I-Bsp MS Fragment E

Archivio Musicale di S Petronio, Bologna, Italy

fragment: second half of 15th century

Archive Archivio Musicale di S Petronio, Bologna, Italy (I-Bsp)
Shelfmark MS Fragment E
Surface Paper
Numbering System Foliation
Measurements 345 x 250/65 mm
Other Identifiers
  • RISM: I-Bsp Fragments XVe s
  • CCM: BolSP s.s.
Notations
  • Hufnagel
Relationships
Provenance
Contents Contains 5 compositions, 5 are anonymous.
General Description

One of a group of five fascicle-manuscripts, each containing a single piece: this fragment consists of 10 folios (5 bifolios), original size c. 395 x 270 (1 Mass; concordant with Saxilby fragment). (See also RISM description below.)

Probably copied at San Petronio; pieces possibly composed by resident musicians. These folios were found in the binding of I-Bsp MS A.XXXVIII by the archivist Sergio Paganelli in 1966 or 1967 (an earlier statement here that they had been found in covers of several 16th-century manuscripts at San Petronio, was incorrect – see RISM).

DIAMM, 2022 (rev. 2024)
Physical Description

All folios trimmed, with loss of staves of music at top and bottom, and some notes at edges.

DIAMM, 2022
Notation

black semi-mensural notation (Hufnagel)

DIAMM, 2022
Ruling

10 staves per page

DIAMM, 2022
Foliation

ff. 1-10

DIAMM, 2022
Surface

paper

DIAMM, 2022
RISM Description

RISM B/IV 5: 29 feuillets séparés tirés de la reliure du ms. A.XXXVIII lors de sa réfection en 1967 et qui constituaient primitivement 5 fascicules séparés contenant chacun une seule oeuvre mais qui n'étaient pas forcément destinés à être réunis en un seul ms. Les 4 premiers fascicules contenant 3 messes et 1 Magnificat ont été copiés de la même main sur un papier avec filigrane identique (fleur à 8 pétales) qu'on date de 1480-90, tandis que le 5e fascicule est tout à fait différent. Tous les ff. ont été rognés aux marges externes et supérieures (et aussi inférieures pour le E), supprimant ainsi le nom éventuel des compositeurs, 1 ou 2 portées en haut des ff., les premières (au v) ou les dernières (au r) notes de chaque ligne.

...

FRAGMENT E

XVe s. 10ff. Papier, 345 x 250/65 mm. Foliotation moderne. Les ff. 1 et l0v sont blancs. Notation non mesurée noire [Nagel-schrift]. 11 portées par p. dans le ms. primitif, f. 1-10

[Missa] 4vx. Kyrie, Gloria, Credo, Sanctus et Agnus, tous incompl.

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Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Magnificat = 5

Anonymous

30 paper folios, 340-5 x 225-65. All folios trimmed, with loss of some music. Originally five fascicle-manuscripts, each containing a single piece:

A. 4 folios of an original 10, original size ca. 420 x 255 (1 Mass)

B. 2 folios, original size ca. 435 x 270 (1 Magnificat)

C. 6 folios, original size ca. 470 x 260 (1 Mass)

D. 8 folios of an original 12, original size ca. 420 x 280 (1 Mass)

E. 10 folios, original size ca. 395 x 270 (1 Mass)

A-D written in white mensural notation, E in black semi-mensural notation. Watermark: Briquet #6601.

1480-90. Probably copied at San Petronio; pieces possibly composed by resident musicians. These folios were found in covers of several l6th-century manuscripts at San Petronio by the archivist, Sergio Paganelli, in 1966.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

5r

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Sets

Select a set to see its sources.

‡ denotes primary source study

Guiton, Johan. 2024. L’essor musical de la basilique de San Petronio au XVe siècle : I-Bsp, Fragments A, B, C, D, E, une relecture. Artes – Rivista di arte, letteratura e musica dell’Officina San Francesco Bologna, 3 (III): 9-36. https://doi.org/10.6092/issn.2974-7287/20844. Pages: 14–20.

Bent, Margaret, and Andrew B Wathey. 2022. Fragments of English Polyphonic Music ca. 1390–1475: A Facsimile Edition. Notes: contents list; discussion of the mass.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Strohm, Reinhard. 1993. The Rise of European Music 1380-1500.  Cambridge. Pages: 355 (n.280), 356, 388, 590-91. Notes: Identified the concordance with GB-Lla Saxilby PAR 23/1 (Saxilby Fragment).

Bent, Margaret, and Roger Bowers. 1981. The Saxilby Fragment. Early Music History, 1: 1-27. Notes: contents list; discussion of the mass.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 81f.

‡ Hamm, Charles E. 1968. Musiche del Quattrocento in S. Petronio. Revista Italiana di Musicologia, 3: 215-32. Pages: (226-230). Notes: physical description; contents list; incipits transcription (partial).

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Johan Guiton

Wednesday, 18 December, 2024

Corrected statement about the origins of the leaves and added bibliography items.

Margaret Bent

Thursday, 5 October, 2023

Bibliography updated with M Bent's publications on the mass & the concordant Saxilby fragment