D-Rp B. 211-215 (A)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: c. 1538-43

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 211-215 (A)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 208 mm
Other Identifiers
  • CCM: RegB B211-5
Notations
  • black void mensural
Copyists
External Links
External Authorities
Provenance
  • Southern Germany or Austria?
Contents Contains 158 compositions, 148 from 38 composers, 10 are anonymous.
General Description

An Altus partbook from a set of five volumes. Recto of first flyleaf in each book now pasted to inside front cover. Copied by two or three scribes. Probably of south German or Austrian origin.

DIAMM, 2017
Binding

Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date '1538.'

DIAMM, 2017
Watermark

resembles Briquet #2515

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

Original ink foliation in each book. Modern pencil paginaton.

DIAMM, 2025
Decoration

No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections.

DIAMM, 2017
Index

Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 1 hymn, 76 motets, 1 Latin/German sacred piece,

2 German sacred pieces, 1 Latin secular piece = 82

Appenzeller or Ducis? [Benedictus]-1, Arcadelt-2, (Barra/Elimon)-1, Brück [AB]/Sermisy [Claudius]-1, (Carpentras)-1, (Conseil)-1, Dietrich [Xystus Theoderici]-2, Eckel-1, Finck-10, Finck-Josquin-1, Frosch-2, (Gombert/Josquin/Sermisy)-1, Hähnel [Johannes Galliculus]-4, Hellinck-2, Isaac-1, (Jaquet of Mantua/Manchicourt)-1, Josquin-2, (Josquin/Senfl)-1, Lafage-2, Le Heurteur-1, (Lemlin)-1, (Lupi)-1, Lupus/(Jaquet of Mantua)-1, Mahu-1, Mahu/(Walter)-1, Moulu-1, Mouton-2, Mustateller-1, Ockeghem -2, Othmayr-1, Peschin-B, Richafort-1, Senfl-12, Sermisy [Claudin]-2, Stoltzer-3, (Verdelot)-1, Werrecore [Hermannus Cu]/(Stoltzer)-1, Willaert-2, anon-7

5 paper partbooks (D-iii + 161 folios, A-iii + 169, T-iii + 137, B-iii + 153, Q-iii + 81), 134 x 208. Recto of first flyleaf in each book now pasted to inside front cover. Original ink foliation in each book. Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date "1538." Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by two or three scribes. Staff height 15. No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections. Watermark resembles Briquet #2515 (StaeMI).

Ca. 1538-43 (date 1538 on covers; "1543" on f. 151 of D book). Probably of south German or Austrian origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
inside front cover index - - -

index

Appears on: inside front cover
1–1v Tu autem cum oraveris 6 Xystus Theodorici [= Dietrich]
Appears on: 1–1v
Genres: Motet
Source Attribution: Xystus Theodorici [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c3
Voice Text: Tu autem cum oraveris intra in cubiculum
1v–2v Amen dico vobis quia nemo propheta 6 Eiusdem authoris [= Dietrich]
Appears on: 1v–2v
Genres: Motet
Source Attribution: Eiusdem authoris [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Amen dico vobis quia nemo propheta
2v–4v Quod toleras rex alme crucis tormenta 6 (Greek) adelon (=unknown) Anonymous
Appears on: 2v–4v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Quod toleras rex alme crucis tormenta

Voice: Tenor
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Oblatus est quia ipse voluit
General Note

2 voice-parts, Altus and "Tenor in duplo" (the latter copied at the bottom of some pages)

5–6v Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 5 Lupus/[Jachet of Mantua]
Appears on: 5–6v
Genres: Motet
Source Attribution: Lupus/[Jachet of Mantua]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Loquutus est dominus ad Moysen dicens
6v–8 Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 5 -
Appears on: 6v–8
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Stetit Moÿses coram Pharaone & dixit
8–9 Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 5 Henricus Finck
Appears on: 8–9
Genres: Motet
Source Attribution: Henricus Finck
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Et valde mane una Sabbatorum veniunt
9–10 Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 5 -
Appears on: 9–10
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Et ingressae mulieres non invenerunt
10v–12 Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 5 HF [= Finck]
Appears on: 10v–12
Genres: Responsory
Source Attribution: HF [= Finck]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Verbum caro factum est et habitavit
12v–13 Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 5 -
Appears on: 12v–13
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : In principio erat verbum & verbum
13v–14 Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 5 -
Appears on: 13v–14
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Tertia pars : Quem aethera & terra atque mare
14–15 Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 5 HF
Appears on: 14–15
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Illuminare Hierusalem venit lux tua
15–16 Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 5 -
Appears on: 15–16
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Secunda pars : Et gloria domini super te Hierusalem
16v Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 5 -
Appears on: 16v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : Et ambulabunt in lumine tuo & reges
17–18 Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 5 HF
Appears on: 17–18
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Christus resurgens ex mortuis iam non moritur
18–18v Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 5 -
Appears on: 18–18v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Quod enim vivit deo alleluia
18v–20 Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 5 -
Appears on: 18v–20
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Tertia pars : Dicant nunc Iudei [text incipit only]
20v–21 Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 5 HF
Appears on: 20v–21
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ite in orbem universum & predicate
21–22 Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 5 -
Appears on: 21–22
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Qui crediderit & baptizatus fuerit
22–22v Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 5 -
Appears on: 22–22v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : In nomine patris & filii & spiritus sancti
22v–23 Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 5 HF
Appears on: 22v–23
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Petre amas me tu scis domine quia amo te
23–23v Petre amas me - 2a pars (of 3): Pasce oves meas 5 -
Appears on: 23–23v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Pasce oves meas
23v–24 Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 5 -
Appears on: 23v–24
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : Simon Joannis diligis me plus his
24v–26v Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 5 Johannes Okegus [= Ockeghem]
Appears on: 24v–26v
Genres: Motet
Source Attribution: Johannes Okegus [= Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: Gaude Maria virgo cunctas hereses sola
26v Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 5 -
Appears on: 26v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: (2p.) Archangelum credimus te esse
26v–27 Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 5 -
Appears on: 26v–27
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: (3p.) Uterum tuum de spiritu sancto
27v–28v Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 5 -
Appears on: 27v–28v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: (4p.) Erubescat Judeus infelix qui dicit
28v–30 Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 4 Ludovicus Senflius
Appears on: 28v–30
Genres: Responsory
Source Attribution: Ludovicus Senflius
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pater peccavi in coelum & coram te
30–30v Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 5 -
Appears on: 30–30v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Repetitio : Fac me sicut unum ex mercenariis
30v–31v Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 4 -
Appears on: 30v–31v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Versus : Quanti mercenarii in domo patris
31v–33 Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 4 L (=Lupus Hellinck)
Appears on: 31v–33
Genres: Motet
Source Attribution: L (=Lupus Hellinck)
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Panis quem ego dabo caro mea est
33–34 Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 4 -
Appears on: 33–34
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Loquutus est populus ad dominum
34–35 Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 4 Josquin, alii HF [= Finck]
Appears on: 34–35
Genres: Motet
Source Attribution: Josquin, alii HF [= Finck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Magnus es tu domine & magnum nomen
35–36 Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 4 -
Appears on: 35–36
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Tu pauperum refugium tu languorum
36–37 Simile est regnum caelorum homini 4 (Greek) adelon (=unknown)/[Carpentras]
Appears on: 36–37
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Carpentras]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Simile est regnum caelorum homini
37v–38v Da pacem Domine (M25) 4 LS [= Senfl]
Appears on: 37v–38v
Genres: Motet
Source Attribution: LS [= Senfl]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Da pacem domine in diebus nostris
39–39v Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo 4 (Greek) adelon (=unknown) Anonymous
Appears on: 39–39v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Domine quo ibo a spiritu tuo & quo
39v–40v Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo 4 - Anonymous
Appears on: 39v–40v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Si sumpsero pennas meas diluculo
40v–41v Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 4 Mathias Eckel
Appears on: 40v–41v
Genres: Responsory
Source Attribution: Mathias Eckel
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: c2
Voice Text: Inter natos mulierum non surrexit maior
41v–42 Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 4 -
Appears on: 41v–42
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Repetitio : Qui viam domino preparavit in eremo
42–43 Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 4 -
Appears on: 42–43
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Versus : Fuit homo missus a deo cui nomen
43–44v Duo homines ascenderunt in templum - [Galliculus]
Appears on: 43–44v
Genres: Motet
Source Attribution: [Galliculus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Duo homines ascenderunt in templum
44v–45v In cathedra Moisi omnia quaecunque iusserint - [Galliculus]
Appears on: 44v–45v
Genres: Motet
Source Attribution: [Galliculus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: In cathedra Moysi omnia quaecunque iusserint
46–47 Venite post me qui laboratis et onerati - [Galliculus]
Appears on: 46–47
Genres: Motet
Source Attribution: [Galliculus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Venite post me qui laboratis & onerati
47v–49v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 5 Ludovicus Senflius
Appears on: 47v–49v
Genres: Motet
Source Attribution: Ludovicus Senflius
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Omnes gentes plaudite manibus iubilate
49v–52 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 5 -
Appears on: 49v–52
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Ascendit deus in iubilo et dominus
52v–53 Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 5 LS
Appears on: 52v–53
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Tota pulchra es amica mea & macula
53–53v Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 5 -
Appears on: 53–53v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Jam enim hiems transiit imber abiit
54–54v Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 5 -
Appears on: 54–54v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Tertia pars : Et vox turturis audita est in terra
55–56 Peccata mea domine - 1a pars (of 2): Peccata mea domine - Ricafort
Appears on: 55–56
Genres: Motet
Source Attribution: Ricafort
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Peccata mea domine sicut sagittae infixae
56–57 Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam - -
Appears on: 56–57
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Quoniam iniquitatem meam ego cognosco
57v–58 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 4 (Greek) adelon (=unknown)/[Peschin]
Appears on: 57v–58
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Peschin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Si bona suscepimus de manu domini
58v–59 Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 4 -
Appears on: 58v–59
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Nudus egressus sum de utero matris
59–60 Sic enim Deus dilexit mundum 4 (Greek) adelon (=unknown)/[Peschin]
Appears on: 59–60
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Peschin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Sic enim deus dilexit mundum
60–61v Nesciens mater virgo virum peperit 6 Johannes Froschius
Appears on: 60–61v
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: c2
Voice Text: Nesciens mater virgo virum peperit
61v–62v Tua est potentia tuum regnum Dominus 26.17 5 M (=Mouton)/[Josquin]
Appears on: 61v–62v
Genres: Motet
Source Attribution: M (=Mouton)/[Josquin]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tua est potentia tuum regnum domine
63–64 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 5 LS
Appears on: 63–64
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Grates nunc omnes reddamus domino deo
64–64v Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 5 -
Appears on: 64–64v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Altera pars : Huic oportet ut canamus cum angelis
64v–66 Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 5 (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Appears on: 64v–66
Genres: Contrafactum, Motet
Source Attribution: (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Date siceram merentibus et vinum his
66 Domine libera animam meam a labiis 5 St: Mahu
Appears on: 66
Genres: Motet
Source Attribution: St: Mahu
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Domine libera animam meam a labiis
66v–68 Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 5 [La Fage]
Appears on: 66v–68
Genres: Motet
Source Attribution: [La Fage]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Super flumina Babilonis illic sedimus
68–70 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 5 -
Appears on: 68–70
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Si oblitus fuero tui Hierusalem
70v–71v Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 5 [Willaert]
Appears on: 70v–71v
Genres: Motet
Source Attribution: [Willaert]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Verbum iniquum & dolosum longe fac
71v–72 Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 5 -
Appears on: 71v–72
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pars altera : Duo rogavi [te] ne deneges mihi
72v–73 Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 5 [Verdelot]
Appears on: 72v–73
Genres: Motet
Source Attribution: [Verdelot]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Non turbetur cor vestrum ego vado
73–73v Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 5 -
Appears on: 73–73v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Ego rogabo patrem & alium paraclitum
74–74v Recordare Domine testamenti tui et dic 5 [Arcadelt]
Appears on: 74–74v
Genres: Motet
Source Attribution: [Arcadelt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Recordare domine testamenti tui & dic angelo
75–75v Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra 5 Anon. Anonymous
Appears on: 75–75v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c2
Voice Text: Nigra ego sum fateor vaccinia nigra
75v–76v Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre 5 - Anonymous
Appears on: 75v–76v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c2
Voice Text: Pars altera : Nigra veni nostroque precor succurre
76v–77 O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 4 HF [= Finck]
Appears on: 76v–77
Genres: Motet
Source Attribution: HF [= Finck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: O Domine Jesu Christe adoro te in cruce pendentem
77–77v O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 4 -
Appears on: 77–77v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : O Domine Jesu Christe adoro te in cruce vulneratum
77v–78 O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 4 -
Appears on: 77v–78
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tertia pars : O Domine Jesu Christe per illam amaritudinem
78v O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro 4 -
Appears on: 78v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Quarta pars : O Domine Jesu Christe adoro te in sepulcro positum
78v–79 O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem 4 -
Appears on: 78v–79
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Quinta pars : O Domine Jesu Christe adoro te descendentem ad inferos
79–79v O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem 4 -
Appears on: 79–79v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Sexta pars : O Domine Jesu Christe adoro te resurgentem a mortuis
79v–80 O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 6 -
Appears on: 79v–80
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Septima pars : O Domine Jesu Christe pastor bone
80v–83 Christe qui lux es et dies noctis [M15] 4 LS
Appears on: 80v–83
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Christe qui lux es et dies noctis
83v–85 Sum tuus in vita (4vv) [M109] 4 LS
Appears on: 83v–85
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Sum tuus in vita tua sunt mea funera
85v–86 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 6 Josquin/[Rupsch, probably responsible for contrafact version]
Appears on: 85v–86
Genres: Chanson, Contrafactum, Motet
Source Attribution: Josquin/[Rupsch, probably responsible for contrafact version]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Haec dicit dominus liberabo populum
86–87 Traditor autem dedit eis signum dicens 5 Anon. Anonymous
Appears on: 86–87
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Traditor autem dedit eis signum dicens
87–88 Ecce Dominus veniet nolite timere 14.5 5 (Greek) adelon (-unknown)/[Jonckers/Josquin/Senfl]
Appears on: 87–88
Genres: Motet
Source Attribution: (Greek) adelon (-unknown)/[Jonckers/Josquin/Senfl]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Ecce dominus veniet nolite timere
88–89 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 5 Hermannus Cu [= Werrecore]/[Stoltzer]
Appears on: 88–89
Genres: Motet
Source Attribution: Hermannus Cu [= Werrecore]/[Stoltzer]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Beati omnes qui timent dominum qui ambulant
89–90 Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 5 -
Appears on: 89–90
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Filii tui sicut novellae olivarum
90–91 Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 4 Johannes Froschius
Appears on: 90–91
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Qui de terra est loquitur qui de caelo
91–91v Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 4 -
Appears on: 91–91v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Et testimonium eius nemo accipit
92–93 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 6 Thomas Stoltzer
Appears on: 92–93
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: c
Clef: c3
Voice Text: Erzürne dich nit über die bösen sey nit
93–94 Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 6 -
Appears on: 93–94
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Halt dem Herrn still und lass in
94–95v Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 3 -
Appears on: 94–95v
Genres: Motet
Number of voices: 3
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Tertoa pars : Der gotlose drowet dem gerechten
95v Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 3 -
Appears on: 95v
Genres: Motet
Number of voices: 3
Voice: [no designation]
Languages: German
Voice Text: tacet
95v–97 Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 6 -
Appears on: 95v–97
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Quinta pars : Ich pin iunck gewesen und hab noch
97v–98v Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 6 -
Appears on: 97v–98v
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Clef: c3
Voice Text: Sexta pars : ... Aber der Herr lesst in nit
98v–100 Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 7 -
Appears on: 98v–100
Genres: Motet
Number of voices: 7
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Septima pars : Beware dy frommikait und schaw
100v–101 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 5 Thomas Stoltzer
Appears on: 100v–101
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Herr wie lang wiltu mein so gar vergessen
101v–102v Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 5 -
Appears on: 101v–102v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Schaw doch und erhör mich Herr
102v–103v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 5 -
Appears on: 102v–103v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Tertia pars : Ich hoff aber auf deine güte
103v–105 Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 4 De La Fage
Appears on: 103v–105
Genres: Motet
Source Attribution: De La Fage
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Vide domine afflictionem nostram
105–106 Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 4 -
Appears on: 105–106
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: (2p.) Sed veni domine & noli tardare
106–107 Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 4 Claudin [de Sermisy]
Appears on: 106–107
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Homo natus de muliere brevi vivens
107–108 Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non 4 -
Appears on: 107–108
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Homo cum in honore esset non intellexit
108–108v Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 4 Claudin [de Sermisy]
Appears on: 108–108v
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Benedic anima mea domino & omnia quae intra me
108v–109v Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 4 -
Appears on: 108v–109v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pars altera : Qui redemit de interitu vitam tuam
110–111 Exaltare super caelos Deus et super omnem 4 [Le] Heurteur
Appears on: 110–111
Genres: Motet
Source Attribution: [Le] Heurteur
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Exaltare super coelos deus et super omnem
111–112v Lamentabatur Jacob de duobus filiis suis 4 Hadrianus Willart
Appears on: 111–112v
Genres: Motet
Source Attribution: Hadrianus Willart
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Lamentabatur Jacob de duobus filiis suis
112v–114 Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 4 [Peschin]
Appears on: 112v–114
Genres: Motet
Source Attribution: [Peschin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Invocabat autem Samson dominum dicens
114–115 Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 4 -
Appears on: 114–115
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (2p.) Et columnas quibus domus innitebatur
115–115v Memento mei Domine Deus 5 (Greek) adelon (=unknown) Anonymous
Appears on: 115–115v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Memento mei domine deus dum veneris
General Note

identified by MohP & YouL (incorrectly) with the piece by Lemlin in D-Mu 327 & Thomaskirche 49/50; Kolb (2020) correctly identifies this as a different piece,

116–116v Prima die sabbatorum Maria Magdalena 4 Lupus Hellinck
Appears on: 116–116v
Genres: Motet
Source Attribution: Lupus Hellinck
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Primo die sabbatorum Maria Magdalena
117–118 Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 4 Jodocus de Pratis
Appears on: 117–118
Genres: Responsory
Source Attribution: Jodocus de Pratis
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Clamavi ad dominum cum tribularer
118–118v Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 4 -
Appears on: 118–118v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: 2da pars : Hei mihi quia incolatus meus
118v–119 Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 4 -
Appears on: 118v–119
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: 3 pars : Gloria patri & filio & spiritui sancto
119–119v Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 4 -
Appears on: 119–119v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: 4a pars : Clamavi et exaudivit me
119v–120v Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 6 [Senfl]
Appears on: 119v–120v
Genres: Motet
Source Attribution: [Senfl]
Number of voices: 6
Voice: Tenor secundus
Languages: Latin
Mensuration: o-2
Clef: c3
Voice Text: Media vita in morte sumus quem querimus
120v–121 Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 6 -
Appears on: 120v–121
Genres: Motet
Number of voices: 6
Voice: Tenor secundus
Languages: Latin
Mensuration: c-2
Clef: c3
Voice Text: 2da pars : Sancte deus sancte fortis sancte
121–121v Cavete a scribis qui volunt ambulare 4 J. Galliculus
Appears on: 121–121v
Genres: Motet
Source Attribution: J. Galliculus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Cavete a scribis qui volunt ambulare
122–123 Sive vivamus sive moriamur Domini 4 H. Isaac
Appears on: 122–123
Genres: Motet
Source Attribution: H. Isaac
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Sive vivamus sive moriamur domini
123–125 Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 4 HF
Appears on: 123–125
Genres: Motet
Source Attribution: HF
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c3
Voice Text: Nisi dominus edificaverit domum in vanum
125–127v Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 4 -
Appears on: 125–127v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Sicut sagittae in manu potentis
127v–129 Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 5 LS
Appears on: 127v–129
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Saulus autem adhuc spirans minarum
129–130 Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 5 -
Appears on: 129–130
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pars altera : Saule Saule quid me persequeris
130v–131v Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 5 [Jaquet of Mantua/Manchicourt]
Appears on: 130v–131v
Genres: Motet
Source Attribution: [Jaquet of Mantua/Manchicourt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Laudem dicite deo nostro omnes sancti
131v–132v Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 5 -
Appears on: 131v–132v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Laudate dominum deum omnes gentes
133–134 Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 5 [Conseil]
Appears on: 133–134
Genres: Motet
Source Attribution: [Conseil]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Ego sum qui sum & consilium meum
134–135 Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 5 -
Appears on: 134–135
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Altera pars : Stetit Jesus in medio discipulorum
135–136v Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 5 [Lupi]
Appears on: 135–136v
Genres: Motet
Source Attribution: [Lupi]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Apparens Christus post passionem suam
137–138 Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 5 -
Appears on: 137–138
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Et convescens precepit eis
138–139 Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 5 Anon. Anonymous
Appears on: 138–139
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Congregati sunt inimici nostri & gloriantur
139–140 Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda 5 - Anonymous
Appears on: 139–140
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c2
Voice Text: Pars altera : Tu domine qui superborum corda
140v–142 Namque super terram ubi non est veritas 5 Anon. Anonymous
Appears on: 140v–142
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Nanque super terram ubi non est veritas
142–142v Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 6 Archadelt
Appears on: 142–142v
Genres: Contrafactum, Motet
Source Attribution: Archadelt
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Pro peccatis hominum occidit salvator mundi
142v–143v Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 6 -
Appears on: 142v–143v
Genres: Contrafactum, Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Secunda pars : O clemens O pie Jesu Christe
143v–144 Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 4 LS
Appears on: 143v–144
Genres: Responsory
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Illuminare Hierusalem venit lux tua
144–144v Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 4 -
Appears on: 144–144v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (R.) Et gloria domini super te Hierusalem
144v Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 4 -
Appears on: 144v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: (Vs.) Et ambulabunt gentes in lumine tuo
145–145v Nesciens mater virgo virum peperit 4 LS
Appears on: 145–145v
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c2
Voice Text: Nesciens mater virgo virum peperit
146–147 Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 4 AB [= Bruck]/Claudius [= Sermisy]
Appears on: 146–147
Genres: Motet
Source Attribution: AB [= Bruck]/Claudius [= Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Miserere mei domine & exaudi orationem
147–148 Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 4 -
Appears on: 147–148
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pars altera : Miserere mei deus secundum magnam misericordiam
148v–149 Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 4 Marcus Mustateller
Appears on: 148v–149
Genres: Motet
Source Attribution: Marcus Mustateller
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Accessit ad pedes Jesu peccatrix mulier
149–149v Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 4 -
Appears on: 149–149v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (2p.) Et osculata est & lavit lachrymis
149v–150 Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 4 -
Appears on: 149v–150
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (3p.) Unde promeruit audire
150–150v Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 4 -
Appears on: 150–150v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (4p.) Dimissa sunt ei peccata multa
150v–151 Ego sum resurrectio et vita dicit Dominus Jesus 4 Stephanus Mahu/[Walter]
Appears on: 150v–151
Genres: Motet
Source Attribution: Stephanus Mahu/[Walter]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Ego sum resurrectio & vita dicit Iesus
151–152 Doleo super te frater mi Jonathan 4 (Greek) adelon (=unknown) - Benedictus [Appenzeller]
Appears on: 151–152
Genres: Motet
Source Attribution: (Greek) adelon (=unknown) - Benedictus [Appenzeller]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Doleo super te frater mi Jonathan
152–152v Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 5 LS
Appears on: 152–152v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c3
Voice Text: Media vita in morte sumus
152v–153v Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 5 -
Appears on: 152v–153v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin, German
Mensuration: cut-c
Clef: c3
Voice Text: Pars altera : Sancte deus heiliger starcker Got
153v–154v Spiritus Domini replevit orbem terrarum 4 (Greek) adelon (=unknown) - Mouton
Appears on: 153v–154v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown) - Mouton
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Spiritus domini replevit orbem terrarum
155–156v Nuptiae factae sunt in Chana Gallileae 4 [Barra/Elimon]
Appears on: 155–156v
Genres: Motet
Source Attribution: [Barra/Elimon]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Nuptiae factae sunt in Cana Galileae
156v–157v Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 5 TS [= Stoltzer]
Appears on: 156v–157v
Genres: Motet
Source Attribution: TS [= Stoltzer]
Number of voices: 5
Voice: Vagans
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Levavi oculos meos in montes unde veniet
General Note

Vagans copied here, with note to find Altus in Vagans book

157v–158v Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 5 -
Appears on: 157v–158v
Genres: Motet
Number of voices: 5
Voice: Vagans
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Altera pars : Dominus custodit te dominus protectio
General Note

Vagans copied here; Altus in Vagans book

159–159v Cum ascendisset aurora urgebant angeli 6 Gregorius Peschin
Appears on: 159–159v
Genres: Motet
Source Attribution: Gregorius Peschin
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Cum ascendisset aurora urgebant angeli
160 Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 4 Petrus Moulou
Appears on: 160
Genres: Responsory
Source Attribution: Petrus Moulou
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Induta est caro mea vermibus et pulvere
160–161 Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 4 -
Appears on: 160–161
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Dies mei velocius transeunt quam radius textoris
161–161v Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 4 -
Appears on: 161–161v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : Memento domine quia ventus est vita
161v–162 Quisquis requiem quaeris feminam cave 6 [Othmayr]
Appears on: 161v–162
Genres: Motet
Source Attribution: [Othmayr]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Quisquis requiem quaeris foeminam cave
162v–163 [Veni sancte spiritus] Reple tuorum corda 7 HF
Appears on: 162v–163
Genres: Motet, Veni sancte spiritus
Source Attribution: HF
Number of voices: 7
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Reple tuorum corda
163v–164 Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis 6 HF
Appears on: 163v–164
Genres: Responsory
Source Attribution: HF
Number of voices: 6
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Beati estis sancti dei omnes qui meruistis

Voice: Vagans
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Beati estis sancti dei omnes qui meruistis
Layout

2 voice-parts copied on facing pages of the opening

164v–166 Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri 6 -
Appears on: 164v–166
Genres: Responsory
Number of voices: 6
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Repetitio : Ideoque precamur ut memores nostri

Voice: Vagans
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Repetitio : Ideoque precamur ut memores nostri
Layout

2 voice-parts copied on facing pages of the opening

165v–166 Beati estis - 3a pars (of 3): Gaudete et exultate 6 -
Appears on: 165v–166
Genres: Responsory
Number of voices: 6
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (Vs.) ... Et exultate omnes sancti

Voice: Discantus primus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Versus: Gaudete et exultate omnes sancti
Layout

2 voice-parts copied on facing pages of the opening

166v–168 Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 5 [Ockeghem]
Appears on: 166v–168
Genres: Motet
Source Attribution: [Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Caeleste beneficium introivit in orbem
168–169 Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 5 -
Appears on: 168–169
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (2p.) Caeleste beneficium accipe Germania
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480-ca. 1558)
Arcadelt, Jacques (ca. 1507-1568)
Barra, Hotinet (1510-23)
Bruck, Arnold von (ca. 1500-1554)
Carpentras, Elzear Genet (ca. 1470-1548)
Conseil, Jean (ca. 1498-1534)
Despres, Josquin (ca. 1450-1521)
Dietrich, Sixt (ca. 1493-1548)
Eckel, Matthias
Elimon (Elimot)
Fage, Jean de la
Finck, Heinrich
Frosch, Johannes (ca. 1470-ca. 1532)
Galliculus, Johannes
Gombert, Nicolas (ca. 1495-ca. 1560)
Hellinck, Lupus (ca. 1494-1541)
Heurteur, Guillaume le (1530-1545)
Isaac, Heinrich (ca. 1450-1517)
Jonckers, Maistre Gosse
Lupi, Johannes (ca. 1506-1539)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483-1559)
Moulu, Pierre (ca. 1484-ca. 1550)
Mouton, Jean (ca. 1459-1522)
Mustateller (Muscateller?), Marcus
Ockeghem, Jean de (ca. 1410-1497)
Othmayr, Caspar
Peschin, Gregor
Reitveltus, Bartholomaeus
Richafort, Jean (ca. 1480-ca. 1550)
Senfl, Ludwig (ca. 1486-ca. 1543)
Sermisy, Claudin de (ca. 1490-1562)
Stoltzer, Thomas (ca. 1480-1526)
Verdelot, Philippe (ca. 1480-ca. 1532)
Walter, Johann (1496-1570)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
[Veni sancte spiritus] Reple tuorum corda 162v–163
Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 148v–149
Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 149–149v
Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 149v–150
Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 150–150v
Amen dico vobis quia nemo propheta 1v–2v
Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 135–136v
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 137–138
Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis 163v–164
Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri 164v–166
Beati estis - 3a pars (of 3): Gaudete et exultate 165v–166
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 88–89
Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 89–90
Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 108–108v
Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 108v–109v
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 166v–168
Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 168–169
Cavete a scribis qui volunt ambulare 121–121v
Christe qui lux es et dies noctis [M15] 80v–83
Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 17–18
Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 18–18v
Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 18v–20
Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 117–118
Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 118–118v
Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 118v–119
Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 119–119v
Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Anonymous 138–139
Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda Anonymous 139–140
Cum ascendisset aurora urgebant angeli 159–159v
Da pacem Domine (M25) 37v–38v
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 64v–66
Doleo super te frater mi Jonathan 151–152
Domine libera animam meam a labiis 66
Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo Anonymous 39–39v
Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo Anonymous 39v–40v
Duo homines ascenderunt in templum 43–44v
Ecce Dominus veniet nolite timere 14.5 87–88
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 133–134
Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 134–135
Ego sum resurrectio et vita dicit Dominus Jesus 150v–151
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 92–93
Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 93–94
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 94–95v
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 95v
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 95v–97
Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 97v–98v
Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 98v–100
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 8–9
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 9–10
Exaltare super caelos Deus et super omnem 110–111
Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 24v–26v
Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 26v
Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 26v–27
Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 27v–28v
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 63–64
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 64–64v
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 85v–86
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 100v–101
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 101v–102v
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 102v–103v
Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 106–107
Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non 107–108
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 143v–144
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 14–15
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 15–16
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 144–144v
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 16v
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 144v
In cathedra Moisi omnia quaecunque iusserint 44v–45v
Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 160
Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 160–161
Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 161–161v
Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 40v–41v
Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 41v–42
Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 42–43
Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 112v–114
Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 114–115
Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 20v–21
Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 21–22
Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 22–22v
Lamentabatur Jacob de duobus filiis suis 111–112v
Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 130v–131v
Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 131v–132v
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 156v–157v
Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 157v–158v
Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 5–6v
Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 6v–8
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 34–35
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 35–36
Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 119v–120v
Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 120v–121
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 152–152v
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 152v–153v
Memento mei Domine Deus Anonymous 115–115v
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 146–147
Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 147–148
Namque super terram ubi non est veritas Anonymous 140v–142
Nesciens mater virgo virum peperit 60–61v
Nesciens mater virgo virum peperit 145–145v
Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra Anonymous 75–75v
Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre Anonymous 75v–76v
Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 123–125
Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 125–127v
Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 72v–73
Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 73–73v
Nuptiae factae sunt in Chana Gallileae 155–156v
O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 76v–77
O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 77–77v
O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 77v–78
O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro 78v
O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem 78v–79
O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem 79–79v
O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 79v–80
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 47v–49v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 49v–52
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 31v–33
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 33–34
Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 28v–30
Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 30–30v
Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 30v–31v
Peccata mea domine - 1a pars (of 2): Peccata mea domine 55–56
Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam 56–57
Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 22v–23
Petre amas me - 2a pars (of 3): Pasce oves meas 23–23v
Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 23v–24
Prima die sabbatorum Maria Magdalena 116–116v
Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 142–142v
Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 142v–143v
Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 90–91
Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 91–91v
Quisquis requiem quaeris feminam cave 161v–162
Quod toleras rex alme crucis tormenta Anonymous 2v–4v
Recordare Domine testamenti tui et dic 74–74v
Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 127v–129
Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 129–130
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 57v–58
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 58v–59
Sic enim Deus dilexit mundum 59–60
Simile est regnum caelorum homini 36–37
Sive vivamus sive moriamur Domini 122–123
Spiritus Domini replevit orbem terrarum 153v–154v
Sum tuus in vita (4vv) [M109] 83v–85
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 66v–68
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 68–70
Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 52v–53
Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 53–53v
Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 54–54v
Traditor autem dedit eis signum dicens Anonymous 86–87
Tu autem cum oraveris 1–1v
Tua est potentia tuum regnum Dominus 26.17 61v–62v
Venite post me qui laboratis et onerati 46–47
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 10v–12
Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 12v–13
Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 13v–14
Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 70v–71v
Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 71v–72
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 103v–105
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 105–106

Set: B. 211-215

Type: Partbooks

No images available

D-Rp B. 211-215 (A)

No images available

D-Rp B. 211-215 (B)

No images available

D-Rp B. 211-215 (D)

No images available

D-Rp B. 211-215 (Q)

No images available

D-Rp B. 211-215 (T)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 129-149. Notes: contents list; concordances.

McDonald, Grantley. 2020. The Library of Johannes Stomius, Lutheran Musical Humanist in Salzburg. Journal of the Alamire Foundation, 12/1: 51-88. Notes: identifies Stomius as the main scribe.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I, 77. Notes: physical description (partial); mention of MS; discussion.

Brzezinska, Barbara. 1976. W Kwestii Autorstwa Motetu 'Date Siceram Moerentibus'. Muzyka, 21/2: 53-65. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 28-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 3-4, 30-1, 45, 52, 68-9, 84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 105-7, 110-1. Notes: contents list (partial); mention of MS; discussion.

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, vii-viii, xii, 66-74. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 87-8, 175-82, 213-4; II, 205-39. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5.  Kassel. Pages: 41-2, 107, 117, 168, 182-4. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7.  Kassel and Basel. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: X, 1695. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 124-5; XI, 123-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 119; XXVI, 154, 164; LXVI, 68-76, 97-103, 174-80; LXX,65-94,97-114,193,197-8. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III, ix, xiv, 88-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

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NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description