D-Rp B. 220-222 (Prima Vox)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: Mid 16th century

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	B. 220-222 (Prima Vox)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	134 x 138 mm
Other Identifiers	CCM: RegB B220-2
Notations	black void mensural
Relationships	? Stomius, Johannes (1502–1562) (compiler)
External Links	images images
External Authorities	RISM Online (sources/1001172502)
Provenance	Salzburg? Austria
Contents	Contains 55 compositions, 54 from 27 composers, 1 is anonymous.

General Description

A Prima Vox partbook from a set of four volumes. First and last flyleaves in each book glued to front and back covers, respectively. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Some pieces are bicinia and tricinia. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

DIAMM, 2017

Binding

Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties.

DIAMM, 2017

Watermark

arec (StaeMI)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 16

DIAMM, 2017

Foliation

Original ink foliation in each book.

DIAMM, 2017

Decoration

No decorative initials; foliation, attributions, some corrections, and canonic instructions in red.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Mass Ordinary sections, 43 motets, 1 Latin secular piece = 51

Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, Brück [AB; Arnoldus Brugensis]-8, Conseil [Concilium]-1, Courtois-1, Eckel-1, Eustachius Romanus [Eustachius de Nationibus Rhomanus]-3, Gascongne-1, Josquin-6, Josquin/(Ockeghem)-1, La Rue-1, La Rue/(Pipelare)-1, F. Layolle-5, Maessens-2, Mahu-1, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Silva)-1, Paminger-1, Peschin-4, Rupsch-1, Stomius-3, Unterholtzer-3, (Willaert)-1, anon-2

4 paper partbooks (Prima Vox-ii + 87 + i folios, Secunda Vox-ii + 82 + i, Tertia Vox-ii + 69 + i, Quarta Vox-ii + 33 + i), 134 x 138. First and last flyleaves in each book glued to front and back covers, respectively. Original ink foliation in each book. Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties. No index. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Staff height 16. No decorative initials; foliation, attributions, some corrections, and canonic instructions in red. Watermarks arec(StaeMI). Some pieces are bicinia and tricinia.

Mid 16th century. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
[0]–[0]v	Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis)	4	AB [= Bruck]	Bruck, Arnold von (ca. 1500–1554)
Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) Bruck, Arnold von (ca. 1500–1554) Appears on: [0]–[0]v Genres: Motet Source Attribution: AB [= Bruck] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
1–2v	Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis	4	Arnoldus Brugensis	Bruck, Arnold von (ca. 1500–1554)
Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis Bruck, Arnold von (ca. 1500–1554) Appears on: 1–2v Genres: Motet, Pater noster Source Attribution: Arnoldus Brugensis Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Pater noster qui es in coelis Concordances different from the 'Pater noster' in CZ-Hkm A 29 (which is also in RISM 1538/3 & 1545/2)
2v–3	Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	4	AB	Bruck, Arnold von (ca. 1500–1554)
Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Bruck, Arnold von (ca. 1500–1554) Appears on: 2v–3 Genres: Ave Maria, Motet Source Attribution: AB Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ave Maria gratia plena dominus tecum
3–4	Da pacem Domine in diebus nostris	4	AB	Bruck, Arnold von (ca. 1500–1554)
Da pacem Domine in diebus nostris Bruck, Arnold von (ca. 1500–1554) Appears on: 3–4 Genres: Motet Source Attribution: AB Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Da pacem domine in diebus nostris
4v–6v	Laudate Dominum omnes gentes, laudate eum	4	AB	Bruck, Arnold von (ca. 1500–1554)
Laudate Dominum omnes gentes, laudate eum Bruck, Arnold von (ca. 1500–1554) Appears on: 4v–6v Genres: Motet Source Attribution: AB Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Laudate dominum omnes gentes laudate eum
6v–11	Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster)	4	AB	Bruck, Arnold von (ca. 1500–1554)
Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster) Bruck, Arnold von (ca. 1500–1554) Appears on: 6v–11 Genres: Motet Source Attribution: AB Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Deus misereatur nostri illuminet vultum II: Benedicat nos deus noster
11–15v	Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat)	4	(Greek) adelon (=unknown) alii C. Rupsch/[Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Rupsch, Conrad (?)
Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) Richafort, Jean (ca. 1480–ca. 1550) (?) Rupsch, Conrad (?) Appears on: 11–15v Genres: Motet Source Attribution: (Greek) adelon (=unknown) alii C. Rupsch/[Richafort] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Cognoscimus domine quia peccavimus II: Vita nostra in dolore suspirat
15v–17v	Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me	4	Franciscus de Layolla	Layolle, Francesco de
Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me Layolle, Francesco de Appears on: 15v–17v Genres: Motet Source Attribution: Franciscus de Layolla Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine ne in furore tuo arguas me
18–20v	Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo	4	-	Layolle, Francesco de
Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo Layolle, Francesco de Appears on: 18–20v Genres: Madrigal Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : ... Turbatus est a furore oculus meus
20v–21v	Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam	4	(Greek) ho autos (=the same, F. Layolle)	Layolle, Francesco de
Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam Layolle, Francesco de Appears on: 20v–21v Genres: Motet Source Attribution: (Greek) ho autos (=the same, F. Layolle) Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Peccavimus domine contra legem tuam
21v–22v	Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum	4	-	Layolle, Francesco de
Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum Layolle, Francesco de Appears on: 21v–22v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Secunda pars : O domine O rex regum salva General Note f. 22 apparently misbound between ff. 18 & 19
23–24	Virgo carens criminibus te precor	4	(Greek) adelon (= unknown)/[Moulu/Silva]	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Virgo carens criminibus te precor Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 23–24 Genres: Motet Source Attribution: (Greek) adelon (= unknown)/[Moulu/Silva] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Virgo carens criminibus te precor
24v–26	Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea	4	P. Moulou/[Josquin/Mouton/Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 24v–26 Genres: Motet Source Attribution: P. Moulou/[Josquin/Mouton/Verdelot] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quam pulchra es amica mea
26–27	Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia	4	-	Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 26–27 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Labia distillantia suavissima
27v–29v	Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes)	4	S. Mahu	Mahu, Stephan
Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes) Mahu, Stephan Appears on: 27v–29v Genres: Motet Source Attribution: S. Mahu Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Anima mea liquefacta est ut dilectus II: Tulerunt pallium meum custodes
29v–32v	Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima)	4	Jo: Courtois	Courtois, Jean (fl. 1530-1545)
Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima) Courtois, Jean (fl. 1530-1545) Appears on: 29v–32v Genres: Motet Source Attribution: Jo: Courtois Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Inviolata integra et casta es Maria II: O rex Christe O redemptor O victima
32v–34	Nigra sum sed formosa filia Jerusalem	4	Fran: de Layolla	Layolle, Francesco de
Nigra sum sed formosa filia Jerusalem Layolle, Francesco de Appears on: 32v–34 Genres: Motet Source Attribution: Fran: de Layolla Number of voices: 4 Voice: Tertia vox Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Nigra sum sed formosa filia Hierusalem
34v	Grates nunc omnes reddamus Domino deo (II)	2	-	Bruck, Arnold von (ca. 1500–1554)
Grates nunc omnes reddamus Domino deo (II) Bruck, Arnold von (ca. 1500–1554) Appears on: 34v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Grates nunc omnes reddamus domino deo
34v	Grates nunc omnes reddamus Domino deo (I)	3	AB	Bruck, Arnold von (ca. 1500–1554)
Grates nunc omnes reddamus Domino deo (I) Bruck, Arnold von (ca. 1500–1554) Appears on: 34v Genres: Motet Source Attribution: AB Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Grates nunc omnes reddamus domino deo General Note note at end "4 vocum grates reperies a principio" (you will find a 4vv Grates at the beginning)
35v–36	Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini	3	(Greek) adelon (=unknown)/[Bauldeweyn/Stoltzer]	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?) Appears on: 35v–36 Genres: Motet Source Attribution: (Greek) adelon (=unknown)/[Bauldeweyn/Stoltzer] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Venite filii audite me timorem domini [Pars II of Benedicam dominum in omni tempore]
36v–37	Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures	2	(Greek) adelon (=unknown)/[Bauldeweyn/Stoltzer]	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?) Appears on: 36v–37 Genres: Motet Source Attribution: (Greek) adelon (=unknown)/[Bauldeweyn/Stoltzer] Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Oculi domini super iustos et aures [Pars III of Benedicam dominum in omni tempore]
37–38	Virga tua et baculus ipsa me consolata	2	P La Rue/[Pipelare]	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?)
Virga tua et baculus ipsa me consolata Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Appears on: 37–38 Genres: Motet Source Attribution: P La Rue/[Pipelare] Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Virga tua et baculus ipsa me consolata
38v–43v	Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum)	3	(Greek) adelon (=unknown)	Anonymous
Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum) Anonymous Appears on: 38v–43v Genres: Motet Source Attribution: (Greek) adelon (=unknown) Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: ... Quoniam in secula misericordia II: Qui traduxit populum suum per desertum
44–44v	Degeneres animos timor arguit	3	Johan: Stomius	Stomius, Johannes (1502–1562)
Degeneres animos timor arguit Stomius, Johannes (1502–1562) Appears on: 44–44v Genres: Motet Source Attribution: Johan: Stomius Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Degeneres animos timor arguit
44v–45v	Stat sua cuique dies breve et irreparabile	3	Robertus Underholtzer Salisburgensis	Unterholzer, Rupertus
Stat sua cuique dies breve et irreparabile Unterholzer, Rupertus Appears on: 44v–45v Genres: Motet Source Attribution: Robertus Underholtzer Salisburgensis Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Stat sua cuique dies breve & irreparabile
46–47v	Vigilate quia nescitis qua hora Dominus (I)	3	Leonhardus Paminger	Paminger, Leonhard (1495–1567)
Vigilate quia nescitis qua hora Dominus (I) Paminger, Leonhard (1495–1567) Appears on: 46–47v Genres: Motet Source Attribution: Leonhardus Paminger Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vigilate quia nescitis qua hora dominus Concordances not the same as the piece in CZ-ROk 22
47v–48	Jesus Christus nostra salus quod reclamat	3	Johannes Stomius	Stomius, Johannes (1502–1562)
Jesus Christus nostra salus quod reclamat Stomius, Johannes (1502–1562) Appears on: 47v–48 Genres: Motet Source Attribution: Johannes Stomius Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Jesus Christus nostra salus quod reclamat
48v–49	Degeneres animos timor arguit	3	Robertus Underholtzer	Unterholzer, Rupertus
Degeneres animos timor arguit Unterholzer, Rupertus Appears on: 48v–49 Genres: Motet Source Attribution: Robertus Underholtzer Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Degeneres animos timor arguit
49–50	Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi)	3	(Greek) adelon (=unknown)/[Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 49–50 Genres: Chanson, Contrafactum, Motet Source Attribution: (Greek) adelon (=unknown)/[Brumel] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Dulce trium puerorum carmen innocuas
50v–53	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	3	Gregorius Peschin Bemus	Peschin, Gregor
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) Peschin, Gregor Appears on: 50v–53 Genres: Motet Source Attribution: Gregorius Peschin Bemus Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
53–54v	Dulces exuviae dum fata Deusque	3	Gregorius Peschin	Peschin, Gregor
Dulces exuviae dum fata Deusque Peschin, Gregor Appears on: 53–54v Genres: Motet Source Attribution: Gregorius Peschin Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dulces exuviae dum fata deusque
54v–55	Nulla fides pietasque viris qui castra	3	Robertus Underholtzer	Unterholzer, Rupertus
Nulla fides pietasque viris qui castra Unterholzer, Rupertus Appears on: 54v–55 Genres: Motet Source Attribution: Robertus Underholtzer Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Nulla fides pietasque viris qui castra General Note "fuga 3 in unisono"; there are signa congruentiae at the 5th and 9th semibreve
55v–58	Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion	3	Franciscus de Layolla	Layolle, Francesco de
Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion Layolle, Francesco de Appears on: 55v–58 Genres: Motet Source Attribution: Franciscus de Layolla Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tu exurgens domine misereberis Sion [Pars II of Domine exaudi orationem meam]
58–60	Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem)	3	Gregorius Peschin	Peschin, Gregor
Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem) Peschin, Gregor Appears on: 58–60 Genres: Motet Source Attribution: Gregorius Peschin Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Deus qui sedes super thronum & iudicas II: Quia tu solus laborem & dolorem
60–61v	Nolite confidere in principibus in filiis	3	Johannes Stomius	Stomius, Johannes (1502–1562)
Nolite confidere in principibus in filiis Stomius, Johannes (1502–1562) Appears on: 60–61v Genres: Motet Source Attribution: Johannes Stomius Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Nolite confidere in principibus in filiis
61v–62v	Quicquid appositum est et quicquid apponetur	3	[Maessens]	Maessens, Pieter
Quicquid appositum est et quicquid apponetur Maessens, Pieter Appears on: 61v–62v Genres: Motet Source Attribution: [Maessens] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Quicquid appositum est & quicquid apponetur
63–64v	Gloria tibi Domine gloria tibi sancte	3	[Maessens]	Maessens, Pieter
Gloria tibi Domine gloria tibi sancte Maessens, Pieter Appears on: 63–64v Genres: Response Source Attribution: [Maessens] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gloria tibi domine gloria tibi sancte
65–67	Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera	3	Noel Baulduin	Bauldeweyn, Noel (ca. 1480–1529)
Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera Bauldeweyn, Noel (ca. 1480–1529) Appears on: 65–67 Genres: Motet Source Attribution: Noel Baulduin Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Confiteantur tibi domine omnia opera [Pars II of Exaltabo te deus meus rex]
67–68v	Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes	3	Concilium [= Conseil]	Conseil, Jean (ca. 1498–1534)
Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes Conseil, Jean (ca. 1498–1534) Appears on: 67–68v Genres: Motet Source Attribution: Concilium [= Conseil] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Effunde iram tuam in gentes [Pars II of Deus venerunt gentes in haereditatem]
69–70	Praeceptum novum do vobis ut diligatis	3	G. Peschin	Peschin, Gregor
Praeceptum novum do vobis ut diligatis Peschin, Gregor Appears on: 69–70 Genres: Motet Source Attribution: G. Peschin Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Praeceptum novum do vobis ut diligatis
70v	Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia)	2	(Greek) adelon (=unknown); M. Ekel [= Eckel] added in later hand	Eckel, Matthias
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia) Eckel, Matthias Appears on: 70v Genres: Motet Source Attribution: (Greek) adelon (=unknown); M. Ekel [= Eckel] added in later hand Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia
71v–72	Missa Gaudeamus 4.2: Agnus Dei II (only)	2	Josquin/[Ockeghem]	Despres, Josquin (ca. 1450–1521)
Missa Gaudeamus 4.2: Agnus Dei II (only) Despres, Josquin (ca. 1450–1521) Appears on: 71v–72 Genres: Agnus Dei, Mass Ordinary Source Attribution: Josquin/[Ockeghem] Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Gaudeamus] 4.2
72v–73	Missa Mater Patris 10.1: Agnus Dei II	2	Josquin	Despres, Josquin (ca. 1450–1521)
Missa Mater Patris 10.1: Agnus Dei II Despres, Josquin (ca. 1450–1521) Appears on: 72v–73 Genres: Agnus Dei, Mass Ordinary Source Attribution: Josquin Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Mater patris] 10.1
73v–74v	Missa Malheur me bat 9.1: Pleni sunt caeli (only)	2	Josquin	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Pleni sunt caeli (only) Despres, Josquin (ca. 1450–1521) Appears on: 73v–74v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Josquin Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Pleni sunt caeli [from Missa Malheur me bat] 9.1
75	Missa L'ami baudichon 5.1: [Gloria.] Qui tollis peccata mundi	2	Josquin	Despres, Josquin (ca. 1450–1521)
Missa L'ami baudichon 5.1: [Gloria.] Qui tollis peccata mundi Despres, Josquin (ca. 1450–1521) Appears on: 75 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Josquin Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Qui tollis peccata mundi miserere nobis, qui tollis peccata mundi suscipe deprecationem nostram [from Gloria of Missa L'ami baudichon]
75v–76	Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum	2	Josquin, alii Mouton [in Greek letters]	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum Despres, Josquin (ca. 1450–1521) Appears on: 75v–76 Genres: Motet Source Attribution: Josquin, alii Mouton [in Greek letters] Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Per illud ave prolatum & tuum [Pars II of Benedicta es celorum regina]
76v–79	Domine exaudi (II) - 2a pars (of 2): Auditam fac mihi mane misericordiam	2	Franciscus de Layolla	Layolle, Francesco de
Domine exaudi (II) - 2a pars (of 2): Auditam fac mihi mane misericordiam Layolle, Francesco de Appears on: 76v–79 Genres: Motet Source Attribution: Franciscus de Layolla Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Auditam fac mihi mane misericordiam [Pars II of Domine exaudi orationem meam]
79v–80v	Missa L'homme armé I: Pleni sunt caeli (only)	2	Petrus de la Rue	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Pleni sunt caeli (only) Rue, Pierre de la (ca. 1452–1518) Appears on: 79v–80v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Petrus de la Rue Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pleni sunt caeli [from Missa L'homme armé]
80v–82	Non opus habent qui validi sunt medico	2	Eustachius de Nationibus Rhomanus	Romano, Eustachio
Non opus habent qui validi sunt medico Romano, Eustachio Appears on: 80v–82 Genres: Motet Source Attribution: Eustachius de Nationibus Rhomanus Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Non opus habent qui validi sunt medico
82–84	Ecce mysterium vobis dico non omnes	2	Eustachius Rhomanus	Romano, Eustachio
Ecce mysterium vobis dico non omnes Romano, Eustachio Appears on: 82–84 Genres: Motet Source Attribution: Eustachius Rhomanus Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ecce mysterium vobis dico non omnes
84–85	Mulier cupido quod dicit amanti	2	Eustachius Rhomanus	Romano, Eustachio
Mulier cupido quod dicit amanti Romano, Eustachio Appears on: 84–85 Genres: Motet Source Attribution: Eustachius Rhomanus Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Mulier cupido quod dicit amanti
85v–86v	Missa N'aurai-je jamais = Missa di dadi 9.3: Agnus Dei II	2	Josquin	Despres, Josquin (ca. 1450–1521)
Missa N'aurai-je jamais = Missa di dadi 9.3: Agnus Dei II Despres, Josquin (ca. 1450–1521) Appears on: 85v–86v Genres: Agnus Dei, Mass Ordinary Source Attribution: Josquin Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa N'auray je jamais] 9.3
86v–87	Missa La sol fa re mi 11.2: Agnus Dei II only	2	Josquin	Despres, Josquin (ca. 1450–1521)
Missa La sol fa re mi 11.2: Agnus Dei II only Despres, Josquin (ca. 1450–1521) Appears on: 86v–87 Genres: Agnus Dei, Mass Ordinary Source Attribution: Josquin Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa La sol fa re mi] 11.2
87v	Verbum Domini manet in aeternum (=Ista est speciosa, 12vv canon)	12-ex-1	M. Gasconge	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Verbum Domini manet in aeternum (=Ista est speciosa, 12vv canon) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 87v Genres: Contrafactum, Motet Source Attribution: M. Gasconge Number of voices: 12-ex-1 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Verbum domini manet in aeternum General Note "Epitoniza, bina semper pausando usque ad 12 vocum" (though there are 20(!) signa congruentiae through the piece)
[88]	Rex autem David cooperto capite incedens	4	[Willaert]	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: [88] Genres: Motet Source Attribution: [Willaert] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Rex autem David cooperto capite incedens

Composer	Compositions
Anonymous	Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum) – 38v–43v
Bauldeweyn, Noel (ca. 1480-1529)	(?) Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini – 35v–36 (?) Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures – 36v–37 Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera – 65–67
Bruck, Arnold von (ca. 1500-1554)	Da pacem Domine in diebus nostris – 3–4 Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster) – 6v–11 Grates nunc omnes reddamus Domino deo (I) – 34v Grates nunc omnes reddamus Domino deo (II) – 34v Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) – [0]–[0]v Laudate Dominum omnes gentes, laudate eum – 4v–6v Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis – 1–2v Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 2v–3
Brumel, Antoine (ca. 1460-ca. 1513)	Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi) – 49–50
Conseil, Jean (ca. 1498-1534)	Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes – 67–68v
Courtois, Jean (1530-1545)	Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima) – 29v–32v
Despres, Josquin (ca. 1450-1521)	Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum – 75v–76 Missa Gaudeamus 4.2: Agnus Dei II (only) – 71v–72 Missa L'ami baudichon 5.1: [Gloria.] Qui tollis peccata mundi – 75 Missa La sol fa re mi 11.2: Agnus Dei II only – 86v–87 Missa Malheur me bat 9.1: Pleni sunt caeli (only) – 73v–74v Missa Mater Patris 10.1: Agnus Dei II – 72v–73 Missa N'aurai-je jamais = Missa di dadi 9.3: Agnus Dei II – 85v–86v (?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 24v–26 (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 26–27
Eckel, Matthias	Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia) – 70v
Gascongne, Mathieu (?Johannes) (1517-1518)	Verbum Domini manet in aeternum (=Ista est speciosa, 12vv canon) – 87v
Layolle, Francesco de	Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion – 55v–58 Domine exaudi (II) - 2a pars (of 2): Auditam fac mihi mane misericordiam – 76v–79 Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me – 15v–17v Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo – 18–20v Nigra sum sed formosa filia Jerusalem – 32v–34 Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam – 20v–21v Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum – 21v–22v
Maessens, Pieter	Gloria tibi Domine gloria tibi sancte – 63–64v Quicquid appositum est et quicquid apponetur – 61v–62v
Mahu, Stephan	Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes) – 27v–29v
Moulu, Pierre (ca. 1484-ca. 1550)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 24v–26 (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 26–27 (?) Virgo carens criminibus te precor – 23–24
Mouton, Jean (ca. 1459-1522)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 24v–26 (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 26–27
Paminger, Leonhard (1495-1567)	Vigilate quia nescitis qua hora Dominus (I) – 46–47v
Peschin, Gregor	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) – 50v–53 Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem) – 58–60 Dulces exuviae dum fata Deusque – 53–54v Praeceptum novum do vobis ut diligatis – 69–70
Pipelare, Mattheus (ca. 1450-ca. 1515)	(?) Virga tua et baculus ipsa me consolata – 37–38
Richafort, Jean (ca. 1480-ca. 1550)	(?) Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) – 11–15v
Romano, Eustachio	Ecce mysterium vobis dico non omnes – 82–84 Mulier cupido quod dicit amanti – 84–85
Romano, Eustachio	Non opus habent qui validi sunt medico – 80v–82
Rue, Pierre de la (ca. 1452-1518)	Missa L'homme armé I: Pleni sunt caeli (only) – 79v–80v (?) Virga tua et baculus ipsa me consolata – 37–38
Rupsch, Conrad	(?) Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) – 11–15v
Silva, Andreas de (ca. 1475-ca. 1522)	(?) Virgo carens criminibus te precor – 23–24
Stoltzer, Thomas (ca. 1480-1526)	(?) Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini – 35v–36 (?) Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures – 36v–37
Stomius, Johannes (1502-1562)	Degeneres animos timor arguit – 44–44v Jesus Christus nostra salus quod reclamat – 47v–48 Nolite confidere in principibus in filiis – 60–61v
Unterholzer, Rupertus	Degeneres animos timor arguit – 48v–49 Nulla fides pietasque viris qui castra – 54v–55 Stat sua cuique dies breve et irreparabile – 44v–45v
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 24v–26 (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 26–27
Willaert, Adrian (ca. 1490-1562)	(?) Rex autem David cooperto capite incedens – [88]

Composition	Composers (? Uncertain)	Folios / Pages
Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes)	Mahu, Stephan	27v–29v
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	Peschin, Gregor	50v–53
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)	35v–36
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)	36v–37
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum	Despres, Josquin (ca. 1450–1521)	75v–76
Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat)	Richafort, Jean (ca. 1480–ca. 1550) (?) Rupsch, Conrad (?)	11–15v
Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum)	Anonymous	38v–43v
Da pacem Domine in diebus nostris	Bruck, Arnold von (ca. 1500–1554)	3–4
Degeneres animos timor arguit	Stomius, Johannes (1502–1562)	44–44v
Degeneres animos timor arguit	Unterholzer, Rupertus	48v–49
Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster)	Bruck, Arnold von (ca. 1500–1554)	6v–11
Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem)	Peschin, Gregor	58–60
Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes	Conseil, Jean (ca. 1498–1534)	67–68v
Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion	Layolle, Francesco de	55v–58
Domine exaudi (II) - 2a pars (of 2): Auditam fac mihi mane misericordiam	Layolle, Francesco de	76v–79
Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me	Layolle, Francesco de	15v–17v
Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo	Layolle, Francesco de	18–20v
Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi)	Brumel, Antoine (ca. 1460–ca. 1513)	49–50
Dulces exuviae dum fata Deusque	Peschin, Gregor	53–54v
Ecce mysterium vobis dico non omnes	Romano, Eustachio	82–84
Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera	Bauldeweyn, Noel (ca. 1480–1529)	65–67
Gloria tibi Domine gloria tibi sancte	Maessens, Pieter	63–64v
Grates nunc omnes reddamus Domino deo (I)	Bruck, Arnold von (ca. 1500–1554)	34v
Grates nunc omnes reddamus Domino deo (II)	Bruck, Arnold von (ca. 1500–1554)	34v
Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis)	Bruck, Arnold von (ca. 1500–1554)	[0]–[0]v
Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima)	Courtois, Jean (fl. 1530-1545)	29v–32v
Jesus Christus nostra salus quod reclamat	Stomius, Johannes (1502–1562)	47v–48
Laudate Dominum omnes gentes, laudate eum	Bruck, Arnold von (ca. 1500–1554)	4v–6v
Missa Gaudeamus 4.2: Agnus Dei II (only)	Despres, Josquin (ca. 1450–1521)	71v–72
Missa L'ami baudichon 5.1: [Gloria.] Qui tollis peccata mundi	Despres, Josquin (ca. 1450–1521)	75
Missa L'homme armé I: Pleni sunt caeli (only)	Rue, Pierre de la (ca. 1452–1518)	79v–80v
Missa La sol fa re mi 11.2: Agnus Dei II only	Despres, Josquin (ca. 1450–1521)	86v–87
Missa Malheur me bat 9.1: Pleni sunt caeli (only)	Despres, Josquin (ca. 1450–1521)	73v–74v
Missa Mater Patris 10.1: Agnus Dei II	Despres, Josquin (ca. 1450–1521)	72v–73
Missa N'aurai-je jamais = Missa di dadi 9.3: Agnus Dei II	Despres, Josquin (ca. 1450–1521)	85v–86v
Mulier cupido quod dicit amanti	Romano, Eustachio	84–85
Nigra sum sed formosa filia Jerusalem	Layolle, Francesco de	32v–34
Nolite confidere in principibus in filiis	Stomius, Johannes (1502–1562)	60–61v
Non opus habent qui validi sunt medico	Romano, Eustachio	80v–82
Nulla fides pietasque viris qui castra	Unterholzer, Rupertus	54v–55
Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis	Bruck, Arnold von (ca. 1500–1554)	1–2v
Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Bruck, Arnold von (ca. 1500–1554)	2v–3
Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam	Layolle, Francesco de	20v–21v
Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum	Layolle, Francesco de	21v–22v
Praeceptum novum do vobis ut diligatis	Peschin, Gregor	69–70
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	24v–26
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia	Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	26–27
Quicquid appositum est et quicquid apponetur	Maessens, Pieter	61v–62v
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	[88]
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia)	Eckel, Matthias	70v
Stat sua cuique dies breve et irreparabile	Unterholzer, Rupertus	44v–45v
Verbum Domini manet in aeternum (=Ista est speciosa, 12vv canon)	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	87v
Vigilate quia nescitis qua hora Dominus (I)	Paminger, Leonhard (1495–1567)	46–47v
Virga tua et baculus ipsa me consolata	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?)	37–38
Virgo carens criminibus te precor	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	23–24

Set: B. 220-222

Type: Partbooks

No images available

D-Rp B. 220-222 (Prima Vox)

No images available

D-Rp B. 220-222 (Quarta Vox)

No images available

D-Rp B. 220-222 (Secunda Vox)

No images available

D-Rp B. 220-222 (Tertia Vox)

‡ denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 150-153. Notes: contents list; concordances.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai. Munich: Henle. Notes: contents list; description.

Lowinsky, Edward E. 1982. Humanism in the Music of the Renaissance. Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1978, 87-220. Durham, N.C. Pages: 211. Notes: contents list (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, 77. Notes: physical description (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 110-1, 137, 140. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bellingham, Bruce Allan. 1971. The Bicinium in the Lutheran Latin Schools During the Reformation Period. University of Toronto, Unpublished Ph.D. dissertation. Pages: I, 39; II, 101ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7. Kassel and Basel. Pages: 21-3. Notes: physical description (partial); contents list; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: II, viii-xv; III, ix-xvi; VIII, vii-xvi; IX, vi-xi; XII, vi-viii. Notes: physical description (partial); contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XCIX, 23-9, 62-6,118ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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