A Discantus partbook from a set of three volumes. Copied by two main scribes (nos. 1-10, 11-25) and one additional scribe (no. 26) (BrowZ). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.
| Archive | Ratsschulbibliothek, Zwickau, Germany (D-Z) |
|---|---|
| Shelfmark | Mu 1622-1647 [Discantus] |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | None / Unknown |
| Measurements | 71 x 85 mm |
| Other Identifiers |
|
| Notations |
|
| Relationships |
|
| Provenance |
|
| Contents | Contains 27 compositions, 22 from 12 composers, 5 are anonymous. |
General Description
Extent
51 leaves
Binding
Original covers of brown parchment or leather, inscribed with voice designations; all three books now bound together in modern covers of speckled green cardboard
Watermark
crown surmounted by cross (not in Briquet, but see Briquet #5008 for general pattern)
Foliation
No foliation or pagination.
Decoration
No decorative initials; attributions in red ink.
Index
none
DIAMM Note
Original numbering of pieces, 1-26 (many pieces numbered twice, once in red ink, once in black)
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Mass Ordinary section (without text), 2 motets (without text), 13 French secular pieces (without text), 3 Italian secular pieces (2 without text; 1 with text incipit "Fortuna"), 1 Dutch secular piece (without text), 1 German secular piece (without text), 5 textless pieces = 26
A. Agricola-1, A. Agricola/(Compère)-1, M. Agricola-1, (Com-père)-4, (Compère/Tinctoris)-1, (Craen)-1, (Hayne van Ghize-ghem)-1, Isaac-4, Isaac/(A. Agricola)-1, (Isaac/La Rue)-1, Jos-quin-3, (Obrecht)-1, Obrecht/(Isaac/Weerbecke)-1, (Senfl)-1, anon-4
3 paper partbooks (D-51 folios, T-47, B-54), 71 x 85. No foliation or pagination. Original numbering of pieces, 1-26 (many pieces numbered twice, once in red ink, once in black). Original covers of brown parchment or leather, inscribed with voice designations; all three books now bound together in modern covers of speckled green cardboard. No index. Copied by two main scribes and one additional scribe (BrowZ). No decorative initials; attributions in red ink. Watermark: crown surmounted by cross (not in Briquet, but see Briquet #5008 for general pattern).
Ca. 1535-45. Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.
Loading inventory…
The inventory could not be loaded.
Sets
Select a set to see its sources.
MS 78,3
Partbooks · 3 sources
‡ denotes primary source study
Brown, Howard Mayer. 1985. Music for a Town Official in Sixteenth-Century Zwickau. Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland], Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland], vol. VII. 479-91. Notes: contents list; concordances (partial); mention of MS; discussion.
Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Pages: 104-5,339-40,349,368. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 147-8,198,209-12,215,221, 262,289,296. Notes: contents list (partial); concordances (partial).
Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 283. Notes: contents list (partial); concordances (partial).
Kämper, Dietrich. 1980. La stangetta-eine Instrumentalkomposition Gåspars van Weerbeke? Ars Musica, Musica Scientia: Festschrift Heinrich Huschen zum fünfundsechzigsten Geburtstag, Beiträge zur Rheinischen Musikgeschichte, vol. 126. 277-88. Cologne. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 58-9, 293-4,431-2,453,462,466,478,483. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 339-40,727. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae, vol. 74. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii,xxvii,xxxiv. Notes: mention of MS; contents list (partial); concordances (partial).
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xlvi,32-4,72. Notes: physical description; contents list (partial); concordances (partial).
Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae, vol. 18. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiii-xiv. Notes: contents list (partial); concordances (partial).
Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I,81,126,174,187,203. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 98, passim. Notes: physical description (partial); contents list (partial); concordances (partial).
Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 38,50-2,54. Notes: mention of MS; contents list (partial); concordances (partial).
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xxi-xxii,xxxi. Notes: contents list (partial); concordances (partial).
Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,376. Notes: physical description (partial); contents list (partial); concordances (partial).
Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 149ff. Notes: contents list (partial); concordances (partial).
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,465. Notes: physical description (partial).
Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XV/XVI,viii,45-7. Notes: physical description (partial); contents list (partial); transcription (partial).
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII,174, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, 26: . Pages: 28-30. Notes: physical description (partial); incipits.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description