GB-Ob MS. Hatton 30

Bodleian Library, Oxford, England

fragment: 14th century: c.1300

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Hatton 30
Surface Parchment
Format portrait
Measurements 280 x 200 mm
Other Identifiers
  • RISM: Worc
Notations
  • English mensural
External Links
Provenance
  • England
Contents Contains 1 composition, 1 is anonymous.
General Description

For description see Lat. lit. d. 20. f.1 now removed and bound in Lat. liturg. d. 20 (f.22). 2r has the tail end of some music, possibly an offset, although it is very clear. f. 2v blank.

DIAMM, 2017
Notation

red five-line staves, , longs and breves, and the lozenge-shaped notes of the so-called English mensural notation

DIAMM, 2017
Foliation

2r offset

DIAMM, 2017
Decoration

red-blue initials

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 1: for description see Lat. lit. d. 20. f.1 now removed and bound in Lat. liturg. d. 20 (f.22). 2r has tail end of some music, poss. offset though very clear for offset. 2v blank.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

2r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 indecipherable fragment - Anonymous

indecipherable fragment

Anonymous
Appears on: 2
Voice: [no designation]
Languages: insufficient
Voice Text: indescipherable
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
indecipherable fragment Anonymous 2

Images © Bodleian Library, Oxford

Set: Worcester Fragments

Type: Fragments of a whole

GB-Lbl Add. MS 25031 (Worcester fragments)

GB-Ob MS. Bodl. 862

GB-Ob MS. Hatton 30

GB-Ob MS. Lat. liturg. d. 20 (Worcester fragments)

GB-WO Add. 68 (Worcester fragments)

‡ denotes primary source study

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: chapter 1 and opening of chapter 2 up to p. 63.

Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts V: Worcester Add. 68, Westminster Abbey 33327, Madrid Bibl. Nac. 192. Publications of Mediaeval Music Manuscripts, vol. 5.  Brooklyn: Institute of Mediaeval Music.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 132ff.

Dittmer, Luther A. 1957. The Dating and the Notation of the Worcester Fragments. Musica Disciplina, 11: 5-11.

Dittmer, Luther A. 1957. Auszug aus The Worcester-Music-Fragments.

Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents, vol. 2.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: introduction.

Dittmer, Luther A. 1954. An English Discantuum Volumen. Musica Disciplina, 8: 19ff. Pages: 29ff.

Dittmer, Luther A. 1953. Binary Rhythm, Musical Theory and the Worcester Fragments. Musica Disciplina, 7: 39-57.

Levy, K J. 1951. New material on the early motet in England. A Report on the Princeton MS. Garrett 119. Journal of the American Musicological Society, 4: 220-239.

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: II, 66ff.

Bukofzer, Manfred F. 1944. "Sumer is icumen in": A Revision. .

Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times.  New York: W.W. Norton & Co.

Hughes, Dom Anselm. 1928. Worcester Mediaeval Harmony of the Thirteenth and Fourteenth Centuries.  Burnham: Plainsong and Mediaeval Music Society.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3.  Leipzig: Publikationen älterer Musik. Pages: II, 34, 62.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: I, 219ff.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 191, 274.

Floyer, J K, and S G Hamilton. 1906. Catalogue of Manuscripts Preserved in the Chapter Library of Worcester Cathedral.

Wooldridge, Harry Ellis, and H V Hughes (editors). 1897 and 1913. Early English Harmony from the 10th to the 15th Century. 2 vols. London: The Plainsong and Medieval Music Society.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Decoration Note; Surface Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description