D-Rp C 120 (Pernner Codex)

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: Early 1520's

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	C 120 (Pernner Codex)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	298 x 205 mm
Other Identifiers	CCM: RegB C120 olim (Former shelfmark): D XII
Notations	black void mensural
Relationships	Pernner, Peter (mentioned in liminary text) Mettenleiter, Johann Georg (owner) Mettenleiter, Dominicus (owner) ? Hofkirche (used the MS) ? Imperial Court Chapel, Augsburg (used the MS)
External Links	CMME online edition images
External Authorities	RISM Online (sources/1001178072)
Provenance	Bavaria, Germany
Contents	140 pieces from 31 composers

General Description

Two sections, defined by pp. 1-172 and 173-343. First section copied by at least eight scribes; second section copied by a single scribe (MGG). Most pieces have text incipits only. Probably of south German or Tirolean origin; possible connections to imperial court chapel at Innsbruck or Augsburg (MGG). Early (but probably not original) owner was Peter Pernner. Owned in 19th century by Johann Georg Mettenleiter, director of Old Chapel choir in Regensburg, and by Johann's brother Dominicus; came into Proske collection after Dominicus' death in 1868. Originally 180 folios.

DIAMM, 2017

Physical Description

Four original folios cut out following new p. 4; four folios cut out following new p. 342 (stubs remain). Verso of last folio pasted to inside back cover

DIAMM, 2017

Binding

Original covers of brown wooden boards, with tooled leather spine; remnants of brass clasps.

DIAMM, 2017

Watermark

first section: crown surmounted by cross and initials "M D" (generally resembles, but not identical to, Briquet #4907). Second section: horizontal line over circle, surmounted by vertical line intersected at top by star (not in Briquet)

DIAMM, 2017

Liminary Note

Inscriptions on p. 1: 'Petrus pernner est meus possessor'; 'Mein fruntlichen grues bist von mier mein lieber fra[n]cisc[us?] …'; 'Meinen besunndern guetem frannt peter pernner gehört das gesangpuech zu seinen Hanndenn').

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil pagination, 1-343; original numbering of gatherings, 2-9, in second half of manuscript

DIAMM, 2017

Decoration

A few small black inked initials (pp. 22-29), but otherwise without ornamentation or decoration

DIAMM, 2017

Index

Modern alphabetical index on two unbound bifolios at beginning.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 2 Glorias, 1 Sanctus (fragmentary), 1 Te Deum, 3 hymns, 42 motets, 7 German sacred pieces, 32 French secular pieces, 6 German secular pieces, 1 Italian secular piece, 1 Latin secular piece, 2 textless pieces = 99 + 1 duplicate = 100

A. Agricola-1, A. Agricola/(La Rue)-1, (Barra/Elimon)-1, Basiron-1, Brumel/(A. Agricola)-1, Bucis-1, (Busnois/Japart/La Rue) -1, (N. Champion/Josquin)-1, Compère/(Josquin/Ninot le Petit) -1, Ghiselin [Verbonet]-1, Isaac-13, Isaac/(Barbireau/Obrecht)-1, (Japart?)-1, Josquin-6, Josquin/(La Rue)-1, (Josquin/Mouton/ Silva)-1, La Rue-5, La Val-1, (Lafage/Mouton)-1, Lapicida-1, Leo X [Jo. C. C. de Medicis leo pape decimus]-1, (Mouton)-2, (Ninot le Petit)-1, Obrecht-1, Pipelare-2, Pipelare/(La Rue)-2, Prioris/(Stappen)-1, Senfl-21 + 1?, Senfl/(C. Festa)-1, (Willaert)-1, anon-24

172 paper folios of an original 180, 298 x 205. Four original folios cut out following new p. 4; four folios cut out following new p. 342 (stubs remain). Verso of last folio pasted to inside back cover. Modern pencil pagination, 1-343; original numbering of gatherings, 2-9, in second half of manuscript (see below). Original covers of brown wooden boards, with tooled leather spine; remnants of brass clasps. Modern alphabetical index on two unbound bifolios at beginning.

Two sections, defined by pp. 1-172 and 173-343. First section copied by at least eight scribes; second section copied by a single scribe (MGG). A few small black inked initials (pp. 22-29), but manuscript generally without ornamentation or decoration. Watermark in first section: crown surmounted by cross and initials "M D" (generally resembles, but not identical to, Briquet #4907); watermark in second section: horizontal line over circle, surmounted by vertical line intersected at top by star (not in Briquet). Most pieces have text incipits only.

Early 1520's (StaeMI). Probably of south German or Tirolean origin; possible connections to imperial court chapel at Innsbruck or Augsburg (MGG). Early (but probably not original) owner was Peter Pernner (inscriptions on p. 1: "Petrus pernner est meus possessor"; "Mein fruntlichen grues bist von mier mein lieber fra[n]cisc[us?] …"; "Meinen besunndern guetem frannt peter pernner gehört das gesangpuech zu seinen Hanndenn"). Owned in 19th century by Johann Georg Mettenleiter, director of Old Chapel choir in Regensburg, and by Johann's brother Dominicus; came into Proske collection after Dominicus' death in 1868.

Vol 4

Composers: Remove "A. Agricola/(La Rue)-l"; change "A. Agrícola-1" to "A. Agricola-2"; remove "Isaac/(Barbireau/Obrecht)-1"; change "Isaac-13" to "Isaac-14."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3	Italian verses	-	Anonymous
Italian verses Anonymous Appears on: 3 Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Italian verses
5	Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Sanctus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 5 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Missa Comment peult avoir joye] [S]
6–9	Pange lingua gloriosi corporis misterium	Anon.	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 6–9 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi corporis misterium
10–11	Il fault mourire - 1a pars (of 2): Il fault mourire	Person [= La Rue]	Rue, Pierre de la (ca. 1452–1518)
Il fault mourire - 1a pars (of 2): Il fault mourire Rue, Pierre de la (ca. 1452–1518) Appears on: 10–11 Genres: Chanson Source Attribution: Person [= La Rue] Voice: [no designation] Languages: French Voice Text: Ill fault morire
11	Il fault mourire - 2a pars (of 2): [untexted]	-	Rue, Pierre de la (ca. 1452–1518)
Il fault mourire - 2a pars (of 2): [untexted] Rue, Pierre de la (ca. 1452–1518) Appears on: 11 Genres: textless
12–13	Jaston iosue!	Anon.	Anonymous
Jaston iosue! Anonymous Appears on: 12–13 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jaston iosue(!)
14–15	Plus nulz regrets grand moiens 28.28	Joquin	Despres, Josquin (ca. 1450–1521)
Plus nulz regrets grand moiens 28.28 Despres, Josquin (ca. 1450–1521) Appears on: 14–15 Genres: Chanson Source Attribution: Joquin Voice: [no designation] Languages: French Voice Text: [Plus nulz regretz grans moyens] 28.27 [= pp. 300-303]
16–17	Sancta Maria virgo intercede (4vv, M101)	L. Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Sancta Maria virgo intercede (4vv, M101) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 16–17 Genres: Motet Source Attribution: L. Senfl Voice: [no designation] Languages: Latin Voice Text: Sancta Maria virgo intercede pro toto mundo
18–19	Revellies vous Piccars et Bourguignons	Anon.	Anonymous
Revellies vous Piccars et Bourguignons Anonymous Appears on: 18–19 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Revellies vous [Piccars et Bourguignons]
20–21	Gottes namen faren wir	LS [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Gottes namen faren wir Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 20–21 Genres: Chorale, Sacred Song Source Attribution: LS [= Senfl] Voice: [no designation] Languages: German Voice Text: Gottes namen faren wir [seiner gnaden]
22–23	A qui dirette sa pensé la fille	Anon.	Anonymous
A qui dirette sa pensé la fille Anonymous Appears on: 22–23 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: A qui direlle sa pense [la fille]
24–25	Hellas hellas hellas fault-il	[Ninot le Petit]	Petit, Nino le (fl. c1500)
Hellas hellas hellas fault-il Petit, Nino le (fl. c1500) Appears on: 24–25 Genres: Chanson Source Attribution: [Ninot le Petit] Voice: [no designation] Languages: French Voice Text: Hellas hellas [hellas fault-il]
26–27	Cela sans plus et plus hola	Jo. C. C. de Medicis Leo Pape decimus [= Leo X]	Leo X (Medici) (1475–1521)
Cela sans plus et plus hola Leo X (Medici) (1475–1521) Appears on: 26–27 Genres: Chanson Source Attribution: Jo. C. C. de Medicis Leo Pape decimus [= Leo X] Voice: [no designation] Languages: French Voice Text: Zellans emplus [= Cela sans plus et plus hola]
28–29	O bone Jesu - 1a pars (of 2): O bone Jesu	L. Sennfl	Senfl, Ludwig (ca. 1486–ca. 1543)
O bone Jesu - 1a pars (of 2): O bone Jesu Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 28–29 Genres: Motet Source Attribution: L. Sennfl Voice: [no designation] Languages: Latin Voice Text: O bone Jesu duo in me cognosco
28–29	O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire	-	Senfl, Ludwig (ca. 1486–ca. 1543)
O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 28–29 Genres: Motet
30–31	Ascendo ad patrem meum et patrem vestrum	[Senfl?]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ascendo ad patrem meum et patrem vestrum Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 30–31 Genres: Motet Source Attribution: [Senfl?] Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum [et patrem vestrum]
32–33	Laura dulcis suavis et rara	Anon.	Anonymous
Laura dulcis suavis et rara Anonymous Appears on: 32–33 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laura dulcis suavis et rara
34–39	Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus)	[Josquin/Mouton/Silva]	Silva, Andreas de (ca. 1475–ca. 1522) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) Silva, Andreas de (ca. 1475–ca. 1522) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 34–39 Genres: Te Deum Source Attribution: [Josquin/Mouton/Silva] Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus Te eternum patrem
40–41	[untexted piece]	Anon.	-
[untexted piece] - Appears on: 40–41 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
42–43	Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit	[Lafage/Mouton]	Fage, Jean de la (?) Mouton, Jean (ca. 1459–1522) (?)
Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit Fage, Jean de la (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 42–43 Genres: Motet Source Attribution: [Lafage/Mouton] Voice: [no designation] Languages: Latin Voice Text: Helisabeth Zacharie magnum virum genuit II: Inter natos mulierum non surrexit
44–45	Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit	-	Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?)
Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?) Appears on: 44–45 Genres: Motet
46–65	Missa Ecce quam bonum: Kyrie	[Mouton]	Mouton, Jean (ca. 1459–1522)
Missa Ecce quam bonum: Kyrie Mouton, Jean (ca. 1459–1522) Appears on: 46–65 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Mouton] Voice: [no designation] Languages: Latin Voice Text: Missa Ecce quam bonum
46–65	Missa Ecce quam bonum: Gloria	-	Mouton, Jean (ca. 1459–1522)
Missa Ecce quam bonum: Gloria Mouton, Jean (ca. 1459–1522) Appears on: 46–65 Genres: Gloria (et in terra pax), Mass Ordinary
46–65	Missa Ecce quam bonum: Credo	-	Mouton, Jean (ca. 1459–1522)
Missa Ecce quam bonum: Credo Mouton, Jean (ca. 1459–1522) Appears on: 46–65 Genres: Credo (patrem omnipotentem), Mass Ordinary
46–65	Missa Ecce quam bonum: Sanctus	-	Mouton, Jean (ca. 1459–1522)
Missa Ecce quam bonum: Sanctus Mouton, Jean (ca. 1459–1522) Appears on: 46–65 Genres: Mass Ordinary, Sanctus [& Benedictus]
46–65	Missa Ecce quam bonum: Agnus Dei	-	Mouton, Jean (ca. 1459–1522)
Missa Ecce quam bonum: Agnus Dei Mouton, Jean (ca. 1459–1522) Appears on: 46–65 Genres: Agnus Dei, Mass Ordinary
66–67	Domine Jesu Christe - 1a pars (of 2): Domine Jesu Christe rogo te	Anon.	Anonymous
Domine Jesu Christe - 1a pars (of 2): Domine Jesu Christe rogo te Anonymous Appears on: 66–67 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine Jesu Christe rogo te ut ... illius II: Deprecor te me illumines septem donis
68–69	Domine Jesu Christe - 2a pars (of 2): Deprecor te me illumines septem donis	-	Anonymous
Domine Jesu Christe - 2a pars (of 2): Deprecor te me illumines septem donis Anonymous Appears on: 68–69 Genres: Motet
70–73	Et in terra pax [Gloria]	Anon.	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 70–73 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra pax hominibus
74–81	Et in terra pax [Gloria]	Anon.	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 74–81 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra pax hominibus
82–83	Nuptiae factae sunt in Chana Gallileae	[Barra/Elimon]	Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?)
Nuptiae factae sunt in Chana Gallileae Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?) Appears on: 82–83 Genres: Motet Source Attribution: [Barra/Elimon] Voice: [no designation] Languages: Latin Voice Text: Nuptie [factae sunt in Cana Galileae]
84–85	Pour un jamais un regret me demeure	[La Rue]	Rue, Pierre de la (ca. 1452–1518)
Pour un jamais un regret me demeure Rue, Pierre de la (ca. 1452–1518) Appears on: 84–85 Genres: Agnus Dei, Chanson, Contrafactum Source Attribution: [La Rue] Voice: [no designation] Languages: French Voice Text: Fraw Margrethen lied [= Pour ung jamais ung regret me demeure]
86–87	Completi sunt dies Mariae ut pareret filium	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Completi sunt dies Mariae ut pareret filium Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 86–87 Genres: Motet Source Attribution: Ludovicus Senfl Voice: [no designation] Languages: Latin Voice Text: Completi sunt dies Marie ut pareret filium
88–91	Ecce Maria genuit nobis salvatorem (M36)	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Ecce Maria genuit nobis salvatorem (M36) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 88–91 Genres: Motet Source Attribution: Ludovicus Senfl Voice: [no designation] Languages: Latin Voice Text: Ecce Maria genuit nobis salvatorem
92–93	Felix Anna quaedam matrona legitima	Ludovicus Senfl/[C. Festa]	Festa, Costanzo (ca. 1485–1545) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Felix Anna quaedam matrona legitima Festa, Costanzo (ca. 1485–1545) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 92–93 Genres: Motet Source Attribution: Ludovicus Senfl/[C. Festa] Voice: [no designation] Languages: Latin Voice Text: Felix Anna quedam matrona legitima
94–98	Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 94–98 Genres: Motet Source Attribution: Ludovicus Senfl Voice: [no designation] Languages: Latin Voice Text: Gaude Mariae virgo cunctas hereses II: Dum virgo deum et hominem III: Gabrielem archangelum credimus IV: Erubescat Judeus infelix qui dicit
98–101	Gaude Maria virgo - 2a pars (of 4): Dum virgo Deum et hominem	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Gaude Maria virgo - 2a pars (of 4): Dum virgo Deum et hominem Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 98–101 Genres: Motet
101–105	Gaude Maria virgo - 3a pars (of 4): Gabrielem archangelum credimus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Gaude Maria virgo - 3a pars (of 4): Gabrielem archangelum credimus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 101–105 Genres: Motet
105–109	Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 105–109 Genres: Motet
110–113	Nesciens mater virgo virum peperit	LS	Senfl, Ludwig (ca. 1486–ca. 1543)
Nesciens mater virgo virum peperit Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 110–113 Genres: Motet Source Attribution: LS Voice: [no designation] Languages: Latin Voice Text: Nesciens mater virgo virum peperit
114–115	O Maria mater - 1a pars (of 4): O Maria mater Christi virgo pia	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
O Maria mater - 1a pars (of 4): O Maria mater Christi virgo pia Isaac, Heinrich (ca. 1450–1517) Appears on: 114–115 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: O Maria mater Christi [virgo pia] II: Ave domina [deitatis cellula] III: O iocunda [tu es Aaron virgula] IV: Ave sanctissima [delle precamina]
116–117	O Maria mater - 2a pars (of 4): Ave domina Deitatis cellula	-	Isaac, Heinrich (ca. 1450–1517)
O Maria mater - 2a pars (of 4): Ave domina Deitatis cellula Isaac, Heinrich (ca. 1450–1517) Appears on: 116–117 Genres: Motet
118–119	O Maria mater - 3a pars (of 4): O iocunda tu es Aaron virgula	-	Isaac, Heinrich (ca. 1450–1517)
O Maria mater - 3a pars (of 4): O iocunda tu es Aaron virgula Isaac, Heinrich (ca. 1450–1517) Appears on: 118–119 Genres: Motet
120–121	O Maria mater - 4a pars (of 4): Ave sanctissima dele precamina	-	Isaac, Heinrich (ca. 1450–1517)
O Maria mater - 4a pars (of 4): Ave sanctissima dele precamina Isaac, Heinrich (ca. 1450–1517) Appears on: 120–121 Genres: Motet
122–123	De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine	[Champion/Josquin]	Champion, Nicolas (ca. 1475–1533) (?) Despres, Josquin (ca. 1450–1521)
De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine Champion, Nicolas (ca. 1475–1533) (?) Despres, Josquin (ca. 1450–1521) Appears on: 122–123 Genres: Motet Source Attribution: [Champion/Josquin] Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine 15.11 II: A custodia matutina [usque ad noctem]
124–125	De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	-	Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?)
De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?) Appears on: 124–125 Genres: Motet
126–127	Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	[Mouton]	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum Mouton, Jean (ca. 1459–1522) Appears on: 126–127 Genres: Motet Source Attribution: [Mouton] Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lacrimarum II: Heu nobis domine defecit Cesar III: Ergo ululate pueri plorate sacerdotes
128–129	Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	-	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar Mouton, Jean (ca. 1459–1522) Appears on: 128–129 Genres: Motet
130–131	Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes	-	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes Mouton, Jean (ca. 1459–1522) Appears on: 130–131 Genres: Motet
132–138	Anima mea liquefacta - 1a pars (of 2): Anima mea liquefacta est ut dilectus	Anon.	Anonymous
Anima mea liquefacta - 1a pars (of 2): Anima mea liquefacta est ut dilectus Anonymous Appears on: 132–138 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Anima mea [liquefacta est ut dilectus] II: Descendi in ortum [nucum ut viderem]
139–143	Anima mea liquefacta - 2a pars (of 2): Descendi in ortum nucum ut viderem	-	Anonymous
Anima mea liquefacta - 2a pars (of 2): Descendi in ortum nucum ut viderem Anonymous Appears on: 139–143 Genres: Motet
144–147	Spiritus sanctus in te descendet (6vv, M108)	Ludwig Sennfl/[Isaac]	Isaac, Heinrich (ca. 1450–1517) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Spiritus sanctus in te descendet (6vv, M108) Isaac, Heinrich (ca. 1450–1517) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 144–147 Genres: Motet Source Attribution: Ludwig Sennfl/[Isaac] Voice: [no designation] Languages: Latin Voice Text: Spiritus sanctus in te descendet
148–150	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	[Josquin]	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 148–150 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Preter rerum seriem [parit deum] 24.12 II: Virtus sancti spiritus [opus illud]
151–153	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	-	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 151–153 Genres: Motet
154–155	Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria	Josquin de Pres	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria Despres, Josquin (ca. 1450–1521) Appears on: 154–155 Genres: Motet Source Attribution: Josquin de Pres Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria 24.4 II: Nostra ut pura pectora III: O benigna O regina O Maria
136–157	Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit	-	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit Despres, Josquin (ca. 1450–1521) Appears on: 136–157 Genres: Motet
158–159	Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria	-	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria Despres, Josquin (ca. 1450–1521) Appears on: 158–159 Genres: Motet
160–161	Salva nos Domine vigilantes custodi nos	L.S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Salva nos Domine vigilantes custodi nos Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 160–161 Genres: Motet Source Attribution: L.S. Voice: [no designation] Languages: Latin Voice Text: Salva nos domine vigilantes custodi nos
162–163	O crux ave / Fortuna	[Senfl?] (Attribution proposed in StaehelinMPA, 86)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
O crux ave / Fortuna Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 162–163 Genres: Motet Source Attribution: [Senfl?] (Attribution proposed in StaehelinMPA, 86) Voice: [no designation] Languages: Latin Voice Text: [Vexilla regis prodeunt fulget crucis] 6 O crux ave [spes unica hoc gracioso]
164–165	Regina caeli - 1a pars (of 5): Regina caeli laetare / Concendit jubilans	L.S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Regina caeli - 1a pars (of 5): Regina caeli laetare / Concendit jubilans Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 164–165 Genres: Motet, Regina caeli laetare Source Attribution: L.S. Voice: [no designation] Languages: Latin Voice Text: Regina celi letare alleluia (Several voices have different text) II: Resurrexit sicut dixit alleluia III: Ora pro nobis deum alleluia
166–167	Regina caeli - 2a pars (of 5): Quia quem meruisti/Gloria laus et honor	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Regina caeli - 2a pars (of 5): Quia quem meruisti/Gloria laus et honor Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 166–167 Genres: Motet, Regina caeli laetare
168–169	Regina caeli - 3a pars (of 5): Resurrexit sicut dixit/Grates nunc omnes	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Regina caeli - 3a pars (of 5): Resurrexit sicut dixit/Grates nunc omnes Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 168–169 Genres: Motet, Regina caeli laetare
170–171	Regina caeli - 4a pars (of 5): Ora pro nobis/Te ergo quaesumus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Regina caeli - 4a pars (of 5): Ora pro nobis/Te ergo quaesumus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 170–171 Genres: Motet, Regina caeli laetare
172–173	Regina caeli - 5a pars (of 5): Alleluia Domine nate/Dies est laetitiae	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Regina caeli - 5a pars (of 5): Alleluia Domine nate/Dies est laetitiae Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 172–173 Genres: Motet, Regina caeli laetare
174–175	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri (M111)	L. Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri (M111) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 174–175 Genres: Motet Source Attribution: L. Senfel Voice: [no designation] Languages: Latin Voice Text: Suscepimus deus [misericordiam tuam]
176–177	Hic accipiet benedictionem	L. Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Hic accipiet benedictionem Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 176–177 Genres: Motet Source Attribution: L. Senfel Voice: [no designation] Languages: Latin Voice Text: Hic accipiet [benedictionem]
178–179	Es ist gut merkh auf (= Pange lingua)	L. Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Es ist gut merkh auf (= Pange lingua) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 178–179 Genres: Contrafactum Source Attribution: L. Senfel Voice: [no designation] Languages: Latin Voice Text: Pange lingua [gloriosi corporis mysterium]
180–181	Sancta Maria	H. Ysaac	Isaac, Heinrich (ca. 1450–1517)
Sancta Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 180–181 Genres: Motet Source Attribution: H. Ysaac Voice: [no designation] Languages: Latin Voice Text: Sancta Maria
182–183	Ave maris stella Dei mater alma	[Isaac?]	Isaac, Heinrich (ca. 1450–1517) (?)
Ave maris stella Dei mater alma Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 182–183 Genres: Ave maris stella, Motet Source Attribution: [Isaac?] Voice: [no designation] Languages: Latin Voice Text: Ave maris stella [dei mater alma]
184–185	Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	[Josquin]	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut Despres, Josquin (ca. 1450–1521) Appears on: 184–185 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Mente tota [tibi supplicamus] 25.14 [Pars V of Vultum tuum deprecabuntur omnes]
186–188	Usquequo Domine (M118) - 1a pars (of 2): Usquequo Domine oblivisceris me in finem	L.S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Usquequo Domine (M118) - 1a pars (of 2): Usquequo Domine oblivisceris me in finem Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 186–188 Genres: Motet Source Attribution: L.S. Voice: [no designation] Languages: Latin Voice Text: Usquequo domine [oblivisceris me in finem] II: Exultabit cor meum [in salutari]
189–191	Usquequo Domine (M118) - 2a pars (of 2): Exultabit cor meum in salutari	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Usquequo Domine (M118) - 2a pars (of 2): Exultabit cor meum in salutari Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 189–191 Genres: Motet
192–193	Ecce concipies - 1a pars (of 2): Ecce concipies et paries filium et vocabis	L. Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Ecce concipies - 1a pars (of 2): Ecce concipies et paries filium et vocabis Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 192–193 Genres: Motet Source Attribution: L. Senfel Voice: [no designation] Languages: Latin Voice Text: Ecce concipies [et paries filium et vocabis] II: Hic erit [magnus et filius altissimi]
194–195	Ecce concipies - 2a pars (of 2): Hic erit magnus et filius altissimi	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ecce concipies - 2a pars (of 2): Hic erit magnus et filius altissimi Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 194–195 Genres: Motet
196–197	[untexted piece]	Anon.	-
[untexted piece] - Appears on: 196–197 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
198–199	Plus aultre	[La Rue?]	Rue, Pierre de la (ca. 1452–1518) (?)
Plus aultre Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 198–199 Genres: Chanson Source Attribution: [La Rue?] Voice: [no designation] Languages: French Voice Text: Plus aultre
200–201	Sancta et immaculata virginitas quibus	L.S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Sancta et immaculata virginitas quibus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 200–201 Genres: Motet Source Attribution: L.S. Voice: [no designation] Languages: Latin Voice Text: Sancta et immaculata [virginitas quibus]
202–203	Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me	[Josquin]	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me Despres, Josquin (ca. 1450–1521) Appears on: 202–203 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Domine ne in furore tuo [arguas me] 16.6 II: Cor meum [conturbatum est dereliquit]
204–205	Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est	-	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est Despres, Josquin (ca. 1450–1521) Appears on: 204–205 Genres: Motet
206–209	Maria zart von edler art [S226]	L: S:	Senfl, Ludwig (ca. 1486–ca. 1543)
Maria zart von edler art [S226] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 206–209 Genres: Lied Source Attribution: L: S: Voice: [no designation] Languages: German Voice Text: Maria zart [von edler art ein ros]
210–211	Der welte pracht ist hoch geacht	[Senfl?]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Der welte pracht ist hoch geacht Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 210–211 Genres: Song Source Attribution: [Senfl?] Voice: [no designation] Languages: German Voice Text: Der welte pracht [ist hoch geacht]
212–213	Geduld und Huld will haben ich und leiden	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Geduld und Huld will haben ich und leiden Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 212–213 Genres: Sacred Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Gedult umm huld [will haben ich und leiden]
214–215	Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	[Busnois/Japart/La Rue]	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Rue, Pierre de la (ca. 1452–1518) (?)
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 214–215 Genres: Chanson Source Attribution: [Busnois/Japart/La Rue] Voice: [no designation] Languages: French Voice Text: Tant que nostre argent [dure]/[Amours fait molt/Il est de bonne heure ne]
216–217	Vrai dieu d'amours confortez l'amoureux	M. Pipelare	Pipelare, Mattheus (ca. 1450–ca. 1515)
Vrai dieu d'amours confortez l'amoureux Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 216–217 Genres: Chanson Source Attribution: M. Pipelare Voice: [no designation] Languages: French Voice Text: Vrai dieu damier [= Vray dieu d'amours confortez l'amoureux]
218–219	E qui la dira dira la douleur	H: Y: [= Isaac]	Isaac, Heinrich (ca. 1450–1517)
E qui la dira dira la douleur Isaac, Heinrich (ca. 1450–1517) Appears on: 218–219 Genres: Chanson Source Attribution: H: Y: [= Isaac] Voice: [no designation] Languages: French Voice Text: Et qui la dira [dira le douleur]
220–223	Homo quidam (P98, 5vv) - 1a pars (of 3): Homo quidam fecit cenam	L.S	Senfl, Ludwig (ca. 1486–ca. 1543)
Homo quidam (P98, 5vv) - 1a pars (of 3): Homo quidam fecit cenam Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 220–223 Genres: Motet, Psalm Source Attribution: L.S Voice: [no designation] Languages: Latin Voice Text: Homo quidam fecit [cenam magnam et misit] II: Quia parata sunt [omnibus firmiter] III: Venite comedite [panem meum et bibite] General Note (3a pars copied on pp. 258-259)
220–223	Homo quidam (P98, 5vv) - 2a pars (of 3): Quia parata sunt omnibus firmiter	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Homo quidam (P98, 5vv) - 2a pars (of 3): Quia parata sunt omnibus firmiter Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 220–223 Genres: Motet, Psalm
224–225	Dies est laetitiae in ortu regali (M33)	[Senfl?]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Dies est laetitiae in ortu regali (M33) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 224–225 Genres: Motet Source Attribution: [Senfl?] Voice: [no designation] Languages: Latin Voice Text: Dies est letitie [in ortu regali]
226–231	Surge virgo - 1a pars (of 3): Surge virgo et nostras sponso preces aperi	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Surge virgo - 1a pars (of 3): Surge virgo et nostras sponso preces aperi Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 226–231 Genres: Motet, Psalm Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Surge virgo [et nostras sponso preces] II: Ab estu mundi [transfer nos] III: Pulchre Sion [filia pro mortali] General Note (3a pars copied on pp. 256-257)
226–231	Surge virgo - 2a pars (of 3): Ab aestu mundi transfer nos ad amoena	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Surge virgo - 2a pars (of 3): Ab aestu mundi transfer nos ad amoena Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 226–231 Genres: Motet, Psalm
232–233	Ave sanctissima - 1a pars (of 3): Ave sanctissima Maria mater Dei regina	[Senfl?]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ave sanctissima - 1a pars (of 3): Ave sanctissima Maria mater Dei regina Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 232–233 Genres: Motet Source Attribution: [Senfl?] Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima [Maria mater dei regina] II: Tu es singularis [virgo pura] III: Ora pro nobis [Jesum dilectum]
234–235	Ave sanctissima - 2a pars (of 3): Tu es singularis virgo pura	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ave sanctissima - 2a pars (of 3): Tu es singularis virgo pura Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 234–235 Genres: Motet
236–237	Ave sanctissima - 3a pars (of 3): Ora pro nobis Jesum dilectum	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ave sanctissima - 3a pars (of 3): Ora pro nobis Jesum dilectum Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 236–237 Genres: Motet
238–239	Discubuit Jesus - 1a pars (of 4): Discubuit Jesus et discipuli eius	L:S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Discubuit Jesus - 1a pars (of 4): Discubuit Jesus et discipuli eius Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 238–239 Genres: Motet Source Attribution: L:S. Voice: [no designation] Languages: Latin Voice Text: Discubuit Jesus et discipulis [eius] II: Et accepto pane [gratias agens] III: Dicens hoc est corpus meum IV: Fecit Asuerus [rex grande convivium]
240–241	Discubuit Jesus - 2a pars (of 4): Et accepto pane gratias agens	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Discubuit Jesus - 2a pars (of 4): Et accepto pane gratias agens Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 240–241 Genres: Motet
242–243	Discubuit Jesus - 3a pars (of 4): Dicens hoc est corpus meum	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Discubuit Jesus - 3a pars (of 4): Dicens hoc est corpus meum Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 242–243 Genres: Motet
244–245	Discubuit Jesus - 4a pars (of 4): Fecit Asuerus rex grande convivium	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Discubuit Jesus - 4a pars (of 4): Fecit Asuerus rex grande convivium Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 244–245 Genres: Motet
246–247	Assumpta est Maria in caelum gaudent angeli	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Assumpta est Maria in caelum gaudent angeli Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 246–247 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Assumpta est [Maria in celum gaudent]
248–249	Von Sanct Katherina (perhaps a rubric rather than a text incipit)	[Senfl?]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Von Sanct Katherina (perhaps a rubric rather than a text incipit) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 248–249 Genres: Sacred Song Source Attribution: [Senfl?] Voice: [no designation] Languages: German Voice Text: Von sanct Katherina (Perhaps a rubric rather than a text incipit)
250–251	Domine quis habitabit - 1a pars (of 3): Domine quis habitabit in tabernaculo	Anon.	Willaert, Adrian (ca. 1490–1562)
Domine quis habitabit - 1a pars (of 3): Domine quis habitabit in tabernaculo Willaert, Adrian (ca. 1490–1562) Appears on: 250–251 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit [in tabernaculo] II: Nec fecit [proximo suo malum] III: Qui jurat [proximo suo et non]
252	Domine quis habitabit - 2a pars (of 3): Nec fecit proximo suo malum	-	Willaert, Adrian (ca. 1490–1562)
Domine quis habitabit - 2a pars (of 3): Nec fecit proximo suo malum Willaert, Adrian (ca. 1490–1562) Appears on: 252 Genres: Motet
253	Domine quis habitabit - 3a pars (of 3): Qui jurat proximo suo et non	-	Willaert, Adrian (ca. 1490–1562)
Domine quis habitabit - 3a pars (of 3): Qui jurat proximo suo et non Willaert, Adrian (ca. 1490–1562) Appears on: 253 Genres: Motet
254–255	Sant Martinn loben wollen wir	[Senfl?]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Sant Martinn loben wollen wir Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 254–255 Genres: Sacred Song Source Attribution: [Senfl?] Voice: [no designation] Languages: German Voice Text: Sant Martinn loben wollen wir
256–257	Surge virgo - 3a pars (of 3): Pulchra Sion filia pro mortali tunica	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Surge virgo - 3a pars (of 3): Pulchra Sion filia pro mortali tunica Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 256–257 Genres: Motet, Psalm
258–259	Homo quidam (P98, 5vv) - 3a pars (of 3): Venite comedite panem meum	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Homo quidam (P98, 5vv) - 3a pars (of 3): Venite comedite panem meum Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 258–259 Genres: Motet, Psalm
260–263	Gaude Dei genitrix virgo immaculata	Ysaac	Isaac, Heinrich (ca. 1450–1517)
Gaude Dei genitrix virgo immaculata Isaac, Heinrich (ca. 1450–1517) Appears on: 260–263 Genres: Motet Source Attribution: Ysaac Voice: [no designation] Languages: Latin Voice Text: Gaude dei genitrix virgo immaculata
264–265	Tous les regrets qui les coeurs tormentés 28.34	Josquin/[La Rue]	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)
Tous les regrets qui les coeurs tormentés 28.34 Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 264–265 Genres: Song Source Attribution: Josquin/[La Rue] Voice: [no designation] Languages: French Voice Text: Tous les regrets [qui les cueurs] 28.33
266–267	Lourdault Lourdault garde que tu feras 28.23	Compere/[Josquin/Ninot le Petit]	Compère, Loyset (ca. 1445–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500)
Lourdault Lourdault garde que tu feras 28.23 Compère, Loyset (ca. 1445–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) Appears on: 266–267 Genres: Chanson Source Attribution: Compere/[Josquin/Ninot le Petit] Voice: [no designation] Languages: French Voice Text: Lourdau lourdau garde que tu fere 28.23
268–269	Trop plus secret que ma partie suis	P: La Rue	Rue, Pierre de la (ca. 1452–1518)
Trop plus secret que ma partie suis Rue, Pierre de la (ca. 1452–1518) Appears on: 268–269 Genres: Chanson Source Attribution: P: La Rue Voice: [no designation] Languages: French Voice Text: Troplus secret [= Trop plus secret que ma partie suis]
270–271	Ave castissima	Pipelare	Pipelare, Mattheus (ca. 1450–ca. 1515)
Ave castissima Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 270–271 Genres: Motet Source Attribution: Pipelare Voice: [no designation] Languages: Latin Voice Text: Ave castissima
272–273	Pour vous plaisiers	Ysaac	Isaac, Heinrich (ca. 1450–1517)
Pour vous plaisiers Isaac, Heinrich (ca. 1450–1517) Appears on: 272–273 Genres: Chanson Source Attribution: Ysaac Voice: [no designation] Languages: Latin Voice Text: Pour vous plaisiers [= Parcere prostratis]
274–277	Mon seul plaisir, ma douce joie	Anon.	Anonymous
Mon seul plaisir, ma douce joie Anonymous Appears on: 274–277 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mon seul plaisier [ma doulce joye]
278–279	Ein fröhlich Wesen hab ich erlesen	H. Bucis	Ducis, Benedictus
Ein fröhlich Wesen hab ich erlesen Ducis, Benedictus Appears on: 278–279 Genres: Song Source Attribution: H. Bucis Voice: [no designation] Languages: German Voice Text: Ain frelich wesen [hab ich erlesen]
280–281	Ein frölich wesen hab ich erlesen	Ysaac	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?)
Ein frölich wesen hab ich erlesen Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?) Appears on: 280–281 Genres: Song Source Attribution: Ysaac Voice: [no designation] Languages: German Voice Text: Ein frelich wesen [hab ich erlesen]
282–283	Ein fröhlich Wesen hab ich erlesen	Pipelare/[La Rue]	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Ein fröhlich Wesen hab ich erlesen Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 282–283 Genres: Song Source Attribution: Pipelare/[La Rue] Voice: [no designation] Languages: German Voice Text: Ain frelich wesen [= Een vroelic wesen myn oogskins saghen]
284–285	Fortuna desperata iniqua e maledecta	[Isaac?]	Isaac, Heinrich (ca. 1450–1517) (?)
Fortuna desperata iniqua e maledecta Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 284–285 Genres: Italian secular Source Attribution: [Isaac?] Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata [iniqua e maledecta]
286–289	J'ay prins amours à ma devise (3vv)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
J'ay prins amours à ma devise (3vv) Isaac, Heinrich (ca. 1450–1517) Appears on: 286–289 Genres: Chanson Source Attribution: [Isaac] Voice: [no designation] Languages: French Voice Text: Jay prins amours [à ma devise]
290–291	In meinem sinn hadde ick vercoren (I)	Ysaac	Isaac, Heinrich (ca. 1450–1517)
In meinem sinn hadde ick vercoren (I) Isaac, Heinrich (ca. 1450–1517) Appears on: 290–291 Genres: Song Source Attribution: Ysaac Voice: [no designation] Languages: German Voice Text: In meinem sinn [hadde ick vercoren]
292–293	In meinem sinn hadde ick vercoren (II)	Ysaac	Isaac, Heinrich (ca. 1450–1517)
In meinem sinn hadde ick vercoren (II) Isaac, Heinrich (ca. 1450–1517) Appears on: 292–293 Genres: Song Source Attribution: Ysaac Voice: [no designation] Languages: German Voice Text: In meinem sinn [hadde ick vercoren]
294–295	Oblier veult douleur et tristesse (= Carmen in sol)	[A.] Agricola	Agricola, Alexander (ca. 1445–1506)
Oblier veult douleur et tristesse (= Carmen in sol) Agricola, Alexander (ca. 1445–1506) Appears on: 294–295 Genres: Chanson Source Attribution: [A.] Agricola Voice: [no designation] Languages: French Voice Text: Oblier [veult douleur et tristesse]
296–297	In Gottes namen fahren wir	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
In Gottes namen fahren wir Isaac, Heinrich (ca. 1450–1517) Appears on: 296–297 Genres: Sacred Song Source Attribution: [Isaac] Voice: [no designation] Languages: German Voice Text: Gottes namen [faren wir seiner gnaden]
298–299	Mari de par sa mere porquoy my prinstes	Basseron [= Basiron]	Basiron, Philippe (ca. 1449–1491)
Mari de par sa mere porquoy my prinstes Basiron, Philippe (ca. 1449–1491) Appears on: 298–299 Genres: Chanson Source Attribution: Basseron [= Basiron] Voice: [no designation] Languages: French Voice Text: Mari de per sa mere
300–303	Plus nulz regrets grand moiens 28.28	Josquin	Despres, Josquin (ca. 1450–1521)
Plus nulz regrets grand moiens 28.28 Despres, Josquin (ca. 1450–1521) Appears on: 300–303 Genres: Chanson Source Attribution: Josquin Voice: [no designation] Languages: French Voice Text: Plus nulz regretz [grans moyens] 28.25 [= pp. 14-15]
304–305	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Josquin	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 304–305 Genres: Chanson Source Attribution: Josquin Voice: [no designation] Languages: French Voice Text: Adieu mes amours [on m'atent] 28.3
306–307	Efferor ad manes	Lapicida	Lapicida, Erasmus (ca. 1440–1547)
Efferor ad manes Lapicida, Erasmus (ca. 1440–1547) Appears on: 306–307 Genres: Motet Source Attribution: Lapicida Voice: [no designation] Languages: Latin Voice Text: Efferor ad manes
308–311	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	[A.] Agricola	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne Agricola, Alexander (ca. 1445–1506) Appears on: 308–311 Genres: Chanson Source Attribution: [A.] Agricola Voice: [no designation] Languages: French Voice Text: Ie nay deul [que de vous ne viengne]
308–311	Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	-	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire Agricola, Alexander (ca. 1445–1506) Appears on: 308–311 Genres: Chanson General Note 2a pars untexted
312–313	Leal schray tante!	La Rue	Rue, Pierre de la (ca. 1452–1518)
Leal schray tante! Rue, Pierre de la (ca. 1452–1518) Appears on: 312–313 Genres: Secular Source Attribution: La Rue Voice: [no designation] Languages: German Voice Text: Leal schray tante(!)
314–315	An buos!	H. Ysac	Isaac, Heinrich (ca. 1450–1517)
An buos! Isaac, Heinrich (ca. 1450–1517) Appears on: 314–315 Genres: Secular Source Attribution: H. Ysac Voice: [no designation] Languages: Spanish Voice Text: An buos(!)
316–317	Cela sans plus ne souffi pas	[Japart]	Japart, Jean
Cela sans plus ne souffi pas Japart, Jean Appears on: 316–317 Genres: Chanson Source Attribution: [Japart] Voice: [no designation] Languages: French Voice Text: Cela sans plus [non sufi pas]
318–319	Gentis galans de gerra	Prioris/[Stappen]	Stappen, Crispin van der (?) Prioris, Johannes (Denis, Dionisius) (–1515) (?)
Gentis galans de gerra Stappen, Crispin van der (?) Prioris, Johannes (Denis, Dionisius) (–1515) (?) Appears on: 318–319 Genres: Italian secular Source Attribution: Prioris/[Stappen] Voice: [no designation] Languages: Italian Voice Text: Gentis galans [de gerra]
320–323	Fors seulement l'attente que je meure	Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Fors seulement l'attente que je meure Obrecht, Jacobus (ca. 1457–1505) Appears on: 320–323 Genres: Motet Source Attribution: Hobrecht Voice: [no designation] Languages: French Voice Text: Fors seulement [lvattente que je meure]
324–325	Du tout plongiet / Fors seulement a 5	An. Brumel/[A. Agricola]	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?)
Du tout plongiet / Fors seulement a 5 Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?) Appears on: 324–325 Genres: Chanson Source Attribution: An. Brumel/[A. Agricola] Voice: [no designation] Languages: French Voice Text: Fors seulement [lvattente que je meure]
326–327	Fors seulement l'attente que je meure (2p. Qui n'est douleur)	P. De La Rue	Rue, Pierre de la (ca. 1452–1518)
Fors seulement l'attente que je meure (2p. Qui n'est douleur) Rue, Pierre de la (ca. 1452–1518) Appears on: 326–327 Genres: Chanson Source Attribution: P. De La Rue Voice: [no designation] Languages: French Voice Text: Fors seulement [lvattente que je meure]
328–331	Fors seulement l'attente que je meure	De La Val et ho. [= Longaval?]	Longueval, Antoine de (fl. 1498-1525) (?)
Fors seulement l'attente que je meure Longueval, Antoine de (fl. 1498-1525) (?) Appears on: 328–331 Genres: Chanson Source Attribution: De La Val et ho. [= Longaval?] Voice: [no designation] Languages: French Voice Text: Fors seulement [lvattente que je meure]
332–335	Fors seulement l'attente que je meure	Verbonet [= Ghiselin]	Ghiselin (Verbonnet), Johannes
Fors seulement l'attente que je meure Ghiselin (Verbonnet), Johannes Appears on: 332–335 Genres: Chanson Source Attribution: Verbonet [= Ghiselin] Voice: [no designation] Languages: French Voice Text: Fors seulement [lvattente que je meure]
336–337	Fors seulement l'atent que je meure (II)	Pipelare/[La Rue]	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515)
Fors seulement l'atent que je meure (II) Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 336–337 Genres: Chanson Source Attribution: Pipelare/[La Rue] Voice: [no designation] Languages: French Voice Text: Fors seulement [lvattente que je meure]
338–339	Süsser Vater, Herre Gott, verleih (II)	Ysaac	Isaac, Heinrich (ca. 1450–1517)
Süsser Vater, Herre Gott, verleih (II) Isaac, Heinrich (ca. 1450–1517) Appears on: 338–339 Genres: Sacred Song Source Attribution: Ysaac Voice: [no designation] Languages: German Voice Text: Suesser vatter [Herre Gott verleych]
340	Süsser Vater, Herre Gott, verleih (III)	Ysaac	Isaac, Heinrich (ca. 1450–1517)
Süsser Vater, Herre Gott, verleih (III) Isaac, Heinrich (ca. 1450–1517) Appears on: 340 Genres: Sacred Song Source Attribution: Ysaac Voice: [no designation] Languages: German Voice Text: Suesser vatter [Herre Gott verleych]
341 [rear flyleaf]	[untexted fragments]	Anon.	-
[untexted fragments] - Appears on: 341 [rear flyleaf] Genres: fragment, textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne – 308–311 Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire – 308–311 Oblier veult douleur et tristesse (= Carmen in sol) – 294–295
Agricola, Johannes (ca. 1560–ca. 1601)	(?) Du tout plongiet / Fors seulement a 5 – 324–325
Anonymous	A qui dirette sa pensé la fille – 22–23 Anima mea liquefacta - 1a pars (of 2): Anima mea liquefacta est ut dilectus – 132–138 Anima mea liquefacta - 2a pars (of 2): Descendi in ortum nucum ut viderem – 139–143 Domine Jesu Christe - 1a pars (of 2): Domine Jesu Christe rogo te – 66–67 Domine Jesu Christe - 2a pars (of 2): Deprecor te me illumines septem donis – 68–69 Et in terra pax [Gloria] – 74–81 Et in terra pax [Gloria] – 70–73 Italian verses – 3 Jaston iosue! – 12–13 Laura dulcis suavis et rara – 32–33 Mon seul plaisir, ma douce joie – 274–277 Pange lingua gloriosi corporis misterium – 6–9 Revellies vous Piccars et Bourguignons – 18–19 [untexted fragments] – 341 [rear flyleaf] [untexted piece] – 40–41 [untexted piece] – 196–197
Barbireau, Jacobus (1455–1491)	(?) Ein frölich wesen hab ich erlesen – 280–281
Barra, Hotinet (fl. 1510-23)	(?) Nuptiae factae sunt in Chana Gallileae – 82–83
Basiron, Philippe (ca. 1449–1491)	Mari de par sa mere porquoy my prinstes – 298–299
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Du tout plongiet / Fors seulement a 5 – 324–325
Busnoys, Antoine (ca. 1430–1492)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 214–215
Champion, Nicolas (ca. 1475–1533)	(?) De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine – 122–123 (?) De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem – 124–125
Compère, Loyset (ca. 1445–1518)	(?) Lourdault Lourdault garde que tu feras 28.23 – 266–267
Despres, Josquin (ca. 1450–1521)	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 304–305 De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine – 122–123 De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem – 124–125 Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me – 202–203 Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est – 204–205 Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria – 154–155 Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit – 136–157 Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria – 158–159 (?) Lourdault Lourdault garde que tu feras 28.23 – 266–267 Plus nulz regrets grand moiens 28.28 – 14–15 Plus nulz regrets grand moiens 28.28 – 300–303 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 148–150 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 151–153 (?) Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) – 34–39 (?) Tous les regrets qui les coeurs tormentés 28.34 – 264–265 Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut – 184–185
Ducis, Benedictus	Ein fröhlich Wesen hab ich erlesen – 278–279
Elimon (Elimot)	(?) Nuptiae factae sunt in Chana Gallileae – 82–83
Fage, Jean de la	(?) Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit – 42–43 (?) Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit – 44–45
Festa, Costanzo (ca. 1485–1545)	(?) Felix Anna quaedam matrona legitima – 92–93
Ghiselin (Verbonnet), Johannes	Fors seulement l'attente que je meure – 332–335
Isaac, Heinrich (ca. 1450–1517)	An buos! – 314–315 (?) Ave maris stella Dei mater alma – 182–183 E qui la dira dira la douleur – 218–219 (?) Ein frölich wesen hab ich erlesen – 280–281 (?) Fortuna desperata iniqua e maledecta – 284–285 Gaude Dei genitrix virgo immaculata – 260–263 In Gottes namen fahren wir – 296–297 In meinem sinn hadde ick vercoren (I) – 290–291 In meinem sinn hadde ick vercoren (II) – 292–293 J'ay prins amours à ma devise (3vv) – 286–289 Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Sanctus – 5 O Maria mater - 1a pars (of 4): O Maria mater Christi virgo pia – 114–115 O Maria mater - 2a pars (of 4): Ave domina Deitatis cellula – 116–117 O Maria mater - 3a pars (of 4): O iocunda tu es Aaron virgula – 118–119 O Maria mater - 4a pars (of 4): Ave sanctissima dele precamina – 120–121 Pour vous plaisiers – 272–273 Sancta Maria – 180–181 (?) Spiritus sanctus in te descendet (6vv, M108) – 144–147 Süsser Vater, Herre Gott, verleih (II) – 338–339 Süsser Vater, Herre Gott, verleih (III) – 340
Japart, Jean	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 214–215 Cela sans plus ne souffi pas – 316–317
Lapicida, Erasmus (ca. 1440–1547)	Efferor ad manes – 306–307
Leo X (Medici) (1475–1521)	Cela sans plus et plus hola – 26–27
Longueval, Antoine de (fl. 1498-1525)	(?) Fors seulement l'attente que je meure – 328–331
Mouton, Jean (ca. 1459–1522)	(?) Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit – 42–43 (?) Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit – 44–45 Missa Ecce quam bonum: Agnus Dei – 46–65 Missa Ecce quam bonum: Credo – 46–65 Missa Ecce quam bonum: Gloria – 46–65 Missa Ecce quam bonum: Kyrie – 46–65 Missa Ecce quam bonum: Sanctus – 46–65 Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum – 126–127 Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar – 128–129 Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes – 130–131 (?) Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) – 34–39
Obrecht, Jacobus (ca. 1457–1505)	(?) Ein frölich wesen hab ich erlesen – 280–281 Fors seulement l'attente que je meure – 320–323
Petit, Nino le (fl. c1500)	Hellas hellas hellas fault-il – 24–25 Lourdault Lourdault garde que tu feras 28.23 – 266–267
Pipelare, Mattheus (ca. 1450–ca. 1515)	Ave castissima – 270–271 (?) Ein fröhlich Wesen hab ich erlesen – 282–283 Fors seulement l'atent que je meure (II) – 336–337 Vrai dieu d'amours confortez l'amoureux – 216–217
Prioris, Johannes (Denis, Dionisius) (–1515)	(?) Gentis galans de gerra – 318–319
Rue, Pierre de la (ca. 1452–1518)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 214–215 (?) Ein fröhlich Wesen hab ich erlesen – 282–283 (?) Fors seulement l'atent que je meure (II) – 336–337 Fors seulement l'attente que je meure (2p. Qui n'est douleur) – 326–327 Il fault mourire - 1a pars (of 2): Il fault mourire – 10–11 Il fault mourire - 2a pars (of 2): [untexted] – 11 Leal schray tante! – 312–313 (?) Plus aultre – 198–199 Pour un jamais un regret me demeure – 84–85 (?) Tous les regrets qui les coeurs tormentés 28.34 – 264–265 Trop plus secret que ma partie suis – 268–269
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Ascendo ad patrem meum et patrem vestrum – 30–31 Assumpta est Maria in caelum gaudent angeli – 246–247 (?) Ave sanctissima - 1a pars (of 3): Ave sanctissima Maria mater Dei regina – 232–233 Ave sanctissima - 2a pars (of 3): Tu es singularis virgo pura – 234–235 Ave sanctissima - 3a pars (of 3): Ora pro nobis Jesum dilectum – 236–237 Completi sunt dies Mariae ut pareret filium – 86–87 (?) Der welte pracht ist hoch geacht – 210–211 (?) Dies est laetitiae in ortu regali (M33) – 224–225 Discubuit Jesus - 1a pars (of 4): Discubuit Jesus et discipuli eius – 238–239 Discubuit Jesus - 2a pars (of 4): Et accepto pane gratias agens – 240–241 Discubuit Jesus - 3a pars (of 4): Dicens hoc est corpus meum – 242–243 Discubuit Jesus - 4a pars (of 4): Fecit Asuerus rex grande convivium – 244–245 Ecce Maria genuit nobis salvatorem (M36) – 88–91 Ecce concipies - 1a pars (of 2): Ecce concipies et paries filium et vocabis – 192–193 Ecce concipies - 2a pars (of 2): Hic erit magnus et filius altissimi – 194–195 Es ist gut merkh auf (= Pange lingua) – 178–179 (?) Felix Anna quaedam matrona legitima – 92–93 Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses – 94–98 Gaude Maria virgo - 2a pars (of 4): Dum virgo Deum et hominem – 98–101 Gaude Maria virgo - 3a pars (of 4): Gabrielem archangelum credimus – 101–105 Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit – 105–109 Geduld und Huld will haben ich und leiden – 212–213 Gottes namen faren wir – 20–21 Hic accipiet benedictionem – 176–177 Homo quidam (P98, 5vv) - 1a pars (of 3): Homo quidam fecit cenam – 220–223 Homo quidam (P98, 5vv) - 2a pars (of 3): Quia parata sunt omnibus firmiter – 220–223 Homo quidam (P98, 5vv) - 3a pars (of 3): Venite comedite panem meum – 258–259 Maria zart von edler art [S226] – 206–209 Nesciens mater virgo virum peperit – 110–113 O bone Jesu - 1a pars (of 2): O bone Jesu – 28–29 O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire – 28–29 (?) O crux ave / Fortuna – 162–163 Regina caeli - 1a pars (of 5): Regina caeli laetare / Concendit jubilans – 164–165 Regina caeli - 2a pars (of 5): Quia quem meruisti/Gloria laus et honor – 166–167 Regina caeli - 3a pars (of 5): Resurrexit sicut dixit/Grates nunc omnes – 168–169 Regina caeli - 4a pars (of 5): Ora pro nobis/Te ergo quaesumus – 170–171 Regina caeli - 5a pars (of 5): Alleluia Domine nate/Dies est laetitiae – 172–173 Salva nos Domine vigilantes custodi nos – 160–161 Sancta Maria virgo intercede (4vv, M101) – 16–17 Sancta et immaculata virginitas quibus – 200–201 (?) Sant Martinn loben wollen wir – 254–255 (?) Spiritus sanctus in te descendet (6vv, M108) – 144–147 Surge virgo - 1a pars (of 3): Surge virgo et nostras sponso preces aperi – 226–231 Surge virgo - 2a pars (of 3): Ab aestu mundi transfer nos ad amoena – 226–231 Surge virgo - 3a pars (of 3): Pulchra Sion filia pro mortali tunica – 256–257 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri (M111) – 174–175 Usquequo Domine (M118) - 1a pars (of 2): Usquequo Domine oblivisceris me in finem – 186–188 Usquequo Domine (M118) - 2a pars (of 2): Exultabit cor meum in salutari – 189–191 (?) Von Sanct Katherina (perhaps a rubric rather than a text incipit) – 248–249
Silva, Andreas de (ca. 1475–ca. 1522)	(?) Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus) – 34–39
Stappen, Crispin van der	(?) Gentis galans de gerra – 318–319
Willaert, Adrian (ca. 1490–1562)	Domine quis habitabit - 1a pars (of 3): Domine quis habitabit in tabernaculo – 250–251 Domine quis habitabit - 2a pars (of 3): Nec fecit proximo suo malum – 252 Domine quis habitabit - 3a pars (of 3): Qui jurat proximo suo et non – 253

Composition	Composers (? Uncertain)	Folios / Pages
[untexted fragments]	-	341 [rear flyleaf]
[untexted piece]	-	40–41
[untexted piece]	-	196–197
A qui dirette sa pensé la fille	Anonymous	22–23
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	304–305
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Rue, Pierre de la (ca. 1452–1518) (?)	214–215
An buos!	Isaac, Heinrich (ca. 1450–1517)	314–315
Anima mea liquefacta - 1a pars (of 2): Anima mea liquefacta est ut dilectus	Anonymous	132–138
Anima mea liquefacta - 2a pars (of 2): Descendi in ortum nucum ut viderem	Anonymous	139–143
Ascendo ad patrem meum et patrem vestrum	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	30–31
Assumpta est Maria in caelum gaudent angeli	Senfl, Ludwig (ca. 1486–ca. 1543)	246–247
Ave castissima	Pipelare, Mattheus (ca. 1450–ca. 1515)	270–271
Ave maris stella Dei mater alma	Isaac, Heinrich (ca. 1450–1517) (?)	182–183
Ave sanctissima - 1a pars (of 3): Ave sanctissima Maria mater Dei regina	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	232–233
Ave sanctissima - 2a pars (of 3): Tu es singularis virgo pura	Senfl, Ludwig (ca. 1486–ca. 1543)	234–235
Ave sanctissima - 3a pars (of 3): Ora pro nobis Jesum dilectum	Senfl, Ludwig (ca. 1486–ca. 1543)	236–237
Cela sans plus et plus hola	Leo X (Medici) (1475–1521)	26–27
Cela sans plus ne souffi pas	Japart, Jean	316–317
Completi sunt dies Mariae ut pareret filium	Senfl, Ludwig (ca. 1486–ca. 1543)	86–87
De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine	Champion, Nicolas (ca. 1475–1533) (?) Despres, Josquin (ca. 1450–1521)	122–123
De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?)	124–125
Der welte pracht ist hoch geacht	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	210–211
Dies est laetitiae in ortu regali (M33)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	224–225
Discubuit Jesus - 1a pars (of 4): Discubuit Jesus et discipuli eius	Senfl, Ludwig (ca. 1486–ca. 1543)	238–239
Discubuit Jesus - 2a pars (of 4): Et accepto pane gratias agens	Senfl, Ludwig (ca. 1486–ca. 1543)	240–241
Discubuit Jesus - 3a pars (of 4): Dicens hoc est corpus meum	Senfl, Ludwig (ca. 1486–ca. 1543)	242–243
Discubuit Jesus - 4a pars (of 4): Fecit Asuerus rex grande convivium	Senfl, Ludwig (ca. 1486–ca. 1543)	244–245
Domine Jesu Christe - 1a pars (of 2): Domine Jesu Christe rogo te	Anonymous	66–67
Domine Jesu Christe - 2a pars (of 2): Deprecor te me illumines septem donis	Anonymous	68–69
Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me	Despres, Josquin (ca. 1450–1521)	202–203
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est	Despres, Josquin (ca. 1450–1521)	204–205
Domine quis habitabit - 1a pars (of 3): Domine quis habitabit in tabernaculo	Willaert, Adrian (ca. 1490–1562)	250–251
Domine quis habitabit - 2a pars (of 3): Nec fecit proximo suo malum	Willaert, Adrian (ca. 1490–1562)	252
Domine quis habitabit - 3a pars (of 3): Qui jurat proximo suo et non	Willaert, Adrian (ca. 1490–1562)	253
Du tout plongiet / Fors seulement a 5	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?)	324–325
E qui la dira dira la douleur	Isaac, Heinrich (ca. 1450–1517)	218–219
Ecce concipies - 1a pars (of 2): Ecce concipies et paries filium et vocabis	Senfl, Ludwig (ca. 1486–ca. 1543)	192–193
Ecce concipies - 2a pars (of 2): Hic erit magnus et filius altissimi	Senfl, Ludwig (ca. 1486–ca. 1543)	194–195
Ecce Maria genuit nobis salvatorem (M36)	Senfl, Ludwig (ca. 1486–ca. 1543)	88–91
Efferor ad manes	Lapicida, Erasmus (ca. 1440–1547)	306–307
Ein fröhlich Wesen hab ich erlesen	Ducis, Benedictus	278–279
Ein fröhlich Wesen hab ich erlesen	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Rue, Pierre de la (ca. 1452–1518) (?)	282–283
Ein frölich wesen hab ich erlesen	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?)	280–281
Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit	Fage, Jean de la (?) Mouton, Jean (ca. 1459–1522) (?)	42–43
Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit	Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?)	44–45
Es ist gut merkh auf (= Pange lingua)	Senfl, Ludwig (ca. 1486–ca. 1543)	178–179
Et in terra pax [Gloria]	Anonymous	70–73
Et in terra pax [Gloria]	Anonymous	74–81
Felix Anna quaedam matrona legitima	Festa, Costanzo (ca. 1485–1545) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	92–93
Fors seulement l'atent que je meure (II)	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515)	336–337
Fors seulement l'attente que je meure	Obrecht, Jacobus (ca. 1457–1505)	320–323
Fors seulement l'attente que je meure	Longueval, Antoine de (fl. 1498-1525) (?)	328–331
Fors seulement l'attente que je meure	Ghiselin (Verbonnet), Johannes	332–335
Fors seulement l'attente que je meure (2p. Qui n'est douleur)	Rue, Pierre de la (ca. 1452–1518)	326–327
Fortuna desperata iniqua e maledecta	Isaac, Heinrich (ca. 1450–1517) (?)	284–285
Gaude Dei genitrix virgo immaculata	Isaac, Heinrich (ca. 1450–1517)	260–263
Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses	Senfl, Ludwig (ca. 1486–ca. 1543)	94–98
Gaude Maria virgo - 2a pars (of 4): Dum virgo Deum et hominem	Senfl, Ludwig (ca. 1486–ca. 1543)	98–101
Gaude Maria virgo - 3a pars (of 4): Gabrielem archangelum credimus	Senfl, Ludwig (ca. 1486–ca. 1543)	101–105
Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit	Senfl, Ludwig (ca. 1486–ca. 1543)	105–109
Geduld und Huld will haben ich und leiden	Senfl, Ludwig (ca. 1486–ca. 1543)	212–213
Gentis galans de gerra	Stappen, Crispin van der (?) Prioris, Johannes (Denis, Dionisius) (–1515) (?)	318–319
Gottes namen faren wir	Senfl, Ludwig (ca. 1486–ca. 1543)	20–21
Hellas hellas hellas fault-il	Petit, Nino le (fl. c1500)	24–25
Hic accipiet benedictionem	Senfl, Ludwig (ca. 1486–ca. 1543)	176–177
Homo quidam (P98, 5vv) - 1a pars (of 3): Homo quidam fecit cenam	Senfl, Ludwig (ca. 1486–ca. 1543)	220–223
Homo quidam (P98, 5vv) - 2a pars (of 3): Quia parata sunt omnibus firmiter	Senfl, Ludwig (ca. 1486–ca. 1543)	220–223
Homo quidam (P98, 5vv) - 3a pars (of 3): Venite comedite panem meum	Senfl, Ludwig (ca. 1486–ca. 1543)	258–259
Il fault mourire - 1a pars (of 2): Il fault mourire	Rue, Pierre de la (ca. 1452–1518)	10–11
Il fault mourire - 2a pars (of 2): [untexted]	Rue, Pierre de la (ca. 1452–1518)	11
In Gottes namen fahren wir	Isaac, Heinrich (ca. 1450–1517)	296–297
In meinem sinn hadde ick vercoren (I)	Isaac, Heinrich (ca. 1450–1517)	290–291
In meinem sinn hadde ick vercoren (II)	Isaac, Heinrich (ca. 1450–1517)	292–293
Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria	Despres, Josquin (ca. 1450–1521)	154–155
Inviolata integra et casta 24.4 - 2a pars (of 3): Nostra ut pura pectora fuit	Despres, Josquin (ca. 1450–1521)	136–157
Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria	Despres, Josquin (ca. 1450–1521)	158–159
Italian verses	Anonymous	3
J'ay prins amours à ma devise (3vv)	Isaac, Heinrich (ca. 1450–1517)	286–289
Jaston iosue!	Anonymous	12–13
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	Agricola, Alexander (ca. 1445–1506)	308–311
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	Agricola, Alexander (ca. 1445–1506)	308–311
Laura dulcis suavis et rara	Anonymous	32–33
Leal schray tante!	Rue, Pierre de la (ca. 1452–1518)	312–313
Lourdault Lourdault garde que tu feras 28.23	Compère, Loyset (ca. 1445–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500)	266–267
Mari de par sa mere porquoy my prinstes	Basiron, Philippe (ca. 1449–1491)	298–299
Maria zart von edler art [S226]	Senfl, Ludwig (ca. 1486–ca. 1543)	206–209
Missa Ecce quam bonum: Agnus Dei	Mouton, Jean (ca. 1459–1522)	46–65
Missa Ecce quam bonum: Credo	Mouton, Jean (ca. 1459–1522)	46–65
Missa Ecce quam bonum: Gloria	Mouton, Jean (ca. 1459–1522)	46–65
Missa Ecce quam bonum: Kyrie	Mouton, Jean (ca. 1459–1522)	46–65
Missa Ecce quam bonum: Sanctus	Mouton, Jean (ca. 1459–1522)	46–65
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Sanctus	Isaac, Heinrich (ca. 1450–1517)	5
Mon seul plaisir, ma douce joie	Anonymous	274–277
Nesciens mater virgo virum peperit	Senfl, Ludwig (ca. 1486–ca. 1543)	110–113
Nuptiae factae sunt in Chana Gallileae	Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?)	82–83
O bone Jesu - 1a pars (of 2): O bone Jesu	Senfl, Ludwig (ca. 1486–ca. 1543)	28–29
O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire	Senfl, Ludwig (ca. 1486–ca. 1543)	28–29
O crux ave / Fortuna	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	162–163
O Maria mater - 1a pars (of 4): O Maria mater Christi virgo pia	Isaac, Heinrich (ca. 1450–1517)	114–115
O Maria mater - 2a pars (of 4): Ave domina Deitatis cellula	Isaac, Heinrich (ca. 1450–1517)	116–117
O Maria mater - 3a pars (of 4): O iocunda tu es Aaron virgula	Isaac, Heinrich (ca. 1450–1517)	118–119
O Maria mater - 4a pars (of 4): Ave sanctissima dele precamina	Isaac, Heinrich (ca. 1450–1517)	120–121
Oblier veult douleur et tristesse (= Carmen in sol)	Agricola, Alexander (ca. 1445–1506)	294–295
Pange lingua gloriosi corporis misterium	Anonymous	6–9
Plus aultre	Rue, Pierre de la (ca. 1452–1518) (?)	198–199
Plus nulz regrets grand moiens 28.28	Despres, Josquin (ca. 1450–1521)	14–15
Plus nulz regrets grand moiens 28.28	Despres, Josquin (ca. 1450–1521)	300–303
Pour un jamais un regret me demeure	Rue, Pierre de la (ca. 1452–1518)	84–85
Pour vous plaisiers	Isaac, Heinrich (ca. 1450–1517)	272–273
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	148–150
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	151–153
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	Mouton, Jean (ca. 1459–1522)	126–127
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	Mouton, Jean (ca. 1459–1522)	128–129
Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes	Mouton, Jean (ca. 1459–1522)	130–131
Regina caeli - 1a pars (of 5): Regina caeli laetare / Concendit jubilans	Senfl, Ludwig (ca. 1486–ca. 1543)	164–165
Regina caeli - 2a pars (of 5): Quia quem meruisti/Gloria laus et honor	Senfl, Ludwig (ca. 1486–ca. 1543)	166–167
Regina caeli - 3a pars (of 5): Resurrexit sicut dixit/Grates nunc omnes	Senfl, Ludwig (ca. 1486–ca. 1543)	168–169
Regina caeli - 4a pars (of 5): Ora pro nobis/Te ergo quaesumus	Senfl, Ludwig (ca. 1486–ca. 1543)	170–171
Regina caeli - 5a pars (of 5): Alleluia Domine nate/Dies est laetitiae	Senfl, Ludwig (ca. 1486–ca. 1543)	172–173
Revellies vous Piccars et Bourguignons	Anonymous	18–19
Salva nos Domine vigilantes custodi nos	Senfl, Ludwig (ca. 1486–ca. 1543)	160–161
Sancta et immaculata virginitas quibus	Senfl, Ludwig (ca. 1486–ca. 1543)	200–201
Sancta Maria	Isaac, Heinrich (ca. 1450–1517)	180–181
Sancta Maria virgo intercede (4vv, M101)	Senfl, Ludwig (ca. 1486–ca. 1543)	16–17
Sant Martinn loben wollen wir	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	254–255
Spiritus sanctus in te descendet (6vv, M108)	Isaac, Heinrich (ca. 1450–1517) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	144–147
Surge virgo - 1a pars (of 3): Surge virgo et nostras sponso preces aperi	Senfl, Ludwig (ca. 1486–ca. 1543)	226–231
Surge virgo - 2a pars (of 3): Ab aestu mundi transfer nos ad amoena	Senfl, Ludwig (ca. 1486–ca. 1543)	226–231
Surge virgo - 3a pars (of 3): Pulchra Sion filia pro mortali tunica	Senfl, Ludwig (ca. 1486–ca. 1543)	256–257
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri (M111)	Senfl, Ludwig (ca. 1486–ca. 1543)	174–175
Süsser Vater, Herre Gott, verleih (II)	Isaac, Heinrich (ca. 1450–1517)	338–339
Süsser Vater, Herre Gott, verleih (III)	Isaac, Heinrich (ca. 1450–1517)	340
Te Deum laudamus 26.16 (2p. Patrem immensae majestatis; 3p. Te ergo quaesumus)	Silva, Andreas de (ca. 1475–ca. 1522) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	34–39
Tous les regrets qui les coeurs tormentés 28.34	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)	264–265
Trop plus secret que ma partie suis	Rue, Pierre de la (ca. 1452–1518)	268–269
Usquequo Domine (M118) - 1a pars (of 2): Usquequo Domine oblivisceris me in finem	Senfl, Ludwig (ca. 1486–ca. 1543)	186–188
Usquequo Domine (M118) - 2a pars (of 2): Exultabit cor meum in salutari	Senfl, Ludwig (ca. 1486–ca. 1543)	189–191
Von Sanct Katherina (perhaps a rubric rather than a text incipit)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	248–249
Vrai dieu d'amours confortez l'amoureux	Pipelare, Mattheus (ca. 1450–ca. 1515)	216–217
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut	Despres, Josquin (ca. 1450–1521)	184–185

‡ denotes primary source study

Birkendorf, Rainer (editor). 1994. Der Codex Pernner: Quellenkundliche Studien zu einer Musikhandschrift des frühen 16. Jahrhunderts (Regensburg, Bischöfliche Zentralbibliothek, Sammlung Proske, Ms. C 120). Collectanea musicologica. Augsburg.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten. Munich and Salzburg. Pages: II.11,90-110. Notes: physical description (partial); contents list (partial); concordances (partial).

Warburton, Thomas. 1983. Sicher's 'Johannes Zela zons plus': A Problem in Identity. Acta Musicologica, 74-89. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xxi,121-3. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 296, 310, 314. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Pages: 93, 218-9. Notes: contents list (partial); incipits (partial).

Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I,24-5,115; II, xx,186-8. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft. Tutzing. Pages: 28, 42, 88-9, 95, 124, 433, 450. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxxvi-xxxvii, 28, 76-7; III, 46, 203. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I, 58ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 285-9, 377, 589-93. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I, 35-6, 143-4, 159-60, 260ff, 319, 322-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 79-91. Pages: 86. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh. Pages: 109ff, 119. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 91. Notes: physical description; contents list; incipitsst of contents (partial).

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiii-ff, 15-7, 22-3. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 158. Notes: contents list (partial); concordances (partial); incipits (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 367-8. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1339, 1350; X, 1075-6, Tafel 72. Notes: physical description; contents list; incipitsst of contents (partial); facsimile (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 110; VI, 94. Notes: physical description (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 6-12, 124ff; XIII, xi, 116; XV, 142. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: IV, vii; VII, v; X, v; XI, vi. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: III, xiii; IV, vii-ix. Notes: contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: X, 112-6; XV/XVl, vii-ff, 85-7, 99-100. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 173, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Haberl, Franz Xavier. 1888. Eine Komposition des Cardinais Jo. de Medíeis (Leo papa X.) in einem Manuscript des 16. Jahrhunderts. Kirchenmusikalisches Jahrbuch, 39-49. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

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Benjamin Ory

Tuesday, 4 July, 2023

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Christoph Burmester

Tuesday, 28 September, 2021

corrected title of O Maria mater Christi on f. 114-121

DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description