v) I-La MS 238, 19v
Genres: Gloria (et in terra pax), Mass Ordinary
(20) I-La MS 238, 20–(20v) I-La MS 238, 20v Missa Caput: Agnus Dei -
Appears on: (20) I-La MS 238, 20–(20v) I-La MS 238, 20v
Genres: Agnus Dei, Mass Ordinary
(21) I-La MS 238, 21 - - Anonymous

[Unknown Title]

Appears on: (21) I-La MS 238, 21
(21v) I-La MS 238, 21v Kyrie eleison [So ys emprentid] -
Appears on: (21v) I-La MS 238, 21v
Genres: Kyrie eleison, Mass Ordinary
(22) I-La MS 238, 22–(22v) I-La MS 238, 22v Missa omnipotens pater: Christe,: Kyrie II, -
Appears on: (22) I-La MS 238, 22–(22v) I-La MS 238, 22v
Genres: Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
(23) I-La MS 238, 23 Missa omnipotens pater: Patrem omnipotentem [Credo] -
Appears on: (23) I-La MS 238, 23
Genres: Credo (patrem omnipotentem), Mass Ordinary
(23v) I-La MS 238, 23v Missa omnipotens pater: Sanctus -
Appears on: (23v) I-La MS 238, 23v
Genres: Mass Ordinary, Sanctus [& Benedictus]
(24) I-La MS 238, 24–(24v) I-La MS 238, 24v Missa omnipotens pater: Agnus -
Appears on: (24) I-La MS 238, 24–(24v) I-La MS 238, 24v
Genres: Agnus Dei, Mass Ordinary
(25) I-La MS 238, 25–(25v) I-La MS 238, 25v Missa Quem malignus spiritus: Et in terra pax [Gloria] - Anonymous
Appears on: (25) I-La MS 238, 25–(25v) I-La MS 238, 25v
Genres: Gloria (et in terra pax), Mass Ordinary
(26) I-La MS 238, 26–(26v) I-La MS 238, 26v Missa O rosa bella [I]: Gloria - Anonymous
Appears on: (26) I-La MS 238, 26–(26v) I-La MS 238, 26v
Genres: Mass Ordinary
(27) I-La MS 238, 27–(27v) I-La MS 238, 27v Missa Sine nomine [B.80-7] (tone 5 irregular): Credo -
Appears on: (27) I-La MS 238, 27–(27v) I-La MS 238, 27v
Genres: Credo (patrem omnipotentem), Mass Ordinary
(28) I-La MS 238, 28 Missa Sine nomine [B.80-7] (tone 5 irregular): Agnus Dei -
Appears on: (28) I-La MS 238, 28
Genres: Agnus Dei, Mass Ordinary
(28v) I-La MS 238, 28v–(29) I-La MS 238, 29 Missa Sine nomine: Kyrie eleison -
Appears on: (28v) I-La MS 238, 28v–(29) I-La MS 238, 29
Genres: Kyrie eleison, Mass Ordinary
(29v) I-La MS 238, 29v Missa Sine nomine: Et in terra pax [Gloria] -
Appears on: (29v) I-La MS 238, 29v
Genres: Gloria (et in terra pax), Mass Ordinary
(30) 30 Missa Sine nomine: Sanctus -
Appears on: (30) 30
Genres: Mass Ordinary, Sanctus [& Benedictus]
(30v) 30v Missa Sine nomine: Agnus Dei -
Appears on: (30v) 30v
Genres: Agnus Dei, Mass Ordinary
(31) I-La MS 238, 30.5 Missa Sine nomine [de Sancto Andrea?]: Credo - Anonymous
Appears on: (31) I-La MS 238, 30.5
Genres: Credo (patrem omnipotentem), Mass Ordinary
(31v) I-La MS 238, 30.5v Missa Sine nomine [de Sancto Andrea?]: Sanctus - Anonymous
Appears on: (31v) I-La MS 238, 30.5v
Genres: Mass Ordinary, Sanctus [& Benedictus]
(32) I-La MS 238, 31–(34) I-La MS 238, 33 Missa Alma redemptoris mater: Patrem omnipotentem [Credo] - Anonymous
Appears on: (32) I-La MS 238, 31–(34) I-La MS 238, 33
Genres: Alma redemptoris mater, BVM, Credo (patrem omnipotentem), Mass Ordinary
(34v) I-La MS 238, 33v–(35v) I-La MS 238, 34v Missa Alma redemptoris mater: Sanctus - Anonymous
Appears on: (34v) I-La MS 238, 33v–(35v) I-La MS 238, 34v
Genres: Alma redemptoris mater, BVM, Mass Ordinary, Sanctus [& Benedictus]
(36) I-La MS 238, 35 Missa Alma redemptoris mater: Agnus - Anonymous
Appears on: (36) I-La MS 238, 35
Genres: Agnus Dei, Alma redemptoris mater, BVM, Mass Ordinary
(36v) I-La MS 238, 35v Missa Chargé de deuil: Kyrie eleison -
Appears on: (36v) I-La MS 238, 35v
Genres: Kyrie eleison, Mass Ordinary
(37) I-La MS 238, 36–(37v) I-La MS 238, 36v Missa Chargé de deuil: Credo -
Appears on: (37) I-La MS 238, 36–(37v) I-La MS 238, 36v
Genres: Credo (patrem omnipotentem), Mass Ordinary
(38) I-La MS 238, 37.1 Missa [Sancta Maria virgo]: Et in terra pax [Gloria] - Anonymous
Appears on: (38) I-La MS 238, 37.1
Genres: Gloria (et in terra pax), Mass Ordinary
(38v) I-La MS 238, 37.1v–(39v) I-La MS 238, 37.2v Missa [Sancta Maria virgo]: Patrem omnipotentem [Credo] - Anonymous
Appears on: (38v) I-La MS 238, 37.1v–(39v) I-La MS 238, 37.2v
Genres: Credo (patrem omnipotentem), Mass Ordinary
(40) I-La MS 238, 37.5–(41v) I-La MS 238, 37.6v Missa [Sancta Maria virgo]: Sanctus - Anonymous
Appears on: (40) I-La MS 238, 37.5–(41v) I-La MS 238, 37.6v
Genres: Mass Ordinary, Sanctus [& Benedictus]
(42) I-Lcr MS 97, 38–(44) I-La MS 238, 38.2 Missa Te gloriosus: Kyrie - Anonymous
Appears on: (42) I-Lcr MS 97, 38–(44) I-La MS 238, 38.2
Genres: Kyrie eleison, Mass Ordinary
(44v) I-La MS 238, 38.2v–(46) I-Lcr MS 97, 38.4 Missa Te gloriosus: Gloria - Anonymous
Appears on: (44v) I-La MS 238, 38.2v–(46) I-Lcr MS 97, 38.4
Genres: Gloria (et in terra pax), Mass Ordinary
(46v) I-Lcr MS 97, 38.4v–(47v) I-Lcr MS 97, 38.5v Missa Te gloriosus: Credo - Anonymous
Appears on: (46v) I-Lcr MS 97, 38.4v–(47v) I-Lcr MS 97, 38.5v
Genres: Credo (patrem omnipotentem), Mass Ordinary
(48) 38.9 Missa Te gloriosus: Agnus Dei - Anonymous
Appears on: (48) 38.9
Genres: Agnus Dei, Mass Ordinary
(48v) 38.9v–(49) I-La MS 238, 39 Missa L'homme armé: Kyrie -
Appears on: (48v) 38.9v–(49) I-La MS 238, 39
Genres: Mass Ordinary
(49v) I-La MS 238, 39v–(50v) I-La MS 238, 39.1v Missa L'homme armé: Gloria -
Appears on: (49v) I-La MS 238, 39v–(50v) I-La MS 238, 39.1v
Genres: Gloria (et in terra pax), Mass Ordinary
(51) I-La MS 238, 39.7 Missa L'homme armé: Sanctus (fragments) -
Appears on: (51) I-La MS 238, 39.7
Genres: Mass Ordinary, Sanctus [& Benedictus]
(51v) I-La MS 238, 39.7v–(52v) I-La MS 238, 39.8v Missa L'homme armé: Agnus (fragments) -
Appears on: (51v) I-La MS 238, 39.7v–(52v) I-La MS 238, 39.8v
Genres: Agnus Dei, Mass Ordinary
(53) I-La MS 238, 40.2 Missa Haec dies: Kyrie - Anonymous
Appears on: (53) I-La MS 238, 40.2
Genres: Kyrie eleison, Mass Ordinary
(53v) I-La MS 238, 40.2v–(54v) I-La MS 238, 40.3v Missa Haec dies: Gloria - Anonymous
Appears on: (53v) I-La MS 238, 40.2v–(54v) I-La MS 238, 40.3v
Genres: Gloria (et in terra pax), Mass Ordinary
(55) I-La MS 238, 40.5–(57) I-La MS 238, 40.8 Missa Haec dies: Credo - Anonymous
Appears on: (55) I-La MS 238, 40.5–(57) I-La MS 238, 40.8
Genres: Credo (patrem omnipotentem), Mass Ordinary
(57v) I-La MS 238, 40.8v–(59) I-Plarc Cartella 11/III, 41 Missa Haec dies: Sanctus - Anonymous
Appears on: (57v) I-La MS 238, 40.8v–(59) I-Plarc Cartella 11/III, 41
Genres: Mass Ordinary, Sanctus [& Benedictus]
(59v) I-Plarc Cartella 11/III, 41v–(62) I-Lcr MS 97, 42.2 Missa Haec dies: Agnus Dei - Anonymous
Appears on: (59v) I-Plarc Cartella 11/III, 41v–(62) I-Lcr MS 97, 42.2
Genres: Agnus Dei, Mass Ordinary
(62v) I-Lcr MS 97, 42.2v–(63) I-Lcr MS 97, 42.3 Missa Nos amis [Lucca]: Kyrie - Anonymous
Appears on: (62v) I-Lcr MS 97, 42.2v–(63) I-Lcr MS 97, 42.3
Genres: Kyrie eleison, Mass Ordinary
(63v) I-Lcr MS 97, 42.3v–(65) I-La MS 238, 43 Missa Nos amis [Lucca]: Gloria - Anonymous
Appears on: (63v) I-Lcr MS 97, 42.3v–(65) I-La MS 238, 43
Genres: Gloria (et in terra pax), Mass Ordinary
(65v) I-La MS 238, 43v–(66v) I-Plarc Cartella 11/III, 44v Missa Nos amis [Lucca]: Credo - Anonymous
Appears on: (65v) I-La MS 238, 43v–(66v) I-Plarc Cartella 11/III, 44v
Genres: Credo (patrem omnipotentem), Mass Ordinary
(67) I-La MS 238, 45–(68v) I-La MS 238, 46v Missa Pour quelque paine / Pourquoy: Sanctus -
Appears on: (67) I-La MS 238, 45–(68v) I-La MS 238, 46v
Genres: Mass Ordinary, Sanctus [& Benedictus]
(69) I-La MS 238, 47 blank page - -

blank page

Appears on: (69) I-La MS 238, 47
(69v) I-La MS 238, 47v Missa Orsus orsus: Kyrie -
Appears on: (69v) I-La MS 238, 47v
Genres: Kyrie eleison, Mass Ordinary
(70) I-La MS 238, 48–(70v) I-La MS 238, 48v Missa Orsus orsus: Gloria (fragments) -
Appears on: (70) I-La MS 238, 48–(70v) I-La MS 238, 48v
Genres: Gloria (et in terra pax), Mass Ordinary
(71) I-La MS 238, 49 A cordibus fidelium - Anonymous
Appears on: (71) I-La MS 238, 49
Genres: Motet
(71v) I-La MS 238, 49v Deo gratias agamus -
Appears on: (71v) I-La MS 238, 49v
Genres: Deo gratias, Motet
(72) I-La MS 238, 50 Ave mater gloriosa - 1a pars (of 2): Ave mater gloriosa - Anonymous
Appears on: (72) I-La MS 238, 50
Genres: Motet
(72v) I-La MS 238, 50v Ave mater gloriosa - 2a pars (of 2): Virga Jesse generosa - Anonymous
Appears on: (72v) I-La MS 238, 50v
Genres: Motet
(73) I-La MS 238, 51 O rex gentium et desideratus earum - Anonymous
Appears on: (73) I-La MS 238, 51
Genres: Motet
(73v) I-La MS 238, 51v Agimus tibi gratias - Anonymous
Appears on: (73v) I-La MS 238, 51v
Genres: Motet
(74) I-La MS 238, 52 Ave gloriosa mater salvatoris - Anonymous
Appears on: (74) I-La MS 238, 52
Genres: Motet
(74v) I-La MS 238, 52v Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula -
Appears on: (74v) I-La MS 238, 52v
Genres: Marian antiphon
(75) I-La MS 238, 53 Tota pulchra es - 2a pars (of 2): Flores apparuerunt -
Appears on: (75) I-La MS 238, 53
Genres: Motet
(75v) I-La MS 238, 53v O pulcherrima mulierum - Anonymous
Appears on: (75v) I-La MS 238, 53v
Genres: Motet
(76) I-La MS 238, 54 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem - Anonymous
Appears on: (76) I-La MS 238, 54
Genres: Motet
(76v) I-La MS 238, 54v Vidi speciosam - 2a pars (of 2): Et circumdabunt cum flores rosae - Anonymous
Appears on: (76v) I-La MS 238, 54v
Genres: Motet
(77) I-La MS 238, 55–(78v) I-La MS 238, 56v Magnificat secundi toni: Anima mea Dominum - Anonymous
Appears on: (77) I-La MS 238, 55–(78v) I-La MS 238, 56v
Genres: BVM, Canticle, Magnificat
(79) I-La MS 238, 57–(79v) I-La MS 238, 57v Magnificat "Amore ch'ai visto": Et exultavit spiritus meus - Anonymous
Appears on: (79) I-La MS 238, 57–(79v) I-La MS 238, 57v
Genres: BVM, Canticle, Magnificat
(80) I-La MS 238, 58–(81v) 59v - - Anonymous

[Unknown Title]

Appears on: (80) I-La MS 238, 58–(81v) 59v
(82) 60 [Salve crux] Te adorandum - Anonymous
Appears on: (82) 60
Genres: Hymn
General Note

verses 2 & 4 fully texted; Altus & Bassus voices only

(82v) 60v [Martine confessor Dei] Qui pace Christi A. Peragulfus
Appears on: (82v) 60v
Genres: Hymn
Source Attribution: A. Peragulfus
General Note

4vv complete, verse 2 only, texted

Composer Compositions
Anonymous
Anonymous (previously ascr. to Du Fay)
Domarto, Petrus de
Du Fay, Guillaume (1397–1474)
Frye, Walter (–ca. 1475)
Heyns, Cornelius
Isaac, Heinrich (ca. 1450–1517)
Martini, Johannes (ca. 1430–1497)
Ockeghem, Jean de (ca. 1410–1497)
Peragulfus, Antonius
Plummer, John (ca. 1410–ca. 1484)
Pullois, Johannes
Stone, [John]
Tik, Henricus
Composition Composers (? Uncertain) Folios / Pages
[Martine confessor Dei] Qui pace Christi (82v) 60v
[Salve crux] Te adorandum Anonymous (82) 60
A cordibus fidelium Anonymous (71) I-La MS 238, 49
Agimus tibi gratias Anonymous (73v) I-La MS 238, 51v
Ave gloriosa mater salvatoris Anonymous (74) I-La MS 238, 52
Ave mater gloriosa - 1a pars (of 2): Ave mater gloriosa Anonymous (72) I-La MS 238, 50
Ave mater gloriosa - 2a pars (of 2): Virga Jesse generosa Anonymous (72v) I-La MS 238, 50v
Deo gratias agamus (71v) I-La MS 238, 49v
Kyrie eleison [So ys emprentid] (21v) I-La MS 238, 21v
Magnificat "Amore ch'ai visto": Et exultavit spiritus meus Anonymous (79) I-La MS 238, 57–(79v) I-La MS 238, 57v
Magnificat secundi toni: Anima mea Dominum Anonymous (77) I-La MS 238, 55–(78v) I-La MS 238, 56v
Missa [de BMV]: Agnus Dei (10v) I-La MS 238, 10v
Missa [de BMV]: Et in terra pax [Gloria] (2v) I-La MS 238, 2v–(5) I-La MS 238, 5
Missa [de BMV]: Kyrie (1v) I-La MS 238, 1v–(2) I-La MS 238, 2
Missa [de BMV]: Patrem omnipotentem [Credo] (5v) I-La MS 238, 5v–(8) I-La MS 238, 8
Missa [de BMV]: Sanctus (8v) I-La MS 238, 8v–(10) I-La MS 238, 10
Missa [Sancta Maria virgo]: Et in terra pax [Gloria] Anonymous (38) I-La MS 238, 37.1
Missa [Sancta Maria virgo]: Patrem omnipotentem [Credo] Anonymous (38v) I-La MS 238, 37.1v–(39v) I-La MS 238, 37.2v
Missa [Sancta Maria virgo]: Sanctus Anonymous (40) I-La MS 238, 37.5–(41v) I-La MS 238, 37.6v
Missa Alma redemptoris mater: Agnus Anonymous (36) I-La MS 238, 35
Missa Alma redemptoris mater: Patrem omnipotentem [Credo] Anonymous (32) I-La MS 238, 31–(34) I-La MS 238, 33
Missa Alma redemptoris mater: Sanctus Anonymous (34v) I-La MS 238, 33v–(35v) I-La MS 238, 34v
Missa Caput: Agnus Dei (20) I-La MS 238, 20–(20v) I-La MS 238, 20v
Missa Caput: Et in terra pax [Gloria] (19v) I-La MS 238, 19v
Missa Caput: Kyrie Deus creator omnium (17v) I-La MS 238, 17v–(19) I-La MS 238, 19
Missa Chargé de deuil: Credo (37) I-La MS 238, 36–(37v) I-La MS 238, 36v
Missa Chargé de deuil: Kyrie eleison (36v) I-La MS 238, 35v
Missa Haec dies: Agnus Dei Anonymous (59v) I-Plarc Cartella 11/III, 41v–(62) I-Lcr MS 97, 42.2
Missa Haec dies: Credo Anonymous (55) I-La MS 238, 40.5–(57) I-La MS 238, 40.8
Missa Haec dies: Gloria Anonymous (53v) I-La MS 238, 40.2v–(54v) I-La MS 238, 40.3v
Missa Haec dies: Kyrie Anonymous (53) I-La MS 238, 40.2
Missa Haec dies: Sanctus Anonymous (57v) I-La MS 238, 40.8v–(59) I-Plarc Cartella 11/III, 41
Missa L'homme armé: Agnus (fragments) (51v) I-La MS 238, 39.7v–(52v) I-La MS 238, 39.8v
Missa L'homme armé: Gloria (49v) I-La MS 238, 39v–(50v) I-La MS 238, 39.1v
Missa L'homme armé: Kyrie (48v) 38.9v–(49) I-La MS 238, 39
Missa L'homme armé: Sanctus (fragments) (51) I-La MS 238, 39.7
Missa Nos amis [Lucca]: Credo Anonymous (65v) I-La MS 238, 43v–(66v) I-Plarc Cartella 11/III, 44v
Missa Nos amis [Lucca]: Gloria Anonymous (63v) I-Lcr MS 97, 42.3v–(65) I-La MS 238, 43
Missa Nos amis [Lucca]: Kyrie Anonymous (62v) I-Lcr MS 97, 42.2v–(63) I-Lcr MS 97, 42.3
Missa O rosa bella [I]: Gloria Anonymous (26) I-La MS 238, 26–(26v) I-La MS 238, 26v
Missa omnipotens pater: Agnus (24) I-La MS 238, 24–(24v) I-La MS 238, 24v
Missa omnipotens pater: Christe,: Kyrie II, (22) I-La MS 238, 22–(22v) I-La MS 238, 22v
Missa omnipotens pater: Patrem omnipotentem [Credo] (23) I-La MS 238, 23
Missa omnipotens pater: Sanctus (23v) I-La MS 238, 23v
Missa Orsus orsus: Gloria (fragments) (70) I-La MS 238, 48–(70v) I-La MS 238, 48v
Missa Orsus orsus: Kyrie (69v) I-La MS 238, 47v
Missa Pour quelque paine / Pourquoy: Sanctus (67) I-La MS 238, 45–(68v) I-La MS 238, 46v
Missa Quem malignus spiritus: Et in terra pax [Gloria] Anonymous (25) I-La MS 238, 25–(25v) I-La MS 238, 25v
Missa Sine nomine [B.80-7] (tone 5 irregular): Agnus Dei (28) I-La MS 238, 28
Missa Sine nomine [B.80-7] (tone 5 irregular): Credo (27) I-La MS 238, 27–(27v) I-La MS 238, 27v
Missa Sine nomine [de Sancto Andrea?]: Credo Anonymous (31) I-La MS 238, 30.5
Missa Sine nomine [de Sancto Andrea?]: Sanctus Anonymous (31v) I-La MS 238, 30.5v
Missa Sine nomine: Agnus Dei (30v) 30v
Missa Sine nomine: Et in terra pax [Gloria] (29v) I-La MS 238, 29v
Missa Sine nomine: Kyrie eleison (28v) I-La MS 238, 28v–(29) I-La MS 238, 29
Missa Sine nomine: Sanctus (30) 30
Missa Spiritus almus: Agnus Dei (16v) I-La MS 238, 16v–(17) I-La MS 238, 17
Missa Spiritus almus: Et in terra pax [Gloria] (13v) I-La MS 238, 13v–(14v) I-La MS 238, 14v
Missa Spiritus almus: Kyrie (11v) I-La MS 238, 11v–(13) I-La MS 238, 13
Missa Spiritus almus: Sanctus (15) I-La MS 238, 15–(16) I-La MS 238, 16
Missa Te gloriosus: Agnus Dei Anonymous (48) 38.9
Missa Te gloriosus: Credo Anonymous (46v) I-Lcr MS 97, 38.4v–(47v) I-Lcr MS 97, 38.5v
Missa Te gloriosus: Gloria Anonymous (44v) I-La MS 238, 38.2v–(46) I-Lcr MS 97, 38.4
Missa Te gloriosus: Kyrie Anonymous (42) I-Lcr MS 97, 38–(44) I-La MS 238, 38.2
O pulcherrima mulierum Anonymous (75v) I-La MS 238, 53v
O rex gentium et desideratus earum Anonymous (73) I-La MS 238, 51
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula (74v) I-La MS 238, 52v
Tota pulchra es - 2a pars (of 2): Flores apparuerunt (75) I-La MS 238, 53
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem Anonymous (76) I-La MS 238, 54
Vidi speciosam - 2a pars (of 2): Et circumdabunt cum flores rosae Anonymous (76v) I-La MS 238, 54v

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.