D-Rp B. 220-222 (Quarta Vox)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: Mid-16th century

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 220-222 (Quarta Vox)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 138 mm
Other Identifiers
  • CCM: RegB B220-2
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Salzburg? Austria
Contents Contains 18 compositions from 12 composers.
General Description

A Quatra Vox partbook from a set of four volumes. First and last flyleaves in each book glued to front and back covers, respectively. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Some pieces are bicinia and tricinia. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

DIAMM, 2017
Binding

Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties.

DIAMM, 2017
Watermark

arec (StaeMI)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 16

DIAMM, 2017
Foliation

Original ink foliation in each book.

DIAMM, 2017
Decoration

No decorative initials; foliation, attributions, some corrections, and canonic instructions in red.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Mass Ordinary sections, 43 motets, 1 Latin secular piece = 51

Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, Brück [AB; Arnoldus Brugensis]-8, Conseil [Concilium]-1, Courtois-1, Eckel-1, Eustachius Romanus [Eustachius de Nationibus Rhomanus]-3, Gascongne-1, Josquin-6, Josquin/(Ockeghem)-1, La Rue-1, La Rue/(Pipelare)-1, F. Layolle-5, Maessens-2, Mahu-1, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Silva)-1, Paminger-1, Peschin-4, Rupsch-1, Stomius-3, Unterholtzer-3, (Willaert)-1, anon-2

4 paper partbooks (Prima Vox-ii + 87 + i folios, Secunda Vox-ii + 82 + i, Tertia Vox-ii + 69 + i, Quarta Vox-ii + 33 + i), 134 x 138. First and last flyleaves in each book glued to front and back covers, respectively. Original ink foliation in each book. Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties. No index. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Staff height 16. No decorative initials; foliation, attributions, some corrections, and canonic instructions in red. Watermarks are Briquet #481 and #762 (StaeMI). Some pieces are bicinia and tricinia.

Mid 16th century. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
[0]–[0]v Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) 4 AB [= Bruck]
Appears on: [0]–[0]v
Genres: Motet
Source Attribution: AB [= Bruck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
1–2 Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis 4 Arnoldus Brugensis
Appears on: 1–2
Genres: Motet, Pater noster
Source Attribution: Arnoldus Brugensis
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Pater noster qui es in coelis
2v–3 Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 4 AB
Appears on: 2v–3
Genres: Ave Maria, Motet
Source Attribution: AB
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Ave Maria gratia plena dominus tecum
3–4 Da pacem Domine in diebus nostris 4 AB
Appears on: 3–4
Genres: Motet
Source Attribution: AB
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Da pacem domine in diebus nostris
4v–6v Laudate Dominum omnes gentes, laudate eum 4 AB
Appears on: 4v–6v
Genres: Motet
Source Attribution: AB
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Laudate dominum omnes gentes laudate eum
6v–11v Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster) 4 AB
Appears on: 6v–11v
Genres: Motet
Source Attribution: AB
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Deus misereatur nostri illuminet vultum II: Benedicat nos deus noster
11v–16 Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) 4 (Greek) adelon (=unknown)/[Richafort/Rupsch]
Appears on: 11v–16
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Richafort/Rupsch]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Cognoscimus domine quia peccavimus II: Vita nostra in dolore suspirat
16–18 Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me 4 Franciscus de Layolla
Appears on: 16–18
Genres: Motet
Source Attribution: Franciscus de Layolla
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Domine ne in furore tuo arguas me
18–21 Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo 4 -
Appears on: 18–21
Genres: Madrigal
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Laboravi in gemitu meo lavabo
21–22 Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam 4 (Greek) ho autos (=the same, F. Layolle)
Appears on: 21–22
Genres: Motet
Source Attribution: (Greek) ho autos (=the same, F. Layolle)
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Peccavimus domine contra legem tuam
22–23 Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum 4 -
Appears on: 22–23
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Secunda pars : O domine O rex regum salva
23–24v Virgo carens criminibus te precor 4 (greek) adelon (=unknown)/[Moulu/Silva]
Appears on: 23–24v
Genres: Motet
Source Attribution: (greek) adelon (=unknown)/[Moulu/Silva]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Virgo carens criminibus te precor
24v–25v Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea 4 P. Moulu/[Josquin/Mouton/Verdelot]
Appears on: 24v–25v
Genres: Motet
Source Attribution: P. Moulu/[Josquin/Mouton/Verdelot]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Quam pulchra es amica mea
26–27 Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia 4 -
Appears on: 26–27
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Labia tua suavissima
27v–29v Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes) 4 Stephanus Mahu
Appears on: 27v–29v
Genres: Motet
Source Attribution: Stephanus Mahu
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Anima mea liquefacta est ut dilectus II: Tulerunt pallium meum custodes
30–32v Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima) 4 Jo: Courtois
Appears on: 30–32v
Genres: Motet
Source Attribution: Jo: Courtois
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Inviolata integra & casta es Maria II: O rex Christe O redemptor O victima
33–33v Nigra sum sed formosa filia Jerusalem 4 Franciscus de Layolla
Appears on: 33–33v
Genres: Motet
Source Attribution: Franciscus de Layolla
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Nigra sum sed formosa filia Hierusalem
[34] Rex autem David cooperto capite incedens 4 [Willaert]
Appears on: [34]
Genres: Motet
Source Attribution: [Willaert]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Rex autem David cooperto capite incedens
Composer Compositions
Bruck, Arnold von (ca. 1500-1554)
Courtois, Jean (1530-1545)
Despres, Josquin (ca. 1450-1521)
Layolle, Francesco de
Mahu, Stephan
Moulu, Pierre (ca. 1484-ca. 1550)
Mouton, Jean (ca. 1459-1522)
Richafort, Jean (ca. 1480-ca. 1550)
Rupsch, Conrad
Silva, Andreas de (ca. 1475-ca. 1522)
Verdelot, Philippe (ca. 1480-ca. 1532)
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes) 27v–29v
Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) 11v–16
Da pacem Domine in diebus nostris 3–4
Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster) 6v–11v
Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me 16–18
Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo 18–21
Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) [0]–[0]v
Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima) 30–32v
Laudate Dominum omnes gentes, laudate eum 4v–6v
Nigra sum sed formosa filia Jerusalem 33–33v
Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis 1–2
Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 2v–3
Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam 21–22
Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum 22–23
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea 24v–25v
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia 26–27
Rex autem David cooperto capite incedens [34]
Virgo carens criminibus te precor 23–24v

Set: B. 220-222

Type: Partbooks

No images available

D-Rp B. 220-222 (Prima Vox)

No images available

D-Rp B. 220-222 (Quarta Vox)

No images available

D-Rp B. 220-222 (Secunda Vox)

No images available

D-Rp B. 220-222 (Tertia Vox)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 154-164. Notes: contents list; concordances.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description