For description see Lat. lit. d. 20. f.1 now removed and bound in Lat. liturg. d. 20 (f.22). 2r has the tail end of some music, possibly an offset, although it is very clear. f. 2v blank.
| Archive | Bodleian Library, Oxford, England (GB-Ob) |
|---|---|
| Shelfmark | MS. Hatton 30 |
| Surface | Parchment |
| Format | portrait |
| Measurements | 280 x 200 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 1 composition, 1 is anonymous. |
General Description
Notation
red five-line staves, , longs and breves, and the lozenge-shaped notes of the so-called English mensural notation
Foliation
2r offset
Decoration
red-blue initials
Surface
parchment
RISM Description
RISM B/IV 1: for description see Lat. lit. d. 20. f.1 now removed and bound in Lat. liturg. d. 20 (f.22). 2r has tail end of some music, poss. offset though very clear for offset. 2v blank.
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2r
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Sets
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Worcester Fragments
Fragments of a whole · 5 sources
‡ denotes primary source study
Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: chapter 1 and opening of chapter 2 up to p. 63.
Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts V: Worcester Add. 68, Westminster Abbey 33327, Madrid Bibl. Nac. 192. Publications of Mediaeval Music Manuscripts, vol. 5. Brooklyn: Institute of Mediaeval Music.
Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 132ff.
Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents, vol. 2. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: introduction.
Dittmer, Luther A. 1957. Auszug aus The Worcester-Music-Fragments.
Dittmer, Luther A. 1957. The Dating and the Notation of the Worcester Fragments. Musica Disciplina, 11: 5-11.
Dittmer, Luther A. 1954. An English Discantuum Volumen. Musica Disciplina, 8: 19ff. Pages: 29ff.
Dittmer, Luther A. 1953. Binary Rhythm, Musical Theory and the Worcester Fragments. Musica Disciplina, 7: 39-57.
Levy, K J. 1951. New material on the early motet in England. A Report on the Princeton MS. Garrett 119. Journal of the American Musicological Society, 4: 220-239.
Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 66ff.
Bukofzer, Manfred F. 1944. "Sumer is icumen in": A Revision. .
Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co.
Hughes, Dom Anselm. 1928. Worcester Mediaeval Harmony of the Thirteenth and Fourteenth Centuries. Burnham: Plainsong and Mediaeval Music Society.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: II, 34, 62.
Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: I, 219ff.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 191, 274.
Floyer, J K, and S G Hamilton. 1906. Catalogue of Manuscripts Preserved in the Chapter Library of Worcester Cathedral.
Wooldridge, Harry Ellis, and H V Hughes (editors). 1897 and 1913. Early English Harmony from the 10th to the 15th Century. 2 vols. London: The Plainsong and Medieval Music Society.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description