D-Z 69.2.45 [Tenor]

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century; date 1564 in manuscript

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.45 [Tenor]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 206 x 162 mm
Other Identifiers
  • CCM: ZwiR 79/2
  • Other catalogues/source: VollBM [see bibliography] 43
  • olim (Former shelfmark): MS 79, 2
  • olim (Former shelfmark): MS LXXIX,2
Notations
  • black void mensural
Copyists
Provenance
  • Zwickau, Saxony, Germany
Contents 51 pieces from 21 composers
General Description

A Tenor partbook from a set originally of five volumes. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Of central German origin; perhaps copied in Zwickau.

DIAMM, 2017
Extent

53 leaves

DIAMM, 2017
Binding

TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books

DIAMM, 2017
Watermark

generally resembles Briquet #2247

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Decoration

Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink

DIAMM, 2017
Index

none

DIAMM, 2017
DIAMM Note

Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

26 motets, 3 German sacred pieces, 1 German secular piece = 30

(Bacchius)-1, Clemens non Papa-7, (Clemens non Papa/Maessens)-1, Cobrise-1, (Crecquillon)-1, (Feys)-1, Gombert-1, Lassus [Orlandus]-3, (Le Maistre)-2, (Maillard)-1, Manchicourt/(Clemens non Papa)-1, Meiland-1, Phinot-1, (Reusch)-1, Scandello-2 (Schröter) -1, (Senfl)-1, (Sermisy)-1, Verdelot/(Richafort)-1, anon-1

4 paper partbooks of an original 5 (D-i + 41 + i folios, A-44, T-53, Q-38), 206 x 162. New pencil foliation in each book. Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30. TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books. No index. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink. Watermark generally resembles Briquet #2247.

Second half of 16th century (date 1564 in manuscript). Of central German origin; perhaps copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–2v Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco -
Appears on: 2–2v
Genres: Motet
2v–3 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei -
Appears on: 2v–3
3v–4 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Petrus Manchicourt
Appears on: 3v–4
Genres: Motet
Source Attribution: Petrus Manchicourt
4v–5 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 4v–5
Genres: Motet
5–6 Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Gombert
Appears on: 5–6
Genres: Motet
Source Attribution: Gombert
6v–7v Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus -
Appears on: 6v–7v
Genres: Motet
7v–8v Domine Jesu Christe respicere digneris Jacobus Clemens non Papa
Appears on: 7v–8v
Genres: Motet
Source Attribution: Jacobus Clemens non Papa
9–10v Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) Antonius Scandellus
Appears on: 9–10v
Genres: Motet
Source Attribution: Antonius Scandellus
11–12 Tristis est anima -
Appears on: 11–12
Genres: Motet
12v–13v Si bona suscepimus de manu Domini -
Appears on: 12v–13v
Genres: Motet
13v–14v Gott ist mein licht und mein seligkeit -
Appears on: 13v–14v
Genres: Motet
14v Aufer a nobis Domine cunctas iniquitates nostras - Anonymous
Appears on: 14v
Genres: Motet
15–16 Vater unser, der du bist im Himmel -
Appears on: 15–16
Genres: Chorale, Sacred Song
16–17 Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen -
Appears on: 16–17
Genres: Motet
17v–18v Herre wir erkennen - 2a pars (of 2): Ach Herre, gedenk an uns -
Appears on: 17v–18v
Genres: Sacred Song
18v–19 Adjuva nos Deus salutaris noster -
Appears on: 18v–19
Genres: Motet
19v–20v In me transierunt irae tuae et terrores -
Appears on: 19v–20v
Genres: Motet
20v–21 In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus -
Appears on: 20v–21
Genres: Motet
21v–22 In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio -
Appears on: 21v–22
Genres: Contrafactum, Motet
22v–23 Michael archangele veni in adjutorium -
Appears on: 22v–23
Genres: Motet
23v–24 Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor -
Appears on: 23v–24
Genres: Motet
24v–25 Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie -
Appears on: 24v–25
Genres: Motet
25–26 Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum -
Appears on: 25–26
Genres: Motet
26–27 Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum -
Appears on: 26–27
Genres: Motet
27–27v Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter -
Appears on: 27–27v
Genres: Motet
28–28v Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 28–28v
Genres: Motet
28v–30 Sum tuus in vita (4vv) [M109] -
Appears on: 28v–30
Genres: Motet
30–30v Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra -
Appears on: 30–30v
Genres: Motet
31–31v Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 31–31v
Genres: Motet
32–33v Hoc est praeceptum meum ut diligatis D. Phinot
Appears on: 32–33v
Genres: Motet
Source Attribution: D. Phinot
33v–34v Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Dlemens N Papa
Appears on: 33v–34v
Genres: Motet
Source Attribution: Dlemens N Papa
34v–35v Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide -
Appears on: 34v–35v
Genres: Motet
35v–36v Anna floret - 1a pars (of 2): Anna floret sicut lilium Cobrise
Appears on: 35v–36v
Genres: Motet
Source Attribution: Cobrise
36v–37v Anna floret - 2a pars (of 2): O radix viva mira pietatis -
Appears on: 36v–37v
Genres: Motet
38–38v Vox in Rama audita est ploratus et ululatus -
Appears on: 38–38v
Genres: Motet
39–39v Ich weiss mir ein festes gebautes haus -
Appears on: 39–39v
Genres: Song
40–41 Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur -
Appears on: 40–41
Genres: Motet
41–42 Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 41–42
Genres: Motet
42v Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes J. Mailandi
Appears on: 42v
Genres: Motet
Source Attribution: J. Mailandi
43 Exultent et laetentur - 2a pars (of 2): Ego vero egenus -
Appears on: 43
Genres: Motet
43v–44 Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli Orlandi
Appears on: 43v–44
Genres: Motet
Source Attribution: Orlandi
44–44v Quis mihi quis te - 2a pars (of 3): Me miserum qua te tandem -
Appears on: 44–44v
Genres: Motet
45 Quis mihi quis te - 3a pars (of 3): Nunc juvat immensi fines lustrare -
Appears on: 45
Genres: Motet
45–45v Laudate Dominum (5vv) - 1a pars (of 4): Laudate Dominum de caelis Orlandus
Appears on: 45–45v
Genres: Motet
Source Attribution: Orlandus
45v–46 Laudate Dominum (5vv) - 2a pars (of 4): Laudate Dominum de terra -
Appears on: 45v–46
Genres: Motet
46–46v Laudate Dominum (5vv) - 3a pars (of 4): Juvenes et virgines -
Appears on: 46–46v
Genres: Motet
47–47v Laudate Dominum (5vv) - 4a pars (of 4): Laudate eum in virtutibus -
Appears on: 47–47v
Genres: Motet
47v–48 Benedicite omnia opera Domini - 1a pars (of 4): Benedicite omnia opera Domini Orlandus
Appears on: 47v–48
Genres: Motet
Source Attribution: Orlandus
48v–49 Benedicite omnia opera Domini - 2a pars (of 4): Benedicite frigus (ignis) et aestus -
Appears on: 48v–49
Genres: Motet
49v–50 Benedicite omnia opera Domini - 3a pars (of 4): Benedicite montes et colles -
Appears on: 49v–50
Genres: Motet
50v–51 Benedicite omnia opera Domini - 4a pars (of 4): Benedicite sacerdotes -
Appears on: 50v–51
Genres: Motet
Composer Compositions
Anonymous
Bacchius, Johannes de (–ca. 1557)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cobrise
Crecquillon, Thomas (ca. 1505–ca. 1557)
Feys, Arnoldus
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Mattheus (ca. 1505–1577)
Maessens, Pieter
Maillard, Jean (fl. c1538–1570)
Manchicourt, Pierre de
Meiland, Jacob (1542–1577)
Phinot, Dominique
Reusch, Johannes
Richafort, Jean (ca. 1480–ca. 1550)
Scandello, Antonio
Schroeter, Leonhard
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor 23v–24
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie 24v–25
Adjuva nos Deus salutaris noster 18v–19
Anna floret - 1a pars (of 2): Anna floret sicut lilium 35v–36v
Anna floret - 2a pars (of 2): O radix viva mira pietatis 36v–37v
Aufer a nobis Domine cunctas iniquitates nostras Anonymous 14v
Benedicite omnia opera Domini - 1a pars (of 4): Benedicite omnia opera Domini 47v–48
Benedicite omnia opera Domini - 2a pars (of 4): Benedicite frigus (ignis) et aestus 48v–49
Benedicite omnia opera Domini - 3a pars (of 4): Benedicite montes et colles 49v–50
Benedicite omnia opera Domini - 4a pars (of 4): Benedicite sacerdotes 50v–51
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 30–30v
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 31–31v
Domine Jesu Christe respicere digneris 7v–8v
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 5–6
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 27–27v
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 28–28v
Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus 6v–7v
Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes 42v
Exultent et laetentur - 2a pars (of 2): Ego vero egenus 43
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 2–2v
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 2v–3
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum 25–26
Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum 26–27
Gott ist mein licht und mein seligkeit 13v–14v
Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen 16–17
Herre wir erkennen - 2a pars (of 2): Ach Herre, gedenk an uns 17v–18v
Hoc est praeceptum meum ut diligatis 32–33v
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 40–41
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 41–42
Ich weiss mir ein festes gebautes haus 39–39v
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus 20v–21
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio 21v–22
In me transierunt irae tuae et terrores 19v–20v
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide 33v–34v
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide 34v–35v
Laudate Dominum (5vv) - 1a pars (of 4): Laudate Dominum de caelis 45–45v
Laudate Dominum (5vv) - 2a pars (of 4): Laudate Dominum de terra 45v–46
Laudate Dominum (5vv) - 3a pars (of 4): Juvenes et virgines 46–46v
Laudate Dominum (5vv) - 4a pars (of 4): Laudate eum in virtutibus 47–47v
Michael archangele veni in adjutorium 22v–23
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 3v–4
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 4v–5
Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli 43v–44
Quis mihi quis te - 2a pars (of 3): Me miserum qua te tandem 44–44v
Quis mihi quis te - 3a pars (of 3): Nunc juvat immensi fines lustrare 45
Si bona suscepimus de manu Domini 12v–13v
Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) 9–10v
Sum tuus in vita (4vv) [M109] 28v–30
Tristis est anima 11–12
Vater unser, der du bist im Himmel 15–16
Vox in Rama audita est ploratus et ululatus 38–38v

Set: D-Z MS Mus. 79, 2

Type: Partbooks

No images available

D-Z 69.2.45 [Altus]

No images available

D-Z 69.2.45 [Discantus]

No images available

D-Z 69.2.45 [Quintus]

No images available

D-Z 69.2.45 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350-1,816. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 687,692,789. Notes: contents list (partial); concordances (partial); incipits (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 51. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

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