GB-Lbl Add. MS 29373 (Tristitiae Remedium of Thomas Myriell)

British Library, London, England

partbook: 1616-18

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 29373 (Tristitiae Remedium of Thomas Myriell)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Pagination
Measurements	330 x 230 mm
Other Identifiers	CCM: LonBL 29372-7
Notations	black void mensural
Copyists	Myriell, Thomas Music
Relationships	British Museum (owner) Puttick [and Simpson], auctioneers (owner) Myriell, Thomas (compiler)
External Links	British Library online catalogue entry
Provenance	St. Stephen's Walbrook , London, England
Contents	232 pieces from 54 composers

General Description

An Altus partbook of a set of six volumes. Pieces arranged in four-voice, five-voice, and six-voice groups. The compiler, scribe, and original owner was the clergyman Thomas Myriell, rector at St. Stephen's Walbrook, who also wrote BrusBR II.4109 and much of LonBL 29427. History of manuscript following Myriell's death in 1625 has not been traced. Purchased by British Museum at a Puttick's sale in 1873.

DIAMM, Sept 2015

Binding

Covers of original dark brown leather glued onto modern cardboard; front and back covers of each book have identical gold tooled designs: square and fleur-de-lis pattern in corners, oval in center, and initials 'T M' [= Thomas Myriell].

DIAMM, Sept 2015

Watermark

dragon entwined around castle

DIAMM, Sept 2015

Liminary Note

Each book has elaborately decorated engraved title page, with inscription: 'Tristitiae Remedium. Cantiones selectissimae, diversorum tum authorum, tum argumentorum; labore et manu exaratae THOMAE MYRIELL. A.D. 1616.'

DIAMM, Sept 2015

Notation

black void mensural

DIAMM, Sept 2015

Foliation

Original ink pagination 1-339 (repeating 230-232); modern pencil foliation: 1-176.

DIAMM, Sept 2015

Index

none, but list (in Myriell's hand) of represented composers appears on verso of first original folio in Bassus book.

DIAMM, Sept 2015

Surface

paper

DIAMM, Sept 2015

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

20 motets, 90 anthems, 81 English secular piece = 191 + 4 duplicates = 195

Bateson-4, Bennet-1, Bicci-1, Bull-4, Byrd-11, Byrd/(T. Mudd II)-1, Coperario-1, Coste/(Byrd)-1, Croce-6, Daman-2, Deering-3, M. East-3, Eremita-1, Faignient-1, A. Ferrabosco 1-6, A. Ferrabosco II-5, Ford-1, Gibbons-2, N. Giles-1, (Hanford)-1, Hooper-1, M. Jeffries-3, Kindersley-1, Kirbye-2, J. Lugge-1, T. Lupo-6, Marenzio-9, Milton-9, Morley-8, J. Mundy-2, Palestrina-1, Pallavicino-2, (R. Parsons I)-1, Peerson-11, P. Philips-1, P. Philips/(Wilder)-1, Ravenscroft-4, Simmes/(M. East)-1, Stubbs-2, Tallis-3, Tomkins-6, J. Tomkins/(Tomkins)-1, Tye-1, Orazio Vecchi-2, Ward-19, Weelkes-13, W. White-1, Wilbye-19, T. Wilkinson-3, anon-1

6 paper partbooks (D-ii + i + 225 + i folios, A-i + 249 + i, T-ii + 217 + i, B-iii + 277 + iii, Q-ii + 215 + i, S-ii + 95 + ii). Sizes-D: 340 x 190; A: 330 x 230; T: 320 x 195; B: 320 x 200; Q: 305 x 195; S: 350 x 192. Original ink pagination (D: 1-341; A: 1-339; T: 1-341; B: 1-341; Q: 1-341; S: 230-341); modern pencil foliation (DATB: 1-176; Q: 1-163; S: 1-58). Each book has several sections of unnumbered folios with blank staves only. Covers of original dark brown leather glued onto modern cardboard; front and back covers of each book have identical gold tooled designs: square and fleur-de-lis pattern in corners, oval in center, and initials "T M" [= Thomas Myriell]. No index, but list (in Myriell's hand) of represented composers appears on verso of first original folio in B book.

Copied by Thomas Myriell (see below), who also wrote BrusBR II.4109, part of LonBL 29427, and several other manuscripts not within scope of this catalogue (see MonsonM and WillettsMC). Each book has elaborately decorated engraved title page, with inscription: "Tristitiae Remedium. Cantiones selectissimae, diversorum tum authorum, tum argumentorum; labore et manu exaratae THOMAE MYRIELL. A.D. 1616." Pieces arranged in four-voice, five-voice, and six-voice groups. One watermark throughout: dragon entwined around castle.

1616-8; some pieces perhaps added in 1620's (MonsonM). Copied in London. The compiler, scribe, and original owner was the clergyman Thomas Myriell, rector at St. Stephen's Walbrook. History of manuscript following Myriell's death in 1625 has not been traced. Purchased by British Museum at a Puttick's sale in 1873.

Vol 4

Composers: Change "A. Ferrabosco I-6, A. Ferrabosco II-5" to "A. Ferrabosco I-7, A. Ferrabosco II-4."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	When Cloris heard	J. Wilbye	Wilbye, John (1574–1638)
When Cloris heard Wilbye, John (1574–1638) Appears on: 1 Genres: Madrigal (English) Source Attribution: J. Wilbye
2–3	Happy streams	-	Wilbye, John (1574–1638)
Happy streams Wilbye, John (1574–1638) Appears on: 2–3 Genres: Madrigal (English)
4–5	Change me, o heavens	-	Wilbye, John (1574–1638)
Change me, o heavens Wilbye, John (1574–1638) Appears on: 4–5 Genres: Madrigal (English)
6–7	Love me not for comely grace	-	Wilbye, John (1574–1638)
Love me not for comely grace Wilbye, John (1574–1638) Appears on: 6–7 Genres: Madrigal (English)
8–9	I love alas	-	Wilbye, John (1574–1638)
I love alas Wilbye, John (1574–1638) Appears on: 8–9 Genres: Madrigal (English)
10–11	Lo! here my heart	G. Kirbye	Kirbye, George
Lo! here my heart Kirbye, George Appears on: 10–11 Genres: Madrigal (English) Source Attribution: G. Kirbye
12	Fuerunt mihi lachrimae (C36)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) (?)
Fuerunt mihi lachrimae (C36) Ferrabosco, Alfonso (the elder) (1543–1588) (?) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) (?) Appears on: 12 Genres: Motet Source Attribution: A. Ferrabosco Voice: [no designation] Languages: English Voice Text: Fuerunt mihi lachrimae (C36)
13	Eheu! Sustulerunt Dominum	T. Morley	Morley, Thomas (ca. 1557–1602)
Eheu! Sustulerunt Dominum Morley, Thomas (ca. 1557–1602) Appears on: 13 Genres: Motet Source Attribution: T. Morley Voice: [no designation] Languages: Latin Voice Text: Eheu! Sustulerunt Dominum
14–15	Nolo mortem peccatoris... Father I am	T. Morley	Morley, Thomas (ca. 1557–1602)
Nolo mortem peccatoris... Father I am Morley, Thomas (ca. 1557–1602) Appears on: 14–15 Genres: Motet Source Attribution: T. Morley Voice: [no designation] Languages: Latin Voice Text: Nolo mortem peccatoris... Father I am
16–17	Frail man despise the treasures	J. Bull	Bull, John (ca. 1562–1628)
Frail man despise the treasures Bull, John (ca. 1562–1628) Appears on: 16–17 Genres: Anthem Source Attribution: J. Bull Voice: [no designation] Languages: English Voice Text: Frail man despise the treasures
18–19	Quare dereliquerunt me	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Quare dereliquerunt me Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 18–19 Genres: Motet Source Attribution: A. Ferrabosco Voice: [no designation] Languages: Latin Voice Text: Quare dereiquerunt me
20	In the departure of the Lord	J. Bull	Bull, John (ca. 1562–1628)
In the departure of the Lord Bull, John (ca. 1562–1628) Appears on: 20 Genres: Anthem Source Attribution: J. Bull Voice: [no designation] Languages: English Voice Text: In the departure of the Lord
20	Thou God of might hast chastened me	J. Milton	Milton, John
Thou God of might hast chastened me Milton, John Appears on: 20 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: Thou God of might hast chastened me
21	O let me tread in the right paths	J. Ward	Ward, John (ca. 1589–ca. 1638)
O let me tread in the right paths Ward, John (ca. 1589–ca. 1638) Appears on: 21 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: O let me tread in the right paths
21	Attend unto my tears (I)	J. Bull	Bull, John (ca. 1562–1628)
Attend unto my tears (I) Bull, John (ca. 1562–1628) Appears on: 21 Genres: Anthem Source Attribution: J. Bull Voice: [no designation] Languages: English Voice Text: Attend unto my tears (I)
22	O Lord, give ear to my complaint	T. Lupo	Lupo, Thomas (ca. 1571–1627)
O Lord, give ear to my complaint Lupo, Thomas (ca. 1571–1627) Appears on: 22 Genres: Anthem Source Attribution: T. Lupo Voice: [no designation] Languages: English Voice Text: O Lord, give ear to my complaint
23	I am quite tired with my groans	J. Wilbye	Wilbye, John (1574–1638)
I am quite tired with my groans Wilbye, John (1574–1638) Appears on: 23 Genres: Anthem Source Attribution: J. Wilbye Voice: [no designation] Languages: English Voice Text: I am quite tired with my groans
24	Adieu sweet Amaryllis	J. Wilbye	Wilbye, John (1574–1638)
Adieu sweet Amaryllis Wilbye, John (1574–1638) Appears on: 24 Genres: Madrigal (English) Source Attribution: J. Wilbye
25	And the king was moved	R. Dering	Dering, Richard
And the king was moved Dering, Richard Appears on: 25 Genres: Motet Source Attribution: R. Dering Voice: [no designation] Languages: English Voice Text: And the king was moved
26	Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine	J. Wilbye	Wilbye, John (1574–1638)
Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine Wilbye, John (1574–1638) Appears on: 26 Genres: Motet Source Attribution: J. Wilbye Voice: [no designation] Languages: Latin Voice Text: Ne reminiscaris Domine (including pt 2: Parce Domine)
26	Ne reminiscaris - 2a pars (of 2): Parce Domine	-	Wilbye, John (1574–1638)
Ne reminiscaris - 2a pars (of 2): Parce Domine Wilbye, John (1574–1638) Appears on: 26 Genres: Motet
27	O Jesu meek	T. Ravenscroft	Ravenscroft, Thomas
O Jesu meek Ravenscroft, Thomas Appears on: 27 Genres: Anthem Source Attribution: T. Ravenscroft Voice: [no designation] Languages: English Voice Text: O Jesu meek
28	Plead thou my cause	M. Peerson	Peerson, Martin
Plead thou my cause Peerson, Martin Appears on: 28 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Plead thou my cause
29	Ah, helpless wretch	T. Ravenscroft	Ravenscroft, Thomas
Ah, helpless wretch Ravenscroft, Thomas Appears on: 29 Genres: Anthem Source Attribution: T. Ravenscroft Voice: [no designation] Languages: English Voice Text: Ah, helpless wretch
30	O that my ways - 1a pars (of 2): O that my ways	M. Peerson	Peerson, Martin
O that my ways - 1a pars (of 2): O that my ways Peerson, Martin Appears on: 30 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: O that my ways
31	O that my ways - 2a pars (of 2): I will thank thee	M. Peerson	Peerson, Martin
O that my ways - 2a pars (of 2): I will thank thee Peerson, Martin Appears on: 31 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: I will thank thee (Pt II of O that my ways)
32	All laud and praise	T. Ravenscroft	Ravenscroft, Thomas
All laud and praise Ravenscroft, Thomas Appears on: 32 Genres: Anthem Source Attribution: T. Ravenscroft Voice: [no designation] Languages: English Voice Text: All laud and praise
33	O Lord, behold my miseries	J. Milton	Milton, John
O Lord, behold my miseries Milton, John Appears on: 33 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: O Lord, behold my miseries
34	If that a sinner's sighs	J. Milton	Milton, John
If that a sinner's sighs Milton, John Appears on: 34 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: If that a sinner's sighs
35	When David heard that Absalom	J. Milton	Milton, John
When David heard that Absalom Milton, John Appears on: 35 Genres: Motet Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: When David heard that Absalom
36	O woe is me for thee	J. Milton	Milton, John
O woe is me for thee Milton, John Appears on: 36 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: O woe is me for thee
37	I am the resurrection	J. Milton	Milton, John
I am the resurrection Milton, John Appears on: 37 Genres: Motet Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: I am the resurrection
39	When Israel came out - 1a pars (of 2): When Israel came out of Egypt	M. East	East, Michael
When Israel came out - 1a pars (of 2): When Israel came out of Egypt East, Michael Appears on: 39 Genres: Anthem Source Attribution: M. East Voice: [no designation] Languages: English Voice Text: When Israel came out of Egypt (Pt II: What aileth thee)
38	When Israel came out - 2a pars (of 2): What aileth thee	M. East	East, Michael
When Israel came out - 2a pars (of 2): What aileth thee East, Michael Appears on: 38 Genres: Anthem Source Attribution: M. East Voice: [no designation] Languages: English Voice Text: What aileth thee (Pt II of When Israel came out of Egypt)
40	Rise, O my soul - 1a pars (of 3): Rise, O my soul	W. Simms	East, Michael (?) Simmes, William (?)
Rise, O my soul - 1a pars (of 3): Rise, O my soul East, Michael (?) Simmes, William (?) Appears on: 40 Genres: Anthem Source Attribution: W. Simms Voice: [no designation] Languages: English Voice Text: Rise, O my soul
41	Rise, O my soul - 2a pars (of 3): And thou, my soul	W. Simms	East, Michael (?) Simmes, William (?)
Rise, O my soul - 2a pars (of 3): And thou, my soul East, Michael (?) Simmes, William (?) Appears on: 41 Genres: Anthem Source Attribution: W. Simms Voice: [no designation] Languages: English Voice Text: And thou, my soul (Pt II of Rise O my soul)
42	Rise, O my soul - 3a pars (of 3): To thee, O Jesus	W. Simms	East, Michael (?) Simmes, William (?)
Rise, O my soul - 3a pars (of 3): To thee, O Jesus East, Michael (?) Simmes, William (?) Appears on: 42 Genres: Anthem Source Attribution: W. Simms Voice: [no designation] Languages: English Voice Text: To thee, O Jesus (Pt III of Rise, O my soul)
43	O heavenly God, O Father dear	W. Damon	Daman, William
O heavenly God, O Father dear Daman, William Appears on: 43 Genres: Anthem Source Attribution: W. Damon Voice: [no designation] Languages: English Voice Text: O heavenly God
44	Sweet Muses - 1a pars (of 3): Sweet Muses	-	East, Michael
Sweet Muses - 1a pars (of 3): Sweet Muses East, Michael Appears on: 44 Genres: Madrigal (English)
45	Sweet Muses - 2a pars (of 3): Aye me, wherefore sighs	-	East, Michael
Sweet Muses - 2a pars (of 3): Aye me, wherefore sighs East, Michael Appears on: 45 Genres: Madrigal (English)
46	Sweet Muses - 3a pars (of 3): My peace and my pleasure	-	East, Michael
Sweet Muses - 3a pars (of 3): My peace and my pleasure East, Michael Appears on: 46 Genres: Madrigal (English)
47	Ne laeteris inimica mea	T. Ravenscroft	Ravenscroft, Thomas
Ne laeteris inimica mea Ravenscroft, Thomas Appears on: 47 Genres: Motet Source Attribution: T. Ravenscroft
48–49	O sacred and holy banquet (= O sacrum convivium	T. Tallis	Tallis, Thomas (ca. 1505–1585)
O sacred and holy banquet (= O sacrum convivium Tallis, Thomas (ca. 1505–1585) Appears on: 48–49 Genres: Anthem, Contrafactum Source Attribution: T. Tallis Voice: [no designation] Languages: English Voice Text: O sacred and holy banquet (adaptation of motet O sacrum convivium)
50	O vos omnes	T. Lupo	Lupo, Thomas (ca. 1571–1627)
O vos omnes Lupo, Thomas (ca. 1571–1627) Appears on: 50 Genres: Motet Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: O vos omnes
51	O thrice-blessed earthbed	J. Tomkins	Tomkins, John (1586–1638)
O thrice-blessed earthbed Tomkins, John (1586–1638) Appears on: 51 Genres: Consort song Source Attribution: J. Tomkins
52	Come, help, O God	W. Byrd	Byrd, William (ca. 1540–1623)
Come, help, O God Byrd, William (ca. 1540–1623) Appears on: 52 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Come, help, O God
53	Not unto us, but to thy name	T. Ford	Ford, Thomas
Not unto us, but to thy name Ford, Thomas Appears on: 53 Genres: Motet Source Attribution: T. Ford Voice: [no designation] Languages: English Voice Text: Not unto us, but to thy name
54	O happy he whom thou protect'st	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
O happy he whom thou protect'st Weelkes, Thomas (ca. 1576–1623) Appears on: 54 Genres: Motet Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: O happy he whom thou protect'st
55	O let me at thy footstool fall	M. Peerson	Peerson, Martin
O let me at thy footstool fall Peerson, Martin Appears on: 55 Genres: Motet Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: O let me at thy footstool fall
56	Judge them, O Lord, which me pursue	R. Kindersly	Kindersley, Robert
Judge them, O Lord, which me pursue Kindersley, Robert Appears on: 56 Genres: Motet Source Attribution: R. Kindersly Voice: [no designation] Languages: English Voice Text: Judge them, O Lord, which me pursue
57	O Lord, consider my great moans	J. Wilbye	Ward, John (ca. 1589–ca. 1638)
O Lord, consider my great moans Ward, John (ca. 1589–ca. 1638) Appears on: 57 Genres: Motet Source Attribution: J. Wilbye Voice: [no designation] Languages: English Voice Text: O Lord, consider my great moans
58	I laid me down	W. Byrd	Byrd, William (ca. 1540–1623)
I laid me down Byrd, William (ca. 1540–1623) Appears on: 58 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: I laid me down
59	O Lord, how do my woes increase	J. Coperario	Coperario, John
O Lord, how do my woes increase Coperario, John Appears on: 59 Genres: Motet Source Attribution: J. Coperario Voice: [no designation] Languages: English Voice Text: O Lord, how do my woes increase
60	Miserere nostri Domine	W. Damon	Daman, William
Miserere nostri Domine Daman, William Appears on: 60 Genres: Motet Source Attribution: W. Damon Voice: [no designation] Languages: Latin Voice Text: Miserere nostri Domine
61–63	The cries of London - 1a pars (of 2): God give you good morrow, my masters	O. Gibbons	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 1a pars (of 2): God give you good morrow, my masters Gibbons, Orlando (ca. 1583–1625) Appears on: 61–63 Genres: In nomine, Song Source Attribution: O. Gibbons
64–65	The cries of London - 2a pars (of 2): Will you go with me - A good sausage	O. Gibbons	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 2a pars (of 2): Will you go with me - A good sausage Gibbons, Orlando (ca. 1583–1625) Appears on: 64–65 Genres: Song Source Attribution: O. Gibbons
66–67	Out of the deep	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Out of the deep Lupo, Thomas (ca. 1571–1627) Appears on: 66–67 Genres: Anthem Source Attribution: T. Lupo Voice: [no designation] Languages: English Voice Text: Out of the deep
68	O amica mea - 1a pars (of 2): O amica mea	T. Morley	Morley, Thomas (ca. 1557–1602)
O amica mea - 1a pars (of 2): O amica mea Morley, Thomas (ca. 1557–1602) Appears on: 68 Genres: Motet Source Attribution: T. Morley
69	O amica mea - 2a pars (of 2): Dentes tui sicut greges	T. Morley	Morley, Thomas (ca. 1557–1602)
O amica mea - 2a pars (of 2): Dentes tui sicut greges Morley, Thomas (ca. 1557–1602) Appears on: 69 Genres: Motet Source Attribution: T. Morley Voice: [no designation] Languages: Latin Voice Text: O amica mea, part 2: Dentes tui sicut greges
70	Mine eyes with fervency	W. Byrd	Byrd, William (ca. 1540–1623)
Mine eyes with fervency Byrd, William (ca. 1540–1623) Appears on: 70 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Mine eyes with fervency
71	My soul oppressed	W. Byrd	Byrd, William (ca. 1540–1623)
My soul oppressed Byrd, William (ca. 1540–1623) Appears on: 71 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: My soul oppressed
72–73	O go not from me	-	Palmer, Henry (ca. 1590–1640) (?) Peerson, Martin
O go not from me Palmer, Henry (ca. 1590–1640) (?) Peerson, Martin Appears on: 72–73 Genres: Motet Voice: [no designation] Languages: English Voice Text: O go not from me
74–75	Blow up the trumpet	M. Peerson	Peerson, Martin
Blow up the trumpet Peerson, Martin Appears on: 74–75 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Blow out (up) the trumpet
76	Who will rise up - 1a pars (of 2): Who will rise up with me	M. Peerson	Peerson, Martin
Who will rise up - 1a pars (of 2): Who will rise up with me Peerson, Martin Appears on: 76 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Who will rise up with me
77	Who will rise up - 2a pars (of 2): But when I said	M. Peerson	Peerson, Martin
Who will rise up - 2a pars (of 2): But when I said Peerson, Martin Appears on: 77 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: But when I said (Pt II of Who will rise up with me)
78	Fly, ravished soul - 4a pars (of 4): Rain eyes	M. Peerson	Peerson, Martin
Fly, ravished soul - 4a pars (of 4): Rain eyes Peerson, Martin Appears on: 78 Genres: Madrigal (English) Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Rain eyes (Pt IV of Fly, ravished soul)
80	Fly, ravished soul - 1a pars (of 4): Fly, ravished soul	M. Peerson	Peerson, Martin
Fly, ravished soul - 1a pars (of 4): Fly, ravished soul Peerson, Martin Appears on: 80 Genres: Madrigal (English) Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Fly, ravished soul
81	Fly, ravished soul - 2a pars (of 4): Rest thee awhile	M. Peerson	Peerson, Martin
Fly, ravished soul - 2a pars (of 4): Rest thee awhile Peerson, Martin Appears on: 81 Genres: Madrigal (English) Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Rest thee awhile (Pt II of Fly, ravished soul)
82–83	Fly, ravished soul - 3a pars (of 4): Muse still thereon	M. Peerson	Peerson, Martin
Fly, ravished soul - 3a pars (of 4): Muse still thereon Peerson, Martin Appears on: 82–83 Genres: Madrigal (English) Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Muse still thereon (Pt III of Fly, ravished soul)
84–85	I am brought - 1a pars (of 2): I am brought into so great trouble	M. Peerson	Peerson, Martin
I am brought - 1a pars (of 2): I am brought into so great trouble Peerson, Martin Appears on: 84–85 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: I am brought into so great trouble
86–87	I am brought - 2a pars (of 2): My heart panteth	M. Peerson	Peerson, Martin
I am brought - 2a pars (of 2): My heart panteth Peerson, Martin Appears on: 86–87 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: My heart panteth (Pt II of I am brought into so great trouble)
88–89	Wake sorrow - 1a pars (of 2): Wake sorrow	M. Peerson	Peerson, Martin
Wake sorrow - 1a pars (of 2): Wake sorrow Peerson, Martin Appears on: 88–89 Genres: Madrigal (English) Source Attribution: M. Peerson
90	Wake sorrow - 2a pars (of 2): Arbella sole paragon	-	Peerson, Martin
Wake sorrow - 2a pars (of 2): Arbella sole paragon Peerson, Martin Appears on: 90 Genres: Madrigal (English)
91	O Lord, thou hast searched me out - 1a pars (of 4): O Lord, thou hast searched me out	M. Peerson	Peerson, Martin
O Lord, thou hast searched me out - 1a pars (of 4): O Lord, thou hast searched me out Peerson, Martin Appears on: 91 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: O Lord, thou hast searched me out
92	O Lord, thou hast searched me out - 2a pars (of 4): Thou art about	M. Peerson	Peerson, Martin
O Lord, thou hast searched me out - 2a pars (of 4): Thou art about Peerson, Martin Appears on: 92 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Thou art about (Pt II of O Lord, thou hast searched me out)
93	O Lord, thou hast searched me out - 3a pars (of 4): Thou hast fashioned me	M. Peerson	Peerson, Martin
O Lord, thou hast searched me out - 3a pars (of 4): Thou hast fashioned me Peerson, Martin Appears on: 93 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Thou hast fashioned me (Pt III of O Lord, thou hast searched me out)
94	O Lord, thou hast searched me out - 4a pars (of 4): Whither shall I go	M. Peerson	Peerson, Martin
O Lord, thou hast searched me out - 4a pars (of 4): Whither shall I go Peerson, Martin Appears on: 94 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: Whither shall I go (Pt IV of O Lord, thou hast searched me out)
95	Miserere mei Domine (I)	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Miserere mei Domine (I) Lupo, Thomas (ca. 1571–1627) Appears on: 95 Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: Miserere mei Domini (I)
96	In resurrectione tua	W. Byrd	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 96 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: Latin Voice Text: In resurrectione tua Domine
97	Cease now vain thoughts	N. Giles	Giles, Nathaniel (ca. 1558–1634)
Cease now vain thoughts Giles, Nathaniel (ca. 1558–1634) Appears on: 97 Genres: Consort song Source Attribution: N. Giles
98–101	The country cries	R. Dering	Dering, Richard
The country cries Dering, Richard Appears on: 98–101 Genres: Consort song Source Attribution: R. Dering
102–103	My lovely wanton jewel	T. Morley	Morley, Thomas (ca. 1557–1602)
My lovely wanton jewel Morley, Thomas (ca. 1557–1602) Appears on: 102–103 Genres: Song Source Attribution: T. Morley
104	Leave, alas, this tormenting	T. Morley	Morley, Thomas (ca. 1557–1602)
Leave, alas, this tormenting Morley, Thomas (ca. 1557–1602) Appears on: 104 Genres: Song Source Attribution: T. Morley
105	Why weeps alas	T. Morley	Morley, Thomas (ca. 1557–1602)
Why weeps alas Morley, Thomas (ca. 1557–1602) Appears on: 105 Genres: Consort song Source Attribution: T. Morley
106–107	Give me my heart	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Give me my heart Weelkes, Thomas (ca. 1576–1623) Appears on: 106–107 Genres: Consort song Source Attribution: T. Weelkes
108	Come clap - 1a pars (of 2): Come clap thy hands	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Come clap - 1a pars (of 2): Come clap thy hands Weelkes, Thomas (ca. 1576–1623) Appears on: 108 Genres: Consort song Source Attribution: T. Weelkes
109	Come clap - 2a pars (of 2): Phillis hath sworn	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Come clap - 2a pars (of 2): Phillis hath sworn Weelkes, Thomas (ca. 1576–1623) Appears on: 109 Genres: Consort song Source Attribution: T. Weelkes
110	Sound out my voice (= Vestiva i colli)	G. Palestrina	Palestrina, Giovanni Pierluigi da (1525–1594)
Sound out my voice (= Vestiva i colli) Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 110 Genres: Contrafactum, Madrigal (English) Source Attribution: G. Palestrina
111	I must depart (= Io partiro)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
I must depart (= Io partiro) Marenzio, Luca (ca. 1553–1599) Appears on: 111 Genres: Contrafactum, Madrigal (English) Source Attribution: L. Marenzio
112	Life tell me (= Deh, dimmi)	H. Vecchi	Vecchi, Orazio (1550–1605)
Life tell me (= Deh, dimmi) Vecchi, Orazio (1550–1605) Appears on: 112 Genres: Contrafactum, Madrigal (English) Source Attribution: H. Vecchi
113	Flora, fair nymph, whilst silly lambs are feeding	J. Ward	Ward, John (ca. 1589–ca. 1638)
Flora, fair nymph, whilst silly lambs are feeding Ward, John (ca. 1589–ca. 1638) Appears on: 113 Genres: Madrigal (English) Source Attribution: J. Ward
114–115	Sweet honey-sucking bees - 1a pars (of 2): Sweet honey-sucking bees	J. Wilbye	Wilbye, John (1574–1638)
Sweet honey-sucking bees - 1a pars (of 2): Sweet honey-sucking bees Wilbye, John (1574–1638) Appears on: 114–115 Genres: Madrigal (English) Source Attribution: J. Wilbye
116	Sweet honey-sucking bees - 2a pars (of 2): Yet sweet, take heed	-	Wilbye, John (1574–1638)
Sweet honey-sucking bees - 2a pars (of 2): Yet sweet, take heed Wilbye, John (1574–1638) Appears on: 116 Genres: Madrigal (English)
117	Weep, o mine eyes	-	Wilbye, John (1574–1638)
Weep, o mine eyes Wilbye, John (1574–1638) Appears on: 117 Genres: Song
118–119	Down in a valley - 1a pars (of 2): Down in a valley	J. Wilbye	Wilbye, John (1574–1638)
Down in a valley - 1a pars (of 2): Down in a valley Wilbye, John (1574–1638) Appears on: 118–119 Genres: Song Source Attribution: J. Wilbye
120–121	Down in a valley - 2a pars (of 2): Hard destinies	J. Wilbye	Wilbye, John (1574–1638)
Down in a valley - 2a pars (of 2): Hard destinies Wilbye, John (1574–1638) Appears on: 120–121 Genres: Song Source Attribution: J. Wilbye
122–123	Alas where is my love	T. Bateson	Bateson, Thomas (ca. 1570–1630)
Alas where is my love Bateson, Thomas (ca. 1570–1630) Appears on: 122–123 Genres: Consort song Source Attribution: T. Bateson
124–125	Hark, hear ye not	T. Bateson	Bateson, Thomas (ca. 1570–1630)
Hark, hear ye not Bateson, Thomas (ca. 1570–1630) Appears on: 124–125 Genres: Consort song Source Attribution: T. Bateson
126	Dolorous mournful cares (= Dolorosi martir)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Dolorous mournful cares (= Dolorosi martir) Marenzio, Luca (ca. 1553–1599) Appears on: 126 Genres: Contrafactum, Madrigal (English) Source Attribution: L. Marenzio
127–129	See, see, the Word is incarnate	O. Gibbons	Gibbons, Orlando (ca. 1583–1625)
See, see, the Word is incarnate Gibbons, Orlando (ca. 1583–1625) Appears on: 127–129 Genres: Anthem Source Attribution: O. Gibbons Voice: [no designation] Languages: English Voice Text: See the Word is incarnate
130–131	Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch	J. Ward	Ward, John (ca. 1589–ca. 1638)
Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch Ward, John (ca. 1589–ca. 1638) Appears on: 130–131 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: Down, caitiff wretch
132–133	Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain	J. Ward	Ward, John (ca. 1589–ca. 1638)
Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain Ward, John (ca. 1589–ca. 1638) Appears on: 132–133 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: Prayer is an endless chain (Pt II of Down, caitiff wretch)
134–135	How long wilt Thou forget me, O Lord	J. Ward	Ward, John (ca. 1589–ca. 1638)
How long wilt Thou forget me, O Lord Ward, John (ca. 1589–ca. 1638) Appears on: 134–135 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: How long wilt thou forget
136–137	Almighty God, who by the leading of a star (Almighty God who didst manifest)	J. Bull	Bull, John (ca. 1562–1628)
Almighty God, who by the leading of a star (Almighty God who didst manifest) Bull, John (ca. 1562–1628) Appears on: 136–137 Genres: Anthem Source Attribution: J. Bull
138–139	There where I saw	J. Wilbye	Wilbye, John (1574–1638)
There where I saw Wilbye, John (1574–1638) Appears on: 138–139 Genres: Consort song Source Attribution: J. Wilbye
140–141	All pleasure is of this	J. Wilbye	Wilbye, John (1574–1638)
All pleasure is of this Wilbye, John (1574–1638) Appears on: 140–141 Genres: Consort song Source Attribution: J. Wilbye
142	Hear me, O God (Adaptation of Four-note Pavane)	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Hear me, O God (Adaptation of Four-note Pavane) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 142 Genres: Anthem Source Attribution: A. Ferrabosco Voice: [no designation] Languages: English Voice Text: Hear me, O God (Adaptation of Four-note Pavane)
143	So far, dear life (= Lungi ben mio da vostri vaghi rai)	G. Eremita	Eremita, Giulio
So far, dear life (= Lungi ben mio da vostri vaghi rai) Eremita, Giulio Appears on: 143 Genres: Contrafactum, Madrigal (English) Source Attribution: G. Eremita
144	If silent then grief	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
If silent then grief Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 144 Genres: Consort song Source Attribution: A. Ferrabosco
145	I languish to complain me	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
I languish to complain me Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 145 Genres: Consort song Source Attribution: A. Ferrabosco
146	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	W. Byrd	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 146 Genres: Motet Source Attribution: W. Byrd Voice: [no designation] Languages: Latin Voice Text: Ne irascaris Domine, Pt II: Civitas sancti tui
147	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	W. Byrd	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 147 Genres: Motet Source Attribution: W. Byrd
148–149	I lift my heart to thee (= Amavit eum Dominus)	C. Tye	Tye, Christopher (ca. 1505–ca. 1573)
I lift my heart to thee (= Amavit eum Dominus) Tye, Christopher (ca. 1505–ca. 1573) Appears on: 148–149 Genres: Anthem, Contrafactum Source Attribution: C. Tye Voice: [no designation] Languages: English Voice Text: I lift my heart to thee
150–151	I call and cry to Thee (= O sacrum convivium)	T. Tallis	Tallis, Thomas (ca. 1505–1585)
I call and cry to Thee (= O sacrum convivium) Tallis, Thomas (ca. 1505–1585) Appears on: 150–151 Genres: Contrafactum, Motet Source Attribution: T. Tallis Voice: [no designation] Languages: English Voice Text: I call and cry (adaptation of motet O sacrum convivium)
152	O vos omnes	T. Lupo	Lupo, Thomas (ca. 1571–1627)
O vos omnes Lupo, Thomas (ca. 1571–1627) Appears on: 152 Genres: Motet Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: O vos omnes
153	Miserere mei Domine (I)	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Miserere mei Domine (I) Lupo, Thomas (ca. 1571–1627) Appears on: 153 Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: Miserere mei Domine (I)
154–155	Save me, O God, for thy name's sake	M. Coste	Byrd, William (ca. 1540–1623) (?) Coste, Richard
Save me, O God, for thy name's sake Byrd, William (ca. 1540–1623) (?) Coste, Richard Appears on: 154–155 Genres: Motet Source Attribution: M. Coste Voice: [no designation] Languages: English Voice Text: Save me O God for thy name's sake (I)
156–157	O give thanks unto the Lord	-	Mundy, John (ca. 1555–1630)
O give thanks unto the Lord Mundy, John (ca. 1555–1630) Appears on: 156–157 Genres: Anthem Voice: [no designation] Languages: English Voice Text: O give thanks unto the Lord, for he is gracious
158	Deliver me from mine enemies	-	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)
Deliver me from mine enemies Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 158 Genres: Quodlibet Voice: [no designation] Languages: English Voice Text: Deliver me from mine enemies
159	Blessed art thou that fearest God and walkest in his ways	P Phillips [van Wilder]	Van Wilder, Phillip
Blessed art thou that fearest God and walkest in his ways Van Wilder, Phillip Appears on: 159 Genres: Motet Source Attribution: P Phillips [van Wilder] Voice: [no designation] Languages: English Voice Text: Blessed art thou that fearest God
160	O Jesu, look	G. Kirbye	Kirbye, George
O Jesu, look Kirbye, George Appears on: 160 Genres: Anthem Source Attribution: G. Kirbye Voice: [no designation] Languages: English Voice Text: O Jesu, look
161	Peccantem me quotidie (C52)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Peccantem me quotidie (C52) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 161 Genres: Motet Source Attribution: A. Ferrabosco Voice: [no designation] Languages: Latin Voice Text: Peccantem me quotidie (C52)
162–163	Hear my prayer, O Lord	T. Wilkinson	Wilkinson, William (?) Wilkinson, T(homas?) (?)
Hear my prayer, O Lord Wilkinson, William (?) Wilkinson, T(homas?) (?) Appears on: 162–163 Genres: Anthem Source Attribution: T. Wilkinson Voice: [no designation] Languages: English Voice Text: Hear my prayer, O Lord, and with thine ears
164–165	It is a good thing to give thanks	J. Lugge	Lugge, John (ca. 1587–ca. 1647)
It is a good thing to give thanks Lugge, John (ca. 1587–ca. 1647) Appears on: 164–165 Genres: Anthem Source Attribution: J. Lugge Voice: [no designation] Languages: English Voice Text: It is a good thing to give thanks
166–170	The city cries 'What do you lack'	der	Dering, Richard
The city cries 'What do you lack' Dering, Richard Appears on: 166–170 Genres: Anthem Source Attribution: der
171	Long have I lifted up my voice	-	Hanford, George
Long have I lifted up my voice Hanford, George Appears on: 171 Genres: Anthem Voice: [no designation] Languages: English Voice Text: Long have I lifted up my voice
172–173	O God of gods - 1a pars (of 2): O God of gods, O King of kings	J. Bennet	Bennett, John (fl. 1599-1614)
O God of gods - 1a pars (of 2): O God of gods, O King of kings Bennett, John (fl. 1599-1614) Appears on: 172–173 Genres: Anthem Source Attribution: J. Bennet Voice: [no designation] Languages: English Voice Text: O God of Gods (Pt II: To the almighty Trinity)
174	O God of gods - 2a pars (of 2): To the almighty Trinity	J. Bennet	Bennett, John (fl. 1599-1614)
O God of gods - 2a pars (of 2): To the almighty Trinity Bennett, John (fl. 1599-1614) Appears on: 174 Genres: Anthem Source Attribution: J. Bennet Voice: [no designation] Languages: English Voice Text: To the almighty Trinity (Pt II of O God of Gods)
175	The white delightful swan (= Il bianco e dolce cigno)	H. Vecchi	Vecchi, Orazio (1550–1605)
The white delightful swan (= Il bianco e dolce cigno) Vecchi, Orazio (1550–1605) Appears on: 175 Genres: Contrafactum, Madrigal (English) Source Attribution: H. Vecchi
176–177	Zephyrus brings the time (= Zefiro torna)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Zephyrus brings the time (= Zefiro torna) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 176–177 Genres: Contrafactum, Madrigal (English) Source Attribution: A. Ferrabosco
178	O nomen Jesu	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
O nomen Jesu Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 178 Genres: Motet Source Attribution: A. Ferrabosco Voice: [no designation] Languages: Latin Voice Text: O nomen Jesu
179	Ego dixi - 1a pars (of 2): Ego dixi Domine	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Ego dixi - 1a pars (of 2): Ego dixi Domine Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 179 Genres: Motet Source Attribution: A. Ferrabosco Voice: [no designation] Languages: Latin Voice Text: Ego dixi Domine, part 2: Convertere Domine
179	Ego dixi - 2a pars (of 2): Convertere Domine	A. Ferrabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Ego dixi - 2a pars (of 2): Convertere Domine Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 179 Genres: Motet Source Attribution: A. Ferrabosco
180	Give ear, O Lord	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Give ear, O Lord Weelkes, Thomas (ca. 1576–1623) Appears on: 180 Genres: Anthem Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: Give ear, O Lord
181	Salva nos Domine	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Salva nos Domine Lupo, Thomas (ca. 1571–1627) Appears on: 181 Genres: Motet Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: Salva nos Domine
182–183	O clap your hands - 1a pars (of 2): O clap your hands	M. East	East, Michael
O clap your hands - 1a pars (of 2): O clap your hands East, Michael Appears on: 182–183 Genres: Anthem Source Attribution: M. East Voice: [no designation] Languages: English Voice Text: O clap your hands (II) (Pt II: God is gone up)
184–185	O clap your hands - 2a pars (of 2): God is gone up	M. East	East, Michael
O clap your hands - 2a pars (of 2): God is gone up East, Michael Appears on: 184–185 Genres: Anthem Source Attribution: M. East Voice: [no designation] Languages: English Voice Text: God is gone up (Pt II of O clap your hands)
186–187	I saw my lady - 1a pars (of 2): I saw my lady weeping	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
I saw my lady - 1a pars (of 2): I saw my lady weeping Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 186–187 Genres: Madrigal (English) Source Attribution: A. Ferrabosco
188–189	I saw my lady - 2a pars (of 2): Like as from heaven	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
I saw my lady - 2a pars (of 2): Like as from heaven Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 188–189 Genres: Madrigal (English) Source Attribution: A. Ferrabosco
190	When shall I cease lamenting (= Chi per voi non sospira)	N. Faignient	Faignient, Noë
When shall I cease lamenting (= Chi per voi non sospira) Faignient, Noë Appears on: 190 Genres: Contrafactum, Madrigal (English) Source Attribution: N. Faignient
192–193	O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	W. Byrd	Byrd, William (ca. 1540–1623)
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) Byrd, William (ca. 1540–1623) Appears on: 192–193 Genres: Anthem, Contrafactum Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Bow thine ear (Adaptation of the motet Ne Irascaris)
194–195	O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	W. Byrd	Byrd, William (ca. 1540–1623)
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) Byrd, William (ca. 1540–1623) Appears on: 194–195 Genres: Anthem, Contrafactum Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: O Lord turn thy wrath (Pt II: Bow thine ear -Adaptation of the motet Ne Irascaris)
196	Prevent us, O Lord	W. Byrd	Byrd, William (ca. 1540–1623)
Prevent us, O Lord Byrd, William (ca. 1540–1623) Appears on: 196 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Prevent us O Lord
197	Heu mihi Domine	T. Lupo	Lupo, Thomas (ca. 1571–1627)
Heu mihi Domine Lupo, Thomas (ca. 1571–1627) Appears on: 197 Genres: Motet Source Attribution: T. Lupo Voice: [no designation] Languages: Latin Voice Text: Heu mihi Domine
198–199	Have mercy upon me, O God	S Stubbs	Stubbs, Simon
Have mercy upon me, O God Stubbs, Simon Appears on: 198–199 Genres: Anthem Source Attribution: S Stubbs Voice: [no designation] Languages: English Voice Text: Have mercy upon me, O God
200–202	Sing joyfully unto God our strength	J. Mundy	Mundy, John (ca. 1555–1630)
Sing joyfully unto God our strength Mundy, John (ca. 1555–1630) Appears on: 200–202 Genres: Anthem Source Attribution: J. Mundy Voice: [no designation] Languages: English Voice Text: Sing joyfully unto God our strength
203	O my loving sweetheart (= Caro dolce ben mio)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
O my loving sweetheart (= Caro dolce ben mio) Marenzio, Luca (ca. 1553–1599) Appears on: 203 Genres: Madrigal (English) Source Attribution: L. Marenzio
204–205	Preserve me, O Lord	T. Wilkinson	Wilkinson, T(homas?) (?)
Preserve me, O Lord Wilkinson, T(homas?) (?) Appears on: 204–205 Genres: Anthem Source Attribution: T. Wilkinson Voice: [no designation] Languages: English Voice Text: Preserve me, O Lord
206–207	Put me not to rebuke	T. Wilkinson	Wilkinson, T(homas?) (?) Hunt, Thomas (?)
Put me not to rebuke Wilkinson, T(homas?) (?) Hunt, Thomas (?) Appears on: 206–207 Genres: Anthem Source Attribution: T. Wilkinson Voice: [no designation] Languages: English Voice Text: Put me not to rebuke
208	Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	W. Byrd	Byrd, William (ca. 1540–1623)
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby Byrd, William (ca. 1540–1623) Appears on: 208 Genres: Song Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Lullaby, my sweet little baby (Pt II: Be still, my blessed babe)
209	Lullaby - 2a pars (of 2): Be still, my blessed babe	W. Byrd	Byrd, William (ca. 1540–1623)
Lullaby - 2a pars (of 2): Be still, my blessed babe Byrd, William (ca. 1540–1623) Appears on: 209 Genres: Song Source Attribution: W. Byrd
210–211	Delight is dead	W. Byrd	Byrd, William (ca. 1540–1623)
Delight is dead Byrd, William (ca. 1540–1623) Appears on: 210–211 Genres: Consort song Source Attribution: W. Byrd
212–213	When David heard that Absalom	T. Tomkins	Tomkins, Thomas (1572–1656)
When David heard that Absalom Tomkins, Thomas (1572–1656) Appears on: 212–213 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: When David heard that Absalom
214–215	Now is my Cloris fresh	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Now is my Cloris fresh Weelkes, Thomas (ca. 1576–1623) Appears on: 214–215 Genres: Consort song Source Attribution: T. Weelkes
216–217	Unto our flocks	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Unto our flocks Weelkes, Thomas (ca. 1576–1623) Appears on: 216–217 Genres: Consort song Source Attribution: T. Weelkes
218–219	Father of love, pure fountain of rich grace	S Stubbs	Stubbs, Simon
Father of love, pure fountain of rich grace Stubbs, Simon Appears on: 218–219 Genres: Anthem Source Attribution: S Stubbs Voice: [no designation] Languages: English Voice Text: Father of love
220–221	Alleluia. I heard a voice	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Alleluia. I heard a voice Weelkes, Thomas (ca. 1576–1623) Appears on: 220–221 Genres: Alleluia, Motet Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: Alleluia, I heard a voice
222–223	The nightingale that sweetly	P. Philips	Philips, Peter (ca. 1560–1628)
The nightingale that sweetly Philips, Peter (ca. 1560–1628) Appears on: 222–223 Genres: Madrigal (English) Source Attribution: P. Philips
224–225	Hope of my heart	J. Ward	Ward, John (ca. 1589–ca. 1638)
Hope of my heart Ward, John (ca. 1589–ca. 1638) Appears on: 224–225 Genres: Madrigal (English) Source Attribution: J. Ward
226–227	Upon a bank with roses	J. Ward	Ward, John (ca. 1589–ca. 1638)
Upon a bank with roses Ward, John (ca. 1589–ca. 1638) Appears on: 226–227 Genres: Madrigal (English) Source Attribution: J. Ward
228–229	Behold, it is Christ	E. Hooper	Hooper, Edmund
Behold, it is Christ Hooper, Edmund Appears on: 228–229 Genres: Anthem Source Attribution: E. Hooper Voice: [no designation] Languages: English Voice Text: Behold it is Christ
230–231	With all our hearts and mouth (= Salvator mundi (I))	T. Tallis	Tallis, Thomas (ca. 1505–1585)
With all our hearts and mouth (= Salvator mundi (I)) Tallis, Thomas (ca. 1505–1585) Appears on: 230–231 Genres: Anthem, Contrafactum Source Attribution: T. Tallis Voice: [no designation] Languages: English Voice Text: With all our hearts (adaptation of motet Salvator mundi I)
232	Let God arise	J. Ward	Ward, John (ca. 1589–ca. 1638)
Let God arise Ward, John (ca. 1589–ca. 1638) Appears on: 232 Genres: Anthem Source Attribution: J. Ward Voice: [no designation] Languages: English Voice Text: Let God arise
230a–231a	De profundis clamavi	T. Morley	Morley, Thomas (ca. 1557–1602)
De profundis clamavi Morley, Thomas (ca. 1557–1602) Appears on: 230a–231a Genres: Motet Source Attribution: T. Morley Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi
232a–233	Cease now delight	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Cease now delight Weelkes, Thomas (ca. 1576–1623) Appears on: 232a–233 Genres: Song Source Attribution: T. Weelkes
234	When David heard - 2a pars (of 2): O my son Absalom	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
When David heard - 2a pars (of 2): O my son Absalom Weelkes, Thomas (ca. 1576–1623) Appears on: 234 Genres: Anthem Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: O my son Absalom (I) (Pt II of When David heard)
235	O Jonathan, woe is me for thee	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
O Jonathan, woe is me for thee Weelkes, Thomas (ca. 1576–1623) Appears on: 235 Genres: Anthem Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: O Jonathan, woe is me
236	O wretched man	J. Wilbye	Wilbye, John (1574–1638)
O wretched man Wilbye, John (1574–1638) Appears on: 236 Genres: Madrigal (English) Source Attribution: J. Wilbye
237	Where most my thoughts	J. Wilbye	Wilbye, John (1574–1638)
Where most my thoughts Wilbye, John (1574–1638) Appears on: 237 Genres: Madrigal (English) Source Attribution: J. Wilbye
238–239	Draw on sweet night	J. Wilbye	Wilbye, John (1574–1638)
Draw on sweet night Wilbye, John (1574–1638) Appears on: 238–239 Genres: Madrigal (English) Source Attribution: J. Wilbye
240–241	Softly drop mine eyes	J. Wilbye	Wilbye, John (1574–1638)
Softly drop mine eyes Wilbye, John (1574–1638) Appears on: 240–241 Genres: Madrigal (English) Source Attribution: J. Wilbye
242–243	Long have I made	J. Wilbye	Wilbye, John (1574–1638)
Long have I made Wilbye, John (1574–1638) Appears on: 242–243 Genres: Madrigal (English) Source Attribution: J. Wilbye
244–245	O gracious and worthiest	G. Croce	Croce, Giovanni (ca. 1557–1609)
O gracious and worthiest Croce, Giovanni (ca. 1557–1609) Appears on: 244–245 Genres: Madrigal (English) Source Attribution: G. Croce
246	Shall I live so far (= Vivrò dunque lontano)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Shall I live so far (= Vivrò dunque lontano) Marenzio, Luca (ca. 1553–1599) Appears on: 246 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
247	Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti)	A. Bicci	Bicci, Antonio
Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti) Bicci, Antonio Appears on: 247 Genres: Contrafactum, Madrigal Source Attribution: A. Bicci
248–249	Hard by a crystal fountain (= Ove tra l'erbe e i fiori)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Hard by a crystal fountain (= Ove tra l'erbe e i fiori) Croce, Giovanni (ca. 1557–1609) Appears on: 248–249 Genres: Contrafactum, Madrigal (English) Source Attribution: G. Croce
250	Lord in thy wrath - 1a pars (of 2): Lord in thy wrath (= Signor nel tuo furor)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Lord in thy wrath - 1a pars (of 2): Lord in thy wrath (= Signor nel tuo furor) Croce, Giovanni (ca. 1557–1609) Appears on: 250 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Lord, in thy wrath reprove me not (Pt II: Long have I languished) Adaptation of the motet Signor ...
251	Lord, in thy wrath - 2a pars (of 2): Long have I languished (= Gia la virtu mi lascia)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Lord, in thy wrath - 2a pars (of 2): Long have I languished (= Gia la virtu mi lascia) Croce, Giovanni (ca. 1557–1609) Appears on: 251 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Long have I languished (Pt II of Lord, in thy wrath)
252	Show mercy, Lord - 1a pars (of 2): Show mercy, Lord (= Habbi di me)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Show mercy, Lord - 1a pars (of 2): Show mercy, Lord (= Habbi di me) Croce, Giovanni (ca. 1557–1609) Appears on: 252 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Show mercy, Lord (Pt II: Give me a clean heart) Adaptation of the motet Habbi di me
253	Show mercy, Lord - 2a pars (of 2): Give me a clean heart (= Dammi un cor mondo)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Show mercy, Lord - 2a pars (of 2): Give me a clean heart (= Dammi un cor mondo) Croce, Giovanni (ca. 1557–1609) Appears on: 253 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Give me a clean heart (Pt II of Show mercy, Lord)
254–255	Fair Hebe when Dame Flora	T. Bateson	Bateson, Thomas (ca. 1570–1630)
Fair Hebe when Dame Flora Bateson, Thomas (ca. 1570–1630) Appears on: 254–255 Genres: Madrigal (English) Source Attribution: T. Bateson
256–257	Thirsis on his fair Phyllis	T. Bateson	Bateson, Thomas (ca. 1570–1630)
Thirsis on his fair Phyllis Bateson, Thomas (ca. 1570–1630) Appears on: 256–257 Genres: Madrigal (English) Source Attribution: T. Bateson
258–259	Fair Orian in the morn	J. Milton	Milton, John
Fair Orian in the morn Milton, John Appears on: 258–259 Genres: Madrigal (English) Source Attribution: J. Milton
260	Precamur sancte Domine	J. Milton	Milton, John
Precamur sancte Domine Milton, John Appears on: 260 Genres: Motet Source Attribution: J. Milton Voice: [no designation] Languages: Latin Voice Text: Precamur sancte Domine
261	Those spots upon my lady's face	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Those spots upon my lady's face Weelkes, Thomas (ca. 1576–1623) Appears on: 261 Genres: Madrigal (English) Source Attribution: T. Weelkes
262	Retire my thoughts	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
Retire my thoughts Weelkes, Thomas (ca. 1576–1623) Appears on: 262 Genres: Madrigal (English) Source Attribution: T. Weelkes
264–265	Christ rising again - 1a pars (of 2): Christ rising again	W. Byrd	Byrd, William (ca. 1540–1623)
Christ rising again - 1a pars (of 2): Christ rising again Byrd, William (ca. 1540–1623) Appears on: 264–265 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Christ rising again (Pt II: Christ is risen)
263	Christ rising again - 2a pars (of 2): Christ is risen again	W. Byrd	Byrd, William (ca. 1540–1623)
Christ rising again - 2a pars (of 2): Christ is risen again Byrd, William (ca. 1540–1623) Appears on: 263 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Christ is risen (Pt II of Christ rising again)
266–267	How doth the holy city - 1a pars (of 2): How doth the holy city	J. Milton	Milton, John
How doth the holy city - 1a pars (of 2): How doth the holy city Milton, John Appears on: 266–267 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: How doth the holy city (Pt II: She weepeth continually)
268–269	How doth the holy city - 2a pars (of 2): She weepeth continually	J. Milton	Milton, John
How doth the holy city - 2a pars (of 2): She weepeth continually Milton, John Appears on: 268–269 Genres: Anthem Source Attribution: J. Milton Voice: [no designation] Languages: English Voice Text: She weepeth continually (Pt II of How doth the holy city)
270	Almighty God, who by the leading of a star (Almighty God who didst manifest)	J. Bull	Bull, John (ca. 1562–1628)
Almighty God, who by the leading of a star (Almighty God who didst manifest) Bull, John (ca. 1562–1628) Appears on: 270 Genres: Anthem Source Attribution: J. Bull Voice: [no designation] Languages: English Voice Text: Almighty God who by the leading (Almighty God who didst manifest)
272–273	Lord, remember David	M. Jeffreys	Jeffries (Jeffreys), Matthew
Lord, remember David Jeffries (Jeffreys), Matthew Appears on: 272–273 Genres: Anthem Source Attribution: M. Jeffreys Voice: [no designation] Languages: English Voice Text: Lord, remember David
274	In thee, O Lord, do I trust	M. Jeffreys	Jeffries (Jeffreys), Matthew
In thee, O Lord, do I trust Jeffries (Jeffreys), Matthew Appears on: 274 Genres: Anthem Source Attribution: M. Jeffreys Voice: [no designation] Languages: English Voice Text: In thee, O Lord, do I trust
275	When David heard - 1a pars (of 2): When David heard that Absalom	T. Weelkes	Weelkes, Thomas (ca. 1576–1623)
When David heard - 1a pars (of 2): When David heard that Absalom Weelkes, Thomas (ca. 1576–1623) Appears on: 275 Genres: Anthem Source Attribution: T. Weelkes Voice: [no designation] Languages: English Voice Text: When David heard that Absalom
276–277	If the Lord himself had not been on our side	M. Jeffreys	Smith (I), William (1603–1645) (?) Jeffries (Jeffreys), Matthew (?) Smith, Edward (1587–1612) (?)
If the Lord himself had not been on our side Smith (I), William (1603–1645) (?) Jeffries (Jeffreys), Matthew (?) Smith, Edward (1587–1612) (?) Appears on: 276–277 Genres: Anthem Source Attribution: M. Jeffreys Voice: [no designation] Languages: English Voice Text: If the Lord himself
278–279	Thou art my king, O God	T. Tomkins	Tomkins, Thomas (1572–1656)
Thou art my king, O God Tomkins, Thomas (1572–1656) Appears on: 278–279 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: Thou art my king
280–281	Stay, Coridon, thou swain	J. Wilbye	Wilbye, John (1574–1638)
Stay, Coridon, thou swain Wilbye, John (1574–1638) Appears on: 280–281 Genres: Madrigal (English) Source Attribution: J. Wilbye
282–283	Love quench this heat consuming (= Deh scema il foco Amore)	B. Palavicino	Pallavicino, Benedetto
Love quench this heat consuming (= Deh scema il foco Amore) Pallavicino, Benedetto Appears on: 282–283 Genres: Contrafactum, Madrigal (English) Source Attribution: B. Palavicino
284–285	Cruel, why doest thou fly me (= Crudel perché mi fuggi)	B. Palavicino	Pallavicino, Benedetto
Cruel, why doest thou fly me (= Crudel perché mi fuggi) Pallavicino, Benedetto Appears on: 284–285 Genres: Contrafactum, Madrigal Source Attribution: B. Palavicino
286	O that my ways - 1a pars (of 2): O that my ways	M. Peerson	Peerson, Martin
O that my ways - 1a pars (of 2): O that my ways Peerson, Martin Appears on: 286 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: O that my ways
287	O that my ways - 2a pars (of 2): I will thank thee	M. Peerson	Peerson, Martin
O that my ways - 2a pars (of 2): I will thank thee Peerson, Martin Appears on: 287 Genres: Anthem Source Attribution: M. Peerson Voice: [no designation] Languages: English Voice Text: I will thank thee (Pt II of O that my ways)
288–289	So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 288–289 Genres: Contrafactum, Madrigal (English) Source Attribution: A. Ferrabosco
290–291	So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	A. Ferrabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 290–291 Genres: Madrigal (English) Source Attribution: A. Ferrabosco
292	Now must I part (= Parto da voi)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Now must I part (= Parto da voi) Marenzio, Luca (ca. 1553–1599) Appears on: 292 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
293	I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) Marenzio, Luca (ca. 1553–1599) Appears on: 293 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
294	I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) Marenzio, Luca (ca. 1553–1599) Appears on: 294 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
296–297	Laboravi in gemitu meo	T. Morley	Morley, Thomas (ca. 1557–1602)
Laboravi in gemitu meo Morley, Thomas (ca. 1557–1602) Appears on: 296–297 Genres: Motet Source Attribution: T. Morley Voice: [no designation] Languages: Latin Voice Text: Laboravi in gemitu meo
298	O hear me, heavenly powers (= Tal che dovunque)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
O hear me, heavenly powers (= Tal che dovunque) Marenzio, Luca (ca. 1553–1599) Appears on: 298 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
299	In chains of hope (= Ne ferro sdegno)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
In chains of hope (= Ne ferro sdegno) Marenzio, Luca (ca. 1553–1599) Appears on: 299 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
300	Unkind, oh stay (= Crudel perche mi fuggi)	L. Marenzio	Marenzio, Luca (ca. 1553–1599)
Unkind, oh stay (= Crudel perche mi fuggi) Marenzio, Luca (ca. 1553–1599) Appears on: 300 Genres: Contrafactum, Madrigal Source Attribution: L. Marenzio
302	Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	W. Byrd	Byrd, William (ca. 1540–1623)
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength Byrd, William (ca. 1540–1623) Appears on: 302 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Sing joyfully unto God our strength (Pt II: Blow the trumpet)
303	Sing joyfully - 2a pars (of 2): Blow the trumpet	W. Byrd	Byrd, William (ca. 1540–1623)
Sing joyfully - 2a pars (of 2): Blow the trumpet Byrd, William (ca. 1540–1623) Appears on: 303 Genres: Anthem Source Attribution: W. Byrd Voice: [no designation] Languages: English Voice Text: Blow the trumpet (Pt II of Sing joyfully)
304–305	Almighty Lord, whose love - 1a pars (of 2): Almighty Lord, whose love	W. White	White, William
Almighty Lord, whose love - 1a pars (of 2): Almighty Lord, whose love White, William Appears on: 304–305 Genres: Anthem Source Attribution: W. White Voice: [no designation] Languages: English Voice Text: Almighty Lord, whose love
306–307	Almighty Lord, whose love - 2a pars (of 2): Bend down	W. White	White, William
Almighty Lord, whose love - 2a pars (of 2): Bend down White, William Appears on: 306–307 Genres: Anthem Source Attribution: W. White Voice: [no designation] Languages: English Voice Text: Bend down (Pt II of Almighty Lord, whose love)
308–309	It is my well beloved's voice	T. Tomkins	Tomkins, Thomas (1572–1656)
It is my well beloved's voice Tomkins, Thomas (1572–1656) Appears on: 308–309 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: It is my well beloved's voice
310–313	Sing unto God	T. Tomkins	Tomkins, Thomas (1572–1656)
Sing unto God Tomkins, Thomas (1572–1656) Appears on: 310–313 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: Sing unto God
314	Retire my troubled soul	J. Ward	Ward, John (ca. 1589–ca. 1638)
Retire my troubled soul Ward, John (ca. 1589–ca. 1638) Appears on: 314 Genres: Consort song Source Attribution: J. Ward
315	Out from the vale	J. Ward	Ward, John (ca. 1589–ca. 1638)
Out from the vale Ward, John (ca. 1589–ca. 1638) Appears on: 315 Genres: Consort song Source Attribution: J. Ward
316–317	Oft have I tendered	J. Ward	Ward, John (ca. 1589–ca. 1638)
Oft have I tendered Ward, John (ca. 1589–ca. 1638) Appears on: 316–317 Genres: Consort song Source Attribution: J. Ward
318–319	O divine love	J. Ward	Ward, John (ca. 1589–ca. 1638)
O divine love Ward, John (ca. 1589–ca. 1638) Appears on: 318–319 Genres: Consort song Source Attribution: J. Ward
320–321	If the deep sighs - 1a pars (of 2): If the deep sighs	J. Ward	Ward, John (ca. 1589–ca. 1638)
If the deep sighs - 1a pars (of 2): If the deep sighs Ward, John (ca. 1589–ca. 1638) Appears on: 320–321 Genres: Consort song Source Attribution: J. Ward
322–323	If the deep sighs - 2a pars (of 2): There's not a grove	J. Ward	Ward, John (ca. 1589–ca. 1638)
If the deep sighs - 2a pars (of 2): There's not a grove Ward, John (ca. 1589–ca. 1638) Appears on: 322–323 Genres: Consort song Source Attribution: J. Ward
324–325	Weep forth your tears	J. Ward	Ward, John (ca. 1589–ca. 1638)
Weep forth your tears Ward, John (ca. 1589–ca. 1638) Appears on: 324–325 Genres: Consort song Source Attribution: J. Ward
326–327	Die not, fond man	J. Ward	Ward, John (ca. 1589–ca. 1638)
Die not, fond man Ward, John (ca. 1589–ca. 1638) Appears on: 326–327 Genres: Consort song Source Attribution: J. Ward
328–329	Come sable night	J. Ward	Ward, John (ca. 1589–ca. 1638)
Come sable night Ward, John (ca. 1589–ca. 1638) Appears on: 328–329 Genres: Consort song Source Attribution: J. Ward
330–331	I have entreated	J. Ward	Ward, John (ca. 1589–ca. 1638)
I have entreated Ward, John (ca. 1589–ca. 1638) Appears on: 330–331 Genres: Consort song Source Attribution: J. Ward
332–333	Lord in thine anger - 1a pars (of 2): Lord in thine anger (= Signor nel tuo furor)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Lord in thine anger - 1a pars (of 2): Lord in thine anger (= Signor nel tuo furor) Croce, Giovanni (ca. 1557–1609) Appears on: 332–333 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: Lord in thine anger (Pt II: My strength even fails) Adaptation of the motet Signor nel tuo furor
334	Lord in thine anger - 2a pars (of 2): My strength even fails (= Gia la virtu mi lascia)	G. Croce	Croce, Giovanni (ca. 1557–1609)
Lord in thine anger - 2a pars (of 2): My strength even fails (= Gia la virtu mi lascia) Croce, Giovanni (ca. 1557–1609) Appears on: 334 Genres: Anthem, Contrafactum Source Attribution: G. Croce Voice: [no designation] Languages: English Voice Text: My strength even fails (Pt II of Lord, in thine anger)
335	Lord, bend thy righteous ears	-	Anonymous
Lord, bend thy righteous ears Anonymous Appears on: 335 Genres: Anthem Voice: [no designation] Languages: English Voice Text: Lord, bend thy righteous ears
336–337	No object dearer	J. Ward	Ward, John (ca. 1589–ca. 1638)
No object dearer Ward, John (ca. 1589–ca. 1638) Appears on: 336–337 Genres: Song Source Attribution: J. Ward
338–339	From deepest horror of sad penitence	T. Tomkins	Tomkins, Thomas (1572–1656)
From deepest horror of sad penitence Tomkins, Thomas (1572–1656) Appears on: 338–339 Genres: Anthem Source Attribution: T. Tomkins Voice: [no designation] Languages: English Voice Text: From deepest horror of sad penitence
340–341	Oft did I mar'l [marvel]	T. Tomkins	Tomkins, Thomas (1572–1656)
Oft did I mar'l [marvel] Tomkins, Thomas (1572–1656) Appears on: 340–341 Genres: Madrigal (English) Source Attribution: T. Tomkins

Composer	Compositions
Anonymous	Lord, bend thy righteous ears – 335
Bateson, Thomas (ca. 1570–1630)	Alas where is my love – 122–123 Fair Hebe when Dame Flora – 254–255 Hark, hear ye not – 124–125 Thirsis on his fair Phyllis – 256–257
Bennett, John (fl. 1599-1614)	O God of gods - 1a pars (of 2): O God of gods, O King of kings – 172–173 O God of gods - 2a pars (of 2): To the almighty Trinity – 174
Bicci, Antonio	Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti) – 247
Bull, John (ca. 1562–1628)	Almighty God, who by the leading of a star (Almighty God who didst manifest) – 136–137 Almighty God, who by the leading of a star (Almighty God who didst manifest) – 270 Attend unto my tears (I) – 21 Frail man despise the treasures – 16–17 In the departure of the Lord – 20
Byrd, William (ca. 1540–1623)	Christ rising again - 1a pars (of 2): Christ rising again – 264–265 Christ rising again - 2a pars (of 2): Christ is risen again – 263 Come, help, O God – 52 Delight is dead – 210–211 (?) Deliver me from mine enemies – 158 I laid me down – 58 In resurrectione tua – 96 Lullaby - 1a pars (of 2): Lullaby, my sweet little baby – 208 Lullaby - 2a pars (of 2): Be still, my blessed babe – 209 Mine eyes with fervency – 70 My soul oppressed – 71 Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 146 Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 147 O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) – 192–193 O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) – 194–195 Prevent us, O Lord – 196 (?) Save me, O God, for thy name's sake – 154–155 Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength – 302 Sing joyfully - 2a pars (of 2): Blow the trumpet – 303
Coperario, John	O Lord, how do my woes increase – 59
Coste, Richard	Save me, O God, for thy name's sake – 154–155
Croce, Giovanni (ca. 1557–1609)	Hard by a crystal fountain (= Ove tra l'erbe e i fiori) – 248–249 Lord in thine anger - 1a pars (of 2): Lord in thine anger (= Signor nel tuo furor) – 332–333 Lord in thine anger - 2a pars (of 2): My strength even fails (= Gia la virtu mi lascia) – 334 Lord in thy wrath - 1a pars (of 2): Lord in thy wrath (= Signor nel tuo furor) – 250 Lord, in thy wrath - 2a pars (of 2): Long have I languished (= Gia la virtu mi lascia) – 251 O gracious and worthiest – 244–245 Show mercy, Lord - 1a pars (of 2): Show mercy, Lord (= Habbi di me) – 252 Show mercy, Lord - 2a pars (of 2): Give me a clean heart (= Dammi un cor mondo) – 253
Daman, William	Miserere nostri Domine – 60 O heavenly God, O Father dear – 43
Dering, Richard	And the king was moved – 25 The city cries 'What do you lack' – 166–170 The country cries – 98–101
East, Michael	O clap your hands - 1a pars (of 2): O clap your hands – 182–183 O clap your hands - 2a pars (of 2): God is gone up – 184–185 (?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 40 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 41 (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 42 Sweet Muses - 1a pars (of 3): Sweet Muses – 44 Sweet Muses - 2a pars (of 3): Aye me, wherefore sighs – 45 Sweet Muses - 3a pars (of 3): My peace and my pleasure – 46 When Israel came out - 1a pars (of 2): When Israel came out of Egypt – 39 When Israel came out - 2a pars (of 2): What aileth thee – 38
Eremita, Giulio	So far, dear life (= Lungi ben mio da vostri vaghi rai) – 143
Faignient, Noë	When shall I cease lamenting (= Chi per voi non sospira) – 190
Ferrabosco, Alfonso (the elder) (1543–1588)	(?) Fuerunt mihi lachrimae (C36) – 12 I saw my lady - 1a pars (of 2): I saw my lady weeping – 186–187 I saw my lady - 2a pars (of 2): Like as from heaven – 188–189 Peccantem me quotidie (C52) – 161 So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) – 288–289 So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) – 290–291 Zephyrus brings the time (= Zefiro torna) – 176–177
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	Ego dixi - 1a pars (of 2): Ego dixi Domine – 179 Ego dixi - 2a pars (of 2): Convertere Domine – 179 (?) Fuerunt mihi lachrimae (C36) – 12 Hear me, O God (Adaptation of Four-note Pavane) – 142 I languish to complain me – 145 If silent then grief – 144 O nomen Jesu – 178 Quare dereliquerunt me – 18–19
Ford, Thomas	Not unto us, but to thy name – 53
Gibbons, Orlando (ca. 1583–1625)	See, see, the Word is incarnate – 127–129 The cries of London - 1a pars (of 2): God give you good morrow, my masters – 61–63 The cries of London - 2a pars (of 2): Will you go with me - A good sausage – 64–65
Giles, Nathaniel (ca. 1558–1634)	Cease now vain thoughts – 97
Hanford, George	Long have I lifted up my voice – 171
Hooper, Edmund	Behold, it is Christ – 228–229
Hunt, Thomas	(?) Put me not to rebuke – 206–207
Jeffries (Jeffreys), Matthew	(?) If the Lord himself had not been on our side – 276–277 In thee, O Lord, do I trust – 274 Lord, remember David – 272–273
Kindersley, Robert	Judge them, O Lord, which me pursue – 56
Kirbye, George	Lo! here my heart – 10–11 O Jesu, look – 160
Lugge, John (ca. 1587–ca. 1647)	It is a good thing to give thanks – 164–165
Lupo, Thomas (ca. 1571–1627)	Heu mihi Domine – 197 Miserere mei Domine (I) – 153 Miserere mei Domine (I) – 95 O Lord, give ear to my complaint – 22 O vos omnes – 50 O vos omnes – 152 Out of the deep – 66–67 Salva nos Domine – 181
Marenzio, Luca (ca. 1553–1599)	Dolorous mournful cares (= Dolorosi martir) – 126 I must depart (= Io partiro) – 111 I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) – 293 I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) – 294 In chains of hope (= Ne ferro sdegno) – 299 Now must I part (= Parto da voi) – 292 O hear me, heavenly powers (= Tal che dovunque) – 298 O my loving sweetheart (= Caro dolce ben mio) – 203 Shall I live so far (= Vivrò dunque lontano) – 246 Unkind, oh stay (= Crudel perche mi fuggi) – 300
Milton, John	Fair Orian in the morn – 258–259 How doth the holy city - 1a pars (of 2): How doth the holy city – 266–267 How doth the holy city - 2a pars (of 2): She weepeth continually – 268–269 I am the resurrection – 37 If that a sinner's sighs – 34 O Lord, behold my miseries – 33 O woe is me for thee – 36 Precamur sancte Domine – 260 Thou God of might hast chastened me – 20 When David heard that Absalom – 35
Morley, Thomas (ca. 1557–1602)	De profundis clamavi – 230a–231a Eheu! Sustulerunt Dominum – 13 Laboravi in gemitu meo – 296–297 Leave, alas, this tormenting – 104 My lovely wanton jewel – 102–103 Nolo mortem peccatoris... Father I am – 14–15 O amica mea - 1a pars (of 2): O amica mea – 68 O amica mea - 2a pars (of 2): Dentes tui sicut greges – 69 Why weeps alas – 105
Mundy, John (ca. 1555–1630)	O give thanks unto the Lord – 156–157 Sing joyfully unto God our strength – 200–202
Palestrina, Giovanni Pierluigi da (1525–1594)	Sound out my voice (= Vestiva i colli) – 110
Pallavicino, Benedetto	Cruel, why doest thou fly me (= Crudel perché mi fuggi) – 284–285 Love quench this heat consuming (= Deh scema il foco Amore) – 282–283
Palmer, Henry (ca. 1590–1640)	(?) O go not from me – 72–73
Parsons (I), Robert (ca. 1535–ca. 1572)	(?) Deliver me from mine enemies – 158
Peerson, Martin	Blow up the trumpet – 74–75 Fly, ravished soul - 1a pars (of 4): Fly, ravished soul – 80 Fly, ravished soul - 2a pars (of 4): Rest thee awhile – 81 Fly, ravished soul - 3a pars (of 4): Muse still thereon – 82–83 Fly, ravished soul - 4a pars (of 4): Rain eyes – 78 I am brought - 1a pars (of 2): I am brought into so great trouble – 84–85 I am brought - 2a pars (of 2): My heart panteth – 86–87 O Lord, thou hast searched me out - 1a pars (of 4): O Lord, thou hast searched me out – 91 O Lord, thou hast searched me out - 2a pars (of 4): Thou art about – 92 O Lord, thou hast searched me out - 3a pars (of 4): Thou hast fashioned me – 93 O Lord, thou hast searched me out - 4a pars (of 4): Whither shall I go – 94 O go not from me – 72–73 O let me at thy footstool fall – 55 O that my ways - 1a pars (of 2): O that my ways – 286 O that my ways - 1a pars (of 2): O that my ways – 30 O that my ways - 2a pars (of 2): I will thank thee – 287 O that my ways - 2a pars (of 2): I will thank thee – 31 Plead thou my cause – 28 Wake sorrow - 1a pars (of 2): Wake sorrow – 88–89 Wake sorrow - 2a pars (of 2): Arbella sole paragon – 90 Who will rise up - 1a pars (of 2): Who will rise up with me – 76 Who will rise up - 2a pars (of 2): But when I said – 77
Philips, Peter (ca. 1560–1628)	The nightingale that sweetly – 222–223
Ravenscroft, Thomas	Ah, helpless wretch – 29 All laud and praise – 32 Ne laeteris inimica mea – 47 O Jesu meek – 27
Simmes, William	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 40 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 41 (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 42
Smith (I), William (1603–1645)	(?) If the Lord himself had not been on our side – 276–277
Smith, Edward (1587–1612)	(?) If the Lord himself had not been on our side – 276–277
Stubbs, Simon	Father of love, pure fountain of rich grace – 218–219 Have mercy upon me, O God – 198–199
Tallis, Thomas (ca. 1505–1585)	I call and cry to Thee (= O sacrum convivium) – 150–151 O sacred and holy banquet (= O sacrum convivium – 48–49 With all our hearts and mouth (= Salvator mundi (I)) – 230–231
Tomkins, John (1586–1638)	O thrice-blessed earthbed – 51
Tomkins, Thomas (1572–1656)	From deepest horror of sad penitence – 338–339 It is my well beloved's voice – 308–309 Oft did I mar'l [marvel] – 340–341 Sing unto God – 310–313 Thou art my king, O God – 278–279 When David heard that Absalom – 212–213
Tye, Christopher (ca. 1505–ca. 1573)	I lift my heart to thee (= Amavit eum Dominus) – 148–149
Van Wilder, Phillip	Blessed art thou that fearest God and walkest in his ways – 159
Vecchi, Orazio (1550–1605)	Life tell me (= Deh, dimmi) – 112 The white delightful swan (= Il bianco e dolce cigno) – 175
Ward, John (ca. 1589–ca. 1638)	Come sable night – 328–329 Die not, fond man – 326–327 Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch – 130–131 Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain – 132–133 Flora, fair nymph, whilst silly lambs are feeding – 113 Hope of my heart – 224–225 How long wilt Thou forget me, O Lord – 134–135 I have entreated – 330–331 If the deep sighs - 1a pars (of 2): If the deep sighs – 320–321 If the deep sighs - 2a pars (of 2): There's not a grove – 322–323 Let God arise – 232 No object dearer – 336–337 O Lord, consider my great moans – 57 O divine love – 318–319 O let me tread in the right paths – 21 Oft have I tendered – 316–317 Out from the vale – 315 Retire my troubled soul – 314 Upon a bank with roses – 226–227 Weep forth your tears – 324–325
Weelkes, Thomas (ca. 1576–1623)	Alleluia. I heard a voice – 220–221 Cease now delight – 232a–233 Come clap - 1a pars (of 2): Come clap thy hands – 108 Come clap - 2a pars (of 2): Phillis hath sworn – 109 Give ear, O Lord – 180 Give me my heart – 106–107 Now is my Cloris fresh – 214–215 O Jonathan, woe is me for thee – 235 O happy he whom thou protect'st – 54 Retire my thoughts – 262 Those spots upon my lady's face – 261 Unto our flocks – 216–217 When David heard - 1a pars (of 2): When David heard that Absalom – 275 When David heard - 2a pars (of 2): O my son Absalom – 234
White, William	Almighty Lord, whose love - 1a pars (of 2): Almighty Lord, whose love – 304–305 Almighty Lord, whose love - 2a pars (of 2): Bend down – 306–307
Wilbye, John (1574–1638)	Adieu sweet Amaryllis – 24 All pleasure is of this – 140–141 Change me, o heavens – 4–5 Down in a valley - 1a pars (of 2): Down in a valley – 118–119 Down in a valley - 2a pars (of 2): Hard destinies – 120–121 Draw on sweet night – 238–239 Happy streams – 2–3 I am quite tired with my groans – 23 I love alas – 8–9 Long have I made – 242–243 Love me not for comely grace – 6–7 Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine – 26 Ne reminiscaris - 2a pars (of 2): Parce Domine – 26 O wretched man – 236 Softly drop mine eyes – 240–241 Stay, Coridon, thou swain – 280–281 Sweet honey-sucking bees - 1a pars (of 2): Sweet honey-sucking bees – 114–115 Sweet honey-sucking bees - 2a pars (of 2): Yet sweet, take heed – 116 There where I saw – 138–139 Weep, o mine eyes – 117 When Cloris heard – 1 Where most my thoughts – 237
Wilkinson, T(homas?)	(?) Hear my prayer, O Lord – 162–163 (?) Preserve me, O Lord – 204–205 (?) Put me not to rebuke – 206–207
Wilkinson, William	(?) Hear my prayer, O Lord – 162–163

Composition	Composers (? Uncertain)	Folios / Pages
Adieu sweet Amaryllis	Wilbye, John (1574–1638)	24
Ah, helpless wretch	Ravenscroft, Thomas	29
Alas where is my love	Bateson, Thomas (ca. 1570–1630)	122–123
All laud and praise	Ravenscroft, Thomas	32
All pleasure is of this	Wilbye, John (1574–1638)	140–141
Alleluia. I heard a voice	Weelkes, Thomas (ca. 1576–1623)	220–221
Almighty God, who by the leading of a star (Almighty God who didst manifest)	Bull, John (ca. 1562–1628)	136–137
Almighty God, who by the leading of a star (Almighty God who didst manifest)	Bull, John (ca. 1562–1628)	270
Almighty Lord, whose love - 1a pars (of 2): Almighty Lord, whose love	White, William	304–305
Almighty Lord, whose love - 2a pars (of 2): Bend down	White, William	306–307
And the king was moved	Dering, Richard	25
Attend unto my tears (I)	Bull, John (ca. 1562–1628)	21
Behold, it is Christ	Hooper, Edmund	228–229
Blessed art thou that fearest God and walkest in his ways	Van Wilder, Phillip	159
Blow up the trumpet	Peerson, Martin	74–75
Cease now delight	Weelkes, Thomas (ca. 1576–1623)	232a–233
Cease now vain thoughts	Giles, Nathaniel (ca. 1558–1634)	97
Change me, o heavens	Wilbye, John (1574–1638)	4–5
Christ rising again - 1a pars (of 2): Christ rising again	Byrd, William (ca. 1540–1623)	264–265
Christ rising again - 2a pars (of 2): Christ is risen again	Byrd, William (ca. 1540–1623)	263
Come clap - 1a pars (of 2): Come clap thy hands	Weelkes, Thomas (ca. 1576–1623)	108
Come clap - 2a pars (of 2): Phillis hath sworn	Weelkes, Thomas (ca. 1576–1623)	109
Come sable night	Ward, John (ca. 1589–ca. 1638)	328–329
Come, help, O God	Byrd, William (ca. 1540–1623)	52
Cruel, why doest thou fly me (= Crudel perché mi fuggi)	Pallavicino, Benedetto	284–285
Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti)	Bicci, Antonio	247
De profundis clamavi	Morley, Thomas (ca. 1557–1602)	230a–231a
Delight is dead	Byrd, William (ca. 1540–1623)	210–211
Deliver me from mine enemies	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Byrd, William (ca. 1540–1623) (?)	158
Die not, fond man	Ward, John (ca. 1589–ca. 1638)	326–327
Dolorous mournful cares (= Dolorosi martir)	Marenzio, Luca (ca. 1553–1599)	126
Down in a valley - 1a pars (of 2): Down in a valley	Wilbye, John (1574–1638)	118–119
Down in a valley - 2a pars (of 2): Hard destinies	Wilbye, John (1574–1638)	120–121
Down, caitiff wretch - 1a pars (of 2): Down, caitiff wretch	Ward, John (ca. 1589–ca. 1638)	130–131
Down, caitiff wretch - 2a pars (of 2): Prayer is an endless chain	Ward, John (ca. 1589–ca. 1638)	132–133
Draw on sweet night	Wilbye, John (1574–1638)	238–239
Ego dixi - 1a pars (of 2): Ego dixi Domine	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	179
Ego dixi - 2a pars (of 2): Convertere Domine	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	179
Eheu! Sustulerunt Dominum	Morley, Thomas (ca. 1557–1602)	13
Fair Hebe when Dame Flora	Bateson, Thomas (ca. 1570–1630)	254–255
Fair Orian in the morn	Milton, John	258–259
Father of love, pure fountain of rich grace	Stubbs, Simon	218–219
Flora, fair nymph, whilst silly lambs are feeding	Ward, John (ca. 1589–ca. 1638)	113
Fly, ravished soul - 1a pars (of 4): Fly, ravished soul	Peerson, Martin	80
Fly, ravished soul - 2a pars (of 4): Rest thee awhile	Peerson, Martin	81
Fly, ravished soul - 3a pars (of 4): Muse still thereon	Peerson, Martin	82–83
Fly, ravished soul - 4a pars (of 4): Rain eyes	Peerson, Martin	78
Frail man despise the treasures	Bull, John (ca. 1562–1628)	16–17
From deepest horror of sad penitence	Tomkins, Thomas (1572–1656)	338–339
Fuerunt mihi lachrimae (C36)	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) (?)	12
Give ear, O Lord	Weelkes, Thomas (ca. 1576–1623)	180
Give me my heart	Weelkes, Thomas (ca. 1576–1623)	106–107
Happy streams	Wilbye, John (1574–1638)	2–3
Hard by a crystal fountain (= Ove tra l'erbe e i fiori)	Croce, Giovanni (ca. 1557–1609)	248–249
Hark, hear ye not	Bateson, Thomas (ca. 1570–1630)	124–125
Have mercy upon me, O God	Stubbs, Simon	198–199
Hear me, O God (Adaptation of Four-note Pavane)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	142
Hear my prayer, O Lord	Wilkinson, William (?) Wilkinson, T(homas?) (?)	162–163
Heu mihi Domine	Lupo, Thomas (ca. 1571–1627)	197
Hope of my heart	Ward, John (ca. 1589–ca. 1638)	224–225
How doth the holy city - 1a pars (of 2): How doth the holy city	Milton, John	266–267
How doth the holy city - 2a pars (of 2): She weepeth continually	Milton, John	268–269
How long wilt Thou forget me, O Lord	Ward, John (ca. 1589–ca. 1638)	134–135
I am brought - 1a pars (of 2): I am brought into so great trouble	Peerson, Martin	84–85
I am brought - 2a pars (of 2): My heart panteth	Peerson, Martin	86–87
I am quite tired with my groans	Wilbye, John (1574–1638)	23
I am the resurrection	Milton, John	37
I call and cry to Thee (= O sacrum convivium)	Tallis, Thomas (ca. 1505–1585)	150–151
I have entreated	Ward, John (ca. 1589–ca. 1638)	330–331
I laid me down	Byrd, William (ca. 1540–1623)	58
I languish to complain me	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	145
I lift my heart to thee (= Amavit eum Dominus)	Tye, Christopher (ca. 1505–ca. 1573)	148–149
I love alas	Wilbye, John (1574–1638)	8–9
I must depart (= Io partiro)	Marenzio, Luca (ca. 1553–1599)	111
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	Marenzio, Luca (ca. 1553–1599)	293
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	Marenzio, Luca (ca. 1553–1599)	294
I saw my lady - 1a pars (of 2): I saw my lady weeping	Ferrabosco, Alfonso (the elder) (1543–1588)	186–187
I saw my lady - 2a pars (of 2): Like as from heaven	Ferrabosco, Alfonso (the elder) (1543–1588)	188–189
If silent then grief	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	144
If that a sinner's sighs	Milton, John	34
If the deep sighs - 1a pars (of 2): If the deep sighs	Ward, John (ca. 1589–ca. 1638)	320–321
If the deep sighs - 2a pars (of 2): There's not a grove	Ward, John (ca. 1589–ca. 1638)	322–323
If the Lord himself had not been on our side	Smith (I), William (1603–1645) (?) Jeffries (Jeffreys), Matthew (?) Smith, Edward (1587–1612) (?)	276–277
In chains of hope (= Ne ferro sdegno)	Marenzio, Luca (ca. 1553–1599)	299
In resurrectione tua	Byrd, William (ca. 1540–1623)	96
In the departure of the Lord	Bull, John (ca. 1562–1628)	20
In thee, O Lord, do I trust	Jeffries (Jeffreys), Matthew	274
It is a good thing to give thanks	Lugge, John (ca. 1587–ca. 1647)	164–165
It is my well beloved's voice	Tomkins, Thomas (1572–1656)	308–309
Judge them, O Lord, which me pursue	Kindersley, Robert	56
Laboravi in gemitu meo	Morley, Thomas (ca. 1557–1602)	296–297
Leave, alas, this tormenting	Morley, Thomas (ca. 1557–1602)	104
Let God arise	Ward, John (ca. 1589–ca. 1638)	232
Life tell me (= Deh, dimmi)	Vecchi, Orazio (1550–1605)	112
Lo! here my heart	Kirbye, George	10–11
Long have I lifted up my voice	Hanford, George	171
Long have I made	Wilbye, John (1574–1638)	242–243
Lord in thine anger - 1a pars (of 2): Lord in thine anger (= Signor nel tuo furor)	Croce, Giovanni (ca. 1557–1609)	332–333
Lord in thine anger - 2a pars (of 2): My strength even fails (= Gia la virtu mi lascia)	Croce, Giovanni (ca. 1557–1609)	334
Lord in thy wrath - 1a pars (of 2): Lord in thy wrath (= Signor nel tuo furor)	Croce, Giovanni (ca. 1557–1609)	250
Lord, bend thy righteous ears	Anonymous	335
Lord, in thy wrath - 2a pars (of 2): Long have I languished (= Gia la virtu mi lascia)	Croce, Giovanni (ca. 1557–1609)	251
Lord, remember David	Jeffries (Jeffreys), Matthew	272–273
Love me not for comely grace	Wilbye, John (1574–1638)	6–7
Love quench this heat consuming (= Deh scema il foco Amore)	Pallavicino, Benedetto	282–283
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	Byrd, William (ca. 1540–1623)	208
Lullaby - 2a pars (of 2): Be still, my blessed babe	Byrd, William (ca. 1540–1623)	209
Mine eyes with fervency	Byrd, William (ca. 1540–1623)	70
Miserere mei Domine (I)	Lupo, Thomas (ca. 1571–1627)	95
Miserere mei Domine (I)	Lupo, Thomas (ca. 1571–1627)	153
Miserere nostri Domine	Daman, William	60
My lovely wanton jewel	Morley, Thomas (ca. 1557–1602)	102–103
My soul oppressed	Byrd, William (ca. 1540–1623)	71
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	146
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	147
Ne laeteris inimica mea	Ravenscroft, Thomas	47
Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine	Wilbye, John (1574–1638)	26
Ne reminiscaris - 2a pars (of 2): Parce Domine	Wilbye, John (1574–1638)	26
No object dearer	Ward, John (ca. 1589–ca. 1638)	336–337
Nolo mortem peccatoris... Father I am	Morley, Thomas (ca. 1557–1602)	14–15
Not unto us, but to thy name	Ford, Thomas	53
Now is my Cloris fresh	Weelkes, Thomas (ca. 1576–1623)	214–215
Now must I part (= Parto da voi)	Marenzio, Luca (ca. 1553–1599)	292
O amica mea - 1a pars (of 2): O amica mea	Morley, Thomas (ca. 1557–1602)	68
O amica mea - 2a pars (of 2): Dentes tui sicut greges	Morley, Thomas (ca. 1557–1602)	69
O clap your hands - 1a pars (of 2): O clap your hands	East, Michael	182–183
O clap your hands - 2a pars (of 2): God is gone up	East, Michael	184–185
O divine love	Ward, John (ca. 1589–ca. 1638)	318–319
O give thanks unto the Lord	Mundy, John (ca. 1555–1630)	156–157
O go not from me	Palmer, Henry (ca. 1590–1640) (?) Peerson, Martin	72–73
O God of gods - 1a pars (of 2): O God of gods, O King of kings	Bennett, John (fl. 1599-1614)	172–173
O God of gods - 2a pars (of 2): To the almighty Trinity	Bennett, John (fl. 1599-1614)	174
O gracious and worthiest	Croce, Giovanni (ca. 1557–1609)	244–245
O happy he whom thou protect'st	Weelkes, Thomas (ca. 1576–1623)	54
O hear me, heavenly powers (= Tal che dovunque)	Marenzio, Luca (ca. 1553–1599)	298
O heavenly God, O Father dear	Daman, William	43
O Jesu meek	Ravenscroft, Thomas	27
O Jesu, look	Kirbye, George	160
O Jonathan, woe is me for thee	Weelkes, Thomas (ca. 1576–1623)	235
O let me at thy footstool fall	Peerson, Martin	55
O let me tread in the right paths	Ward, John (ca. 1589–ca. 1638)	21
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	Byrd, William (ca. 1540–1623)	192–193
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	Byrd, William (ca. 1540–1623)	194–195
O Lord, behold my miseries	Milton, John	33
O Lord, consider my great moans	Ward, John (ca. 1589–ca. 1638)	57
O Lord, give ear to my complaint	Lupo, Thomas (ca. 1571–1627)	22
O Lord, how do my woes increase	Coperario, John	59
O Lord, thou hast searched me out - 1a pars (of 4): O Lord, thou hast searched me out	Peerson, Martin	91
O Lord, thou hast searched me out - 2a pars (of 4): Thou art about	Peerson, Martin	92
O Lord, thou hast searched me out - 3a pars (of 4): Thou hast fashioned me	Peerson, Martin	93
O Lord, thou hast searched me out - 4a pars (of 4): Whither shall I go	Peerson, Martin	94
O my loving sweetheart (= Caro dolce ben mio)	Marenzio, Luca (ca. 1553–1599)	203
O nomen Jesu	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	178
O sacred and holy banquet (= O sacrum convivium	Tallis, Thomas (ca. 1505–1585)	48–49
O that my ways - 1a pars (of 2): O that my ways	Peerson, Martin	30
O that my ways - 1a pars (of 2): O that my ways	Peerson, Martin	286
O that my ways - 2a pars (of 2): I will thank thee	Peerson, Martin	31
O that my ways - 2a pars (of 2): I will thank thee	Peerson, Martin	287
O thrice-blessed earthbed	Tomkins, John (1586–1638)	51
O vos omnes	Lupo, Thomas (ca. 1571–1627)	50
O vos omnes	Lupo, Thomas (ca. 1571–1627)	152
O woe is me for thee	Milton, John	36
O wretched man	Wilbye, John (1574–1638)	236
Oft did I mar'l [marvel]	Tomkins, Thomas (1572–1656)	340–341
Oft have I tendered	Ward, John (ca. 1589–ca. 1638)	316–317
Out from the vale	Ward, John (ca. 1589–ca. 1638)	315
Out of the deep	Lupo, Thomas (ca. 1571–1627)	66–67
Peccantem me quotidie (C52)	Ferrabosco, Alfonso (the elder) (1543–1588)	161
Plead thou my cause	Peerson, Martin	28
Precamur sancte Domine	Milton, John	260
Preserve me, O Lord	Wilkinson, T(homas?) (?)	204–205
Prevent us, O Lord	Byrd, William (ca. 1540–1623)	196
Put me not to rebuke	Wilkinson, T(homas?) (?) Hunt, Thomas (?)	206–207
Quare dereliquerunt me	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	18–19
Retire my thoughts	Weelkes, Thomas (ca. 1576–1623)	262
Retire my troubled soul	Ward, John (ca. 1589–ca. 1638)	314
Rise, O my soul - 1a pars (of 3): Rise, O my soul	East, Michael (?) Simmes, William (?)	40
Rise, O my soul - 2a pars (of 3): And thou, my soul	East, Michael (?) Simmes, William (?)	41
Rise, O my soul - 3a pars (of 3): To thee, O Jesus	East, Michael (?) Simmes, William (?)	42
Salva nos Domine	Lupo, Thomas (ca. 1571–1627)	181
Save me, O God, for thy name's sake	Byrd, William (ca. 1540–1623) (?) Coste, Richard	154–155
See, see, the Word is incarnate	Gibbons, Orlando (ca. 1583–1625)	127–129
Shall I live so far (= Vivrò dunque lontano)	Marenzio, Luca (ca. 1553–1599)	246
Show mercy, Lord - 1a pars (of 2): Show mercy, Lord (= Habbi di me)	Croce, Giovanni (ca. 1557–1609)	252
Show mercy, Lord - 2a pars (of 2): Give me a clean heart (= Dammi un cor mondo)	Croce, Giovanni (ca. 1557–1609)	253
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	Byrd, William (ca. 1540–1623)	302
Sing joyfully - 2a pars (of 2): Blow the trumpet	Byrd, William (ca. 1540–1623)	303
Sing joyfully unto God our strength	Mundy, John (ca. 1555–1630)	200–202
Sing unto God	Tomkins, Thomas (1572–1656)	310–313
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	Ferrabosco, Alfonso (the elder) (1543–1588)	288–289
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	Ferrabosco, Alfonso (the elder) (1543–1588)	290–291
So far, dear life (= Lungi ben mio da vostri vaghi rai)	Eremita, Giulio	143
Softly drop mine eyes	Wilbye, John (1574–1638)	240–241
Sound out my voice (= Vestiva i colli)	Palestrina, Giovanni Pierluigi da (1525–1594)	110
Stay, Coridon, thou swain	Wilbye, John (1574–1638)	280–281
Sweet honey-sucking bees - 1a pars (of 2): Sweet honey-sucking bees	Wilbye, John (1574–1638)	114–115
Sweet honey-sucking bees - 2a pars (of 2): Yet sweet, take heed	Wilbye, John (1574–1638)	116
Sweet Muses - 1a pars (of 3): Sweet Muses	East, Michael	44
Sweet Muses - 2a pars (of 3): Aye me, wherefore sighs	East, Michael	45
Sweet Muses - 3a pars (of 3): My peace and my pleasure	East, Michael	46
The city cries 'What do you lack'	Dering, Richard	166–170
The country cries	Dering, Richard	98–101
The cries of London - 1a pars (of 2): God give you good morrow, my masters	Gibbons, Orlando (ca. 1583–1625)	61–63
The cries of London - 2a pars (of 2): Will you go with me - A good sausage	Gibbons, Orlando (ca. 1583–1625)	64–65
The nightingale that sweetly	Philips, Peter (ca. 1560–1628)	222–223
The white delightful swan (= Il bianco e dolce cigno)	Vecchi, Orazio (1550–1605)	175
There where I saw	Wilbye, John (1574–1638)	138–139
Thirsis on his fair Phyllis	Bateson, Thomas (ca. 1570–1630)	256–257
Those spots upon my lady's face	Weelkes, Thomas (ca. 1576–1623)	261
Thou art my king, O God	Tomkins, Thomas (1572–1656)	278–279
Thou God of might hast chastened me	Milton, John	20
Unkind, oh stay (= Crudel perche mi fuggi)	Marenzio, Luca (ca. 1553–1599)	300
Unto our flocks	Weelkes, Thomas (ca. 1576–1623)	216–217
Upon a bank with roses	Ward, John (ca. 1589–ca. 1638)	226–227
Wake sorrow - 1a pars (of 2): Wake sorrow	Peerson, Martin	88–89
Wake sorrow - 2a pars (of 2): Arbella sole paragon	Peerson, Martin	90
Weep forth your tears	Ward, John (ca. 1589–ca. 1638)	324–325
Weep, o mine eyes	Wilbye, John (1574–1638)	117
When Cloris heard	Wilbye, John (1574–1638)	1
When David heard - 1a pars (of 2): When David heard that Absalom	Weelkes, Thomas (ca. 1576–1623)	275
When David heard - 2a pars (of 2): O my son Absalom	Weelkes, Thomas (ca. 1576–1623)	234
When David heard that Absalom	Milton, John	35
When David heard that Absalom	Tomkins, Thomas (1572–1656)	212–213
When Israel came out - 1a pars (of 2): When Israel came out of Egypt	East, Michael	39
When Israel came out - 2a pars (of 2): What aileth thee	East, Michael	38
When shall I cease lamenting (= Chi per voi non sospira)	Faignient, Noë	190
Where most my thoughts	Wilbye, John (1574–1638)	237
Who will rise up - 1a pars (of 2): Who will rise up with me	Peerson, Martin	76
Who will rise up - 2a pars (of 2): But when I said	Peerson, Martin	77
Why weeps alas	Morley, Thomas (ca. 1557–1602)	105
With all our hearts and mouth (= Salvator mundi (I))	Tallis, Thomas (ca. 1505–1585)	230–231
Zephyrus brings the time (= Zefiro torna)	Ferrabosco, Alfonso (the elder) (1543–1588)	176–177

Set: MSS Additional 29372-29377

Type: Partbooks

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GB-Lbl Add. MS 29372 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29373 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29374 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29375 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29376 (Tristitiae Remedium of Thomas Myriell)

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GB-Lbl Add. MS 29377 (Tristitiae Remedium of Thomas Myriell)

‡ denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xiv,xvii-xviii; II.xii. Notes: physical description (partial); contents list (partial); concordances (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 75-6,85-6,187. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Duffy, John. 1980. The Songs and Motets of Alfonso Ferrabosco, the Younger (1575-1628). Ann Arbor. Pages: 215ff,248,304,307,444-50. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: XX, 288. Notes: facsimile (partial).

Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems. London. Pages: 14, 332-51. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Monson, Craig. 1977. Thomas Myriell's Manuscript Collection: One View of Musical Taste in Jacobean London. Journal of the American Musicological Society, 419-65. Notes: physical description (partial); contents list; concordances; facsimile (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Willetts, Pamela J. 1972. The Identity of Thomas Myriell. Music and Letters, 431-3. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

Willetts, Pamela J. 1968. Musical Connections of Thomas Myriell. Music and Letters, 36-42. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 34, 241-2. Notes: physical description (partial); contents list (partial); concordances (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: III, 134-55, 221; IX, 167-8; XII, 120, 122; XIX, 327. Notes: contents list (partial); concordances (partial); transcriptions (partial).

King, William Joseph. 1962. The English Anthem from the Early Tudor Period through the Restoration Era. Boston University, Unpublished Ph.D. dissertation. Pages: I, 349-50; II, 1-10. Notes: transcription (partial); facsimile (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 10-3, 281; II, 150-3; III, 390. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XXII, 30-3, 73-4, 114-26, 133-57, 174, 179ff; XXIII, 126-30. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, 1178-9. Notes: physical description (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 166, 175. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: II, xxi, xxxvi-xxxvii; IV, xxxvi; V, xxviii. Notes: physical description (partial); contents list (partial); concordances (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1861-75], 631-2. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description