GB-Lbl Add. MS 29376 (Tristitiae Remedium of Thomas Myriell)

British Library, London, England

partbook: 1616-18

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 29376 (Tristitiae Remedium of Thomas Myriell)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Pagination
Measurements	305 x 195 mm
Other Identifiers	CCM: LonBL 29372-7
Notations	black void mensural
Copyists	Myriell, Thomas Music
Relationships	British Museum (owner) Puttick [and Simpson], auctioneers (owner) Myriell, Thomas (compiler)
External Links	British Library online catalogue entry
Provenance	St. Stephen's Walbrook , London, England
Contents	214 pieces from 54 composers

General Description

A Quintus partbook of a set of six volumes. Pieces arranged in four-voice, five-voice, and six-voice groups. The compiler, scribe, and original owner was the clergyman Thomas Myriell, rector at St. Stephen's Walbrook, who also wrote BrusBR II.4109 and much of LonBL 29427. History of manuscript following Myriell's death in 1625 has not been traced. Purchased by British Museum at a Puttick's sale in 1873.

DIAMM, Sept 2015

Binding

Covers of original dark brown leather glued onto modern cardboard; front and back covers of each book have identical gold tooled designs: square and fleur-de-lis pattern in corners, oval in center, and initials 'T M' [= Thomas Myriell].

DIAMM, Sept 2015

Watermark

dragon entwined around castle

DIAMM, Sept 2015

Liminary Note

Each book has elaborately decorated engraved title page, with inscription: 'Tristitiae Remedium. Cantiones selectissimae, diversorum tum authorum, tum argumentorum; labore et manu exaratae THOMAE MYRIELL. A.D. 1616.'

DIAMM, Sept 2015

Notation

black void mensural

DIAMM, Sept 2015

Foliation

Original ink pagination 1-341; modern pencil foliation: 1-163.

DIAMM, Sept 2015

Index

none, but list (in Myriell's hand) of represented composers appears on verso of first original folio in Bassus book.

DIAMM, Sept 2015

Surface

paper

DIAMM, Sept 2015

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

20 motets, 90 anthems, 81 English secular piece = 191 + 4 duplicates = 195

Bateson-4, Bennet-1, Bicci-1, Bull-4, Byrd-11, Byrd/(T. Mudd II)-1, Coperario-1, Coste/(Byrd)-1, Croce-6, Daman-2, Deering-3, M. East-3, Eremita-1, Faignient-1, A. Ferrabosco 1-6, A. Ferrabosco II-5, Ford-1, Gibbons-2, N. Giles-1, (Hanford)-1, Hooper-1, M. Jeffries-3, Kindersley-1, Kirbye-2, J. Lugge-1, T. Lupo-6, Marenzio-9, Milton-9, Morley-8, J. Mundy-2, Palestrina-1, Pallavicino-2, (R. Parsons I)-1, Peerson-11, P. Philips-1, P. Philips/(Wilder)-1, Ravenscroft-4, Simmes/(M. East)-1, Stubbs-2, Tallis-3, Tomkins-6, J. Tomkins/(Tomkins)-1, Tye-1, Orazio Vecchi-2, Ward-19, Weelkes-13, W. White-1, Wilbye-19, T. Wilkinson-3, anon-1

6 paper partbooks (D-ii + i + 225 + i folios, A-i + 249 + i, T-ii + 217 + i, B-iii + 277 + iii, Q-ii + 215 + i, S-ii + 95 + ii). Sizes-D: 340 x 190; A: 330 x 230; T: 320 x 195; B: 320 x 200; Q: 305 x 195; S: 350 x 192. Original ink pagination (D: 1-341; A: 1-339; T: 1-341; B: 1-341; Q: 1-341; S: 230-341); modern pencil foliation (DATB: 1-176; Q: 1-163; S: 1-58). Each book has several sections of unnumbered folios with blank staves only. Covers of original dark brown leather glued onto modern cardboard; front and back covers of each book have identical gold tooled designs: square and fleur-de-lis pattern in corners, oval in center, and initials "T M" [= Thomas Myriell]. No index, but list (in Myriell's hand) of represented composers appears on verso of first original folio in B book.

Copied by Thomas Myriell (see below), who also wrote BrusBR II.4109, part of LonBL 29427, and several other manuscripts not within scope of this catalogue (see MonsonM and WillettsMC). Each book has elaborately decorated engraved title page, with inscription: "Tristitiae Remedium. Cantiones selectissimae, diversorum tum authorum, tum argumentorum; labore et manu exaratae THOMAE MYRIELL. A.D. 1616." Pieces arranged in four-voice, five-voice, and six-voice groups. One watermark throughout: dragon entwined around castle.

1616-8; some pieces perhaps added in 1620's (MonsonM). Copied in London. The compiler, scribe, and original owner was the clergyman Thomas Myriell, rector at St. Stephen's Walbrook. History of manuscript following Myriell's death in 1625 has not been traced. Purchased by British Museum at a Puttick's sale in 1873.

Vol 4

Composers: Change "A. Ferrabosco I-6, A. Ferrabosco II-5" to "A. Ferrabosco I-7, A. Ferrabosco II-4."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3	And the king was moved	R. Dering	Dering, Richard
And the king was moved Dering, Richard Appears on: 3 Genres: Motet Source Attribution: R. Dering Voice: [no designation] Languages: English Voice Text: And the king was moved
4	Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine	J. Wilbye	Wilbye, John (1574–1638)
Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine Wilbye, John (1574–1638) Appears on: 4 Genres: Motet Source Attribution: J. Wilbye Voice: [no designation] Languages: Latin Voice Text: Ne reminiscaris Domine (including pt 2: Parce Domine)
4	Ne reminiscaris - 2a pars (of 2): Parce Domine	-	Wilbye, John (1574–1638)
Ne reminiscaris - 2a pars (of 2): Parce Domine Wilbye, John (1574–1638) Appears on: 4 Genres: Motet
5	O Jesu meek	T. Ravenscroft	Ravenscroft, Thomas
O Jesu meek Ravenscroft, Thomas Appears on: 5 Genres: Anthem Source Attribution: T. Ravenscroft Voice: [no designation] Languages: English Voice Text: O Jesu meek
6	Plead thou my cause	M. Peerson	Peerson, Martin
Plead thou my cause Peerson, Martin Appears on: 6 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Plead thou my cause
7	Ah, helpless wretch	T. Ravenscroft	Ravenscroft, Thomas
Ah, helpless wretch Ravenscroft, Thomas Appears on: 7 Genres: Anthem Source Attribution: T. Ravenscroft Voice: [no designation] Languages: English Voice Text: Ah, helpless wretch
8	O that my ways - 1a pars (of 2): O that my ways	M. Peerson	Peerson, Martin
O that my ways - 1a pars (of 2): O that my ways Peerson, Martin Appears on: 8 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: O that my ways
9	O that my ways - 2a pars (of 2): I will thank thee	M. Peerson	Peerson, Martin
O that my ways - 2a pars (of 2): I will thank thee Peerson, Martin Appears on: 9 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: I will thank thee (Pt II of O that my ways)
10	All laud and praise	T. Ravenscroft	Ravenscroft, Thomas
All laud and praise Ravenscroft, Thomas Appears on: 10 Genres: Anthem Source Attribution: T. Ravenscroft Voice: [no designation] Languages: English Voice Text: All laud and praise
11	O Lord, behold my miseries	J. Milton	Milton, John
O Lord, behold my miseries Milton, John Appears on: 11 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: O Lord, behold my miseries
12	If that a sinner's sighs	J. Milton	Milton, John
If that a sinner's sighs Milton, John Appears on: 12 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: If that a sinner's sighs
13	When David heard that Absalom	J. Milton	Milton, John
When David heard that Absalom Milton, John Appears on: 13 Genres: Motet Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: When David heard that Absalom
14	O woe is me for thee	J. Milton	Milton, John
O woe is me for thee Milton, John Appears on: 14 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: O woe is me for thee
15	I am the resurrection	J. Milton	Milton, John
I am the resurrection Milton, John Appears on: 15 Genres: Motet Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: I am the resurrection
16	When Israel came out - 1a pars (of 2): When Israel came out of Egypt	M. East	East, Michael
When Israel came out - 1a pars (of 2): When Israel came out of Egypt East, Michael Appears on: 16 Genres: Anthem Source Attribution: M. East Voice: [no designation] Languages: English Voice Text: When Israel came out of Egypt (Pt II: What aileth thee)
17	When Israel came out - 2a pars (of 2): What aileth thee	M. East	East, Michael
When Israel came out - 2a pars (of 2): What aileth thee East, Michael Appears on: 17 Genres: Anthem Source Attribution: M. East Voice: [no designation] Languages: English Voice Text: What aileth thee (Pt II of When Israel came out of Egypt)
18	Rise, O my soul - 1a pars (of 3): Rise, O my soul	W. Simms	Simmes, William (?) East, Michael (?)
Rise, O my soul - 1a pars (of 3): Rise, O my soul Simmes, William (?) East, Michael (?) Appears on: 18 Genres: Anthem Source Attribution: W. Simms Voice: [no designation] Languages: English Voice Text: Rise, O my soul
19	Rise, O my soul - 2a pars (of 3): And thou, my soul	W. Simms	East, Michael (?) Simmes, William (?)
Rise, O my soul - 2a pars (of 3): And thou, my soul East, Michael (?) Simmes, William (?) Appears on: 19 Genres: Anthem Source Attribution: W. Simms Voice: [no designation] Languages: English Voice Text: And thou, my soul (Pt II of Rise O my soul)
20	Rise, O my soul - 3a pars (of 3): To thee, O Jesus	W. Simms	Simmes, William (?) East, Michael (?)
Rise, O my soul - 3a pars (of 3): To thee, O Jesus Simmes, William (?) East, Michael (?) Appears on: 20 Genres: Anthem Source Attribution: W. Simms Voice: [no designation] Languages: English Voice Text: To thee, O Jesus (Pt III of Rise, O my soul)
21	O heavenly God, O Father dear	W. Damon	Daman, William
O heavenly God, O Father dear Daman, William Appears on: 21 Genres: Anthem Source Attribution: W. Damon Voice: [no designation] Languages: English Voice Text: O heavenly God
22	Sweet Muses - 1a pars (of 3): Sweet Muses	-	East, Michael
Sweet Muses - 1a pars (of 3): Sweet Muses East, Michael Appears on: 22 Genres: Madrigal (English)
23	Sweet Muses - 2a pars (of 3): Aye me, wherefore sighs	-	East, Michael
Sweet Muses - 2a pars (of 3): Aye me, wherefore sighs East, Michael Appears on: 23 Genres: Madrigal (English)
24	Sweet Muses - 3a pars (of 3): My peace and my pleasure	-	East, Michael
Sweet Muses - 3a pars (of 3): My peace and my pleasure East, Michael Appears on: 24 Genres: Madrigal (English)
25	Ne laeteris inimica mea	T. Ravenscroft	Ravenscroft, Thomas
Ne laeteris inimica mea Ravenscroft, Thomas Appears on: 25 Genres: Motet Source Attribution: T. Ravenscroft
26–27	O sacred and holy banquet (= O sacrum convivium	T. Tallis	Tallis, Thomas (ca. 1505–1585)
O sacred and holy banquet (= O sacrum convivium Tallis, Thomas (ca. 1505–1585) Appears on: 26–27 Genres: Anthem, Contrafactum Source Attribution: T. Tallis Voice: [no designation] Languages: English Voice Text: O sacred and holy banquet (adaptation of motet O sacrum convivium)
28	O vos omnes	T. Lupo	Lupo, Thomas (ca. 1571–1627)
O vos omnes Lupo, Thomas (ca. 1571–1627) Appears on: 28 Genres: Motet Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: O vos omnes
29	O thrice-blessed earthbed	J. Tomkins	Tomkins, John (1586–1638)
O thrice-blessed earthbed Tomkins, John (1586–1638) Appears on: 29 Genres: Consort song Source Attribution: J. Tomkins
30	Come, help, O God	W. Byrd	Byrd, William (ca. 1540–1623)
Come, help, O God Byrd, William (ca. 1540–1623) Appears on: 30 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Come, help, O God
31	Not unto us, but to thy name	T. Ford	Ford, Thomas
Not unto us, but to thy name Ford, Thomas Appears on: 31 Genres: Motet Source Attribution: T. Ford Voice: [no designation] Languages: English Voice Text: Not unto us, but to thy name
32	O happy he whom thou protect'st	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
O happy he whom thou protect'st Weelkes, Thomas (ca. 1576–1623) Appears on: 32 Genres: Motet Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: O happy he whom thou protect'st
33	O let me at thy footstool fall	M. Peerson	Peerson, Martin
O let me at thy footstool fall Peerson, Martin Appears on: 33 Genres: Motet Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: O let me at thy footstool fall
34	Judge them, O Lord, which me pursue	R. Kindersly	Kindersley, Robert
Judge them, O Lord, which me pursue Kindersley, Robert Appears on: 34 Genres: Motet Source Attribution: R. Kindersly Voice: [no designation] Languages: English Voice Text: Judge them, O Lord, which me pursue
35	O Lord, consider my great moans	J. Wilbye	Ward, John (ca. 1589–ca. 1638)
O Lord, consider my great moans Ward, John (ca. 1589–ca. 1638) Appears on: 35 Genres: Motet Source Attribution: J. Wilbye Voice: [no designation] Languages: English Voice Text: O Lord, consider my great moans
36	I laid me down	W. Byrd	Byrd, William (ca. 1540–1623)
I laid me down Byrd, William (ca. 1540–1623) Appears on: 36 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: I laid me down
37	O Lord, how do my woes increase	J. Coperario	Coperario, John
O Lord, how do my woes increase Coperario, John Appears on: 37 Genres: Motet Source Attribution: J. Coperario Voice: [no designation] Languages: English Voice Text: O Lord, how do my woes increase
38	Miserere nostri Domine	W. Damon	Daman, William
Miserere nostri Domine Daman, William Appears on: 38 Genres: Motet Source Attribution: W. Damon Voice: [no designation] Languages: Latin Voice Text: Miserere nostri Domine
39–40	The cries of London - 1a pars (of 2): God give you good morrow, my masters	O. Gibbons	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 1a pars (of 2): God give you good morrow, my masters Gibbons, Orlando (ca. 1583–1625) Appears on: 39–40 Genres: In nomine, Song Source Attribution: O. Gibbons
41	The cries of London - 2a pars (of 2): Will you go with me - A good sausage	O. Gibbons	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 2a pars (of 2): Will you go with me - A good sausage Gibbons, Orlando (ca. 1583–1625) Appears on: 41 Genres: Song Source Attribution: O. Gibbons
42–43	Out of the deep	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Out of the deep Lupo, Thomas (ca. 1571–1627) Appears on: 42–43 Genres: Anthem Source Attribution: T. Lupo Voice: [no designation] Languages: English Voice Text: Out of the deep
44	O amica mea - 1a pars (of 2): O amica mea	T. Morley	Morley, Thomas (ca. 1557–1602)
O amica mea - 1a pars (of 2): O amica mea Morley, Thomas (ca. 1557–1602) Appears on: 44 Genres: Motet Source Attribution: T. Morley Voice: [no designation] Languages: Latin Voice Text: O amica mea, part 2: Dentes tui sicut greges
45	O amica mea - 2a pars (of 2): Dentes tui sicut greges	T. Morley	Morley, Thomas (ca. 1557–1602)
O amica mea - 2a pars (of 2): Dentes tui sicut greges Morley, Thomas (ca. 1557–1602) Appears on: 45 Genres: Motet Source Attribution: T. Morley
46	Mine eyes with fervency	W. Byrd	Byrd, William (ca. 1540–1623)
Mine eyes with fervency Byrd, William (ca. 1540–1623) Appears on: 46 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Mine eyes with fervency
47	My soul oppressed	W. Byrd	Byrd, William (ca. 1540–1623)
My soul oppressed Byrd, William (ca. 1540–1623) Appears on: 47 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: My soul oppressed
48–49	O go not from me	-	Peerson, Martin Palmer, Henry (ca. 1590–1640) (?)
O go not from me Peerson, Martin Palmer, Henry (ca. 1590–1640) (?) Appears on: 48–49 Genres: Motet Voice: [no designation] Languages: English Voice Text: O go not from me
50–51	Blow up the trumpet	M. Peerson	Peerson, Martin
Blow up the trumpet Peerson, Martin Appears on: 50–51 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Blow out (up) the trumpet
52	Who will rise up - 1a pars (of 2): Who will rise up with me	M. Peerson	Peerson, Martin
Who will rise up - 1a pars (of 2): Who will rise up with me Peerson, Martin Appears on: 52 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Who will rise up with me
53	Who will rise up - 2a pars (of 2): But when I said	M. Peerson	Peerson, Martin
Who will rise up - 2a pars (of 2): But when I said Peerson, Martin Appears on: 53 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: But when I said (Pt II of Who will rise up with me)
54–55	Fly, ravished soul - 4a pars (of 4): Rain eyes	M. Peerson	Peerson, Martin
Fly, ravished soul - 4a pars (of 4): Rain eyes Peerson, Martin Appears on: 54–55 Genres: Madrigal (English) Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Rain eyes (Pt IV of Fly, ravished soul)
56	Fly, ravished soul - 1a pars (of 4): Fly, ravished soul	M. Peerson	Peerson, Martin
Fly, ravished soul - 1a pars (of 4): Fly, ravished soul Peerson, Martin Appears on: 56 Genres: Madrigal (English) Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Fly, ravished soul
57	Fly, ravished soul - 2a pars (of 4): Rest thee awhile	M. Peerson	Peerson, Martin
Fly, ravished soul - 2a pars (of 4): Rest thee awhile Peerson, Martin Appears on: 57 Genres: Madrigal (English) Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Rest thee awhile (Pt II of Fly, ravished soul)
58–59	Fly, ravished soul - 3a pars (of 4): Muse still thereon	M. Peerson	Peerson, Martin
Fly, ravished soul - 3a pars (of 4): Muse still thereon Peerson, Martin Appears on: 58–59 Genres: Madrigal (English) Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Muse still thereon (Pt III of Fly, ravished soul)
60–61	I am brought - 1a pars (of 2): I am brought into so great trouble	M. Peerson	Peerson, Martin
I am brought - 1a pars (of 2): I am brought into so great trouble Peerson, Martin Appears on: 60–61 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: I am brought into so great trouble
62–63	I am brought - 2a pars (of 2): My heart panteth	M. Peerson	Peerson, Martin
I am brought - 2a pars (of 2): My heart panteth Peerson, Martin Appears on: 62–63 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: My heart panteth (Pt II of I am brought into so great trouble)
64–65	Wake sorrow - 1a pars (of 2): Wake sorrow	M. Peerson	Peerson, Martin
Wake sorrow - 1a pars (of 2): Wake sorrow Peerson, Martin Appears on: 64–65 Genres: Madrigal (English) Source Attribution: M. Peerson
66	Wake sorrow - 2a pars (of 2): Arbella sole paragon	M. Peerson	Peerson, Martin
Wake sorrow - 2a pars (of 2): Arbella sole paragon Peerson, Martin Appears on: 66 Genres: Madrigal (English) Source Attribution: M. Peerson
67	O Lord, thou hast searched me out - 1a pars (of 4): O Lord, thou hast searched me out	M. Peerson	Peerson, Martin
O Lord, thou hast searched me out - 1a pars (of 4): O Lord, thou hast searched me out Peerson, Martin Appears on: 67 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: O Lord, thou hast searched me out
68	O Lord, thou hast searched me out - 2a pars (of 4): Thou art about	M. Peerson	Peerson, Martin
O Lord, thou hast searched me out - 2a pars (of 4): Thou art about Peerson, Martin Appears on: 68 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Thou art about (Pt II of O Lord, thou hast searched me out)
69	O Lord, thou hast searched me out - 3a pars (of 4): Thou hast fashioned me	M. Peerson	Peerson, Martin
O Lord, thou hast searched me out - 3a pars (of 4): Thou hast fashioned me Peerson, Martin Appears on: 69 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Thou hast fashioned me (Pt III of O Lord, thou hast searched me out)
70	O Lord, thou hast searched me out - 4a pars (of 4): Whither shall I go	M. Peerson	Peerson, Martin
O Lord, thou hast searched me out - 4a pars (of 4): Whither shall I go Peerson, Martin Appears on: 70 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Whither shall I go (Pt IV of O Lord, thou hast searched me out)
71	Miserere mei Domine (I)	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Miserere mei Domine (I) Lupo, Thomas (ca. 1571–1627) Appears on: 71 Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: Miserere mei Domini (I)
72	In resurrectione tua	W. Byrd	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 72 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: Latin Voice Text: In resurrectione tua Domine
73	Cease now vain thoughts	N. Giles	Giles, Nathaniel (ca. 1558–1634)
Cease now vain thoughts Giles, Nathaniel (ca. 1558–1634) Appears on: 73 Genres: Consort song Source Attribution: N. Giles
74–77	The country cries	R. Dering	Dering, Richard
The country cries Dering, Richard Appears on: 74–77 Genres: Consort song Source Attribution: R. Dering
78–79	My lovely wanton jewel	T. Morley	Morley, Thomas (ca. 1557–1602)
My lovely wanton jewel Morley, Thomas (ca. 1557–1602) Appears on: 78–79 Genres: Song Source Attribution: T. Morley
80	Leave, alas, this tormenting	T. Morley	Morley, Thomas (ca. 1557–1602)
Leave, alas, this tormenting Morley, Thomas (ca. 1557–1602) Appears on: 80 Genres: Song Source Attribution: T. Morley
81	Why weeps alas	T. Morley	Morley, Thomas (ca. 1557–1602)
Why weeps alas Morley, Thomas (ca. 1557–1602) Appears on: 81 Genres: Consort song Source Attribution: T. Morley
82–83	Give me my heart	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Give me my heart Weelkes, Thomas (ca. 1576–1623) Appears on: 82–83 Genres: Consort song Source Attribution: T. Weelkes
84	Come clap - 1a pars (of 2): Come clap thy hands	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Come clap - 1a pars (of 2): Come clap thy hands Weelkes, Thomas (ca. 1576–1623) Appears on: 84 Genres: Consort song Source Attribution: T. Weelkes
85	Come clap - 2a pars (of 2): Phillis hath sworn	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Come clap - 2a pars (of 2): Phillis hath sworn Weelkes, Thomas (ca. 1576–1623) Appears on: 85 Genres: Consort song Source Attribution: T. Weelkes
86	Sound out my voice (= Vestiva i colli)	G. Palestrina	Palestrina, Giovanni Pierluigi da (1525–1594)
Sound out my voice (= Vestiva i colli) Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 86 Genres: Contrafactum, Madrigal (English) Source Attribution: G. Palestrina
87	I must depart (= Io partiro)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
I must depart (= Io partiro) Marenzio, Luca (ca. 1553–1599) Appears on: 87 Genres: Contrafactum, Madrigal (English) Source Attribution: L. Marenzio
88	Life tell me (= Deh, dimmi)	H. Vecchi	Vecchi, Orazio (1550–1605)
Life tell me (= Deh, dimmi) Vecchi, Orazio (1550–1605) Appears on: 88 Genres: Contrafactum, Madrigal (English) Source Attribution: H. Vecchi
89	Flora, fair nymph, whilst silly lambs are feeding	J. Ward	Ward, John (ca. 1589–ca. 1638)
Flora, fair nymph, whilst silly lambs are feeding Ward, John (ca. 1589–ca. 1638) Appears on: 89 Genres: Madrigal (English) Source Attribution: J. Ward
90–91	Sweet honey-sucking bees - 1a pars (of 2): Sweet honey-sucking bees	J. Wilbye	Wilbye, John (1574–1638)
Sweet honey-sucking bees - 1a pars (of 2): Sweet honey-sucking bees Wilbye, John (1574–1638) Appears on: 90–91 Genres: Madrigal (English) Source Attribution: J. Wilbye
82	Sweet honey-sucking bees - 2a pars (of 2): Yet sweet, take heed	-	Wilbye, John (1574–1638)
Sweet honey-sucking bees - 2a pars (of 2): Yet sweet, take heed Wilbye, John (1574–1638) Appears on: 82 Genres: Madrigal (English)
93	Weep, o mine eyes	-	Wilbye, John (1574–1638)
Weep, o mine eyes Wilbye, John (1574–1638) Appears on: 93 Genres: Song
94–95	Down in a valley - 1a pars (of 2): Down in a valley	J. Wilbye	Wilbye, John (1574–1638)
Down in a valley - 1a pars (of 2): Down in a valley Wilbye, John (1574–1638) Appears on: 94–95 Genres: Song Source Attribution: J. Wilbye
96–97	Down in a valley - 2a pars (of 2): Hard destinies	J. Wilbye	Wilbye, John (1574–1638)
Down in a valley - 2a pars (of 2): Hard destinies Wilbye, John (1574–1638) Appears on: 96–97 Genres: Song Source Attribution: J. Wilbye
98–99	Alas where is my love	T. Bateson	Bateson, Thomas (ca. 1570–1630)
Alas where is my love Bateson, Thomas (ca. 1570–1630) Appears on: 98–99 Genres: Consort song Source Attribution: T. Bateson
100–101	Hark, hear ye not	T. Bateson	Bateson, Thomas (ca. 1570–1630)
Hark, hear ye not Bateson, Thomas (ca. 1570–1630) Appears on: 100–101 Genres: Consort song Source Attribution: T. Bateson
102	Dolorous mournful cares (= Dolorosi martir)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Dolorous mournful cares (= Dolorosi martir) Marenzio, Luca (ca. 1553–1599) Appears on: 102 Genres: Contrafactum, Madrigal (English) Source Attribution: L. Marenzio
103–105	See, see, the Word is incarnate	O. Gibbons	Gibbons, Orlando (ca. 1583–1625)
See, see, the Word is incarnate Gibbons, Orlando (ca. 1583–1625) Appears on: 103–105 Genres: Anthem Source Attribution: O. Gibbons Voice: [no designation] Languages: English Voice Text: See the Word is incarnate
106–107	Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch	J. Ward	Ward, John (ca. 1589–ca. 1638)
Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch Ward, John (ca. 1589–ca. 1638) Appears on: 106–107 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: Down, caitiff wretch
108–109	Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain	J. Ward	Ward, John (ca. 1589–ca. 1638)
Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain Ward, John (ca. 1589–ca. 1638) Appears on: 108–109 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: Prayer is an endless chain (Pt II of Down, caitiff wretch)
110–111	How long wilt Thou forget me, O Lord	J. Ward	Ward, John (ca. 1589–ca. 1638)
How long wilt Thou forget me, O Lord Ward, John (ca. 1589–ca. 1638) Appears on: 110–111 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: How long wilt thou forget
112–113	Almighty God, who by the leading of a star (Almighty God who didst manifest)	-	Bull, John (ca. 1562–1628)
Almighty God, who by the leading of a star (Almighty God who didst manifest) Bull, John (ca. 1562–1628) Appears on: 112–113 Genres: Anthem
114–115	There where I saw	wil	Wilbye, John (1574–1638)
There where I saw Wilbye, John (1574–1638) Appears on: 114–115 Genres: Consort song Source Attribution: wil
116–117	All pleasure is of this	J. Wilbye	Wilbye, John (1574–1638)
All pleasure is of this Wilbye, John (1574–1638) Appears on: 116–117 Genres: Consort song Source Attribution: J. Wilbye
118	Hear me, O God (Adaptation of Four-note Pavane)	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Hear me, O God (Adaptation of Four-note Pavane) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 118 Genres: Anthem Voice: [no designation] Languages: English Voice Text: Hear me, O God (Adaptation of Four-note Pavane)
119	So far, dear life (= Lungi ben mio da vostri vaghi rai)	G. Eremita	Eremita, Giulio
So far, dear life (= Lungi ben mio da vostri vaghi rai) Eremita, Giulio Appears on: 119 Genres: Contrafactum, Madrigal (English) Source Attribution: G. Eremita
120	If silent then grief	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
If silent then grief Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 120 Genres: Consort song Source Attribution: A. Ferrabosco
121	I languish to complain me	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
I languish to complain me Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 121 Genres: Consort song Source Attribution: A. Ferrabosco
122	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	W. Byrd	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 122 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Bow thine ear (Adaptation of the motet Ne Irascaris)
123	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	W. Byrd	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 123 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: O Lord turn thy wrath (Pt II: Bow thine ear -Adaptation of the motet Ne Irascaris)
124–125	I lift my heart to thee (= Amavit eum Dominus)	C. Tye	Tye, Christopher (ca. 1505–ca. 1573)
I lift my heart to thee (= Amavit eum Dominus) Tye, Christopher (ca. 1505–ca. 1573) Appears on: 124–125 Genres: Anthem, Contrafactum Source Attribution: C. Tye Voice: [no designation] Languages: English Voice Text: I lift my heart to thee
126–127	I call and cry to Thee (= O sacrum convivium)	T. Tallis	Tallis, Thomas (ca. 1505–1585)
I call and cry to Thee (= O sacrum convivium) Tallis, Thomas (ca. 1505–1585) Appears on: 126–127 Genres: Contrafactum, Motet Source Attribution: T. Tallis Voice: [no designation] Languages: English Voice Text: I call and cry (adaptation of motet O sacrum convivium)
128	O vos omnes	T. Lupo	Lupo, Thomas (ca. 1571–1627)
O vos omnes Lupo, Thomas (ca. 1571–1627) Appears on: 128 Genres: Motet Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: O vos omnes
129	Miserere mei Domine (I)	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Miserere mei Domine (I) Lupo, Thomas (ca. 1571–1627) Appears on: 129 Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: Miserere mei Domine (I)
130–131	Save me, O God, for thy name's sake	M. Coste	Coste, Richard Byrd, William (ca. 1540–1623) (?)
Save me, O God, for thy name's sake Coste, Richard Byrd, William (ca. 1540–1623) (?) Appears on: 130–131 Genres: Motet Source Attribution: M. Coste Voice: [no designation] Languages: English Voice Text: Save me O God for thy name's sake (I)
132–133	O give thanks unto the Lord	-	Mundy, John (ca. 1555–1630)
O give thanks unto the Lord Mundy, John (ca. 1555–1630) Appears on: 132–133 Genres: Anthem Voice: [no designation] Languages: English Voice Text: O give thanks unto the Lord, for he is gracious
134	Deliver me from mine enemies	-	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)
Deliver me from mine enemies Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 134 Genres: Quodlibet Voice: [no designation] Languages: English Voice Text: Deliver me from mine enemies
135	Blessed art thou that fearest God and walkest in his ways	P Phillips [van Wilder]	Van Wilder, Phillip
Blessed art thou that fearest God and walkest in his ways Van Wilder, Phillip Appears on: 135 Genres: Motet Source Attribution: P Phillips [van Wilder] Voice: [no designation] Languages: English Voice Text: Blessed art thou that fearest God
136	O Jesu, look	G. Kirbye	Kirbye, George
O Jesu, look Kirbye, George Appears on: 136 Genres: Anthem Source Attribution: G. Kirbye Voice: [no designation] Languages: English Voice Text: O Jesu, look
137	Peccantem me quotidie (C52)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Peccantem me quotidie (C52) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 137 Genres: Motet Source Attribution: A. Ferrabosco Voice: [no designation] Languages: Latin Voice Text: Peccantem me quotidie (C52)
138–139	Hear my prayer, O Lord	T. Wilkinson	Wilkinson, William (?) Wilkinson, T(homas?) (?)
Hear my prayer, O Lord Wilkinson, William (?) Wilkinson, T(homas?) (?) Appears on: 138–139 Genres: Anthem Source Attribution: T. Wilkinson Voice: [no designation] Languages: English Voice Text: Hear my prayer, O Lord, and with thine ears
140–141	It is a good thing to give thanks	J. Lugge	Lugge, John (ca. 1587–ca. 1647)
It is a good thing to give thanks Lugge, John (ca. 1587–ca. 1647) Appears on: 140–141 Genres: Anthem Source Attribution: J. Lugge Voice: [no designation] Languages: English Voice Text: It is a good thing to give thanks
142–146	The city cries 'What do you lack'	R. Dering	Dering, Richard
The city cries 'What do you lack' Dering, Richard Appears on: 142–146 Genres: Anthem Source Attribution: R. Dering
147	Long have I lifted up my voice	-	Hanford, George
Long have I lifted up my voice Hanford, George Appears on: 147 Genres: Anthem Voice: [no designation] Languages: English Voice Text: Long have I lifted up my voice
148–149	O God of gods - 1a pars (of 2): O God of gods, O King of kings	J. Bennet	Bennett, John (fl. 1599-1614)
O God of gods - 1a pars (of 2): O God of gods, O King of kings Bennett, John (fl. 1599-1614) Appears on: 148–149 Genres: Anthem Source Attribution: J. Bennet Voice: [no designation] Languages: English Voice Text: O God of Gods (Pt II: To the almighty Trinity)
150	O God of gods - 2a pars (of 2): To the almighty Trinity	J. Bennet	Bennett, John (fl. 1599-1614)
O God of gods - 2a pars (of 2): To the almighty Trinity Bennett, John (fl. 1599-1614) Appears on: 150 Genres: Anthem Source Attribution: J. Bennet Voice: [no designation] Languages: English Voice Text: To the almighty Trinity (Pt II of O God of Gods)
151	The white delightful swan (= Il bianco e dolce cigno)	H. Vecchi	Vecchi, Orazio (1550–1605)
The white delightful swan (= Il bianco e dolce cigno) Vecchi, Orazio (1550–1605) Appears on: 151 Genres: Contrafactum, Madrigal (English) Source Attribution: H. Vecchi
152–153	Zephyrus brings the time (= Zefiro torna)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Zephyrus brings the time (= Zefiro torna) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 152–153 Genres: Contrafactum, Madrigal (English) Source Attribution: A. Ferrabosco
154	O nomen Jesu	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
O nomen Jesu Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 154 Genres: Motet Source Attribution: A. Ferrabosco Voice: [no designation] Languages: Latin Voice Text: O nomen Jesu
155	Ego dixi - 1a pars (of 2): Ego dixi Domine	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Ego dixi - 1a pars (of 2): Ego dixi Domine Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 155 Genres: Motet Source Attribution: A. Ferrabosco Voice: [no designation] Languages: Latin Voice Text: Ego dixi Domine, part 2: Convertere Domine
155	Ego dixi - 2a pars (of 2): Convertere Domine	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Ego dixi - 2a pars (of 2): Convertere Domine Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 155 Genres: Motet
156	Give ear, O Lord	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Give ear, O Lord Weelkes, Thomas (ca. 1576–1623) Appears on: 156 Genres: Anthem Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: Give ear, O Lord
157	Salva nos Domine	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Salva nos Domine Lupo, Thomas (ca. 1571–1627) Appears on: 157 Genres: Motet Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: Salva nos Domine
158–159	O clap your hands - 1a pars (of 2): O clap your hands	M. East	East, Michael
O clap your hands - 1a pars (of 2): O clap your hands East, Michael Appears on: 158–159 Genres: Anthem Source Attribution: M. East Voice: [no designation] Languages: English Voice Text: O clap your hands (II) (Pt II: God is gone up)
160–161	O clap your hands - 2a pars (of 2): God is gone up	M. East	East, Michael
O clap your hands - 2a pars (of 2): God is gone up East, Michael Appears on: 160–161 Genres: Anthem Source Attribution: M. East Voice: [no designation] Languages: English Voice Text: God is gone up (Pt II of O clap your hands)
162–163	I saw my lady - 1a pars (of 2): I saw my lady weeping	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
I saw my lady - 1a pars (of 2): I saw my lady weeping Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 162–163 Genres: Madrigal (English) Source Attribution: A. Ferrabosco
164–165	I saw my lady - 2a pars (of 2): Like as from heaven	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
I saw my lady - 2a pars (of 2): Like as from heaven Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 164–165 Genres: Madrigal (English) Source Attribution: A. Ferrabosco
166–167	When shall I cease lamenting (= Chi per voi non sospira)	N. Faignient	Faignient, Noë
When shall I cease lamenting (= Chi per voi non sospira) Faignient, Noë Appears on: 166–167 Genres: Contrafactum, Madrigal (English) Source Attribution: N. Faignient
168–169	O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	W. Byrd	Byrd, William (ca. 1540–1623)
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) Byrd, William (ca. 1540–1623) Appears on: 168–169 Genres: Anthem, Contrafactum Source Attribution: W. Byrd Voice: [no designation] Languages: Latin Voice Text: Ne irascaris Domine, Pt II: Civitas sancti tui
170–171	O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	W. Byrd	Byrd, William (ca. 1540–1623)
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) Byrd, William (ca. 1540–1623) Appears on: 170–171 Genres: Anthem, Contrafactum Source Attribution: W. Byrd
172	Prevent us, O Lord	W. Byrd	Byrd, William (ca. 1540–1623)
Prevent us, O Lord Byrd, William (ca. 1540–1623) Appears on: 172 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Prevent us O Lord
173	Heu mihi Domine	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Heu mihi Domine Lupo, Thomas (ca. 1571–1627) Appears on: 173 Genres: Motet Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: Heu mihi Domine
174–175	Have mercy upon me, O God	S Stubbs	Stubbs, Simon
Have mercy upon me, O God Stubbs, Simon Appears on: 174–175 Genres: Anthem Source Attribution: S Stubbs Voice: [no designation] Languages: English Voice Text: Have mercy upon me, O God
176–178	Sing joyfully unto God our strength	J. Mundy	Mundy, John (ca. 1555–1630)
Sing joyfully unto God our strength Mundy, John (ca. 1555–1630) Appears on: 176–178 Genres: Anthem Source Attribution: J. Mundy Voice: [no designation] Languages: English Voice Text: Sing joyfully unto God our strength
179	O my loving sweetheart (= Caro dolce ben mio)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
O my loving sweetheart (= Caro dolce ben mio) Marenzio, Luca (ca. 1553–1599) Appears on: 179 Genres: Madrigal (English) Source Attribution: L. Marenzio
180–181	Preserve me, O Lord	T. Wilkinson	Wilkinson, T(homas?) (?)
Preserve me, O Lord Wilkinson, T(homas?) (?) Appears on: 180–181 Genres: Anthem Source Attribution: T. Wilkinson Voice: [no designation] Languages: English Voice Text: Preserve me, O Lord
182–183	Put me not to rebuke	T. Wilkinson	Hunt 'of Wells', Thomas (?) Wilkinson, T(homas?) (?)
Put me not to rebuke Hunt 'of Wells', Thomas (?) Wilkinson, T(homas?) (?) Appears on: 182–183 Genres: Anthem Source Attribution: T. Wilkinson Voice: [no designation] Languages: English Voice Text: Put me not to rebuke
184	Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	W. Byrd	Byrd, William (ca. 1540–1623)
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby Byrd, William (ca. 1540–1623) Appears on: 184 Genres: Song Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Lullaby, my sweet little baby (Pt II: Be still, my blessed babe)
185	Lullaby - 2a pars (of 2): Be still, my blessed babe	W. Byrd	Byrd, William (ca. 1540–1623)
Lullaby - 2a pars (of 2): Be still, my blessed babe Byrd, William (ca. 1540–1623) Appears on: 185 Genres: Song Source Attribution: W. Byrd
186–187	Delight is dead	W. Byrd	Byrd, William (ca. 1540–1623)
Delight is dead Byrd, William (ca. 1540–1623) Appears on: 186–187 Genres: Consort song Source Attribution: W. Byrd
188–189	When David heard that Absalom	T. Tomkins	Tomkins, Thomas (1572–1656)
When David heard that Absalom Tomkins, Thomas (1572–1656) Appears on: 188–189 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: When David heard that Absalom
190–191	Now is my Cloris fresh	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Now is my Cloris fresh Weelkes, Thomas (ca. 1576–1623) Appears on: 190–191 Genres: Consort song Source Attribution: T. Weelkes
192–193	Unto our flocks	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Unto our flocks Weelkes, Thomas (ca. 1576–1623) Appears on: 192–193 Genres: Consort song Source Attribution: T. Weelkes
194–195	Father of love, pure fountain of rich grace	S Stubbs	Stubbs, Simon
Father of love, pure fountain of rich grace Stubbs, Simon Appears on: 194–195 Genres: Anthem Source Attribution: S Stubbs Voice: [no designation] Languages: English Voice Text: Father of love
196–197	Alleluia. I heard a voice	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Alleluia. I heard a voice Weelkes, Thomas (ca. 1576–1623) Appears on: 196–197 Genres: Alleluia, Motet Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: Alleluia, I heard a voice
198–199	The nightingale that sweetly	P. Philips	Philips, Peter (ca. 1560–1628)
The nightingale that sweetly Philips, Peter (ca. 1560–1628) Appears on: 198–199 Genres: Madrigal (English) Source Attribution: P. Philips
200–201	Hope of my heart	J. Ward	Ward, John (ca. 1589–ca. 1638)
Hope of my heart Ward, John (ca. 1589–ca. 1638) Appears on: 200–201 Genres: Madrigal (English) Source Attribution: J. Ward
202–203	Upon a bank with roses	J. Ward	Ward, John (ca. 1589–ca. 1638)
Upon a bank with roses Ward, John (ca. 1589–ca. 1638) Appears on: 202–203 Genres: Madrigal (English) Source Attribution: J. Ward
204–205	Behold, it is Christ	E. Hooper	Hooper, Edmund
Behold, it is Christ Hooper, Edmund Appears on: 204–205 Genres: Anthem Source Attribution: E. Hooper Voice: [no designation] Languages: English Voice Text: Behold it is Christ
206–207	With all our hearts and mouth (= Salvator mundi (I))	T. Tallis	Tallis, Thomas (ca. 1505–1585)
With all our hearts and mouth (= Salvator mundi (I)) Tallis, Thomas (ca. 1505–1585) Appears on: 206–207 Genres: Anthem, Contrafactum Source Attribution: T. Tallis Voice: [no designation] Languages: English Voice Text: With all our hearts (adaptation of motet Salvator mundi I)
208	Let God arise	J. Ward	Ward, John (ca. 1589–ca. 1638)
Let God arise Ward, John (ca. 1589–ca. 1638) Appears on: 208 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: Let God arise
214–215	De profundis clamavi	T. Morley	Morley, Thomas (ca. 1557–1602)
De profundis clamavi Morley, Thomas (ca. 1557–1602) Appears on: 214–215 Genres: Motet Source Attribution: T. Morley Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi
216–217	Cease now delight	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Cease now delight Weelkes, Thomas (ca. 1576–1623) Appears on: 216–217 Genres: Song Source Attribution: T. Weelkes
218	When David heard - 2a pars (of 2): O my son Absalom	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
When David heard - 2a pars (of 2): O my son Absalom Weelkes, Thomas (ca. 1576–1623) Appears on: 218 Genres: Anthem Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: O my son Absalom (I) (Pt II of When David heard)
219	O Jonathan, woe is me for thee	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
O Jonathan, woe is me for thee Weelkes, Thomas (ca. 1576–1623) Appears on: 219 Genres: Anthem Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: O Jonathan, woe is me
220	O wretched man	J. Wilbye	Wilbye, John (1574–1638)
O wretched man Wilbye, John (1574–1638) Appears on: 220 Genres: Madrigal (English) Source Attribution: J. Wilbye
221	Where most my thoughts	J. Wilbye	Wilbye, John (1574–1638)
Where most my thoughts Wilbye, John (1574–1638) Appears on: 221 Genres: Madrigal (English) Source Attribution: J. Wilbye
222–223	Draw on sweet night	J. Wilbye	Wilbye, John (1574–1638)
Draw on sweet night Wilbye, John (1574–1638) Appears on: 222–223 Genres: Madrigal (English) Source Attribution: J. Wilbye
224–225	Softly drop mine eyes	J. Wilbye	Wilbye, John (1574–1638)
Softly drop mine eyes Wilbye, John (1574–1638) Appears on: 224–225 Genres: Madrigal (English) Source Attribution: J. Wilbye
226–227	Long have I made	J. Wilbye	Wilbye, John (1574–1638)
Long have I made Wilbye, John (1574–1638) Appears on: 226–227 Genres: Madrigal (English) Source Attribution: J. Wilbye
228–229	O gracious and worthiest	G. Croce	Croce, Giovanni (ca. 1557–1609)
O gracious and worthiest Croce, Giovanni (ca. 1557–1609) Appears on: 228–229 Genres: Madrigal (English) Source Attribution: G. Croce
230	Shall I live so far (= Vivrò dunque lontano)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Shall I live so far (= Vivrò dunque lontano) Marenzio, Luca (ca. 1553–1599) Appears on: 230 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
231	Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti)	A. Bicci	Bicci, Antonio
Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti) Bicci, Antonio Appears on: 231 Genres: Contrafactum, Madrigal Source Attribution: A. Bicci
232–233	Hard by a crystal fountain (= Ove tra l'erbe e i fiori)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Hard by a crystal fountain (= Ove tra l'erbe e i fiori) Croce, Giovanni (ca. 1557–1609) Appears on: 232–233 Genres: Contrafactum, Madrigal (English) Source Attribution: G. Croce
234	Lord in thy wrath - 1a pars (of 2): Lord in thy wrath (= Signor nel tuo furor)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Lord in thy wrath - 1a pars (of 2): Lord in thy wrath (= Signor nel tuo furor) Croce, Giovanni (ca. 1557–1609) Appears on: 234 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Lord, in thy wrath reprove me not (Pt II: Long have I languished) Adaptation of the motet Signor ...
235	Lord, in thy wrath - 2a pars (of 2): Long have I languished (= Gia la virtu mi lascia)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Lord, in thy wrath - 2a pars (of 2): Long have I languished (= Gia la virtu mi lascia) Croce, Giovanni (ca. 1557–1609) Appears on: 235 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Long have I languished (Pt II of Lord, in thy wrath)
236	Show mercy, Lord - 1a pars (of 2): Show mercy, Lord (= Habbi di me)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Show mercy, Lord - 1a pars (of 2): Show mercy, Lord (= Habbi di me) Croce, Giovanni (ca. 1557–1609) Appears on: 236 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Show mercy, Lord (Pt II: Give me a clean heart) Adaptation of the motet Habbi di me
237	Show mercy, Lord - 2a pars (of 2): Give me a clean heart (= Dammi un cor mondo)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Show mercy, Lord - 2a pars (of 2): Give me a clean heart (= Dammi un cor mondo) Croce, Giovanni (ca. 1557–1609) Appears on: 237 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Give me a clean heart (Pt II of Show mercy, Lord)
238–239	Fair Hebe when Dame Flora	T. Bateson	Bateson, Thomas (ca. 1570–1630)
Fair Hebe when Dame Flora Bateson, Thomas (ca. 1570–1630) Appears on: 238–239 Genres: Madrigal (English) Source Attribution: T. Bateson
240–241	Thirsis on his fair Phyllis	T. Bateson	Bateson, Thomas (ca. 1570–1630)
Thirsis on his fair Phyllis Bateson, Thomas (ca. 1570–1630) Appears on: 240–241 Genres: Madrigal (English) Source Attribution: T. Bateson
242–243	Fair Orian in the morn	J. Milton	Milton, John
Fair Orian in the morn Milton, John Appears on: 242–243 Genres: Madrigal (English) Source Attribution: J. Milton
244	Precamur sancte Domine	J. Milton	Milton, John
Precamur sancte Domine Milton, John Appears on: 244 Genres: Motet Source Attribution: J. Milton Voice: [no designation] Languages: Latin Voice Text: Precamur sancte Domine
245	Those spots upon my lady's face	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Those spots upon my lady's face Weelkes, Thomas (ca. 1576–1623) Appears on: 245 Genres: Madrigal (English) Source Attribution: T. Weelkes
246	Retire my thoughts	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Retire my thoughts Weelkes, Thomas (ca. 1576–1623) Appears on: 246 Genres: Madrigal (English) Source Attribution: T. Weelkes
247–248	Christ rising again - 1a pars (of 2): Christ rising again	W. Byrd	Byrd, William (ca. 1540–1623)
Christ rising again - 1a pars (of 2): Christ rising again Byrd, William (ca. 1540–1623) Appears on: 247–248 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Christ rising again (Pt II: Christ is risen)
249	Christ rising again - 2a pars (of 2): Christ is risen again	W. Byrd	Byrd, William (ca. 1540–1623)
Christ rising again - 2a pars (of 2): Christ is risen again Byrd, William (ca. 1540–1623) Appears on: 249 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Christ is risen (Pt II of Christ rising again)
250–251	How doth the holy city - 1a pars (of 2): How doth the holy city	J. Milton	Milton, John
How doth the holy city - 1a pars (of 2): How doth the holy city Milton, John Appears on: 250–251 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: How doth the holy city (Pt II: She weepeth continually)
252–253	How doth the holy city - 2a pars (of 2): She weepeth continually	J. Milton	Milton, John
How doth the holy city - 2a pars (of 2): She weepeth continually Milton, John Appears on: 252–253 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: She weepeth continually (Pt II of How doth the holy city)
254–255	Almighty God, who by the leading of a star (Almighty God who didst manifest)	J. Bull	Bull, John (ca. 1562–1628)
Almighty God, who by the leading of a star (Almighty God who didst manifest) Bull, John (ca. 1562–1628) Appears on: 254–255 Genres: Anthem Source Attribution: J. Bull Voice: [no designation] Languages: English Voice Text: Almighty God who by the leading (Almighty God who didst manifest)
256–257	Lord, remember David	M. Jeffreys	Jeffries (Jeffreys), Matthew
Lord, remember David Jeffries (Jeffreys), Matthew Appears on: 256–257 Genres: Anthem Source Attribution: M. Jeffreys Voice: [no designation] Languages: English Voice Text: Lord, remember David
258	In thee, O Lord, do I trust	M. Jeffreys	Jeffries (Jeffreys), Matthew
In thee, O Lord, do I trust Jeffries (Jeffreys), Matthew Appears on: 258 Genres: Anthem Source Attribution: M. Jeffreys Voice: [no designation] Languages: English Voice Text: In thee, O Lord, do I trust
259	When David heard - 1a pars (of 2): When David heard that Absalom	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
When David heard - 1a pars (of 2): When David heard that Absalom Weelkes, Thomas (ca. 1576–1623) Appears on: 259 Genres: Anthem Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: When David heard that Absalom
260–261	If the Lord himself had not been on our side	M. Jeffreys	Smith, Edward (1587–1612) (?) Jeffries (Jeffreys), Matthew (?) Smith (I), William (1603–1645) (?)
If the Lord himself had not been on our side Smith, Edward (1587–1612) (?) Jeffries (Jeffreys), Matthew (?) Smith (I), William (1603–1645) (?) Appears on: 260–261 Genres: Anthem Source Attribution: M. Jeffreys Voice: [no designation] Languages: English Voice Text: If the Lord himself
262–263	Thou art my king, O God	T. Tomkins	Tomkins, Thomas (1572–1656)
Thou art my king, O God Tomkins, Thomas (1572–1656) Appears on: 262–263 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: Thou art my king
264–265	Stay, Coridon, thou swain	J. Wilbye	Wilbye, John (1574–1638)
Stay, Coridon, thou swain Wilbye, John (1574–1638) Appears on: 264–265 Genres: Madrigal (English) Source Attribution: J. Wilbye
266–267	Love quench this heat consuming (= Deh scema il foco Amore)	B. Palavicino	Pallavicino, Benedetto
Love quench this heat consuming (= Deh scema il foco Amore) Pallavicino, Benedetto Appears on: 266–267 Genres: Contrafactum, Madrigal (English) Source Attribution: B. Palavicino
268–269	Cruel, why doest thou fly me (= Crudel perché mi fuggi)	B. Palavicino	Pallavicino, Benedetto
Cruel, why doest thou fly me (= Crudel perché mi fuggi) Pallavicino, Benedetto Appears on: 268–269 Genres: Contrafactum, Madrigal Source Attribution: B. Palavicino
270	O that my ways - 1a pars (of 2): O that my ways	M. Peerson	Peerson, Martin
O that my ways - 1a pars (of 2): O that my ways Peerson, Martin Appears on: 270 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: O that my ways
271	O that my ways - 2a pars (of 2): I will thank thee	M. Peerson	Peerson, Martin
O that my ways - 2a pars (of 2): I will thank thee Peerson, Martin Appears on: 271 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: I will thank thee (Pt II of O that my ways)
272–273	So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 272–273 Genres: Contrafactum, Madrigal (English) Source Attribution: A. Ferrabosco
274–275	So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 274–275 Genres: Madrigal (English) Source Attribution: A. Ferrabosco
276	Now must I part (= Parto da voi)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Now must I part (= Parto da voi) Marenzio, Luca (ca. 1553–1599) Appears on: 276 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
277–278	I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) Marenzio, Luca (ca. 1553–1599) Appears on: 277–278 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
279	I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) Marenzio, Luca (ca. 1553–1599) Appears on: 279 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
280–281	Laboravi in gemitu meo	T. Morley	Morley, Thomas (ca. 1557–1602)
Laboravi in gemitu meo Morley, Thomas (ca. 1557–1602) Appears on: 280–281 Genres: Motet Source Attribution: T. Morley Voice: [no designation] Languages: Latin Voice Text: Laboravi in gemitu meo
282	O hear me, heavenly powers (= Tal che dovunque)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
O hear me, heavenly powers (= Tal che dovunque) Marenzio, Luca (ca. 1553–1599) Appears on: 282 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
283	In chains of hope (= Ne ferro sdegno)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
In chains of hope (= Ne ferro sdegno) Marenzio, Luca (ca. 1553–1599) Appears on: 283 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
284	Unkind, oh stay (= Crudel perche mi fuggi)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Unkind, oh stay (= Crudel perche mi fuggi) Marenzio, Luca (ca. 1553–1599) Appears on: 284 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
286	Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	W. Byrd	Byrd, William (ca. 1540–1623)
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength Byrd, William (ca. 1540–1623) Appears on: 286 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Sing joyfully unto God our strength (Pt II: Blow the trumpet)
287	Sing joyfully - 2a pars (of 2): Blow the trumpet	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 2a pars (of 2): Blow the trumpet Byrd, William (ca. 1540–1623) Appears on: 287 Genres: Anthem Voice: [no designation] Languages: English Voice Text: Blow the trumpet (Pt II of Sing joyfully)
288–289	Almighty Lord, whose love - 1a pars (of 2): Almighty Lord, whose love	W. White	White, William
Almighty Lord, whose love - 1a pars (of 2): Almighty Lord, whose love White, William Appears on: 288–289 Genres: Anthem Source Attribution: W. White Voice: [no designation] Languages: English Voice Text: Almighty Lord, whose love
290–291	Almighty Lord, whose love - 2a pars (of 2): Bend down	W. White	White, William
Almighty Lord, whose love - 2a pars (of 2): Bend down White, William Appears on: 290–291 Genres: Anthem Source Attribution: W. White Voice: [no designation] Languages: English Voice Text: Bend down (Pt II of Almighty Lord, whose love)
292–293	It is my well beloved's voice	T. Tomkins	Tomkins, Thomas (1572–1656)
It is my well beloved's voice Tomkins, Thomas (1572–1656) Appears on: 292–293 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: It is my well beloved's voice
294–297	Sing unto God	T. Tomkins	Tomkins, Thomas (1572–1656)
Sing unto God Tomkins, Thomas (1572–1656) Appears on: 294–297 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: Sing unto God
298	Retire my troubled soul	J. Ward	Ward, John (ca. 1589–ca. 1638)
Retire my troubled soul Ward, John (ca. 1589–ca. 1638) Appears on: 298 Genres: Consort song Source Attribution: J. Ward
299	Out from the vale	J. Ward	Ward, John (ca. 1589–ca. 1638)
Out from the vale Ward, John (ca. 1589–ca. 1638) Appears on: 299 Genres: Consort song Source Attribution: J. Ward
300–301	Oft have I tendered	J. Ward	Ward, John (ca. 1589–ca. 1638)
Oft have I tendered Ward, John (ca. 1589–ca. 1638) Appears on: 300–301 Genres: Consort song Source Attribution: J. Ward
302–303	O divine love	J. Ward	Ward, John (ca. 1589–ca. 1638)
O divine love Ward, John (ca. 1589–ca. 1638) Appears on: 302–303 Genres: Consort song Source Attribution: J. Ward
304–305	If the deep sighs - 1a pars (of 2): If the deep sighs	J. Ward	Ward, John (ca. 1589–ca. 1638)
If the deep sighs - 1a pars (of 2): If the deep sighs Ward, John (ca. 1589–ca. 1638) Appears on: 304–305 Genres: Consort song Source Attribution: J. Ward
306–307	If the deep sighs - 2a pars (of 2): There's not a grove	J. Ward	Ward, John (ca. 1589–ca. 1638)
If the deep sighs - 2a pars (of 2): There's not a grove Ward, John (ca. 1589–ca. 1638) Appears on: 306–307 Genres: Consort song Source Attribution: J. Ward
308–309	Weep forth your tears	J. Ward	Ward, John (ca. 1589–ca. 1638)
Weep forth your tears Ward, John (ca. 1589–ca. 1638) Appears on: 308–309 Genres: Consort song Source Attribution: J. Ward
310–311	Die not, fond man	J. Ward	Ward, John (ca. 1589–ca. 1638)
Die not, fond man Ward, John (ca. 1589–ca. 1638) Appears on: 310–311 Genres: Consort song Source Attribution: J. Ward
312–313	Come sable night	J. Ward	Ward, John (ca. 1589–ca. 1638)
Come sable night Ward, John (ca. 1589–ca. 1638) Appears on: 312–313 Genres: Consort song Source Attribution: J. Ward
314–315	I have entreated	J. Ward	Ward, John (ca. 1589–ca. 1638)
I have entreated Ward, John (ca. 1589–ca. 1638) Appears on: 314–315 Genres: Consort song Source Attribution: J. Ward
316–317	Lord in thine anger - 1a pars (of 2): Lord in thine anger (= Signor nel tuo furor)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Lord in thine anger - 1a pars (of 2): Lord in thine anger (= Signor nel tuo furor) Croce, Giovanni (ca. 1557–1609) Appears on: 316–317 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Lord in thine anger (Pt II: My strength even fails) Adaptation of the motet Signor nel tuo furor
318	Lord in thine anger - 2a pars (of 2): My strength even fails (= Gia la virtu mi lascia)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Lord in thine anger - 2a pars (of 2): My strength even fails (= Gia la virtu mi lascia) Croce, Giovanni (ca. 1557–1609) Appears on: 318 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: My strength even fails (Pt II of Lord, in thine anger)
319	Lord, bend thy righteous ears	-	Anonymous
Lord, bend thy righteous ears Anonymous Appears on: 319 Genres: Anthem Voice: [no designation] Languages: English Voice Text: Lord, bend thy righteous ears
320–321	No object dearer	J. Ward	Ward, John (ca. 1589–ca. 1638)
No object dearer Ward, John (ca. 1589–ca. 1638) Appears on: 320–321 Genres: Song Source Attribution: J. Ward
322–323	From deepest horror of sad penitence	T. Tomkins	Tomkins, Thomas (1572–1656)
From deepest horror of sad penitence Tomkins, Thomas (1572–1656) Appears on: 322–323 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: From deepest horror of sad penitence
324–325	Oft did I mar'l [marvel]	T. Tomkins	Tomkins, Thomas (1572–1656)
Oft did I mar'l [marvel] Tomkins, Thomas (1572–1656) Appears on: 324–325 Genres: Madrigal (English) Source Attribution: T. Tomkins

Composer	Compositions
Anonymous	Lord, bend thy righteous ears – 319
Bateson, Thomas (ca. 1570–1630)	Alas where is my love – 98–99 Fair Hebe when Dame Flora – 238–239 Hark, hear ye not – 100–101 Thirsis on his fair Phyllis – 240–241
Bennett, John (fl. 1599-1614)	O God of gods - 1a pars (of 2): O God of gods, O King of kings – 148–149 O God of gods - 2a pars (of 2): To the almighty Trinity – 150
Bicci, Antonio	Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti) – 231
Bull, John (ca. 1562–1628)	Almighty God, who by the leading of a star (Almighty God who didst manifest) – 254–255 Almighty God, who by the leading of a star (Almighty God who didst manifest) – 112–113
Byrd, William (ca. 1540–1623)	Christ rising again - 1a pars (of 2): Christ rising again – 247–248 Christ rising again - 2a pars (of 2): Christ is risen again – 249 Come, help, O God – 30 Delight is dead – 186–187 (?) Deliver me from mine enemies – 134 I laid me down – 36 In resurrectione tua – 72 Lullaby - 1a pars (of 2): Lullaby, my sweet little baby – 184 Lullaby - 2a pars (of 2): Be still, my blessed babe – 185 Mine eyes with fervency – 46 My soul oppressed – 47 Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 122 Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 123 O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) – 168–169 O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) – 170–171 Prevent us, O Lord – 172 (?) Save me, O God, for thy name's sake – 130–131 Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength – 286 Sing joyfully - 2a pars (of 2): Blow the trumpet – 287
Coperario, John	O Lord, how do my woes increase – 37
Coste, Richard	Save me, O God, for thy name's sake – 130–131
Croce, Giovanni (ca. 1557–1609)	Hard by a crystal fountain (= Ove tra l'erbe e i fiori) – 232–233 Lord in thine anger - 1a pars (of 2): Lord in thine anger (= Signor nel tuo furor) – 316–317 Lord in thine anger - 2a pars (of 2): My strength even fails (= Gia la virtu mi lascia) – 318 Lord in thy wrath - 1a pars (of 2): Lord in thy wrath (= Signor nel tuo furor) – 234 Lord, in thy wrath - 2a pars (of 2): Long have I languished (= Gia la virtu mi lascia) – 235 O gracious and worthiest – 228–229 Show mercy, Lord - 1a pars (of 2): Show mercy, Lord (= Habbi di me) – 236 Show mercy, Lord - 2a pars (of 2): Give me a clean heart (= Dammi un cor mondo) – 237
Daman, William	Miserere nostri Domine – 38 O heavenly God, O Father dear – 21
Dering, Richard	And the king was moved – 3 The city cries 'What do you lack' – 142–146 The country cries – 74–77
East, Michael	O clap your hands - 1a pars (of 2): O clap your hands – 158–159 O clap your hands - 2a pars (of 2): God is gone up – 160–161 (?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 18 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 19 (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 20 Sweet Muses - 1a pars (of 3): Sweet Muses – 22 Sweet Muses - 2a pars (of 3): Aye me, wherefore sighs – 23 Sweet Muses - 3a pars (of 3): My peace and my pleasure – 24 When Israel came out - 1a pars (of 2): When Israel came out of Egypt – 16 When Israel came out - 2a pars (of 2): What aileth thee – 17
Eremita, Giulio	So far, dear life (= Lungi ben mio da vostri vaghi rai) – 119
Faignient, Noë	When shall I cease lamenting (= Chi per voi non sospira) – 166–167
Ferrabosco, Alfonso (the elder) (1543–1588)	I saw my lady - 1a pars (of 2): I saw my lady weeping – 162–163 I saw my lady - 2a pars (of 2): Like as from heaven – 164–165 Peccantem me quotidie (C52) – 137 So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) – 272–273 So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) – 274–275 Zephyrus brings the time (= Zefiro torna) – 152–153
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	Ego dixi - 1a pars (of 2): Ego dixi Domine – 155 Ego dixi - 2a pars (of 2): Convertere Domine – 155 Hear me, O God (Adaptation of Four-note Pavane) – 118 I languish to complain me – 121 If silent then grief – 120 O nomen Jesu – 154
Ford, Thomas	Not unto us, but to thy name – 31
Gibbons, Orlando (ca. 1583–1625)	See, see, the Word is incarnate – 103–105 The cries of London - 1a pars (of 2): God give you good morrow, my masters – 39–40 The cries of London - 2a pars (of 2): Will you go with me - A good sausage – 41
Giles, Nathaniel (ca. 1558–1634)	Cease now vain thoughts – 73
Hanford, George	Long have I lifted up my voice – 147
Hooper, Edmund	Behold, it is Christ – 204–205
Hunt 'of Wells', Thomas	(?) Put me not to rebuke – 182–183
Jeffries (Jeffreys), Matthew	(?) If the Lord himself had not been on our side – 260–261 In thee, O Lord, do I trust – 258 Lord, remember David – 256–257
Kindersley, Robert	Judge them, O Lord, which me pursue – 34
Kirbye, George	O Jesu, look – 136
Lugge, John (ca. 1587–ca. 1647)	It is a good thing to give thanks – 140–141
Lupo, Thomas (ca. 1571–1627)	Heu mihi Domine – 173 Miserere mei Domine (I) – 129 Miserere mei Domine (I) – 71 O vos omnes – 28 O vos omnes – 128 Out of the deep – 42–43 Salva nos Domine – 157
Marenzio, Luca (ca. 1553–1599)	Dolorous mournful cares (= Dolorosi martir) – 102 I must depart (= Io partiro) – 87 I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) – 277–278 I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) – 279 In chains of hope (= Ne ferro sdegno) – 283 Now must I part (= Parto da voi) – 276 O hear me, heavenly powers (= Tal che dovunque) – 282 O my loving sweetheart (= Caro dolce ben mio) – 179 Shall I live so far (= Vivrò dunque lontano) – 230 Unkind, oh stay (= Crudel perche mi fuggi) – 284
Milton, John	Fair Orian in the morn – 242–243 How doth the holy city - 1a pars (of 2): How doth the holy city – 250–251 How doth the holy city - 2a pars (of 2): She weepeth continually – 252–253 I am the resurrection – 15 If that a sinner's sighs – 12 O Lord, behold my miseries – 11 O woe is me for thee – 14 Precamur sancte Domine – 244 When David heard that Absalom – 13
Morley, Thomas (ca. 1557–1602)	De profundis clamavi – 214–215 Laboravi in gemitu meo – 280–281 Leave, alas, this tormenting – 80 My lovely wanton jewel – 78–79 O amica mea - 1a pars (of 2): O amica mea – 44 O amica mea - 2a pars (of 2): Dentes tui sicut greges – 45 Why weeps alas – 81
Mundy, John (ca. 1555–1630)	O give thanks unto the Lord – 132–133 Sing joyfully unto God our strength – 176–178
Palestrina, Giovanni Pierluigi da (1525–1594)	Sound out my voice (= Vestiva i colli) – 86
Pallavicino, Benedetto	Cruel, why doest thou fly me (= Crudel perché mi fuggi) – 268–269 Love quench this heat consuming (= Deh scema il foco Amore) – 266–267
Palmer, Henry (ca. 1590–1640)	(?) O go not from me – 48–49
Parsons (I), Robert (ca. 1535–ca. 1572)	(?) Deliver me from mine enemies – 134
Peerson, Martin	Blow up the trumpet – 50–51 Fly, ravished soul - 1a pars (of 4): Fly, ravished soul – 56 Fly, ravished soul - 2a pars (of 4): Rest thee awhile – 57 Fly, ravished soul - 3a pars (of 4): Muse still thereon – 58–59 Fly, ravished soul - 4a pars (of 4): Rain eyes – 54–55 I am brought - 1a pars (of 2): I am brought into so great trouble – 60–61 I am brought - 2a pars (of 2): My heart panteth – 62–63 O Lord, thou hast searched me out - 1a pars (of 4): O Lord, thou hast searched me out – 67 O Lord, thou hast searched me out - 2a pars (of 4): Thou art about – 68 O Lord, thou hast searched me out - 3a pars (of 4): Thou hast fashioned me – 69 O Lord, thou hast searched me out - 4a pars (of 4): Whither shall I go – 70 O go not from me – 48–49 O let me at thy footstool fall – 33 O that my ways - 1a pars (of 2): O that my ways – 270 O that my ways - 1a pars (of 2): O that my ways – 8 O that my ways - 2a pars (of 2): I will thank thee – 9 O that my ways - 2a pars (of 2): I will thank thee – 271 Plead thou my cause – 6 Wake sorrow - 1a pars (of 2): Wake sorrow – 64–65 Wake sorrow - 2a pars (of 2): Arbella sole paragon – 66 Who will rise up - 1a pars (of 2): Who will rise up with me – 52 Who will rise up - 2a pars (of 2): But when I said – 53
Philips, Peter (ca. 1560–1628)	The nightingale that sweetly – 198–199
Ravenscroft, Thomas	Ah, helpless wretch – 7 All laud and praise – 10 Ne laeteris inimica mea – 25 O Jesu meek – 5
Simmes, William	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 18 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 19 (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 20
Smith (I), William (1603–1645)	(?) If the Lord himself had not been on our side – 260–261
Smith, Edward (1587–1612)	(?) If the Lord himself had not been on our side – 260–261
Stubbs, Simon	Father of love, pure fountain of rich grace – 194–195 Have mercy upon me, O God – 174–175
Tallis, Thomas (ca. 1505–1585)	I call and cry to Thee (= O sacrum convivium) – 126–127 O sacred and holy banquet (= O sacrum convivium – 26–27 With all our hearts and mouth (= Salvator mundi (I)) – 206–207
Tomkins, John (1586–1638)	O thrice-blessed earthbed – 29
Tomkins, Thomas (1572–1656)	From deepest horror of sad penitence – 322–323 It is my well beloved's voice – 292–293 Oft did I mar'l [marvel] – 324–325 Sing unto God – 294–297 Thou art my king, O God – 262–263 When David heard that Absalom – 188–189
Tye, Christopher (ca. 1505–ca. 1573)	I lift my heart to thee (= Amavit eum Dominus) – 124–125
Van Wilder, Phillip	Blessed art thou that fearest God and walkest in his ways – 135
Vecchi, Orazio (1550–1605)	Life tell me (= Deh, dimmi) – 88 The white delightful swan (= Il bianco e dolce cigno) – 151
Ward, John (ca. 1589–ca. 1638)	Come sable night – 312–313 Die not, fond man – 310–311 Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch – 106–107 Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain – 108–109 Flora, fair nymph, whilst silly lambs are feeding – 89 Hope of my heart – 200–201 How long wilt Thou forget me, O Lord – 110–111 I have entreated – 314–315 If the deep sighs - 1a pars (of 2): If the deep sighs – 304–305 If the deep sighs - 2a pars (of 2): There's not a grove – 306–307 Let God arise – 208 No object dearer – 320–321 O Lord, consider my great moans – 35 O divine love – 302–303 Oft have I tendered – 300–301 Out from the vale – 299 Retire my troubled soul – 298 Upon a bank with roses – 202–203 Weep forth your tears – 308–309
Weelkes, Thomas (ca. 1576–1623)	Alleluia. I heard a voice – 196–197 Cease now delight – 216–217 Come clap - 1a pars (of 2): Come clap thy hands – 84 Come clap - 2a pars (of 2): Phillis hath sworn – 85 Give ear, O Lord – 156 Give me my heart – 82–83 Now is my Cloris fresh – 190–191 O Jonathan, woe is me for thee – 219 O happy he whom thou protect'st – 32 Retire my thoughts – 246 Those spots upon my lady's face – 245 Unto our flocks – 192–193 When David heard - 1a pars (of 2): When David heard that Absalom – 259 When David heard - 2a pars (of 2): O my son Absalom – 218
White, William	Almighty Lord, whose love - 1a pars (of 2): Almighty Lord, whose love – 288–289 Almighty Lord, whose love - 2a pars (of 2): Bend down – 290–291
Wilbye, John (1574–1638)	All pleasure is of this – 116–117 Down in a valley - 1a pars (of 2): Down in a valley – 94–95 Down in a valley - 2a pars (of 2): Hard destinies – 96–97 Draw on sweet night – 222–223 Long have I made – 226–227 Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine – 4 Ne reminiscaris - 2a pars (of 2): Parce Domine – 4 O wretched man – 220 Softly drop mine eyes – 224–225 Stay, Coridon, thou swain – 264–265 Sweet honey-sucking bees - 1a pars (of 2): Sweet honey-sucking bees – 90–91 Sweet honey-sucking bees - 2a pars (of 2): Yet sweet, take heed – 82 There where I saw – 114–115 Weep, o mine eyes – 93 Where most my thoughts – 221
Wilkinson, T(homas?)	(?) Hear my prayer, O Lord – 138–139 (?) Preserve me, O Lord – 180–181 (?) Put me not to rebuke – 182–183
Wilkinson, William	(?) Hear my prayer, O Lord – 138–139

Composition	Composers (? Uncertain)	Folios / Pages
Ah, helpless wretch	Ravenscroft, Thomas	7
Alas where is my love	Bateson, Thomas (ca. 1570–1630)	98–99
All laud and praise	Ravenscroft, Thomas	10
All pleasure is of this	Wilbye, John (1574–1638)	116–117
Alleluia. I heard a voice	Weelkes, Thomas (ca. 1576–1623)	196–197
Almighty God, who by the leading of a star (Almighty God who didst manifest)	Bull, John (ca. 1562–1628)	112–113
Almighty God, who by the leading of a star (Almighty God who didst manifest)	Bull, John (ca. 1562–1628)	254–255
Almighty Lord, whose love - 1a pars (of 2): Almighty Lord, whose love	White, William	288–289
Almighty Lord, whose love - 2a pars (of 2): Bend down	White, William	290–291
And the king was moved	Dering, Richard	3
Behold, it is Christ	Hooper, Edmund	204–205
Blessed art thou that fearest God and walkest in his ways	Van Wilder, Phillip	135
Blow up the trumpet	Peerson, Martin	50–51
Cease now delight	Weelkes, Thomas (ca. 1576–1623)	216–217
Cease now vain thoughts	Giles, Nathaniel (ca. 1558–1634)	73
Christ rising again - 1a pars (of 2): Christ rising again	Byrd, William (ca. 1540–1623)	247–248
Christ rising again - 2a pars (of 2): Christ is risen again	Byrd, William (ca. 1540–1623)	249
Come clap - 1a pars (of 2): Come clap thy hands	Weelkes, Thomas (ca. 1576–1623)	84
Come clap - 2a pars (of 2): Phillis hath sworn	Weelkes, Thomas (ca. 1576–1623)	85
Come sable night	Ward, John (ca. 1589–ca. 1638)	312–313
Come, help, O God	Byrd, William (ca. 1540–1623)	30
Cruel, why doest thou fly me (= Crudel perché mi fuggi)	Pallavicino, Benedetto	268–269
Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti)	Bicci, Antonio	231
De profundis clamavi	Morley, Thomas (ca. 1557–1602)	214–215
Delight is dead	Byrd, William (ca. 1540–1623)	186–187
Deliver me from mine enemies	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)	134
Die not, fond man	Ward, John (ca. 1589–ca. 1638)	310–311
Dolorous mournful cares (= Dolorosi martir)	Marenzio, Luca (ca. 1553–1599)	102
Down in a valley - 1a pars (of 2): Down in a valley	Wilbye, John (1574–1638)	94–95
Down in a valley - 2a pars (of 2): Hard destinies	Wilbye, John (1574–1638)	96–97
Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch	Ward, John (ca. 1589–ca. 1638)	106–107
Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain	Ward, John (ca. 1589–ca. 1638)	108–109
Draw on sweet night	Wilbye, John (1574–1638)	222–223
Ego dixi - 1a pars (of 2): Ego dixi Domine	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	155
Ego dixi - 2a pars (of 2): Convertere Domine	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	155
Fair Hebe when Dame Flora	Bateson, Thomas (ca. 1570–1630)	238–239
Fair Orian in the morn	Milton, John	242–243
Father of love, pure fountain of rich grace	Stubbs, Simon	194–195
Flora, fair nymph, whilst silly lambs are feeding	Ward, John (ca. 1589–ca. 1638)	89
Fly, ravished soul - 1a pars (of 4): Fly, ravished soul	Peerson, Martin	56
Fly, ravished soul - 2a pars (of 4): Rest thee awhile	Peerson, Martin	57
Fly, ravished soul - 3a pars (of 4): Muse still thereon	Peerson, Martin	58–59
Fly, ravished soul - 4a pars (of 4): Rain eyes	Peerson, Martin	54–55
From deepest horror of sad penitence	Tomkins, Thomas (1572–1656)	322–323
Give ear, O Lord	Weelkes, Thomas (ca. 1576–1623)	156
Give me my heart	Weelkes, Thomas (ca. 1576–1623)	82–83
Hard by a crystal fountain (= Ove tra l'erbe e i fiori)	Croce, Giovanni (ca. 1557–1609)	232–233
Hark, hear ye not	Bateson, Thomas (ca. 1570–1630)	100–101
Have mercy upon me, O God	Stubbs, Simon	174–175
Hear me, O God (Adaptation of Four-note Pavane)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	118
Hear my prayer, O Lord	Wilkinson, William (?) Wilkinson, T(homas?) (?)	138–139
Heu mihi Domine	Lupo, Thomas (ca. 1571–1627)	173
Hope of my heart	Ward, John (ca. 1589–ca. 1638)	200–201
How doth the holy city - 1a pars (of 2): How doth the holy city	Milton, John	250–251
How doth the holy city - 2a pars (of 2): She weepeth continually	Milton, John	252–253
How long wilt Thou forget me, O Lord	Ward, John (ca. 1589–ca. 1638)	110–111
I am brought - 1a pars (of 2): I am brought into so great trouble	Peerson, Martin	60–61
I am brought - 2a pars (of 2): My heart panteth	Peerson, Martin	62–63
I am the resurrection	Milton, John	15
I call and cry to Thee (= O sacrum convivium)	Tallis, Thomas (ca. 1505–1585)	126–127
I have entreated	Ward, John (ca. 1589–ca. 1638)	314–315
I laid me down	Byrd, William (ca. 1540–1623)	36
I languish to complain me	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	121
I lift my heart to thee (= Amavit eum Dominus)	Tye, Christopher (ca. 1505–ca. 1573)	124–125
I must depart (= Io partiro)	Marenzio, Luca (ca. 1553–1599)	87
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	Marenzio, Luca (ca. 1553–1599)	277–278
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	Marenzio, Luca (ca. 1553–1599)	279
I saw my lady - 1a pars (of 2): I saw my lady weeping	Ferrabosco, Alfonso (the elder) (1543–1588)	162–163
I saw my lady - 2a pars (of 2): Like as from heaven	Ferrabosco, Alfonso (the elder) (1543–1588)	164–165
If silent then grief	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	120
If that a sinner's sighs	Milton, John	12
If the deep sighs - 1a pars (of 2): If the deep sighs	Ward, John (ca. 1589–ca. 1638)	304–305
If the deep sighs - 2a pars (of 2): There's not a grove	Ward, John (ca. 1589–ca. 1638)	306–307
If the Lord himself had not been on our side	Smith, Edward (1587–1612) (?) Jeffries (Jeffreys), Matthew (?) Smith (I), William (1603–1645) (?)	260–261
In chains of hope (= Ne ferro sdegno)	Marenzio, Luca (ca. 1553–1599)	283
In resurrectione tua	Byrd, William (ca. 1540–1623)	72
In thee, O Lord, do I trust	Jeffries (Jeffreys), Matthew	258
It is a good thing to give thanks	Lugge, John (ca. 1587–ca. 1647)	140–141
It is my well beloved's voice	Tomkins, Thomas (1572–1656)	292–293
Judge them, O Lord, which me pursue	Kindersley, Robert	34
Laboravi in gemitu meo	Morley, Thomas (ca. 1557–1602)	280–281
Leave, alas, this tormenting	Morley, Thomas (ca. 1557–1602)	80
Let God arise	Ward, John (ca. 1589–ca. 1638)	208
Life tell me (= Deh, dimmi)	Vecchi, Orazio (1550–1605)	88
Long have I lifted up my voice	Hanford, George	147
Long have I made	Wilbye, John (1574–1638)	226–227
Lord in thine anger - 1a pars (of 2): Lord in thine anger (= Signor nel tuo furor)	Croce, Giovanni (ca. 1557–1609)	316–317
Lord in thine anger - 2a pars (of 2): My strength even fails (= Gia la virtu mi lascia)	Croce, Giovanni (ca. 1557–1609)	318
Lord in thy wrath - 1a pars (of 2): Lord in thy wrath (= Signor nel tuo furor)	Croce, Giovanni (ca. 1557–1609)	234
Lord, bend thy righteous ears	Anonymous	319
Lord, in thy wrath - 2a pars (of 2): Long have I languished (= Gia la virtu mi lascia)	Croce, Giovanni (ca. 1557–1609)	235
Lord, remember David	Jeffries (Jeffreys), Matthew	256–257
Love quench this heat consuming (= Deh scema il foco Amore)	Pallavicino, Benedetto	266–267
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	Byrd, William (ca. 1540–1623)	184
Lullaby - 2a pars (of 2): Be still, my blessed babe	Byrd, William (ca. 1540–1623)	185
Mine eyes with fervency	Byrd, William (ca. 1540–1623)	46
Miserere mei Domine (I)	Lupo, Thomas (ca. 1571–1627)	71
Miserere mei Domine (I)	Lupo, Thomas (ca. 1571–1627)	129
Miserere nostri Domine	Daman, William	38
My lovely wanton jewel	Morley, Thomas (ca. 1557–1602)	78–79
My soul oppressed	Byrd, William (ca. 1540–1623)	47
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	122
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	123
Ne laeteris inimica mea	Ravenscroft, Thomas	25
Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine	Wilbye, John (1574–1638)	4
Ne reminiscaris - 2a pars (of 2): Parce Domine	Wilbye, John (1574–1638)	4
No object dearer	Ward, John (ca. 1589–ca. 1638)	320–321
Not unto us, but to thy name	Ford, Thomas	31
Now is my Cloris fresh	Weelkes, Thomas (ca. 1576–1623)	190–191
Now must I part (= Parto da voi)	Marenzio, Luca (ca. 1553–1599)	276
O amica mea - 1a pars (of 2): O amica mea	Morley, Thomas (ca. 1557–1602)	44
O amica mea - 2a pars (of 2): Dentes tui sicut greges	Morley, Thomas (ca. 1557–1602)	45
O clap your hands - 1a pars (of 2): O clap your hands	East, Michael	158–159
O clap your hands - 2a pars (of 2): God is gone up	East, Michael	160–161
O divine love	Ward, John (ca. 1589–ca. 1638)	302–303
O give thanks unto the Lord	Mundy, John (ca. 1555–1630)	132–133
O go not from me	Peerson, Martin Palmer, Henry (ca. 1590–1640) (?)	48–49
O God of gods - 1a pars (of 2): O God of gods, O King of kings	Bennett, John (fl. 1599-1614)	148–149
O God of gods - 2a pars (of 2): To the almighty Trinity	Bennett, John (fl. 1599-1614)	150
O gracious and worthiest	Croce, Giovanni (ca. 1557–1609)	228–229
O happy he whom thou protect'st	Weelkes, Thomas (ca. 1576–1623)	32
O hear me, heavenly powers (= Tal che dovunque)	Marenzio, Luca (ca. 1553–1599)	282
O heavenly God, O Father dear	Daman, William	21
O Jesu meek	Ravenscroft, Thomas	5
O Jesu, look	Kirbye, George	136
O Jonathan, woe is me for thee	Weelkes, Thomas (ca. 1576–1623)	219
O let me at thy footstool fall	Peerson, Martin	33
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	Byrd, William (ca. 1540–1623)	168–169
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	Byrd, William (ca. 1540–1623)	170–171
O Lord, behold my miseries	Milton, John	11
O Lord, consider my great moans	Ward, John (ca. 1589–ca. 1638)	35
O Lord, how do my woes increase	Coperario, John	37
O Lord, thou hast searched me out - 1a pars (of 4): O Lord, thou hast searched me out	Peerson, Martin	67
O Lord, thou hast searched me out - 2a pars (of 4): Thou art about	Peerson, Martin	68
O Lord, thou hast searched me out - 3a pars (of 4): Thou hast fashioned me	Peerson, Martin	69
O Lord, thou hast searched me out - 4a pars (of 4): Whither shall I go	Peerson, Martin	70
O my loving sweetheart (= Caro dolce ben mio)	Marenzio, Luca (ca. 1553–1599)	179
O nomen Jesu	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	154
O sacred and holy banquet (= O sacrum convivium	Tallis, Thomas (ca. 1505–1585)	26–27
O that my ways - 1a pars (of 2): O that my ways	Peerson, Martin	8
O that my ways - 1a pars (of 2): O that my ways	Peerson, Martin	270
O that my ways - 2a pars (of 2): I will thank thee	Peerson, Martin	9
O that my ways - 2a pars (of 2): I will thank thee	Peerson, Martin	271
O thrice-blessed earthbed	Tomkins, John (1586–1638)	29
O vos omnes	Lupo, Thomas (ca. 1571–1627)	28
O vos omnes	Lupo, Thomas (ca. 1571–1627)	128
O woe is me for thee	Milton, John	14
O wretched man	Wilbye, John (1574–1638)	220
Oft did I mar'l [marvel]	Tomkins, Thomas (1572–1656)	324–325
Oft have I tendered	Ward, John (ca. 1589–ca. 1638)	300–301
Out from the vale	Ward, John (ca. 1589–ca. 1638)	299
Out of the deep	Lupo, Thomas (ca. 1571–1627)	42–43
Peccantem me quotidie (C52)	Ferrabosco, Alfonso (the elder) (1543–1588)	137
Plead thou my cause	Peerson, Martin	6
Precamur sancte Domine	Milton, John	244
Preserve me, O Lord	Wilkinson, T(homas?) (?)	180–181
Prevent us, O Lord	Byrd, William (ca. 1540–1623)	172
Put me not to rebuke	Hunt 'of Wells', Thomas (?) Wilkinson, T(homas?) (?)	182–183
Retire my thoughts	Weelkes, Thomas (ca. 1576–1623)	246
Retire my troubled soul	Ward, John (ca. 1589–ca. 1638)	298
Rise, O my soul - 1a pars (of 3): Rise, O my soul	Simmes, William (?) East, Michael (?)	18
Rise, O my soul - 2a pars (of 3): And thou, my soul	East, Michael (?) Simmes, William (?)	19
Rise, O my soul - 3a pars (of 3): To thee, O Jesus	Simmes, William (?) East, Michael (?)	20
Salva nos Domine	Lupo, Thomas (ca. 1571–1627)	157
Save me, O God, for thy name's sake	Coste, Richard Byrd, William (ca. 1540–1623) (?)	130–131
See, see, the Word is incarnate	Gibbons, Orlando (ca. 1583–1625)	103–105
Shall I live so far (= Vivrò dunque lontano)	Marenzio, Luca (ca. 1553–1599)	230
Show mercy, Lord - 1a pars (of 2): Show mercy, Lord (= Habbi di me)	Croce, Giovanni (ca. 1557–1609)	236
Show mercy, Lord - 2a pars (of 2): Give me a clean heart (= Dammi un cor mondo)	Croce, Giovanni (ca. 1557–1609)	237
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	Byrd, William (ca. 1540–1623)	286
Sing joyfully - 2a pars (of 2): Blow the trumpet	Byrd, William (ca. 1540–1623)	287
Sing joyfully unto God our strength	Mundy, John (ca. 1555–1630)	176–178
Sing unto God	Tomkins, Thomas (1572–1656)	294–297
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	Ferrabosco, Alfonso (the elder) (1543–1588)	272–273
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	Ferrabosco, Alfonso (the elder) (1543–1588)	274–275
So far, dear life (= Lungi ben mio da vostri vaghi rai)	Eremita, Giulio	119
Softly drop mine eyes	Wilbye, John (1574–1638)	224–225
Sound out my voice (= Vestiva i colli)	Palestrina, Giovanni Pierluigi da (1525–1594)	86
Stay, Coridon, thou swain	Wilbye, John (1574–1638)	264–265
Sweet honey-sucking bees - 1a pars (of 2): Sweet honey-sucking bees	Wilbye, John (1574–1638)	90–91
Sweet honey-sucking bees - 2a pars (of 2): Yet sweet, take heed	Wilbye, John (1574–1638)	82
Sweet Muses - 1a pars (of 3): Sweet Muses	East, Michael	22
Sweet Muses - 2a pars (of 3): Aye me, wherefore sighs	East, Michael	23
Sweet Muses - 3a pars (of 3): My peace and my pleasure	East, Michael	24
The city cries 'What do you lack'	Dering, Richard	142–146
The country cries	Dering, Richard	74–77
The cries of London - 1a pars (of 2): God give you good morrow, my masters	Gibbons, Orlando (ca. 1583–1625)	39–40
The cries of London - 2a pars (of 2): Will you go with me - A good sausage	Gibbons, Orlando (ca. 1583–1625)	41
The nightingale that sweetly	Philips, Peter (ca. 1560–1628)	198–199
The white delightful swan (= Il bianco e dolce cigno)	Vecchi, Orazio (1550–1605)	151
There where I saw	Wilbye, John (1574–1638)	114–115
Thirsis on his fair Phyllis	Bateson, Thomas (ca. 1570–1630)	240–241
Those spots upon my lady's face	Weelkes, Thomas (ca. 1576–1623)	245
Thou art my king, O God	Tomkins, Thomas (1572–1656)	262–263
Unkind, oh stay (= Crudel perche mi fuggi)	Marenzio, Luca (ca. 1553–1599)	284
Unto our flocks	Weelkes, Thomas (ca. 1576–1623)	192–193
Upon a bank with roses	Ward, John (ca. 1589–ca. 1638)	202–203
Wake sorrow - 1a pars (of 2): Wake sorrow	Peerson, Martin	64–65
Wake sorrow - 2a pars (of 2): Arbella sole paragon	Peerson, Martin	66
Weep forth your tears	Ward, John (ca. 1589–ca. 1638)	308–309
Weep, o mine eyes	Wilbye, John (1574–1638)	93
When David heard - 1a pars (of 2): When David heard that Absalom	Weelkes, Thomas (ca. 1576–1623)	259
When David heard - 2a pars (of 2): O my son Absalom	Weelkes, Thomas (ca. 1576–1623)	218
When David heard that Absalom	Milton, John	13
When David heard that Absalom	Tomkins, Thomas (1572–1656)	188–189
When Israel came out - 1a pars (of 2): When Israel came out of Egypt	East, Michael	16
When Israel came out - 2a pars (of 2): What aileth thee	East, Michael	17
When shall I cease lamenting (= Chi per voi non sospira)	Faignient, Noë	166–167
Where most my thoughts	Wilbye, John (1574–1638)	221
Who will rise up - 1a pars (of 2): Who will rise up with me	Peerson, Martin	52
Who will rise up - 2a pars (of 2): But when I said	Peerson, Martin	53
Why weeps alas	Morley, Thomas (ca. 1557–1602)	81
With all our hearts and mouth (= Salvator mundi (I))	Tallis, Thomas (ca. 1505–1585)	206–207
Zephyrus brings the time (= Zefiro torna)	Ferrabosco, Alfonso (the elder) (1543–1588)	152–153

Set: MSS Additional 29372-29377

Type: Partbooks

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GB-Lbl Add. MS 29372 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29373 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29374 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29375 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29376 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29377 (Tristitiae Remedium of Thomas Myriell)

‡ denotes primary source study

Di Grazia, Donna M. 2010. New perspectives on Thomas Myriell's _Tristitiae remedium_ and Add. Ms. 29427. Early Music, 101-12.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 75-6,85-6,187. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xiv,xvii-xviii; II.xii. Notes: physical description (partial); contents list (partial); concordances (partial).

Duffy, John. 1980. The Songs and Motets of Alfonso Ferrabosco, the Younger (1575-1628). Ann Arbor. Pages: 215ff,248,304,307,444-50. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: XX, 288. Notes: facsimile (partial).

Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems. London. Pages: 14, 332-51. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Monson, Craig. 1977. Thomas Myriell's Manuscript Collection: One View of Musical Taste in Jacobean London. Journal of the American Musicological Society, 419-65. Notes: physical description (partial); contents list; concordances; facsimile (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Willetts, Pamela J. 1972. The Identity of Thomas Myriell. Music and Letters, 431-3. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

Willetts, Pamela J. 1968. Musical Connections of Thomas Myriell. Music and Letters, 36-42. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 34, 241-2. Notes: physical description (partial); contents list (partial); concordances (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: III, 134-55, 221; IX, 167-8; XII, 120, 122; XIX, 327. Notes: contents list (partial); concordances (partial); transcriptions (partial).

King, William Joseph. 1962. The English Anthem from the Early Tudor Period through the Restoration Era. Boston University, Unpublished Ph.D. dissertation. Pages: I, 349-50; II, 1-10. Notes: transcription (partial); facsimile (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 10-3, 281; II, 150-3; III, 390. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XXII, 30-3, 73-4, 114-26, 133-57, 174, 179ff; XXIII, 126-30. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, 1178-9. Notes: physical description (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 166, 175. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: II, xxi, xxxvi-xxxvii; IV, xxxvi; V, xxviii. Notes: physical description (partial); contents list (partial); concordances (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1861-75], 631-2. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Liminary Note; Notation Note; Foliation Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description