D-ROu Mus. Saec. XVI-71/1 (3)

Universitätsbibliothek Rostock, Rostock, Germany

partbook: 2nd half of 16th century

Archive Universitätsbibliothek Rostock, Rostock, Germany (D-ROu)
Shelfmark Mus. Saec. XVI-71/1 (3)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 210-5 x 160 mm
Other Identifiers
  • CCM: RosU 71/1/3
Copyists
External Links
Provenance
  • Rostock? Bavaria, Germany
Contents 63 pieces from 27 composers
General Description

A Tenor partbook from a set of four volumes. Copied by a single scribe, who also wrote RosU 35, 40, 46, 60, 71/3, 71/5, and portions of RosU 71/2 and 71/4. Probably copied in Rostock.

DIAMM, 2017
Binding

No covers

DIAMM, 2017
Watermark

(1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pencil foliation

DIAMM, 2025
Decoration

A few small plain inked initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 8 Mass Proper sections, 6 hymns, 1 Passion, 24 motets, 3 sets of responses, 2 Latin/German sacred pieces, 4 German sacred pieces, 4 French secular pieces, 1 textless piece = 54

M. Agricola-1, (Caen/Lupus/Richafort)-1, (Certon)-1, (Ducis/ Masson)-1, (Figulus/Walter)-1, Hellinck [Lupus]/(Gombert)-1, (Hesdin/Roquellay)-1, Josquin-3, (Longaval/Obrecht/Venture)-1, (Manchicourt/Sandrin)-1, Mouton-2, Paminger-1, (Rein)-1, (Rener)-1, (Resinarius)-2, Senfl-2, Walter-6 +1?, anon-26

4 paper partbooks (D-43 folios, A-47, T-43, B-30), 210-5 x 160. No foliation, pagination, or numbering of pieces. No covers. No index. Copied by a single scribe, who also wrote RosU 35, 40, 46, 60, 71/3, 71/5, and portions of RosU 71/2 and 71/4. A few small plain inked initials. Watermarks: (1) bull's head on shield (not in Briquet); (2) resembles Briquet #15138.

Second half of 16th century. Probably copied in Rostock.

Vol 4

Composers: Change "(Ducis/Masson)-1" to "(Ducis/Maffoni)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Set of responses (corresponding German texts also underlaid): Et cum spiritu tuo. Amen. Gloria tibi Domine - Anonymous
Appears on: 1
Genres: Response
Voice: [no designation]
Languages: Latin, German
Mensuration: cut-c
Clef: c4
Voice Text: [Set of responses] (Corresponding German texts also underlaid) Et cum spiritu tuo. Amen. Gloria tibi domine
1 Set of responses: Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est - Anonymous
Appears on: 1
Genres: Response
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Set of responses] Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est
1 Set of responses: Amen - Anonymous
Appears on: 1
Genres: Response
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Set of responses] Amen
2 Si par fortune avez mon coeur acquis [Certon]
Appears on: 2
Genres: Chanson
Source Attribution: [Certon]
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c3
Voice Text: Si par fortune [text incipit only]
2–2v Grace et vertu bonté beaulté noblesse [Hesdin/Roquellay]
Roquellay (?)
Appears on: 2–2v
Genres: Chanson
Source Attribution: [Hesdin/Roquellay]
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c3
Voice Text: Grace vertu bone [text incipit only]
2v Ces facheux sots qui mesdisent d'aymer - Anonymous
Appears on: 2v
Genres: Chanson
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c3
Voice Text: Cest faux [= Ces facheux] [text incipit only]
3 Doulce memoire en plaisir consommée [Manchicourt/Sandrin]
Appears on: 3
Genres: Chanson
Source Attribution: [Manchicourt/Sandrin]
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: c4
Voice Text: Dulce memorei [text incipit only]
3–3v Cum sancto spiritu - Anonymous

Cum sancto spiritu

Anonymous
Appears on: 3–3v
Genres: Gloria (et in terra pax), Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Cum sancto spiritu [text incipit only]
3v–4 Si bona suscepimus de manu Domini (2p. Nudus egressus sum de utero matris) - Anonymous
Appears on: 3v–4
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Si bona suscepimus II: Nudus [text incipits only]
4v–5 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum Lupus [Hellinck]/[Gombert]
Appears on: 4v–5
Genres: Motet
Source Attribution: Lupus [Hellinck]/[Gombert]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Beati omnes qui timent dominum qui ambulant
5–5v Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo -
Appears on: 5–5v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Ecce sic benedicetur homo qui timet
5v–7v Verba mea auribus percipe Domine intellige (2p. Domine deduc me in tua justicia) Leonhardus Paminger
Appears on: 5v–7v
Genres: Motet
Source Attribution: Leonhardus Paminger
Voice: [no designation]
Languages: Latin
Mensuration: c-dot
Clef: c3
Voice Text: Verba mea auribus percipe domine intellige II: Domine deduc me in tua iustitia
7v–8v Domine Dominus noster quam admirabile est (2p. Quid est homo quod memor es eius) [Mouton]
Appears on: 7v–8v
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Domine dominus noster quam admirabile est II: Quid est homo quod memor es eius
8v Usquequo Domine 18.12 - 1a pars (of 2): Usquequo Domine oblivisceris me in finem Josquin
Appears on: 8v
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Usquequo domine oblivisceris in finem
8v–10 Usquequo Domine 18.12 - 2a pars (of 2): Illumina oculos meos ne unquam -
Appears on: 8v–10
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Altera pars : Illumina oculos meos ne unquam
10–10v Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me [Josquin]
Appears on: 10–10v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Domine ne in furore tuo arguas me
General Note

headed "Ad aequales"

10v–11 Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est -
Appears on: 10v–11
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Altera pars : Cor meum conturbatum est dereliquit
11–11v Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio - Anonymous
Appears on: 11–11v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Beatus vir] Qui non abiit in consilio
11v Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam - Anonymous
Appears on: 11v
Genres: Monophonic conductus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Non sic impii non sic sed tanquam
12 Ite in orbem universum Vs. Qui crediderit R. In nomine patris [Resinarius]
Appears on: 12
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Ite in orbem universum et praedicate dicentes R. Qui crediderit et babtizatus fuerit Vs. In nomine patris et filii et spiritus
12v–13 Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 4 Oramus Domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime - Anonymous
Appears on: 12v–13
Genres: Hymn
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Festum nunc celebre] 2 Conscendit iubilans laetus ad aethera 4 Oramus domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime
General Note

Text of 3 verses underlaid to same music

13–14 In illo tempore recumbentibus undecim (2p. In nomine meo daemonia eiicient) - Anonymous
Appears on: 13–14
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: In illo tempore recumbentibus undecim II: In nomine meo daemonia eiicient
14v–15 Apparuerunt apostolis disperditae linguae R. Seditque supra singulos eorum spiritus Vs. Loquebantur variis linguis apostoli [Resinarius]
Appears on: 14v–15
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Aparuerunt apostolis disperditae linguae R. Seditque supra singulos eorum spiritus Vs. Loquebantur variis linguis apostoli
15v–16 Veni creator spiritus 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde amorem 6 Per te sciamus da patrem noscamus - Anonymous
Appears on: 15v–16
Genres: Veni creator spiritus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Veni creator spiritus] 2 Qui paracletus diceris donum dei 4 Accende lumen sensibus infunde amorem 6 Per te sciamus da patrem noscamus
General Note

Text of 3 verses underlaid to same music

16–17 [Summae trinitati] Simplici Deo una divinitas R. Qui totum subdit suis orbem legibus Vs. Praestet nobis gratiam Deitas beata [Rener]
Appears on: 16–17
Genres: Responsory
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Summae trinitati simplici deo una divinitas R. Qui totum subdit suis orbem legibus Vs. Praestet nobis gratiam deitas beata
17v O lux beata trinitas et principalis 3 Deo patri sit gloria eiusque soli - Anonymous
Appears on: 17v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: O lux beata trinitas et principalis 3 Deo patri sit gloria eiusque soli
General Note

Text of 2 verses underlaid to same music

18 Nesciens mater virgo virum peperit [Mouton]
Appears on: 18
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Nesciens mater virgo virum peperit
General Note

Headed "octo: quaelibet fugans [bass ?? ] in diapente"

18v Da pacem Domine (4vv) - 1a pars (of 2): Da pacem Domine in diebus nostris Joan. Walterus
Appears on: 18v
Genres: Motet
Source Attribution: Joan. Walterus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Da pacem domine in diebus nostris
18v–19 Da pacem Domine (4vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott -
Appears on: 18v–19
Genres: Motet
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c4
Voice Text: (2p.) Verley uns frieden gnediglich Her Gott
19–19v Jesaja dem Propheten das geschah [Walter]
Appears on: 19–19v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Jesaja dem Propheten das geschah
General Note

headed "das deusche sanctus"

20 Jesus Christus unser Heiland, der von uns (5vv - II) [Walter]
Appears on: 20
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c4
Voice Text: Jhesus Christus unser heilandt der von uns
20v Gott sei gelobet und gebenedeyet der uns [Walter]
Appears on: 20v
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Gott seÿ gelobett und gebenedeiett der uns
21–21v Laudate Dominum omnes gentes, laudate eum [Walter]
Appears on: 21–21v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Laudate dominum omnes gentes laudate eum
21v–22 Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv) [Senfl]
Appears on: 21v–22
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Homo quidam fecit caenam magnam et misit R. Qui parata sunt omnibus firmiter Vs. Venite comedite panem meum et bibite
22v–23v [untexted] - Anonymous

[untexted]

Anonymous
Appears on: 22v–23v
Genres: textless
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
23v–24 Veni redemptor gentium ostende partum [M. Agricola]
Appears on: 23v–24
Genres: Hymn
Source Attribution: [M. Agricola]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Veni redemptor gentium] 2 Non ex virili semine sed mystico 4 Procedens de thalamo suo pudoris aula 6 Aequalis aeterno patri carnis tropheo 8 Deo patri sit gloria eiusque soli filio
General Note

Text of 4 verses underlaid to same music

24–24v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac]
Appears on: 24–24v
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Puer natus est nobis] Et filius datus est Vs: [Cantate domino] Quia mirabilia fecit
24v–25 Ecce concipies et paries filium et vocabitur (2p. Hic erit magnus et filius altissimi) - Anonymous
Appears on: 24v–25
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Ecce concipies et paries filium et vocabitur II: Hic erit magnus et filius altissimi
25v–26 Verbum caro factum est et habitavit R. Plenum gratia et veritate Vs. In principio erat verbum et verbum - Anonymous
Appears on: 25v–26
Genres: Responsory
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Verbum caro factum est et habitavit R. Plenum gratia et veritate Vs. In principio erat verbum et verbum
26v–27 A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 3 Castae parentis viscera caelestis 4 Domus pudici pectoris templum 5 Enixa est puerpera quem Gabriel 6 Foeno jacere pertulit praesaepe 7 Gaudet chorus caelestium et angeli 8 Gloria tibi Domine qui natus es - Anonymous
Appears on: 26v–27
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [A solis ortus cardine] 2 Beatus auctor saeculi servile corpus 4 Domus pudici pectoris templum dei 6 Feno iacere pertulit praesepe 8 Sumo parenti gloria natoque laus
General Note

Text of 4 verses underlaid to same music

27–27v In dulci jubilo nun singet und seid froh [Figulus/Walter]
Appears on: 27–27v
Genres: Chorale, Sacred Song
Source Attribution: [Figulus/Walter]
Voice: [no designation]
Languages: Latin, German
Mensuration: 3
Clef: c4
Voice Text: In dulci jubilo nun singet und seid froh
General Note

Text of 3 verses underlaid to same music

27v–28 Christe qui lux es et dies noctis 2 Precamur sancte Domine defende nos 4 Oculi somnum capiant cor ad te semper 6 Memento nostri Domine in gravi - Anonymous
Appears on: 27v–28
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Christe qui lux es] 2 Precamur sancte domine defende nos 4 Oculi somnum capiant cor ad te semper 6 Memento nostri domine in gravi
28v–29 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longaval/Obrecht/Venture]
Appears on: 28v–29
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longaval/Obrecht/Venture]
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Passio domini nostri Iesu Christi secundum Matthaeum
29–30 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 29–30
Genres: Passion
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Apprehendit ergo eum Pilatus
30–31 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 30–31
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : Orabat autem Iesus pro crucifigentibus
31v–32 Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium [Senfl]
Appears on: 31v–32
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Collegerunt pontifices et pharisei
32–32v Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine -
Appears on: 32–32v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Altera pars : Unus autem ex ipsis Caiphas nomine
32v–34 Dixit Dominus Domino meo sede à dextris 16.3 (2p. Juravit Dominus et non poenitebit eum) Josquin
Appears on: 32v–34
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Dixit dominus domino meo sede à dextris II: Iuravit dominus et non poenitebit eum
34v Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis [Caen/Lupus/Richafort]
Appears on: 34v
Genres: Motet
Source Attribution: [Caen/Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Jherusalem luge et exue te vestibus
34v–35v Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 34v–35v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Deduc quasi torrentem lachrimas
35v–36 Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum -
Appears on: 35v–36
Genres: Introit
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: [Nos autem] Gloriari oportet in cruce domini Vs: [Deus misereatur] Illuminet vultum suum
General Note

No apparent basis for RenerWvs attribution of this Introit to Rener. Piece is anonymous in RegB 894-907, the only listed source

36–36v Viri Galilaei quid aspicitis in caelum Grequillon
Appears on: 36–36v
Genres: Motet
Source Attribution: Grequillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Viri Galilaei quid aspicitis in coelum
General Note

Anonymous in Berg & Neuber RISM 1546-8 and all other known sources. Attribution in RosU 71/1 probably derives from scribe's misreading of index of 1546-8, which attributes to "Grequillon" the motet "Practicantes mihi," which immediately precedes "Viri Galilaei"

37–37v Veni sancte spiritus et emitte caelitus - Anonymous
Appears on: 37–37v
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Veni sancte spiritus et emitte coelitus
37v–38 Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 37v–38
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Veni sancte spiritus reple tuorum corda
38–38v Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 38–38v
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Veni sancte spiritus reple tuorum corda
38v–39 Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem [Ducis/Maffoni]
Appears on: 38v–39
Genres: Motet
Source Attribution: [Ducis/Maffoni]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Dilexi quoniam exaudiet dominus vocem
39–39v Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam -
Appears on: 39–39v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : O domina libera animam meam
39v–40 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu - Anonymous
Appears on: 39v–40
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Benedicta sit] Sancta trinitas atque indivisa Vs: [Benedicamus patrem] Cum sancto spiritu
General Note

The verse "Cum sancto spiritu" is copied before the main "Benedicta sit"

40–40v Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [Rein]
Appears on: 40–40v
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: [Benedicta sit] Sancta trinitas Vs: Benedicamus Patrem et filium
40v–41 Kyrie [Tro] magne Deus potentiae [Walter?]
Appears on: 40v–41
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: [Walter?]
Voice: [no designation]
Languages: Latin, Greek
Mensuration: cut-c
Clef: c4
Voice Text: Kyrie [Tro] magne Deus potentiae
General Note

Kyrie I & II share the same music; two trope texts are underlaid

41v–42 Ecce quam pulchra es amica mea tota pulchra - Anonymous
Appears on: 41v–42
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Ecce quam pulchra es amica mea tota pulchra
42–42v Tota pulchra es amica mea et macula - Anonymous
Appears on: 42–42v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tota pulchra es amica mea et macula
42v Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ - Anonymous
Appears on: 42v
Genres: Motet
Voice: [no designation]
Languages: Latin, German
Mensuration: 3
Clef: c3
Voice Text: Surrexit Christus hodie alleluia/Erstanden ist der heilige Christ
General Note

Text of 9 verses underlaid to the same music

Composer Compositions
Agricola, Martin (ca. 1486–1556)
Anonymous
Caen, Arnold
Certon, Pierre (–ca. 1572)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Figulus, Wolfgang (ca. 1525–1589)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Isaac, Heinrich (ca. 1450–1517)
Longueval, Antoine de (fl. 1498-1525)
Maffoni, Hieronymus
Manchicourt, Pierre de
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Paminger, Leonhard (1495–1567)
Rein, Conrad (ca. 1475–1522)
Rener, Adam (ca. 1485–ca. 1520)
Resinarius, Balthasar
Richafort, Jean (ca. 1480–ca. 1550)
Roquellay
Sandrin, Pierre (ca. 1490–ca. 1560)
Senfl, Ludwig (ca. 1486–ca. 1543)
Venture, Johannes a la (fl. c1500)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
[Summae trinitati] Simplici Deo una divinitas R. Qui totum subdit suis orbem legibus Vs. Praestet nobis gratiam Deitas beata 16–17
[untexted] Anonymous 22v–23v
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 3 Castae parentis viscera caelestis 4 Domus pudici pectoris templum 5 Enixa est puerpera quem Gabriel 6 Foeno jacere pertulit praesaepe 7 Gaudet chorus caelestium et angeli 8 Gloria tibi Domine qui natus es Anonymous 26v–27
Apparuerunt apostolis disperditae linguae R. Seditque supra singulos eorum spiritus Vs. Loquebantur variis linguis apostoli 14v–15
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum 4v–5
Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo 5–5v
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio Anonymous 11–11v
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam Anonymous 11v
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu Anonymous 39v–40
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium 40–40v
Ces facheux sots qui mesdisent d'aymer Anonymous 2v
Christe qui lux es et dies noctis 2 Precamur sancte Domine defende nos 4 Oculi somnum capiant cor ad te semper 6 Memento nostri Domine in gravi Anonymous 27v–28
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium 31v–32
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine 32–32v
Cum sancto spiritu Anonymous 3–3v
Da pacem Domine (4vv) - 1a pars (of 2): Da pacem Domine in diebus nostris 18v
Da pacem Domine (4vv) - 2a pars (of 2): Verleih uns Frieden gnädiglich, Herr Gott 18v–19
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem 38v–39
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam 39–39v
Dixit Dominus Domino meo sede à dextris 16.3 (2p. Juravit Dominus et non poenitebit eum) 32v–34
Domine Dominus noster quam admirabile est (2p. Quid est homo quod memor es eius) 7v–8v
Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me 10–10v
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est 10v–11
Doulce memoire en plaisir consommée 3
Ecce concipies et paries filium et vocabitur (2p. Hic erit magnus et filius altissimi) Anonymous 24v–25
Ecce quam pulchra es amica mea tota pulchra Anonymous 41v–42
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 4 Oramus Domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime Anonymous 12v–13
Gott sei gelobet und gebenedeyet der uns 20v
Grace et vertu bonté beaulté noblesse
Roquellay (?)
2–2v
Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv) 21v–22
In dulci jubilo nun singet und seid froh 27–27v
In illo tempore recumbentibus undecim (2p. In nomine meo daemonia eiicient) Anonymous 13–14
Ite in orbem universum Vs. Qui crediderit R. In nomine patris 12
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 34v
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 34v–35v
Jesaja dem Propheten das geschah 19–19v
Jesus Christus unser Heiland, der von uns (5vv - II) 20
Kyrie [Tro] magne Deus potentiae 40v–41
Laudate Dominum omnes gentes, laudate eum 21–21v
Nesciens mater virgo virum peperit 18
Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum 35v–36
O lux beata trinitas et principalis 3 Deo patri sit gloria eiusque soli Anonymous 17v
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 28v–29
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 29–30
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 30–31
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 24–24v
Set of responses (corresponding German texts also underlaid): Et cum spiritu tuo. Amen. Gloria tibi Domine Anonymous 1
Set of responses: Amen Anonymous 1
Set of responses: Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est Anonymous 1
Si bona suscepimus de manu Domini (2p. Nudus egressus sum de utero matris) Anonymous 3v–4
Si par fortune avez mon coeur acquis 2
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ Anonymous 42v
Tota pulchra es amica mea et macula Anonymous 42–42v
Usquequo Domine 18.12 - 1a pars (of 2): Usquequo Domine oblivisceris me in finem 8v
Usquequo Domine 18.12 - 2a pars (of 2): Illumina oculos meos ne unquam 8v–10
Veni creator spiritus 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde amorem 6 Per te sciamus da patrem noscamus Anonymous 15v–16
Veni redemptor gentium ostende partum 23v–24
Veni sancte spiritus et emitte caelitus Anonymous 37–37v
Veni sancte spiritus reple tuorum corda Anonymous 37v–38
Veni sancte spiritus reple tuorum corda Anonymous 38–38v
Verba mea auribus percipe Domine intellige (2p. Domine deduc me in tua justicia) 5v–7v
Verbum caro factum est et habitavit R. Plenum gratia et veritate Vs. In principio erat verbum et verbum Anonymous 25v–26
Viri Galilaei quid aspicitis in caelum 36–36v

Set: Mus. Saec. XVI-71/1 (1-4)

Type: Partbooks

No images available

D-ROu Mus. Saec. XVI-71/1 (1)

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D-ROu Mus. Saec. XVI-71/1 (2)

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D-ROu Mus. Saec. XVI-71/1 (3)

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D-ROu Mus. Saec. XVI-71/1 (4)

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 52-4. Notes: contents list (partial); concordances (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXVII, 270, 272. Notes: contents list (partial); concordances (partial).

Gaehtgens, W Th. 1940-41. Die alten Musikalien der Universitätsbibliothek und die Kirchenmusik in Alt-Rostock. Beiträge zur Geschichte der Stadt Rostock, 164-81. Pages: 169, 171. Notes: mention of MS; contents list (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description