A Prima Vox partbook from a set of four volumes. First and last flyleaves in each book glued to front and back covers, respectively. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Some pieces are bicinia and tricinia. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).
D-Rp B. 220-222 (Prima Vox)
Bischöfliche Zentralbibliothek, Regensburg, Germany
partbook: Mid 16th century
| Archive | Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp) |
|---|---|
| Shelfmark | B. 220-222 (Prima Vox) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 134 x 138 mm |
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| Contents | Contains 55 compositions, 54 from 27 composers, 1 is anonymous. |
General Description
Binding
Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties.
Watermark
arec (StaeMI)
Notation
black void mensural
Ruling
Staff height 16
Foliation
Original ink foliation in each book.
Decoration
No decorative initials; foliation, attributions, some corrections, and canonic instructions in red.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
7 Mass Ordinary sections, 43 motets, 1 Latin secular piece = 51
Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, Brück [AB; Arnoldus Brugensis]-8, Conseil [Concilium]-1, Courtois-1, Eckel-1, Eustachius Romanus [Eustachius de Nationibus Rhomanus]-3, Gascongne-1, Josquin-6, Josquin/(Ockeghem)-1, La Rue-1, La Rue/(Pipelare)-1, F. Layolle-5, Maessens-2, Mahu-1, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Silva)-1, Paminger-1, Peschin-4, Rupsch-1, Stomius-3, Unterholtzer-3, (Willaert)-1, anon-2
4 paper partbooks (Prima Vox-ii + 87 + i folios, Secunda Vox-ii + 82 + i, Tertia Vox-ii + 69 + i, Quarta Vox-ii + 33 + i), 134 x 138. First and last flyleaves in each book glued to front and back covers, respectively. Original ink foliation in each book. Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties. No index. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Staff height 16. No decorative initials; foliation, attributions, some corrections, and canonic instructions in red. Watermarks arec(StaeMI). Some pieces are bicinia and tricinia.
Mid 16th century. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).
The inventory could not be loaded.
Sets
B. 220-222
Partbooks · 4 sources
‡ denotes primary source study
Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 150-153. Notes: contents list; concordances.
Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai. Munich: Henle. Notes: contents list; description.
Lowinsky, Edward E. 1982. Humanism in the Music of the Renaissance. Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1978, 87-220. Durham, N.C. Pages: 211. Notes: contents list (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, 77. Notes: physical description (partial).
Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 110-1, 137, 140. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Bellingham, Bruce Allan. 1971. The Bicinium in the Lutheran Latin Schools During the Reformation Period. University of Toronto, Unpublished Ph.D. dissertation. Pages: I, 39; II, 101ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7. Kassel and Basel. Pages: 21-3. Notes: physical description (partial); contents list; discussion.
Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: II, viii-xv; III, ix-xvi; VIII, vii-xvi; IX, vi-xi; XII, vi-viii. Notes: physical description (partial); contents list (partial); concordances (partial).
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XCIX, 23-9, 62-6,118ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
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Benjamin Ory
Tuesday, 4 July, 2023
image links provided for this set
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description