Hlavkova-Mrackova, Lenka. None. Cantio, Lied or Chanson. The Strahov Codex as a 15th Century Song Treasury. Hudebni Veda (Musical Science), Vol 50 issue 3-4: 259-270.

Hlavkova-Mrackova, Lenka. 2020. An Inconspicuous Relative of the Specialnik Codex: On the Dating and Structure of the Manuscript CZ-Pu VI C 20a. Hudebni Veda, 57/4: 436-453.

Gancarczyk, Pawel, and Lenka Hlavkova-Mrackova. 2017. The Lviv Fragments and Missa L’homme armé sexti toni: Questions on Early Josquin Reception in Central Europe. Tijdschrift van de Koninklijke Vereniging voor Nedeerlandse Muziekgeschiedenis, LXVII-1/2: 139-161.

Hlavkova-Mrackova, Lenka. 2009. Behind the stage: some thoughts on the Codex Speciálník and the reception of polyphony in late 15th-century Prague. Early Music, 37: 37-48.

Hlavkova-Mrackova, Lenka. 2004. The Parts of Mass Ordinary Called 'sociorum' in the Speciálnik Codex: a Study of Late fifteenth-century Polyphony in Bohemia. Muzyka, 49: issue 2 (193), pp 89-110.

Hlavkova-Mrackova, Lenka. 2002. Kodex Speciálník. Eine kleine Folio-Handschrift böhmischer Provenienz. Hudební věda , 39, no. 2–3: 163-184.

Hlavkova-Mrackova, Lenka. 1998. Části mešního ordinaria v kodexu Speciálník a jejich evropský kontext [Sections of the Mass Ordinary in the Codex Specialnik and their European context]. Ph.D., Charles University.