V-CVbav MS S. Pietro B.80

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: 1474-5

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS S. Pietro B.80
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	352 x 251 mm
Other Identifiers	RISM: I-Rvat B80 RISM: SP80 CCM: VatSP B80 olim (Former shelfmark): I-Rvat MS S. Pietro B.80
Copyists	Ausquier, Nicholas Text and Music Crispini, Egidius Text and Music Tarentinus, Johannes Text and Music Fornant, David Text and Music Oudenorde, Winochus de Text and Music
Relationships	St Peter's Basilica (commissioned/made for)
External Links	Programme Ricercar editions of anonymous masses images
Provenance	Italy
Contents	155 pieces from 13 composers

General Description

The main scribe was Nicholas Ausquier, a singer and copyist at St. Peter's Basilica, Rome (see ReynoldsSP for documentation of his activity shown in payment records). Five additional scribes, including Egidius Crispini, Johannes Tarentinus, and possibly David Fornant or Winochus de Oudenorde (ReynoldsM). Copied in Rome, for use at St. Peter's Basilica. Main corpus probably copied from two earlier (ca. 1458-63) manuscripts which were subsequently discarded (ReynoldsSP). Originally 268 folios or more.

DIAMM, 2017

Physical Description

Two original gatherings now missing between new ff. 20/21.

DIAMM, 2017

Binding

Original covers of reddish-brown leather over wooden boards, in poor condition; clasps now missing. Front and back covers bear identical blind-tooled designs (multi-line rectangular borders subdivided by diagonal lines into lozenge-shaped compartments, each of which contains a rosette).

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 18.

DIAMM, 2017

Foliation

Modern pencil foliation, 1-249, on lower right rectos; modern stamped foliation, 1-249, on lower center rectos

DIAMM, 2017

Decoration

Red, blue, and brown inked initials, some in calligraphic style, others in Gothic style with tracery

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM BIV/5

XVe s. 249ff. Parchemin, 363X252 mm. Foliotation ancienne en eh. arabes en haut des ff. et moderne au bas des ff. Les ff. 32, 35v à 37v, 214, 239, 249 sont blancs. Notation mesurée blanche. 9 portées par p. Initiales ornées.

Ce ms. de plusieurs mains ne contient que des pièces religieuses classées par genre dans le ms. primitif: 1/Messes (n° 19 à 84); 2/Hymnes (n° 85 à 104); 3/ Magnificat (n° 105 à 123); 4/Antiennes (n° 124 à 143); S/Pièces liturgiques diverses (n° 1 à 15 et 144 à 147). La copie des cahiers 1 à 3 et 5 à 25, c'est à dire des ff. 1 à 31v et 38 à 249 (le 4e cahier, f. 32 à 37 étant plus tardif et d'une main tout à fait différente) a dû s'étendre sur une dizaine d'années dont on peut fixer les limites extrêmes entre 1464 et 1474, les seules pièces datables du ms. venant justifier ces dates: en 1464 Simon Meslet «magnus vicarius» à Cambrai, aurait copié «une anthienne de N. Dame ave regina celorum . . . que a fait Me G™ du Fay» et, en 1473, «unam missam super ave regina celorum» (Houdoy, 195 et 200. N°* 12 et 7 à 11 du ms.) Aussi bien les compositeurs identifiés que le style de l'écriture et des initiales ornées révèlent un ms. franco-flamand. Il faudrait donc admettre qu'il fut copié dans la France du nord (Cambrai ?) puis emporté ensuite en Italie peut-être par des musiciens flamands qui étaient alors appelés en grand nombre à Rome où, entre ca. 1486 et 1492, on y aurait copié des pièces supplémentaires (4e cahier), procédé à la foliotation et à la reliure.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

16 Masses (2 incomplete), 14 Magnificats (1 incomplete), 1 Te Deum, 27 hymns, 28 motets = 86 + 1 duplicate = 87

(Barbingant)-1 + 1?, (Binchois)-3, (Binchois/Dufay)-1, Caron-1, Cervelli/Domarto-1, (Compère)-1, (Dufay)-11 + 1?, (Dufay/ Dunstable)-1, (Dufay-anon)-1, (Dunstable)-1, Josquin-1, (Pullois) -1, (Ruby)-1, anon-59

248 + i parchment folios of an original 268 or more, 352 x 251. Two original gatherings now missing between new ff. 20/21. Modern pencil foliation, 1-249, on lower right rectos; modern stamped foliation, 1-249, on lower center rectos. Original covers of reddish-brown leather over wooden boards, in poor condition; clasps now missing. Front and back covers bear identical blind-tooled designs (multi-line rectangular borders subdivided by diagonal lines into lozenge-shaped compartments, each of which contains a rosette). No index.

The main scribe was Nicholas Ausquier, a singer and copyist at St. Peter's Basilica, Rome (see ReynoldsSP for documentation of Ausquier's activity in payment records). Five additional scribes, including Egidius Crispini, Johannes Tarentinus, and possibly David Fornant or Winochus de Oudenorde (ReynoldsM). Staff height 18. Red, blue, and brown inked initials, some in calligraphic style, others in Gothic style with tracery.

1474-5, with additions to ca. 1500 (ReynoldsSP). Copied in Rome, for use at St. Peter's Basilica. Main corpus probably copied from two earlier (ca. 1458-63) manuscripts which were subsequently discarded (ReynoldsSP).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Vexilla regis prodeunt.	-	Anonymous
Vexilla regis prodeunt. Anonymous Appears on: 1 Genres: Marian antiphon, Motet Voice: Canon Languages: Latin Voice Text: Vexilla regis prodeunt.
1v–2	Missa Au chant de l'alouette: Kyrie	-	Anonymous
Missa Au chant de l'alouette: Kyrie Anonymous Appears on: 1v–2 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Au chant de l'alouette.] Kyrie General Note T: Kyrie Au chant de l'alouette
2v–3	Missa Au chant de l'alouette: Et in terra pax [Gloria] pa	-	Anonymous
Missa Au chant de l'alouette: Et in terra pax [Gloria] pa Anonymous Appears on: 2v–3 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Au chant de l'alouette. Gloria] Et in terra pa
3v–5	Missa Au chant de l'alouette: Patrem omnipotentem [Credo]	-	Anonymous
Missa Au chant de l'alouette: Patrem omnipotentem [Credo] Anonymous Appears on: 3v–5 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem General Note [Missa Au chant de l'alouette. Credo]
5v–7	Missa Au chant de l'alouette: Sanctus	-	Anonymous
Missa Au chant de l'alouette: Sanctus Anonymous Appears on: 5v–7 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
7v–9	Missa Au chant de l'alouette: Agnus Dei	-	Anonymous
Missa Au chant de l'alouette: Agnus Dei Anonymous Appears on: 7v–9 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus Dei General Note T: Agnus dei Au chant de la louete qui tollis
9v–12	Missa Ave regina caelorum: Kyrie	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Kyrie Du Fay, Guillaume (1397–1474) Appears on: 9v–12 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Missa Ave regina celorum.] Kyrie eleyson General Note Publ. cf. MOeM.1.13n°14 On the differences between the versions of the Kyrie in Br5557, SP B80 & ModD, see WegmanMSD & PlanchartD Item Bibliography Planchart, Alejandro Enrique. 2018. Guillaume Du Fay. Cambridge: CUP. Pages: 613-618. Notes: seeks to reduce the different versions of the Kyrie to two versions 'public' and 'private'. Wegman, Rob C. 1995. Miserere Supplicanti Dufay: the Creation and Transmission of Guillaume Dufay's Missa Ave regina celorum. Journal of Musicology, 18-54. Notes: explores the different versions of the Kyrie.
12v–15	Missa Ave regina caelorum: Gloria. Et in terra	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Gloria. Et in terra Du Fay, Guillaume (1397–1474) Appears on: 12v–15 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Missa Ave regina celorum. Gloria] Et in terra General Note T: Ave regina celorum Laudamus te ... Publ. cf. MOeM.1.13n°14
15v–19	Missa Ave regina caelorum: Credo	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Credo Du Fay, Guillaume (1397–1474) Appears on: 15v–19 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Missa Ave regina celorum. Credo] Patrem omnipotentem General Note [Missa Ave regina celorum. Credo] T: Patrem omnipotentem Ave regina celorum.Publ. cf. MOe M. 1.13 n» 14
19v–22	Missa Ave regina caelorum: Sanctus	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Sanctus Du Fay, Guillaume (1397–1474) Appears on: 19v–22 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Missa Ave regina celorum.] Sanctus General Note T: Ave regina ceLorum Sanctus . . .Publ. cf. MOe M. 1.13 n° 14\SAgnus de la messe mq.
22v–25	Missa Ave regina caelorum: Agnus Dei	-	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Agnus Dei Du Fay, Guillaume (1397–1474) Appears on: 22v–25 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Ave regina celorum.] Agnus Dei
25v–27	Ave Regina caelorum (3) II: Gaude gloriosa	G. DUFAY	Du Fay, Guillaume (1397–1474)
Ave Regina caelorum (3) II: Gaude gloriosa Du Fay, Guillaume (1397–1474) Appears on: 25v–27 Genres: BVM, Motet Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum Item Bibliography [No Author] None. None ? Music Press Editions, New York: Music Press, Inc. Pages: 116. Besseler, Heinrich. 1950-. Meisterwerke mittelalterlicher Musik. Kassel. Pages: 1. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V. Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I (avec facs.).
27v–29	Omnium bonorum plena - 1a pars (of 2): Omnium bonorum plena virgo parens	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Omnium bonorum plena - 1a pars (of 2): Omnium bonorum plena virgo parens Compère, Loyset (ca. 1445–1518) Appears on: 27v–29 Genres: Motet Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: Latin Voice Text: Omnium bonorum plena virgo parens Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15,1V;. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 4/15 (VII).
28v–30	Omnium bonorum plena - 2a pars (of 2): Omnium bonorum plena peccatorum medicina	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Omnium bonorum plena - 2a pars (of 2): Omnium bonorum plena peccatorum medicina Compère, Loyset (ca. 1445–1518) Appears on: 28v–30 Genres: Motet Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: Latin Voice Text: Omnium bonorum plena virgo parens Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 4/15 (VII).
30v–31	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 30v–31 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
31v	Ut queant laxis resonare fibris	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 31v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis General Note In nativitate Sti Johannis Baptiste hymnus.
32v–33	Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra	JUSQUIN	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra Despres, Josquin (ca. 1450–1521) Appears on: 32v–33 Genres: Tract Source Attribution: JUSQUIN Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra General Note Publ. cf. Rvat 35 n° 2
32v–33	Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris	JUSQUIN	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris Despres, Josquin (ca. 1450–1521) Appears on: 32v–33 Genres: Tract Source Attribution: JUSQUIN Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra General Note Publ. cf. Rvat 35 n° 2
32v–33	Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis	JUSQUIN	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis Despres, Josquin (ca. 1450–1521) Appears on: 32v–33 Genres: Tract Source Attribution: JUSQUIN Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra General Note Publ. cf. Rvat 35 n° 2
33v–35	Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto	JUSQUIN	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto Despres, Josquin (ca. 1450–1521) Appears on: 33v–35 Genres: Tract Source Attribution: JUSQUIN Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra General Note Publ. cf. Rvat 35 n° 2
38	Petrus apostolus et Paulus doctor	-	Anonymous
Petrus apostolus et Paulus doctor Anonymous Appears on: 38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Petrus apostolus et Paulus doctor
38v	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 38v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
39v–40	Missa [B.80-1]: Kyrie eleison	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa [B.80-1]: Kyrie eleison Barbingant, Pierre (fl. c1445-60) (?) Appears on: 39v–40 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa]. Kyrie eleyson General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.)
40v–43	Missa [B.80-1]: Et in terra pax [Gloria]	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa [B.80-1]: Et in terra pax [Gloria] Barbingant, Pierre (fl. c1445-60) (?) Appears on: 40v–43 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.)
43v–45	Missa [B.80-1]: Patrem omnipotentem [Credo]	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa [B.80-1]: Patrem omnipotentem [Credo] Barbingant, Pierre (fl. c1445-60) (?) Appears on: 43v–45 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omnipotentem . General Note 2et 3vx. [incompl.]Attrib. à J. Barbingant par Hamm (cf. Bibliogr.)
45v–47	Missa [B.80-1]: Sanctus	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa [B.80-1]: Sanctus Barbingant, Pierre (fl. c1445-60) (?) Appears on: 45v–47 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 40-55.
47v–48	Missa [B.80-1]: Agnus Dei	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa [B.80-1]: Agnus Dei Barbingant, Pierre (fl. c1445-60) (?) Appears on: 47v–48 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei General Note . Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 40-55.
49	Veni creator spiritus mentes tuorum	-	Anonymous
Veni creator spiritus mentes tuorum Anonymous Appears on: 49 Genres: Hymn, Veni creator spiritus Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus General Note Sup. seul' 1 seul verset
49v–50	Missa D'un aultre amer: Kyrie	-	Anonymous
Missa D'un aultre amer: Kyrie Anonymous Appears on: 49v–50 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa D'ung aultre amer]. Kyrie General Note T: D'ung aultre amer Kyrie
50v–52	Missa D'un aultre amer: Gloria Et in terra	-	Anonymous
Missa D'un aultre amer: Gloria Et in terra Anonymous Appears on: 50v–52 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa D'ung aultre amer.Gloria] Et in terra General Note T: D'ung aultre amer qui sedes ad dexteram patris
52v–56	Missa D'un aultre amer: Credo Patrem omnipotentem	-	Anonymous
Missa D'un aultre amer: Credo Patrem omnipotentem Anonymous Appears on: 52v–56 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa D'ung aultre amer.Credo] Potrem omnipotentem
56v–59	Missa D'un aultre amer: Sanctus	-	Anonymous
Missa D'un aultre amer: Sanctus Anonymous Appears on: 56v–59 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa D'ung aultre amer] Sanctus
59v–61	Missa D'un aultre amer: Agnus Dei	-	Anonymous
Missa D'un aultre amer: Agnus Dei Anonymous Appears on: 59v–61 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa D'ung aultre amer] Agnus dei
61v–63	Missa [B.80-2]: Kyrie eleison	-	Anonymous
Missa [B.80-2]: Kyrie eleison Anonymous Appears on: 61v–63 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa]. Kyrie eleyson
63v–65	Missa [B.80-2]: Et in terra pax [Gloria]	-	Anonymous
Missa [B.80-2]: Et in terra pax [Gloria] Anonymous Appears on: 63v–65 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
65v–67	Missa [B.80-2]: Patrem omnipotentem [Credo]	-	Anonymous
Missa [B.80-2]: Patrem omnipotentem [Credo] Anonymous Appears on: 65v–67 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omnipotentem
67v–69	Missa [B.80-2]: Sanctus	-	Anonymous
Missa [B.80-2]: Sanctus Anonymous Appears on: 67v–69 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa] Sanctus
69v–70v	Missa [B.80-2]: Agnus Dei	-	Anonymous
Missa [B.80-2]: Agnus Dei Anonymous Appears on: 69v–70v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120 Facs. f. 70v:.
71–72	Missa Soyes emprentid: Kyrie	[G. LE ROUGE]	Rouge, Guillaume le
Missa Soyes emprentid: Kyrie Rouge, Guillaume le Appears on: 71–72 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [G. LE ROUGE] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Soyes emprentid]. Kyrie Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 20 avec facs. du f. 71.
72v–74	Missa Soyes emprentid: Et in terra pax [Gloria]	[G. LE ROUGE]	Rouge, Guillaume le
Missa Soyes emprentid: Et in terra pax [Gloria] Rouge, Guillaume le Appears on: 72v–74 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [G. LE ROUGE] Voice: [no designation] Languages: Latin Voice Text: [Missa Soyes emprentid. Gloria] Et in terra General Note T: Soyes emprentieh Et in terra pax hominibus. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
74v–76	Missa Soyes emprentid: Credo [Patrem omnipotentem	G. LE ROUGE]	Rouge, Guillaume le
Missa Soyes emprentid: Credo [Patrem omnipotentem Rouge, Guillaume le Appears on: 74v–76 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: G. LE ROUGE] Voice: [no designation] Languages: Latin Voice Text: Patrem omnipotentem General Note [Missa Soyes emprentid. Credo] Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
76v–78	Missa Soyes emprentid: Sanctus	[G. LE ROUGE]	Rouge, Guillaume le
Missa Soyes emprentid: Sanctus Rouge, Guillaume le Appears on: 76v–78 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [G. LE ROUGE] Voice: [no designation] Languages: Latin Voice Text: [Missa Soyes emprentid] Sanctus Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
78v–80	Missa Soyes emprentid: Agnus Dei	[G. LE ROUGE]	Rouge, Guillaume le
Missa Soyes emprentid: Agnus Dei Rouge, Guillaume le Appears on: 78v–80 Genres: Agnus Dei, Mass Ordinary Source Attribution: [G. LE ROUGE] Voice: [no designation] Languages: Latin Voice Text: [Missa Soyes emprentid] Agnus dei Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
80v–81	Missa Terribilment: Kyrie eleison	[J.BERBINGANT]	Barbingant, Pierre (fl. c1445-60)
Missa Terribilment: Kyrie eleison Barbingant, Pierre (fl. c1445-60) Appears on: 80v–81 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J.BERBINGANT] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Terribilment] Kyrie eleyson Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 7, I.
81v–83	Missa Terribilment: Et in terra pax [Gloria]	[J.BERBINGANT]	Barbingant, Pierre (fl. c1445-60)
Missa Terribilment: Et in terra pax [Gloria] Barbingant, Pierre (fl. c1445-60) Appears on: 81v–83 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [J.BERBINGANT] Voice: [no designation] Languages: Latin Voice Text: [Missa Terribilment. Gloria] Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 7, I.
83v–86	Missa Terribilment: Patrem omnipotentem [Credo]	[J.BERBINGANT]	Barbingant, Pierre (fl. c1445-60)
Missa Terribilment: Patrem omnipotentem [Credo] Barbingant, Pierre (fl. c1445-60) Appears on: 83v–86 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [J.BERBINGANT] Voice: [no designation] Languages: Latin Voice Text: Patrem omni potentem General Note [Missa Terribilment. Credo] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 7, I.
86v–88	Missa Terribilment: Sanctus	[J.BERBINGANT]	Barbingant, Pierre (fl. c1445-60)
Missa Terribilment: Sanctus Barbingant, Pierre (fl. c1445-60) Appears on: 86v–88 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J.BERBINGANT] Voice: [no designation] Languages: Latin Voice Text: [Missa Terribilment] Sanctus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 7, I.
88v–90	Missa Terribilment: Agnus Dei	[J.BERBINGANT]	Barbingant, Pierre (fl. c1445-60)
Missa Terribilment: Agnus Dei Barbingant, Pierre (fl. c1445-60) Appears on: 88v–90 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J.BERBINGANT] Voice: [no designation] Languages: Latin Voice Text: [Missa Terribilment] Agnus dei Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 7, I.
90v–91	Missa [B.80-3]: Kyrie eleison	-	Anonymous
Missa [B.80-3]: Kyrie eleison Anonymous Appears on: 90v–91 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa]. Kyrie eleyson
91v–93	Missa [B.80-3]: Et in terra pax [Gloria]	-	Anonymous
Missa [B.80-3]: Et in terra pax [Gloria] Anonymous Appears on: 91v–93 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra pax
93v–95v	Missa [B.80-3]: Patrem omnipotentem [Credo]	-	Anonymous
Missa [B.80-3]: Patrem omnipotentem [Credo] Anonymous Appears on: 93v–95v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omnipotentem
96–97	Missa [B.80-3]: Sanctus	-	Anonymous
Missa [B.80-3]: Sanctus Anonymous Appears on: 96–97 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Missa] Sanctus
97v–98v	Missa [B.80-3]: Agnus Dei	-	Anonymous
Missa [B.80-3]: Agnus Dei Anonymous Appears on: 97v–98v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
99–100	Missa L'homme armé: Kyrie	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Missa L'homme armé: Kyrie Caron, Firminus (ca. 1460–ca. 1475) Appears on: 99–100 Genres: Kyrie eleison, Mass Ordinary Source Attribution: CARON Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa L'homme arme] Kyrie General Note T:L'omme l'homme l'homme arméKyrie . . .Publ. cf. Rvat 14 n° 16
100v–102v	Missa L'homme armé: Et in terra pax [Gloria]	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa L'homme armé: Et in terra pax [Gloria] Caron, Firminus (ca. 1460–ca. 1475) Appears on: 100v–102v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: [Missa L'homme armé.Gloria] Et in terra General Note T: L'homme l'homme armé gratias agimus. Publ. cf. Rvat 14 n" 16
103–107	Missa L'homme armé. Patrem omnipotentem [Credo]	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa L'homme armé. Patrem omnipotentem [Credo] Caron, Firminus (ca. 1460–ca. 1475) Appears on: 103–107 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: [Missa L'homme armé. Credo] Patrem omnipotentem General Note T: L'homme l'homme armé et invisibilium.Publ. cf. Rvat 14 n" 16
107v–110	Missa L'homme armé: Sanctus	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa L'homme armé: Sanctus Caron, Firminus (ca. 1460–ca. 1475) Appears on: 107v–110 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: [Missa L'homme armé] Sanctus General Note Publ. cf. Rvat 14 n° 16
110v–113	Missa L'homme armé: Agnus Dei	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa L'homme armé: Agnus Dei Caron, Firminus (ca. 1460–ca. 1475) Appears on: 110v–113 Genres: Agnus Dei, Mass Ordinary Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: [Missa L'homme armé] Agnus dei General Note Publ. cf. Rvat 14 n' 16
113v–114	Missa [B.80-4]: Kyrie eleison	-	Anonymous
Missa [B.80-4]: Kyrie eleison Anonymous Appears on: 113v–114 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa]. Kyrie eleyson
114v–116	Missa [B.80-4]: Et in terra pax [Gloria]	-	Anonymous
Missa [B.80-4]: Et in terra pax [Gloria] Anonymous Appears on: 114v–116 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa. Gloria] Et in terra
116v–118	Missa [B.80-4]: Patrem omnipotentem [Credo]	-	Anonymous
Missa [B.80-4]: Patrem omnipotentem [Credo] Anonymous Appears on: 116v–118 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omipotentem
118–120	Missa [B.80-4]: Sanctus	-	Anonymous
Missa [B.80-4]: Sanctus Anonymous Appears on: 118–120 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa].Sanctus
120v–121v	Missa [B.80-4]: Agnus Dei	-	Anonymous
Missa [B.80-4]: Agnus Dei Anonymous Appears on: 120v–121v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
122–122v	Missa [B.80-5]: Kyrie eleison	-	Anonymous
Missa [B.80-5]: Kyrie eleison Anonymous Appears on: 122–122v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa]. Kyrie eleyson
123–124	Missa [B.80-5]: Et in terra pax [Gloria]	-	Anonymous
Missa [B.80-5]: Et in terra pax [Gloria] Anonymous Appears on: 123–124 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra pax
124v–126	Missa [B.80-5]: Patrem omnipotentem [Credo]	-	Anonymous
Missa [B.80-5]: Patrem omnipotentem [Credo] Anonymous Appears on: 124v–126 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omnipotentem
126v–128	Missa [B.80-5]: Sanctus	-	Anonymous
Missa [B.80-5]: Sanctus Anonymous Appears on: 126v–128 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa.] Sanctus
128v–129	Missa [B.80-5]: Agnus Dei	-	Anonymous
Missa [B.80-5]: Agnus Dei Anonymous Appears on: 128v–129 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
129v–131	Missa [B.80-6]: Kyrie	-	Anonymous
Missa [B.80-6]: Kyrie Anonymous Appears on: 129v–131 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa.] Kyrie eleyson
131v–134	Missa [B.80-6]: Gloria	-	Anonymous
Missa [B.80-6]: Gloria Anonymous Appears on: 131v–134 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra pax
134v–137	Missa [B.80-6]: Credo	-	Anonymous
Missa [B.80-6]: Credo Anonymous Appears on: 134v–137 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omnipotentem
137v–141	Missa [B.80-6]: Sanctus	-	Anonymous
Missa [B.80-6]: Sanctus Anonymous Appears on: 137v–141 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa.] Sanctus
141v–143	Missa [B.80-6]: Agnus Dei	-	Anonymous
Missa [B.80-6]: Agnus Dei Anonymous Appears on: 141v–143 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa.] Agnus Dei
143v–144, 153v-154	Missa Sine nomine [B.80-7] (tone 5 irregular): Kyrie	EGIDIUS CERVELLI	Cervelli, Egidius
Missa Sine nomine [B.80-7] (tone 5 irregular): Kyrie Cervelli, Egidius Appears on: 143v–144, 153v-154 Genres: Kyrie eleison, Mass Ordinary Source Attribution: EGIDIUS CERVELLI Voice: [no designation] Languages: Latin Voice Text: [Missa.] Kyrie eleyson
144v–146	Missa Sine nomine [B.80-7] (tone 5 irregular): Gloria	P.DE DOMARTO	Domarto, Petrus de
Missa Sine nomine [B.80-7] (tone 5 irregular): Gloria Domarto, Petrus de Appears on: 144v–146 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: P.DE DOMARTO Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra pax
146v–149	Missa Sine nomine [B.80-7] (tone 5 irregular): Credo	-	Domarto, Petrus de (?)
Missa Sine nomine [B.80-7] (tone 5 irregular): Credo Domarto, Petrus de (?) Appears on: 146v–149 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omnipotentem
149v–152	Missa Sine nomine [B.80-7] (tone 5 irregular): Sanctus	-	Domarto, Petrus de (?)
Missa Sine nomine [B.80-7] (tone 5 irregular): Sanctus Domarto, Petrus de (?) Appears on: 149v–152 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa.] Sanctus
152v–154	Missa Sine nomine [B.80-7] (tone 5 irregular): Agnus Dei	-	Domarto, Petrus de
Missa Sine nomine [B.80-7] (tone 5 irregular): Agnus Dei Domarto, Petrus de Appears on: 152v–154 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa.] Agnus Dei
154v–155	Missa Pour l'amour: Kyrie	-	Anonymous
Missa Pour l'amour: Kyrie Anonymous Appears on: 154v–155 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa.] Kyrie eleyson
155v–158	Missa Pour l'amour: Gloria	-	Anonymous
Missa Pour l'amour: Gloria Anonymous Appears on: 155v–158 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra pax General Note T: Pour l'amour d'une gratias agimus tibi.
158v–161	Missa Pour l'amour: Credo	-	Anonymous
Missa Pour l'amour: Credo Anonymous Appears on: 158v–161 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omnipotentem General Note T: Pour l'amour d'une Et ex pâtre
161v–164	Missa Pour l'amour: Sanctus	-	Anonymous
Missa Pour l'amour: Sanctus Anonymous Appears on: 161v–164 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa.] Sanctus General Note T: Pour l'amour d'une Sanctus
164v–166	Missa Pour l'amour: Agnus Dei	-	Anonymous
Missa Pour l'amour: Agnus Dei Anonymous Appears on: 164v–166 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa.] Agnus Dei
166v–169	Missa Thomas cesus: Kyrie	-	Anonymous
Missa Thomas cesus: Kyrie Anonymous Appears on: 166v–169 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa.] Kyrie eleyson General Note T: Thomas Iesus dum datur funeri
169v–172	Missa Thomas cesus: Gloria	-	Anonymous
Missa Thomas cesus: Gloria Anonymous Appears on: 169v–172 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra pax General Note T: Thomas Iesus Et in terra pax hominibus.
172v–175	Missa Thomas cesus: Credo	-	Anonymous
Missa Thomas cesus: Credo Anonymous Appears on: 172v–175 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem omnipotentem General Note T: Thomas dum datur.
175v–178	Missa Thomas cesus: Sanctus	-	Anonymous
Missa Thomas cesus: Sanctus Anonymous Appears on: 175v–178 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa.] Sanctus
178v–181	Missa Thomas cesus: Agnus Dei	-	Anonymous
Missa Thomas cesus: Agnus Dei Anonymous Appears on: 178v–181 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa.] Agnus Dei
181v	Conditor alme siderum	-	Anonymous
Conditor alme siderum Anonymous Appears on: 181v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem General Note Hymnus prime dominice adventus
182	Te Deum laudamus	G. DUFAY]	Du Fay, Guillaume (1397–1474)
Te Deum laudamus Du Fay, Guillaume (1397–1474) Appears on: 182 Genres: Te Deum Source Attribution: G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus Concordances Bent Q15 states that the setting here is Christe redemptor = Bc 15 no. 305? General Note In festo omnium sanctorum. Publ. cf. Bc 15 n° 295 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
182v	Hostis Herodes impie	-	Anonymous
Hostis Herodes impie Anonymous Appears on: 182v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hostis Herodes impie General Note In epyphania dominum.
183	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 183 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella General Note In sancte Marie solemnitatibus. Item Bibliography Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: II.
183v	Jesu nostra redemptio	-	Anonymous
Jesu nostra redemptio Anonymous Appears on: 183v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Jhesu nostra redemptio
184	Veni creator spiritus	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Veni creator spiritus Du Fay, Guillaume (1397–1474) Appears on: 184 Genres: Hymn, Veni creator spiritus Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: De sancto spiritu. Veni creator spiritus General Note Publ. cf. Bc 15 n» 299 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
184v	O lux beata	G. DUFAY]	Du Fay, Guillaume (1397–1474)
O lux beata Du Fay, Guillaume (1397–1474) Appears on: 184v Genres: Hymn Source Attribution: G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas General Note Publ. cf. Bc 15 n° 300 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
185	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 185 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi
185v	Aeternae rex altissimae	-	Anonymous
Aeternae rex altissimae Anonymous Appears on: 185v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Eterne rex altissime
186	Aurea luce et decore roseo	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Aurea luce et decore roseo Du Fay, Guillaume (1397–1474) Appears on: 186 Genres: Hymn Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Aurea luce et decore General Note Publ. cf. Bc 15 n° 309 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
186v	Lucis creator optime	-	Anonymous
Lucis creator optime Anonymous Appears on: 186v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lucis creator optime
187	Urbs beata Jerusalem	-	Anonymous
Urbs beata Jerusalem Anonymous Appears on: 187 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: In dedicatione. Urbs beata Jherusalem
187v	Deus tuorum militum (Hic nempe mundi gaudia)	G. DUFAY]	Du Fay, Guillaume (1397–1474)
Deus tuorum militum (Hic nempe mundi gaudia) Du Fay, Guillaume (1397–1474) Appears on: 187v Genres: Hymn Source Attribution: G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum General Note Publ. cf. Bc 15 n° 311. New T and CT Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
188	Jesu corona virginum	-	Anonymous
Jesu corona virginum Anonymous Appears on: 188 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De virginibus. Jhesu corona virginum .
188v	Sanctorum meritis inclita gaudia	-	Anonymous
Sanctorum meritis inclita gaudia Anonymous Appears on: 188v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctorum meritis inclita gaudia Item Bibliography Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: II.
189	Ad caenam agni providi Cuius corpus sanctissimum	-	Anonymous
Ad caenam agni providi Cuius corpus sanctissimum Anonymous Appears on: 189 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad cenam agni providi
189v	Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] Du Fay, Guillaume (1397–1474) Appears on: 189v Genres: Hymn Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: De apostolis. Exultet celum laudïbus General Note Publ. cf. Bc 15 n° 310 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
190	Audi benigne conditor	-	Anonymous
Audi benigne conditor Anonymous Appears on: 190 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Audi benigne conditor
190v	Vexilla regis prodeunt	-	Anonymous
Vexilla regis prodeunt Anonymous Appears on: 190v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vexilla regis prodeunt
191	Adesto sancta trinitas	-	Anonymous
Adesto sancta trinitas Anonymous Appears on: 191 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adesto sancta trinitas
191v–193v	Magnificat primi toni: Anima mea [K.124]	-	Anonymous
Magnificat primi toni: Anima mea [K.124] Anonymous Appears on: 191v–193v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Primi toni. [Magnificat] anima mea General Note Verset imp.
194	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 194 Genres: Ave maris stella, BVM, Hymn Voice: [no designation] Languages: Latin Voice Text: Hymnus in virginis beate. Ave maris stella
194v–196	Magnificat primi toni. Anima mea [K.125]	-	Anonymous
Magnificat primi toni. Anima mea [K.125] Anonymous Appears on: 194v–196 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] anima mea General Note Versets imp.
196v–198	Magnificat primi toni: Anima mea [K.746]	[G. DUFAY ou G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460) Du Fay, Guillaume (1397–1474) (?)
Magnificat primi toni: Anima mea [K.746] Binchois, Gilles (ca. 1400–1460) Du Fay, Guillaume (1397–1474) (?) Appears on: 196v–198 Genres: BVM, Magnificat, Motet Source Attribution: [G. DUFAY ou G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Primi toni. [Magnificat] anima mea General Note Versets imp. Publ. cf. Bu 2216 n° 68 (avec sérieuses variantes cf. KirschDQ n° 746)
198v–200	Magnificat secundi toni: Anima mea [K.617]	[G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460) (?)
Magnificat secundi toni: Anima mea [K.617] Binchois, Gilles (ca. 1400–1460) (?) Appears on: 198v–200 Genres: BVM, Canticle, Magnificat Source Attribution: [G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Secundi toni. [Magnificat] anima mea General Note Versets imp. Publ. cf. Fn 112bis n° 21; Third voice added to original two-part setting of odd-numbered verses
200v–203	Magnificat 3 & 4 toni. Anima mea [K.747]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Magnificat 3 & 4 toni. Anima mea [K.747] Du Fay, Guillaume (1397–1474) Appears on: 200v–203 Genres: BVM, Canticle, Magnificat Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Tertii et quarti toni. [Magnificat] anima mea General Note Versets imp. Publ. cf. Md 2269 n» 14
203v–205	Magnificat quinti toni. Anima mea [K.748]	G. DUFAY]	Du Fay, Guillaume (1397–1474)
Magnificat quinti toni. Anima mea [K.748] Du Fay, Guillaume (1397–1474) Appears on: 203v–205 Genres: BVM, Canticle, Magnificat Source Attribution: G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Quinti toni. [Magnificat] anima mea General Note Versets imp.Publ. cf. MOeX.l.lln-40 This version sets the odd verses to polyphony; the copy in ModB sets the even verses (& v1). ModB is the earlier copy; and PlanchartD considers the text underlay in v3 in this ms 'so clumsy' that polyphony in the even verses must have been Du Fay's intention.
205v–207	Magnificat Secundi Toni: Anima mea [K.754]	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Magnificat Secundi Toni: Anima mea [K.754] Dunstaple, John (ca. 1390–1453) Appears on: 205v–207 Genres: BVM, Canticle, Magnificat Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Secundi toni. [Magnificat] anima mea General Note Versets impPubl. cf. MOeX.l.lln<>34; alternative version
207v–209	Magnificat sexti toni: Anima mea [K.749]	[G. DUFAY ou J. DUNSTABLE* ou G. BINCHOIS]	Du Fay, Guillaume (1397–1474) Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)
Magnificat sexti toni: Anima mea [K.749] Du Fay, Guillaume (1397–1474) Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 207v–209 Genres: BVM, Canticle, Magnificat Source Attribution: [G. DUFAY ou J. DUNSTABLE* ou G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Sexti toni. [Magnificat] anima mea General Note Versets imp. Publ. cf. Bc 15 n" 162 Concordances D-brd-Mbs 3232 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition.* 2 vols. Lucca: Lim Editrice.
209v–211	Magnificat septimi toni: Anima mea [K.354]	-	Anonymous
Magnificat septimi toni: Anima mea [K.354] Anonymous Appears on: 209v–211 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Septimi toni. [Magnificat] anima mea General Note Versets imp. Item Bibliography Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: II.
211v–213	Magnificat octavi toni: Anima mea [K.750]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Magnificat octavi toni: Anima mea [K.750] Du Fay, Guillaume (1397–1474) Appears on: 211v–213 Genres: BVM, Canticle, Magnificat Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Octavi toni. [Magnificat] anima mea General Note Versets imp. Publ. cf. Fn 112bis n° 23
213v	Magnificat quarti toni: Anima mea [K.239]	-	Anonymous
Magnificat quarti toni: Anima mea [K.239] Anonymous Appears on: 213v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Quarti toni. [Magnificat] anima mea General Note incomplete. Versets 1 et 3. Sup. seul'
214v–216	Magnificat octavi toni: Anima mea [K.375]	-	Anonymous
Magnificat octavi toni: Anima mea [K.375] Anonymous Appears on: 214v–216 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Octavi toni. [Magnificat] anima mea General Note Versets imp
216v–218	Magnificat primi toni: Anima mea [K.126]	-	Anonymous
Magnificat primi toni: Anima mea [K.126] Anonymous Appears on: 216v–218 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Primi toni. [Magnificat] anima mea General Note Versets imp Item Bibliography Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: II.
219	Hymnus unius confessoris. Iste confessor	-	Anonymous
Hymnus unius confessoris. Iste confessor Anonymous Appears on: 219 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Hymnus unius confessoris. Iste confessor
219v–224	Magnificat octavi toni: Anima mea [K.368]	-	Busnoys, Antoine (ca. 1430–1492) (?)
Magnificat octavi toni: Anima mea [K.368] Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 219v–224 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] anima mea General Note Publ. cf. Md 2269 n° 16Tous les versets 2 à 4vx. The piece is probably by Busnois, being very like the attributed Busnois Magnificat in Brussels 5557 [R J Mitchell].
224v–226	O beata infantia - 1a pars (of 2): O beata infantia	-	Anonymous
O beata infantia - 1a pars (of 2): O beata infantia Anonymous Appears on: 224v–226 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O beata infantia
224v–226	O beata infantia - 2a pars (of 2): O praesepe splendidum	-	Anonymous
O beata infantia - 2a pars (of 2): O praesepe splendidum Anonymous Appears on: 224v–226 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O beata infantia
226v–228	Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur	[J. PYLLOIS]*	Pullois, Johannes
Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur Pullois, Johannes Appears on: 226v–228 Genres: Motet Source Attribution: [J. PYLLOIS]* Voice: [no designation] Languages: Latin Voice Text: Flos de spina procreatur General Note Publ. cf. Md 2269 n° 83 Concordances CS-Ppnp DG.IV.47
226v–228	Flos de spina - 2a pars (of 2): Quod celerat umbra legis	[J. PYLLOIS]*	Pullois, Johannes
Flos de spina - 2a pars (of 2): Quod celerat umbra legis Pullois, Johannes Appears on: 226v–228 Genres: Motet Source Attribution: [J. PYLLOIS]* Voice: [no designation] Languages: Latin Voice Text: Flos de spina procreatur General Note Publ. cf. Md 2269 n° 83 Concordances CS-Ppnp DG.IV.47
228v	Aures ad nostras (Respice clemens)	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Aures ad nostras (Respice clemens) Du Fay, Guillaume (1397–1474) Appears on: 228v Genres: Motet Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Aures ad nostras deitatis General Note Hymnus. Publ. cf. MOe X.1.11. n° 7
229	Lux perpetua lucebit sanctis tuis	-	Anonymous
Lux perpetua lucebit sanctis tuis Anonymous Appears on: 229 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lux perpetua lucebit sanctis tuis
229v	Veni sponsa Christi	-	Anonymous
Veni sponsa Christi Anonymous Appears on: 229v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi
230	Qui vult venire post me	-	Anonymous
Qui vult venire post me Anonymous Appears on: 230 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui vult venire post me
230v	O doctor optime [ii]	-	Anonymous
O doctor optime [ii] Anonymous Appears on: 230v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O doctor optime
231	Iste sanctus - 2a pars (of 2): Istorum est enim regnum caelorum	-	Anonymous
Iste sanctus - 2a pars (of 2): Istorum est enim regnum caelorum Anonymous Appears on: 231 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Istorum est enim regnum caelorum
231v	Sacerdos et pontifex	-	Anonymous
Sacerdos et pontifex Anonymous Appears on: 231v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sacerdos et pontifex
232	Iste sanctus - 1a pars (of 2): Iste sanctus pro lege Dei	-	Anonymous
Iste sanctus - 1a pars (of 2): Iste sanctus pro lege Dei Anonymous Appears on: 232 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iste sanctus pro lege dei
232v	Qui vult venire post me	-	Anonymous
Qui vult venire post me Anonymous Appears on: 232v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui vult venire post me
233	Petrus apostolus et Paulus doctor	-	Anonymous
Petrus apostolus et Paulus doctor Anonymous Appears on: 233 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Petrus apostolus et Paulus doctor
233v	Da pacem domine in diebus nostris (only Sup.)	-	Anonymous
Da pacem domine in diebus nostris (only Sup.) Anonymous Appears on: 233v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Da pacem domine] in diebus nostris Sup. seul'
234	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 234 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
234v	Hic vir despiciens	-	Du Fay, Guillaume (1397–1474)
Hic vir despiciens Du Fay, Guillaume (1397–1474) Appears on: 234v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hic vir despiciens
235	O quam metuendus est locus iste vere	-	Anonymous
O quam metuendus est locus iste vere Anonymous Appears on: 235 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O quam metuendus est locus iste vere
235v	Crucem sanctam subiit qui infernum	-	Anonymous
Crucem sanctam subiit qui infernum Anonymous Appears on: 235v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Crucem sanctam subiit qui infernum
236	Dum esset summus pontifex	-	Anonymous
Dum esset summus pontifex Anonymous Appears on: 236 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dum esset summus pontifex
236v	Veni sponsa Christi	-	Anonymous
Veni sponsa Christi Anonymous Appears on: 236v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi
237	Prudentes virgines	-	Anonymous
Prudentes virgines Anonymous Appears on: 237 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Prudentes virgines
237v	Similabo eum viro	-	Anonymous
Similabo eum viro Anonymous Appears on: 237v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Similabo eum viro
238	Tradent enim vos in conciliis et in synagogis	-	Anonymous
Tradent enim vos in conciliis et in synagogis Anonymous Appears on: 238 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tradent enim vos in conciliis et in synagogis
238v	Estote fortes in bello et pugnate	-	Anonymous
Estote fortes in bello et pugnate Anonymous Appears on: 238v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Estote fortes in bello et pugnate
239v–240	Asperges me Domine (II)	[G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Asperges me Domine (II) Binchois, Gilles (ca. 1400–1460) Appears on: 239v–240 Genres: Asperges me, Motet Source Attribution: [G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Asperges me Domine hysopo General Note (version 2) Publ. cf. Bc 15 n° 110 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
240v–241	Vidi aquam - 1a pars (of 3): Vidi aquam egredientem de templo	-	Anonymous
Vidi aquam - 1a pars (of 3): Vidi aquam egredientem de templo Anonymous Appears on: 240v–241 Genres: Antiphon Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem
241v–242	Vidi aquam - 2a pars (of 3): Et omnes ad quos pervenit	-	Anonymous
Vidi aquam - 2a pars (of 3): Et omnes ad quos pervenit Anonymous Appears on: 241v–242 Genres: Antiphon
241v–242	Vidi aquam - 3a pars (of 3): Salvi facti sunt	-	Anonymous
Vidi aquam - 3a pars (of 3): Salvi facti sunt Anonymous Appears on: 241v–242 Genres: Antiphon Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem
242v–246	Te Deum laudamus	[G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Te Deum laudamus Binchois, Gilles (ca. 1400–1460) Appears on: 242v–246 Genres: Liturgical work, Te Deum Source Attribution: [G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus General Note Publ. cf. Md 2269 n» 82
246v–248v	Hostis Herodes impie Hostis Herodes impie	-	Anonymous
Hostis Herodes impie Hostis Herodes impie Anonymous Appears on: 246v–248v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie] Hostis Herodes impie

Composer	Compositions
Anonymous	Ad caenam agni providi Cuius corpus sanctissimum – 189 Adesto sancta trinitas – 191 Aeternae rex altissimae – 185v Audi benigne conditor – 190 Ave maris stella – 194 Ave maris stella – 183 Conditor alme siderum – 181v Crucem sanctam subiit qui infernum – 235v Da pacem Domine in diebus nostris – 234 Da pacem Domine in diebus nostris – 38v Da pacem domine in diebus nostris (only Sup.) – 233v Dum esset summus pontifex – 236 Estote fortes in bello et pugnate – 238v Hostis Herodes impie – 182v Hostis Herodes impie Hostis Herodes impie – 246v–248v Hymnus unius confessoris. Iste confessor – 219 Iste sanctus - 1a pars (of 2): Iste sanctus pro lege Dei – 232 Iste sanctus - 2a pars (of 2): Istorum est enim regnum caelorum – 231 Jesu corona virginum – 188 Jesu nostra redemptio – 183v Lucis creator optime – 186v Lux perpetua lucebit sanctis tuis – 229 Magnificat octavi toni: Anima mea [K.375] – 214v–216 Magnificat primi toni. Anima mea [K.125] – 194v–196 Magnificat primi toni: Anima mea [K.124] – 191v–193v Magnificat primi toni: Anima mea [K.126] – 216v–218 Magnificat quarti toni: Anima mea [K.239] – 213v Magnificat septimi toni: Anima mea [K.354] – 209v–211 Missa Au chant de l'alouette: Agnus Dei – 7v–9 Missa Au chant de l'alouette: Et in terra pax [Gloria] pa – 2v–3 Missa Au chant de l'alouette: Kyrie – 1v–2 Missa Au chant de l'alouette: Patrem omnipotentem [Credo] – 3v–5 Missa Au chant de l'alouette: Sanctus – 5v–7 Missa D'un aultre amer: Agnus Dei – 59v–61 Missa D'un aultre amer: Credo Patrem omnipotentem – 52v–56 Missa D'un aultre amer: Gloria Et in terra – 50v–52 Missa D'un aultre amer: Kyrie – 49v–50 Missa D'un aultre amer: Sanctus – 56v–59 Missa Pour l'amour: Agnus Dei – 164v–166 Missa Pour l'amour: Credo – 158v–161 Missa Pour l'amour: Gloria – 155v–158 Missa Pour l'amour: Kyrie – 154v–155 Missa Pour l'amour: Sanctus – 161v–164 Missa Thomas cesus: Agnus Dei – 178v–181 Missa Thomas cesus: Credo – 172v–175 Missa Thomas cesus: Gloria – 169v–172 Missa Thomas cesus: Kyrie – 166v–169 Missa Thomas cesus: Sanctus – 175v–178 Missa [B.80-2]: Agnus Dei – 69v–70v Missa [B.80-2]: Et in terra pax [Gloria] – 63v–65 Missa [B.80-2]: Kyrie eleison – 61v–63 Missa [B.80-2]: Patrem omnipotentem [Credo] – 65v–67 Missa [B.80-2]: Sanctus – 67v–69 Missa [B.80-3]: Agnus Dei – 97v–98v Missa [B.80-3]: Et in terra pax [Gloria] – 91v–93 Missa [B.80-3]: Kyrie eleison – 90v–91 Missa [B.80-3]: Patrem omnipotentem [Credo] – 93v–95v Missa [B.80-3]: Sanctus – 96–97 Missa [B.80-4]: Agnus Dei – 120v–121v Missa [B.80-4]: Et in terra pax [Gloria] – 114v–116 Missa [B.80-4]: Kyrie eleison – 113v–114 Missa [B.80-4]: Patrem omnipotentem [Credo] – 116v–118 Missa [B.80-4]: Sanctus – 118–120 Missa [B.80-5]: Agnus Dei – 128v–129 Missa [B.80-5]: Et in terra pax [Gloria] – 123–124 Missa [B.80-5]: Kyrie eleison – 122–122v Missa [B.80-5]: Patrem omnipotentem [Credo] – 124v–126 Missa [B.80-5]: Sanctus – 126v–128 Missa [B.80-6]: Agnus Dei – 141v–143 Missa [B.80-6]: Credo – 134v–137 Missa [B.80-6]: Gloria – 131v–134 Missa [B.80-6]: Kyrie – 129v–131 Missa [B.80-6]: Sanctus – 137v–141 O beata infantia - 1a pars (of 2): O beata infantia – 224v–226 O beata infantia - 2a pars (of 2): O praesepe splendidum – 224v–226 O doctor optime [ii] – 230v O quam metuendus est locus iste vere – 235 Pange lingua gloriosi corporis misterium – 185 Petrus apostolus et Paulus doctor – 38 Petrus apostolus et Paulus doctor – 233 Prudentes virgines – 237 Qui vult venire post me – 230 Qui vult venire post me – 232v Regina caeli laetare alleluia – 30v–31 Sacerdos et pontifex – 231v Sanctorum meritis inclita gaudia – 188v Similabo eum viro – 237v Tradent enim vos in conciliis et in synagogis – 238 Urbs beata Jerusalem – 187 Ut queant laxis resonare fibris – 31v Veni creator spiritus mentes tuorum – 49 Veni sponsa Christi – 236v Veni sponsa Christi – 229v Vexilla regis prodeunt – 190v Vexilla regis prodeunt. – 1 Vidi aquam - 1a pars (of 3): Vidi aquam egredientem de templo – 240v–241 Vidi aquam - 2a pars (of 3): Et omnes ad quos pervenit – 241v–242 Vidi aquam - 3a pars (of 3): Salvi facti sunt – 241v–242
Barbingant, Pierre (fl. c1445-60)	Missa Terribilment: Agnus Dei – 88v–90 Missa Terribilment: Et in terra pax [Gloria] – 81v–83 Missa Terribilment: Kyrie eleison – 80v–81 Missa Terribilment: Patrem omnipotentem [Credo] – 83v–86 Missa Terribilment: Sanctus – 86v–88 (?) Missa [B.80-1]: Agnus Dei – 47v–48 (?) Missa [B.80-1]: Et in terra pax [Gloria] – 40v–43 (?) Missa [B.80-1]: Kyrie eleison – 39v–40 (?) Missa [B.80-1]: Patrem omnipotentem [Credo] – 43v–45 (?) Missa [B.80-1]: Sanctus – 45v–47
Binchois, Gilles (ca. 1400–1460)	Asperges me Domine (II) – 239v–240 Magnificat primi toni: Anima mea [K.746] – 196v–198 (?) Magnificat secundi toni: Anima mea [K.617] – 198v–200 (?) Magnificat sexti toni: Anima mea [K.749] – 207v–209 Te Deum laudamus – 242v–246
Busnoys, Antoine (ca. 1430–1492)	(?) Magnificat octavi toni: Anima mea [K.368] – 219v–224
Caron, Firminus (ca. 1460–ca. 1475)	Missa L'homme armé. Patrem omnipotentem [Credo] – 103–107 Missa L'homme armé: Agnus Dei – 110v–113 Missa L'homme armé: Et in terra pax [Gloria] – 100v–102v Missa L'homme armé: Kyrie – 99–100 Missa L'homme armé: Sanctus – 107v–110
Cervelli, Egidius	Missa Sine nomine [B.80-7] (tone 5 irregular): Kyrie – 143v–144, 153v-154
Compère, Loyset (ca. 1445–1518)	Omnium bonorum plena - 1a pars (of 2): Omnium bonorum plena virgo parens – 27v–29 Omnium bonorum plena - 2a pars (of 2): Omnium bonorum plena peccatorum medicina – 28v–30
Despres, Josquin (ca. 1450–1521)	Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra – 32v–33 Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris – 32v–33 Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis – 32v–33 Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto – 33v–35
Domarto, Petrus de	Missa Sine nomine [B.80-7] (tone 5 irregular): Agnus Dei – 152v–154 (?) Missa Sine nomine [B.80-7] (tone 5 irregular): Credo – 146v–149 Missa Sine nomine [B.80-7] (tone 5 irregular): Gloria – 144v–146 (?) Missa Sine nomine [B.80-7] (tone 5 irregular): Sanctus – 149v–152
Du Fay, Guillaume (1397–1474)	Aurea luce et decore roseo – 186 Aures ad nostras (Respice clemens) – 228v Ave Regina caelorum (3) II: Gaude gloriosa – 25v–27 Deus tuorum militum (Hic nempe mundi gaudia) – 187v Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] – 189v Hic vir despiciens – 234v Magnificat 3 & 4 toni. Anima mea [K.747] – 200v–203 Magnificat octavi toni: Anima mea [K.750] – 211v–213 (?) Magnificat primi toni: Anima mea [K.746] – 196v–198 Magnificat quinti toni. Anima mea [K.748] – 203v–205 Magnificat sexti toni: Anima mea [K.749] – 207v–209 Missa Ave regina caelorum: Agnus Dei – 22v–25 Missa Ave regina caelorum: Credo – 15v–19 Missa Ave regina caelorum: Gloria. Et in terra – 12v–15 Missa Ave regina caelorum: Kyrie – 9v–12 Missa Ave regina caelorum: Sanctus – 19v–22 O lux beata – 184v Te Deum laudamus – 182 Veni creator spiritus – 184
Dunstaple, John (ca. 1390–1453)	Magnificat Secundi Toni: Anima mea [K.754] – 205v–207 (?) Magnificat sexti toni: Anima mea [K.749] – 207v–209
Pullois, Johannes	Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur – 226v–228 Flos de spina - 2a pars (of 2): Quod celerat umbra legis – 226v–228
Rouge, Guillaume le	Missa Soyes emprentid: Agnus Dei – 78v–80 Missa Soyes emprentid: Credo [Patrem omnipotentem – 74v–76 Missa Soyes emprentid: Et in terra pax [Gloria] – 72v–74 Missa Soyes emprentid: Kyrie – 71–72 Missa Soyes emprentid: Sanctus – 76v–78

Composition	Composers (? Uncertain)	Folios / Pages
Ad caenam agni providi Cuius corpus sanctissimum	Anonymous	189
Adesto sancta trinitas	Anonymous	191
Aeternae rex altissimae	Anonymous	185v
Asperges me Domine (II)	Binchois, Gilles (ca. 1400–1460)	239v–240
Audi benigne conditor	Anonymous	190
Aurea luce et decore roseo	Du Fay, Guillaume (1397–1474)	186
Aures ad nostras (Respice clemens)	Du Fay, Guillaume (1397–1474)	228v
Ave maris stella	Anonymous	183
Ave maris stella	Anonymous	194
Ave Regina caelorum (3) II: Gaude gloriosa	Du Fay, Guillaume (1397–1474)	25v–27
Conditor alme siderum	Anonymous	181v
Crucem sanctam subiit qui infernum	Anonymous	235v
Da pacem Domine in diebus nostris	Anonymous	38v
Da pacem Domine in diebus nostris	Anonymous	234
Da pacem domine in diebus nostris (only Sup.)	Anonymous	233v
Deus tuorum militum (Hic nempe mundi gaudia)	Du Fay, Guillaume (1397–1474)	187v
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra	Despres, Josquin (ca. 1450–1521)	32v–33
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris	Despres, Josquin (ca. 1450–1521)	32v–33
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis	Despres, Josquin (ca. 1450–1521)	32v–33
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto	Despres, Josquin (ca. 1450–1521)	33v–35
Dum esset summus pontifex	Anonymous	236
Estote fortes in bello et pugnate	Anonymous	238v
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	Du Fay, Guillaume (1397–1474)	189v
Flos de spina - 1a pars (of 2): Flos de spina procreatur et flos flore fecundatur	Pullois, Johannes	226v–228
Flos de spina - 2a pars (of 2): Quod celerat umbra legis	Pullois, Johannes	226v–228
Hic vir despiciens	Du Fay, Guillaume (1397–1474)	234v
Hostis Herodes impie	Anonymous	182v
Hostis Herodes impie Hostis Herodes impie	Anonymous	246v–248v
Hymnus unius confessoris. Iste confessor	Anonymous	219
Iste sanctus - 1a pars (of 2): Iste sanctus pro lege Dei	Anonymous	232
Iste sanctus - 2a pars (of 2): Istorum est enim regnum caelorum	Anonymous	231
Jesu corona virginum	Anonymous	188
Jesu nostra redemptio	Anonymous	183v
Lucis creator optime	Anonymous	186v
Lux perpetua lucebit sanctis tuis	Anonymous	229
Magnificat 3 & 4 toni. Anima mea [K.747]	Du Fay, Guillaume (1397–1474)	200v–203
Magnificat octavi toni: Anima mea [K.368]	Busnoys, Antoine (ca. 1430–1492) (?)	219v–224
Magnificat octavi toni: Anima mea [K.375]	Anonymous	214v–216
Magnificat octavi toni: Anima mea [K.750]	Du Fay, Guillaume (1397–1474)	211v–213
Magnificat primi toni. Anima mea [K.125]	Anonymous	194v–196
Magnificat primi toni: Anima mea [K.124]	Anonymous	191v–193v
Magnificat primi toni: Anima mea [K.126]	Anonymous	216v–218
Magnificat primi toni: Anima mea [K.746]	Binchois, Gilles (ca. 1400–1460) Du Fay, Guillaume (1397–1474) (?)	196v–198
Magnificat quarti toni: Anima mea [K.239]	Anonymous	213v
Magnificat quinti toni. Anima mea [K.748]	Du Fay, Guillaume (1397–1474)	203v–205
Magnificat secundi toni: Anima mea [K.617]	Binchois, Gilles (ca. 1400–1460) (?)	198v–200
Magnificat Secundi Toni: Anima mea [K.754]	Dunstaple, John (ca. 1390–1453)	205v–207
Magnificat septimi toni: Anima mea [K.354]	Anonymous	209v–211
Magnificat sexti toni: Anima mea [K.749]	Du Fay, Guillaume (1397–1474) Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)	207v–209
Missa [B.80-1]: Agnus Dei	Barbingant, Pierre (fl. c1445-60) (?)	47v–48
Missa [B.80-1]: Et in terra pax [Gloria]	Barbingant, Pierre (fl. c1445-60) (?)	40v–43
Missa [B.80-1]: Kyrie eleison	Barbingant, Pierre (fl. c1445-60) (?)	39v–40
Missa [B.80-1]: Patrem omnipotentem [Credo]	Barbingant, Pierre (fl. c1445-60) (?)	43v–45
Missa [B.80-1]: Sanctus	Barbingant, Pierre (fl. c1445-60) (?)	45v–47
Missa [B.80-2]: Agnus Dei	Anonymous	69v–70v
Missa [B.80-2]: Et in terra pax [Gloria]	Anonymous	63v–65
Missa [B.80-2]: Kyrie eleison	Anonymous	61v–63
Missa [B.80-2]: Patrem omnipotentem [Credo]	Anonymous	65v–67
Missa [B.80-2]: Sanctus	Anonymous	67v–69
Missa [B.80-3]: Agnus Dei	Anonymous	97v–98v
Missa [B.80-3]: Et in terra pax [Gloria]	Anonymous	91v–93
Missa [B.80-3]: Kyrie eleison	Anonymous	90v–91
Missa [B.80-3]: Patrem omnipotentem [Credo]	Anonymous	93v–95v
Missa [B.80-3]: Sanctus	Anonymous	96–97
Missa [B.80-4]: Agnus Dei	Anonymous	120v–121v
Missa [B.80-4]: Et in terra pax [Gloria]	Anonymous	114v–116
Missa [B.80-4]: Kyrie eleison	Anonymous	113v–114
Missa [B.80-4]: Patrem omnipotentem [Credo]	Anonymous	116v–118
Missa [B.80-4]: Sanctus	Anonymous	118–120
Missa [B.80-5]: Agnus Dei	Anonymous	128v–129
Missa [B.80-5]: Et in terra pax [Gloria]	Anonymous	123–124
Missa [B.80-5]: Kyrie eleison	Anonymous	122–122v
Missa [B.80-5]: Patrem omnipotentem [Credo]	Anonymous	124v–126
Missa [B.80-5]: Sanctus	Anonymous	126v–128
Missa [B.80-6]: Agnus Dei	Anonymous	141v–143
Missa [B.80-6]: Credo	Anonymous	134v–137
Missa [B.80-6]: Gloria	Anonymous	131v–134
Missa [B.80-6]: Kyrie	Anonymous	129v–131
Missa [B.80-6]: Sanctus	Anonymous	137v–141
Missa Au chant de l'alouette: Agnus Dei	Anonymous	7v–9
Missa Au chant de l'alouette: Et in terra pax [Gloria] pa	Anonymous	2v–3
Missa Au chant de l'alouette: Kyrie	Anonymous	1v–2
Missa Au chant de l'alouette: Patrem omnipotentem [Credo]	Anonymous	3v–5
Missa Au chant de l'alouette: Sanctus	Anonymous	5v–7
Missa Ave regina caelorum: Agnus Dei	Du Fay, Guillaume (1397–1474)	22v–25
Missa Ave regina caelorum: Credo	Du Fay, Guillaume (1397–1474)	15v–19
Missa Ave regina caelorum: Gloria. Et in terra	Du Fay, Guillaume (1397–1474)	12v–15
Missa Ave regina caelorum: Kyrie	Du Fay, Guillaume (1397–1474)	9v–12
Missa Ave regina caelorum: Sanctus	Du Fay, Guillaume (1397–1474)	19v–22
Missa D'un aultre amer: Agnus Dei	Anonymous	59v–61
Missa D'un aultre amer: Credo Patrem omnipotentem	Anonymous	52v–56
Missa D'un aultre amer: Gloria Et in terra	Anonymous	50v–52
Missa D'un aultre amer: Kyrie	Anonymous	49v–50
Missa D'un aultre amer: Sanctus	Anonymous	56v–59
Missa L'homme armé. Patrem omnipotentem [Credo]	Caron, Firminus (ca. 1460–ca. 1475)	103–107
Missa L'homme armé: Agnus Dei	Caron, Firminus (ca. 1460–ca. 1475)	110v–113
Missa L'homme armé: Et in terra pax [Gloria]	Caron, Firminus (ca. 1460–ca. 1475)	100v–102v
Missa L'homme armé: Kyrie	Caron, Firminus (ca. 1460–ca. 1475)	99–100
Missa L'homme armé: Sanctus	Caron, Firminus (ca. 1460–ca. 1475)	107v–110
Missa Pour l'amour: Agnus Dei	Anonymous	164v–166
Missa Pour l'amour: Credo	Anonymous	158v–161
Missa Pour l'amour: Gloria	Anonymous	155v–158
Missa Pour l'amour: Kyrie	Anonymous	154v–155
Missa Pour l'amour: Sanctus	Anonymous	161v–164
Missa Sine nomine [B.80-7] (tone 5 irregular): Agnus Dei	Domarto, Petrus de	152v–154
Missa Sine nomine [B.80-7] (tone 5 irregular): Credo	Domarto, Petrus de (?)	146v–149
Missa Sine nomine [B.80-7] (tone 5 irregular): Gloria	Domarto, Petrus de	144v–146
Missa Sine nomine [B.80-7] (tone 5 irregular): Kyrie	Cervelli, Egidius	143v–144, 153v-154
Missa Sine nomine [B.80-7] (tone 5 irregular): Sanctus	Domarto, Petrus de (?)	149v–152
Missa Soyes emprentid: Agnus Dei	Rouge, Guillaume le	78v–80
Missa Soyes emprentid: Credo [Patrem omnipotentem	Rouge, Guillaume le	74v–76
Missa Soyes emprentid: Et in terra pax [Gloria]	Rouge, Guillaume le	72v–74
Missa Soyes emprentid: Kyrie	Rouge, Guillaume le	71–72
Missa Soyes emprentid: Sanctus	Rouge, Guillaume le	76v–78
Missa Terribilment: Agnus Dei	Barbingant, Pierre (fl. c1445-60)	88v–90
Missa Terribilment: Et in terra pax [Gloria]	Barbingant, Pierre (fl. c1445-60)	81v–83
Missa Terribilment: Kyrie eleison	Barbingant, Pierre (fl. c1445-60)	80v–81
Missa Terribilment: Patrem omnipotentem [Credo]	Barbingant, Pierre (fl. c1445-60)	83v–86
Missa Terribilment: Sanctus	Barbingant, Pierre (fl. c1445-60)	86v–88
Missa Thomas cesus: Agnus Dei	Anonymous	178v–181
Missa Thomas cesus: Credo	Anonymous	172v–175
Missa Thomas cesus: Gloria	Anonymous	169v–172
Missa Thomas cesus: Kyrie	Anonymous	166v–169
Missa Thomas cesus: Sanctus	Anonymous	175v–178
O beata infantia - 1a pars (of 2): O beata infantia	Anonymous	224v–226
O beata infantia - 2a pars (of 2): O praesepe splendidum	Anonymous	224v–226
O doctor optime [ii]	Anonymous	230v
O lux beata	Du Fay, Guillaume (1397–1474)	184v
O quam metuendus est locus iste vere	Anonymous	235
Omnium bonorum plena - 1a pars (of 2): Omnium bonorum plena virgo parens	Compère, Loyset (ca. 1445–1518)	27v–29
Omnium bonorum plena - 2a pars (of 2): Omnium bonorum plena peccatorum medicina	Compère, Loyset (ca. 1445–1518)	28v–30
Pange lingua gloriosi corporis misterium	Anonymous	185
Petrus apostolus et Paulus doctor	Anonymous	38
Petrus apostolus et Paulus doctor	Anonymous	233
Prudentes virgines	Anonymous	237
Qui vult venire post me	Anonymous	230
Qui vult venire post me	Anonymous	232v
Regina caeli laetare alleluia	Anonymous	30v–31
Sacerdos et pontifex	Anonymous	231v
Sanctorum meritis inclita gaudia	Anonymous	188v
Similabo eum viro	Anonymous	237v
Te Deum laudamus	Du Fay, Guillaume (1397–1474)	182
Te Deum laudamus	Binchois, Gilles (ca. 1400–1460)	242v–246
Tradent enim vos in conciliis et in synagogis	Anonymous	238
Urbs beata Jerusalem	Anonymous	187
Ut queant laxis resonare fibris	Anonymous	31v
Veni creator spiritus	Du Fay, Guillaume (1397–1474)	184
Veni creator spiritus mentes tuorum	Anonymous	49
Veni sponsa Christi	Anonymous	229v
Veni sponsa Christi	Anonymous	236v
Vexilla regis prodeunt	Anonymous	190v
Vexilla regis prodeunt.	Anonymous	1
Vidi aquam - 1a pars (of 3): Vidi aquam egredientem de templo	Anonymous	240v–241
Vidi aquam - 2a pars (of 3): Et omnes ad quos pervenit	Anonymous	241v–242
Vidi aquam - 3a pars (of 3): Salvi facti sunt	Anonymous	241v–242

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Reynolds, Christopher Alan (editor). 1986. Vatican, Biblioteca Apostolica Vaticana, San Pietro B. 80. Renaissance Music in Facsimile. New York.

Strohm, Reinhard. 1985. Music in Late Medieval Bruges. Oxford. Pages: 124,136,141-2.

Reynolds, Christopher Alan. 1982. The Music Chapel at San Pietro in Vaticano in the Later Fifteenth Century. Princeton University, Unpublished Ph.D. dissertation.

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 208,218-9, 256,270,348,365,375,390.

Blackburn, Bonnie J. 1981. A Lost Guide to Tinctoris's Teachings Recovered. Early Music History, 29-116. Pages: 36, 40.

Reynolds, Christopher Alan. 1981. The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory. Early Music History, 257-304.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology.

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 551 ,568,585-6,591-3,602-3.

Planchart, Alejandro Enrique. 1976. Guillaume Dufay's Masses: A View of the Manuscript Traditions. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7, 1974, 26-60,150-1. Brooklyn. Pages: 44-8, 151.

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson. Brooklyn: Institute of Mediaeval Music. Pages: II,ii,v-vi, 102-3.

Ward, Tom Robert. 1972. The Polyphonic Office Hymn and the Liturgy of Fifteenth Century Italy. Musica Disciplina, 161-88.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev. ed.], 163-5,193.

Hamm, Charles E. 1969. Another Barbingant Mass. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 83-90. Pittsburgh.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 51-5, 85-7, 216ff,525-30,603-12, passim.

Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xv-xvi.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: I, 202-9,240ff, 320-3,370-6, passim; II,91-5,123-4,151-6, 168-70.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 160.

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 76,130, 136-7,141,144,168,171-3.

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 166-84. Pages: 168,175.

Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 40-55.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xi.

Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,v, facing 52.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1346; VI, 1022; XI,757.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, V, passim.

Daniskas, John. 1948-55. Een bijdrage tot de geschiedenis der parodietechniek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 21-43.

Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Series I, II/3, [iii], #1.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: ll,vii,ix.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 397-530. Pages: 71-5 and musical supplement.

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