D-Z Mu 1622-1647 [Discantus]

Ratsschulbibliothek, Zwickau, Germany

partbook: c. 1535-45

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mu 1622-1647 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None / Unknown
Measurements	71 x 85 mm
Other Identifiers	CCM: ZwiR 78/3 Other catalogues/source: VollBM [see bibliography] 12 olim (Former shelfmark): MS LXXVIII,3 olim (Former shelfmark): MS 78,3 olim (Former shelfmark): MS 69.1.37
Notations	black void mensural
Relationships	Roth, Stephan (1492–1546) (owner) Zwickau Ratsschulbibliothek (owner)
Provenance	Zwickau? Saxony, Germany
Contents	27 pieces from 13 composers

General Description

A Discantus partbook from a set of three volumes. Copied by two main scribes (nos. 1-10, 11-25) and one additional scribe (no. 26) (BrowZ). Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

DIAMM, 2017

Extent

51 leaves

DIAMM, 2017

Binding

Original covers of brown parchment or leather, inscribed with voice designations; all three books now bound together in modern covers of speckled green cardboard

DIAMM, 2017

Watermark

crown surmounted by cross (not in Briquet, but see Briquet #5008 for general pattern)

DIAMM, 2017

Foliation

No foliation or pagination.

DIAMM, 2017

Decoration

No decorative initials; attributions in red ink.

DIAMM, 2017

Index

none

DIAMM, 2017

DIAMM Note

Original numbering of pieces, 1-26 (many pieces numbered twice, once in red ink, once in black)

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Ordinary section (without text), 2 motets (without text), 13 French secular pieces (without text), 3 Italian secular pieces (2 without text; 1 with text incipit "Fortuna"), 1 Dutch secular piece (without text), 1 German secular piece (without text), 5 textless pieces = 26

A. Agricola-1, A. Agricola/(Compère)-1, M. Agricola-1, (Com-père)-4, (Compère/Tinctoris)-1, (Craen)-1, (Hayne van Ghize-ghem)-1, Isaac-4, Isaac/(A. Agricola)-1, (Isaac/La Rue)-1, Jos-quin-3, (Obrecht)-1, Obrecht/(Isaac/Weerbecke)-1, (Senfl)-1, anon-4

3 paper partbooks (D-51 folios, T-47, B-54), 71 x 85. No foliation or pagination. Original numbering of pieces, 1-26 (many pieces numbered twice, once in red ink, once in black). Original covers of brown parchment or leather, inscribed with voice designations; all three books now bound together in modern covers of speckled green cardboard. No index. Copied by two main scribes and one additional scribe (BrowZ). No decorative initials; attributions in red ink. Watermark: crown surmounted by cross (not in Briquet, but see Briquet #5008 for general pattern).

Ca. 1535-45. Probably copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–4v	Ich stund an einem morgen heimlich [S165 - 3vv]	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich stund an einem morgen heimlich [S165 - 3vv] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 2–4v Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: [Ich stundt an einem morgen heimlich]
4v–5v	untexted	Anon.	-
untexted - Appears on: 4v–5v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
6–8	Si dormiero (O mitis mater Christi) 14.13	[Isaac/Josquin/La Rue]	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Si dormiero (O mitis mater Christi) 14.13 Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 6–8 Genres: Motet Source Attribution: [Isaac/Josquin/La Rue] Voice: [no designation] Languages: Latin Voice Text: [Si dormiero] [= O mitis mater Christi] 14.12
8–10v	Ecce video caelos apertos 19.2	[Craen/Josquin]	Craen, Nicolaus (ca. 1440–1502) (?) Despres, Josquin (ca. 1450–1521) (?)
Ecce video caelos apertos 19.2 Craen, Nicolaus (ca. 1440–1502) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 8–10v Genres: Motet Source Attribution: [Craen/Josquin] Voice: [no designation] Languages: Latin Voice Text: [Ecce video coelos apertos] 19.2
10v–12v	untexted	Anon.	-
untexted - Appears on: 10v–12v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
12v–14	untexted	Anon.	-
untexted - Appears on: 12v–14 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
14–15v	untexted	Anon.	-
untexted - Appears on: 14–15v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
15v–18	Tandernacken liegt an dem Rhein	[Obrecht]	Obrecht, Jacobus (ca. 1457–1505)
Tandernacken liegt an dem Rhein Obrecht, Jacobus (ca. 1457–1505) Appears on: 15v–18 Genres: Song Source Attribution: [Obrecht] Voice: [no designation] Languages: German Voice Text: [Tandernacken ligt an dem Rhein]
18–19	Missa Quant j'ai au coeur: Benedictus	Isaac	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 18–19 Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: Isaac Voice: [no designation] Languages: Latin Voice Text: [Benedictus from Missa Quant j'ay au cueur]
19–21	Fortuna [desperata]	-	Anonymous
Fortuna [desperata] Anonymous Appears on: 19–21 Genres: Chanson, textless
21v–22	Fortuna desperata iniqua e maledecta	[Isaac]	Isaac, Heinrich (ca. 1450–1517) (?)
Fortuna desperata iniqua e maledecta Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 21v–22 Genres: Italian secular Source Attribution: [Isaac] Voice: [no designation] Languages: Italian Voice Text: Fortuna [desperata iniqua e maledecta] General Note presented as '2a pars' of the preceding piece, but identical with ?Isaac's 'Fortuna desperata'
22v–23v	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	[Hayne van Ghizeghem]	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 22v–23v Genres: Chanson, Contrafactum, Motet Source Attribution: [Hayne van Ghizeghem] Voice: [no designation] Languages: Latin Voice Text: [Allez regretz vuides de ma présence]
23v–24	Allez mon coeur dèla la mer a travers	[A.] Agricola	Agricola, Alexander (ca. 1445–1506)
Allez mon coeur dèla la mer a travers Agricola, Alexander (ca. 1445–1506) Appears on: 23v–24 Genres: Chanson Source Attribution: [A.] Agricola Voice: [no designation] Languages: French Voice Text: [Allez mon cueur dèla la mer a travers]
24v–25	Cela sans plus et plus hola	Josquin	Despres, Josquin (ca. 1450–1521)
Cela sans plus et plus hola Despres, Josquin (ca. 1450–1521) Appears on: 24v–25 Genres: Chanson Source Attribution: Josquin Voice: [no designation] Languages: French Voice Text: [Cela sans plus et plus hola] 27.3
25v–26	Ne doibt on prendre quand on donne	[Compère]	Compère, Loyset (ca. 1445–1518)
Ne doibt on prendre quand on donne Compère, Loyset (ca. 1445–1518) Appears on: 25v–26 Genres: Chanson Source Attribution: [Compère] Voice: [no designation] Languages: French Voice Text: [Ne doibt on prendre quant on donne]
26v–27	Le renvoi d'un coeur esgaré	[Compère]	Compère, Loyset (ca. 1445–1518)
Le renvoi d'un coeur esgaré Compère, Loyset (ca. 1445–1518) Appears on: 26v–27 Genres: Chanson Source Attribution: [Compère] Voice: [no designation] Languages: French Voice Text: [Le renvoy d'ung cueur esgaré]
27v–28	Venes regrets venes il en est heure	[Compère]	Compère, Loyset (ca. 1445–1518)
Venes regrets venes il en est heure Compère, Loyset (ca. 1445–1518) Appears on: 27v–28 Genres: Chanson Source Attribution: [Compère] Voice: [no designation] Languages: French Voice Text: [Venez regretz venez il en est heure]
28v–29	Madame helas 27.24 (= Dux Carlus WA 19)	Josquin	Despres, Josquin (ca. 1450–1521)
Madame helas 27.24 (= Dux Carlus WA 19) Despres, Josquin (ca. 1450–1521) Appears on: 28v–29 Genres: Chanson Source Attribution: Josquin Voice: [no designation] Languages: French Voice Text: [Madame helas] 27.24
30–31v	La stangetta (= Ortus de caelo)	Obrecht/[Isaac/Weerbecke]	Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)
La stangetta (= Ortus de caelo) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Appears on: 30–31v Genres: Chanson Source Attribution: Obrecht/[Isaac/Weerbecke] Voice: [no designation] Languages: Latin, Italian Voice Text: [La stangetta] [= Ortus de coelo]
31v–33v	Mes pensées ne me laissent une heure 27.26	[Compère/Josquin]	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Mes pensées ne me laissent une heure 27.26 Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 31v–33v Genres: Chanson Source Attribution: [Compère/Josquin] Voice: [no designation] Languages: French Voice Text: [Mes pensées ne me laissent une heure] 27.26
33v–34v	J'ai beau huer avant que bien avoir	[A.] Agricola/[Compère]	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)
J'ai beau huer avant que bien avoir Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 33v–34v Genres: Chanson Source Attribution: [A.] Agricola/[Compère] Voice: [no designation] Languages: French Voice Text: [J'ay beau huer avant que ben havoyr]
34v–35v	Helas le bon temps que j'avoie (= Helas Abraham)	[Compère/Tinctoris]	Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?)
Helas le bon temps que j'avoie (= Helas Abraham) Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 34v–35v Genres: Chanson Source Attribution: [Compère/Tinctoris] Voice: [no designation] Languages: French Voice Text: [Helas le bon temps que j'avoie]
36–37	La plus des plus seule sans per 27.22	Josquin	Despres, Josquin (ca. 1450–1521)
La plus des plus seule sans per 27.22 Despres, Josquin (ca. 1450–1521) Appears on: 36–37 Genres: Chanson Source Attribution: Josquin Voice: [no designation] Languages: French Voice Text: [La plus des plus seule sans per] 27.22
37–38	Helas que devera mon coeur 27.14	Isaac/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Helas que devera mon coeur 27.14 Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 37–38 Genres: Chanson Source Attribution: Isaac/[Josquin] Voice: [no designation] Languages: French Voice Text: [Helas que devera mon cueur] 27.14
38v–39v	Adieu fillette de regnon	Isaac	Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Adieu fillette de regnon Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 38v–39v Genres: Chanson Source Attribution: Isaac Voice: [no designation] Languages: French Voice Text: [Adieu fillette de regnon]
39v–41	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 39v–41 Genres: Italian secular Source Attribution: Isaac Voice: [no designation] Languages: Italian Voice Text: [La morra] [= Dona gentil]
41v–42v	untexted	Martini Agricoli	Agricola, Martin (ca. 1486–1556)
untexted Agricola, Martin (ca. 1486–1556) Appears on: 41v–42v Genres: textless Source Attribution: Martini Agricoli Voice: [no designation] Languages: none Voice Text: Textless

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Adieu fillette de regnon – 38v–39v Allez mon coeur dèla la mer a travers – 23v–24 (?) Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 22v–23v (?) J'ai beau huer avant que bien avoir – 33v–34v
Agricola, Martin (ca. 1486–1556)	untexted – 41v–42v
Anonymous	Fortuna [desperata] – 19–21 untexted – 4v–5v untexted – 10v–12v untexted – 14–15v untexted – 12v–14
Compère, Loyset (ca. 1445–1518)	(?) Helas le bon temps que j'avoie (= Helas Abraham) – 34v–35v (?) J'ai beau huer avant que bien avoir – 33v–34v Le renvoi d'un coeur esgaré – 26v–27 Mes pensées ne me laissent une heure 27.26 – 31v–33v Ne doibt on prendre quand on donne – 25v–26 Venes regrets venes il en est heure – 27v–28
Craen, Nicolaus (ca. 1440–1502)	(?) Ecce video caelos apertos 19.2 – 8–10v
Despres, Josquin (ca. 1450–1521)	Cela sans plus et plus hola – 24v–25 (?) Ecce video caelos apertos 19.2 – 8–10v (?) Helas que devera mon coeur 27.14 – 37–38 La plus des plus seule sans per 27.22 – 36–37 Madame helas 27.24 (= Dux Carlus WA 19) – 28v–29 (?) Mes pensées ne me laissent une heure 27.26 – 31v–33v (?) Si dormiero (O mitis mater Christi) 14.13 – 6–8
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 22v–23v
Isaac, Heinrich (ca. 1450–1517)	(?) Adieu fillette de regnon – 38v–39v (?) Fortuna desperata iniqua e maledecta – 21v–22 (?) Helas que devera mon coeur 27.14 – 37–38 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 39v–41 (?) La stangetta (= Ortus de caelo) – 30–31v Missa Quant j'ai au coeur: Benedictus – 18–19 (?) Si dormiero (O mitis mater Christi) 14.13 – 6–8
Obrecht, Jacobus (ca. 1457–1505)	(?) La stangetta (= Ortus de caelo) – 30–31v Tandernacken liegt an dem Rhein – 15v–18
Rue, Pierre de la (ca. 1452–1518)	(?) Si dormiero (O mitis mater Christi) 14.13 – 6–8
Senfl, Ludwig (ca. 1486–ca. 1543)	Ich stund an einem morgen heimlich [S165 - 3vv] – 2–4v
Tinctoris, Johannes (ca. 1435–1511)	(?) Helas le bon temps que j'avoie (= Helas Abraham) – 34v–35v
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	(?) La stangetta (= Ortus de caelo) – 30–31v

Composition	Composers (? Uncertain)	Folios / Pages
Adieu fillette de regnon	Agricola, Alexander (ca. 1445–1506) (?) Isaac, Heinrich (ca. 1450–1517) (?)	38v–39v
Allez mon coeur dèla la mer a travers	Agricola, Alexander (ca. 1445–1506)	23v–24
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497)	22v–23v
Cela sans plus et plus hola	Despres, Josquin (ca. 1450–1521)	24v–25
Ecce video caelos apertos 19.2	Craen, Nicolaus (ca. 1440–1502) (?) Despres, Josquin (ca. 1450–1521) (?)	8–10v
Fortuna [desperata]	Anonymous	19–21
Fortuna desperata iniqua e maledecta	Isaac, Heinrich (ca. 1450–1517) (?)	21v–22
Helas le bon temps que j'avoie (= Helas Abraham)	Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?)	34v–35v
Helas que devera mon coeur 27.14	Despres, Josquin (ca. 1450–1521) (?) Isaac, Heinrich (ca. 1450–1517) (?)	37–38
Ich stund an einem morgen heimlich [S165 - 3vv]	Senfl, Ludwig (ca. 1486–ca. 1543)	2–4v
J'ai beau huer avant que bien avoir	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)	33v–34v
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	39v–41
La plus des plus seule sans per 27.22	Despres, Josquin (ca. 1450–1521)	36–37
La stangetta (= Ortus de caelo)	Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?)	30–31v
Le renvoi d'un coeur esgaré	Compère, Loyset (ca. 1445–1518)	26v–27
Madame helas 27.24 (= Dux Carlus WA 19)	Despres, Josquin (ca. 1450–1521)	28v–29
Mes pensées ne me laissent une heure 27.26	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	31v–33v
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	18–19
Ne doibt on prendre quand on donne	Compère, Loyset (ca. 1445–1518)	25v–26
Si dormiero (O mitis mater Christi) 14.13	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?)	6–8
Tandernacken liegt an dem Rhein	Obrecht, Jacobus (ca. 1457–1505)	15v–18
untexted	-	4v–5v
untexted	-	10v–12v
untexted	-	12v–14
untexted	-	14–15v
untexted	Agricola, Martin (ca. 1486–1556)	41v–42v
Venes regrets venes il en est heure	Compère, Loyset (ca. 1445–1518)	27v–28

Set: MS 78,3

Type: Partbooks

No images available

D-Z Mu 1622-1647 [Bassus]

No images available

D-Z Mu 1622-1647 [Discantus]

No images available

D-Z Mu 1622-1647 [Tenor]

‡ denotes primary source study

Brown, Howard Mayer. 1985. Music for a Town Official in Sixteenth-Century Zwickau. Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland], Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland]. 479-91. Notes: contents list; concordances (partial); mention of MS; discussion.

Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Pages: 104-5,339-40,349,368. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 147-8,198,209-12,215,221, 262,289,296. Notes: contents list (partial); concordances (partial).

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 283. Notes: contents list (partial); concordances (partial).

Kämper, Dietrich. 1980. La stangetta-eine Instrumentalkomposition Gåspars van Weerbeke? Ars Musica, Musica Scientia: Festschrift Heinrich Huschen zum fünfundsechzigsten Geburtstag, Beiträge zur Rheinischen Musikgeschichte. 277-88. Cologne. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 58-9, 293-4,431-2,453,462,466,478,483. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 339-40,727. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii,xxvii,xxxiv. Notes: mention of MS; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xlvi,32-4,72. Notes: physical description; contents list (partial); concordances (partial).

Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiii-xiv. Notes: contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,81,126,174,187,203. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 98, passim. Notes: physical description (partial); contents list (partial); concordances (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 38,50-2,54. Notes: mention of MS; contents list (partial); concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xxi-xxii,xxxi. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,376. Notes: physical description (partial); contents list (partial); concordances (partial).

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 149ff. Notes: contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,465. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XV/XVI,viii,45-7. Notes: physical description (partial); contents list (partial); transcription (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII,174, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 28-30. Notes: physical description (partial); incipits.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description