CH-Bu F X 24

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Date 1547 in B; 1551 in D

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F X 24
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 76 x 100 mm
Other Identifiers
  • CCM: BasU F.X.22-4
Copyists
Relationships
External Links
Provenance
  • Basel, Switzerland
Contents 50 pieces from 23 composers
General Description

A Bassus partbook from a set originally of four volumes, appended to a copy of RISM 1535/11 (the enumeration of folios here includes those in the print). #1-16 copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.5-9; #17-48 probably copied by Basilius Amerbach, who also wrote portions of BasU F. IX.32-5 and manuscript additions in BasU kk. IV.23-7 (KmetzH). Copied in Basel. Compiled by, and under direction of Christoph Piperinus (d. 1565), music teacher of Basilius Amerbach (1533-91), son of the Basel lawyer and humanist Bonifacius Amerbach. Acquired by present library from Amerbach estate c. 1661.

DIAMM, 2017
Physical Description

Two folios have been torn out following f. 52'

DIAMM, 2017
Binding

Original white parchment covers

DIAMM, 2017
Watermark

(1) resembles Briquet #1396; (2) resembles Briquet #15739 (KmetzH).

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 9.

DIAMM, 2017
Foliation

New pencil foliation

DIAMM, 2017
Foliation

Other numberings: original numbering of pieces in the manuscript addition section, 1-48

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet, I German sacred piece, 1 Latin/Italian secular piece, 6 German secular pieces, 34 French secular pieces, 4 dances = 47+1 duplicate = 48

(Certon)-1, Dietrich-1, (Godard)-1, (Hesdin/Lupi)-1, Isaac-1, (Janequin)-1, Josquin-2, (Le Heurteur)-1, (Renez)-1, (Sandrin)-1, (Sandrin/Manchicourt)-1, Senfl-2, (Sermisy)-10, (Susato)-1, (Villiers)-1, anon-21

3 paper partbooks (D-vii + 65 folios, A-43, B-vii + 63), 76 x 100, appended to a copy of RISM 1535/11 (the preceding enumeration of folios includes those in the print). In D, two folios have been torn out following f. 52'; in B, three folios have been torn out following f. 50'. Blank folios: D-25-25', 53-65'; B-25', 53', 54'-63'. New pencil foliation; original numbering of pieces in the manuscript addition section, 1-48 in DB; 1-40 in A. Original white parchment covers. No index. Inscription in D: "Basilius Amerbachius 1551."

Date 1547 in B; 1551 in D. Apparently belonged to Basilius Amerbach, son of the humanist Bonifacius Amerbach.

Vol 4

BasU F.X.22-4

BASEL. Offentliche Bibliothek der Universitat. MSS F.X.22-24

1 motet, I German sacred piece, 34 French secular pieces, 6 German secular pieces, 1 Latin/Italian secular piece (with Latin incipit only in this source), 4 dances =47 + 1 duplicate = 48

(Certon)-1, Dietrich-1, (Godard/Lortin)-1, (Gombert/Sermisy)-1, (Hesdin/Lupi)-1, Isaac-1, (Janequin)-1, Josquin-2, (Le Heurteur) -1, (Manchicourt/Sandrin)-1, (Mouton/Sermisy)-1, Othmayr-1, (Renez)-1, (Sandrin)-1, Senfl-2, (Sermisy)-8, (Susato)-1, (Villiers) -1, anon-20

3 paper partbooks of an original 4, each consisting of the print RISM 1535/11, with manuscript additions following print in each book (D-41 folios, A-19, B-39), 76 x 100. Modern pencil foliation in each book includes printed and manuscript sections in single series; manuscript addition section begins on new f. 25 in each book. Original ink numbering of pieces, 1-48. Blank folios— D: 25-25', 53-65'; B: 25', 53', 54'-63'. DB books have covers of parchment cut from liturgical manuscript; A book has modern parchment covers. No index.

1-16 copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.5-9; #17-48 probably copied by Basilius Amerbach, who also wrote portions of BasU F. IX.32-5 and manuscript additions in BasU kk. IV.23-7 (KmetzH). Staff height 9. No initials or decoration. Watermarks: (1) resembles Briquet #1396; (2) generally resembles Briquet #15739 (KmetzH).

Ca. 1547-51 (dates in manuscript). Copied in Basel. Compiled by, and under direction of Christoph Piperinus (d. 1565), music teacher of Basilius Amerbach (1533-91), son of the Basel lawyer and humanist Bonifacius Amerbach. Acquired by present library from Amerbach estate ca. 1661.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[i],1–[viiv],1-24v Exemplar of Egenolff 1535(11) - Anonymous
Appears on: [i],1–[viiv],1-24v
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: Exemplar of Egenolff 1535/11
26 Herr, durch din Blute hilf uns Armen Lud. Senfli [= Senfl]
Appears on: 26
Genres: Chanson
Source Attribution: Lud. Senfli [= Senfl]
Voice: [no designation]
Languages: German
Voice Text: Her durch din bluete [hilff uns armen]
26v Iai choisi unidentified Anon. Anonymous
Appears on: 26v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Iai choisi [unidentified]
26v–27 Vivre ne puis content sans sa présence [Sermisy]
Appears on: 26v–27
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Vivre ne puis [content sans sa présence]
27–27v Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) L. Senfli [= Senfl]
Appears on: 27–27v
Genres: Song
Source Attribution: L. Senfli [= Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein fliss unn muhe [ich nie hab gspart]
27v Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) Heinrichus Isaac
Appears on: 27v
Genres: Contrafactum, Kyrie eleison, Mass Ordinary, Motet
Source Attribution: Heinrichus Isaac
Voice: [no designation]
Languages: German
Voice Text: Ispruck muss ich dich lassen [= Christe II from Missa Carminum]
28 Paduaner Anon. Anonymous

Paduaner

Anonymous
Appears on: 28
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Paduaner
28–28v Ob allem werdt Sixt Dieterich [= Dietrich]
Appears on: 28–28v
Genres: Chanson
Source Attribution: Sixt Dieterich [= Dietrich]
Voice: [no designation]
Languages: German
Voice Text: Ob allem werdt
28v–29 Holendisch giger liedlin Otmarus [= Othmayr]
Appears on: 28v–29
Genres: Chanson
Source Attribution: Otmarus [= Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Holendisch giger liedlin
29–29v Paduaner Anon. Anonymous

Paduaner

Anonymous
Appears on: 29–29v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Paduaner
29v–30v D'amour je suis desherite et plaindre Anon. Anonymous
Appears on: 29v–30v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Damour ie suis destieriter(!)
30–30v Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4 Josquin/[Gregoire]
Appears on: 30–30v
Genres: Motet
Source Attribution: Josquin/[Gregoire]
Voice: [no designation]
Languages: Latin
Voice Text: Ave verum corpus/Ecce panis angelorum/ O salutaris hostia 21.4
30v–31 Languir me fais sans t'avoir offensé [Mouton/Sermisy]
Appears on: 30v–31
Genres: Chanson
Source Attribution: [Mouton/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Languir me faict [= Languir me fais sans t'avoir offensé]
31–31v D'ou [dont] vient cela belle je vous supply [Sermisy]
Appears on: 31–31v
Genres: Italian secular
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Dont vient cela [belle je vous supply]
31v–32 D'ou [dont] vient cela belle je vous supply [Sermisy]
Appears on: 31v–32
Genres: Italian secular
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Dont vient cela [belle je vous supply] [= f. 31v]
32–33v Le berger et la bergière sont a l'ombre [Renez]
Appears on: 32–33v
Genres: Chanson
Source Attribution: [Renez]
Voice: [no designation]
Languages: French
Voice Text: Le berger [et la bergière sont a l'ombre]
33–33v J'attens secours de ma seule pensée [Sermisy]
Appears on: 33–33v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Jattens secours [de ma seule pensée]
33v Amour et mort me font oultrage Anon. Anonymous
Appears on: 33v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Amour et mort [me font oultrage]
34 Le content est riche en ce monde [Gombert/Sermisy]
Appears on: 34
Genres: Chanson
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Lecont est ryche [= Le content est riche en ce monde]
34v Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant [Sermisy]
Appears on: 34v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Tant que vivraÿ [en aage florissant]
35–35v Il est jour dit l'alouette allons jouer [Sermisy]
Appears on: 35–35v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Il est iour [dit l'Alouette allons jouer]
35v–36 Frere Thibault sejourne gros et gras [Certon]
Appears on: 35v–36
Genres: Chanson
Source Attribution: [Certon]
Voice: [no designation]
Languages: French
Voice Text: Frere tybant [= Frere Thibault sejourne gros et gras]
36v–37 Nostre vicaire un jour de feste [Le Heurteur]
Appears on: 36v–37
Genres: Chanson
Source Attribution: [Le Heurteur]
Voice: [no designation]
Languages: French
Voice Text: Nostre vicaire [ung jour de feste]
37–37v Ce mois de may sur la rousée jouer irons [Godard/Lortin]
Lortin (?)
Appears on: 37–37v
Genres: Chanson
Source Attribution: [Godard/Lortin]
Voice: [no designation]
Languages: French
Voice Text: Ce moys de maÿ [sur la rousée]
37v–38v Laguisant suis attendant que fortune [Villiers]
Appears on: 37v–38v
Genres: Chanson
Source Attribution: [Villiers]
Voice: [no designation]
Languages: French
Voice Text: Laguisant suÿs [attendant que fortune]
38v–39 Doulce memoire en plaisir consommée [Manchicourt/Sandrin]
Appears on: 38v–39
Genres: Chanson
Source Attribution: [Manchicourt/Sandrin]
Voice: [no designation]
Languages: French
Voice Text: Doulce mtoire [= Doulce memoire en plaisir consommée]
39 Si mon travail vous peult donner plaisir [Sandrin/Sermisy]
Appears on: 39
Genres: Chanson
Source Attribution: [Sandrin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Si mon [travail vous peult donner plaisir]
39v Deuil double deuil renfort de desplaisir [Susato]
Appears on: 39v
Genres: Chanson
Source Attribution: [Susato]
Voice: [no designation]
Languages: French
Voice Text: Le deuil [= Dueil double dueil renfort de desplaisir]
39–39v De retourner mon ami je te prie Anon.
Appears on: 39–39v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: De retourner [mon amy je te prie]
40 Ami helas, ôtez moi de la presse d'ennuie Anon. Anonymous
Appears on: 40
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ami hellas [ostes moy de la presse]
40v Le coeur de vous ma présence désire [Sermisy]
Appears on: 40v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le coeur de vous [ma présence désire]
40v–41 Secourez moi ma dame par amours ou autrement [Sermisy]
Appears on: 40v–41
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Secoures moy [ma dame par amours]
41–41v D'ou [dont] vient cela belle je vous supply Anon.
Appears on: 41–41v
Genres: Italian secular
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Dont vient cela [unidentified]
41v Mon triste unidentified Anon. Anonymous
Appears on: 41v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Mon triste [unidentified]
41v–42 Le jaulne et bleu sont les couleurs Anon. Anonymous
Appears on: 41v–42
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Le iaune [= Le jaulne et bleu sont les couleurs]
42 Vostre bon unidentified Anon. Anonymous
Appears on: 42
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Vostre bon [unidentified]
42v J'ai deul (unidentified) Anon. Anonymous
Appears on: 42v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Iaÿ deul [unidentified]
43 Dueil double dueil renfort de desplaisir [Hesdin/Lupi]
Appears on: 43
Genres: Chanson
Source Attribution: [Hesdin/Lupi]
Voice: [no designation]
Languages: French
Voice Text: Deul [= Doeul double doeul renfort de desplaisir]
43v–44 Or my rende unidentified Anon. Anonymous
Appears on: 43v–44
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Or my rende [unidentified]
44–44v Alez vos (unidentified) Anon. Anonymous
Appears on: 44–44v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ales vos [unidentified]
45–45v Ein welsche schlacht: Dues vous labiche Anon. Anonymous
Appears on: 45–45v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French, German
Voice Text: Ein welsche schlacht: Dues vous labiche
45v Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis) Anon. Anonymous
Appears on: 45v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ienescay [= Je ne scay pas comment a mon entendement]
46 Je ne fais rien que requierir sans acquerir [Sermisy]
Appears on: 46
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Ie ne fays [rien que requierir sans acquerir]
46–46v De tous biens plaine est ma maîtresse Anon.
Appears on: 46–46v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: De tous bien [= De tous biens plaine est ma maistresse]
46v Ein Tanz Anon. Anonymous

Ein Tanz

Anonymous
Appears on: 46v
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Ein tantz
46v–47 Ein Tanz Anon. Anonymous

Ein Tanz

Anonymous
Appears on: 46v–47
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Ein tantz
47–50 Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) [Janequin]
Appears on: 47–50
Genres: Chanson
Source Attribution: [Janequin]
Voice: [no designation]
Languages: French
Voice Text: Escoutes [tous gentilz galloys la victoire du noble roy] II: Fan fan frylaren [le le lan fan]
50v In te Domine speravi non confundar 28.18 [Josquin]
Appears on: 50v
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi [per trovar] 28.17
50v–51 Ging gang glogen gsang Anon. Anonymous
Appears on: 50v–51
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ging gang glogen gsang
51v–52v Jesaja dem Propheten das geschah -
Appears on: 51v–52v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Jesaja dem Propheten das geschah
Composer Compositions
Anonymous
Certon, Pierre (–ca. 1572)
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Gardano, Antonio
Godard, Robert
Gombert, Nicolas (ca. 1495–ca. 1560)
Hesdin, Nicolle des Celliers de (–1538)
Heurteur, Guillaume le (fl. 1530-1545)
Isaac, Heinrich (ca. 1450–1517)
Janequin, Clement (ca. 1485–ca. 1558)
Lortin
Lupi, Johannes (ca. 1506–1539)
Maillard, Jean (fl. c1538–1570)
Manchicourt, Pierre de
Mouton, Jean (ca. 1459–1522)
Othmayr, Caspar
Regnes, Nicole
Sandrin, Pierre (ca. 1490–ca. 1560)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Villiers, P[ierre?] de
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
Alez vos (unidentified) Anonymous 44–44v
Ami helas, ôtez moi de la presse d'ennuie Anonymous 40
Amour et mort me font oultrage Anonymous 33v
Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4 30–30v
Ce mois de may sur la rousée jouer irons
Lortin (?)
37–37v
D'amour je suis desherite et plaindre Anonymous 29v–30v
D'ou [dont] vient cela belle je vous supply 31–31v
D'ou [dont] vient cela belle je vous supply 31v–32
D'ou [dont] vient cela belle je vous supply 41–41v
De retourner mon ami je te prie 39–39v
De tous biens plaine est ma maîtresse 46–46v
Deuil double deuil renfort de desplaisir 39v
Doulce memoire en plaisir consommée 38v–39
Dueil double dueil renfort de desplaisir 43
Ein Tanz Anonymous 46v
Ein Tanz Anonymous 46v–47
Ein welsche schlacht: Dues vous labiche Anonymous 45–45v
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) 47–50
Exemplar of Egenolff 1535(11) Anonymous [i],1–[viiv],1-24v
Frere Thibault sejourne gros et gras 35v–36
Ging gang glogen gsang Anonymous 50v–51
Herr, durch din Blute hilf uns Armen 26
Holendisch giger liedlin 28v–29
Iai choisi unidentified Anonymous 26v
Il est jour dit l'alouette allons jouer 35–35v
In te Domine speravi non confundar 28.18 50v
Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) 27v
J'ai deul (unidentified) Anonymous 42v
J'attens secours de ma seule pensée 33–33v
Je ne fais rien que requierir sans acquerir 46
Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis) Anonymous 45v
Jesaja dem Propheten das geschah 51v–52v
Laguisant suis attendant que fortune 37v–38v
Languir me fais sans t'avoir offensé 30v–31
Le berger et la bergière sont a l'ombre 32–33v
Le coeur de vous ma présence désire 40v
Le content est riche en ce monde 34
Le jaulne et bleu sont les couleurs Anonymous 41v–42
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) 27–27v
Mon triste unidentified Anonymous 41v
Nostre vicaire un jour de feste 36v–37
Ob allem werdt 28–28v
Or my rende unidentified Anonymous 43v–44
Paduaner Anonymous 28
Paduaner Anonymous 29–29v
Secourez moi ma dame par amours ou autrement 40v–41
Si mon travail vous peult donner plaisir 39
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant 34v
Vivre ne puis content sans sa présence 26v–27
Vostre bon unidentified Anonymous 42

Set: MS F.X.22-24

Type: Partbooks

No images available

CH-Bu F X 22

No images available

CH-Bu F X 23

No images available

CH-Bu F X 24

denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung.  Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xl. Notes: contents list (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xvii,27,80 III,57. Notes: physical description; contents list (partial); concordances (partial).

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270. Notes: contents list (partial).

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 62. Notes: concordances (partial).

Bernstein, Lawrence F. 1969. The Cantus-Firmus Chansons of Tylman Susato. Journal of the American Musicological Society, 197-240. Pages: 204. Notes: concordances (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 7. Notes: physical description; concordances.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 246, 258. Notes: concordances (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk.  Kassel and Basel. Pages: 132. Notes: contents list (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV,141,147,154. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: II, v. Notes: physical description.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 170. Notes: physical description.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 68-9. Notes: contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description