D-Rp B. 220-222 (Secunda Vox)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: Mid-16th century

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 220-222 (Secunda Vox)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 138 mm
Other Identifiers
  • CCM: RegB B220-2
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Salzburg? Austria
Contents 52 pieces from 28 composers
General Description

A Secunda Vox partbook from a set of four volumes. First and last flyleaves in each book glued to front and back covers, respectively. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Some pieces are bicinia and tricinia. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

DIAMM, 2017
Binding

Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties.

DIAMM, 2017
Watermark

arec (StaeMI)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 16

DIAMM, 2017
Foliation

Original ink foliation in each book.

DIAMM, 2017
Decoration

No decorative initials; foliation, attributions, some corrections, and canonic instructions in red.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Mass Ordinary sections, 43 motets, 1 Latin secular piece = 51

Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, Brück [AB; Arnoldus Brugensis]-8, Conseil [Concilium]-1, Courtois-1, Eckel-1, Eustachius Romanus [Eustachius de Nationibus Rhomanus]-3, Gascongne-1, Josquin-6, Josquin/(Ockeghem)-1, La Rue-1, La Rue/(Pipelare)-1, F. Layolle-5, Maessens-2, Mahu-1, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Silva)-1, Paminger-1, Peschin-4, Rupsch-1, Stomius-3, Unterholtzer-3, (Willaert)-1, anon-2

4 paper partbooks (Prima Vox-ii + 87 + i folios, Secunda Vox-ii + 82 + i, Tertia Vox-ii + 69 + i, Quarta Vox-ii + 33 + i), 134 x 138. First and last flyleaves in each book glued to front and back covers, respectively. Original ink foliation in each book. Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties. No index. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Staff height 16. No decorative initials; foliation, attributions, some corrections, and canonic instructions in red. Watermarks are Briquet #481 and #762 (StaeMI). Some pieces are bicinia and tricinia.

Mid 16th century. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[ii]–[iiv] Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) AB [= Bruck]
Appears on: [ii]–[iiv]
Genres: Motet
Source Attribution: AB [= Bruck]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
1–2v Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis Arnoldus Brugensis
Appears on: 1–2v
Genres: Motet, Pater noster
Source Attribution: Arnoldus Brugensis
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis
2v–3 Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum AB
Appears on: 2v–3
Genres: Ave Maria, Motet
Source Attribution: AB
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum
3–4 Da pacem Domine in diebus nostris AB
Appears on: 3–4
Genres: Motet
Source Attribution: AB
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
4v–6v Laudate Dominum omnes gentes, laudate eum AB
Appears on: 4v–6v
Genres: Motet
Source Attribution: AB
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
6v–11 Deus misereatur nostri illuminet vultum II: Benedicat nos Deus noster AB
Appears on: 6v–11
Genres: Motet
Source Attribution: AB
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri illuminet vultum II: Benedicat nos deus noster
11–15v Cognoscimus Domine quia peccavimus II: Vita nostra in dolore suspirat C. Rupsch
Appears on: 11–15v
Genres: Motet
Source Attribution: C. Rupsch
Voice: [no designation]
Languages: Latin
Voice Text: Cognoscimus domine quia peccavimus II: Vita nostra in dolore suspirat
15v–20v Domine ne in furore (I) (2p. Laboravi in gemitu meo lavabo) Franciscus de Layolla
Appears on: 15v–20v
Genres: Motet
Source Attribution: Franciscus de Layolla
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne in furore tuo arguas me II: Laboravi in gemitu meo lavabo
20v–22v Peccavimus Domine contra legem tuam (2p. O Domine O rex regum salva populum) [F. Layolle]
Appears on: 20v–22v
Genres: Motet
Source Attribution: [F. Layolle]
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus domine contra legem tuam II: O domine O rex regum salva
23–24 Virgo carens criminibus te precor P. Moulu/[Silva]
Appears on: 23–24
Genres: Motet
Source Attribution: P. Moulu/[Silva]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo carens criminibus te precor
24v–27 Quam pulchra es 14.10 (2p. Labia tua distillantia) P. Moulu/[Josquin/Mouton/Verdelot]
Appears on: 24v–27
Genres: Motet
Source Attribution: P. Moulu/[Josquin/Mouton/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es amica mea 14.10 II: Labia tua [lilia] distillantia
27v–29v Anima mea liquefacta est ut dilectus II: Tulerunt pallium meum custodes Stephanus Mahu
Appears on: 27v–29v
Genres: Motet
Source Attribution: Stephanus Mahu
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est ut dilectus II: Tulerunt pallium meum custodes
29v–32v Inviolata integra et casta es Maria II: O rex Christe O redemptor O victima Jo: Courtois
Appears on: 29v–32v
Genres: Motet
Source Attribution: Jo: Courtois
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria II: O rex Christe O redemptor O victima
32v–34 Nigra sum sed formosa filia Jerusalem Fran: de Layolla
Appears on: 32v–34
Genres: Motet
Source Attribution: Fran: de Layolla
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa filia Hierusalem
34v Grates nunc omnes reddamus Domino deo (II) -
Appears on: 34v
Genres: Motet
34v Grates nunc omnes reddamus Domino deo (I) AB
Appears on: 34v
Genres: Motet
Source Attribution: AB
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo
35v–36 Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini Noel Baulduin/[Stoltzer]
Appears on: 35v–36
Genres: Motet
Source Attribution: Noel Baulduin/[Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Venite filii audite me timorem domini [Pars II of Benedicam dominum in omni tempore]
36v–37 Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures [Bauldeweyn/Stoltzer]
Appears on: 36v–37
Genres: Motet
Source Attribution: [Bauldeweyn/Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Oculi domini super iustos et aures [Pars III of Benedicam dominum in omni tempore]
37–38 Virga tua et baculus ipsa me consolata Petrus de La Rue/[Pipelare]
Appears on: 37–38
Genres: Motet
Source Attribution: Petrus de La Rue/[Pipelare]
Voice: [no designation]
Languages: Latin
Voice Text: Virga tua et baculus ipsa me consolata
38v–43v Confitemini Domino quoniam bonus quoniam II: Qui traduxit populum suum per desertum Anon. Anonymous
Appears on: 38v–43v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Confitemini domino quoniam bonus quoniam II: Qui traduxit populum suum per desertum
44–44v Degeneres animos timor arguit Johan: Stomius
Appears on: 44–44v
Genres: Motet
Source Attribution: Johan: Stomius
Voice: [no designation]
Languages: Latin
Voice Text: Degeneres animos timor arguit
44v–45v Stat sua cuique dies breve et irreparabile Robertus Underholtzer Salisburgensis
Appears on: 44v–45v
Genres: Motet
Source Attribution: Robertus Underholtzer Salisburgensis
Voice: [no designation]
Languages: Latin
Voice Text: Stat sua cuique dies breve et irreparabile
46–47v Vigilate quia nescitis qua hora Dominus (I) Leonhardus Paminger
Appears on: 46–47v
Genres: Motet
Source Attribution: Leonhardus Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Vigilate quia nescitis qua hora dominus
47v–48 Jesus Christus nostra salus quod reclamat Johannes Stomius
Appears on: 47v–48
Genres: Motet
Source Attribution: Johannes Stomius
Voice: [no designation]
Languages: Latin
Voice Text: Jesus Christus nostra salus quod reclamat
48v–49 Degeneres animos timor arguit Robertus Underholtzer
Appears on: 48v–49
Genres: Motet
Source Attribution: Robertus Underholtzer
Voice: [no designation]
Languages: Latin
Voice Text: Degeneres animos timor arguit
49–50 Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi) [Brumel]
Appears on: 49–50
Genres: Chanson, Contrafactum, Motet
Source Attribution: [Brumel]
Voice: [no designation]
Languages: French
Voice Text: Dulce trium puerorum carmen innocuas [= Vray dieu d'amours confortez moy]
50v–53 Beati omnes qui timent Dominum qui ambulant II: Ecce sic benedicetur homo qui timet Gregorius Peschin Bemus
Appears on: 50v–53
Genres: Motet
Source Attribution: Gregorius Peschin Bemus
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
53–54v Dulces exuviae dum fata Deusque Gregorius Peschin
Appears on: 53–54v
Genres: Motet
Source Attribution: Gregorius Peschin
Voice: [no designation]
Languages: Latin
Voice Text: Dulces exuviae dum fata deusque
54v–55 Nulla fides pietasque viris qui castra Robertus Underholtzer
Appears on: 54v–55
Genres: Motet
Source Attribution: Robertus Underholtzer
Voice: [no designation]
Languages: Latin
Voice Text: Nulla fides pietasque viris qui castra
55v–58 Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion Franciscus de Layolla
Appears on: 55v–58
Genres: Motet
Source Attribution: Franciscus de Layolla
Voice: [no designation]
Languages: Latin
Voice Text: Tu exurgens domine misereberis Sion [Pars II of Domine exaudi orationem meam]
58–60 Deus qui sedes super thronum et judicas II: Quia tu solus laborem et dolorem Gregorius Peschin
Appears on: 58–60
Genres: Motet
Source Attribution: Gregorius Peschin
Voice: [no designation]
Languages: Latin
Voice Text: Deus qui sedes super thronum et iudicas II: Quia tu solus laborem et dolorem
60–61v Nolite confidere in principibus in filiis Johannes Stomius
Appears on: 60–61v
Genres: Motet
Source Attribution: Johannes Stomius
Voice: [no designation]
Languages: Latin
Voice Text: Nolite confidere in principibus in filiis
61v–62v Quicquid appositum est et quicquid apponetur P. Maessins [= Maessens]
Appears on: 61v–62v
Genres: Motet
Source Attribution: P. Maessins [= Maessens]
Voice: [no designation]
Languages: Latin
Voice Text: Quicquid appositum est et quicquid apponetur
63–64v Gloria tibi Domine gloria tibi sancte [Maessens]
Appears on: 63–64v
Genres: Response
Source Attribution: [Maessens]
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi domine gloria tibi sancte
65–67 Exaltabo te Deus meus rex (2a pars (of 2): Confiteantur tibi Domine omnia opera Noel Baulduin
Appears on: 65–67
Genres: Motet
Source Attribution: Noel Baulduin
Voice: [no designation]
Languages: Latin
Voice Text: Confiteantur tibi domine omnia opera [Pars II of Exaltabo te deus meus rex]
67–68v Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes Concilium [= Conseil]
Appears on: 67–68v
Genres: Motet
Source Attribution: Concilium [= Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Effunde iram tuam in gentes [Pars II of Deus venerunt gentes in haereditatem]
69–70 Praeceptum novum do vobis ut diligatis G. Peschin
Appears on: 69–70
Genres: Motet
Source Attribution: G. Peschin
Voice: [no designation]
Languages: Latin
Voice Text: Praeceptum novum do vobis ut diligatis
70v Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia M. Ekel [= Eckel]
Appears on: 70v
Genres: Motet
Source Attribution: M. Ekel [= Eckel]
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia
71v–72 Missa Gaudeamus 4.2: Agnus Dei II Josquin/[Ockeghem]
Appears on: 71v–72
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Josquin/[Ockeghem]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Gaudeamus] 4.2
72v–73 Missa Mater Patris 10.1: Agnus Dei II Josquin
Appears on: 72v–73
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa Mater patris] 10.1
73v–74v Missa Malheur me bat 9.1: Pleni sunt caeli Josquin
Appears on: 73v–74v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt caeli [from Missa Malheur me bat] 9.1
75 Missa L'ami baudichon 5.1: [Gloria.] Qui tollis peccata mundi Josquin
Appears on: 75
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Qui tollis peccata mundi [from G of Missa Lvami baudichon] 5.1
75v–76 Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum Josquin
Appears on: 75v–76
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Per illud ave prolatum et tuum 23.13 [Pars II of Benedicta es celorum regina]
76v–79 Domine exaudi (II) - 2a pars (of 2): Auditam fac mihi mane misericordiam Franciscus de Layolla
Appears on: 76v–79
Genres: Motet
Source Attribution: Franciscus de Layolla
Voice: [no designation]
Languages: Latin
Voice Text: Auditam fac mihi mane misericordiam [Pars II of Domine exaudi orationem meam]
79v–80v Missa L'homme armé I: Pleni sunt caeli Petrus de La Rue
Appears on: 79v–80v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Petrus de La Rue
Voice: [no designation]
Languages: Latin
Voice Text: Pleni sunt caeli [from Missa l'homme armé]
80v–82 Non opus habent qui validi sunt medico Eustachius de Nationibus Rhomanus
Appears on: 80v–82
Genres: Motet
Source Attribution: Eustachius de Nationibus Rhomanus
Voice: [no designation]
Languages: Latin
Voice Text: Non opus habent qui validi sunt medico
82–84 Ecce mysterium vobis dico non omnes Eustachius Rhomanus
Appears on: 82–84
Genres: Motet
Source Attribution: Eustachius Rhomanus
Voice: [no designation]
Languages: Latin
Voice Text: Ecce mysterium vobis dico non omnes
84–85 Mulier cupido quod dicit amanti Eustachius Rhomanus
Appears on: 84–85
Genres: Motet
Source Attribution: Eustachius Rhomanus
Voice: [no designation]
Languages: Latin
Voice Text: Mulier cupido quod dicit amanti
85v–86v Missa N'aurai-je jamais = Missa di dadi 9.3: Agnus Dei II Josquin
Appears on: 85v–86v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa n'auray je jamais] 9.3
86v–87 Missa La sol fa re mi 11.2: Agnus Dei II Josquin
Appears on: 86v–87
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Agnus II, Missa La sol fa re mi
87v Verbum Domini manet in aeternum (=Ista est speciosa, 12vv canon) M. Gasconge
Appears on: 87v
Genres: Contrafactum, Motet
Source Attribution: M. Gasconge
Voice: [no designation]
Languages: Latin
Voice Text: Verbum domini manet in aeternum
[88] Rex autem David cooperto capite incedens [Willaert]
Appears on: [88]
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Rex autem David cooperto capite incedens
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Bruck, Arnold von (ca. 1500–1554)
Brumel, Antoine (ca. 1460–ca. 1513)
Conseil, Jean (ca. 1498–1534)
Courtois, Jean (fl. 1530-1545)
Despres, Josquin (ca. 1450–1521)
Eckel, Matthias
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Layolle, Francesco de
Maessens, Pieter
Mahu, Stephan
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Paminger, Leonhard (1495–1567)
Peschin, Gregor
Pipelare, Mattheus (ca. 1450–ca. 1515)
Richafort, Jean (ca. 1480–ca. 1550)
Romano, Eustachio
Romano, Eustachio
Rue, Pierre de la (ca. 1452–1518)
Rupsch, Conrad
Silva, Andreas de (ca. 1475–ca. 1522)
Stoltzer, Thomas (ca. 1480–1526)
Stomius, Johannes (1502–1562)
Unterholzer, Rupertus
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Anima mea liquefacta est ut dilectus II: Tulerunt pallium meum custodes 27v–29v
Beati omnes qui timent Dominum qui ambulant II: Ecce sic benedicetur homo qui timet 50v–53
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 35v–36
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures 36v–37
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum 75v–76
Cognoscimus Domine quia peccavimus II: Vita nostra in dolore suspirat 11–15v
Confitemini Domino quoniam bonus quoniam II: Qui traduxit populum suum per desertum Anonymous 38v–43v
Da pacem Domine in diebus nostris 3–4
Degeneres animos timor arguit 44–44v
Degeneres animos timor arguit 48v–49
Deus misereatur nostri illuminet vultum II: Benedicat nos Deus noster 6v–11
Deus qui sedes super thronum et judicas II: Quia tu solus laborem et dolorem 58–60
Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes 67–68v
Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion 55v–58
Domine exaudi (II) - 2a pars (of 2): Auditam fac mihi mane misericordiam 76v–79
Domine ne in furore (I) (2p. Laboravi in gemitu meo lavabo) 15v–20v
Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi) 49–50
Dulces exuviae dum fata Deusque 53–54v
Ecce mysterium vobis dico non omnes 82–84
Exaltabo te Deus meus rex (2a pars (of 2): Confiteantur tibi Domine omnia opera 65–67
Gloria tibi Domine gloria tibi sancte 63–64v
Grates nunc omnes reddamus Domino deo (I) 34v
Grates nunc omnes reddamus Domino deo (II) 34v
Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) [ii]–[iiv]
Inviolata integra et casta es Maria II: O rex Christe O redemptor O victima 29v–32v
Jesus Christus nostra salus quod reclamat 47v–48
Laudate Dominum omnes gentes, laudate eum 4v–6v
Missa Gaudeamus 4.2: Agnus Dei II 71v–72
Missa L'ami baudichon 5.1: [Gloria.] Qui tollis peccata mundi 75
Missa L'homme armé I: Pleni sunt caeli 79v–80v
Missa La sol fa re mi 11.2: Agnus Dei II 86v–87
Missa Malheur me bat 9.1: Pleni sunt caeli 73v–74v
Missa Mater Patris 10.1: Agnus Dei II 72v–73
Missa N'aurai-je jamais = Missa di dadi 9.3: Agnus Dei II 85v–86v
Mulier cupido quod dicit amanti 84–85
Nigra sum sed formosa filia Jerusalem 32v–34
Nolite confidere in principibus in filiis 60–61v
Non opus habent qui validi sunt medico 80v–82
Nulla fides pietasque viris qui castra 54v–55
Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis 1–2v
Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 2v–3
Peccavimus Domine contra legem tuam (2p. O Domine O rex regum salva populum) 20v–22v
Praeceptum novum do vobis ut diligatis 69–70
Quam pulchra es 14.10 (2p. Labia tua distillantia) 24v–27
Quicquid appositum est et quicquid apponetur 61v–62v
Rex autem David cooperto capite incedens [88]
Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia 70v
Stat sua cuique dies breve et irreparabile 44v–45v
Verbum Domini manet in aeternum (=Ista est speciosa, 12vv canon) 87v
Vigilate quia nescitis qua hora Dominus (I) 46–47v
Virga tua et baculus ipsa me consolata 37–38
Virgo carens criminibus te precor 23–24

Set: B. 220-222

Type: Partbooks

No images available

D-Rp B. 220-222 (Prima Vox)

No images available

D-Rp B. 220-222 (Quarta Vox)

No images available

D-Rp B. 220-222 (Secunda Vox)

No images available

D-Rp B. 220-222 (Tertia Vox)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 113-164. Pages: 154-164. Notes: contents list; concordances.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description