GB-Lbl Add. MS 54324

British Library, London, England

fragment: 15th century: c.1475

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 54324
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	220 x 352, 279 x 351, 287 x 355; orig. prob.: 290 x 360, folded to 180 mm
Other Identifiers	CCM: LonBL 54324
Relationships	Drayton, H. C. (owner) Dyson Perrins, C. W. (owner) Granville Leveson-Gower, George (owner)
External Links	British Library online catalogue entry
Provenance	England
Contents	8 pieces from 4 composers

General Description

Three bifolios recovered from binding of an illuminated psalter. Originally f. 1 adjacent to f. 2; f. 3 adjacent to f. 4. Ff. 1-4' and 6-6' copied by a single scribe; ff. 5-5' perhaps copied by same hand, but more likely by a second scribe. Copied in England. Probably during early or mid 16th century, folios were incorporated into binding of 'Stourton Psalter,' dating from c. 1440-50; removed from binding in 19th century, but kept with psalter. Modern owners include George Granville Leveson-Gower, 1st Duke of Sutherland; C. W. Dyson Perrins; H. C. Drayton. Fragments with polyphony acquired as separate item by British Museum at a Sotheby's sale of Drayton's property in 1967.

DIAMM, 2017

Physical Description

Trimming and other damage have obliterated original foliation, some music, and probably some attributions

DIAMM, 2017

Watermark

first (bull's head surmounted by a star) closely resembles, but is not identical to, Briquet #15082; second (crown with banner) is Briquet #4846.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

10-11 mm

DIAMM, 2017

Foliation

1-6v

DIAMM, 2017

Foliation

Modern pencil foliation in upper recto of each bifolio: 4, 2, 6, respectively (= BentDDP numbering 1/4, 2/3, 5/6, respectively)

DIAMM, 2017

Decoration

No initials or other decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Kyries, 1 Gloria, 4 motets = 8 (4 incomplete)

(Dufay)-1, Dunstable-1, Plummer-2, anon-4

3 paper bifolios, ca. 220 x 352, 279 x 351, 287 x 355, recovered from binding of illuminated psalter (see below). Original size of each bifolio probably ca. 290 x 360 (i.e., folio size ca. 290 x 180). Trimming and other damage have obliterated original foliation, some music, and probably some attributions. Modern pencil foliation in upper recto of each bifolio: 4, 2, 6, respectively (= BentDDP numbering 1/4, 2/3, 5/6, respectively). Originally f. 1 adjacent to f. 2; f. 3 adjacent to f. 4. Ff. 1-4' and 6-6' copied by a single scribe; ff. 5-5' perhaps copied by same hand, but more likely by a second scribe. Two watermarks: first (bull's head surmounted by a star) closely resembles, but is not identical to, Briquet #15082; second (crown with banner) is Briquet #4846. No initials or other decoration.

Ca. 1475 (BentDDP). Copied in England. Probably during early or mid 16th century, folios were incorporated into binding of "Stourton Psalter," dating from ca. 1440-50; removed from binding in 19th century, but kept with psalter. Modern owners include George Granville Leveson-Gower, 1st Duke of Sutherland; C. W. Dyson Perrins; H. C. Drayton. Fragments with polyphony acquired as separate item by British Museum at a Sotheby's sale of Drayton's property in 1967.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Kyrie Deus creator omnium	-	Anonymous
Kyrie Deus creator omnium Anonymous Appears on: 1 Genres: Kyrie eleison, Mass Ordinary General Note incomplete
1v–2	Kyrie Deus creator omnium	-	Plummer, John (ca. 1410–ca. 1484)
Kyrie Deus creator omnium Plummer, John (ca. 1410–ca. 1484) Appears on: 1v–2 Genres: Kyrie eleison, Mass Ordinary General Note incomplete
2v	Gloria [Et in terra pax]	-	Plummer, John (ca. 1410–ca. 1484)
Gloria [Et in terra pax] Plummer, John (ca. 1410–ca. 1484) Appears on: 2v Genres: Gloria (et in terra pax), Mass Ordinary
3	Descendi in ortum meum ut viderem	-	Dunstaple, John (ca. 1390–1453)
Descendi in ortum meum ut viderem Dunstaple, John (ca. 1390–1453) Appears on: 3 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Descendi in hortum meum
3v–4	Gaude flore virginali	-	Dunstaple, John (ca. 1390–1453) (?)
Gaude flore virginali Dunstaple, John (ca. 1390–1453) (?) Appears on: 3v–4 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude flore virginali Item Bibliography Bent, Margaret, and Ian D Bent. 1969. Dufay, Dunstable, Plummer-A New Source. Journal of the American Musicological Society, 394-424. Pages: 415-424.
5	Speciosa facta es	-	Anonymous
Speciosa facta es Anonymous Appears on: 5 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Speciosa facta es
5v	Asperges me Domine isopo et mundabor	-	Anonymous
Asperges me Domine isopo et mundabor Anonymous Appears on: 5v Genres: Asperges me, Motet Voice: [no designation] Languages: Latin Voice Text: Asperges me Domine hysopo
6–6v	Missa Caput: Kyrie Deus creator omnium	-	Anonymous (previously ascr. to Du Fay)
Missa Caput: Kyrie Deus creator omnium Anonymous (previously ascr. to Du Fay) Appears on: 6–6v Genres: Mass Ordinary, Troped Kyrie

Composer	Compositions
Anonymous	Asperges me Domine isopo et mundabor – 5v Kyrie Deus creator omnium – 1 Speciosa facta es – 5
Anonymous (previously ascr. to Du Fay)	Missa Caput: Kyrie Deus creator omnium – 6–6v
Dunstaple, John (ca. 1390–1453)	Descendi in ortum meum ut viderem – 3 (?) Gaude flore virginali – 3v–4
Plummer, John (ca. 1410–ca. 1484)	Gloria [Et in terra pax] – 2v Kyrie Deus creator omnium – 1v–2

Composition	Composers (? Uncertain)	Folios / Pages
Asperges me Domine isopo et mundabor	Anonymous	5v
Descendi in ortum meum ut viderem	Dunstaple, John (ca. 1390–1453)	3
Gaude flore virginali	Dunstaple, John (ca. 1390–1453) (?)	3v–4
Gloria [Et in terra pax]	Plummer, John (ca. 1410–ca. 1484)	2v
Kyrie Deus creator omnium	Anonymous	1
Kyrie Deus creator omnium	Plummer, John (ca. 1410–ca. 1484)	1v–2
Missa Caput: Kyrie Deus creator omnium	Anonymous (previously ascr. to Du Fay)	6–6v
Speciosa facta es	Anonymous	5

Images © The British Library

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Planchart, Alejandro Enrique. 1981. Fifteenth-Century Masses: Notes on Performance and Chronology. Studi Musicali, 3-29. Pages: 20-5,29. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Hughes, Andrew. 1978. Fifteenth-Century English Polyphony Discovered in Norwich and Arundel. Music and Letters, 148-58. Pages: 155. Notes: contents list (partial); concordances (partial).

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575. London. Pages: 58-9. Notes: physical description (partial).

Sandon, Nicholas. 1976. Fragments of Medieval Polyphony at Canterbury Cathedral. Musica Disciplina, 37-53. Pages: 47-8. Notes: contents list (partial); transcription (partial).

Bent, Margaret. 1973. The Transmission of English Music 1300-1500: Some Aspects of Repertory and Presentation. Studien zur Tradition in der Musik: Kurt von Fischer zum 60. Geburtstag, edited by Margaret Bent, 65–83. Munich: Musikverlag Emil Katzbichler. Pages: 76. Notes: mention of MS; contents list (partial).

Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Pages: 165, 193, 403. Notes: mention of MS; contents list (partial).

Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 1-23. Notes: concordances (partial); facsimile (partial); mention of MS; discussion.

Hughes, Andrew. 1971-72. Review of Music in Medieval Britain VIII, rev. ed. [Dunstable: Complete Works]. Notes, 99-100. Notes: mention of MS.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev.ed.], 211-4. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bent, Margaret. 1969. The Old Hall Manuscript: A Paleographical Study. Cambridge University, Unpublished Ph.D. dissertation. Pages: 321-8. Notes: physical description (partial); contents list (partial); transcription (partial).

Bent, Margaret, and Ian D Bent. 1969. Dufay, Dunstable, Plummer-A New Source. Journal of the American Musicological Society, 394-424. Notes: physical description; contents list; concordances; transcription (partial); facsimile (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description