CZ-HKm Hr-7 (MS II A 7) (Codex Speciálník)

Muzeum východních Čech (Regional Museum, Library), Hradec Králové, Czech Republic

manuscript of polyphony: late15th - early 16th century

Archive	Muzeum východních Čech (Regional Museum, Library), Hradec Králové, Czech Republic (CZ-HKm)
Shelfmark	Hr-7 (MS II A 7) (Codex Speciálník)
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Measurements	375 x 275 mm
Other Identifiers	RISM: MS II A 7 CCM: HradKM 7 olim (Former shelfmark): MS II A 7
Notations	black full mensural black void mensural Gothic chant
Relationships	Church of St Peter's Chains (owner) Muratt, Michal (owner)
External Links	PRoMS Discussion Images IIIF manifest
Provenance	Czech Republic
Contents	Contains 210 compositions, 75 from 35 composers, 135 are anonymous.

General Description

Copied by at least 10 scribes (Petrusova identifies 27). Most likely created as a manuscript for use by a Prague fraternity of writers (fraternitas litteratorum) (Hlavkova 2002). The omission of the Agnus from most of the Mass settings suggests the manuscript originated in a Utraquist community. An inscription in the manuscript indicates that it was sent as a gift to the [Church of] St. Peter's [Chains?] by Michal Muratt in 1611. Copied in Prague.

DIAMM, 2026

Physical Description

Trimming has cut off some music and possibly some composer attributions.

DIAMM, 2017

Binding

Covers of white tooled leather on wood; two stamps on cover with dtaes 1540 and 1546

DIAMM, 2017

Watermark

(1) generally resembles Briquet #462; (2) generally resembles Briquet #576; (3) generally resembles Briquet #2472; (4) generally resembles Briquet #5920; (5) generally resembles Briquet #11712. Petrusova identified 8 types of paper, mostly dating from the last two decades of the 15th century (Hlavkova 2002): Watermark A: 1463–1494; B: 1491–1494; C1/C2: 1473-1490; D: 1493; E: 1482; F: 1439–1463; G: 1492-1502. Hlavkova 2002 includes a table showing their use in the ms.

DIAMM, 2026

Notation

black full and black void mensural and Gothic chant notation

DIAMM, 2017

Date

Dates 1540 and 1546 on cover. According to Petrusova, the oldest part was written on paper made in Italy and southern Germany in the 1480s-90s, and it was probably finished some time before 1500 (according to Hlavkova 2002, probably in three campaigns of copying), loosely bound and with an index of its contents. Later scribes continued to add material and eventually incorporated two new fascicles. When the hard binding was done around 1546 some pieces were moved and a collection of unison hymns was added.

DIAMM, 2026

Foliation

Original ink foliation on upper right rectos, a1-19, b1-20, … q6; modern pagination, 1-610, on lower centre margins

DIAMM, 2017

Foliation

305 ff

DIAMM, 2017

Decoration

Some pieces have inked calligraphic initials

DIAMM, 2017

Index

Index on pp. 606-608 groups pieces alphabetically by first letter of text.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Kyrie-Gloria-Credo-Sanctus Masses, 1 Kyrie-Gloria-Credo Mass, 10 Credo-Sanctus pairs, 2 Kyries, 3 Glorias, 12 Credos, 18 Sanctus (some of the preceding have texts which are partly in Czech), 2 Mass Proper cycles (1 with Kyrie and Sanctus), 139 motets, 5 Czech sacred pieces, 5 textless pieces = 201

A. Agricola-2, Barbingant-2, Basiron-1, Batten-1, Bauldeweyn [BalduinusTectis]-1, (Bedingham)-1, (N. Clibano)-1, (Compère), Elezanger? (Yaccen)-1, (Flemmik? [Klicka])-2, (Frank)-1, (Frye) -1, Ghiselin-2, Gontrásek-1, Isaac-1, Isaac/(A. Agricola)-1, (Josquin)-3, Lannoy-1, Pullois-1, Tinctoris-1, Tomek-1, Touront -5, Weerbecke-1, anonymous

(OrelMS states that the following names in the manuscript may or may not refer to composers: Girka, Klicka, Kotlár, Motycka, Plihal).

305 paper folios, 375 x 275. Trimming has cut off some music and possibly some composer attributions. Modern pagination, 1-609. Covers of white tooled leather on wood. Index on pp. 606-608. Black and white mensural, and Gothic chant notation; at least 10 scribes. An inscription in the manuscript indicates that it was sent as a gift to the [Church of] St. Peter's [Chains?] by Michal Muratt in 1611.

Late 15th or early 16th century. Copied in Prague.

Vol 4

5 Masses, 8 Credo-Sanctus pairs, 2 Kyries, 1 Gloria, 14 Credos, 17 Sanctus, 12 Mass Proper sections, 1 hymn, 135 motets, 4 Czech sacred pieces, 1 Czech secular piece, 1 German secular piece, 5 textless pieces = 206*

'Manuscript also contains monophonic liturgical pieces (mostly hymns), not included in above summary.

A. Agricola-2, Barbingant-1, Basiron [Philippon]-1, Batten-1,* Bauldeweyn [Balduinus Tectis]-1, (Bedingham)-2, (N. Clibano)-1, (Compère)-1, (Dux Burgensis)-1, Elezanger [Yaccen]-2, (Finck)-1, (Flemmik)-2, (Frank)-1, (Frye)-1, (G.F.)-1, Ghiselin [\Verbonet] -2, Girka-1, Gontrásek-1, (Isaac)-1, Isaac/(A. Agricola)-1, (Isaac/ Josquin)-1, (Josquin)-2, Kotlár-1, Lannoy-1, (Morton)-1, Motycka-1, (Obrecht)-1 + 1?, (Obrecht-Virgilius)-1, Plihal-1, Pullois-1, (Tinctoris)-1, Tinctoris/(Josquin)-1, Tomek-2, Touront -7, (Weerbecke)-2, (P. Wilhelmi)-15 + 2?, anon-139

'Perhaps identifiable with "Batty" in PragP 47 or "H. Battre" in TrentC 87.

305 paper folios, 375 x 275. Folios later trimmed, partially or completely obliterating some foliation and attributions. Original ink foliation on upper right rectos, a1-19, b1-20, . . . q6; modern pagination, 1-610, on lower center margins. Original covers of white tooled leather over wooden boards. Original index on pp. 606-608 groups pieces alphabetically by first letter of text. Black and white mensural notation; some Gothic chant notation. Copied by many scribes. Some pieces have inked calligraphic initials. Watermarks: (1) generally resembles Briquet #462; (2) generally resembles Briquet #576; (3) generally resembles Briquet #2472; (4) generally resembles Briquet #5920; (5) generally resembles Briquet #11712.

Late 15th or early 16th century. Copied in Bohemia. Sent as gift to [Church of?] St. Peter's [Chains?] by Michal Murati in 1611 (inscription inside front cover).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1–15	Missa Corps digne – Dieu quel mariage: KGCS	-	-	Anonymous
Missa Corps digne – Dieu quel mariage: KGCS Anonymous Appears on: 1–15 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Corps digne – Dieu quel mariage: Kyrie, Gloria, Credo, Sanctus General Note sociorum
16–17	Credo 'Kotlářovo'	-	-	Anonymous
Credo 'Kotlářovo' Anonymous Appears on: 16–17 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo General Note Kotlářovo
18–19	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 18–19 Voice: [no designation] Languages: Latin Voice Text: Sanctus
20–22	Credo	-	-	Anonymous
Credo Anonymous Appears on: 20–22 Voice: [no designation] Languages: Latin Voice Text: Credo
23–41	Missa Petite camusette (KGCSA)	-	-	Anonymous
Missa Petite camusette (KGCSA) Anonymous Appears on: 23–41 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Petite camusette: Kyrie, Gloria, Credo, Sanctus General Note KGCS only; the copyist (consistent with most other settings in this ms) omitted the Agnus but adapted the original setting by omitting the music of the Benedictus and replacing it with the music of the first Agnus.
42–47	Credo and Sanctus 'sociorum'	-	-	Anonymous
Credo and Sanctus 'sociorum' Anonymous Appears on: 42–47 Genres: Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Credo and Sanctus General Note sociorum
48–55	Credo and Sanctus	-	-	Lannoy, Colinet de
Credo and Sanctus Lannoy, Colinet de Appears on: 48–55 Voice: [no designation] Languages: Latin Voice Text: Credo and Sanctus General Note Lanoys = [Lannoy]
64–67	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	-	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 64–67 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena
68–69	Paradisus trinitatis salve gratia plena	-	-	Anonymous
Paradisus trinitatis salve gratia plena Anonymous Appears on: 68–69 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Paradisus trinitatis salve gratia plena
70–71	Buď Bohu chvála čest	-	-	Gontrasek
Buď Bohu chvála čest Gontrasek Appears on: 70–71 Voice: [no designation] Languages: Czech Voice Text: Buď Bohu chvála čest
74–77	Muteta kokodáč	-	-	Frank, Bartholomeus
Muteta kokodáč Frank, Bartholomeus Appears on: 74–77 Voice: [no designation] Languages: Czech Voice Text: Muteta kokodáč General Note [Frank]
78–81	Miserere nostri domine te enim expectamus	-	-	Anonymous
Miserere nostri domine te enim expectamus Anonymous Appears on: 78–81 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Miserere nostri domine te enim expectamus
82–83	Pater noster qui es in caelis	-	-	Anonymous
Pater noster qui es in caelis Anonymous Appears on: 82–83 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pater noster qui es in caelis General Note sociorum
84–85	Ave Maria gratia plena Dominus tecum	-	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 84–85 Genres: Ave Maria, Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
86–87	O virens virginum primula	-	Agricola	Agricola, Alexander (ca. 1445–1506)
O virens virginum primula Agricola, Alexander (ca. 1445–1506) Appears on: 86–87 Genres: Motet Source Attribution: Agricola Voice: [no designation] Languages: Latin Voice Text: O virens virginum primula
88	Vzdajmež chválu	-	-	Anonymous
Vzdajmež chválu Anonymous Appears on: 88 Voice: [no designation] Languages: Czech Voice Text: Vzdajmež chválu
89–109	Missa de Franza: KGCS	-	-	Basiron, Philippe (ca. 1449–1491)
Missa de Franza: KGCS Basiron, Philippe (ca. 1449–1491) Appears on: 89–109 Voice: [no designation] Languages: Latin Voice Text: Missa de Franza: Kyrie, Gloria, Credo, Sanctus General Note Philipon = [Basiron]
112–115	Sile fragor ac rerum tumultus II. Suscipe deitatis mater	-	-	Compère, Loyset (ca. 1445–1518)
Sile fragor ac rerum tumultus II. Suscipe deitatis mater Compère, Loyset (ca. 1445–1518) Appears on: 112–115 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sile fragor ac rerum tumultus
117–125	Benedicta semper sancta sit trinitas	-	-	Anonymous
Benedicta semper sancta sit trinitas Anonymous Appears on: 117–125 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicta semper sancta sit trinitas General Note secundum
126–137	Benedicta semper sancta sit trinitas	-	-	G.F.
Benedicta semper sancta sit trinitas G.F. Appears on: 126–137 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Benedicta semper sancta sit trinitas
140–147	Missa La belle se siet: Credo	-	-	Ghiselin (Verbonnet), Johannes
Missa La belle se siet: Credo Ghiselin (Verbonnet), Johannes Appears on: 140–147 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa La bella se siet: Credo General Note Verbonet = [Ghiselin]
148–150	Credo	-	-	Anonymous
Credo Anonymous Appears on: 148–150 Voice: [no designation] Languages: Latin Voice Text: Credo
156–157	Credo 'malostranské'	-	-	Anonymous
Credo 'malostranské' Anonymous Appears on: 156–157 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo General Note malostranské
159	Credo 'Plíhalovo'	-	-	Anonymous
Credo 'Plíhalovo' Anonymous Appears on: 159 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo General Note Plíhalovo
160–165	Credo / Patrem de village (quarti toni)	-	-	Clibano, Jacobus de
Credo / Patrem de village (quarti toni) Clibano, Jacobus de Appears on: 160–165 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo / Patrem de villayage General Note [Clibano]
166	Credo / Patrem řehtavé	-	-	Anonymous
Credo / Patrem řehtavé Anonymous Appears on: 166 Voice: [no designation] Languages: Latin Voice Text: Credo / Patrem řehtavé General Note řehtavé
167	Credo 'Jirkovo'	-	-	Anonymous
Credo 'Jirkovo' Anonymous Appears on: 167 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo General Note Jirkovo
168–170	Missa Nos amis ('Wunsliche schone'): Credo	-	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Credo Tinctoris, Johannes (ca. 1435–1511) Appears on: 168–170 Voice: [no designation] Languages: Latin Voice Text: Missa Wunsliche schone: Credo Concordances Strahov 115v-116, where it forms part of a mass cycle
170	Surrexit Christus hodie	-	-	Anonymous
Surrexit Christus hodie Anonymous Appears on: 170 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Surrexit Christus hodie
171	Qui te aspectamus in te que ponimus	-	-	Anonymous
Qui te aspectamus in te que ponimus Anonymous Appears on: 171 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui te aspectamus in te que ponimus
172–177	Credo, Sanctus	-	-	Agricola, Alexander (ca. 1445–1506)
Credo, Sanctus Agricola, Alexander (ca. 1445–1506) Appears on: 172–177 Voice: [no designation] Languages: Latin Voice Text: Credo, Sanctus General Note Alexander = [Agricola]
178–179	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 178–179 Voice: [no designation] Languages: Latin Voice Text: Sanctus
180–182	Sanctus Veni creator 'Srotyrzssyke'	-	-	Flemmik
Sanctus Veni creator 'Srotyrzssyke' Flemmik Appears on: 180–182 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus Veni creator General Note [Flemmik]/šrotýřské
183	Ave virgo gloriosa = O preclare Jhesu	-	Tauront [= Touront]	Touront, Johannes (ca. 1450–ca. 1475)
Ave virgo gloriosa = O preclare Jhesu Touront, Johannes (ca. 1450–ca. 1475) Appears on: 183 Genres: Motet Source Attribution: Tauront [= Touront] Voice: [no designation] Languages: Latin Voice Text: Ave virgo gloriosa General Note texted "O preclare Jhesu" Concordances Strahov, f. 198v (anon)
184–187	Missa Sine nomine: Credo	-	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Credo Touront, Johannes (ca. 1450–ca. 1475) Appears on: 184–187 Genres: Credo (patrem omnipotentem), Mass Ordinary
188–191	Missa Sine nomine: Sanctus	-	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Sanctus Touront, Johannes (ca. 1450–ca. 1475) Appears on: 188–191 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Credo, Sanctus General Note Touront
191	Christus surrexit	-	-	Anonymous
Christus surrexit Anonymous Appears on: 191 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Christus surrexit
192–193	Alleluia. Assumpta est Maria	-	-	Anonymous
Alleluia. Assumpta est Maria Anonymous Appears on: 192–193 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Assumpta est Maria
194–196	Congaudent angelorum chori	-	-	Anonymous
Congaudent angelorum chori Anonymous Appears on: 194–196 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Congaudent angelorum
198–201	Ave ancilla triitatis - 1a pars (of 2): Ave ancilla trinitatis ave sponsa [=Caecus non iudicat]	-	Isaac aureus/[A. Agricola]	Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)
Ave ancilla triitatis - 1a pars (of 2): Ave ancilla trinitatis ave sponsa [=Caecus non iudicat] Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?) Appears on: 198–201 Genres: Contrafactum, Motet Source Attribution: Isaac aureus/[A. Agricola] Voice: [no designation] Languages: Latin Voice Text: Caecus non iudicat de coloribus General Note text here: Ave ancilla trinitatis
198–201	Ave ancilla triitatis - 2a pars (of 2): Ave mundi domina Maria ave mitis [=Caecus non iudicat 2p.]	-	-	Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)
Ave ancilla triitatis - 2a pars (of 2): Ave mundi domina Maria ave mitis [=Caecus non iudicat 2p.] Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 198–201 Genres: Contrafactum, Motet
202–203	Tu qui cuncta imperas	-	-	Anonymous
Tu qui cuncta imperas Anonymous Appears on: 202–203 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Tu qui cuncta imperas
204–205	Gaude Dei genitrix virgo immaculata	-	-	Anonymous
Gaude Dei genitrix virgo immaculata Anonymous Appears on: 204–205 Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Gaude dei genitrix virgo immaculata
206–208	Gaudeamus omnes in Domino	-	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 206–208 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino General Note sociorum
209–231	Missa sine nomine: KGCS	-	-	Anonymous
Missa sine nomine: KGCS Anonymous Appears on: 209–231 Voice: [no designation] Languages: Latin Voice Text: Missa sine nomine: Kyrie, Gloria, Credo, Sanctus General Note sociorum
232–233	Haec est dies quam fecit Dominus exultemus	-	-	Anonymous
Haec est dies quam fecit Dominus exultemus Anonymous Appears on: 232–233 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Haec est dies quam fecit dominus General Note sociorum
234–235	Missa Ut re mi fa sol la: 3c Agnus	-	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: 3c Agnus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 234–235 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa Ut re mi fa sol: Agnus General Note [Brumel]
236–245	Credo, Sanctus 'sociorum'	-	-	Anonymous
Credo, Sanctus 'sociorum' Anonymous Appears on: 236–245 Genres: Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Credo, Sanctus General Note sociorum
246–253	Credo, Sanctus	-	-	Tomek
Credo, Sanctus Tomek Appears on: 246–253 Voice: [no designation] Languages: Latin Voice Text: Credo, Sanctus General Note Tomek
254	Ergo exordium nostrae redemptionis devote	-	-	Anonymous
Ergo exordium nostrae redemptionis devote Anonymous Appears on: 254 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ergo exordium nostrae redemptionis devote
255	Vous marchez du bout du pied marionette	-	-	Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?)
Vous marchez du bout du pied marionette Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 255 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Magne Olimpi [= Vous marchez du bout du pied Marionette] General Note [Busnois]
256–261	Missa L’ami baudichon 5.1: Credo	-	Tinctoris/[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa L’ami baudichon 5.1: Credo Despres, Josquin (ca. 1450–1521) Appears on: 256–261 Source Attribution: Tinctoris/[Josquin] Voice: [no designation] Languages: Latin Voice Text: Missa L’ami baudichon: Credo
262–271	Missa O Venus bant: Credo	-	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 262–271 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa O Venus bant: Credo and Sanctus General Note [Weerbecke]
262–271	Missa O Venus bant: Sanctus	-	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 262–271 Genres: Mass Ordinary, Sanctus [& Benedictus]
265	Surrexit Christus hodie	-	-	Anonymous
Surrexit Christus hodie Anonymous Appears on: 265 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Surrexit Christus hodie
272–275	Sanctus 'Kliczhovo'	-	-	Flemmik
Sanctus 'Kliczhovo' Flemmik Appears on: 272–275 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note [Flemmik]/Kličkovo
276–277	Sanctus	-	-	Batten (= Batty? Battre?)
Sanctus Batten (= Batty? Battre?) Appears on: 276–277 Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Batten
278–279	Missa Je ne seray plus (3vv): Kyrie	-	-	Anonymous
Missa Je ne seray plus (3vv): Kyrie Anonymous Appears on: 278–279 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Je ne seray plus: Kyrie General Note [Obrecht]
280–285	Missa Je ne seray plus (3vv): Credo	-	-	Anonymous
Missa Je ne seray plus (3vv): Credo Anonymous Appears on: 280–285 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa Je ne seray plus: Gloria, Credo General Note [Obrecht]
286–291	O gloriosa domina sanctissima virgo Maria	-	-	Ghiselin (Verbonnet), Johannes
O gloriosa domina sanctissima virgo Maria Ghiselin (Verbonnet), Johannes Appears on: 286–291 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O gloriosa domina sanctissima virgo Maria
292–295	Gaude mater in gaudio tantis referta	-	-	Anonymous
Gaude mater in gaudio tantis referta Anonymous Appears on: 292–295 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude mater in gaudio tantis referta
296–299	Qui velatus facie fuisti 22.3	-	-	Despres, Josquin (ca. 1450–1521)
Qui velatus facie fuisti 22.3 Despres, Josquin (ca. 1450–1521) Appears on: 296–299 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui velatus facie fuisti
300–301	Ave Maria ancilla trinitatis	-	-	Anonymous
Ave Maria ancilla trinitatis Anonymous Appears on: 300–301 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Ave Maria ancilla trinitatis
302–305	Vulnerasti cor meum soror mea sponsa	-	-	Anonymous
Vulnerasti cor meum soror mea sponsa Anonymous Appears on: 302–305 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vulnerasti cor meum soror mea sponsa General Note Text: Religioni agitatae
306–309	Terrigenarum plasmator orbisque fundator	-	-	Aulen, Johannes (fl. late 15th century) (?)
Terrigenarum plasmator orbisque fundator Aulen, Johannes (fl. late 15th century) (?) Appears on: 306–309 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Terrigenarum plasmator orbisque fundator General Note [Aulen]
310–311	Pastorem pium singuli precibus pulsemus	-	-	Isaac, Heinrich (ca. 1450–1517)
Pastorem pium singuli precibus pulsemus Isaac, Heinrich (ca. 1450–1517) Appears on: 310–311 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pastorem pium singuli precibus pulsemus General Note [Isaac]
312–313	Sanctus 'sociorum'	-	-	Anonymous
Sanctus 'sociorum' Anonymous Appears on: 312–313 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note sociorum
314–325	Missa Chargé de deuil: Credo	-	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 314–325 Genres: Credo (patrem omnipotentem), Mass Ordinary
314–325	Missa Chargé de deuil: Sanctus	-	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 314–325 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa Charge de deul: Credo, Sanctus General Note [Isaac]
327	Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	-	-	Anonymous
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous Appears on: 327 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Rorate caeli desuper
327–336	Missa cum proprio (adventní)	-	-	Anonymous
Missa cum proprio (adventní) Anonymous Appears on: 327–336 Voice: [no designation] Languages: Latin Voice Text: Missa cum proprio General Note adventní
330	A summo caelo egressio eius et ocursus	-	-	Anonymous
A summo caelo egressio eius et ocursus Anonymous Appears on: 330 Genres: Gradual Voice: [no designation] Languages: Latin Voice Text: A summo caelo egressio eius et ocursus
330	Alleluia. Prophetae sancti praedicaverunt	-	-	Stoltzer, Thomas (ca. 1480–1526)
Alleluia. Prophetae sancti praedicaverunt Stoltzer, Thomas (ca. 1480–1526) Appears on: 330 Genres: Alleluia, Motet Voice: [no designation] Languages: Latin Voice Text: Alleluia. Prophetae sancti praedicaverunt
333	Mittit ad virginem - 1a pars (of 2): Mittit ad virginem	-	-	Anonymous
Mittit ad virginem - 1a pars (of 2): Mittit ad virginem Anonymous Appears on: 333 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem
336–337	Sanctus 'berúnské'	-	-	Anonymous
Sanctus 'berúnské' Anonymous Appears on: 336–337 Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note berúnské
338–339	Regina caeli laetare alleluia	-	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 338–339 Genres: Marian antiphon, Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
340–341	Precantibus diva virgo tua miseracione = Wat willen wy metten budel spelen	-	-	Obrecht, Jacobus (ca. 1457–1505)
Precantibus diva virgo tua miseracione = Wat willen wy metten budel spelen Obrecht, Jacobus (ca. 1457–1505) Appears on: 340–341 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Precantibus diva virgo tua miseracione [= Wat willen wy metten budel spelen]
342–343	Virgo prudentissima quo progrederis 25.12	-	-	Despres, Josquin (ca. 1450–1521)
Virgo prudentissima quo progrederis 25.12 Despres, Josquin (ca. 1450–1521) Appears on: 342–343 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo prudentissima quo progrederis
344–349	Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem legibus III: Praestet nobis gratiam Deitas beata	-	-	Anonymous
Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem legibus III: Praestet nobis gratiam Deitas beata Anonymous Appears on: 344–349 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Summae trinitati simplici
350–353	O Jesu pie nos isto pane dignos / Miserator Dominus escam dedit	-	-	Finck, Heinrich
O Jesu pie nos isto pane dignos / Miserator Dominus escam dedit Finck, Heinrich Appears on: 350–353 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O Iesu pie nos isto pane dignos/ Miserator dominus escam dedit
350–353	Misericors	-	-	Anonymous
Misericors Anonymous Appears on: 350–353 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Misericors
354–357	Da pacem Domine in diebus nostris	-	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 354–357 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
358–361	Regina caeli laetare alleluia	-	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 358–361 Genres: Marian antiphon, Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note Ad equales
362–365	Discubuit Jesus	-	-	Anonymous
Discubuit Jesus Anonymous Appears on: 362–365 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Discubuit Iesus
366–367	Ave Maria gratia plena Dominus tecum	-	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 366–367 Genres: Ave Maria, Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
368–369	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	-	-	Plummer, John (ca. 1410–ca. 1484)
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Plummer, John (ca. 1410–ca. 1484) Appears on: 368–369 Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula
369–370	Tota pulchra es - 2a pars (of 2): Flores apparuerunt	-	-	Plummer, John (ca. 1410–ca. 1484)
Tota pulchra es - 2a pars (of 2): Flores apparuerunt Plummer, John (ca. 1410–ca. 1484) Appears on: 369–370 Genres: Motet
372	Ave virgo castitatis lilium ora pro nobis	-	-	Anonymous
Ave virgo castitatis lilium ora pro nobis Anonymous Appears on: 372 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ave virgo castitatis lilium ora pro nobis
373	Alme pater magni orbis quod colit regia = Je ne puis	-	-	Anonymous
Alme pater magni orbis quod colit regia = Je ne puis Anonymous Appears on: 373 Genres: Contrafactum Voice: [no designation] Languages: Latin, French Voice Text: Alme pater magni orbis quod colit regia [= Je ne puis]
374–377	Gaude Dei genitrix virgo immaculata	-	Balduinus Tectis [= Bauldeweyn]	Bauldeweyn, Noel (ca. 1480–1529)
Gaude Dei genitrix virgo immaculata Bauldeweyn, Noel (ca. 1480–1529) Appears on: 374–377 Genres: Marian antiphon Source Attribution: Balduinus Tectis [= Bauldeweyn] Voice: [no designation] Languages: Latin Voice Text: Gaude dei genitrix virgo immaculata General Note Balduinus Tectis
378–379	Domine Deus virtutum converte ostende = Madame trop vous mesprenes, Si fault, Or est mon bien, Non sia gyamay	-	-	Burgensis, Dux
Domine Deus virtutum converte ostende = Madame trop vous mesprenes, Si fault, Or est mon bien, Non sia gyamay Burgensis, Dux Appears on: 378–379 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Domine deus virtutum converte ostende [= Madame trop vous mesprenes, Si fault, Or est mon bien, Non sia gyamay]
380–381	Michael praepositus paradisi	-	-	Anonymous
Michael praepositus paradisi Anonymous Appears on: 380–381 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Michael praepositus paradisi
382–383	Tantum ergo	-	-	Touront, Johannes (ca. 1450–ca. 1475)
Tantum ergo Touront, Johannes (ca. 1450–ca. 1475) Appears on: 382–383 Voice: [no designation] Languages: Latin Voice Text: Tantum ergo Concordances concordant with Strahov 275v-276 (Pange lingua) & Tr.88, 351 (Pange lingua - Touront) also Buxheim orgelbuch 89r
383	Christus surrexit mala nostra texit	-	-	Anonymous
Christus surrexit mala nostra texit Anonymous Appears on: 383 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Christus surrexit mala nostra texit
384–385	Nec mihi nec tibi = Helas	-	-	Obrecht, Jacobus (ca. 1457–1505) (?) Haugk, Virgilius (ca. 1490–1555) (?)
Nec mihi nec tibi = Helas Obrecht, Jacobus (ca. 1457–1505) (?) Haugk, Virgilius (ca. 1490–1555) (?) Appears on: 384–385 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Nec mihi nec tibi General Note [Obrecht-Virgilius]
386	Regi saeculorum immortali deo invisibili = Puisque fortune	-	[Pullois]	Pullois, Johannes
Regi saeculorum immortali deo invisibili = Puisque fortune Pullois, Johannes Appears on: 386 Genres: Contrafactum Source Attribution: [Pullois] Voice: [no designation] Languages: Latin Voice Text: Regi saeculorum immortali deo invisibili [= Puis que fortune]
387	untexted	-	-	-
untexted Appears on: 387 Voice: [no designation] Languages: none Voice Text: textless
388–389	Advocata libera	-	-	Touront, Johannes (ca. 1450–ca. 1475)
Advocata libera Touront, Johannes (ca. 1450–ca. 1475) Appears on: 388–389 Voice: [no designation] Languages: Latin Voice Text: Advocata libera
389	Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia	-	Barbigant	Barbingant, Pierre (fl. c1445-60)
Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia Barbingant, Pierre (fl. c1445-60) Appears on: 389 Genres: Contrafactum Source Attribution: Barbigant Voice: [no designation] Languages: German Voice Text: Pfobenschwancz General Note "pfoben swancz"
390–391	Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	-	-	Touront, Johannes (ca. 1450–ca. 1475)
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere Touront, Johannes (ca. 1450–ca. 1475) Appears on: 390–391 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: O generosa nata David quia te predixere [= Compangant omnes in hoc festo corde]
392–395	Recordare virgo mater dum steteris	-	Taurant [= Touront]	Touront, Johannes (ca. 1450–ca. 1475)
Recordare virgo mater dum steteris Touront, Johannes (ca. 1450–ca. 1475) Appears on: 392–395 Genres: Offertory + prose, Proper Source Attribution: Taurant [= Touront] Voice: [no designation] Languages: Latin Voice Text: Recordare virgo mater dum steteris
396–399	Gaude virgo laetans plaude et sic vitam	-	-	Anonymous
Gaude virgo laetans plaude et sic vitam Anonymous Appears on: 396–399 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude virgo laetans plaude et sic vitam
400–401	O lucis alme sator mundi rerum (= O gloriosa regina)	-	-	Touront, Johannes (ca. 1450–ca. 1475)
O lucis alme sator mundi rerum (= O gloriosa regina) Touront, Johannes (ca. 1450–ca. 1475) Appears on: 400–401 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O lucis alme sator mundi rerum [= O gloriosa regina]
402–403	Gentil madonna - 1a pars (of 2): Gentil madona de no me habandonare	-	-	Bedingham, John (–ca. 1460)
Gentil madonna - 1a pars (of 2): Gentil madona de no me habandonare Bedingham, John (–ca. 1460) Appears on: 402–403 Genres: Secular Voice: [no designation] Languages: Latin Voice Text: Festo isti servi Christi concrepemus [= Gentil madonna non mi]
403	Tu sine principio tu sine manens laudibus = Vive madame par amours, Elend du hast mich umbfangen	-	-	Morton, Robert
Tu sine principio tu sine manens laudibus = Vive madame par amours, Elend du hast mich umbfangen Morton, Robert Appears on: 403 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Tu sine principio tu sine manens laudibus [= Vive madame par amours, Elend du hast mich umbfangen]
404–405	Gentil madonna - 2a pars (of 2): Cum angelis ut in caelis cantantes perhennit	-	-	Bedingham, John (–ca. 1460)
Gentil madonna - 2a pars (of 2): Cum angelis ut in caelis cantantes perhennit Bedingham, John (–ca. 1460) Appears on: 404–405 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cum angelis ut in caelis cantantes perhennit [= Pars II of Gentil madonna de non me abandonare]
405	Omnes una voce perstrepemus	-	-	Anonymous
Omnes una voce perstrepemus Anonymous Appears on: 405 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Omnes una voce perstrepemus
406–407	Ave regina caelorum	-	-	Anonymous
Ave regina caelorum Anonymous Appears on: 406–407 Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note staré
407	Ave ierarchia	-	-	Anonymous
Ave ierarchia Anonymous Appears on: 407 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Ave ierarchia
408–409	Ave regina caelorum I	-	-	Frye, Walter (–ca. 1475)
Ave regina caelorum I Frye, Walter (–ca. 1475) Appears on: 408–409 Genres: BVM Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum
410–411	O intemerata - 1a pars (of 2): O intemerata et in aeternum	-	-	Anonymous
O intemerata - 1a pars (of 2): O intemerata et in aeternum Anonymous Appears on: 410–411 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O intemerata et in aeternum Concordances 1a pars only; 2a pars is in Strahov 222v-224
412–413	O altissime a quo omnis vis optimi	-	-	Anonymous
O altissime a quo omnis vis optimi Anonymous Appears on: 412–413 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O altissime a quo omnis vis optimi
414–415	Salus aeterna atque indeficiens mundi	-	-	Anonymous
Salus aeterna atque indeficiens mundi Anonymous Appears on: 414–415 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salus aeterna atque indeficiens mundi
416–417	Virgo Dei genitrix quem totus non capit	-	-	Anonymous
Virgo Dei genitrix quem totus non capit Anonymous Appears on: 416–417 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo dei genitrix quem totus non capit
418	Lacen adieu wel zoete partye = Largire nunc mitissime gratiam tuam	-	-	Obrecht, Jacobus (ca. 1457–1505)
Lacen adieu wel zoete partye = Largire nunc mitissime gratiam tuam Obrecht, Jacobus (ca. 1457–1505) Appears on: 418 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Largire nunc mitissime gratiam tuam [= Lacen adieu wel zoete partye]
419	Dilectus meus loquitur mihi carissima = So so mein liebste zart	-	-	Anonymous
Dilectus meus loquitur mihi carissima = So so mein liebste zart Anonymous Appears on: 419 Genres: Contrafactum Voice: [no designation] Languages: Latin, German Voice Text: Dilectus meus loquitur michi carissima [= So so mein liebste zart]
420–421	Ave coronata sublime / Alme parens / Ave regina caelorum	-	-	Anonymous
Ave coronata sublime / Alme parens / Ave regina caelorum Anonymous Appears on: 420–421 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave coronata sublime/Alme parens/Ave regina caelorum
422–423	Missa O Venus bant: Agnus Dei	-	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 422–423 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa O Venus bant: Agnus
424	Chorus iste pie Christe hunc in dulci carmine = Mon seul plaisir	-	-	Touront, Johannes (ca. 1450–ca. 1475)
Chorus iste pie Christe hunc in dulci carmine = Mon seul plaisir Touront, Johannes (ca. 1450–ca. 1475) Appears on: 424 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Chorus iste pie Christe hunc in dulci carmine [= Mon seul plaisir]
425	Sicut cedrus exaltata sum	-	-	Anonymous
Sicut cedrus exaltata sum Anonymous Appears on: 425 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Sicut cedrus exaltata sum General Note staré
426–427	Agmen caelestis curie regem precetur = Le serviteur infortuné	-	-	Anonymous
Agmen caelestis curie regem precetur = Le serviteur infortuné Anonymous Appears on: 426–427 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Agmen celestis curie regem precetur [= Le serviteur infortuné]
428–429	Kyrie fons bonitatis, Virginitatis amator	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Kyrie fons bonitatis, Virginitatis amator Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 428–429 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Greek Voice Text: Kyrie fons bonitatis
430–431	Gloria	-	-	Anonymous
Gloria Anonymous Appears on: 430–431 Voice: [no designation] Languages: Latin Voice Text: Gloria
432–435	Credo 'Motyčkovo'	-	-	Motycka (?)
Credo 'Motyčkovo' Motycka (?) Appears on: 432–435 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo General Note Motyčkovo
436–439	Missa Sine nomine: Sanctus	-	-	Pullois, Johannes
Missa Sine nomine: Sanctus Pullois, Johannes Appears on: 436–439 Genres: Mass Ordinary, Sanctus [& Benedictus]
437	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 437 Voice: [no designation] Languages: Latin Voice Text: Sanctus
440–441	Sanctus Angelicum tus	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480) (?)
Sanctus Angelicum tus Grudencz, Petrus Wilhelmi de (1392–ca. 1480) (?) Appears on: 440–441 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note [Petrus Wilhelmi?]/ /angelicum
441	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 441 Voice: [no designation] Languages: Latin Voice Text: Sanctus
442	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 442 Voice: [no designation] Languages: Latin Voice Text: Sanctus
442–443	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 442–443 Voice: [no designation] Languages: Latin Voice Text: Sanctus
444–445	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 444–445 Voice: [no designation] Languages: Latin Voice Text: Sanctus
445	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 445 Voice: [no designation] Languages: Latin Voice Text: Sanctus
446	Cedit meror eminus	-	-	Anonymous
Cedit meror eminus Anonymous Appears on: 446 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Cedit meror eminus
447	Ave regina caelorum	-	-	Anonymous
Ave regina caelorum Anonymous Appears on: 447 Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum
448–449	Ave Dei genitrix gemma	-	-	Anonymous
Ave Dei genitrix gemma Anonymous Appears on: 448–449 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Ave dei genitrix
449	Praedulcis eurus turbinis rigore ventilante	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praedulcis eurus turbinis rigore ventilante Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 449 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Praedulcis eurus turbinis rigore ventilante
450–451	Stirps regalis / Salve mundi / Gloriose domine	-	-	Anonymous
Stirps regalis / Salve mundi / Gloriose domine Anonymous Appears on: 450–451 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Stirps regalis/Salve mundi/Gloriose domine
452–453	Salve domina inclita preclara / Recordare virgo mater / Alma redemptoris mater	-	-	Anonymous
Salve domina inclita preclara / Recordare virgo mater / Alma redemptoris mater Anonymous Appears on: 452–453 Genres: Alma redemptoris mater, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Salve domina inclita preclara/Recordare virgo mater/Alma redemptoris mater
454	Paranymphus adiit virginem laetanter verbum	-	-	Anonymous
Paranymphus adiit virginem laetanter verbum Anonymous Appears on: 454 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Paranymphus adiit virginem laetanter verbum
455	Huius sit memoria qui est super sidera / Quem pastores laudavere / Natus est Emanuel de pura virgine	-	-	Anonymous
Huius sit memoria qui est super sidera / Quem pastores laudavere / Natus est Emanuel de pura virgine Anonymous Appears on: 455 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Huius sit memoria qui est super sidera/Quem pastores laudavere/Natus est Emanuel de pura virgine
456–457	Salve mater gratiae mater clementiae rosa	-	-	Anonymous
Salve mater gratiae mater clementiae rosa Anonymous Appears on: 456–457 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Salve mater gratiae mater clementiae rosa
458–460	Praeconia etroclita tripudia reciproca	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praeconia etroclita tripudia reciproca Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 458–460 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Praeconia etroclita tripudia reciproca
461	Probleumata enigmatum [additional texts in some copies: Stirps Jesse virgam / Preciosus forma]	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Probleumata enigmatum [additional texts in some copies: Stirps Jesse virgam / Preciosus forma] Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 461 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Probleumata enigmatum typorum reclusorum
462–463	Exordium quadruplate / Nates Dei / Concrepet infanti / Verbum caro factum est	-	-	Anonymous
Exordium quadruplate / Nates Dei / Concrepet infanti / Verbum caro factum est Anonymous Appears on: 462–463 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exordium quadruplate/Nates dei/Concrepti infanti/Verbum caro factum est
463	Collaudemus Christum regem qui natus est	-	-	Anonymous
Collaudemus Christum regem qui natus est Anonymous Appears on: 463 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Collaudemus Christum regem qui natus est
464	Congaudemus pariter / En lux	-	-	Anonymous
Congaudemus pariter / En lux Anonymous Appears on: 464 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Congaudemus pariter/En lux
465	Insignis infantule speciose nimis salve	-	-	Anonymous
Insignis infantule speciose nimis salve Anonymous Appears on: 465 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Insignis infantule speciose nimis salve
466–467	Omnis nunc microcosmus / Omnis mundus jocundetur	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Omnis nunc microcosmus / Omnis mundus jocundetur Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 466–467 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Omnis nunc microcosmos/Omnis mundus
468–469	Paraneuma eructemus / Hominem quem tu fecisti / Pomi morsum queritans / Sed paratus sum	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Paraneuma eructemus / Hominem quem tu fecisti / Pomi morsum queritans / Sed paratus sum Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 468–469 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Paraneuma eructemus
470	In natali Domini	-	-	Anonymous
In natali Domini Anonymous Appears on: 470 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In natali domini
471	Cedit hiems eminus	-	-	Anonymous
Cedit hiems eminus Anonymous Appears on: 471 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cedit iemps eminus General Note nové
472–474	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 472–474 Voice: [no designation] Languages: Latin Voice Text: Sanctus
475	Sicut cedrus exaltata sum in Libano	-	-	Anonymous
Sicut cedrus exaltata sum in Libano Anonymous Appears on: 475 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Sicut cedrus exaltata sumin Libano
476	Imperatrix gloriosa	-	-	Anonymous
Imperatrix gloriosa Anonymous Appears on: 476 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Imperatrix gloriosa
477	Pulcherrima rosa de spina floruit	-	-	Anonymous
Pulcherrima rosa de spina floruit Anonymous Appears on: 477 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pulcherrima rosa de spina floruit
478	Ave pura tu puella	-	-	Anonymous
Ave pura tu puella Anonymous Appears on: 478 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Ave pura tu puella
479	Intuamur enixam virgunculam / salvat	-	-	Anonymous
Intuamur enixam virgunculam / salvat Anonymous Appears on: 479 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Intuamur enixam virgunculam Voice: [no designation] Languages: Latin Voice Text: salvat
480	O rex regum clemencie	-	-	Anonymous
O rex regum clemencie Anonymous Appears on: 480 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O rex regum clemencie
481	Jesus Christus nostra salus	-	-	Anonymous
Jesus Christus nostra salus Anonymous Appears on: 481 Genres: Cantio, Lauda Voice: [no designation] Languages: Latin Voice Text: Iesus Christus nostra salus
482–483	Imperatrix virgo gloriosa	-	-	Anonymous
Imperatrix virgo gloriosa Anonymous Appears on: 482–483 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Imperatrix virgo gloriosa General Note Faux perverze na quinternu
483	Nobis est natus hodie	-	-	Anonymous
Nobis est natus hodie Anonymous Appears on: 483 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Nobis est natus hodie
484–485	Omnis mundus iocundetur	-	-	Anonymous
Omnis mundus iocundetur Anonymous Appears on: 484–485 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Omnis mundus iocundetur
486–487	O admirabile commercium creator generis	-	-	Anonymous
O admirabile commercium creator generis Anonymous Appears on: 486–487 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note sociorum
488–489	Sitivit anima mea ad Deum fontem vivum	-	-	Anonymous
Sitivit anima mea ad Deum fontem vivum Anonymous Appears on: 488–489 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sitivit anima mea ad deum fontem vivum General Note Ad voces equales/soc.
490–492	Praesidiorum erogatrix tutrix rei virens	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praesidiorum erogatrix tutrix rei virens Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 490–492 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Praesidiorum erogatrix tutrix rei virens General Note nové
493	Magnum miraculum / Christum Jesum verum Deum	-	-	Anonymous
Magnum miraculum / Christum Jesum verum Deum Anonymous Appears on: 493 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Magnum miraculum Voice: [no designation] Languages: Latin Voice Text: Christum Iesum verum deum
494	Flosculum amenitatis virgo singularis	-	-	Anonymous
Flosculum amenitatis virgo singularis Anonymous Appears on: 494 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Flosculum amenitatis
495	Vere miranda agitur res theos incorporatur	-	-	Anonymous
Vere miranda agitur res theos incorporatur Anonymous Appears on: 495 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Vere miranda agitur res theos incorporatur
496	In hoc anni circulo	-	-	Anonymous
In hoc anni circulo Anonymous Appears on: 496 Voice: [no designation] Languages: Latin Voice Text: In hoc anni circulo
497	Sophia nasci fertur singula / O quam pulcra racio pastores / Magi videntes stellam	-	-	Anonymous
Sophia nasci fertur singula / O quam pulcra racio pastores / Magi videntes stellam Anonymous Appears on: 497 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sophia nasci fertur singula/O quam pulcra racio pastores/Magi videntes stellam
498	Tria sunt munera / Videntes stellam / Reges Tharsis	-	-	Anonymous
Tria sunt munera / Videntes stellam / Reges Tharsis Anonymous Appears on: 498 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tria sunt munera/Videntes stellam/Reges Tharsis
499	Christus jam / Terra tremuit / Angelus Domini / Surrexit	-	-	Anonymous
Christus jam / Terra tremuit / Angelus Domini / Surrexit Anonymous Appears on: 499 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christus iam/Terra tremuit/Angelus domini/Surrexit
500–501	Palmiger a vernulis fastus virginis	-	-	Anonymous
Palmiger a vernulis fastus virginis Anonymous Appears on: 500–501 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Palmiger a vernulis fastus virginis
502	Ex linguis multiphariis	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480) (?)
Ex linguis multiphariis Grudencz, Petrus Wilhelmi de (1392–ca. 1480) (?) Appears on: 502 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ex linguis multifariis
503	Veni sancte spiritus / Da gaudiorum praemia / Veni sancte spiritus	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Veni sancte spiritus / Da gaudiorum praemia / Veni sancte spiritus Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 503 Genres: Motet, Veni creator spiritus, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus/Da gaudiorum praemia/Veni sancte spiritus
504–507	Pneuma eucaristiarum terram rigans / Veni vere illustrator lux / Dator eya gratiarum rex virtutis / Paraclito tripudia depromat	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Pneuma eucaristiarum terram rigans / Veni vere illustrator lux / Dator eya gratiarum rex virtutis / Paraclito tripudia depromat Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 504–507 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pneuma eucaristiarum terram rigans/Veni vere illustrator lux/Dator eya graciarum rex virtutis/Paraclito tripudia depromat
507	Jesus Christus nostra salus	-	-	Anonymous
Jesus Christus nostra salus Anonymous Appears on: 507 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Iesus Christus nostra salus
508–509	Deum trinum adoremus / Hoc persone / Unum Deum verum	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Deum trinum adoremus / Hoc persone / Unum Deum verum Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 508–509 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deum trinum adoremus/Hoc persone/Unum deum verum General Note Kontrafaktum
510–513	Panis evus typicatus / Pange exsul typicalem / Panis ecce angelorum /Patribus veteribus / Tantum ergo	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Panis evus typicatus / Pange exsul typicalem / Panis ecce angelorum /Patribus veteribus / Tantum ergo Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 510–513 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Panis ecce angelorum/Panis aevus typicatus/Pange exsul typicalem/Patribus veteribus/Tantum ergo
513	Christus aeternalia mundo parens gaudia	-	-	Anonymous
Christus aeternalia mundo parens gaudia Anonymous Appears on: 513 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Christus aeternalia mundo parens gaudia
514–515	Pax eterna templo / Jacob scalam quam cernebat / Terribilis est locus iste	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Pax eterna templo / Jacob scalam quam cernebat / Terribilis est locus iste Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 514–515 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iacob scalam quam cernebat/Pax aeterna templo/Terribilis est locus iste
515	Jesus Christus nostra salus	-	-	Anonymous
Jesus Christus nostra salus Anonymous Appears on: 515 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Iesus Christus nostra salus
516–517	Quae est ista quae ascendit / Haec est mater Jesu Christi / Haec ad Deum vult meare	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Quae est ista quae ascendit / Haec est mater Jesu Christi / Haec ad Deum vult meare Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 516–517 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quae est ista quae ascendit/Haec est mater Iesu Christi/Haec ad deum vult meare General Note Kontrafaktum
518–521	Phonicorum ethicorum tropi resonantia	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Phonicorum ethicorum tropi resonantia Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 518–521 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Phonicorum ethicorum tropi resonantia
521	Quem elegit hunc et vocavit eundem	-	-	Anonymous
Quem elegit hunc et vocavit eundem Anonymous Appears on: 521 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Quem elegit hunc et vocavit eundem
522–523	Praesulem ephebeatum trabeatum radiatum / Salvatoris pisticus stirpe tu eugenius / Hiis denegans tue nutum anime / Atque nimis denegans saporis	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praesulem ephebeatum trabeatum radiatum / Salvatoris pisticus stirpe tu eugenius / Hiis denegans tue nutum anime / Atque nimis denegans saporis Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 522–523 Genres: Canonic Voice: [no designation] Languages: Latin Voice Text: Praesulem ephebeatum trabeatum radiatum/Salvatoris pisticus stirpe tu eugenius/Hiis denegans tue nutum anime/Atque nimis denegans saporis
524–525	Resultet gens angelica cum omni laude	-	-	Anonymous
Resultet gens angelica cum omni laude Anonymous Appears on: 524–525 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Resultet gens angelica cum omni laude
526	Martyr Christi insignitus Deicis fulgoribus	-	-	Anonymous
Martyr Christi insignitus Deicis fulgoribus Anonymous Appears on: 526 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Martyr Christi insignitus deicis fulgoribus
527	Praeformosa elegantis terre rosa ut spirantis	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praeformosa elegantis terre rosa ut spirantis Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 527 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Praeformosa elegantis terre rosa ut spirantis
528–529	Praesidiorum erogatrix tutrix rei virens	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praesidiorum erogatrix tutrix rei virens Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 528–529 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Praesidiorum erogatrix tutrix rei virens
530	Octaviano imperatore rumano / Clamat, cantat Domino	-	-	Anonymous
Octaviano imperatore rumano / Clamat, cantat Domino Anonymous Appears on: 530 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Octaviano imperatore Romano parit puella/Clamet cantet
531	Unde gaudent angeli / Eia Dei ierarchia / Nostra jucunda	-	-	Anonymous
Unde gaudent angeli / Eia Dei ierarchia / Nostra jucunda Anonymous Appears on: 531 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Unde gaudent angeli/Eia dei hierarchia/Nostra iucunda
532	Zdrávas císařovno	-	-	Anonymous
Zdrávas císařovno Anonymous Appears on: 532 Voice: [no designation] Languages: Czech Voice Text: Zdrávas císařovno
533	Náš milý svatý Václave	-	-	Anonymous
Náš milý svatý Václave Anonymous Appears on: 533 Voice: [no designation] Languages: Czech Voice Text: Náš milý svatý Václave
534–535	Pane Bože buď při nás	-	-	Anonymous
Pane Bože buď při nás Anonymous Appears on: 534–535 Voice: [no designation] Languages: Czech Voice Text: Pane Bože buď při nás
536–537	Chorus noster sonorosus / Sanctissimi nominis divini / Dulcisona altisona / Pangant nostra agmina	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Chorus noster sonorosus / Sanctissimi nominis divini / Dulcisona altisona / Pangant nostra agmina Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 536–537 Genres: Canonic Voice: [no designation] Languages: Latin Voice Text: Chorus noster sonorosus
539–540	Spiritus et alme orphanorum paraclite	-	-	Anonymous
Spiritus et alme orphanorum paraclite Anonymous Appears on: 539–540 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus et alme orphanorum paraclite
541–542	Spiritus et alme orphanorum paraclite	-	-	Anonymous
Spiritus et alme orphanorum paraclite Anonymous Appears on: 541–542 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus et alme orphanorum paraclite
543	Sanctus	-	-	Anonymous
Sanctus Anonymous Appears on: 543 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: En deitatis Zabulon venit herus verus
543	En deitatis Zabulon	-	-	Anonymous
En deitatis Zabulon Anonymous Appears on: 543 Voice: [no designation] Languages: Latin Voice Text: En deitatis Zabulon
544	Metaphysice salut vatumque / In tempesto adiit / Ordo naturae	-	-	Anonymous
Metaphysice salut vatumque / In tempesto adiit / Ordo naturae Anonymous Appears on: 544 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Metaphysice salut vatumque/In tempesto adiit/Ordo naturae
545	Solemniset tota concio hac in prefulgida / Qua salus emicuit nostra desiderabili / Se vicies conticuit Beel	-	-	Anonymous
Solemniset tota concio hac in prefulgida / Qua salus emicuit nostra desiderabili / Se vicies conticuit Beel Anonymous Appears on: 545 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Solemniset tota concio hac in prefulgida/Qua salus emicuit nostra desiderabili/Se vicies conticuit Beel
546–551	Jube domine benedicere	-	Thomek [= Tomek]	Tomek
Jube domine benedicere Tomek Appears on: 546–551 Genres: Motet Source Attribution: Thomek [= Tomek] Voice: [no designation] Languages: Latin Voice Text: Iube domine benedicere General Note Tomek/Jubilamina
553	Novus annus adiit in quo Christus prodiit	-	-	Anonymous
Novus annus adiit in quo Christus prodiit Anonymous Appears on: 553 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Novus annus adiit in quo Christus prodiit
554–557	Regina caeli laetare alleluia	-	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 554–557 Genres: Marian antiphon, Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note Ad pares voces
558–559	Caro mea vere est / O vere digna / Dominus noster	-	-	Anonymous
Caro mea vere est / O vere digna / Dominus noster Anonymous Appears on: 558–559 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Caro mea vere est/O vere digna/Dominus noster
560–563	Sanctus 'ad equales' sociorum	-	-	Anonymous
Sanctus 'ad equales' sociorum Anonymous Appears on: 560–563 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Ad equales sociorum
565	Praelustri elucentia titani redimiris	-	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Praelustri elucentia titani redimiris Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: 565 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Praelustri elucentia titani redimiris
570	Modulisemus omnes corde	-	-	Anonymous
Modulisemus omnes corde Anonymous Appears on: 570 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Modulisemus omnes
572–579	Crucifixus (from Credo), Sanctus 'sociorum'	-	-	Anonymous
Crucifixus (from Credo), Sanctus 'sociorum' Anonymous Appears on: 572–579 Genres: Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Crucifixus (from Credo), Sanctus General Note sociorum
580–581	Domine Deus - 1a pars (of 2): Domine Deus in simplicitate	-	-	Anonymous
Domine Deus - 1a pars (of 2): Domine Deus in simplicitate Anonymous Appears on: 580–581 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine deus in simplicitate General Note sociorum
583–605	Monophonic Hymns	-	-	Anonymous
Monophonic Hymns Anonymous Appears on: 583–605 Voice: [no designation] Languages: Latin Voice Text: Monophonic Hymns
609	Clamet cantet Domino sincerus clerus	-	-	Anonymous
Clamet cantet Domino sincerus clerus Anonymous Appears on: 609 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Clamet cantet domino sincerus clerus

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	(?) Ave ancilla triitatis - 1a pars (of 2): Ave ancilla trinitatis ave sponsa [=Caecus non iudicat] – 198–201 (?) Ave ancilla triitatis - 2a pars (of 2): Ave mundi domina Maria ave mitis [=Caecus non iudicat 2p.] – 198–201 Credo, Sanctus – 172–177 O virens virginum primula – 86–87
Anonymous	Agmen caelestis curie regem precetur = Le serviteur infortuné – 426–427 Alleluia. Assumpta est Maria – 192–193 Alme pater magni orbis quod colit regia = Je ne puis – 373 A summo caelo egressio eius et ocursus – 330 Ave coronata sublime / Alme parens / Ave regina caelorum – 420–421 Ave Dei genitrix gemma – 448–449 Ave ierarchia – 407 Ave Maria ancilla trinitatis – 300–301 Ave Maria gratia plena Dominus tecum – 84–85 Ave Maria gratia plena Dominus tecum – 366–367 Ave pura tu puella – 478 Ave regina caelorum – 406–407 Ave regina caelorum – 447 Ave virgo castitatis lilium ora pro nobis – 372 Benedicta semper sancta sit trinitas – 117–125 Caro mea vere est / O vere digna / Dominus noster – 558–559 Cedit hiems eminus – 471 Cedit meror eminus – 446 Christus aeternalia mundo parens gaudia – 513 Christus jam / Terra tremuit / Angelus Domini / Surrexit – 499 Christus surrexit – 191 Christus surrexit mala nostra texit – 383 Clamet cantet Domino sincerus clerus – 609 Collaudemus Christum regem qui natus est – 463 Congaudemus pariter / En lux – 464 Congaudent angelorum chori – 194–196 Credo – 20–22 Credo – 148–150 Credo and Sanctus 'sociorum' – 42–47 Credo 'Jirkovo' – 167 Credo 'Kotlářovo' – 16–17 Credo 'malostranské' – 156–157 Credo / Patrem řehtavé – 166 Credo 'Plíhalovo' – 159 Credo, Sanctus 'sociorum' – 236–245 Crucifixus (from Credo), Sanctus 'sociorum' – 572–579 Da pacem Domine in diebus nostris – 354–357 Dilectus meus loquitur mihi carissima = So so mein liebste zart – 419 Discubuit Jesus – 362–365 Domine Deus - 1a pars (of 2): Domine Deus in simplicitate – 580–581 En deitatis Zabulon – 543 Ergo exordium nostrae redemptionis devote – 254 Exordium quadruplate / Nates Dei / Concrepet infanti / Verbum caro factum est – 462–463 Flosculum amenitatis virgo singularis – 494 Gaudeamus omnes in Domino – 206–208 Gaude Dei genitrix virgo immaculata – 204–205 Gaude mater in gaudio tantis referta – 292–295 Gaude virgo laetans plaude et sic vitam – 396–399 Gloria – 430–431 Haec est dies quam fecit Dominus exultemus – 232–233 Huius sit memoria qui est super sidera / Quem pastores laudavere / Natus est Emanuel de pura virgine – 455 Imperatrix gloriosa – 476 Imperatrix virgo gloriosa – 482–483 In hoc anni circulo – 496 In natali Domini – 470 Insignis infantule speciose nimis salve – 465 Intuamur enixam virgunculam / salvat – 479 Jesus Christus nostra salus – 481 Jesus Christus nostra salus – 515 Jesus Christus nostra salus – 507 Magnum miraculum / Christum Jesum verum Deum – 493 Martyr Christi insignitus Deicis fulgoribus – 526 Metaphysice salut vatumque / In tempesto adiit / Ordo naturae – 544 Michael praepositus paradisi – 380–381 Miserere nostri domine te enim expectamus – 78–81 Misericors – 350–353 Missa Corps digne – Dieu quel mariage: KGCS – 1–15 Missa cum proprio (adventní) – 327–336 Missa Je ne seray plus (3vv): Credo – 280–285 Missa Je ne seray plus (3vv): Kyrie – 278–279 Missa Petite camusette (KGCSA) – 23–41 Missa sine nomine: KGCS – 209–231 Mittit ad virginem - 1a pars (of 2): Mittit ad virginem – 333 Modulisemus omnes corde – 570 Monophonic Hymns – 583–605 Náš milý svatý Václave – 533 Nobis est natus hodie – 483 Novus annus adiit in quo Christus prodiit – 553 O admirabile commercium creator generis – 486–487 O altissime a quo omnis vis optimi – 412–413 Octaviano imperatore rumano / Clamat, cantat Domino – 530 O intemerata - 1a pars (of 2): O intemerata et in aeternum – 410–411 Omnes una voce perstrepemus – 405 Omnis mundus iocundetur – 484–485 O rex regum clemencie – 480 Palmiger a vernulis fastus virginis – 500–501 Pane Bože buď při nás – 534–535 Paradisus trinitatis salve gratia plena – 68–69 Paranymphus adiit virginem laetanter verbum – 454 Pater noster qui es in caelis – 82–83 Pulcherrima rosa de spina floruit – 477 Quem elegit hunc et vocavit eundem – 521 Qui te aspectamus in te que ponimus – 171 Regina caeli laetare alleluia – 338–339 Regina caeli laetare alleluia – 358–361 Regina caeli laetare alleluia – 554–557 Resultet gens angelica cum omni laude – 524–525 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera – 327 Salus aeterna atque indeficiens mundi – 414–415 Salve domina inclita preclara / Recordare virgo mater / Alma redemptoris mater – 452–453 Salve mater gratiae mater clementiae rosa – 456–457 Sanctus – 543 Sanctus – 442 Sanctus – 178–179 Sanctus – 18–19 Sanctus – 441 Sanctus – 442–443 Sanctus – 445 Sanctus – 472–474 Sanctus – 444–445 Sanctus – 437 Sanctus 'ad equales' sociorum – 560–563 Sanctus 'berúnské' – 336–337 Sanctus 'sociorum' – 312–313 Sicut cedrus exaltata sum – 425 Sicut cedrus exaltata sum in Libano – 475 Sitivit anima mea ad Deum fontem vivum – 488–489 Solemniset tota concio hac in prefulgida / Qua salus emicuit nostra desiderabili / Se vicies conticuit Beel – 545 Sophia nasci fertur singula / O quam pulcra racio pastores / Magi videntes stellam – 497 Spiritus et alme orphanorum paraclite – 539–540 Spiritus et alme orphanorum paraclite – 541–542 Stirps regalis / Salve mundi / Gloriose domine – 450–451 Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem legibus III: Praestet nobis gratiam Deitas beata – 344–349 Surrexit Christus hodie – 170 Surrexit Christus hodie – 265 Tria sunt munera / Videntes stellam / Reges Tharsis – 498 Tu qui cuncta imperas – 202–203 Unde gaudent angeli / Eia Dei ierarchia / Nostra jucunda – 531 Vere miranda agitur res theos incorporatur – 495 Virgo Dei genitrix quem totus non capit – 416–417 Vulnerasti cor meum soror mea sponsa – 302–305 Vzdajmež chválu – 88 Zdrávas císařovno – 532 [No description] – 387
Aulen, Johannes (late 15th century)	(?) Terrigenarum plasmator orbisque fundator – 306–309
Barbingant, Pierre (c1445-60)	Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia – 389
Basiron, Philippe (ca. 1449-1491)	Missa de Franza: KGCS – 89–109
Batten (= Batty? Battre?)	Sanctus – 276–277
Bauldeweyn, Noel (ca. 1480-1529)	Gaude Dei genitrix virgo immaculata – 374–377
Bedingham, John (-ca. 1460)	Gentil madonna - 1a pars (of 2): Gentil madona de no me habandonare – 402–403 Gentil madonna - 2a pars (of 2): Cum angelis ut in caelis cantantes perhennit – 404–405
Brumel, Antoine (ca. 1460-ca. 1513)	Missa Ut re mi fa sol la: 3c Agnus – 234–235
Burgensis, Dux	Domine Deus virtutum converte ostende = Madame trop vous mesprenes, Si fault, Or est mon bien, Non sia gyamay – 378–379
Busnoys, Antoine (ca. 1430-1492)	(?) Vous marchez du bout du pied marionette – 255
Clibano, Jacobus de	Credo / Patrem de village (quarti toni) – 160–165
Compère, Loyset (ca. 1445-1518)	Sile fragor ac rerum tumultus II. Suscipe deitatis mater – 112–115
Despres, Josquin (ca. 1450-1521)	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 64–67 Missa L’ami baudichon 5.1: Credo – 256–261 Qui velatus facie fuisti 22.3 – 296–299 Virgo prudentissima quo progrederis 25.12 – 342–343
Ferdinandus et frater eius	(?) Ave ancilla triitatis - 1a pars (of 2): Ave ancilla trinitatis ave sponsa [=Caecus non iudicat] – 198–201 (?) Ave ancilla triitatis - 2a pars (of 2): Ave mundi domina Maria ave mitis [=Caecus non iudicat 2p.] – 198–201
Finck, Heinrich	O Jesu pie nos isto pane dignos / Miserator Dominus escam dedit – 350–353
Flemmik	Sanctus 'Kliczhovo' – 272–275 Sanctus Veni creator 'Srotyrzssyke' – 180–182
Frank, Bartholomeus	Muteta kokodáč – 74–77
Frye, Walter (-ca. 1475)	Ave regina caelorum I – 408–409
G.F.	Benedicta semper sancta sit trinitas – 126–137
Ghiselin (Verbonnet), Johannes	Missa La belle se siet: Credo – 140–147 O gloriosa domina sanctissima virgo Maria – 286–291
Gontrasek	Buď Bohu chvála čest – 70–71
Grudencz, Petrus Wilhelmi de (1392-ca. 1480)	Chorus noster sonorosus / Sanctissimi nominis divini / Dulcisona altisona / Pangant nostra agmina – 536–537 Deum trinum adoremus / Hoc persone / Unum Deum verum – 508–509 (?) Ex linguis multiphariis – 502 Kyrie fons bonitatis, Virginitatis amator – 428–429 Omnis nunc microcosmus / Omnis mundus jocundetur – 466–467 Panis evus typicatus / Pange exsul typicalem / Panis ecce angelorum /Patribus veteribus / Tantum ergo – 510–513 Paraneuma eructemus / Hominem quem tu fecisti / Pomi morsum queritans / Sed paratus sum – 468–469 Pax eterna templo / Jacob scalam quam cernebat / Terribilis est locus iste – 514–515 Phonicorum ethicorum tropi resonantia – 518–521 Pneuma eucaristiarum terram rigans / Veni vere illustrator lux / Dator eya gratiarum rex virtutis / Paraclito tripudia depromat – 504–507 Praeconia etroclita tripudia reciproca – 458–460 Praedulcis eurus turbinis rigore ventilante – 449 Praeformosa elegantis terre rosa ut spirantis – 527 Praelustri elucentia titani redimiris – 565 Praesidiorum erogatrix tutrix rei virens – 528–529 Praesidiorum erogatrix tutrix rei virens – 490–492 Praesulem ephebeatum trabeatum radiatum / Salvatoris pisticus stirpe tu eugenius / Hiis denegans tue nutum anime / Atque nimis denegans saporis – 522–523 Probleumata enigmatum [additional texts in some copies: Stirps Jesse virgam / Preciosus forma] – 461 Quae est ista quae ascendit / Haec est mater Jesu Christi / Haec ad Deum vult meare – 516–517 (?) Sanctus Angelicum tus – 440–441 Veni sancte spiritus / Da gaudiorum praemia / Veni sancte spiritus – 503
Haugk, Virgilius (ca. 1490-1555)	(?) Nec mihi nec tibi = Helas – 384–385
Isaac, Heinrich (ca. 1450-1517)	(?) Ave ancilla triitatis - 1a pars (of 2): Ave ancilla trinitatis ave sponsa [=Caecus non iudicat] – 198–201 Missa Chargé de deuil: Credo – 314–325 Missa Chargé de deuil: Sanctus – 314–325 Pastorem pium singuli precibus pulsemus – 310–311 (?) Vous marchez du bout du pied marionette – 255
Lannoy, Colinet de	Credo and Sanctus – 48–55
Morton, Robert	Tu sine principio tu sine manens laudibus = Vive madame par amours, Elend du hast mich umbfangen – 403
Motycka	(?) Credo 'Motyčkovo' – 432–435
Obrecht, Jacobus (ca. 1457-1505)	Lacen adieu wel zoete partye = Largire nunc mitissime gratiam tuam – 418 (?) Nec mihi nec tibi = Helas – 384–385 Precantibus diva virgo tua miseracione = Wat willen wy metten budel spelen – 340–341
Plummer, John (ca. 1410-ca. 1484)	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula – 368–369 Tota pulchra es - 2a pars (of 2): Flores apparuerunt – 369–370
Pullois, Johannes	Missa Sine nomine: Sanctus – 436–439 Regi saeculorum immortali deo invisibili = Puisque fortune – 386
Stoltzer, Thomas (ca. 1480-1526)	Alleluia. Prophetae sancti praedicaverunt – 330
Tinctoris, Johannes (ca. 1435-1511)	Missa Nos amis ('Wunsliche schone'): Credo – 168–170
Tomek	Credo, Sanctus – 246–253 Jube domine benedicere – 546–551
Touront, Johannes (ca. 1450-ca. 1475)	Advocata libera – 388–389 Ave virgo gloriosa = O preclare Jhesu – 183 Chorus iste pie Christe hunc in dulci carmine = Mon seul plaisir – 424 Compangant omnes in hoc festo corde = O generosa nata David quia te predixere – 390–391 Missa Sine nomine: Credo – 184–187 Missa Sine nomine: Sanctus – 188–191 O lucis alme sator mundi rerum (= O gloriosa regina) – 400–401 Recordare virgo mater dum steteris – 392–395 Tantum ergo – 382–383
Weerbecke, Gaspar van (ca. 1445-ca. 1516)	Missa O Venus bant: Agnus Dei – 422–423 Missa O Venus bant: Credo – 262–271 Missa O Venus bant: Sanctus – 262–271

Composition	Composers (? Uncertain)	Folios / Pages
A summo caelo egressio eius et ocursus	Anonymous	330
Advocata libera	Touront, Johannes (ca. 1450–ca. 1475)	388–389
Agmen caelestis curie regem precetur = Le serviteur infortuné	Anonymous	426–427
Alleluia. Assumpta est Maria	Anonymous	192–193
Alleluia. Prophetae sancti praedicaverunt	Stoltzer, Thomas (ca. 1480–1526)	330
Alme pater magni orbis quod colit regia = Je ne puis	Anonymous	373
Ave ancilla triitatis - 1a pars (of 2): Ave ancilla trinitatis ave sponsa [=Caecus non iudicat]	Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Ferdinandus et frater eius (?)	198–201
Ave ancilla triitatis - 2a pars (of 2): Ave mundi domina Maria ave mitis [=Caecus non iudicat 2p.]	Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)	198–201
Ave coronata sublime / Alme parens / Ave regina caelorum	Anonymous	420–421
Ave Dei genitrix gemma	Anonymous	448–449
Ave ierarchia	Anonymous	407
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	64–67
Ave Maria ancilla trinitatis	Anonymous	300–301
Ave Maria gratia plena Dominus tecum	Anonymous	84–85
Ave Maria gratia plena Dominus tecum	Anonymous	366–367
Ave pura tu puella	Anonymous	478
Ave regina caelorum	Anonymous	406–407
Ave regina caelorum	Anonymous	447
Ave regina caelorum I	Frye, Walter (–ca. 1475)	408–409
Ave virgo castitatis lilium ora pro nobis	Anonymous	372
Ave virgo gloriosa = O preclare Jhesu	Touront, Johannes (ca. 1450–ca. 1475)	183
Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia	Barbingant, Pierre (fl. c1445-60)	389
Benedicta semper sancta sit trinitas	Anonymous	117–125
Benedicta semper sancta sit trinitas	G.F.	126–137
Buď Bohu chvála čest	Gontrasek	70–71
Caro mea vere est / O vere digna / Dominus noster	Anonymous	558–559
Cedit hiems eminus	Anonymous	471
Cedit meror eminus	Anonymous	446
Chorus iste pie Christe hunc in dulci carmine = Mon seul plaisir	Touront, Johannes (ca. 1450–ca. 1475)	424
Chorus noster sonorosus / Sanctissimi nominis divini / Dulcisona altisona / Pangant nostra agmina	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	536–537
Christus aeternalia mundo parens gaudia	Anonymous	513
Christus jam / Terra tremuit / Angelus Domini / Surrexit	Anonymous	499
Christus surrexit	Anonymous	191
Christus surrexit mala nostra texit	Anonymous	383
Clamet cantet Domino sincerus clerus	Anonymous	609
Collaudemus Christum regem qui natus est	Anonymous	463
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	Touront, Johannes (ca. 1450–ca. 1475)	390–391
Congaudemus pariter / En lux	Anonymous	464
Congaudent angelorum chori	Anonymous	194–196
Credo	Anonymous	20–22
Credo	Anonymous	148–150
Credo 'Jirkovo'	Anonymous	167
Credo 'Kotlářovo'	Anonymous	16–17
Credo 'malostranské'	Anonymous	156–157
Credo 'Motyčkovo'	Motycka (?)	432–435
Credo 'Plíhalovo'	Anonymous	159
Credo / Patrem de village (quarti toni)	Clibano, Jacobus de	160–165
Credo / Patrem řehtavé	Anonymous	166
Credo and Sanctus	Lannoy, Colinet de	48–55
Credo and Sanctus 'sociorum'	Anonymous	42–47
Credo, Sanctus	Agricola, Alexander (ca. 1445–1506)	172–177
Credo, Sanctus	Tomek	246–253
Credo, Sanctus 'sociorum'	Anonymous	236–245
Crucifixus (from Credo), Sanctus 'sociorum'	Anonymous	572–579
Da pacem Domine in diebus nostris	Anonymous	354–357
Deum trinum adoremus / Hoc persone / Unum Deum verum	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	508–509
Dilectus meus loquitur mihi carissima = So so mein liebste zart	Anonymous	419
Discubuit Jesus	Anonymous	362–365
Domine Deus - 1a pars (of 2): Domine Deus in simplicitate	Anonymous	580–581
Domine Deus virtutum converte ostende = Madame trop vous mesprenes, Si fault, Or est mon bien, Non sia gyamay	Burgensis, Dux	378–379
En deitatis Zabulon	Anonymous	543
Ergo exordium nostrae redemptionis devote	Anonymous	254
Ex linguis multiphariis	Grudencz, Petrus Wilhelmi de (1392–ca. 1480) (?)	502
Exordium quadruplate / Nates Dei / Concrepet infanti / Verbum caro factum est	Anonymous	462–463
Flosculum amenitatis virgo singularis	Anonymous	494
Gaude Dei genitrix virgo immaculata	Anonymous	204–205
Gaude Dei genitrix virgo immaculata	Bauldeweyn, Noel (ca. 1480–1529)	374–377
Gaude mater in gaudio tantis referta	Anonymous	292–295
Gaude virgo laetans plaude et sic vitam	Anonymous	396–399
Gaudeamus omnes in Domino	Anonymous	206–208
Gentil madonna - 1a pars (of 2): Gentil madona de no me habandonare	Bedingham, John (–ca. 1460)	402–403
Gentil madonna - 2a pars (of 2): Cum angelis ut in caelis cantantes perhennit	Bedingham, John (–ca. 1460)	404–405
Gloria	Anonymous	430–431
Haec est dies quam fecit Dominus exultemus	Anonymous	232–233
Huius sit memoria qui est super sidera / Quem pastores laudavere / Natus est Emanuel de pura virgine	Anonymous	455
Imperatrix gloriosa	Anonymous	476
Imperatrix virgo gloriosa	Anonymous	482–483
In hoc anni circulo	Anonymous	496
In natali Domini	Anonymous	470
Insignis infantule speciose nimis salve	Anonymous	465
Intuamur enixam virgunculam / salvat	Anonymous	479
Jesus Christus nostra salus	Anonymous	481
Jesus Christus nostra salus	Anonymous	507
Jesus Christus nostra salus	Anonymous	515
Jube domine benedicere	Tomek	546–551
Kyrie fons bonitatis, Virginitatis amator	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	428–429
Lacen adieu wel zoete partye = Largire nunc mitissime gratiam tuam	Obrecht, Jacobus (ca. 1457–1505)	418
Magnum miraculum / Christum Jesum verum Deum	Anonymous	493
Martyr Christi insignitus Deicis fulgoribus	Anonymous	526
Metaphysice salut vatumque / In tempesto adiit / Ordo naturae	Anonymous	544
Michael praepositus paradisi	Anonymous	380–381
Miserere nostri domine te enim expectamus	Anonymous	78–81
Misericors	Anonymous	350–353
Missa Chargé de deuil: Credo	Isaac, Heinrich (ca. 1450–1517)	314–325
Missa Chargé de deuil: Sanctus	Isaac, Heinrich (ca. 1450–1517)	314–325
Missa Corps digne – Dieu quel mariage: KGCS	Anonymous	1–15
Missa cum proprio (adventní)	Anonymous	327–336
Missa de Franza: KGCS	Basiron, Philippe (ca. 1449–1491)	89–109
Missa Je ne seray plus (3vv): Credo	Anonymous	280–285
Missa Je ne seray plus (3vv): Kyrie	Anonymous	278–279
Missa La belle se siet: Credo	Ghiselin (Verbonnet), Johannes	140–147
Missa L’ami baudichon 5.1: Credo	Despres, Josquin (ca. 1450–1521)	256–261
Missa Nos amis ('Wunsliche schone'): Credo	Tinctoris, Johannes (ca. 1435–1511)	168–170
Missa O Venus bant: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	422–423
Missa O Venus bant: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	262–271
Missa O Venus bant: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	262–271
Missa Petite camusette (KGCSA)	Anonymous	23–41
Missa Sine nomine: Credo	Touront, Johannes (ca. 1450–ca. 1475)	184–187
Missa sine nomine: KGCS	Anonymous	209–231
Missa Sine nomine: Sanctus	Touront, Johannes (ca. 1450–ca. 1475)	188–191
Missa Sine nomine: Sanctus	Pullois, Johannes	436–439
Missa Ut re mi fa sol la: 3c Agnus	Brumel, Antoine (ca. 1460–ca. 1513)	234–235
Mittit ad virginem - 1a pars (of 2): Mittit ad virginem	Anonymous	333
Modulisemus omnes corde	Anonymous	570
Monophonic Hymns	Anonymous	583–605
Muteta kokodáč	Frank, Bartholomeus	74–77
Nec mihi nec tibi = Helas	Obrecht, Jacobus (ca. 1457–1505) (?) Haugk, Virgilius (ca. 1490–1555) (?)	384–385
Nobis est natus hodie	Anonymous	483
Novus annus adiit in quo Christus prodiit	Anonymous	553
Náš milý svatý Václave	Anonymous	533
O admirabile commercium creator generis	Anonymous	486–487
O altissime a quo omnis vis optimi	Anonymous	412–413
O gloriosa domina sanctissima virgo Maria	Ghiselin (Verbonnet), Johannes	286–291
O intemerata - 1a pars (of 2): O intemerata et in aeternum	Anonymous	410–411
O Jesu pie nos isto pane dignos / Miserator Dominus escam dedit	Finck, Heinrich	350–353
O lucis alme sator mundi rerum (= O gloriosa regina)	Touront, Johannes (ca. 1450–ca. 1475)	400–401
O rex regum clemencie	Anonymous	480
O virens virginum primula	Agricola, Alexander (ca. 1445–1506)	86–87
Octaviano imperatore rumano / Clamat, cantat Domino	Anonymous	530
Omnes una voce perstrepemus	Anonymous	405
Omnis mundus iocundetur	Anonymous	484–485
Omnis nunc microcosmus / Omnis mundus jocundetur	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	466–467
Palmiger a vernulis fastus virginis	Anonymous	500–501
Pane Bože buď při nás	Anonymous	534–535
Panis evus typicatus / Pange exsul typicalem / Panis ecce angelorum /Patribus veteribus / Tantum ergo	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	510–513
Paradisus trinitatis salve gratia plena	Anonymous	68–69
Paraneuma eructemus / Hominem quem tu fecisti / Pomi morsum queritans / Sed paratus sum	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	468–469
Paranymphus adiit virginem laetanter verbum	Anonymous	454
Pastorem pium singuli precibus pulsemus	Isaac, Heinrich (ca. 1450–1517)	310–311
Pater noster qui es in caelis	Anonymous	82–83
Pax eterna templo / Jacob scalam quam cernebat / Terribilis est locus iste	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	514–515
Phonicorum ethicorum tropi resonantia	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	518–521
Pneuma eucaristiarum terram rigans / Veni vere illustrator lux / Dator eya gratiarum rex virtutis / Paraclito tripudia depromat	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	504–507
Praeconia etroclita tripudia reciproca	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	458–460
Praedulcis eurus turbinis rigore ventilante	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	449
Praeformosa elegantis terre rosa ut spirantis	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	527
Praelustri elucentia titani redimiris	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	565
Praesidiorum erogatrix tutrix rei virens	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	490–492
Praesidiorum erogatrix tutrix rei virens	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	528–529
Praesulem ephebeatum trabeatum radiatum / Salvatoris pisticus stirpe tu eugenius / Hiis denegans tue nutum anime / Atque nimis denegans saporis	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	522–523
Precantibus diva virgo tua miseracione = Wat willen wy metten budel spelen	Obrecht, Jacobus (ca. 1457–1505)	340–341
Probleumata enigmatum [additional texts in some copies: Stirps Jesse virgam / Preciosus forma]	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	461
Pulcherrima rosa de spina floruit	Anonymous	477
Quae est ista quae ascendit / Haec est mater Jesu Christi / Haec ad Deum vult meare	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	516–517
Quem elegit hunc et vocavit eundem	Anonymous	521
Qui te aspectamus in te que ponimus	Anonymous	171
Qui velatus facie fuisti 22.3	Despres, Josquin (ca. 1450–1521)	296–299
Recordare virgo mater dum steteris	Touront, Johannes (ca. 1450–ca. 1475)	392–395
Regi saeculorum immortali deo invisibili = Puisque fortune	Pullois, Johannes	386
Regina caeli laetare alleluia	Anonymous	338–339
Regina caeli laetare alleluia	Anonymous	358–361
Regina caeli laetare alleluia	Anonymous	554–557
Resultet gens angelica cum omni laude	Anonymous	524–525
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	Anonymous	327
Salus aeterna atque indeficiens mundi	Anonymous	414–415
Salve domina inclita preclara / Recordare virgo mater / Alma redemptoris mater	Anonymous	452–453
Salve mater gratiae mater clementiae rosa	Anonymous	456–457
Sanctus	Anonymous	18–19
Sanctus	Anonymous	178–179
Sanctus	Batten (= Batty? Battre?)	276–277
Sanctus	Anonymous	437
Sanctus	Anonymous	441
Sanctus	Anonymous	442
Sanctus	Anonymous	442–443
Sanctus	Anonymous	444–445
Sanctus	Anonymous	445
Sanctus	Anonymous	472–474
Sanctus	Anonymous	543
Sanctus 'ad equales' sociorum	Anonymous	560–563
Sanctus 'berúnské'	Anonymous	336–337
Sanctus 'Kliczhovo'	Flemmik	272–275
Sanctus 'sociorum'	Anonymous	312–313
Sanctus Angelicum tus	Grudencz, Petrus Wilhelmi de (1392–ca. 1480) (?)	440–441
Sanctus Veni creator 'Srotyrzssyke'	Flemmik	180–182
Sicut cedrus exaltata sum	Anonymous	425
Sicut cedrus exaltata sum in Libano	Anonymous	475
Sile fragor ac rerum tumultus II. Suscipe deitatis mater	Compère, Loyset (ca. 1445–1518)	112–115
Sitivit anima mea ad Deum fontem vivum	Anonymous	488–489
Solemniset tota concio hac in prefulgida / Qua salus emicuit nostra desiderabili / Se vicies conticuit Beel	Anonymous	545
Sophia nasci fertur singula / O quam pulcra racio pastores / Magi videntes stellam	Anonymous	497
Spiritus et alme orphanorum paraclite	Anonymous	539–540
Spiritus et alme orphanorum paraclite	Anonymous	541–542
Stirps regalis / Salve mundi / Gloriose domine	Anonymous	450–451
Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem legibus III: Praestet nobis gratiam Deitas beata	Anonymous	344–349
Surrexit Christus hodie	Anonymous	170
Surrexit Christus hodie	Anonymous	265
Tantum ergo	Touront, Johannes (ca. 1450–ca. 1475)	382–383
Terrigenarum plasmator orbisque fundator	Aulen, Johannes (fl. late 15th century) (?)	306–309
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Plummer, John (ca. 1410–ca. 1484)	368–369
Tota pulchra es - 2a pars (of 2): Flores apparuerunt	Plummer, John (ca. 1410–ca. 1484)	369–370
Tria sunt munera / Videntes stellam / Reges Tharsis	Anonymous	498
Tu qui cuncta imperas	Anonymous	202–203
Tu sine principio tu sine manens laudibus = Vive madame par amours, Elend du hast mich umbfangen	Morton, Robert	403
Unde gaudent angeli / Eia Dei ierarchia / Nostra jucunda	Anonymous	531
Veni sancte spiritus / Da gaudiorum praemia / Veni sancte spiritus	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	503
Vere miranda agitur res theos incorporatur	Anonymous	495
Virgo Dei genitrix quem totus non capit	Anonymous	416–417
Virgo prudentissima quo progrederis 25.12	Despres, Josquin (ca. 1450–1521)	342–343
Vous marchez du bout du pied marionette	Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?)	255
Vulnerasti cor meum soror mea sponsa	Anonymous	302–305
Vzdajmež chválu	Anonymous	88
Zdrávas císařovno	Anonymous	532

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Images © Krajske Muzeum, Knihovna (Regional Museum, Library, Hradec Králové

‡ denotes primary source study

Hlavkova-Mrackova, Lenka. 2009. Behind the stage: some thoughts on the Codex Speciálník and the reception of polyphony in late 15th-century Prague. Early Music, 37: 37-48.

Hlavkova-Mrackova, Lenka. 2004. The Parts of Mass Ordinary Called 'sociorum' in the Speciálnik Codex: a Study of Late fifteenth-century Polyphony in Bohemia. Muzyka, 49: issue 2 (193), pp 89-110.

Hlavkova-Mrackova, Lenka. 2002. Kodex Speciálník. Eine kleine Folio-Handschrift böhmischer Provenienz. Hudební věda, 39, no. 2–3: 163-184. Notes: analyses construction of manuscript layers and provides most complete current analysis of its structure.

Gancarczyk, Pawel. 2001. Musica scripta. Kodeksy menzuralne II połowy XV wieku na wschodzie Europy Lacińskiej [Mensural codices of the second half of the 15th century in Latin Eastern Europe]. Instytut Sztuki Polskiej Akademii Nauk, Ph.D. Notes: masses of Matthias Corvinus and Wladislav Jagiello; analyses layers of composition in the ms.

Hlavkova-Mrackova, Lenka. 1998. Části mešního ordinaria v kodexu Speciálník a jejich evropský kontext [Sections of the Mass Ordinary in the Codex Specialnik and their European context]. Charles University, Ph.D.

Petrusová, Jitka. 1996. Kodex Speciálník v kontextu soudobé světské tvorby [Codex Speciálník in the context of contemporary secular work]. Charles University, Ph.D. Notes: identifies many motets as contrafacta of French chansons.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Petrusová, Jitka. 1994. Rozbor tzv. Speciálníku královéhradeckého (rkp. II A 7 Muzea v Hradci Králové) s přihlédnutím k dalším hudebním pramenům z doby okolo r. 1500. Charles University, Prague, Ph.D. Notes: Dating & construction of the ms; lists 125 concordant mss & prints.

Vanisová, Dagmar (editor). 1990. Codex Speciálník. Thesaurus Musicae Bohemiae, Seria A. Prague.

Brewer, Charles Everett. 1984. The Introduction of the Ars Nova into East Central Europe: A Study of Late Medieval Polish Sources. City University of New York, Unpublished Ph.D. dissertation. Pages: 209-l 1,315,320-1,347,351-2,354,463-7,510-9,556. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Černý, Jaromír. 1984. Vícehlasé pisnë konduktového typu v ceskych pramenech 15. století. Miscellanea Musicologica [Prague], 31: 39-142. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 133,188,264,310. Notes: mention of MS; contents list (partial); concordances (partial).

Just, Martin. 1983. Zur Examinatio von Varianten. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 129-52. Wiesbaden. Pages: 134-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 349,392. Notes: contents list (partial); concordances (partial).

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance, vol. 2. New York. Pages: xxiii,xxx-xxxi,95-101. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Vanisová, Dagmar. 1981. Vícehlasé písňové skladby z druhé poloviny 15. a počátku 16. století ve Speciálníku královéhradeckém [Polyphonic song compositions from the second half of the 15th and the beginning of the 16th century in Specialnik, Hradec Králové]. Charles University, Ph.D.

Ward, Tom Robert. 1981. A Central European Repertory in Munich, Bayerische Staatsbibliothek, Clm 14274. Early Music History, 1: 325-43. Pages: 330,333,337. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 32: 34-51. Pages: 41,50. Notes: contents list (partial); concordances (partial).

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Pages: 212. Notes: contents list (partial); concordances (partial); incipits (partial).

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 53-4,56-7,490,502-3. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 309-10,316,389-94,421,439-40. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I,6,17; II,x-xiii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1977. On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20). Musica Disciplina, 31: 45ff. Pages: 86-7, 90-1,94-5. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xxvii, 30-1, 67; III,87-9. Notes: physical description; contents list (partial); concordances (partial).

Ward, Tom Robert. 1977. Another Mass by Obrecht? Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 27: 102-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 12: 195-238. Pages: 205,224-31,234. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial).

Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage, vol. 1. Tutzing. Pages: I,79,121-2; II,55,88,92-4,104-5,112-3,131-2,136-7,150. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 202-4. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1972. Neues zu Bartholomäus Frank. Festschrift Arnold Geering zum 70. Geburtstag, 119-28. Bern. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 1: 263-88. Pages: 283.

Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Pages: 43ff,507ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Černý, Jaromír, and Jaroslav Mikan. 1967. Pearls of Old Parchments: Musical Manuscripts of East Bohemia. Hradec Králové. Pages: 7, Fig. 17, last pages of book. Notes: contents list (partial); transcription (partial); facsimile (partial).

Černý, Jaromír. 1966. Soupis Hudebnich Rukopisu Muzea v Hradci Králové. Miscellanea Musicologica [Prague], 19: . Pages: 40-1, passim; 224-5.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.xii, 125-32; IV,v,5-6; V.lxxvi. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Gottwald, Clytus (editor). 1961-68. Johannes Ghiselin- Verbonnet: Opera Omnia. Corpus mensurabilis musicae, vol. 23. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,v,39-48; II.viii. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Pohanka, Jaroslav. 1958. Dejiny ieské hudby v pfikladech. Prague. Pages: 35-45; Critical Notes, 19-20. Notes: contents list (partial); transcription (partial).

Snížková-Škrhová, Jitka. 1958. Ceská Polyfonni Tvorba. Prague. Pages: 10,28-35,96-7. Notes: contents list (partial); transcription (partial); facsimile (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XIII,886. Notes: facsimile (partial).

Orel, Dobroslav. 1922. Kancionál Franusuv. Prague. Pages: 13ff,148-50, passim. Notes: contents list; concordances (partial); mention of MS; discussion.

Orel, Dobroslav. 1914. Der Mensuralkodex "Speciálnik": Ein Beitrag zur Geschichte der Mensuralmusik und Notenschrift in Böhmen bis 1540. Vienna. Notes: physical description; contents list; concordances; incipits; transcription (partial); facsimile (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description