DK-Kk R.154 (previously MS Gamle kongelige Samling 1873, 4° [Tenor])

Det Kongelige Bibliotek, Copenhagen (København), Denmark

partbook: 1556

Archive Det Kongelige Bibliotek, Copenhagen (København), Denmark (DK-Kk)
Shelfmark R.154 (previously MS Gamle kongelige Samling 1873, 4° [Tenor])
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 188 x 248 mm
Other Identifiers
  • CCM: CopKB 1873
  • olim (Former shelfmark): MS Gamle kongelige Samling 1873, 4°
Relationships
External Authorities
Provenance
Contents 171 pieces from 54 composers
General Description

A Tenor partbook from a set originally of six volumes. Contents broadly organised in sections by number of voices: 5vv, then 6, 7 and 8vv. Where compositions are in 2 partes, the 2a pars is often separated from the 1a pars. Copied for the Danish court chapel in Copenhagen (CreAC). Much of the repertory was copied from Phalèse prints of 1553-5.

DIAMM, 2025
Extent

D 194ff; T 170ff; B 178ff; Q 177ff; S 163ff.

DIAMM, 2025
Binding

Covers of brown tooled leather on wood, with clasps. Several layers, in several hands.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered

DIAMM, 2017
Foliation

Old and new foliation

DIAMM, 2017
Decoration

monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Gilt-edged pages.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

62 motets, 13 German sacred pieces, I German/Latin sacred piece (with Latin incipit only in this source), 50 French secular pieces, 5 German secular pieces, 2 Italian secular pieces (all of the preceding have text incipits or titles only), 29 textless pieces = 162

[The second parts for many of the motets are copied in separate groups, but the first and second parts are counted as single pieces in the above summary].

Amsfortius [Franzeisscus]-2, (Baston)-3, (Braetel)-1, (Briant)-1, (Beutel)-1, Canis-3, (Chastelain)-1, Clemens non Papa-20, (Cornel de Milan)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Crecquillon-12, Crespel-6, (Ducis)-1, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-2, (Hellinck)-1, C. Hollander-3, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, Jhan of Ferrara [Galli]-1, Josquin-8, L'Archier-2, (Lattre)-1, (Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Senfl)-4, Stoltzer-1, Tubal-1, Vinders [Vindtner]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-62

5 paper partbooks of an original 6 (D-ii + 194 folios, T-ii + 170, B-i + 103, Q-ii + 177, Sii + 164), ca. 188 x 248 (B measures 182 x 256). Old and new foliation; pieces numbered. Covers of brown tooled leather on wood, with clasps. Several layers, in several hands. Gilt-edged pages. Manuscript contains date 1556, monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Instruments are specified for some of the pieces. Manuscript is related to CopKB 1872. Much of the repertory was copied from Phalèse prints of 1553-5.

Copying begun in 1556. Copied for the Danish court chapel in Copenhagen (CreAC).

Vol. 4

Contents: 59 motets,* 10 German sacred pieces, 1 German/Latin sacred piece (with Latin incipit only in this source), 52 French secular pieces, 5 German secular pieces, 6 Italian secular pieces (all of preceding have text incipits or titles only, or are without text or title in this source), 31 textless pieces = 164

*Second partes for some motets copied separately in this source, but first and second partes counted as single items in above summary.

Composers: (Abell)-1, Amsfortius [Frantzeisscus]-1, (Appenzeller)-1, (Arcadelt) -1, (Baston)-2, (Baston/Cleve)-1, (Beutel)-1, (Braetel)-1, (Briant)-1, Canis-3, (Chastelain)-1, Clemens non Papa-19, (Clemens non Papa/Crecquillon)-1, (Cornel de Milan)-1, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales) -1 [2 voices added by Bruck], Crecquillon-13, Crespel-6, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-3, (Gombert/Josquin)-1, (Grefinger/Senfl)-1, (Hellinck/Senfl/Verdelot)-1, C. Hollander-S, Qanequin-Verdelot)-1, (Jaquet of Mantua)-1, Josquin-8, (Josquin/Senfl)-2, L'Archier-2, (Lassus)-2, (Lattre)-1, Le Cocq [Galli]-1, (Gerard Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Rore)-1, (Senfl)-2, Stoltzer-1, Tubal-1, (Verdelot)-1, Vinders [Ieronimus Vindter]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-52

DIAMM, 2025

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Le bon espoir que j'ai de parvenir [Baston]
Appears on: 1
Genres: Chanson
Source Attribution: [Baston]
1v Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo [Crecquillon]
Appears on: 1v
Genres: Motet
Source Attribution: [Crecquillon]
2 Adjuva nos Deus salutaris noster [Crecquillon]
Appears on: 2
Genres: Motet
Source Attribution: [Crecquillon]
2v Un coeur en deuil je porte en un champ [Gerard Le Cocq]
Appears on: 2v
Genres: Chanson
Source Attribution: [Gerard Le Cocq]
3 J'ai veu sans yeulx morir un mort [Crecquillon]
Appears on: 3
Genres: Chanson
Source Attribution: [Crecquillon]
3v Dieu me fault il tant de mal supporter [Crecquillon]
Appears on: 3v
Genres: Chanson
Source Attribution: [Crecquillon]
4 Laultrier mi cheminoie mon chemin devers [Clemens non Papa]
Appears on: 4
Genres: Chanson
Source Attribution: [Clemens non Papa]
4v Chant musical in'ention divine n'est desprise [Crespel]
Appears on: 4v
Genres: Chanson
Source Attribution: [Crespel]
5 Je changeray quoy qu'il m'en doibt advenir [Crecquillon]
Appears on: 5
Genres: Chanson
Source Attribution: [Crecquillon]
5v Vostre a jamais par heritage me poves [Baston]
Appears on: 5v
Genres: Chanson
Source Attribution: [Baston]
5v Belle donne moi un regard tant seullement [Canis]
Appears on: 5v
Genres: Chanson
Source Attribution: [Canis]
6 Dites pourquoi vostre amitié se fache [Crecquillon]
Appears on: 6
Genres: Chanson
Source Attribution: [Crecquillon]
6v Je ne desire que la mortt Puisque je vis [Chastelain]
Appears on: 6v
Genres: Chanson
Source Attribution: [Chastelain]
7 [untexted] Anon. Anonymous

[untexted]

Anonymous
Appears on: 7
Genres: textless
Source Attribution: Anon.
7 Pardonne moi madame et ma maistresse [Crecquillon]
Appears on: 7
Genres: Chanson
Source Attribution: [Crecquillon]
7 O triste ennuye qui me tient en souffrance [Crecquillon]
Appears on: 7
Genres: Chanson
Source Attribution: [Crecquillon]
7v Pour parvenir bon peid bon oeil avoir [Canis]
Appears on: 7v
Genres: Chanson
Source Attribution: [Canis]
7v A l'advenir tousjours je poursuyvray [Crespel]
Appears on: 7v
Genres: Chanson
Source Attribution: [Crespel]
8 Sur toutes fleurs j'aime la marguerite [Crespel]
Appears on: 8
Genres: Chanson
Source Attribution: [Crespel]
8 Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate [Clemens non Papa]
Appears on: 8
Genres: Motet
Source Attribution: [Clemens non Papa]
8v Or puisqu' ennuye te detient en souffrance [Crecquillon]
Appears on: 8v
Genres: Chanson
Source Attribution: [Crecquillon]
8v Dame d'honneur de beauté l'outre passe [Crespel]
Appears on: 8v
Genres: Chanson
Source Attribution: [Crespel]
9 Le departier est sans departement [Cornel de Milan]
Appears on: 9
Genres: Chanson
Source Attribution: [Cornel de Milan]
9v Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) [Josquin]
Appears on: 9v
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
9v Tua est potentia tuum regnum Dominus 26.17 [Mouton]
Appears on: 9v
Genres: Motet
Source Attribution: [Mouton]
10 Dormend' un giorno a Baia a l'ombr' Amore [Verdelot]
Appears on: 10
Genres: Madrigal (Italian)
Source Attribution: [Verdelot]
10v Je lay ayme et tousjours laymeray le mien [C. Hollander]
Appears on: 10v
Genres: Chanson
Source Attribution: [C. Hollander]
10v Aimer est ma vie en despit d'ennuye [Clemens non Papa]
Appears on: 10v
Genres: Chanson
Source Attribution: [Clemens non Papa]
11 Je changerai quelque chose qu'on pense Crequilon
Appears on: 11
Genres: Chanson
Source Attribution: Crequilon
11v Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus Lupi
Appears on: 11v
Genres: Motet
Source Attribution: Lupi
12 La [Las] non ailleurs le triste coeur demeure Clemens non Papa
Appears on: 12
Genres: Chanson
Source Attribution: Clemens non Papa
12v–13 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) [Josquin]
Appears on: 12v–13
Genres: Motet, Stabat Mater
Source Attribution: [Josquin]
13v–14 In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) [Hellinck/Senfl/Verdelot]
Appears on: 13v–14
Genres: Motet
Source Attribution: [Hellinck/Senfl/Verdelot]
14v Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 [Josquin]
Appears on: 14v
Genres: Motet
Source Attribution: [Josquin]
15–15v De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) [Josquin/Senfl]
Appears on: 15–15v
Genres: Motet
Source Attribution: [Josquin/Senfl]
16 Nun bitten wir den heiligen geist (6vv) [Walter]
Appears on: 16
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
16 Vater unser im Himmelreich, der du uns Anon. Anonymous
Appears on: 16
Genres: Sacred Song
Source Attribution: Anon.
17 Amor se mai Anon. Anonymous

Amor se mai

Anonymous
Appears on: 17
Genres: Italian secular
Source Attribution: Anon.
17v–18 blank pages - -

blank pages

Appears on: 17v–18
18v–19 Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) [Baston/Cleve]
Appears on: 18v–19
Genres: Motet
Source Attribution: [Baston/Cleve]
19v–20 Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) Clemens non Papa
Appears on: 19v–20
Genres: Motet
Source Attribution: Clemens non Papa
20v–21v Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) [Clemens non Papa]
Appears on: 20v–21v
Genres: Motet
Source Attribution: [Clemens non Papa]
22 Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) [C. Festa]
Appears on: 22
Genres: Motet
Source Attribution: [C. Festa]
22v–24 Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) [Janequin-Verdelot]
Appears on: 22v–24
Genres: Chanson
Source Attribution: [Janequin-Verdelot]
24v Ach Maidlein rein ich hab allein [Grefinger/Senfl]
Appears on: 24v
Genres: Song
Source Attribution: [Grefinger/Senfl]
25–56v blank pages - -

blank pages

Appears on: 25–56v
57 En quam honesta et jucunda res est Anon.
Appears on: 57
Genres: Motet
Source Attribution: Anon.
57v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] [Josquin]
Appears on: 57v
Genres: Chanson, Contrafactum, Motet
Source Attribution: [Josquin]
57v Verbum Domini manet in aeternam [Walter]
Appears on: 57v
Genres: Motet
Source Attribution: [Walter]
57v Wir glauben all an einen Gott [Credo] (I) (4vv) [Walter]
Appears on: 57v
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
58? Le bergier et la bergiere sont a l'ombre Anon. Anonymous
Appears on: 58?
Genres: Chanson
Source Attribution: Anon.
58 So ich betracht und acht der alten Gesang [Braetel]
Appears on: 58
Genres: Song
Source Attribution: [Braetel]
58v D'amour me plains et non de vous m'amie [LvArchier]
Appears on: 58v
Genres: Chanson
Source Attribution: [LvArchier]
59 Si par souffrir je puis avoir du bien [Clemens non Papa]
Appears on: 59
Genres: Chanson
Source Attribution: [Clemens non Papa]
59v Mais languirai-je toujours, vrai Dieu [Waelrant]
Appears on: 59v
Genres: Chanson
Source Attribution: [Waelrant]
60 Celle que m'a tant pourmene a eu pitie [C. Hollander]
Appears on: 60
Genres: Chanson
Source Attribution: [C. Hollander]
60v Hellas dama Anon. Anonymous

Hellas dama

Anonymous
Appears on: 60v
Genres: Chanson
Source Attribution: Anon.
60v J'ai veu le cerf du bois saillir et boire [Crespel]
Appears on: 60v
Genres: Chanson
Source Attribution: [Crespel]
61 Me retirer d'elle ne m'est possible [Clemens non Papa]
Appears on: 61
Genres: Chanson
Source Attribution: [Clemens non Papa]
61v Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) [Clemens non Papa]
Appears on: 61v
Genres: Motet
Source Attribution: [Clemens non Papa]
62 Au departir triste deuil a presse Anon. Anonymous
Appears on: 62
Genres: Chanson
Source Attribution: Anon.
62v N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 [Josquin]
Appears on: 62v
Genres: Chanson
Source Attribution: [Josquin]
62v Creator omnium Deus (6vv) [Willaert]
Appears on: 62v
Genres: Motet
Source Attribution: [Willaert]
63 Pour souhaitter je ne demande mieulx 30.8 [Josquin]
Appears on: 63
Genres: Chanson
Source Attribution: [Josquin]
63v Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 63v
Genres: Chanson
Source Attribution: [Josquin]
64 Quant me souvient de ma triste fortune [Briant]
Appears on: 64
Genres: Chanson
Source Attribution: [Briant]
64 Fors seulement l'attente que je meure 27.10 [A. Févin/Josquin]
Appears on: 64
Genres: Chanson
Source Attribution: [A. Févin/Josquin]
64v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crequillon
Appears on: 64v
Genres: Motet
Source Attribution: Crequillon
65 Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt Gomberth
Appears on: 65
Genres: Motet
Source Attribution: Gomberth
65v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Morales
Appears on: 65v
Genres: Motet
Source Attribution: Morales
66 Ecce nunc benedicite Dominum omnes servi Domini Matthias Eckel
Appears on: 66
Genres: Motet
Source Attribution: Matthias Eckel
66v Recordare Domine testamenti tui et dic [Arcadelt]
Appears on: 66v
Genres: Motet
Source Attribution: [Arcadelt]
67 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea Crequillon
Appears on: 67
Genres: Motet
Source Attribution: Crequillon
67v Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco Gomberth
Appears on: 67v
Genres: Motet
Source Attribution: Gomberth
68 Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet Morales
Appears on: 68
Genres: Motet
Source Attribution: Morales
68v Forte fortune fors un vouloir [C.] Hollandre
Appears on: 68v
Genres: Chanson
Source Attribution: [C.] Hollandre
69 Le content est riche en ce monde Crespel
Appears on: 69
Genres: Chanson
Source Attribution: Crespel
69v Vivre ne puis sur terre car mort suis Galli [= Le Cocq]
Appears on: 69v
Genres: Chanson
Source Attribution: Galli [= Le Cocq]
70 Tous les plaisirs qu'en languer je soubstiens Tubal
Appears on: 70
Genres: Chanson
Source Attribution: Tubal
70v Arousez vous violettes? Anon. Anonymous
Appears on: 70v
Genres: Chanson
Source Attribution: Anon.
70v Quem nos merito Periculum ... Inviolata integra Anon. Anonymous
Appears on: 70v
Genres: Motet
Source Attribution: Anon.
71 Si me tenes tant de rigueur madame Crequillon
Appears on: 71
Genres: Chanson
Source Attribution: Crequillon
71v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine Gombert
Appears on: 71v
Genres: Motet
Source Attribution: Gombert
72 Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Crequillon
Appears on: 72
Genres: Motet
Source Attribution: Crequillon
72v Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Jaquet of Mantua]
Appears on: 72v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
73 Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Canis
Appears on: 73
Genres: Motet
Source Attribution: Canis
73v O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa Clemens [non Papa]
Appears on: 73v
Genres: Motet
Source Attribution: Clemens [non Papa]
74 Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt Gombert
Appears on: 74
Genres: Motet
Source Attribution: Gombert
74v Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine Crequillon
Appears on: 74v
Genres: Motet
Source Attribution: Crequillon
74v Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves [Jaquet of Mantua]
Appears on: 74v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
75 Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus Canis
Appears on: 75
Genres: Motet
Source Attribution: Canis
75v O Maria vernans - 2a pars (of 2): Tu lux pulchra Clemens [non Papa]
Appears on: 75v
Genres: Motet
Source Attribution: Clemens [non Papa]
76 Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum [Manchicourt]
Appears on: 76
Genres: Motet
Source Attribution: [Manchicourt]
76v Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige [Waelrant]
Appears on: 76v
Genres: Motet
Source Attribution: [Waelrant]
77 Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anon. Anonymous
Appears on: 77
Genres: Motet
Source Attribution: Anon.
77v Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna [Clemens non Papa]
Appears on: 77v
Genres: Motet
Source Attribution: [Clemens non Papa]
78 Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient [Manchicourt]
Appears on: 78
Genres: Motet
Source Attribution: [Manchicourt]
78v Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo [Waelrant]
Appears on: 78v
Genres: Motet
Source Attribution: [Waelrant]
79 Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anon. Anonymous
Appears on: 79
Genres: Motet
Source Attribution: Anon.
79v Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia [Clemens non Papa]
Appears on: 79v
Genres: Motet
Source Attribution: [Clemens non Papa]
80 A qui me dois je retirer Puisque mon ami [Clemens non Papa]
Appears on: 80
Genres: Chanson
Source Attribution: [Clemens non Papa]
80v Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol [Wismes]
Appears on: 80v
Genres: Motet
Source Attribution: [Wismes]
81 Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol [Manchicourt]
Appears on: 81
Genres: Motet
Source Attribution: [Manchicourt]
81v Si seulle estois plaine de desconfort (?= J'ay veu le cerf) [Lattre]
Appears on: 81v
Genres: Chanson
Source Attribution: [Lattre]
82 Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/ Senfl]
Appears on: 82
Genres: Motet
Source Attribution: [Jonckers/Josquin/ Senfl]
82v Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam [Wismes]
Appears on: 82v
Genres: Motet
Source Attribution: [Wismes]
83 Quae est ista - 2a pars (of 2): Ista est speciosa inter filias [Manchicourt]
Appears on: 83
Genres: Motet
Source Attribution: [Manchicourt]
83v In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Josquin
Appears on: 83v
Genres: Motet
Source Attribution: Josquin
84? Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus [Manchicourt]
Appears on: 84?
Genres: Motet
Source Attribution: [Manchicourt]
84? Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 84?
Genres: Motet
Source Attribution: [Beutel]
84v? Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu [Clemens non Papa]
Appears on: 84v?
Genres: Motet
Source Attribution: [Clemens non Papa]
84v? Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula [Manchicourt]
Appears on: 84v?
Genres: Motet
Source Attribution: [Manchicourt]
85? Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum [Manchicourt]
Appears on: 85?
Genres: Motet
Source Attribution: [Manchicourt]
85? Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum [Beutel]
Appears on: 85?
Genres: Motet
Source Attribution: [Beutel]
85v? Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari [Clemens non Papa]
Appears on: 85v?
Genres: Motet
Source Attribution: [Clemens non Papa]
86 Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes [Manchicourt]
Appears on: 86
Genres: Motet
Source Attribution: [Manchicourt]
86v Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc Larchier
Appears on: 86v
Genres: Motet
Source Attribution: Larchier
87 Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet Clemens non Papa
Appears on: 87
Genres: Motet
Source Attribution: Clemens non Papa
87v Constitues eos principes super omnem terram [Gombert]
Appears on: 87v
Genres: Motet
Source Attribution: [Gombert]
88 Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine Cle. non Papa
Appears on: 88
Genres: Motet
Source Attribution: Cle. non Papa
88v Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos Larchier
Appears on: 88v
Genres: Motet
Source Attribution: Larchier
89 Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est Clemens non Papa
Appears on: 89
Genres: Motet
Source Attribution: Clemens non Papa
89v blank page - -

blank page

Appears on: 89v
90 Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum Cle. non Papa
Appears on: 90
Genres: Motet
Source Attribution: Cle. non Papa
90v Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi [Clemens non Papa]
Appears on: 90v
Genres: Motet
Source Attribution: [Clemens non Papa]
91 Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque [Appenzeller]
Appears on: 91
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
91v Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 91v
Genres: Alleluia, Motet
Source Attribution: [Senfl]
92 Je n'ai quelque cause de joie [Wismes]
Appears on: 92
Genres: Chanson
Source Attribution: [Wismes]
93v blank page - -

blank page

Appears on: 93v
92v Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula [Clemens non Papa]
Appears on: 92v
Genres: Motet
Source Attribution: [Clemens non Papa]
93 Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis [Appenzeller]
Appears on: 93
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
94 Christ ist erstanden von der marter alle Frantzeisscus [Amsfortius]
Appears on: 94
Genres: Hymn, Motet, Sacred Song
Source Attribution: Frantzeisscus [Amsfortius]
94v Christ ist erstanden von der marter alle Johan Paston
Appears on: 94v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
95–95v Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anon. Anonymous
Appears on: 95–95v
Genres: Motet
Source Attribution: Anon.
96 Toujours leal a ma maitresse tant que au corps [Courtois]
Appears on: 96
Genres: Chanson
Source Attribution: [Courtois]
96v–97 Christ lag in Todesbanden für unser Sünd Johan Paston
Appears on: 96v–97
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
96v–97] Congratulamini mihi omnes (2p. Tulerunt Dominum) [Lassus]
Appears on: 96v–97]
Genres: Motet
Source Attribution: [Lassus]
97v Quare tristis es anima mea [Lassus]
Appears on: 97v
Genres: Motet
Source Attribution: [Lassus]
98 blank page - -

blank page

Appears on: 98
98v Vous qui Anon. Anonymous

Vous qui

Anonymous
Appears on: 98v
Genres: Chanson
Source Attribution: Anon.
99 Mentre per questi monti Anon. Anonymous
Appears on: 99
Genres: Chanson
Source Attribution: Anon.
99v–100 Se pur ti guardo dolce anima mia Anon. Anonymous
Appears on: 99v–100
Genres: Italian secular
Source Attribution: Anon.
100v Sancta Trinitas unus Deus miserere nobis (6vv) [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
Appears on: 100v
Genres: Motet
Source Attribution: [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
101 An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen [Wannenmacher]
Appears on: 101
Genres: Song
Source Attribution: [Wannenmacher]
101 Ein Kindelein so löbelich / Der Tag ist so freudenreich Anon. Anonymous
Appears on: 101
Genres: Motet, Sacred Song
Source Attribution: Anon.
101v In dulci jubilo nun singet und seid froh [Abell]
Appears on: 101v
Genres: Motet
Source Attribution: [Abell]
102 Gelobet seist Du, Jesu Christ, dass Du Mensch Anon. Anonymous
Appears on: 102
Genres: Chorale, Sacred Song
Source Attribution: Anon.
102v–125v blank pages - -

blank pages

Appears on: 102v–125v
126 O mors inevitabilis mors amara mors crudelis Ieronimus Vindter [= Vinders]
Appears on: 126
Genres: Motet
Source Attribution: Ieronimus Vindter [= Vinders]
126v Ego flos campi et lilium convalium Clemens non Papa
Appears on: 126v
Genres: Motet
Source Attribution: Clemens non Papa
127 Was wird es doch des wunders noch [S329 - 4vv/7vv] [Senfl]
Appears on: 127
Genres: Song
Source Attribution: [Senfl]
127v Mich wundert gar hart umb den roten Anon. Anonymous
Appears on: 127v
Genres: Song
Source Attribution: Anon.
128 Parcere prostratis Anon. Anonymous

Parcere prostratis

Anonymous
Appears on: 128
Genres: Motet
Source Attribution: Anon.
128v Wer ich ein falck so wolt ich mich Anon. Anonymous
Appears on: 128v
Genres: Song
Source Attribution: Anon.
129 Nesciens mater virgo virum peperit T: Stolzer
Appears on: 129
Genres: Motet
Source Attribution: T: Stolzer
129v–147v blank pages - -

blank pages

Appears on: 129v–147v
148 Mon petit coeur n'est pas a moi [Rore]
Appears on: 148
Genres: Chanson
Source Attribution: [Rore]
148? Amour au coeur me poingt quand bien [Clemens non Papa]
Appears on: 148?
Genres: Chanson
Source Attribution: [Clemens non Papa]
148v? Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 148v?
Genres: Motet
Source Attribution: [Phinot]
149? Tant seullement ton amour je demande [Guyot]
Appears on: 149?
Genres: Chanson
Source Attribution: [Guyot]
149v–150? Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) [Clemens non Papa/ Crecquillon]
Appears on: 149v–150?
Genres: Motet
Source Attribution: [Clemens non Papa/ Crecquillon]
150v Su su su / A la battaglia Anon. Anonymous
Appears on: 150v
Genres: Italian secular
Source Attribution: Anon.
150v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 150v
Genres: Motet
Source Attribution: [Gombert/Josquin]
151–155 blank pages - -

blank pages

Appears on: 151–155
155v–159 Welsch danz Anon. Anonymous

Welsch danz

Anonymous
Appears on: 155v–159
Genres: Dance
Source Attribution: Anon.
155v–159 English dance Anon. Anonymous

English dance

Anonymous
Appears on: 155v–159
Genres: Dance
Source Attribution: Anon.
155v–159 23 other untitled dances Anon. Anonymous
Appears on: 155v–159
Genres: Dance
Source Attribution: Anon.
159v–165 blank pages - -

blank pages

Appears on: 159v–165
165v [untexted piece] Anon. Anonymous

[untexted piece]

Anonymous
Appears on: 165v
Genres: textless
Source Attribution: Anon.
166–169v blank pages - -

blank pages

Appears on: 166–169v
170 Si pur ti guardo dolce anima mia Anon.
Appears on: 170
Genres: Italian secular
Source Attribution: Anon.
Composer Compositions
Abell, David (fl. 16th century)
Amsfortius, Franciscus Marcellus
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Beutel (Bultel), Jacob
Bratel, Ulrich
Briant, Denis
Bruck, Arnold von (ca. 1500–1554)
Canis, Cornelius
Chastelain, Charles (ca. 1490–1578)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Crespel, Jean
Despres, Josquin (ca. 1450–1521)
Donato, Baldassare (ca. 1529–1603)
Eckel, Matthias
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Fevin, Robert de (fl. 1500-1515)
Galli, Antonius
Gombert, Nicolas (ca. 1495–ca. 1560)
Grefinger, Wolfgang
Guyot (Castileti), Jean
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Janequin, Clement (ca. 1485–ca. 1558)
Jonckers, Maistre Gosse
Larchier, Jean
Lassus, Orlande de (ca. 1532–1594)
Le Cocq, Gerard
Lupi, Johannes (ca. 1506–1539)
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Milan, Cornelius de
Morales, Cristóbal de (ca. 1500–1553)
Mouton, Jean (ca. 1459–1522)
Pastrana, Pedro de (1490–ca. 1558)
Petit (de Latre), Jehan
Phinot, Dominique
Rore, Cipriano de (ca. 1515–1565)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Tubal, Adrian
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Waelrant, Hubert (ca. 1517–1595)
Walter, Johann (1496–1570)
Wannenmacher, Johannes (ca. 1485–1551)
Willaert, Adrian (ca. 1490–1562)
Wisme (Vuismes), Nicholas de
Composition Composers (? Uncertain) Folios / Pages
23 other untitled dances Anonymous 155v–159
[untexted piece] Anonymous 165v
[untexted] Anonymous 7
A l'advenir tousjours je poursuyvray 7v
A qui me dois je retirer Puisque mon ami 80
Ach Maidlein rein ich hab allein 24v
Adjuva nos Deus salutaris noster 2
Aimer est ma vie en despit d'ennuye 10v
Amor se mai Anonymous 17
Amour au coeur me poingt quand bien 148?
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen 101
Arousez vous violettes? Anonymous 70v
Au departir triste deuil a presse Anonymous 62
Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque 91
Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis 93
Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) 61v
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 65v
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet 68
Belle donne moi un regard tant seullement 5v
Celle que m'a tant pourmene a eu pitie 60
Chant musical in'ention divine n'est desprise 4v
Christ ist erstanden von der marter alle 94
Christ ist erstanden von der marter alle 94v
Christ lag in Todesbanden für unser Sünd 96v–97
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 77v
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 79v
Congratulamini mihi omnes (2p. Tulerunt Dominum) 96v–97]
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 72
Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine 74v
Constitues eos principes super omnem terram 87v
Creator omnium Deus (6vv) 62v
D'amour me plains et non de vous m'amie 58v
Dame d'honneur de beauté l'outre passe 8v
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) 15–15v
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) 9v
Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo 1v
Dieu me fault il tant de mal supporter 3v
Dites pourquoi vostre amitié se fache 6
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 64v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 67
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 73
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus 75
Dormend' un giorno a Baia a l'ombr' Amore 10
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) 18v–19
Ecce Dominus veniet nolite timere 14.5 82
Ecce nunc benedicite Dominum omnes servi Domini 66
Ego flos campi et lilium convalium 126v
Ein Kindelein so löbelich / Der Tag ist so freudenreich Anonymous 101
En quam honesta et jucunda res est 57
English dance Anonymous 155v–159
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) 22v–24
Fors seulement l'attente que je meure 27.10 64
Forte fortune fors un vouloir 68v
Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu 84v?
Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari 85v?
Gelobet seist Du, Jesu Christ, dass Du Mensch Anonymous 102
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 57v
Hellas dama Anonymous 60v
Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine 88
Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum 90
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 84?
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 85?
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 76
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 78
In dulci jubilo nun singet und seid froh 101v
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio 83v
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 13v–14
Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) 19v–20
J'ai veu le cerf du bois saillir et boire 60v
J'ai veu sans yeulx morir un mort 3
Jam non dicam vos servos sed amicos (8vv) 148v?
Je changerai quelque chose qu'on pense 11
Je changeray quoy qu'il m'en doibt advenir 5
Je lay ayme et tousjours laymeray le mien 10v
Je n'ai quelque cause de joie 92
Je ne desire que la mortt Puisque je vis 6v
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) 22
La [Las] non ailleurs le triste coeur demeure 12
Laultrier mi cheminoie mon chemin devers 4
Le bergier et la bergiere sont a l'ombre Anonymous 58?
Le bon espoir que j'ai de parvenir 1
Le content est riche en ce monde 69
Le departier est sans departement 9
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 87
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est 89
Mais languirai-je toujours, vrai Dieu 59v
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) 20v–21v
Me retirer d'elle ne m'est possible 61
Mentre per questi monti Anonymous 99
Mich wundert gar hart umb den roten Anonymous 127v
Mon petit coeur n'est pas a moi 148
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 62v
Nesciens mater virgo virum peperit 129
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc 86v
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos 88v
Nun bitten wir den heiligen geist (6vv) 16
O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa 73v
O Maria vernans - 2a pars (of 2): Tu lux pulchra 75v
O mors inevitabilis mors amara mors crudelis 126
O triste ennuye qui me tient en souffrance 7
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 71v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 74
Or puisqu' ennuye te detient en souffrance 8v
Parcere prostratis Anonymous 128
Pardonne moi madame et ma maistresse 7
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 11v
Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate 8
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) 149v–150?
Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt 65
Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco 67v
Petite camusette à la mort m'avez mis 30.7 63v
Philippe qui videt me alleluia (6vv, M84) 91v
Pour parvenir bon peid bon oeil avoir 7v
Pour souhaitter je ne demande mieulx 30.8 63
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 14v
Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol 81
Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol 80v
Quae est ista - 2a pars (of 2): Ista est speciosa inter filias 83
Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam 82v
Quant me souvient de ma triste fortune 64
Quare tristis es anima mea 97v
Quem nos merito Periculum ... Inviolata integra Anonymous 70v
Recordare Domine testamenti tui et dic 66v
Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anonymous 77
Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anonymous 79
Sancta Trinitas unus Deus miserere nobis (6vv) 100v
Se pur ti guardo dolce anima mia Anonymous 99v–100
Si me tenes tant de rigueur madame 71
Si par souffrir je puis avoir du bien 59
Si pur ti guardo dolce anima mia 170
Si seulle estois plaine de desconfort (?= J'ay veu le cerf) 81v
So ich betracht und acht der alten Gesang 58
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 12v–13
Su su su / A la battaglia Anonymous 150v
Sur toutes fleurs j'aime la marguerite 8
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 72v
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves 74v
Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus 84?
Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum 85?
Tant seullement ton amour je demande 149?
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula 84v?
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes 86
Toujours leal a ma maitresse tant que au corps 96
Tous les plaisirs qu'en languer je soubstiens 70
Tua est potentia tuum regnum Dominus 26.17 9v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 150v
Un coeur en deuil je porte en un champ 2v
Vater unser im Himmelreich, der du uns Anonymous 16
Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige 76v
Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo 78v
Verbum Domini manet in aeternam 57v
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi 90v
Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula 92v
Vivre ne puis sur terre car mort suis 69v
Vostre a jamais par heritage me poves 5v
Vous qui Anonymous 98v
Was wird es doch des wunders noch [S329 - 4vv/7vv] 127
Welsch danz Anonymous 155v–159
Wer ich ein falck so wolt ich mich Anonymous 128v
Wir glauben all an einen Gott [Credo] (I) (4vv) 57v
Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anonymous 95–95v

denotes primary source study

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191,218-9,442,460,489-90,546. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 94. Notes: mention of MS.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers.  The Hague. Pages: 337-44. Notes: physical description; contents list; incipitsst of contents (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV,30-l, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700.  Copenhagen. Pages: 130ff. Notes: physical description.

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