B-Br MS II.4109

KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium

tablebook: c. 1612-6

Archive KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium (B-Br)
Shelfmark MS II.4109
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Format portrait
Measurements 283 x 185 mm
Other Identifiers
  • CCM: BrusBR II.4109
  • olim (Former shelfmark): Fetis 3095
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • London, England
Contents Contains 108 compositions, 107 from 13 composers, 1 is anonymous.
General Description

A tablebook (voice parts copied to be readable by performers around a table). Organised in alternating sections of 4vv & 5vv pieces (with one section of 3vv pieces).

Copied by Thomas Myriell (see below), who also wrote LonBL 29372-7, part of LonBL 29427, and several other manuscripts not within scope of this catalogue (see MonsonM and WillettsMC). Copied in London or vicinity.

Originally owned by the clergyman Thomas Myriell, who began his career in Cambridge, moved to Barnet (near London) c. 1610, then served as rector of St. Stephen's Walbrook in London from 1616 until his death in 1625. Possible subsequent owners include the composer John Ward, and Ward's patron, Sir Henry Fanshawe, of London and Ware, Hertfordshire.

Purchased in Ware (from Fanshawe family?) by the bibliophile Isaac Reed in 1784. Later owned by François-Joseph Fétis (1784-1871); passed to Bibliothèque Royale in 1877.

DIAMM, 2017
Physical Description

incomplete with the loss of some pages at the end

DIAMM, 2022
Binding

Original covers of brown leather over boards, with medallion stamped in gold front and back

DIAMM, 2017
Watermark

pot with flowers, surmounted by four-leaf clover or crescent (neither variant in Briquet)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1612-6 (MonsonM).

DIAMM, 2017
Foliation

New red ink pagination, 1-212

DIAMM, 2017
Decoration

Inked historiated initials, some with simple floral designs

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

13 motets, 3 anthems, 84 English secular pieces, 2 French secular pieces, 1 Italian secular piece = 103

F. Anerio-2, G. Bassano-1, Byrd-27, Croce-3, (Deering)-1, (Dowland)-15, M. East-10, Farmer-4, R. Jones II-7, Lassus-2, Morley-18, Tallis-4, Weelkes-8, anon-1

iv + 106 + i paper folios, 283 x 185. New red ink pagination, 1-212. Original covers of brown leather over boards, with medallion stamped in gold front and back. No index. Copied by Thomas Myriell (see below), who also wrote LonBL 29372-7, part of LonBL 29427, and several other manuscripts not within scope of this catalogue (see MonsonM and WillettsMC). Voice parts copied to be readable by performers around a table. Inked historiated initials, some with simple floral designs. Watermark: pot with flowers, surmounted by four-leaf clover or crescent (neither variant in Briquet).

Ca. 1612-6 (MonsonM). Copied in London or vicinity. Originally owned by the clergyman Thomas Myriell, who began his career in Cambridge, moved to Barnet (near London) ca. 1610, then served as rector of St. Stephen's Walbrook in London from 1616 until his death in 1625. Possible subsequent owners include the composer John Ward, and Ward's patron, Sir Henry Fanshawe, of London and Ware, Hertfordshire. Purchased in Ware (from Fanshawe family?) by the bibliophile Isaac Reed in 1784. Later owned by François-Joseph Fétis (1784-1871); passed to Bibliothèque Royale in 1877.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Godt, Irving. 1981. Prince Henry as Absalom in David's Lamentations. Music and Letters, 62: 318-30. Pages: 328-9. Notes: mention of MS; contents list (partial); concordances (partial).

Monson, Craig. 1977. Thomas Myriell's Manuscript Collection: One View of Musical Taste in Jacobean London. Journal of the American Musicological Society, 30: 419-65. Notes: physical description (partial); contents list; concordances; facsimile (partial); mention of MS; discussion.

Willetts, Pamela J. 1968. Musical Connections of Thomas Myriell. Music and Letters, 49: 36-42. Pages: 38. Notes: mention of MS.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 242-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: XXII, 62-4, 174,182. Notes: contents list (partial); concordances (partial); transcriptions (partial).

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Jason Smart

Friday, 19 August, 2022

image link added

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description