CH-Bu F X 24

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Date 1547 in B; 1551 in D

Archive	Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark	F X 24
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	76 x 100 mm
Other Identifiers	CCM: BasU F.X.22-4
Copyists	Piperinus, Christoph (–1565) Music ? Amerbach, Basilius (1533–1591) Music
Relationships	Amerbach, Basilius (1533–1591) (owner) Basel University Library (owner) Piperinus, Christoph (–1565) (compiler)
External Links	Digital images in e-manuscripta
Provenance	Basel, Switzerland
Contents	50 pieces from 23 composers

General Description

A Bassus partbook from a set originally of four volumes, appended to a copy of RISM 1535/11 (the enumeration of folios here includes those in the print). #1-16 copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.5-9; #17-48 probably copied by Basilius Amerbach, who also wrote portions of BasU F. IX.32-5 and manuscript additions in BasU kk. IV.23-7 (KmetzH). Copied in Basel. Compiled by, and under direction of Christoph Piperinus (d. 1565), music teacher of Basilius Amerbach (1533-91), son of the Basel lawyer and humanist Bonifacius Amerbach. Acquired by present library from Amerbach estate c. 1661.

DIAMM, 2017

Physical Description

Two folios have been torn out following f. 52'

DIAMM, 2017

Binding

Original white parchment covers

DIAMM, 2017

Watermark

(1) resembles Briquet #1396; (2) resembles Briquet #15739 (KmetzH).

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 9.

DIAMM, 2017

Foliation

New pencil foliation

DIAMM, 2017

Foliation

Other numberings: original numbering of pieces in the manuscript addition section, 1-48

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet, I German sacred piece, 1 Latin/Italian secular piece, 6 German secular pieces, 34 French secular pieces, 4 dances = 47+1 duplicate = 48

(Certon)-1, Dietrich-1, (Godard)-1, (Hesdin/Lupi)-1, Isaac-1, (Janequin)-1, Josquin-2, (Le Heurteur)-1, (Renez)-1, (Sandrin)-1, (Sandrin/Manchicourt)-1, Senfl-2, (Sermisy)-10, (Susato)-1, (Villiers)-1, anon-21

3 paper partbooks (D-vii + 65 folios, A-43, B-vii + 63), 76 x 100, appended to a copy of RISM 1535/11 (the preceding enumeration of folios includes those in the print). In D, two folios have been torn out following f. 52'; in B, three folios have been torn out following f. 50'. Blank folios: D-25-25', 53-65'; B-25', 53', 54'-63'. New pencil foliation; original numbering of pieces in the manuscript addition section, 1-48 in DB; 1-40 in A. Original white parchment covers. No index. Inscription in D: "Basilius Amerbachius 1551."

Date 1547 in B; 1551 in D. Apparently belonged to Basilius Amerbach, son of the humanist Bonifacius Amerbach.

Vol 4

BasU F.X.22-4

BASEL. Offentliche Bibliothek der Universitat. MSS F.X.22-24

1 motet, I German sacred piece, 34 French secular pieces, 6 German secular pieces, 1 Latin/Italian secular piece (with Latin incipit only in this source), 4 dances =47 + 1 duplicate = 48

(Certon)-1, Dietrich-1, (Godard/Lortin)-1, (Gombert/Sermisy)-1, (Hesdin/Lupi)-1, Isaac-1, (Janequin)-1, Josquin-2, (Le Heurteur) -1, (Manchicourt/Sandrin)-1, (Mouton/Sermisy)-1, Othmayr-1, (Renez)-1, (Sandrin)-1, Senfl-2, (Sermisy)-8, (Susato)-1, (Villiers) -1, anon-20

3 paper partbooks of an original 4, each consisting of the print RISM 1535/11, with manuscript additions following print in each book (D-41 folios, A-19, B-39), 76 x 100. Modern pencil foliation in each book includes printed and manuscript sections in single series; manuscript addition section begins on new f. 25 in each book. Original ink numbering of pieces, 1-48. Blank folios— D: 25-25', 53-65'; B: 25', 53', 54'-63'. DB books have covers of parchment cut from liturgical manuscript; A book has modern parchment covers. No index.

1-16 copied by Christoph Piperinus, who also wrote portions of BasU F.IX.32-5 and BasU F.X.5-9; #17-48 probably copied by Basilius Amerbach, who also wrote portions of BasU F. IX.32-5 and manuscript additions in BasU kk. IV.23-7 (KmetzH). Staff height 9. No initials or decoration. Watermarks: (1) resembles Briquet #1396; (2) generally resembles Briquet #15739 (KmetzH).

Ca. 1547-51 (dates in manuscript). Copied in Basel. Compiled by, and under direction of Christoph Piperinus (d. 1565), music teacher of Basilius Amerbach (1533-91), son of the Basel lawyer and humanist Bonifacius Amerbach. Acquired by present library from Amerbach estate ca. 1661.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[i],1–[viiv],1-24v	Exemplar of Egenolff 1535(11)	-	Anonymous
Exemplar of Egenolff 1535(11) Anonymous Appears on: [i],1–[viiv],1-24v Genres: Motet Voice: [no designation] Languages: insufficient Voice Text: Exemplar of Egenolff 1535/11
26	Herr, durch din Blute hilf uns Armen	Lud. Senfli [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Herr, durch din Blute hilf uns Armen Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 26 Genres: Chanson Source Attribution: Lud. Senfli [= Senfl] Voice: [no designation] Languages: German Voice Text: Her durch din bluete [hilff uns armen]
26v	Iai choisi unidentified	Anon.	Anonymous
Iai choisi unidentified Anonymous Appears on: 26v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Iai choisi [unidentified]
26v–27	Vivre ne puis content sans sa présence	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Gardano, Antonio (?)
Vivre ne puis content sans sa présence Sermisy, Claudin de (ca. 1490–1562) (?) Gardano, Antonio (?) Appears on: 26v–27 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Vivre ne puis [content sans sa présence]
27–27v	Mein fleiss [vleiss] und müh ich nie hab g'spart (S230)	L. Senfli [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 27–27v Genres: Song Source Attribution: L. Senfli [= Senfl] Voice: [no designation] Languages: German Voice Text: Mein fliss unn muhe [ich nie hab gspart]
27v	Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II)	Heinrichus Isaac	Isaac, Heinrich (ca. 1450–1517)
Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) Isaac, Heinrich (ca. 1450–1517) Appears on: 27v Genres: Contrafactum, Kyrie eleison, Mass Ordinary, Motet Source Attribution: Heinrichus Isaac Voice: [no designation] Languages: German Voice Text: Ispruck muss ich dich lassen [= Christe II from Missa Carminum]
28	Paduaner	Anon.	Anonymous
Paduaner Anonymous Appears on: 28 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Paduaner
28–28v	Ob allem werdt	Sixt Dieterich [= Dietrich]	Dietrich, Sixt (ca. 1493–1548)
Ob allem werdt Dietrich, Sixt (ca. 1493–1548) Appears on: 28–28v Genres: Chanson Source Attribution: Sixt Dieterich [= Dietrich] Voice: [no designation] Languages: German Voice Text: Ob allem werdt
28v–29	Holendisch giger liedlin	Otmarus [= Othmayr]	Othmayr, Caspar
Holendisch giger liedlin Othmayr, Caspar Appears on: 28v–29 Genres: Chanson Source Attribution: Otmarus [= Othmayr] Voice: [no designation] Languages: German Voice Text: Holendisch giger liedlin
29–29v	Paduaner	Anon.	Anonymous
Paduaner Anonymous Appears on: 29–29v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Paduaner
29v–30v	D'amour je suis desherite et plaindre	Anon.	Anonymous
D'amour je suis desherite et plaindre Anonymous Appears on: 29v–30v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Damour ie suis destieriter(!)
30–30v	Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4	Josquin/[Gregoire]	Despres, Josquin (ca. 1450–1521)
Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4 Despres, Josquin (ca. 1450–1521) Appears on: 30–30v Genres: Motet Source Attribution: Josquin/[Gregoire] Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus/Ecce panis angelorum/ O salutaris hostia 21.4
30v–31	Languir me fais sans t'avoir offensé	[Mouton/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?)
Languir me fais sans t'avoir offensé Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 30v–31 Genres: Chanson Source Attribution: [Mouton/Sermisy] Voice: [no designation] Languages: French Voice Text: Languir me faict [= Languir me fais sans t'avoir offensé]
31–31v	D'ou [dont] vient cela belle je vous supply	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 31–31v Genres: Italian secular Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Dont vient cela [belle je vous supply]
31v–32	D'ou [dont] vient cela belle je vous supply	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 31v–32 Genres: Italian secular Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Dont vient cela [belle je vous supply] [= f. 31v]
32–33v	Le berger et la bergière sont a l'ombre	[Renez]	Regnes, Nicole
Le berger et la bergière sont a l'ombre Regnes, Nicole Appears on: 32–33v Genres: Chanson Source Attribution: [Renez] Voice: [no designation] Languages: French Voice Text: Le berger [et la bergière sont a l'ombre]
33–33v	J'attens secours de ma seule pensée	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
J'attens secours de ma seule pensée Sermisy, Claudin de (ca. 1490–1562) Appears on: 33–33v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Jattens secours [de ma seule pensée]
33v	Amour et mort me font oultrage	Anon.	Anonymous
Amour et mort me font oultrage Anonymous Appears on: 33v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Amour et mort [me font oultrage]
34	Le content est riche en ce monde	[Gombert/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Le content est riche en ce monde Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 34 Genres: Chanson Source Attribution: [Gombert/Sermisy] Voice: [no designation] Languages: French Voice Text: Lecont est ryche [= Le content est riche en ce monde]
34v	Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant Sermisy, Claudin de (ca. 1490–1562) Appears on: 34v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Tant que vivraÿ [en aage florissant]
35–35v	Il est jour dit l'alouette allons jouer	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Il est jour dit l'alouette allons jouer Sermisy, Claudin de (ca. 1490–1562) Appears on: 35–35v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Il est iour [dit l'Alouette allons jouer]
35v–36	Frere Thibault sejourne gros et gras	[Certon]	Certon, Pierre (–ca. 1572)
Frere Thibault sejourne gros et gras Certon, Pierre (–ca. 1572) Appears on: 35v–36 Genres: Chanson Source Attribution: [Certon] Voice: [no designation] Languages: French Voice Text: Frere tybant [= Frere Thibault sejourne gros et gras]
36v–37	Nostre vicaire un jour de feste	[Le Heurteur]	Heurteur, Guillaume le (fl. 1530-1545)
Nostre vicaire un jour de feste Heurteur, Guillaume le (fl. 1530-1545) Appears on: 36v–37 Genres: Chanson Source Attribution: [Le Heurteur] Voice: [no designation] Languages: French Voice Text: Nostre vicaire [ung jour de feste]
37–37v	Ce mois de may sur la rousée jouer irons	[Godard/Lortin]	Godard, Robert (?) Lortin (?)
Ce mois de may sur la rousée jouer irons Godard, Robert (?) Lortin (?) Appears on: 37–37v Genres: Chanson Source Attribution: [Godard/Lortin] Voice: [no designation] Languages: French Voice Text: Ce moys de maÿ [sur la rousée]
37v–38v	Laguisant suis attendant que fortune	[Villiers]	Villiers, P[ierre?] de
Laguisant suis attendant que fortune Villiers, P[ierre?] de Appears on: 37v–38v Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Voice Text: Laguisant suÿs [attendant que fortune]
38v–39	Doulce memoire en plaisir consommée	[Manchicourt/Sandrin]	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Doulce memoire en plaisir consommée Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 38v–39 Genres: Chanson Source Attribution: [Manchicourt/Sandrin] Voice: [no designation] Languages: French Voice Text: Doulce mtoire [= Doulce memoire en plaisir consommée]
39	Si mon travail vous peult donner plaisir	[Sandrin/Sermisy]	Sandrin, Pierre (ca. 1490–ca. 1560)
Si mon travail vous peult donner plaisir Sandrin, Pierre (ca. 1490–ca. 1560) Appears on: 39 Genres: Chanson Source Attribution: [Sandrin/Sermisy] Voice: [no designation] Languages: French Voice Text: Si mon [travail vous peult donner plaisir]
39v	Deuil double deuil renfort de desplaisir	[Susato]	Maillard, Jean (fl. c1538–1570)
Deuil double deuil renfort de desplaisir Maillard, Jean (fl. c1538–1570) Appears on: 39v Genres: Chanson Source Attribution: [Susato] Voice: [no designation] Languages: French Voice Text: Le deuil [= Dueil double dueil renfort de desplaisir]
39–39v	De retourner mon ami je te prie	Anon.	Sermisy, Claudin de (ca. 1490–1562) (?)
De retourner mon ami je te prie Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 39–39v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: De retourner [mon amy je te prie]
40	Ami helas, ôtez moi de la presse d'ennuie	Anon.	Anonymous
Ami helas, ôtez moi de la presse d'ennuie Anonymous Appears on: 40 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ami hellas [ostes moy de la presse]
40v	Le coeur de vous ma présence désire	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Le coeur de vous ma présence désire Sermisy, Claudin de (ca. 1490–1562) Appears on: 40v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Le coeur de vous [ma présence désire]
40v–41	Secourez moi ma dame par amours ou autrement	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Secourez moi ma dame par amours ou autrement Sermisy, Claudin de (ca. 1490–1562) Appears on: 40v–41 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Secoures moy [ma dame par amours]
41–41v	D'ou [dont] vient cela belle je vous supply	Anon.	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 41–41v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Dont vient cela [unidentified]
41v	Mon triste unidentified	Anon.	Anonymous
Mon triste unidentified Anonymous Appears on: 41v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mon triste [unidentified]
41v–42	Le jaulne et bleu sont les couleurs	Anon.	Anonymous
Le jaulne et bleu sont les couleurs Anonymous Appears on: 41v–42 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Le iaune [= Le jaulne et bleu sont les couleurs]
42	Vostre bon unidentified	Anon.	Anonymous
Vostre bon unidentified Anonymous Appears on: 42 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vostre bon [unidentified]
42v	J'ai deul (unidentified)	Anon.	Anonymous
J'ai deul (unidentified) Anonymous Appears on: 42v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Iaÿ deul [unidentified]
43	Dueil double dueil renfort de desplaisir	[Hesdin/Lupi]	Lupi, Johannes (ca. 1506–1539) (?) Hesdin, Nicolle des Celliers de (–1538) (?)
Dueil double dueil renfort de desplaisir Lupi, Johannes (ca. 1506–1539) (?) Hesdin, Nicolle des Celliers de (–1538) (?) Appears on: 43 Genres: Chanson Source Attribution: [Hesdin/Lupi] Voice: [no designation] Languages: French Voice Text: Deul [= Doeul double doeul renfort de desplaisir]
43v–44	Or my rende unidentified	Anon.	Anonymous
Or my rende unidentified Anonymous Appears on: 43v–44 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Or my rende [unidentified]
44–44v	Alez vos (unidentified)	Anon.	Anonymous
Alez vos (unidentified) Anonymous Appears on: 44–44v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ales vos [unidentified]
45–45v	Ein welsche schlacht: Dues vous labiche	Anon.	Anonymous
Ein welsche schlacht: Dues vous labiche Anonymous Appears on: 45–45v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French, German Voice Text: Ein welsche schlacht: Dues vous labiche
45v	Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis)	Anon.	Anonymous
Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis) Anonymous Appears on: 45v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ienescay [= Je ne scay pas comment a mon entendement]
46	Je ne fais rien que requierir sans acquerir	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Je ne fais rien que requierir sans acquerir Sermisy, Claudin de (ca. 1490–1562) Appears on: 46 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Ie ne fays [rien que requierir sans acquerir]
46–46v	De tous biens plaine est ma maîtresse	Anon.	Sermisy, Claudin de (ca. 1490–1562)
De tous biens plaine est ma maîtresse Sermisy, Claudin de (ca. 1490–1562) Appears on: 46–46v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: De tous bien [= De tous biens plaine est ma maistresse]
46v	Ein Tanz	Anon.	Anonymous
Ein Tanz Anonymous Appears on: 46v Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Ein tantz
46v–47	Ein Tanz	Anon.	Anonymous
Ein Tanz Anonymous Appears on: 46v–47 Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Ein tantz
47–50	Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan)	[Janequin]	Janequin, Clement (ca. 1485–ca. 1558)
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) Janequin, Clement (ca. 1485–ca. 1558) Appears on: 47–50 Genres: Chanson Source Attribution: [Janequin] Voice: [no designation] Languages: French Voice Text: Escoutes [tous gentilz galloys la victoire du noble roy] II: Fan fan frylaren [le le lan fan]
50v	In te Domine speravi non confundar 28.18	[Josquin]	Despres, Josquin (ca. 1450–1521)
In te Domine speravi non confundar 28.18 Despres, Josquin (ca. 1450–1521) Appears on: 50v Genres: Contrafactum, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: In te domine speravi [per trovar] 28.17
50v–51	Ging gang glogen gsang	Anon.	Anonymous
Ging gang glogen gsang Anonymous Appears on: 50v–51 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ging gang glogen gsang
51v–52v	Jesaja dem Propheten das geschah	-	Walter, Johann (1496–1570)
Jesaja dem Propheten das geschah Walter, Johann (1496–1570) Appears on: 51v–52v Genres: Motet Voice: [no designation] Languages: German Voice Text: Jesaja dem Propheten das geschah

Composer	Compositions
Anonymous	Alez vos (unidentified) – 44–44v Ami helas, ôtez moi de la presse d'ennuie – 40 Amour et mort me font oultrage – 33v D'amour je suis desherite et plaindre – 29v–30v Ein Tanz – 46v Ein Tanz – 46v–47 Ein welsche schlacht: Dues vous labiche – 45–45v Exemplar of Egenolff 1535(11) – [i],1–[viiv],1-24v Ging gang glogen gsang – 50v–51 Iai choisi unidentified – 26v J'ai deul (unidentified) – 42v Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis) – 45v Le jaulne et bleu sont les couleurs – 41v–42 Mon triste unidentified – 41v Or my rende unidentified – 43v–44 Paduaner – 28 Paduaner – 29–29v Vostre bon unidentified – 42
Certon, Pierre (–ca. 1572)	Frere Thibault sejourne gros et gras – 35v–36
Despres, Josquin (ca. 1450–1521)	Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4 – 30–30v In te Domine speravi non confundar 28.18 – 50v
Dietrich, Sixt (ca. 1493–1548)	Ob allem werdt – 28–28v
Gardano, Antonio	(?) Vivre ne puis content sans sa présence – 26v–27
Godard, Robert	(?) Ce mois de may sur la rousée jouer irons – 37–37v
Gombert, Nicolas (ca. 1495–ca. 1560)	(?) Le content est riche en ce monde – 34
Hesdin, Nicolle des Celliers de (–1538)	(?) Dueil double dueil renfort de desplaisir – 43
Heurteur, Guillaume le (fl. 1530-1545)	Nostre vicaire un jour de feste – 36v–37
Isaac, Heinrich (ca. 1450–1517)	Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) – 27v
Janequin, Clement (ca. 1485–ca. 1558)	Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) – 47–50
Lortin	(?) Ce mois de may sur la rousée jouer irons – 37–37v
Lupi, Johannes (ca. 1506–1539)	(?) Dueil double dueil renfort de desplaisir – 43
Maillard, Jean (fl. c1538–1570)	Deuil double deuil renfort de desplaisir – 39v
Manchicourt, Pierre de	(?) Doulce memoire en plaisir consommée – 38v–39
Mouton, Jean (ca. 1459–1522)	(?) Languir me fais sans t'avoir offensé – 30v–31
Othmayr, Caspar	Holendisch giger liedlin – 28v–29
Regnes, Nicole	Le berger et la bergière sont a l'ombre – 32–33v
Sandrin, Pierre (ca. 1490–ca. 1560)	(?) Doulce memoire en plaisir consommée – 38v–39 Si mon travail vous peult donner plaisir – 39
Senfl, Ludwig (ca. 1486–ca. 1543)	Herr, durch din Blute hilf uns Armen – 26 Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) – 27–27v
Sermisy, Claudin de (ca. 1490–1562)	D'ou [dont] vient cela belle je vous supply – 31v–32 D'ou [dont] vient cela belle je vous supply – 41–41v D'ou [dont] vient cela belle je vous supply – 31–31v (?) De retourner mon ami je te prie – 39–39v De tous biens plaine est ma maîtresse – 46–46v Il est jour dit l'alouette allons jouer – 35–35v J'attens secours de ma seule pensée – 33–33v Je ne fais rien que requierir sans acquerir – 46 (?) Languir me fais sans t'avoir offensé – 30v–31 Le coeur de vous ma présence désire – 40v (?) Le content est riche en ce monde – 34 Secourez moi ma dame par amours ou autrement – 40v–41 Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant – 34v (?) Vivre ne puis content sans sa présence – 26v–27
Villiers, P[ierre?] de	Laguisant suis attendant que fortune – 37v–38v
Walter, Johann (1496–1570)	Jesaja dem Propheten das geschah – 51v–52v

Composition	Composers (? Uncertain)	Folios / Pages
Alez vos (unidentified)	Anonymous	44–44v
Ami helas, ôtez moi de la presse d'ennuie	Anonymous	40
Amour et mort me font oultrage	Anonymous	33v
Ave verum corpus natum / Ecce panis angelorum / O salutaris hostia quae caeli / Bone pastor 21.4	Despres, Josquin (ca. 1450–1521)	30–30v
Ce mois de may sur la rousée jouer irons	Godard, Robert (?) Lortin (?)	37–37v
D'amour je suis desherite et plaindre	Anonymous	29v–30v
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	31–31v
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	31v–32
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	41–41v
De retourner mon ami je te prie	Sermisy, Claudin de (ca. 1490–1562) (?)	39–39v
De tous biens plaine est ma maîtresse	Sermisy, Claudin de (ca. 1490–1562)	46–46v
Deuil double deuil renfort de desplaisir	Maillard, Jean (fl. c1538–1570)	39v
Doulce memoire en plaisir consommée	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	38v–39
Dueil double dueil renfort de desplaisir	Lupi, Johannes (ca. 1506–1539) (?) Hesdin, Nicolle des Celliers de (–1538) (?)	43
Ein Tanz	Anonymous	46v
Ein Tanz	Anonymous	46v–47
Ein welsche schlacht: Dues vous labiche	Anonymous	45–45v
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan)	Janequin, Clement (ca. 1485–ca. 1558)	47–50
Exemplar of Egenolff 1535(11)	Anonymous	[i],1–[viiv],1-24v
Frere Thibault sejourne gros et gras	Certon, Pierre (–ca. 1572)	35v–36
Ging gang glogen gsang	Anonymous	50v–51
Herr, durch din Blute hilf uns Armen	Senfl, Ludwig (ca. 1486–ca. 1543)	26
Holendisch giger liedlin	Othmayr, Caspar	28v–29
Iai choisi unidentified	Anonymous	26v
Il est jour dit l'alouette allons jouer	Sermisy, Claudin de (ca. 1490–1562)	35–35v
In te Domine speravi non confundar 28.18	Despres, Josquin (ca. 1450–1521)	50v
Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II)	Isaac, Heinrich (ca. 1450–1517)	27v
J'ai deul (unidentified)	Anonymous	42v
J'attens secours de ma seule pensée	Sermisy, Claudin de (ca. 1490–1562)	33–33v
Je ne fais rien que requierir sans acquerir	Sermisy, Claudin de (ca. 1490–1562)	46
Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis)	Anonymous	45v
Jesaja dem Propheten das geschah	Walter, Johann (1496–1570)	51v–52v
Laguisant suis attendant que fortune	Villiers, P[ierre?] de	37v–38v
Languir me fais sans t'avoir offensé	Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?)	30v–31
Le berger et la bergière sont a l'ombre	Regnes, Nicole	32–33v
Le coeur de vous ma présence désire	Sermisy, Claudin de (ca. 1490–1562)	40v
Le content est riche en ce monde	Sermisy, Claudin de (ca. 1490–1562) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	34
Le jaulne et bleu sont les couleurs	Anonymous	41v–42
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230)	Senfl, Ludwig (ca. 1486–ca. 1543)	27–27v
Mon triste unidentified	Anonymous	41v
Nostre vicaire un jour de feste	Heurteur, Guillaume le (fl. 1530-1545)	36v–37
Ob allem werdt	Dietrich, Sixt (ca. 1493–1548)	28–28v
Or my rende unidentified	Anonymous	43v–44
Paduaner	Anonymous	28
Paduaner	Anonymous	29–29v
Secourez moi ma dame par amours ou autrement	Sermisy, Claudin de (ca. 1490–1562)	40v–41
Si mon travail vous peult donner plaisir	Sandrin, Pierre (ca. 1490–ca. 1560)	39
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	Sermisy, Claudin de (ca. 1490–1562)	34v
Vivre ne puis content sans sa présence	Sermisy, Claudin de (ca. 1490–1562) (?) Gardano, Antonio (?)	26v–27
Vostre bon unidentified	Anonymous	42

Set: MS F.X.22-24

Type: Partbooks

No images available

CH-Bu F X 22

No images available

CH-Bu F X 23

No images available

CH-Bu F X 24

‡ denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung. Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xl. Notes: contents list (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xvii,27,80 III,57. Notes: physical description; contents list (partial); concordances (partial).

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270. Notes: contents list (partial).

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 62. Notes: concordances (partial).

Bernstein, Lawrence F. 1969. The Cantus-Firmus Chansons of Tylman Susato. Journal of the American Musicological Society, 197-240. Pages: 204. Notes: concordances (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 7. Notes: physical description; concordances.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 246, 258. Notes: concordances (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk. Kassel and Basel. Pages: 132. Notes: contents list (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV,141,147,154. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: II, v. Notes: physical description.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 170. Notes: physical description.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 68-9. Notes: contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description