F-Pnm Français 146 (Roman de Fauvel)

Bibliothèque nationale de France, Département des Manuscrits, Paris, France

manuscript of polyphony (Roman de Fauvel): Early 14th century, c.1316.

Archive	Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm)
Shelfmark	Français 146 (Roman de Fauvel)
Image Availability	The images on this record are linked using IIIF.
Surface	Parchment
Numbering System	Foliation
Format	large folio
Measurements	462 x 330 mm
Other Identifiers	RISM: F-Pn 146 RISM: Fauv olim (Former shelfmark): F-Pn fonds français 146
Notations	post-Franconian
Relationships	Chaillou de Pesstain, Raoul (contemporary editor)
External Links	14th-century French music notation tutorials Transcribed texts inventory and list of concordances images (b/w) images (colour) IIIF Manifest
Provenance	France
Contents	116 pieces from 3 composers

General Description

The only manuscript containing the Roman de Fauvel to include the very extensive musical as well as textual interpolations inserted by Raoul Chaillou de Pesstain. Original 'Roman' written by Gervais du Bus; the interpolations were completed in 1316 or soon after.

DIAMM, 2017

Binding

typical 19th century Bibliothèque Nationale binding of good quality red leather with gilt tooling

DIAMM, 2017

Notation

Petronian

DIAMM, 2017

Ruling

usually 13 or so five-line staves per page

DIAMM, 2017

Foliation

old foliation of the Roman at t.m.r. runs from I-XLV, but two slightly later folios have been added as well with the numbers 28 bis and 28 ter

DIAMM, 2017

Foliation

1-88

DIAMM, 2017

Surface

Parchment

DIAMM, 2017

RISM Description

RISM B/IV 2: A large folio parchment manuscript meas. 462 x 330 mm. It is of great musical interest because it is the only manuscript containing the Roman de Fauvel to include the very extensive musical as well as textual interpolations inserted by Raoul Chaillou de Pesstain. The original Roman was written by Gervais du Bus between 1310 and 1314, while the interpolations were completed in 1316 or soon after. Since this manuscript appears to be peculiarly the work of Chaillou de Pesstain, though the original Roman appears in many other sources, we can date it c. 1316. 45 of its 88 folios are devoted to the Roman, while the rest contains mainly non-musical material, apart from the 32 Ballades, Rondeaux, Virelais and two Dits entés of Jehannot de Lescurel. From the chronological point of view, the rhymed chronicle from 1300-1316 of f. 63-88 is important. There are two old flyleaves at the beginning lettered A and B respectively at t.r.r., f. A containing an amorous lament and f. B a list of contents. There are also two blank unnumbered pages at the front and four at the back. The Roman is written in a minuscule script with a slight tendency to cursive, and there are initials in blue, red and gold. After the Roman ends on f. 45, a different hand using paler ink takes over. There are also none of the miniatures which are one of the glories of the Roman itself. The binding is a typical 19th century Bibliothèque Nationale binding of good quality red leather with gilt tooling. The old foliation of the Roman at t.m.r. runs from I-XLV, but two slightly later folios have been added as well with the numbers 28 bis and 28 ter. These are not listed in the original index. The use of three columns is normal, but sometimes two columns are employed. This means that a three-part motet has the Tr in one column, the Mot in another and the T under one of these two parts. Although only the motets are polyphonic, apart from one three-part setting of a monodic rondeau by Lescurel, the repertoire is enormous, some of it dating back more than a hundred years. There are 54 brief liturgical pieces, 14 Rondeaux and Ballades, 24 conductus and 4 lays, and 31 refrains as well as the 33 motets for from two to four voices. The notation, as befits the date, is Petronian with dots of division for the more modern works, though in odd cases a later hand has added rudimentary minim tails not long after the ms corpus was written. The absence of minims in general is counterbalanced by the use of downward tailed semibreves in the more recent works. Red notes too appear in two pieces, another indication that the codex was written on the threshold of the Ars Nova. Five motets à 3 can indeed be attributed to Philippe de Vitry. There are usually 13 or so five-line staves per page, for which the music has nearly always been inserted. One motet à 3 is however completely without music, and odd passages have been missed in other pieces.

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Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Favelandi vitium et fex	-	Anonymous
Favelandi vitium et fex Anonymous Appears on: 1 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Favelandi vitium et fex Voice: Tenor Languages: none Clef: c5 Layout parts Item Bibliography Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: 1, plate 60.
1	Mundus a mundi tia dictus	-	Anonymous
Mundus a mundi tia dictus Anonymous Appears on: 1 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Mundus a mundi tia dictus Voice: Tenor Languages: none Clef: c4 Layout parts Item Bibliography Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: 1, plate 60.
1	Quare fremuerunt gentes	-	Anonymous
Quare fremuerunt gentes Anonymous Appears on: 1 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Quare fremuerunt gentes Voice: Tenor Languages: none Clef: c4 Layout parts Item Bibliography Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: 1, plate 60.
1v	Super cathedram Moisi latitat / Praesidentes in tronis saeculi / Ruina	-	Anonymous
Super cathedram Moisi latitat / Praesidentes in tronis saeculi / Ruina Anonymous Appears on: 1v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Super cathedram Moysi latitat Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Presidentes in thronis seculi Voice: Tenor Languages: Latin Clef: c4 Voice Text: Ruina Layout parts
2	Scariotis geniture vipereo / Iure quod in opere davitico / Superne matris gaudia	-	Anonymous
Scariotis geniture vipereo / Iure quod in opere davitico / Superne matris gaudia Anonymous Appears on: 2 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Scariotis geniture vipereo Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Iure quod in opere davitico Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Superne matris gaudia Layout parts
2v	In mari miserie, maris stella / Manere	-	Anonymous
In mari miserie, maris stella / Manere Anonymous Appears on: 2v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In mari miserie, maris stella Voice: Tenor Languages: Latin Clef: c5 Voice Text: Manere Layout parts
2v	Ad solitum vomitum ne redeas / Regnat	-	Anonymous
Ad solitum vomitum ne redeas / Regnat Anonymous Appears on: 2v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Ad solitum vomitum ne redeas Voice: Tenor Languages: Latin Clef: [c5] Voice Text: Regnat Layout parts
3	Nulla pestis est gravior / Plange, nostra regio / Vergente ex imperfectis	-	Anonymous
Nulla pestis est gravior / Plange, nostra regio / Vergente ex imperfectis Anonymous Appears on: 3 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Nulla pestis est gravior Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Plange, nostra regio Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Vergente ex imperfectis Layout parts
4	Detractor est nequissima vulpis / Qui secuntur castra sunt / Verbum iniquum et dolosum abhominabitur Dominus	-	Anonymous
Detractor est nequissima vulpis / Qui secuntur castra sunt / Verbum iniquum et dolosum abhominabitur Dominus Anonymous Appears on: 4 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Detractor est nequissima vulpis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Qui secuntur castra sunt Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Verbum iniquum et dolosum abhominabitur dominus Layout parts
6v	Quasi non ministerium creditum / Trahunt in praecipitia qui nos / Ve qui gregi deficiunt / Displicebat ei	-	Anonymous
Quasi non ministerium creditum / Trahunt in praecipitia qui nos / Ve qui gregi deficiunt / Displicebat ei Anonymous Appears on: 6v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Quasi non ministerium creditum Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Trahunt in precipitia qui nos Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ve qui gregi deficiunt Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Displicebat ei Layout parts
7	Orbis orbatus oculus in die / Vos pastores adulteri / Fur non venit nisi ut furetur et mactet et perdat	-	Vitry, Philippe de (1291–1361) (?)
Orbis orbatus oculus in die / Vos pastores adulteri / Fur non venit nisi ut furetur et mactet et perdat Vitry, Philippe de (1291–1361) (?) Appears on: 7 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Orbis orbatus oculus in die Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Vos pastores adulteri Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Fur non venit nisi ut furetur et mactet et perdat Layout parts Item Bibliography Parrish, Carl. 1957. The Notation of Medieval Music. New York. Pages: [facs.] plate XLV.
8v	Desolata mater ecclesia a filiis / Que nutritos filios / Filios enutrivi et exaltavi ipsi autem spreverunt me	-	Anonymous
Desolata mater ecclesia a filiis / Que nutritos filios / Filios enutrivi et exaltavi ipsi autem spreverunt me Anonymous Appears on: 8v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Desolata mater ecclesia a filiis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Que nutritos filios Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Filios enutrivi et exaltavi ipsi autem spreverunt me Layout parts Item Bibliography Gleason, Harold (editor). 1942. Examples of Music Before 1400. Rochester and New York. Pages: frontispiece, 77.
9	Et exaltavi plebis humilem	-	Anonymous
Et exaltavi plebis humilem Anonymous Appears on: 9 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Et exaltavi plebis humilem Voice: Tenor Languages: Latin Voice Text: Et exaltavi General Note listed among proses in old index; T om. Layout parts
9v	Je voi douleur avenir, car tout / Fauvel nous a fait present / Fauvel autant mest si poise arriere comme avant	-	Anonymous
Je voi douleur avenir, car tout / Fauvel nous a fait present / Fauvel autant mest si poise arriere comme avant Anonymous Appears on: 9v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: Je voi douleur avenir, car tout Voice: [no designation] Languages: French Clef: c3 Voice Text: Fauvel nous a fait present Voice: Tenor Languages: French Clef: c3 Voice Text: Fauvel autant mest si poise arriere comme avant Layout parts
10v	Se cuers joians, jones, jolis et gentils / Rex beatus, confessor Domini / Ave	-	Anonymous
Se cuers joians, jones, jolis et gentils / Rex beatus, confessor Domini / Ave Anonymous Appears on: 10v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Se cuers joians, jonnes, jolis et gentis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Rex beatus, confessor domini Voice: Tenor Languages: Latin Clef: c5 Voice Text: Ave Layout parts
10v–11	Servant regem misericordia et veritas / O Philippe, prelustris Francorum / Rex regum et Dominus dominantium	-	Anonymous
Servant regem misericordia et veritas / O Philippe, prelustris Francorum / Rex regum et Dominus dominantium Anonymous Appears on: 10v–11 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Servant regem misericordia et veritas Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O Philippe, prelustris Francorum Voice: Tenor Languages: Latin Clef: c4 Voice Text: Rex regum et dominus dominantium Layout parts Item Bibliography Wilkins, Nigel E. 1979. Music in the Age of Chaucer. Chaucer Studies, vol. 1. Cambridge: Brewer and Totowa, N.J., Rowman and Littlefield. Pages: [facs.] 7.
11v–12	Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati	-	Anonymous
Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati Anonymous Appears on: 11v–12 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Conditio nature defuit in filio Voice: [no designation] Languages: Latin Clef: c5 Voice Text: O natio nephandi generis Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Mane prima sabbati Layout parts
13	Facilius a nobis vitatur / Alieni boni mundia / Imperfecte canite	-	Anonymous
Facilius a nobis vitatur / Alieni boni mundia / Imperfecte canite Anonymous Appears on: 13 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Facilius a nobis vitatur Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Alieni boni mundia Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Imperfecte canite Layout parts
13v	Veritas arpie, fex ypocrisie / Johanne	-	Anonymous
Veritas arpie, fex ypocrisie / Johanne Anonymous Appears on: 13v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Veritas arpie, fex ypocrisie Voice: Tenor Languages: Latin Clef: c5 Voice Text: Johanne Layout parts
13v	Ade costa dormientis mater	-	Anonymous
Ade costa dormientis mater Anonymous Appears on: 13v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ade costa dormientis mater Voice: Tenor Languages: none Clef: c5 Layout parts
15v–16	La mesnie fauveline, qui a mau fere / J'ai fait nouvelement amie / Grant despit ai je, Fortune, de Fauvel	-	Anonymous
La mesnie fauveline, qui a mau fere / J'ai fait nouvelement amie / Grant despit ai je, Fortune, de Fauvel Anonymous Appears on: 15v–16 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: La mesnie fauveline, qui a mau fere Voice: [no designation] Languages: French Clef: c3 Voice Text: J'ai fait nouvelement amie Voice: [no designation] Languages: French Clef: c5 Voice Text: Grant despit ai je, Fortune, de Fauvel Layout parts
21v	Inter amenitatis tripudia / Revertenti	-	Anonymous
Inter amenitatis tripudia / Revertenti Anonymous Appears on: 21v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Inter amenitatis tripudia Voice: Tenor Languages: Latin Clef: c4 Voice Text: Revertenti Layout parts Item Bibliography Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: (26), [facs.] plate 213.
22	Inflammatis invidia, demon / Sicut de ligno parvulus generatur / Victimae paschali laudes	-	Anonymous
Inflammatis invidia, demon / Sicut de ligno parvulus generatur / Victimae paschali laudes Anonymous Appears on: 22 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Inflammatis invidia, demon Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sicut de ligno parvulus generatur Voice: Tenor Languages: Latin Clef: c5 Voice Text: Victimae paschali laudes Layout parts
29v	Bonne est amours ou dangier / Se mes desirs fust souhais / A	-	Anonymous
Bonne est amours ou dangier / Se mes desirs fust souhais / A Anonymous Appears on: 29v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: Bonne est amours ou dangier Voice: [no designation] Languages: French Clef: c3 Voice Text: Se mes desirs fust souhais Voice: [no designation] Languages: French Clef: c4 Voice Text: A Layout parts
30	Quoniam novi probatur exitu / Heu! Fortuna subdola / Heu me! tristis est anima mea	-	Vitry, Philippe de (1291–1361)
Quoniam novi probatur exitu / Heu! Fortuna subdola / Heu me! tristis est anima mea Vitry, Philippe de (1291–1361) Appears on: 30 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Quoniam novi probatur exitu Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Heu! Fortuna subdola Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Heu me! tristis est anima mea Layout parts Item Bibliography Parrish, Carl. 1957. The Notation of Medieval Music. New York. Pages: [facs.] plate XLVI.
32	Thalamus puerpere, thronus / Quomodo cantabimus sub iniqua	-	Anonymous
Thalamus puerpere, thronus / Quomodo cantabimus sub iniqua Anonymous Appears on: 32 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Thalamus puerpere, thronus Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Quomodo cantabimus sub iniqua Voice: Tenor Languages: none Clef: c3 Layout parts
41v–42	Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii]	-	Vitry, Philippe de (1291–1361) (?)
Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii] Vitry, Philippe de (1291–1361) (?) Appears on: 41v–42 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Tribum, que[m] non abhoruit Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Quoniam secta latronum spelunca Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Merito hec patimur Layout parts
41v–42	Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii]	-	Vitry, Philippe de (1291–1361) (?)
Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii] Vitry, Philippe de (1291–1361) (?) Appears on: 41v–42 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur
42v	Caeli domina, quam sanctorum / Maria virgo virginum / Porchier mieux estre ameroie	-	Anonymous
Caeli domina, quam sanctorum / Maria virgo virginum / Porchier mieux estre ameroie Anonymous Appears on: 42v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Celi domina, quam sanctorum Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Maria virgo virginum Voice: [no designation] Languages: French Clef: c5 Voice Text: Porchier mieuz estre ameroie Layout parts
43	Omnipotens Domine, populi pater / Flagellaverunt Galliam et ortum eius inquinaverunt	-	Anonymous
Omnipotens Domine, populi pater / Flagellaverunt Galliam et ortum eius inquinaverunt Anonymous Appears on: 43 Genres: Marian antiphon Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Omnipotens domine, populi pater Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Flagellaverunt Galliam et ortum eius inquinaverunt Layout parts
37v	Sicut mirra electa	-	Anonymous
Sicut mirra electa Anonymous Appears on: 37v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sicut mirra electa
43–43v	Firmissime fidem teneamus / Adesto, sancta Trinitas / Alleluia, Alleluia, Alleluia	-	Vitry, Philippe de (1291–1361) (?)
Firmissime fidem teneamus / Adesto, sancta Trinitas / Alleluia, Alleluia, Alleluia Vitry, Philippe de (1291–1361) (?) Appears on: 43–43v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Firmissime fidem teneamus Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Adesto, sancta Trinitas Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Alleluya (Benedictus) Layout parts
43v	Scrutator alme cordium, lumen verum de lumine	-	Anonymous
Scrutator alme cordium, lumen verum de lumine Anonymous Appears on: 43v Genres: Respond Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Scrutator alme cordium, lumen Voice: Tenor Languages: none Clef: f4 Layout parts
37v	Hodie Nobis	-	Anonymous
Hodie Nobis Anonymous Appears on: 37v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hodie Nobis
44	Zelus familie Christi me comedit / Jesu tu dator venie	-	Anonymous
Zelus familie Christi me comedit / Jesu tu dator venie Anonymous Appears on: 44 Genres: Respond Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Zelus familie Christi me comedit Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ihesu tu dator venie Voice: Tenor Languages: none Clef: c5 Layout parts
44v	Garrit Gallus flendo dolorose / In nova fert animum mutatas dicere formas	-	Vitry, Philippe de (1291–1361) (?)
Garrit Gallus flendo dolorose / In nova fert animum mutatas dicere formas Vitry, Philippe de (1291–1361) (?) Appears on: 44v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Garrit gallus, flendo dolorose Voice: [no designation] Languages: Latin Clef: c2 Voice Text: In nova fert animus Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Neuma quinti toni Layout parts
45	Quant je le voi ou voirre cler, volentiers / Bon vin doit l'en a li tirer / Ci me faut un tour de vin. Dex, quar le me donnez!	-	Anonymous
Quant je le voi ou voirre cler, volentiers / Bon vin doit l'en a li tirer / Ci me faut un tour de vin. Dex, quar le me donnez! Anonymous Appears on: 45 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: French Clef: c3 Voice Text: Quant je le voi ou voirre cler, volentiers Voice: [no designation] Languages: French Clef: c3 Voice Text: Bon vin doit l'en a li tirer Voice: [no designation] Languages: French Clef: c4 Voice Text: Ci me faut un tour de vin. Dex, quar le me donnez! Layout parts
57	A vous, douce debonaire, ai mon coeur donné	-	Lescurel, Jehannot de (fl. early 14th c.)
A vous, douce debonaire, ai mon coeur donné Lescurel, Jehannot de (fl. early 14th c.) Appears on: 57 Genres: Respond Number of voices: 3 Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c4 Voice Text: A vous, douce debonaire, ai mon cuer donné Layout score
[-]	Dum ortus fuerit sol de caelo videbitis	-	Anonymous
Dum ortus fuerit sol de caelo videbitis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dum ortis fuerit sol de celo
[-]	Esto nobis Domine turris fortitudinis	-	Anonymous
Esto nobis Domine turris fortitudinis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Esto nobis, domine, turris fortitudinis
[-]	Sancta et immaculata virginitas	-	Anonymous
Sancta et immaculata virginitas Anonymous Appears on: [-] Genres: Respond Voice: [no designation] Languages: Latin Voice Text: Sancta et immaculata virginitas
[-]	Anulo suo subarravit nos Dominus noster	-	Anonymous
Anulo suo subarravit nos Dominus noster Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anulo suo subarravit nos dominus noster
[-]	Induit nos Dominus cicladibus	-	Anonymous
Induit nos Dominus cicladibus Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Induit nos dominus cicladibus
[-]	Ipsi sumus desponsat	-	Anonymous
Ipsi sumus desponsat Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ipsi sumus desponsat
[-]	Apud Dominum misercordia	-	Anonymous
Apud Dominum misercordia Anonymous Appears on: [-] Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Apud dominum misericordia (antiphon)
[-]	Natus est nobis parvulus puer valde	-	Anonymous
Natus est nobis parvulus puer valde Anonymous Appears on: [-] Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Natus est nobis parvulus puer valde
[-]	Non auferetur sceptrum de Juda	-	Anonymous
Non auferetur sceptrum de Juda Anonymous Appears on: [-] Genres: Respond Voice: [no designation] Languages: Latin Voice Text: Non auferetur sceptrum de Juda
[-]	Pax vobis, ego sum, nolite timere	-	Anonymous
Pax vobis, ego sum, nolite timere Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pax vobis, ego sum, nolite timere
[-]	Pleba fidelis Francie	-	Anonymous
Pleba fidelis Francie Anonymous Appears on: [-] Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Pleba fidelis Francie
[-]	Devorabit Fauvellum Dominus	-	Anonymous
Devorabit Fauvellum Dominus Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Devorabit Fauvellum dominus Item Bibliography Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton. Pages: [facs.] 358.
[-]	Veniat mors super illos	-	Anonymous
Veniat mors super illos Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Veniat mors super illos Item Bibliography Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton. Pages: [facs.] 358.
[-]	Heu, quid destructio hec!	-	Anonymous
Heu, quid destructio hec! Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Heu, quid destructio hec! Item Bibliography Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton. Pages: [facs.] 358.
[-]	Juxta est dies perdicionis ipsius	-	Anonymous
Juxta est dies perdicionis ipsius Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Juxta est dies perdicionis ipsius Item Bibliography Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton. Pages: [facs.] 358.
[-]	Hic fons, hic devius	-	Anonymous
Hic fons, hic devius Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Hic fons, hic devius
[-]	Caeli domina, quam sanctorum / Maria virgo virginum / Porchier mieux estre ameroie	-	Anonymous
Caeli domina, quam sanctorum / Maria virgo virginum / Porchier mieux estre ameroie Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Celi domina/Maria, virgo virginum /Porchier mieuz estre
[-]	Omnipotens creator Deus pater	-	Anonymous
Omnipotens creator Deus pater Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Omnipotens creator deus pater
[-]	Firmissime fidem teneamus / Adesto, sancta Trinitas / Alleluia, Alleluia, Alleluia	-	Vitry, Philippe de (1291–1361) (?)
Firmissime fidem teneamus / Adesto, sancta Trinitas / Alleluia, Alleluia, Alleluia Vitry, Philippe de (1291–1361) (?) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Firmissime fidem/Adesto, sancta trinitas/Alleluya, Benedictus Item Bibliography Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: [facs.] 368.
[-]	Scrutator alme cordium	-	Anonymous
Scrutator alme cordium Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Scrutator alme cordium
[-]	Non signis, pie Christe	-	Anonymous
Non signis, pie Christe Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Non signis, pie Christe
[-]	Non nobis domine sed nomini tuo	-	Anonymous
Non nobis domine sed nomini tuo Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Non nobis domine sed nomini tuo [= La plus dolente]
[-]	Zelus familie / Jesu, tu dator venie	-	Anonymous
Zelus familie / Jesu, tu dator venie Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Zelus familie/Jhesu, tu dator venie
[-]	Garrit Gallus flendo dolorose / In nova fert animum mutatas dicere formas	-	Vitry, Philippe de (1291–1361) (?)
Garrit Gallus flendo dolorose / In nova fert animum mutatas dicere formas Vitry, Philippe de (1291–1361) (?) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Garrit Gallus flendo dolorose/In nova fert animum mutatas dicere formas/Neuma Item Bibliography Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: [facs.] 377. Gennrich, Friedrich. 1965. Abriss der Mensuralnotation des XIV. und der ersten Hälfie des XV. Jahrhunderts. Musikwissenschaftliche Studien-Bibliothek, vol. 3-4. Langen bei Frankfurt. Pages: [facs.] plate II.
[-]	Quant je le voi ou voirre cler, volentiers / Bon vin doit l'en a li tirer / Ci me faut un tour de vin. Dex, quar le me donnez!	-	Anonymous
Quant je le voi ou voirre cler, volentiers / Bon vin doit l'en a li tirer / Ci me faut un tour de vin. Dex, quar le me donnez! Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: French Voice Text: Quant je le voi/Bon vin doit/Cis chans veult boire
[-]	Generacio eorum perversa	-	Vitry, Philippe de (1291–1361) (?)
Generacio eorum perversa Vitry, Philippe de (1291–1361) (?) Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Generacio eorum perversa
[-]	Custodi nos Domini	-	Anonymous
Custodi nos Domini Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Custodi nos domini
[-]	Respice, Domine Deus, in ancillas tuas	-	Anonymous
Respice, Domine Deus, in ancillas tuas Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Respice, Domine Deus, in ancillas tuas
[-]	Qui cogitaverunt supplentare	-	Anonymous
Qui cogitaverunt supplentare Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Qui cogitaverunt supplentare
[-]	Deleantur de libro viventium	-	Anonymous
Deleantur de libro viventium Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Deleantur de libro vivencium
[-]	Fiant dies eius pauci	-	Anonymous
Fiant dies eius pauci Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Fiant dies ejus pauci
[-]	Constitue, Domine, super Falvellum dolorum infarni	-	Anonymous
Constitue, Domine, super Falvellum dolorum infarni Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Constitue, Domine, super Falvellum dolorum infarni
[-]	Simulacra eorum argentum et aurum	-	Anonymous
Simulacra eorum argentum et aurum Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Simulacra eorum argentum et aurum
[-]	Respexit Dominus humilitatem	-	Anonymous
Respexit Dominus humilitatem Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Respexit dominus humilitatem
[-]	Confortamini in Domino	-	Anonymous
Confortamini in Domino Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Confortamini in Domino
[-]	Buccinate in neomenia tuba	-	Anonymous
Buccinate in neomenia tuba Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Italian Voice Text: Buccinate in neomenia tuba
[-]	Fauvellus, phro dolor!	-	Anonymous
Fauvellus, phro dolor! Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Fauvellus, phro dolor!
[-]	Ha, Parisius, civitas Regis magni!	-	Anonymous
Ha, Parisius, civitas Regis magni! Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Ha, Parisius, civitas Regis magni!
[-]	Omnia tempus habent	-	Anonymous
Omnia tempus habent Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Omnia tempus habent
[-]	Bonne est amours ou dangier / Se mes desirs fust souhais / A	-	Anonymous
Bonne est amours ou dangier / Se mes desirs fust souhais / A Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: French Voice Text: Bonne est amours/Se me desirs/A
[-]	Heu quo progeditur	-	Anonymous
Heu quo progeditur Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Heu quo progeditur
[-]	O varium	-	Anonymous
O varium Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: O varium
[-]	Virtus moritur	-	Anonymous
Virtus moritur Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Virtus moritur
[-]	Floret fex favellea	-	Anonymous
Floret fex favellea Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Floret fex favellea
[-]	Vanitas vanitatum	-	Anonymous
Vanitas vanitatum Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Vanitas vanitatum
[-]	Clavus pungens acumine dum	-	Anonymous
Clavus pungens acumine dum Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Clavus pungens acumine
[-]	In pretio pretium nunc est census	-	Anonymous
In pretio pretium nunc est census Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: In precio precium
[-]	Presum, prees, verbum dignum	-	Anonymous
Presum, prees, verbum dignum Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Presum, prees, verbum dignum
[-]	Christus assistens	-	Anonymous
Christus assistens Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christus assistens
[-]	Quo me vertam, nescio	-	Anonymous
Quo me vertam, nescio Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quo me vertam, nescio
[-]	Omni pene curie president incuvii	-	Anonymous
Omni pene curie president incuvii Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Omni pene curie president incuvii
[-]	Nulli beneficium juste penitudinis	-	Anonymous
Nulli beneficium juste penitudinis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nulli beneficium juste plenitudinis
[-]	Rex et sacerdos prefuit Christus	-	Anonymous
Rex et sacerdos prefuit Christus Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Rex et sacerdos prefuit Christus
[-]	Vehemens indignacio	-	Anonymous
Vehemens indignacio Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: French Voice Text: Vehemens indignacio
[-]	Et exaltavi plebis	-	Anonymous
Et exaltavi plebis Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Et exaltavi plebis
[-]	Alleluia. Veni sancte spiritus	-	Anonymous
Alleluia. Veni sancte spiritus Anonymous Appears on: [-] Genres: Alleluia, Motet, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Alleluia. Veni sancte spiritus
[-]	O labilis sortis humane status!	-	Anonymous
O labilis sortis humane status! Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O labilis sortis humane status!
[-]	Carnalitas, luxuria in falvelli palacio	-	Anonymous
Carnalitas, luxuria in falvelli palacio Anonymous Appears on: [-] Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Carnalitas, luxuria in falvelli palacio
[-]	Inter membra singula	-	Anonymous
Inter membra singula Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Inter membra singula
[-]	Et reddet unicuique mercedem	-	Anonymous
Et reddet unicuique mercedem Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Et reddet unicuique mercedem
[-]	In paciencia vestra	-	Anonymous
In paciencia vestra Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In paciencia vestra
[-]	Veritas, equitas, largitas, corruit	-	Anonymous
Veritas, equitas, largitas, corruit Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veritas, equitas, largitas, corruit
[-]	Nemo potest duobus Dominis servire	-	Anonymous
Nemo potest duobus Dominis servire Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Nemo potest duobus dominis servire
[-]	Beati pauperes spiritu	-	Anonymous
Beati pauperes spiritu Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Beati pauperes spiritu
[-]	Necesse est ut veniant scandala	-	Anonymous
Necesse est ut veniant scandala Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Necesse est ut veniant scandala
[-]	Han, diex! ou pourrai je trouver	-	Anonymous
Han, diex! ou pourrai je trouver Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: French Voice Text: Han, diex! ou pourrai je trouver
[-]	Vade retro, sathana!	-	Anonymous
Vade retro, sathana! Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vade retro, sathana!
[-]	Fauvel, cogita, quod preterit mundi figura	-	Anonymous
Fauvel, cogita, quod preterit mundi figura Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Fauvel, cogita, quod preterit mundi figura
[-]	Incrassate Falvelle, recalcitrasti	-	Anonymous
Incrassate Falvelle, recalcitrasti Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Italian Voice Text: Incrassate Falvelle, recalcitrasti
[-]	Gaudet Favellus nimium	-	Anonymous
Gaudet Favellus nimium Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudet Favellus nimium
[-]	Iste locus	-	Anonymous
Iste locus Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iste locus
[-]	In hac valle miseriae	-	Anonymous
In hac valle miseriae Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In hac valle miserie
[-]	Familiam custodi, Christe - 1a pars (of 3): Familiam custodi, Christe	-	Anonymous
Familiam custodi, Christe - 1a pars (of 3): Familiam custodi, Christe Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Familiam Custodi
[-]	Virgines egregrie	-	Anonymous
Virgines egregrie Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgines egregrie
[-]	Adoremus Dominum, quia ipse est sponsus	-	Anonymous
Adoremus Dominum, quia ipse est sponsus Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Adoremus dominum, quia ipse est sponsus
[-]	Virgineus sensus qui superat	-	Anonymous
Virgineus sensus qui superat Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Virgineus sensus qui superat
[-]	Parata est	-	Anonymous
Parata est Anonymous Appears on: [-] Genres: Troped chant Voice: [no designation] Languages: Latin Voice Text: Parata est
[-]	Habitatio autem vestra in Sion	-	Anonymous
Habitatio autem vestra in Sion Anonymous Appears on: [-] Genres: Verse Voice: [no designation] Languages: Latin Voice Text: Habitatio autem vestra in Syon

Composer	Compositions
Anonymous	Ad solitum vomitum ne redeas / Regnat – 2v Ade costa dormientis mater – 13v Adoremus Dominum, quia ipse est sponsus – [-] Alleluia. Veni sancte spiritus – [-] Anulo suo subarravit nos Dominus noster – [-] Apud Dominum misercordia – [-] Beati pauperes spiritu – [-] Bonne est amours ou dangier / Se mes desirs fust souhais / A – [-] Bonne est amours ou dangier / Se mes desirs fust souhais / A – 29v Buccinate in neomenia tuba – [-] Caeli domina, quam sanctorum / Maria virgo virginum / Porchier mieux estre ameroie – [-] Caeli domina, quam sanctorum / Maria virgo virginum / Porchier mieux estre ameroie – 42v Carnalitas, luxuria in falvelli palacio – [-] Christus assistens – [-] Clavus pungens acumine dum – [-] Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati – 11v–12 Confortamini in Domino – [-] Constitue, Domine, super Falvellum dolorum infarni – [-] Custodi nos Domini – [-] Deleantur de libro viventium – [-] Desolata mater ecclesia a filiis / Que nutritos filios / Filios enutrivi et exaltavi ipsi autem spreverunt me – 8v Detractor est nequissima vulpis / Qui secuntur castra sunt / Verbum iniquum et dolosum abhominabitur Dominus – 4 Devorabit Fauvellum Dominus – [-] Dum ortus fuerit sol de caelo videbitis – [-] Esto nobis Domine turris fortitudinis – [-] Et exaltavi plebis – [-] Et exaltavi plebis humilem – 9 Et reddet unicuique mercedem – [-] Facilius a nobis vitatur / Alieni boni mundia / Imperfecte canite – 13 Familiam custodi, Christe - 1a pars (of 3): Familiam custodi, Christe – [-] Fauvel, cogita, quod preterit mundi figura – [-] Fauvellus, phro dolor! – [-] Favelandi vitium et fex – 1 Fiant dies eius pauci – [-] Floret fex favellea – [-] Gaudet Favellus nimium – [-] Ha, Parisius, civitas Regis magni! – [-] Habitatio autem vestra in Sion – [-] Han, diex! ou pourrai je trouver – [-] Heu quo progeditur – [-] Heu, quid destructio hec! – [-] Hic fons, hic devius – [-] Hodie Nobis – 37v In hac valle miseriae – [-] In mari miserie, maris stella / Manere – 2v In paciencia vestra – [-] In pretio pretium nunc est census – [-] Incrassate Falvelle, recalcitrasti – [-] Induit nos Dominus cicladibus – [-] Inflammatis invidia, demon / Sicut de ligno parvulus generatur / Victimae paschali laudes – 22 Inter amenitatis tripudia / Revertenti – 21v Inter membra singula – [-] Ipsi sumus desponsat – [-] Iste locus – [-] Je voi douleur avenir, car tout / Fauvel nous a fait present / Fauvel autant mest si poise arriere comme avant – 9v Juxta est dies perdicionis ipsius – [-] La mesnie fauveline, qui a mau fere / J'ai fait nouvelement amie / Grant despit ai je, Fortune, de Fauvel – 15v–16 Mundus a mundi tia dictus – 1 Natus est nobis parvulus puer valde – [-] Necesse est ut veniant scandala – [-] Nemo potest duobus Dominis servire – [-] Non auferetur sceptrum de Juda – [-] Non nobis domine sed nomini tuo – [-] Non signis, pie Christe – [-] Nulla pestis est gravior / Plange, nostra regio / Vergente ex imperfectis – 3 Nulli beneficium juste penitudinis – [-] O labilis sortis humane status! – [-] O varium – [-] Omni pene curie president incuvii – [-] Omnia tempus habent – [-] Omnipotens Domine, populi pater / Flagellaverunt Galliam et ortum eius inquinaverunt – 43 Omnipotens creator Deus pater – [-] Parata est – [-] Pax vobis, ego sum, nolite timere – [-] Pleba fidelis Francie – [-] Presum, prees, verbum dignum – [-] Quant je le voi ou voirre cler, volentiers / Bon vin doit l'en a li tirer / Ci me faut un tour de vin. Dex, quar le me donnez! – [-] Quant je le voi ou voirre cler, volentiers / Bon vin doit l'en a li tirer / Ci me faut un tour de vin. Dex, quar le me donnez! – 45 Quare fremuerunt gentes – 1 Quasi non ministerium creditum / Trahunt in praecipitia qui nos / Ve qui gregi deficiunt / Displicebat ei – 6v Qui cogitaverunt supplentare – [-] Quo me vertam, nescio – [-] Respexit Dominus humilitatem – [-] Respice, Domine Deus, in ancillas tuas – [-] Rex et sacerdos prefuit Christus – [-] Sancta et immaculata virginitas – [-] Scariotis geniture vipereo / Iure quod in opere davitico / Superne matris gaudia – 2 Scrutator alme cordium – [-] Scrutator alme cordium, lumen verum de lumine – 43v Se cuers joians, jones, jolis et gentils / Rex beatus, confessor Domini / Ave – 10v Servant regem misericordia et veritas / O Philippe, prelustris Francorum / Rex regum et Dominus dominantium – 10v–11 Sicut mirra electa – 37v Simulacra eorum argentum et aurum – [-] Super cathedram Moisi latitat / Praesidentes in tronis saeculi / Ruina – 1v Thalamus puerpere, thronus / Quomodo cantabimus sub iniqua – 32 Vade retro, sathana! – [-] Vanitas vanitatum – [-] Vehemens indignacio – [-] Veniat mors super illos – [-] Veritas arpie, fex ypocrisie / Johanne – 13v Veritas, equitas, largitas, corruit – [-] Virgines egregrie – [-] Virgineus sensus qui superat – [-] Virtus moritur – [-] Zelus familie / Jesu, tu dator venie – [-] Zelus familie Christi me comedit / Jesu tu dator venie – 44
Lescurel, Jehannot de (early 14th c.)	A vous, douce debonaire, ai mon coeur donné – 57
Vitry, Philippe de (1291-1361)	(?) Firmissime fidem teneamus / Adesto, sancta Trinitas / Alleluia, Alleluia, Alleluia – 43–43v (?) Firmissime fidem teneamus / Adesto, sancta Trinitas / Alleluia, Alleluia, Alleluia – [-] (?) Garrit Gallus flendo dolorose / In nova fert animum mutatas dicere formas – [-] (?) Garrit Gallus flendo dolorose / In nova fert animum mutatas dicere formas – 44v (?) Generacio eorum perversa – [-] (?) Orbis orbatus oculus in die / Vos pastores adulteri / Fur non venit nisi ut furetur et mactet et perdat – 7 Quoniam novi probatur exitu / Heu! Fortuna subdola / Heu me! tristis est anima mea – 30 (?) Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii] – 41v–42 (?) Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii] – 41v–42

Composition	Composers (? Uncertain)	Folios / Pages
A vous, douce debonaire, ai mon coeur donné	Lescurel, Jehannot de (fl. early 14th c.)	57
Ad solitum vomitum ne redeas / Regnat	Anonymous	2v
Ade costa dormientis mater	Anonymous	13v
Adoremus Dominum, quia ipse est sponsus	Anonymous	[-]
Alleluia. Veni sancte spiritus	Anonymous	[-]
Anulo suo subarravit nos Dominus noster	Anonymous	[-]
Apud Dominum misercordia	Anonymous	[-]
Beati pauperes spiritu	Anonymous	[-]
Bonne est amours ou dangier / Se mes desirs fust souhais / A	Anonymous	29v
Bonne est amours ou dangier / Se mes desirs fust souhais / A	Anonymous	[-]
Buccinate in neomenia tuba	Anonymous	[-]
Caeli domina, quam sanctorum / Maria virgo virginum / Porchier mieux estre ameroie	Anonymous	42v
Caeli domina, quam sanctorum / Maria virgo virginum / Porchier mieux estre ameroie	Anonymous	[-]
Carnalitas, luxuria in falvelli palacio	Anonymous	[-]
Christus assistens	Anonymous	[-]
Clavus pungens acumine dum	Anonymous	[-]
Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati	Anonymous	11v–12
Confortamini in Domino	Anonymous	[-]
Constitue, Domine, super Falvellum dolorum infarni	Anonymous	[-]
Custodi nos Domini	Anonymous	[-]
Deleantur de libro viventium	Anonymous	[-]
Desolata mater ecclesia a filiis / Que nutritos filios / Filios enutrivi et exaltavi ipsi autem spreverunt me	Anonymous	8v
Detractor est nequissima vulpis / Qui secuntur castra sunt / Verbum iniquum et dolosum abhominabitur Dominus	Anonymous	4
Devorabit Fauvellum Dominus	Anonymous	[-]
Dum ortus fuerit sol de caelo videbitis	Anonymous	[-]
Esto nobis Domine turris fortitudinis	Anonymous	[-]
Et exaltavi plebis	Anonymous	[-]
Et exaltavi plebis humilem	Anonymous	9
Et reddet unicuique mercedem	Anonymous	[-]
Facilius a nobis vitatur / Alieni boni mundia / Imperfecte canite	Anonymous	13
Familiam custodi, Christe - 1a pars (of 3): Familiam custodi, Christe	Anonymous	[-]
Fauvel, cogita, quod preterit mundi figura	Anonymous	[-]
Fauvellus, phro dolor!	Anonymous	[-]
Favelandi vitium et fex	Anonymous	1
Fiant dies eius pauci	Anonymous	[-]
Firmissime fidem teneamus / Adesto, sancta Trinitas / Alleluia, Alleluia, Alleluia	Vitry, Philippe de (1291–1361) (?)	43–43v
Firmissime fidem teneamus / Adesto, sancta Trinitas / Alleluia, Alleluia, Alleluia	Vitry, Philippe de (1291–1361) (?)	[-]
Floret fex favellea	Anonymous	[-]
Garrit Gallus flendo dolorose / In nova fert animum mutatas dicere formas	Vitry, Philippe de (1291–1361) (?)	44v
Garrit Gallus flendo dolorose / In nova fert animum mutatas dicere formas	Vitry, Philippe de (1291–1361) (?)	[-]
Gaudet Favellus nimium	Anonymous	[-]
Generacio eorum perversa	Vitry, Philippe de (1291–1361) (?)	[-]
Ha, Parisius, civitas Regis magni!	Anonymous	[-]
Habitatio autem vestra in Sion	Anonymous	[-]
Han, diex! ou pourrai je trouver	Anonymous	[-]
Heu quo progeditur	Anonymous	[-]
Heu, quid destructio hec!	Anonymous	[-]
Hic fons, hic devius	Anonymous	[-]
Hodie Nobis	Anonymous	37v
In hac valle miseriae	Anonymous	[-]
In mari miserie, maris stella / Manere	Anonymous	2v
In paciencia vestra	Anonymous	[-]
In pretio pretium nunc est census	Anonymous	[-]
Incrassate Falvelle, recalcitrasti	Anonymous	[-]
Induit nos Dominus cicladibus	Anonymous	[-]
Inflammatis invidia, demon / Sicut de ligno parvulus generatur / Victimae paschali laudes	Anonymous	22
Inter amenitatis tripudia / Revertenti	Anonymous	21v
Inter membra singula	Anonymous	[-]
Ipsi sumus desponsat	Anonymous	[-]
Iste locus	Anonymous	[-]
Je voi douleur avenir, car tout / Fauvel nous a fait present / Fauvel autant mest si poise arriere comme avant	Anonymous	9v
Juxta est dies perdicionis ipsius	Anonymous	[-]
La mesnie fauveline, qui a mau fere / J'ai fait nouvelement amie / Grant despit ai je, Fortune, de Fauvel	Anonymous	15v–16
Mundus a mundi tia dictus	Anonymous	1
Natus est nobis parvulus puer valde	Anonymous	[-]
Necesse est ut veniant scandala	Anonymous	[-]
Nemo potest duobus Dominis servire	Anonymous	[-]
Non auferetur sceptrum de Juda	Anonymous	[-]
Non nobis domine sed nomini tuo	Anonymous	[-]
Non signis, pie Christe	Anonymous	[-]
Nulla pestis est gravior / Plange, nostra regio / Vergente ex imperfectis	Anonymous	3
Nulli beneficium juste penitudinis	Anonymous	[-]
O labilis sortis humane status!	Anonymous	[-]
O varium	Anonymous	[-]
Omni pene curie president incuvii	Anonymous	[-]
Omnia tempus habent	Anonymous	[-]
Omnipotens creator Deus pater	Anonymous	[-]
Omnipotens Domine, populi pater / Flagellaverunt Galliam et ortum eius inquinaverunt	Anonymous	43
Orbis orbatus oculus in die / Vos pastores adulteri / Fur non venit nisi ut furetur et mactet et perdat	Vitry, Philippe de (1291–1361) (?)	7
Parata est	Anonymous	[-]
Pax vobis, ego sum, nolite timere	Anonymous	[-]
Pleba fidelis Francie	Anonymous	[-]
Presum, prees, verbum dignum	Anonymous	[-]
Quant je le voi ou voirre cler, volentiers / Bon vin doit l'en a li tirer / Ci me faut un tour de vin. Dex, quar le me donnez!	Anonymous	45
Quant je le voi ou voirre cler, volentiers / Bon vin doit l'en a li tirer / Ci me faut un tour de vin. Dex, quar le me donnez!	Anonymous	[-]
Quare fremuerunt gentes	Anonymous	1
Quasi non ministerium creditum / Trahunt in praecipitia qui nos / Ve qui gregi deficiunt / Displicebat ei	Anonymous	6v
Qui cogitaverunt supplentare	Anonymous	[-]
Quo me vertam, nescio	Anonymous	[-]
Quoniam novi probatur exitu / Heu! Fortuna subdola / Heu me! tristis est anima mea	Vitry, Philippe de (1291–1361)	30
Respexit Dominus humilitatem	Anonymous	[-]
Respice, Domine Deus, in ancillas tuas	Anonymous	[-]
Rex et sacerdos prefuit Christus	Anonymous	[-]
Sancta et immaculata virginitas	Anonymous	[-]
Scariotis geniture vipereo / Iure quod in opere davitico / Superne matris gaudia	Anonymous	2
Scrutator alme cordium	Anonymous	[-]
Scrutator alme cordium, lumen verum de lumine	Anonymous	43v
Se cuers joians, jones, jolis et gentils / Rex beatus, confessor Domini / Ave	Anonymous	10v
Servant regem misericordia et veritas / O Philippe, prelustris Francorum / Rex regum et Dominus dominantium	Anonymous	10v–11
Sicut mirra electa	Anonymous	37v
Simulacra eorum argentum et aurum	Anonymous	[-]
Super cathedram Moisi latitat / Praesidentes in tronis saeculi / Ruina	Anonymous	1v
Thalamus puerpere, thronus / Quomodo cantabimus sub iniqua	Anonymous	32
Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii]	Vitry, Philippe de (1291–1361) (?)	41v–42
Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii]	Vitry, Philippe de (1291–1361) (?)	41v–42
Vade retro, sathana!	Anonymous	[-]
Vanitas vanitatum	Anonymous	[-]
Vehemens indignacio	Anonymous	[-]
Veniat mors super illos	Anonymous	[-]
Veritas arpie, fex ypocrisie / Johanne	Anonymous	13v
Veritas, equitas, largitas, corruit	Anonymous	[-]
Virgines egregrie	Anonymous	[-]
Virgineus sensus qui superat	Anonymous	[-]
Virtus moritur	Anonymous	[-]
Zelus familie / Jesu, tu dator venie	Anonymous	[-]
Zelus familie Christi me comedit / Jesu tu dator venie	Anonymous	44

These images are from an external IIIF service and are not hosted by DIAMM.

Images © Bibliothèque Nationale, Paris

‡ denotes primary source study

Bent, Margaret, and Andrew B Wathey (editors). 1998. Fauvel Studies: Allegory, Chronicle, Music and Image in Paris, Bibliothèque nationale de France, MS français 146. Oxford: Clarendon Press.

Bent, Margaret. 1997. Polyphony of Texts and Music in the Fourteenth-Century Motet 'Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur' and its 'Quotations'. Hearing the Motet. Essays on the Motet of the Middle Ages and Renaissance, edited by Margaret Bent, 82-103. New York and Oxford.

Fowler, Maria Vedder. 1979. Musical Interpolations in 13th and 14th Century French Narratives. Ph.D. Notes: inventory.

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXVIf etc.

Parrish, Carl. 1957. The Notation of Medieval Music. Pages: 109, 114, 132-140.

Reaney, Gilbert. 1955-56. The Lais of Guillaume de Machaut and Their Background. Proceedings of the Royal Musical Association, 82: 15-31,discussion31-32. Pages: 15-23.

Hoppin, Richard H. 1955. A Musical Rotulus of the Fourteenth Century. Revue Belge de Musicologie, 9: 131ff.

Reaney, Gilbert. 1954-60. Ars Nova in France. New Oxford History of Music, . Pages: III, 1-17.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: I, 2-71 (complete edition of the 33 motets); I (commentary), 19-101.

Gennrich, Friedrich. 1949-79. Fauvel. Die Musik in Geschichte und Gegenwart, 1st Edition, 3: col.1883-1889. Pages: III, 1883ff.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 202, 315, 325ff, 448.

Kujlmann, G. 1938. Die zweistimmigen französischen Motetten des Kodex Montpellier, Faculté de Médecine H196. 2 vols.

Becker, Philip Adolf. 1936. Fauvel und Fauvelliana. Berichte iiber die Verhandlungen der Sdchsischen Akademie der Wissenschaf-ten zu Leipzig, Philologisch-historische Klasse, 68/2: 36ff.

Spanke, Hans. 1936. Zu den musikalischen Einlagen im Fauvelroman. Neuphilologische Mitteilungen, 37: 188ff. Pages: 209ff.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: IV, 80, 262, 291.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: II, 21, 36a, 38b, 42b, 60f, 69a.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: I,167ff; II, 127, 137if, 188; Dahnk (critical text edition of the interpolations from Pn 146).

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 199, 203, 209f, 278ff, 290, 303.

Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. Pages: I, 290-306 (complete edition of the Fauvel Rondeaux and Ballades); 307-372 (complete edition of the Lescurel Rondeaux, Virelais and Ballades); II, 234ff (all the refrains); 232, 242, 302 (3 motets).

Langfors, Arthur. 1914-19. Le Roman de Fauvel de Gervais du Bus, édition d'après tous les manuscrits existants. Paris: Société des Anciens Textes Français. Pages: (contains the complete text edition of the Roman minus the interpolations in Dahnk).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: 278-286.

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: III, 59, 63, 95, 99.

Aubry, Pierre. 1907. Le Roman de Fauvel. Pages: (complete facsimile of the Roman de Fauvel and the old index: Pn 146 f. B, I-XLV).

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: II-III, nos. 2-10 and 78 (edition of Pn 146 1-4, 9, 10, 13-15, 34; and 26 after GB-Lbm 28550); I, 40 ff, 66, 141, 143, 174, 357, 361, 363, 410.

Aubry, Pierre. 1903. Les plus anciens monuments de la musique française. Pages: (facsimile of f. 57).

Wolf, Johannes. 1899. Zur Geschichte der Orgelmusik im vierzehnten Jahrhundert. Kirchenmusikalisches Jahrbuch, 14: 14ff. Pages: 9, 29 (keyboard versions from GB-L6m 28550 of nos. 26 and 29); 14ff.

Wooldridge, Harry Ellis, and H V Hughes (editors). 1897 and 1913. Early English Harmony from the 10th to the 15th Century. 2 vols. London: The Plainsong and Medieval Music Society. Pages: pl. 42-45 (facsimiles of keyboard version of nos. 26 and 29 from GB-L&m 28550).

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Benjamin Ory

Monday, 30 January, 2023

Fixed some composer misattributions

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description