P-Cug MM.48

Biblioteca Geral da Universidade, Coimbra, Portugal

manuscript of polyphony: c.1556-1559

Archive	Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug)
Shelfmark	MM.48
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	320 x 205 mm
Notations	mensural
Relationships	Monastery of Santa Cruz (copied at)
External Links	images (Portuguese Early Music)
Provenance	Coimbra, Portugal
Contents	Contains 102 compositions, 84 from 44 composers, 18 are anonymous.

General Description

The manuscript is comprised predominantly of copies of motets and other vocal polyphony, the majority of which receive textual incipits, or may be partially texted; it also includes a few instrumental (keyboard) pieces.

MS prepared in advance of copying; three original scribes; alterations and additions by different later hands as late as the 17th-century (see Rees 1995, pp. 278-81). It is closely related to P-Cug MM 242, which was entirely copied by scribe A.

1 Agnus Dei; 1 Alleluia; 1 Canção; 1 Canticle; 10 Chansons; 2 Credo; 3 Fabordões; 1 Gloria; 1 Lamentation; 2 Marian antiphons; 46 Motets; 1 Responsory; 1 Sanctus; 7 unidentified (=78). Instrumental: 13

DIAMM, 2020

Physical Description

in open score format. Manuscript shows little sign of trimming.

DIAMM, 2018

Binding

Old, possibly original, soft coves consisting of a parchment folio, apparently from a Latin dictionary, on both sides of which is Gothic script. Remains of leather ties

DIAMM, 2020

Watermark

none

DIAMM, 2020

Liminary Note

Inscription on verso of second unnumbered folio at back of MS: ‘Em os seis dias do mes de junho 1559 começei a dar lição / de tanger aos irmãos dom bras dom bernado e dom joam’,

DIAMM, 2020

Date

Inscription on last verso includes the date 1559. Manuscript probably compiled in the 1550s or 1560s, and may have been complete by 1559

DIAMM, 2020

Foliation

ii + 121 + ii folios; folios 67, 69, 118 & 125 are missing - a note in pencil records that the first two were lost by 1940. Old (possibly original) brown ink foliation at top right corner of rectos, 1-127: ff. 13 & 63 unnumbered.

DIAMM, 2020

Surface

Paper

DIAMM, 2020

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	[textless fragment]	-	Anonymous
[textless fragment] Anonymous Appears on: 1 Genres: textless Number of voices: 1
1v–3	Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	Clemens non papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 1v–3 Genres: Motet Source Attribution: Clemens non papa Number of voices: 5
3–3v	Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 3–3v Genres: Motet Number of voices: 5
4–6	Tulerunt Dominum meum et nescio ubi II: Et dum ergo fleret inclinavit se	Cadeac	Cadeac, P(ierre?)
Tulerunt Dominum meum et nescio ubi II: Et dum ergo fleret inclinavit se Cadeac, P(ierre?) Appears on: 4–6 Genres: Motet Source Attribution: Cadeac Number of voices: 5 General Note 2a pars begins on f. 5
6–7	Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris	Clemens non	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 6–7 Genres: Motet Source Attribution: Clemens non Number of voices: 5
7–8	Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 7–8 Number of voices: 5
8–9	Non conturbetur	Incertus au(tor)	Villain, Florent
Non conturbetur Villain, Florent Appears on: 8–9 Genres: Motet Source Attribution: Incertus au(tor) Number of voices: 5 Concordances RISM 1535-5, 1546-6 (whence attr to Villain)
9v–10	Ite in orbem	-	Anonymous
Ite in orbem Anonymous Appears on: 9v–10 Genres: Motet Number of voices: 5
10v–11v	Surge propera - 1a pars (of 2): Surge propera	Incertus autor	Anonymous
Surge propera - 1a pars (of 2): Surge propera Anonymous Appears on: 10v–11v Genres: Motet Source Attribution: Incertus autor Number of voices: 5 Concordances RISM 1546-7
11v–12	Surge propera - 2a pars (of 2): Hodie nata est	-	Anonymous
Surge propera - 2a pars (of 2): Hodie nata est Anonymous Appears on: 11v–12 Genres: Motet Number of voices: 5 Concordances RISM 1546-7
12v–14	Quem dicunt homines	Cor. Canis	Canis, Cornelius
Quem dicunt homines Canis, Cornelius Appears on: 12v–14 Genres: Motet Source Attribution: Cor. Canis Number of voices: 5 General Note textless Concordances RISM 1546-7
15–16	Adjuva nos Deus salutaris noster	Tomas Cre(cquillon)	Crecquillon, Thomas (ca. 1505–ca. 1557)
Adjuva nos Deus salutaris noster Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 15–16 Genres: Motet Source Attribution: Tomas Cre(cquillon) Number of voices: 5
16–18	Hodie beata virgo Maria puerum Jesum (2p. Responsum accepit Simeon a spiritu)	gomberte	Gombert, Nicolas (ca. 1495–ca. 1560)
Hodie beata virgo Maria puerum Jesum (2p. Responsum accepit Simeon a spiritu) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 16–18 Genres: Motet Source Attribution: gomberte Number of voices: 5 General Note 2a pars begins on f. 17
18v–21	Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce	-	Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 18v–21 Genres: Alleluia, Motet Number of voices: 5 General Note 2a pars begins on f. 20
21v–22	Magnificat (8vv) tone 8: Anima mea [K.517]	-	Anonymous
Magnificat (8vv) tone 8: Anima mea [K.517] Anonymous Appears on: 21v–22 Genres: BVM, Canticle, Magnificat Number of voices: 8 General Note incomplete, v. 1 & 3 only; mostly textless
22v–23	Egredimini et videte - 1a pars (of 2): Egredimini et videte	Joanis dominici	Nola, Giovanni Domenico da
Egredimini et videte - 1a pars (of 2): Egredimini et videte Nola, Giovanni Domenico da Appears on: 22v–23 Genres: Motet Source Attribution: Joanis dominici Number of voices: 5
23–24	Egredimini et videte - 2a pars (of 2): Ostende faciem	-	Nola, Giovanni Domenico da
Egredimini et videte - 2a pars (of 2): Ostende faciem Nola, Giovanni Domenico da Appears on: 23–24 Genres: Motet Number of voices: 5
24–25	Haec dies quam fecit	-	Anonymous
Haec dies quam fecit Anonymous Appears on: 24–25 Genres: Motet Number of voices: 4
25–25v	[textless]	-	Anonymous
[textless] Anonymous Appears on: 25–25v Genres: textless Number of voices: 4 General Note in 4 sections
26–27	Laus Deo pax vivis (2p. Et beata viscera)	N Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Laus Deo pax vivis (2p. Et beata viscera) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 26–27 Genres: Motet Source Attribution: N Gombert Number of voices: 5 General Note textless except for incipits; 2a pars begins on f. 26v
27v–28v	Gaudent in caelis animae sanctorum	Harchadelt	Arcadelt, Jacques (ca. 1507–1568)
Gaudent in caelis animae sanctorum Arcadelt, Jacques (ca. 1507–1568) Appears on: 27v–28v Genres: Motet Source Attribution: Harchadelt Number of voices: 5 General Note textless except for incipit
28v–29v	Peccavi super numerum - 1a pars (of 2): Peccavi super numerum arrene maris	Adrian W	Willaert, Adrian (ca. 1490–1562)
Peccavi super numerum - 1a pars (of 2): Peccavi super numerum arrene maris Willaert, Adrian (ca. 1490–1562) Appears on: 28v–29v Genres: Motet Source Attribution: Adrian W Number of voices: 5 General Note textless except for incipit
29v–30	Peccavi super numerum - 2a pars (of 2): Quoniam iniquitatem meam	-	Willaert, Adrian (ca. 1490–1562)
Peccavi super numerum - 2a pars (of 2): Quoniam iniquitatem meam Willaert, Adrian (ca. 1490–1562) Appears on: 29v–30 Genres: Motet Number of voices: 5 General Note textless except for incipit
30v–31	Salve regina (4vv) 25.4 - 1a pars (of 3): Salve regina misericordiae vita dulcedo	Jusquinus	Despres, Josquin (ca. 1450–1521)
Salve regina (4vv) 25.4 - 1a pars (of 3): Salve regina misericordiae vita dulcedo Despres, Josquin (ca. 1450–1521) Appears on: 30v–31 Genres: BVM, Motet, Salve Regina Source Attribution: Jusquinus Number of voices: 5 General Note textless except for incipit to 3a pars
31v–32	Salve regina (4vv) 25.4 - 2a pars (of 3): Eia ergo advocata nostra illos	-	Despres, Josquin (ca. 1450–1521)
Salve regina (4vv) 25.4 - 2a pars (of 3): Eia ergo advocata nostra illos Despres, Josquin (ca. 1450–1521) Appears on: 31v–32 Genres: Motet Number of voices: 5 General Note textless except for incipit to 3a pars
32–33	Salve regina (4vv) 25.4 - 3a pars (of 3): Et Jesum benedictum	-	Despres, Josquin (ca. 1450–1521)
Salve regina (4vv) 25.4 - 3a pars (of 3): Et Jesum benedictum Despres, Josquin (ca. 1450–1521) Appears on: 32–33 Genres: Motet, Salve Regina Number of voices: 5 General Note textless except for incipit to 3a pars
33–34	Non vos relinquam orphanos	Andre Lopez	Lopes, Andres
Non vos relinquam orphanos Lopes, Andres Appears on: 33–34 Genres: Motet Source Attribution: Andre Lopez Number of voices: 5
34–35	O rex gloriae	Andre Lopez	Lopes, Andres
O rex gloriae Lopes, Andres Appears on: 34–35 Genres: Motet Source Attribution: Andre Lopez Number of voices: 5 General Note mostly textless
35–35v	Missa Vulnerasti cor meum: Agnus Dei	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Vulnerasti cor meum: Agnus Dei Morales, Cristóbal de (ca. 1500–1553) Appears on: 35–35v Genres: Agnus Dei, Mass Ordinary Number of voices: 5 General Note unattributed in ms, but annotated 'Vulnerasti cor meum' and 'Kyrie eleison' - it is in fact the Agnus III from Morales's Missa Vulnerasti cor meum
36–36v	O bone Jesu illumina oculos meos	-	Compère, Loyset (ca. 1445–1518) (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?)
O bone Jesu illumina oculos meos Compère, Loyset (ca. 1445–1518) (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?) Appears on: 36–36v Genres: Motet Number of voices: 4 Concordances Coimbra MM 53, ff. 131v-132
36v–37	O admirabile commercium creator generis	-	Illarius, Johannes
O admirabile commercium creator generis Illarius, Johannes Appears on: 36v–37 Genres: Motet Number of voices: 4 General Note textless except for incipit Concordances Coimbra MM 53, ff. 44v-45
37v–38	Hodie Christus natus est	Luys moran	Moran, Luis
Hodie Christus natus est Moran, Luis Appears on: 37v–38 Genres: Motet Source Attribution: Luys moran Number of voices: 4 General Note textless except for incipit
38v–39	Alegrai vos	D. Vincentius	Dom Vicente
Alegrai vos Dom Vicente Appears on: 38v–39 Genres: Canción Source Attribution: D. Vincentius Number of voices: 4 General Note textless except for incipit
39v	Ave Maria gratia plena Dominus tecum	Ribeira	Ribera, Antonio de
Ave Maria gratia plena Dominus tecum Ribera, Antonio de Appears on: 39v Genres: Ave Maria, Motet Source Attribution: Ribeira Number of voices: 4 General Note textless except for incipit
40–40v	Missa Quam pulchra es: Credo	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Missa Quam pulchra es: Credo Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 40–40v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Gombert Number of voices: 4 General Note 'Crucifixus etiam' section only. Titled ‘Quam pulchra es'. Untexted except for incipit.
40v–41v	Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo	N Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 40v–41v Genres: Motet Source Attribution: N Gombert Number of voices: 4 General Note untexted except for incipit
41v–42	Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 41v–42 Genres: Motet Number of voices: 4 General Note untexted except for incipit
42	Tanto tempore vobiscum sum et non cognovistis	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
Tanto tempore vobiscum sum et non cognovistis Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 42 Genres: Motet Source Attribution: Verdelot Number of voices: 4 General Note textless except for incipit
42v–43v	Homo erat in Jerusalem cui nomen erat (2p. Et cum inducerent puerum in templum)	N Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Homo erat in Jerusalem cui nomen erat (2p. Et cum inducerent puerum in templum) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 42v–43v Genres: Motet Source Attribution: N Gombert Number of voices: 4 General Note 2a pars begins on f. 43. Textless except for incipits.
43v–44v	Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo	Lupus	Hellinck, Lupus (ca. 1494–1541)
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo Hellinck, Lupus (ca. 1494–1541) Appears on: 43v–44v Genres: Motet Source Attribution: Lupus Number of voices: 4 General Note untexted except for incipit
44v	Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum	-	Hellinck, Lupus (ca. 1494–1541)
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum Hellinck, Lupus (ca. 1494–1541) Appears on: 44v Genres: Motet Number of voices: 4 General Note untexted except for incipit
45–45v	Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum	Claudin [incorrectly]	Richafort, Jean (ca. 1480–ca. 1550)
Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum Richafort, Jean (ca. 1480–ca. 1550) Appears on: 45–45v Genres: Motet Source Attribution: Claudin [incorrectly] Number of voices: 4 General Note 2a pars begins on 45v; textless except for incipit (1a pars)
45v	Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia	-	Richafort, Jean (ca. 1480–ca. 1550)
Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia Richafort, Jean (ca. 1480–ca. 1550) Appears on: 45v Genres: Motet
45v–46	Angelus Domini - 1a pars (of 2): Angelus Domini	Antonio homem	Homem, Antonio
Angelus Domini - 1a pars (of 2): Angelus Domini Homem, Antonio Appears on: 45v–46 Genres: Motet Source Attribution: Antonio homem Number of voices: 4 General Note textless except for incipit
46–46v	Angelus Domini - 2a pars (of 2): [untexted]	-	Homem, Antonio
Angelus Domini - 2a pars (of 2): [untexted] Homem, Antonio Appears on: 46–46v Genres: Motet Number of voices: 4 General Note textless
46v–47v	Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Richafort, Jean (ca. 1480–ca. 1550) Appears on: 46v–47v Genres: Motet Source Attribution: Richafort Number of voices: 4 General Note textless except for incipit
47v–48	Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	-	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit Richafort, Jean (ca. 1480–ca. 1550) Appears on: 47v–48 Genres: Motet Number of voices: 4 General Note textless except for incipit
48–48v	O gloriosa Dei genitrix - 1a pars (of 2): O gloriosa Dei genitrix virgo semper	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
O gloriosa Dei genitrix - 1a pars (of 2): O gloriosa Dei genitrix virgo semper Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 48–48v Genres: Motet Source Attribution: Gombert Number of voices: 4 General Note textless except for incipit
48v–49	O gloriosa Dei genitrix - 2a pars (of 2): Que est ista que ascendit	-	Gombert, Nicolas (ca. 1495–ca. 1560)
O gloriosa Dei genitrix - 2a pars (of 2): Que est ista que ascendit Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 48v–49 Genres: Motet Number of voices: 4 General Note textless except for incipit
49–50	Benedixit Deus Noe - 1a pars (of 2): Benedixit Deus Noe et filiis eius	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Benedixit Deus Noe - 1a pars (of 2): Benedixit Deus Noe et filiis eius Arcadelt, Jacques (ca. 1507–1568) Appears on: 49–50 Genres: Motet Source Attribution: Archadelt Number of voices: 4 General Note textless except for incipit
50	Benedixit Deus Noe - 2a pars (of 2): Ecce ego statuam pactum meum	-	Arcadelt, Jacques (ca. 1507–1568)
Benedixit Deus Noe - 2a pars (of 2): Ecce ego statuam pactum meum Arcadelt, Jacques (ca. 1507–1568) Appears on: 50 Genres: Motet Number of voices: 4 General Note textless except for incipit. ‘Presa’ underneath lowest voice part (fol. 49v), marking the partial respond of the responsory; ‘reuertere ad primorem partem’ at the end of the piece (fol. 50r).
50v–52v	Nisi Dominus aedificaverit domum in vanum (2p. Cum dederit dilectis suis somnum)	Leritier	Sermisy, Claudin de (ca. 1490–1562) (?) Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)
Nisi Dominus aedificaverit domum in vanum (2p. Cum dederit dilectis suis somnum) Sermisy, Claudin de (ca. 1490–1562) (?) Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Appears on: 50v–52v Genres: Motet Source Attribution: Leritier Number of voices: 4 General Note Textless except for incipits. 2a pars begins on fol. 51v
52v–53	Domine si tu es	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Domine si tu es Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 52v–53 Genres: Motet Source Attribution: Gombert Number of voices: 4 General Note incomplete
53v–54	Stabat mater dolorosa	Torres	Torres, Andre de (?) Carreira, Antonio (?)
Stabat mater dolorosa Torres, Andre de (?) Carreira, Antonio (?) Appears on: 53v–54 Genres: Hymn, Stabat Mater Source Attribution: Torres Number of voices: 4
54	Rex autem David cooperto capite incedens	-	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 54 Genres: Motet Number of voices: 4 General Note arrangement of the motet at f. 123v Item Bibliography Ham, Martin. 2011. 'Rex autem': Another Iberian lament in Rhau's 'Symphoniae Jucundae'?". Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, 309-326.
54v	[textless]	-	Anonymous
[textless] Anonymous Appears on: 54v Genres: textless Number of voices: 4 General Note microtonal piece added in 17th century - see bibliography note Item Bibliography Carpenter, Hoyle. 1960. Microtones in a Sixteenth Century Portuguese Manuscript. Acta Musicologica, 32/1: 23-28.
55–82v	[various instrumental ricercars etc, mostly by Jacques Buus]	-	Anonymous
[various instrumental ricercars etc, mostly by Jacques Buus] Anonymous Appears on: 55–82v Genres: Keyboard
82v–83v	Reges terrae - 1a pars (of 2): Reges terrae congregati sunt	Joanes monton	Mouton, Jean (ca. 1459–1522)
Reges terrae - 1a pars (of 2): Reges terrae congregati sunt Mouton, Jean (ca. 1459–1522) Appears on: 82v–83v Genres: Motet Source Attribution: Joanes monton Number of voices: 4
83v–84	Reges terrae - 2a pars (of 2): Et venientes invenerunt	-	Mouton, Jean (ca. 1459–1522)
Reges terrae - 2a pars (of 2): Et venientes invenerunt Mouton, Jean (ca. 1459–1522) Appears on: 83v–84 Genres: Motet Number of voices: 4
84v–85	Sancta Maria succurre miseris	Morales	Morales, Cristóbal de (ca. 1500–1553)
Sancta Maria succurre miseris Morales, Cristóbal de (ca. 1500–1553) Appears on: 84v–85 Genres: Motet Source Attribution: Morales Number of voices: 4
85v–86v	Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus	Morales	Morales, Cristóbal de (ca. 1500–1553)
Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus Morales, Cristóbal de (ca. 1500–1553) Appears on: 85v–86v Genres: Motet Source Attribution: Morales Number of voices: 4 General Note marginal note: "A segunda parte deste motete está adiante sete folhas' (i.e. 2a pars at f. 94v)
86v–87v	De profundis	Andre lopez	Lopes, Andres
De profundis Lopes, Andres Appears on: 86v–87v Genres: Motet Source Attribution: Andre lopez Number of voices: 4 General Note mostly textless
87v–89	Qui confidunt - 1a pars (of 2): Qui confidunt in Domino	-	Lheritier, Jean (ca. 1480–ca. 1551)
Qui confidunt - 1a pars (of 2): Qui confidunt in Domino Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 87v–89 Genres: Motet Number of voices: 4 General Note textless except for incipit
89–90v	Qui confidunt - 2a pars (of 2): Benefac Domine	-	Lheritier, Jean (ca. 1480–ca. 1551)
Qui confidunt - 2a pars (of 2): Benefac Domine Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 89–90v Genres: Motet Number of voices: 4 General Note textless except for incipit
90v–92	Missa Vulnerasti cor meum: Gloria	Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa Vulnerasti cor meum: Gloria Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–92 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Morales Number of voices: 4 General Note textless except for incipit
92	Missa Vulnerasti cor meum: Sanctus	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Vulnerasti cor meum: Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 92 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 General Note 'Osanna in excelsis' only
92v–94	Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum)	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)
Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 92v–94 Genres: Motet Number of voices: 4
94–94v	Miserere nostri Deus - 2a pars (of 2): Innova signa	Morales	Morales, Cristóbal de (ca. 1500–1553)
Miserere nostri Deus - 2a pars (of 2): Innova signa Morales, Cristóbal de (ca. 1500–1553) Appears on: 94–94v Genres: Motet Source Attribution: Morales Number of voices: 4 General Note marginal note: "segunda parte do mo(rales) atras" (i.e. 1a pars at f. 86v). ‘Candida virginitas’ (title of another motet by Morales from the same set of prints), erased.
94v–95	En espoir davoir mieulx il fault avoir	gomber	Gombert, Nicolas (ca. 1495–ca. 1560)
En espoir davoir mieulx il fault avoir Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 94v–95 Genres: Chanson Source Attribution: gomber Number of voices: 4 General Note textless except for incipit
95–95v	Sans vous ne puis et sans vous je ne veulx	Jaques vaet	Vaet, Jacobus (ca. 1529–ca. 1567)
Sans vous ne puis et sans vous je ne veulx Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 95–95v Genres: Chanson Source Attribution: Jaques vaet Number of voices: 4 General Note textless except for incipit
95v–96	En desirant que je vous voye	-	Canis, Cornelius
En desirant que je vous voye Canis, Cornelius Appears on: 95v–96 Genres: Chanson Number of voices: 4 General Note textless except for incipit
96v + 114–114v	Au fort quant Dieu plaira / Aenhoert al myn geclach	Lupus * Hum fort quant dieu plaira	Hellinck, Lupus (ca. 1494–1541)
Au fort quant Dieu plaira / Aenhoert al myn geclach Hellinck, Lupus (ca. 1494–1541) Appears on: 96v + 114–114v Genres: Chanson Source Attribution: Lupus * Hum fort quant dieu plaira Number of voices: 4 General Note marginal notes connect the two sections: "Daqui amde ir adiante as cento e quatorze folhas e ahi acharão este sinal ✝" (fol. 96r); "este he o sinal ✝ "(fol. 114r)
96v–101v	[2 ricercars by Buus]	-	Buus, Jacques
[2 ricercars by Buus] Buus, Jacques Appears on: 96v–101v
101v–103	Clementissime Christi confessor II. Sancte Pater Egidi	Morales	Morales, Cristóbal de (ca. 1500–1553)
Clementissime Christi confessor II. Sancte Pater Egidi Morales, Cristóbal de (ca. 1500–1553) Appears on: 101v–103 Genres: Motet Source Attribution: Morales Number of voices: 4 General Note 2a pars begins on f. 102v
103–104v	In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus	Morales / [Jacquet]	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)
In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 103–104v Genres: Motet Source Attribution: Morales / [Jacquet] Number of voices: 4
104v–105v	In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc	-	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)
In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 104v–105v Genres: Motet Number of voices: 4
105v–107	Ave Domine Jesu Christe - 1a pars (of 3): Ave Domine Jesu Christe	-	Morales, Cristóbal de (ca. 1500–1553)
Ave Domine Jesu Christe - 1a pars (of 3): Ave Domine Jesu Christe Morales, Cristóbal de (ca. 1500–1553) Appears on: 105v–107 Genres: Motet
107–108	Ave Domine Jesu Christe - 2a pars (of 3): Ave … splendor patris	-	Morales, Cristóbal de (ca. 1500–1553)
Ave Domine Jesu Christe - 2a pars (of 3): Ave … splendor patris Morales, Cristóbal de (ca. 1500–1553) Appears on: 107–108 Genres: Motet
108–109	Ave Domine Jesu Christe - 3a pars (of 3): Ave … vita dulcis	-	Morales, Cristóbal de (ca. 1500–1553)
Ave Domine Jesu Christe - 3a pars (of 3): Ave … vita dulcis Morales, Cristóbal de (ca. 1500–1553) Appears on: 108–109 Genres: Motet
109–110	Inclina Domine - 1a pars (of 3): Inclina Domine aurem tuam	Morales [incorrectly]	Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?) Courtois, Jean (fl. 1530-1545) (?)
Inclina Domine - 1a pars (of 3): Inclina Domine aurem tuam Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?) Courtois, Jean (fl. 1530-1545) (?) Appears on: 109–110 Genres: Motet Source Attribution: Morales [incorrectly] Number of voices: 4
110–111	Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar	-	Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?)
Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?) Appears on: 110–111 Genres: Motet Number of voices: 4
111–111v	Inclina Domine - 3a pars (of 3): Domine Deus miserator	-	Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?)
Inclina Domine - 3a pars (of 3): Domine Deus miserator Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?) Appears on: 111–111v Genres: Motet Number of voices: 4
111v–112	Martinus Abrahe sinus letus	-	Morales, Cristóbal de (ca. 1500–1553) (?)
Martinus Abrahe sinus letus Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 111v–112 Genres: Motet Number of voices: 4
112–114	Ecce amica mea II. Flores apparuerunt	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Ecce amica mea II. Flores apparuerunt Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 112–114 Genres: Motet Number of voices: 4 General Note 2a pars begins on f. 113v
114v–115	Plus en sera garde de ma jonesse	gomberte	Gombert, Nicolas (ca. 1495–ca. 1560)
Plus en sera garde de ma jonesse Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 114v–115 Genres: Chanson Source Attribution: gomberte Number of voices: 4 General Note mostly textless
115–115v	C'est a grand tort qu'on dit que le penser	Josquin baston	Baston, Josquin (fl. 1542–63)
C'est a grand tort qu'on dit que le penser Baston, Josquin (fl. 1542–63) Appears on: 115–115v Genres: Chanson Source Attribution: Josquin baston Number of voices: 4
115v–116	Een meijsken was	Jenequin [perhaps a mis-copying of Josquin?]	Baston, Josquin (fl. 1542–63) Janequin, Clement (ca. 1485–ca. 1558) (?)
Een meijsken was Baston, Josquin (fl. 1542–63) Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: 115v–116 Genres: Chanson Source Attribution: Jenequin [perhaps a mis-copying of Josquin?] Number of voices: 4
116–116v	Dame par ta rudesse	Josquin baston	Baston, Josquin (fl. 1542–63)
Dame par ta rudesse Baston, Josquin (fl. 1542–63) Appears on: 116–116v Genres: Chanson Source Attribution: Josquin baston Number of voices: 4
117–117v	Pluschen van Brusel	Jo Lupi	Lupi, Johannes (ca. 1506–1539) (?)
Pluschen van Brusel Lupi, Johannes (ca. 1506–1539) (?) Appears on: 117–117v Genres: Chanson Source Attribution: Jo Lupi Number of voices: 4 General Note attributed to Lupi here, doubtfully; anonymous in concordant Regensburg source
117v	[textless]	-	Anonymous
[textless] Anonymous Appears on: 117v Genres: textless Number of voices: 4 General Note incomplete
119	[textless]	-	Anonymous
[textless] Anonymous Appears on: 119 Genres: textless Number of voices: 4 General Note incomplete
119v	D'amour me plains et non de vous m'amie	Rogier patie	Pathie, Rogier (ca. 1510–ca. 1564)
D'amour me plains et non de vous m'amie Pathie, Rogier (ca. 1510–ca. 1564) Appears on: 119v Genres: Chanson Source Attribution: Rogier patie Number of voices: 4
120–120v	[Maria vir]go	Soto	Soto, Francisco de
[Maria vir]go Soto, Francisco de Appears on: 120–120v Genres: Motet Source Attribution: Soto Number of voices: 4 General Note 'Maria vir-' erased, leaving 'go' (or 'ge') only
120v–122	Ave sanctissima Maria mater Dei regina	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Ave sanctissima Maria mater Dei regina Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 120v–122 Genres: Antiphon Number of voices: 4 General Note untexted; an isolated phrase from the Credo on f. 121, suggesting this was re-purposed as a Credo setting?
122v	[textless]	-	Anonymous
[textless] Anonymous Appears on: 122v Genres: textless General Note fragment
123–123v	Ave sanctissimum et gloriosum / Ave verum	-	Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?)
Ave sanctissimum et gloriosum / Ave verum Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?) Appears on: 123–123v Genres: Motet Number of voices: 4 General Note Unattributed here: attr to Mondejar in Barcelona 454. Attributed to 'Díaz' in E-TZ 2-3. Tess Knighton identifies the latter as Pedro Díaz de Aux, musician who served the Aragonese court from 1484 to 1513 (see 'Díaz (1)', in "Diccionario de la música española e hispanoamericana", 1999)
123v	Rex autem David cooperto capite incedens	-	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 123v Genres: Motet Number of voices: 4 General Note textless except for incipit. Arrangement of this motet at f. 54. No attribution in this MS; attribution to Adrian Willaert in CH-SGs 463 is probably spurious (see Ham, pp. 323-324) Concordances Full concordances: 1538/8; CH-Bu FX5-9; D-Mu 326; D-Rp AR 940-941; D-Rp B 220-222; I-Fn Panciatichiano 27; I-VEcap 760; P-Cug MM 32; P-Ln CIC 60; PL-Kp 1716. Partial concordances/ arrangements: CH-SGs 463; CH-Sk 87-4; D-Mu 326; P-Cug MM 48 (f.54r) Item Bibliography Ham, Martin. 2011. 'Rex autem': Another Iberian lament in Rhau's 'Symphoniae Jucundae'?". Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, 309-326.
124–126	Salve regina	-	Anonymous
Salve regina Anonymous Appears on: 124–126 Genres: BVM, Marian antiphon, Salve Regina Number of voices: 4 General Note probably a 'Salve regina' - voice 3 is a 'Salve regina' cantus firmus
126v–127	Lamentations (I): Incipiunt lamentationes	-	Anonymous
Lamentations (I): Incipiunt lamentationes Anonymous Appears on: 126v–127 Genres: Lamentations Number of voices: 4 General Note 'Beth. Plorans ploravit' only Concordances also in Coimbra MM.9 (in set of three lamentations, ff. 128v-142r), and in Coimbra MM.32
127v	[textless]	-	Anonymous
[textless] Anonymous Appears on: 127v Genres: textless Number of voices: 3 General Note incomplete sketch?
127v	fabordao tone 1	-	Anonymous
fabordao tone 1 Anonymous Appears on: 127v Genres: Fauxbourdon/faburden Number of voices: 4 General Note textless
127v	fabordao tone 1	-	Anonymous
fabordao tone 1 Anonymous Appears on: 127v Genres: Fauxbourdon/faburden General Note textless, incomplete
127v	fabordao tone 8	-	Anonymous
fabordao tone 8 Anonymous Appears on: 127v Genres: Fauxbourdon/faburden General Note textless, incomplete

Composer	Compositions
Anchieta, Juan de (1462-1523)	O bone Jesu illumina oculos meos – 36–36v
Anonymous	Haec dies quam fecit – 24–25 Ite in orbem – 9v–10 Lamentations (I): Incipiunt lamentationes – 126v–127 Magnificat (8vv) tone 8: Anima mea [K.517] – 21v–22 Salve regina – 124–126 Surge propera - 1a pars (of 2): Surge propera – 10v–11v Surge propera - 2a pars (of 2): Hodie nata est – 11v–12 [textless fragment] – 1 [textless] – 25–25v [textless] – 117v [textless] – 119 [textless] – 127v [textless] – 122v [textless] – 54v [various instrumental ricercars etc, mostly by Jacques Buus] – 55–82v fabordao tone 1 – 127v fabordao tone 1 – 127v fabordao tone 8 – 127v
Arcadelt, Jacques (ca. 1507-1568)	Benedixit Deus Noe - 1a pars (of 2): Benedixit Deus Noe et filiis eius – 49–50 Benedixit Deus Noe - 2a pars (of 2): Ecce ego statuam pactum meum – 50 Gaudent in caelis animae sanctorum – 27v–28v
Baston, Josquin (1542–63)	C'est a grand tort qu'on dit que le penser – 115–115v Dame par ta rudesse – 116–116v Een meijsken was – 115v–116
Berchem, Jacques (ca. 1505-1567)	(?) In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus – 103–104v (?) In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc – 104v–105v
Buus, Jacques	[2 ricercars by Buus] – 96v–101v
Cadeac, P(ierre?)	Tulerunt Dominum meum et nescio ubi II: Et dum ergo fleret inclinavit se – 4–6
Canis, Cornelius	En desirant que je vous voye – 95v–96 Quem dicunt homines – 12v–14
Carreira, Antonio	(?) Stabat mater dolorosa – 53v–54
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt – 7–8 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant – 1v–3 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius – 3–3v Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris – 6–7
Compère, Loyset (ca. 1445-1518)	(?) O bone Jesu illumina oculos meos – 36–36v
Courtois, Jean (1530-1545)	(?) Inclina Domine - 1a pars (of 3): Inclina Domine aurem tuam – 109–110 (?) Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar – 110–111 (?) Inclina Domine - 3a pars (of 3): Domine Deus miserator – 111–111v
Crecquillon, Thomas (ca. 1505-ca. 1557)	Adjuva nos Deus salutaris noster – 15–16
Despres, Josquin (ca. 1450-1521)	Salve regina (4vv) 25.4 - 1a pars (of 3): Salve regina misericordiae vita dulcedo – 30v–31 Salve regina (4vv) 25.4 - 2a pars (of 3): Eia ergo advocata nostra illos – 31v–32 Salve regina (4vv) 25.4 - 3a pars (of 3): Et Jesum benedictum – 32–33
Diaz (Pedro Diaz de Aux?)	(?) Ave sanctissimum et gloriosum / Ave verum – 123–123v
Dom Vicente	Alegrai vos – 38v–39
Ferrara, Maistre Jhan of (ca. 1485-1538)	Ecce amica mea II. Flores apparuerunt – 112–114
Gombert, Nicolas (ca. 1495-ca. 1560)	(?) Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce – 18v–21 Ave sanctissima Maria mater Dei regina – 120v–122 Domine si tu es – 52v–53 En espoir davoir mieulx il fault avoir – 94v–95 Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo – 40v–41v Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus – 41v–42 Hodie beata virgo Maria puerum Jesum (2p. Responsum accepit Simeon a spiritu) – 16–18 Homo erat in Jerusalem cui nomen erat (2p. Et cum inducerent puerum in templum) – 42v–43v Laus Deo pax vivis (2p. Et beata viscera) – 26–27 Missa Quam pulchra es: Credo – 40–40v O gloriosa Dei genitrix - 1a pars (of 2): O gloriosa Dei genitrix virgo semper – 48–48v O gloriosa Dei genitrix - 2a pars (of 2): Que est ista que ascendit – 48v–49 Plus en sera garde de ma jonesse – 114v–115
Hellinck, Lupus (ca. 1494-1541)	Au fort quant Dieu plaira / Aenhoert al myn geclach – 96v + 114–114v Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo – 43v–44v Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum – 44v
Hesdin, Nicolle des Celliers de (-1538)	(?) Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce – 18v–21
Heurteur, Guillaume le (1530-1545)	(?) Nisi Dominus aedificaverit domum in vanum (2p. Cum dederit dilectis suis somnum) – 50v–52v
Homem, Antonio	Angelus Domini - 1a pars (of 2): Angelus Domini – 45v–46 Angelus Domini - 2a pars (of 2): [untexted] – 46–46v
Illarius, Johannes	O admirabile commercium creator generis – 36v–37
Jacotin, Jacques (1445-1529)	(?) Inclina Domine - 1a pars (of 3): Inclina Domine aurem tuam – 109–110 (?) Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar – 110–111 (?) Inclina Domine - 3a pars (of 3): Domine Deus miserator – 111–111v
Janequin, Clement (ca. 1485-ca. 1558)	(?) Een meijsken was – 115v–116
Lheritier, Jean (ca. 1480-ca. 1551)	(?) Nisi Dominus aedificaverit domum in vanum (2p. Cum dederit dilectis suis somnum) – 50v–52v Qui confidunt - 1a pars (of 2): Qui confidunt in Domino – 87v–89 Qui confidunt - 2a pars (of 2): Benefac Domine – 89–90v
Lopes, Andres	De profundis – 86v–87v Non vos relinquam orphanos – 33–34 O rex gloriae – 34–35
Lupi, Johannes (ca. 1506-1539)	(?) Pluschen van Brusel – 117–117v (?) Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum) – 92v–94
Mantua, Jacquet de (1483-1559)	(?) In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus – 103–104v (?) In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc – 104v–105v
Mondejar, Alonso de	(?) Ave sanctissimum et gloriosum / Ave verum – 123–123v
Morales, Cristóbal de (ca. 1500-1553)	Ave Domine Jesu Christe - 1a pars (of 3): Ave Domine Jesu Christe – 105v–107 Ave Domine Jesu Christe - 2a pars (of 3): Ave … splendor patris – 107–108 Ave Domine Jesu Christe - 3a pars (of 3): Ave … vita dulcis – 108–109 Clementissime Christi confessor II. Sancte Pater Egidi – 101v–103 (?) Inclina Domine - 1a pars (of 3): Inclina Domine aurem tuam – 109–110 (?) Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar – 110–111 (?) Inclina Domine - 3a pars (of 3): Domine Deus miserator – 111–111v (?) Martinus Abrahe sinus letus – 111v–112 Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus – 85v–86v Miserere nostri Deus - 2a pars (of 2): Innova signa – 94–94v Missa Vulnerasti cor meum: Agnus Dei – 35–35v Missa Vulnerasti cor meum: Gloria – 90v–92 Missa Vulnerasti cor meum: Sanctus – 92 Sancta Maria succurre miseris – 84v–85
Moran, Luis	Hodie Christus natus est – 37v–38
Mouton, Jean (ca. 1459-1522)	Reges terrae - 1a pars (of 2): Reges terrae congregati sunt – 82v–83v Reges terrae - 2a pars (of 2): Et venientes invenerunt – 83v–84
Nola, Giovanni Domenico da	Egredimini et videte - 1a pars (of 2): Egredimini et videte – 22v–23 Egredimini et videte - 2a pars (of 2): Ostende faciem – 23–24
Pathie, Rogier (ca. 1510-ca. 1564)	D'amour me plains et non de vous m'amie – 119v
Penalosa, Francisco de	(?) O bone Jesu illumina oculos meos – 36–36v
Ribera, Antonio de	Ave Maria gratia plena Dominus tecum – 39v (?) O bone Jesu illumina oculos meos – 36–36v
Richafort, Jean (ca. 1480-ca. 1550)	Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum – 45–45v Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia – 45v Quem dicunt homines - 1a pars (of 2): Quem dicunt homines – 46v–47v Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit – 47v–48
Sermisy, Claudin de (ca. 1490-1562)	(?) Nisi Dominus aedificaverit domum in vanum (2p. Cum dederit dilectis suis somnum) – 50v–52v
Soto, Francisco de	[Maria vir]go – 120–120v
Torres, Andre de	(?) Stabat mater dolorosa – 53v–54
Vaet, Jacobus (ca. 1529-ca. 1567)	Sans vous ne puis et sans vous je ne veulx – 95–95v
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum) – 92v–94 Tanto tempore vobiscum sum et non cognovistis – 42
Villain, Florent	Non conturbetur – 8–9
Willaert, Adrian (ca. 1490-1562)	Peccavi super numerum - 1a pars (of 2): Peccavi super numerum arrene maris – 28v–29v Peccavi super numerum - 2a pars (of 2): Quoniam iniquitatem meam – 29v–30 (?) Rex autem David cooperto capite incedens – 54 (?) Rex autem David cooperto capite incedens – 123v

Composition	Composers (? Uncertain)	Folios / Pages
[2 ricercars by Buus]	Buus, Jacques	96v–101v
[Maria vir]go	Soto, Francisco de	120–120v
[textless fragment]	Anonymous	1
[textless]	Anonymous	25–25v
[textless]	Anonymous	54v
[textless]	Anonymous	117v
[textless]	Anonymous	119
[textless]	Anonymous	122v
[textless]	Anonymous	127v
[various instrumental ricercars etc, mostly by Jacques Buus]	Anonymous	55–82v
Adjuva nos Deus salutaris noster	Crecquillon, Thomas (ca. 1505–ca. 1557)	15–16
Alegrai vos	Dom Vicente	38v–39
Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce	Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	18v–21
Angelus Domini - 1a pars (of 2): Angelus Domini	Homem, Antonio	45v–46
Angelus Domini - 2a pars (of 2): [untexted]	Homem, Antonio	46–46v
Au fort quant Dieu plaira / Aenhoert al myn geclach	Hellinck, Lupus (ca. 1494–1541)	96v + 114–114v
Ave Domine Jesu Christe - 1a pars (of 3): Ave Domine Jesu Christe	Morales, Cristóbal de (ca. 1500–1553)	105v–107
Ave Domine Jesu Christe - 2a pars (of 3): Ave … splendor patris	Morales, Cristóbal de (ca. 1500–1553)	107–108
Ave Domine Jesu Christe - 3a pars (of 3): Ave … vita dulcis	Morales, Cristóbal de (ca. 1500–1553)	108–109
Ave Maria gratia plena Dominus tecum	Ribera, Antonio de	39v
Ave sanctissima Maria mater Dei regina	Gombert, Nicolas (ca. 1495–ca. 1560)	120v–122
Ave sanctissimum et gloriosum / Ave verum	Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?)	123–123v
Benedixit Deus Noe - 1a pars (of 2): Benedixit Deus Noe et filiis eius	Arcadelt, Jacques (ca. 1507–1568)	49–50
Benedixit Deus Noe - 2a pars (of 2): Ecce ego statuam pactum meum	Arcadelt, Jacques (ca. 1507–1568)	50
C'est a grand tort qu'on dit que le penser	Baston, Josquin (fl. 1542–63)	115–115v
Clementissime Christi confessor II. Sancte Pater Egidi	Morales, Cristóbal de (ca. 1500–1553)	101v–103
D'amour me plains et non de vous m'amie	Pathie, Rogier (ca. 1510–ca. 1564)	119v
Dame par ta rudesse	Baston, Josquin (fl. 1542–63)	116–116v
De profundis	Lopes, Andres	86v–87v
Domine si tu es	Gombert, Nicolas (ca. 1495–ca. 1560)	52v–53
Ecce amica mea II. Flores apparuerunt	Ferrara, Maistre Jhan of (ca. 1485–1538)	112–114
Een meijsken was	Baston, Josquin (fl. 1542–63) Janequin, Clement (ca. 1485–ca. 1558) (?)	115v–116
Egredimini et videte - 1a pars (of 2): Egredimini et videte	Nola, Giovanni Domenico da	22v–23
Egredimini et videte - 2a pars (of 2): Ostende faciem	Nola, Giovanni Domenico da	23–24
En desirant que je vous voye	Canis, Cornelius	95v–96
En espoir davoir mieulx il fault avoir	Gombert, Nicolas (ca. 1495–ca. 1560)	94v–95
fabordao tone 1	Anonymous	127v
fabordao tone 1	Anonymous	127v
fabordao tone 8	Anonymous	127v
Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo	Gombert, Nicolas (ca. 1495–ca. 1560)	40v–41v
Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus	Gombert, Nicolas (ca. 1495–ca. 1560)	41v–42
Gaudent in caelis animae sanctorum	Arcadelt, Jacques (ca. 1507–1568)	27v–28v
Haec dies quam fecit	Anonymous	24–25
Hodie beata virgo Maria puerum Jesum (2p. Responsum accepit Simeon a spiritu)	Gombert, Nicolas (ca. 1495–ca. 1560)	16–18
Hodie Christus natus est	Moran, Luis	37v–38
Homo erat in Jerusalem cui nomen erat (2p. Et cum inducerent puerum in templum)	Gombert, Nicolas (ca. 1495–ca. 1560)	42v–43v
In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)	103–104v
In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)	104v–105v
Inclina Domine - 1a pars (of 3): Inclina Domine aurem tuam	Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?) Courtois, Jean (fl. 1530-1545) (?)	109–110
Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar	Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?)	110–111
Inclina Domine - 3a pars (of 3): Domine Deus miserator	Courtois, Jean (fl. 1530-1545) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Jacotin, Jacques (1445–1529) (?)	111–111v
Ite in orbem	Anonymous	9v–10
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	7–8
Lamentations (I): Incipiunt lamentationes	Anonymous	126v–127
Laus Deo pax vivis (2p. Et beata viscera)	Gombert, Nicolas (ca. 1495–ca. 1560)	26–27
Magnificat (8vv) tone 8: Anima mea [K.517]	Anonymous	21v–22
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	1v–3
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	3–3v
Martinus Abrahe sinus letus	Morales, Cristóbal de (ca. 1500–1553) (?)	111v–112
Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus	Morales, Cristóbal de (ca. 1500–1553)	85v–86v
Miserere nostri Deus - 2a pars (of 2): Innova signa	Morales, Cristóbal de (ca. 1500–1553)	94–94v
Missa Quam pulchra es: Credo	Gombert, Nicolas (ca. 1495–ca. 1560)	40–40v
Missa Vulnerasti cor meum: Agnus Dei	Morales, Cristóbal de (ca. 1500–1553)	35–35v
Missa Vulnerasti cor meum: Gloria	Morales, Cristóbal de (ca. 1500–1553)	90v–92
Missa Vulnerasti cor meum: Sanctus	Morales, Cristóbal de (ca. 1500–1553)	92
Nisi Dominus aedificaverit domum in vanum (2p. Cum dederit dilectis suis somnum)	Sermisy, Claudin de (ca. 1490–1562) (?) Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)	50v–52v
Non conturbetur	Villain, Florent	8–9
Non vos relinquam orphanos	Lopes, Andres	33–34
O admirabile commercium creator generis	Illarius, Johannes	36v–37
O bone Jesu illumina oculos meos	Compère, Loyset (ca. 1445–1518) (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?)	36–36v
O gloriosa Dei genitrix - 1a pars (of 2): O gloriosa Dei genitrix virgo semper	Gombert, Nicolas (ca. 1495–ca. 1560)	48–48v
O gloriosa Dei genitrix - 2a pars (of 2): Que est ista que ascendit	Gombert, Nicolas (ca. 1495–ca. 1560)	48v–49
O rex gloriae	Lopes, Andres	34–35
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo	Hellinck, Lupus (ca. 1494–1541)	43v–44v
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum	Hellinck, Lupus (ca. 1494–1541)	44v
Peccavi super numerum - 1a pars (of 2): Peccavi super numerum arrene maris	Willaert, Adrian (ca. 1490–1562)	28v–29v
Peccavi super numerum - 2a pars (of 2): Quoniam iniquitatem meam	Willaert, Adrian (ca. 1490–1562)	29v–30
Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum	Richafort, Jean (ca. 1480–ca. 1550)	45–45v
Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia	Richafort, Jean (ca. 1480–ca. 1550)	45v
Plus en sera garde de ma jonesse	Gombert, Nicolas (ca. 1495–ca. 1560)	114v–115
Pluschen van Brusel	Lupi, Johannes (ca. 1506–1539) (?)	117–117v
Quam pulchra es et quam decora carissima (2p. Veni dilecte mi egrediamur in ortum)	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)	92v–94
Quem dicunt homines	Canis, Cornelius	12v–14
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Richafort, Jean (ca. 1480–ca. 1550)	46v–47v
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	Richafort, Jean (ca. 1480–ca. 1550)	47v–48
Qui confidunt - 1a pars (of 2): Qui confidunt in Domino	Lheritier, Jean (ca. 1480–ca. 1551)	87v–89
Qui confidunt - 2a pars (of 2): Benefac Domine	Lheritier, Jean (ca. 1480–ca. 1551)	89–90v
Reges terrae - 1a pars (of 2): Reges terrae congregati sunt	Mouton, Jean (ca. 1459–1522)	82v–83v
Reges terrae - 2a pars (of 2): Et venientes invenerunt	Mouton, Jean (ca. 1459–1522)	83v–84
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	54
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	123v
Salve regina	Anonymous	124–126
Salve regina (4vv) 25.4 - 1a pars (of 3): Salve regina misericordiae vita dulcedo	Despres, Josquin (ca. 1450–1521)	30v–31
Salve regina (4vv) 25.4 - 2a pars (of 3): Eia ergo advocata nostra illos	Despres, Josquin (ca. 1450–1521)	31v–32
Salve regina (4vv) 25.4 - 3a pars (of 3): Et Jesum benedictum	Despres, Josquin (ca. 1450–1521)	32–33
Sancta Maria succurre miseris	Morales, Cristóbal de (ca. 1500–1553)	84v–85
Sans vous ne puis et sans vous je ne veulx	Vaet, Jacobus (ca. 1529–ca. 1567)	95–95v
Stabat mater dolorosa	Torres, Andre de (?) Carreira, Antonio (?)	53v–54
Surge propera - 1a pars (of 2): Surge propera	Anonymous	10v–11v
Surge propera - 2a pars (of 2): Hodie nata est	Anonymous	11v–12
Tanto tempore vobiscum sum et non cognovistis	Verdelot, Philippe (ca. 1480–ca. 1532)	42
Tulerunt Dominum meum et nescio ubi II: Et dum ergo fleret inclinavit se	Cadeac, P(ierre?)	4–6
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	6–7

‡ denotes primary source study

Oliveira, Filipe M. 2011. A génese do tento para instrumentos de tecla no testemunho dos manuscritos P-Cug MM 48 e MM 242 (com uma edição crítica dos ricercari de Jacques Buus e das suas versões recompostas). Universidade de Evora, Ph.D. Pages: 7-16, 24-31, 34-39.

d'Alvarenga, João Pedro. 2010. Some notes on the Reception of Josquin and of Northern Idioms in Portuguese Music and Culture. Journal of the Alamire Foundation, 69-89. Brepols. Pages: 72-73,77-78. Notes: repertory, images.

Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Notes: physical description; inventory; concordances.

Kastner, Macario Santiago. 1950. Los manuscritos musicales n. 48 y 242 de la Biblioteca General de la Universidad de Coimbra. Anuario Musical, 5: 78-96.

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P-Cug MM.48

Biblioteca Geral da Universidade, Coimbra, Portugal

manuscript of polyphony: c.1556-1559

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