V-CVbav MS Pal. lat. 1981

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

partbook:

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Pal. lat. 1981
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 133 x 209-13 mm
Other Identifiers
  • RISM: I-Rvat 1980-1
  • CCM: VatP 1980-1
  • olim (Former shelfmark): I-Rvat MS Pal. lat. 1981
Notations
  • black void mensural
Relationships
External Links
Provenance
  • Rome, Italy
Contents 59 pieces from 14 composers
General Description

A Bassus partbook from a set originally of four volumes. Copied by a single scribe. Copied in Rome. Probably compiled for Giulio de' Medici (1478-1534; Pope Clement VII after 1523). Acquired, perhaps c. 1553-63, by Ulrich Fugger (1526-84), of Augsburg (possibly through Ulrich's book collector, Henricus Scrimger); later incorporated in Palatine electoral library in Heidelberg. See VatP 1347 for subsequent history of electoral library.

DIAMM, 2017
Binding

Original covers of brown leather, tooled with voice designations and ornamental designs.

DIAMM, 2017
Watermark

generally resembles Briquet #491.

DIAMM, 2017
Notation

black void mensural

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Ruling

Staff height 10.

DIAMM, 2017
Foliation

Original ink foliation on upper right rectos (flyleaves in both books, and last 9 folios in B book unnumbered).

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Decoration

Inked calligraphic initials; Medici family coat of arms and cardinal's hat on f. 1 in each book.

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Index

Original index on f. [iii] of each book lists Masses, motets, and 'Canzoni' separately; within each group, pieces listed in order of appearance (one Mass listed out of sequence)

DIAMM, 2017
Surface

paper

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Missa Dites-moi m'avés pensé: Kyrie -
Appears on: 1–1v
Genres: Kyrie eleison, Mass Ordinary
1v–2v Missa Dites-moi m'avés pensé: Gloria -
Appears on: 1v–2v
Genres: Gloria (et in terra pax), Mass Ordinary
2v–4 Missa Dites-moi m'avés pensé: Credo -
Appears on: 2v–4
Genres: Credo (patrem omnipotentem), Mass Ordinary
4v–5v Missa Dites-moi m'avés pensé: Sanctus -
Appears on: 4v–5v
Genres: Mass Ordinary, Sanctus [& Benedictus]
6–6v Missa Dites-moi m'avés pensé: Agnus Dei -
Appears on: 6–6v
Genres: Agnus Dei, Mass Ordinary
7–7v Missa Incessament mon pauvre coeur: Kyrie -
Appears on: 7–7v
Genres: Kyrie eleison, Mass Ordinary
8–9 Missa Incessament mon pauvre coeur: Gloria -
Appears on: 8–9
Genres: Gloria (et in terra pax), Mass Ordinary
9–11 Missa Incessament mon pauvre coeur: Credo -
Appears on: 9–11
Genres: Credo (patrem omnipotentem), Mass Ordinary
11–12 Missa Incessament mon pauvre coeur: Sanctus -
Appears on: 11–12
Genres: Mass Ordinary, Sanctus [& Benedictus]
12–13 Missa Incessament mon pauvre coeur: Agnus Dei -
Appears on: 12–13
Genres: Agnus Dei, Mass Ordinary
13v–14 Missa Descendi in ortum meum: Kyrie -
Appears on: 13v–14
Genres: Kyrie eleison, Mass Ordinary
14v–15v Missa Descendi in ortum meum: Gloria -
Appears on: 14v–15v
Genres: Gloria (et in terra pax), Mass Ordinary
15v–17v Missa Descendi in ortum meum: Credo -
Appears on: 15v–17v
Genres: Credo (patrem omnipotentem), Mass Ordinary
17v–19 Missa Descendi in ortum meum: Sanctus -
Appears on: 17v–19
Genres: Mass Ordinary, Sanctus [& Benedictus]
19–20 Missa Descendi in ortum meum: Agnus Dei -
Appears on: 19–20
Genres: Agnus Dei, Mass Ordinary
20v–21 Missa Pange lingua 4.3: Kyrie -
Appears on: 20v–21
Genres: Kyrie eleison, Mass Ordinary
21–22 Missa Pange lingua 4.3: Gloria -
Appears on: 21–22
Genres: Gloria (et in terra pax), Mass Ordinary
22–23v Missa Pange lingua 4.3: Credo -
Appears on: 22–23v
Genres: Credo (patrem omnipotentem), Mass Ordinary
24–25v Missa Pange lingua 4.3: Sanctus -
Appears on: 24–25v
Genres: Mass Ordinary, Sanctus [& Benedictus]
25v–26v Missa Pange lingua 4.3: Agnus Dei -
Appears on: 25v–26v
Genres: Agnus Dei, Mass Ordinary
27–27v Missa: Kyrie - Anonymous

Missa: Kyrie

Anonymous
Appears on: 27–27v
Genres: Kyrie eleison, Mass Ordinary
28–29 Missa: Gloria - Anonymous

Missa: Gloria

Anonymous
Appears on: 28–29
Genres: Gloria (et in terra pax), Mass Ordinary
29–31 Missa: Credo - Anonymous

Missa: Credo

Anonymous
Appears on: 29–31
Genres: Credo (patrem omnipotentem), Mass Ordinary
31–33 Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 31–33
Genres: Mass Ordinary, Sanctus [& Benedictus]
33–33v Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 33–33v
Genres: Agnus Dei, Mass Ordinary
34–34v Missa Ave Maria: Kyrie -
Appears on: 34–34v
Genres: Kyrie eleison, Mass Ordinary
35–36 Missa Ave Maria: Gloria -
Appears on: 35–36
Genres: Gloria (et in terra pax), Mass Ordinary
36–37v Missa Ave Maria: Credo -
Appears on: 36–37v
Genres: Credo (patrem omnipotentem), Mass Ordinary
38–39v Missa Ave Maria: Sanctus -
Appears on: 38–39v
Genres: Mass Ordinary, Sanctus [& Benedictus]
40–40v Missa Ave Maria: Agnus Dei -
Appears on: 40–40v
Genres: Agnus Dei, Mass Ordinary
41–42 Missa Anima mea: Kyrie - Anonymous
Appears on: 41–42
Genres: Kyrie eleison, Mass Ordinary
42–43 Missa Anima mea: Gloria - Anonymous
Appears on: 42–43
Genres: Gloria (et in terra pax), Mass Ordinary
43v–45v Missa Anima mea: Credo - Anonymous
Appears on: 43v–45v
Genres: Credo (patrem omnipotentem), Mass Ordinary
46–47 Missa Anima mea: Sanctus - Anonymous
Appears on: 46–47
Genres: Mass Ordinary, Sanctus [& Benedictus]
47–48v Missa Anima mea: Agnus Dei - Anonymous
Appears on: 47–48v
Genres: Agnus Dei, Mass Ordinary
48v Missa Faisant regrets 8.1: Kyrie -
Appears on: 48v
Genres: Kyrie eleison, Mass Ordinary
49–50v Missa Faisant regrets 8.1: Gloria -
Appears on: 49–50v
Genres: Gloria (et in terra pax), Mass Ordinary
50v–52 Missa Faisant regrets 8.1: Credo -
Appears on: 50v–52
Genres: Mass Ordinary
52–53 Missa Faisant regrets 8.1: Sanctus -
Appears on: 52–53
Genres: Mass Ordinary, Sanctus [& Benedictus]
53v–54 Missa Faisant regrets 8.1: Agnus Dei -
Appears on: 53v–54
Genres: Agnus Dei, Mass Ordinary
67–67v Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes sancta -
Appears on: 67–67v
Genres: Motet
67v–68 Salvator mundi - 2a pars (of 2): Eya ergo advocemus -
Appears on: 67v–68
Genres: Motet
68v Miseremini mei saltem - 1a pars (of 2): Miseremini mei saltem vos amici mei -
Appears on: 68v
Genres: Motet
69 Miseremini mei saltem - 2a pars (of 2): Cutis mea aruit et contracta est -
Appears on: 69
Genres: Motet
69v–70 Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens -
Appears on: 69v–70
Genres: Motet
70–70v Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare -
Appears on: 70–70v
Genres: Motet
71–71v In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 71–71v
Genres: Motet
71v–72 In convertendo - 2a pars (of 2): Qui seminant in lachrimis -
Appears on: 71v–72
Genres: Motet
72v–73 Lauda Jerusalem Dominum - 1a pars (of 2): Lauda Jerusalem Dominum -
Appears on: 72v–73
Genres: Psalm motet
73–74 Lauda Jerusalem Dominum - 2a pars (of 2): Mittit crystallum suam sicut -
Appears on: 73–74
Genres: Motet
74–74v Saluto te sancta - 1a pars (of 2): Saluto te sancta virgo Maria domina -
Appears on: 74–74v
Genres: Motet
74v–75v Saluto te sancta - 2a pars (of 2): Rogo te ergo per illud gaudium -
Appears on: 74v–75v
Genres: Motet
75v–76 In illo tempore loquente Jesu ad turbas -
Appears on: 75v–76
Genres: In illo tempore, Motet
76 In omni tribulatione et angustia -
Appears on: 76
Genres: Motet
76v Ne vous chaille mon cour. -
Appears on: 76v
Genres: Motet
77 Incessamment mon pouvre coeur lamente 29.9 -
Appears on: 77
Genres: Chanson
77v–78 Petite camusette à la mort m'avez mis 30.7 -
Appears on: 77v–78
Genres: Chanson
General Note

Bassus 1 & Bassus 2

78v–80 Se congié prens de mes belles amours 30.11 -
Appears on: 78v–80
Genres: Chanson
General Note

Quinta & Bassus parts

80v–81 Salva nos Domine vigilantes custodi 26.12 -
Appears on: 80v–81
Genres: Motet
General Note

Quinta & Bassus parts

Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Fevin, Antoine de (ca. 1470–ca. 1512)
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Lheritier, Jean (ca. 1480–ca. 1551)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Silva, Andreas de (ca. 1475–ca. 1522)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens 69v–70
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare 70–70v
In convertendo - 1a pars (of 2): In convertendo Dominus captivitatem Sion 71–71v
In convertendo - 2a pars (of 2): Qui seminant in lachrimis 71v–72
In illo tempore loquente Jesu ad turbas 75v–76
In omni tribulatione et angustia 76
Incessamment mon pouvre coeur lamente 29.9 77
Lauda Jerusalem Dominum - 1a pars (of 2): Lauda Jerusalem Dominum 72v–73
Lauda Jerusalem Dominum - 2a pars (of 2): Mittit crystallum suam sicut 73–74
Miseremini mei saltem - 1a pars (of 2): Miseremini mei saltem vos amici mei 68v
Miseremini mei saltem - 2a pars (of 2): Cutis mea aruit et contracta est 69
Missa Anima mea: Agnus Dei Anonymous 47–48v
Missa Anima mea: Credo Anonymous 43v–45v
Missa Anima mea: Gloria Anonymous 42–43
Missa Anima mea: Kyrie Anonymous 41–42
Missa Anima mea: Sanctus Anonymous 46–47
Missa Ave Maria: Agnus Dei 40–40v
Missa Ave Maria: Credo 36–37v
Missa Ave Maria: Gloria 35–36
Missa Ave Maria: Kyrie 34–34v
Missa Ave Maria: Sanctus 38–39v
Missa Descendi in ortum meum: Agnus Dei 19–20
Missa Descendi in ortum meum: Credo 15v–17v
Missa Descendi in ortum meum: Gloria 14v–15v
Missa Descendi in ortum meum: Kyrie 13v–14
Missa Descendi in ortum meum: Sanctus 17v–19
Missa Dites-moi m'avés pensé: Agnus Dei 6–6v
Missa Dites-moi m'avés pensé: Credo 2v–4
Missa Dites-moi m'avés pensé: Gloria 1v–2v
Missa Dites-moi m'avés pensé: Kyrie 1–1v
Missa Dites-moi m'avés pensé: Sanctus 4v–5v
Missa Faisant regrets 8.1: Agnus Dei 53v–54
Missa Faisant regrets 8.1: Credo 50v–52
Missa Faisant regrets 8.1: Gloria 49–50v
Missa Faisant regrets 8.1: Kyrie 48v
Missa Faisant regrets 8.1: Sanctus 52–53
Missa Incessament mon pauvre coeur: Agnus Dei 12–13
Missa Incessament mon pauvre coeur: Credo 9–11
Missa Incessament mon pauvre coeur: Gloria 8–9
Missa Incessament mon pauvre coeur: Kyrie 7–7v
Missa Incessament mon pauvre coeur: Sanctus 11–12
Missa Pange lingua 4.3: Agnus Dei 25v–26v
Missa Pange lingua 4.3: Credo 22–23v
Missa Pange lingua 4.3: Gloria 21–22
Missa Pange lingua 4.3: Kyrie 20v–21
Missa Pange lingua 4.3: Sanctus 24–25v
Missa: Agnus Dei Anonymous 33–33v
Missa: Credo Anonymous 29–31
Missa: Gloria Anonymous 28–29
Missa: Kyrie Anonymous 27–27v
Missa: Sanctus Anonymous 31–33
Ne vous chaille mon cour. 76v
Petite camusette à la mort m'avez mis 30.7 77v–78
Saluto te sancta - 1a pars (of 2): Saluto te sancta virgo Maria domina 74–74v
Saluto te sancta - 2a pars (of 2): Rogo te ergo per illud gaudium 74v–75v
Salva nos Domine vigilantes custodi 26.12 80v–81
Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes sancta 67–67v
Salvator mundi - 2a pars (of 2): Eya ergo advocemus 67v–68
Se congié prens de mes belles amours 30.11 78v–80

Set: MS Pal. lat. 1980-81

Type: Partbooks

No images available

V-CVbav MS Pal. lat. 1980

No images available

V-CVbav MS Pal. lat. 1981

denotes primary source study

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: 324. Notes: contents list (partial); concordances (partial).

Boorman, Stanley. 1981. Petrucci's Type-setters and the Process of Stemmatics. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 245-80. Munich. Pages: 255-7, 269-70. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 360, 389, 442, 815. Notes: contents list (partial); concordances (partial).

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 159-84. Tutzing. Pages: 167, 177. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Finscher, Ludwig. 1977. Der Medici-Kodex-Geschichte und Edition. Die Musikforschung, 468-81. Pages: 469, 473, 476, 479. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft.  Tutzing. Pages: 22, 30-1, 78-82, 93, 433, 443. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxxix, 52. Notes: physical description; contents list (partial); concordances (partial).

Rifkin, Joshua. 1976. Ein römisches Messenrepertoire am bayerischen Hof-Bemerkungen zum Wolfenbütteler Chorbuch A Aug. 2° und zu seinem Umkreis. Paper read at colloquium "Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez," held at Wolfenbüttel, September 14-17, 1976, . Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1973. "La courone et fleur des chansons a troys" - A mirror of the French Chanson in Italy in the years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1ff. Pages: 15.

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 383. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xv-xvi. Notes: contents list (partial); concordances (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xliv, liii. Notes: physical description (partial); contents list (partial); concordances (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 61, 64-5, 126-9, 134-5, 169-70, 175-80. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Schunke, Use. 1962. Die Einbände der Palatina in der Vatikanischen Bibliothek. Studie Testi. 2 vols. Vatican City. Pages: I, 176, Tafel CXXXIII; II, 902. Notes: physical description (partial); facsimile (partial).

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie.  Brussels. Pages: 39-40, 156ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries.  Los Angeles. Pages: 19, 46-7. Notes: physical description; contents list; concordances (partial); incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: P. Kast, in MGG XI, col. 759.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: L. Perkins, in CMM 48, p. XLIV.

Bannister, Enrico Marriott. 1913. Monumenti Vaticani di paleografia musicale latina. Codices e Vaticanis selecti phototypice expressi. 2 vols. Leipzig. Pages: I, 189 n™ 866-867.

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