D-Rp B. 220-222 (Secunda Vox)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: Mid-16th century

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 220-222 (Secunda Vox)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 138 mm
Other Identifiers
  • CCM: RegB B220-2
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Salzburg? Austria
Contents Contains 50 compositions, 49 from 25 composers, 1 is anonymous.
General Description

A Secunda Vox partbook from a set of four volumes. First and last flyleaves in each book glued to front and back covers, respectively. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Some pieces are bicinia and tricinia. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

DIAMM, 2017
Binding

Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties.

DIAMM, 2017
Watermark

arec (StaeMI)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 16

DIAMM, 2017
Foliation

Original ink foliation in each book.

DIAMM, 2017
Decoration

No decorative initials; foliation, attributions, some corrections, and canonic instructions in red.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Mass Ordinary sections, 43 motets, 1 Latin secular piece = 51

Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, Brück [AB; Arnoldus Brugensis]-8, Conseil [Concilium]-1, Courtois-1, Eckel-1, Eustachius Romanus [Eustachius de Nationibus Rhomanus]-3, Gascongne-1, Josquin-6, Josquin/(Ockeghem)-1, La Rue-1, La Rue/(Pipelare)-1, F. Layolle-5, Maessens-2, Mahu-1, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Silva)-1, Paminger-1, Peschin-4, Rupsch-1, Stomius-3, Unterholtzer-3, (Willaert)-1, anon-2

4 paper partbooks (Prima Vox-ii + 87 + i folios, Secunda Vox-ii + 82 + i, Tertia Vox-ii + 69 + i, Quarta Vox-ii + 33 + i), 134 x 138. First and last flyleaves in each book glued to front and back covers, respectively. Original ink foliation in each book. Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties. No index. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Staff height 16. No decorative initials; foliation, attributions, some corrections, and canonic instructions in red. Watermarks are Briquet #481 and #762 (StaeMI). Some pieces are bicinia and tricinia.

Mid 16th century. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
[0]–[0]v Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) 4 AB [= Bruck]
Appears on: [0]–[0]v
Genres: Motet
Source Attribution: AB [= Bruck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
1–2 Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis 4 Arnoldus Brugensis
Appears on: 1–2
Genres: Motet, Pater noster
Source Attribution: Arnoldus Brugensis
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Pater noster qui es in coelis
2v–3 Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 4 AB
Appears on: 2v–3
Genres: Ave Maria, Motet
Source Attribution: AB
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Ave Maria gratia plena dominus tecum
3v–4v Da pacem Domine in diebus nostris 4 AB
Appears on: 3v–4v
Genres: Motet
Source Attribution: AB
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Da pacem domine in diebus nostris
4v–7 Laudate Dominum omnes gentes, laudate eum 4 AB
Appears on: 4v–7
Genres: Motet
Source Attribution: AB
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Laudate dominum omnes gentes laudate eum
7–11v Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster) 4 AB
Appears on: 7–11v
Genres: Motet
Source Attribution: AB
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Deus misereatur nostri illuminet vultum II: Benedicat nos deus noster
11v–16 Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) 4 (Greek) adelon (=unknown)/[Richafort/Rupsch]
Appears on: 11v–16
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Richafort/Rupsch]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Cognoscimus domine quia peccavimus II: Vita nostra in dolore suspirat
16–18 Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me 4 Franciscus de Layolla
Appears on: 16–18
Genres: Motet
Source Attribution: Franciscus de Layolla
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Domine ne in furore tuo arguas me
18v–21v Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo 4 -
Appears on: 18v–21v
Genres: Madrigal
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Laboravi in gemitu meo lavabo
21v–22v Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam 4 (Greek) ho autos (=the same, F. Layolle)
Appears on: 21v–22v
Genres: Motet
Source Attribution: (Greek) ho autos (=the same, F. Layolle)
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Peccavimus domine contra legem tuam
23–24 Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum 4 -
Appears on: 23–24
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : O domine O rex regum salva
24–25v Virgo carens criminibus te precor 4 (Greek) adelon (=unknown)/[Moulu/Silva]
Appears on: 24–25v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Moulu/Silva]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Virgo carens criminibus te precor
25v–27 Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea 4 P. Moulu/[Josquin/Mouton/Verdelot]
Appears on: 25v–27
Genres: Motet
Source Attribution: P. Moulu/[Josquin/Mouton/Verdelot]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Quam pulchra es amica mea
27v–28v Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia 4 -
Appears on: 27v–28v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Labia distillantia suavissima
28v–30v Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes) 4 Stephanus Mahu
Appears on: 28v–30v
Genres: Motet
Source Attribution: Stephanus Mahu
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Anima mea liquefacta est ut dilectus II: Tulerunt pallium meum custodes
31–33 Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima) 4 Jo: Courtois
Appears on: 31–33
Genres: Motet
Source Attribution: Jo: Courtois
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Inviolata integra & casta es Maria II: O rex Christe O redemptor O victima
33–34 Nigra sum sed formosa filia Jerusalem 4 Fran: de Layolla
Appears on: 33–34
Genres: Motet
Source Attribution: Fran: de Layolla
Number of voices: 4
Voice: Quarta vox
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Nigra sum sed formosa filia Hierusalem
34v Grates nunc omnes reddamus Domino deo (I) 3 AB
Appears on: 34v
Genres: Motet
Source Attribution: AB
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Grates nunc omnes reddamus domino deo
General Note

note at end "4 vocum grates reperies a principio" (you will find a 4vv Grates at the beginning)

34v Grates nunc omnes reddamus Domino deo (II) 2 -
Appears on: 34v
Genres: Motet
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Grates nunc omnes reddamus domino deo
35v–36 Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 3 Noel Baulduin/[Stoltzer]
Appears on: 35v–36
Genres: Motet
Source Attribution: Noel Baulduin/[Stoltzer]
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Venite filii audite me timorem domini [Pars II of Benedicam dominum in omni tempore]
36v–41 Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum) 3 (Greek) adelon (=unknown) Anonymous
Appears on: 36v–41
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Confitemini domino quoniam bonus quoniam II: Qui traduxit populum suum per desertum
41v–42 Degeneres animos timor arguit 3 Johan: Stomius
Appears on: 41v–42
Genres: Motet
Source Attribution: Johan: Stomius
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Degeneres animos timor arguit
42–43 Stat sua cuique dies breve et irreparabile 3 Robertus Underholtzer Salisburgensis
Appears on: 42–43
Genres: Motet
Source Attribution: Robertus Underholtzer Salisburgensis
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Stat sua cuique dies breve & irreparabile
43–44v Vigilate quia nescitis qua hora Dominus (I) 3 Leonhardus Paminger
Appears on: 43–44v
Genres: Motet
Source Attribution: Leonhardus Paminger
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Vigilate quia nescitis qua hora dominus
45 Jesus Christus nostra salus quod reclamat 3 Johannes Stomius
Appears on: 45
Genres: Motet
Source Attribution: Johannes Stomius
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Jesus Christus nostra salus quod reclamat
45v–46 Degeneres animos timor arguit 3 Robertus Underholtzer
Appears on: 45v–46
Genres: Motet
Source Attribution: Robertus Underholtzer
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Degeneres animos timor arguit
46–47 Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi) 3 (Greek) adelon (=unknown)/[Brumel]
Appears on: 46–47
Genres: Chanson, Contrafactum, Motet
Source Attribution: (Greek) adelon (=unknown)/[Brumel]
Number of voices: 3
Voice: [no designation]
Languages: French
Mensuration: cut-c
Clef: g2
Voice Text: Dulce trium puerorum carmen innocuas
47v–50 Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) 3 Gregorius Peschin Bemus
Appears on: 47v–50
Genres: Motet
Source Attribution: Gregorius Peschin Bemus
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: ... Labores manuun tuarum II: Ecce sic benedicetur homo qui timet
50–51v Dulces exuviae dum fata Deusque 3 Gregorius Peschin
Appears on: 50–51v
Genres: Motet
Source Attribution: Gregorius Peschin
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Dulces exuviae dum fata deusque
52–52v Nulla fides pietasque viris qui castra 3 Robertus Underholtzer
Appears on: 52–52v
Genres: Motet
Source Attribution: Robertus Underholtzer
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Nulla fides pietasque viris qui castra
General Note

"Fuga 3 in unisono" (this is voice 2 so only 1 signum congruentiae, at the 9th semibreve

52v–55 Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion 3 Franciscus de Layolla
Appears on: 52v–55
Genres: Motet
Source Attribution: Franciscus de Layolla
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tu exurgens domine misereberis Sion [Pars II of Domine exaudi orationem meam]
55–57 Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem) 3 Gregorius Peschin
Appears on: 55–57
Genres: Motet
Source Attribution: Gregorius Peschin
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Deus qui sedes super thronum & iudicas II: Quia tu solus laborem & dolorem
57–58v Nolite confidere in principibus in filiis 3 Johannes Stomius
Appears on: 57–58v
Genres: Motet
Source Attribution: Johannes Stomius
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Nolite confidere in principibus in filiis
58v–60 Quicquid appositum est et quicquid apponetur 3 P. Maessins [= Maessens]
Appears on: 58v–60
Genres: Motet
Source Attribution: P. Maessins [= Maessens]
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Quicquid appositum est & quicquid apponetur
60–62 Gloria tibi Domine gloria tibi sancte 3 (Greek) tō autō (=by the same)/[Maessens]
Appears on: 60–62
Genres: Response
Source Attribution: (Greek) tō autō (=by the same)/[Maessens]
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Gloria tibi domine gloria tibi sancte
62–64 Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera 3 Noel Baulduin
Appears on: 62–64
Genres: Motet
Source Attribution: Noel Baulduin
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Confiteantur tibi domine omnia opera [Pars II of Exaltabo te deus meus rex]
64v–65v Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes 3 Concilium [= Conseil]
Appears on: 64v–65v
Genres: Motet
Source Attribution: Concilium [= Conseil]
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Effunde iram tuam in gentes [Pars II of Deus venerunt gentes in haereditatem]
66–67 Praeceptum novum do vobis ut diligatis 3 G. Peschin
Appears on: 66–67
Genres: Motet
Source Attribution: G. Peschin
Number of voices: 3
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Praeceptum novum do vobis ut diligatis
67v Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia) 2 (Greek) adelon (=unknown)/[Eckel]
Appears on: 67v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Eckel]
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia
68v–69v Missa Malheur me bat 9.1: Pleni sunt caeli (only) 2 Josquin
Appears on: 68v–69v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Josquin
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pleni sunt caeli [from Missa Malheur me bat] 9.1
69v–70 Missa L'ami baudichon 5.1: [Gloria.] Qui tollis peccata mundi 2 Josquin
Appears on: 69v–70
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Josquin
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Qui tollis peccata mundi [from Gloria of Missa Lvami baudichon]
70v–71 Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum 2 Josquin
Appears on: 70v–71
Genres: Motet
Source Attribution: Josquin
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Per illud ave prolatum et tuum 23.13 [Pars II of Benedicta es celorum regina]
71v–74v Domine exaudi (II) - 2a pars (of 2): Auditam fac mihi mane misericordiam 2 Franciscus de Layolla
Appears on: 71v–74v
Genres: Motet
Source Attribution: Franciscus de Layolla
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Auditam fac mihi mane misericordiam [Pars II of Domine exaudi orationem meam]
75–76 Missa L'homme armé I: Pleni sunt caeli (only) 2 Petrus de La Rue
Appears on: 75–76
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Petrus de La Rue
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Pleni sunt caeli [from Missa l'homme armé]
76–77v Non opus habent qui validi sunt medico 2 Eustachius de Nationibus Rhomanus
Appears on: 76–77v
Genres: Motet
Source Attribution: Eustachius de Nationibus Rhomanus
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Non opus habent qui validi sunt medico
77v–80 Ecce mysterium vobis dico non omnes 2 Eustachius Rhomanus
Appears on: 77v–80
Genres: Motet
Source Attribution: Eustachius Rhomanus
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ecce mysterium vobis dico non omnes
80–81 Mulier cupido quod dicit amanti 2 Eustachius Rhomanus
Appears on: 80–81
Genres: Motet
Source Attribution: Eustachius Rhomanus
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Mulier cupido quod dicit amanti
81v–82 Missa N'aurai-je jamais = Missa di dadi 9.3: Agnus Dei II 2 Josquin
Appears on: 81v–82
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Josquin
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Agnus dei qui tollis peccata [= Agnus II from Missa n'auray je jamais] 9.3
82v Missa La sol fa re mi 11.2: Agnus Dei II only 2 Josquin
Appears on: 82v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Josquin
Number of voices: 2
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Agnus II, Missa La sol fa re mi
[83] Rex autem David cooperto capite incedens 4 [Willaert]
Appears on: [83]
Genres: Motet
Source Attribution: [Willaert]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Rex autem David cooperto capite incedens
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480-1529)
Bruck, Arnold von (ca. 1500-1554)
Brumel, Antoine (ca. 1460-ca. 1513)
Conseil, Jean (ca. 1498-1534)
Courtois, Jean (1530-1545)
Despres, Josquin (ca. 1450-1521)
Eckel, Matthias
Layolle, Francesco de
Maessens, Pieter
Mahu, Stephan
Moulu, Pierre (ca. 1484-ca. 1550)
Mouton, Jean (ca. 1459-1522)
Paminger, Leonhard (1495-1567)
Peschin, Gregor
Richafort, Jean (ca. 1480-ca. 1550)
Romano, Eustachio
Romano, Eustachio
Rue, Pierre de la (ca. 1452-1518)
Rupsch, Conrad
Silva, Andreas de (ca. 1475-ca. 1522)
Stoltzer, Thomas (ca. 1480-1526)
Stomius, Johannes (1502-1562)
Unterholzer, Rupertus
Verdelot, Philippe (ca. 1480-ca. 1532)
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes) 28v–30v
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) 47v–50
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 35v–36
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum 70v–71
Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) 11v–16
Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum) Anonymous 36v–41
Da pacem Domine in diebus nostris 3v–4v
Degeneres animos timor arguit 41v–42
Degeneres animos timor arguit 45v–46
Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster) 7–11v
Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem) 55–57
Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes 64v–65v
Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion 52v–55
Domine exaudi (II) - 2a pars (of 2): Auditam fac mihi mane misericordiam 71v–74v
Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me 16–18
Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo 18v–21v
Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi) 46–47
Dulces exuviae dum fata Deusque 50–51v
Ecce mysterium vobis dico non omnes 77v–80
Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera 62–64
Gloria tibi Domine gloria tibi sancte 60–62
Grates nunc omnes reddamus Domino deo (I) 34v
Grates nunc omnes reddamus Domino deo (II) 34v
Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) [0]–[0]v
Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima) 31–33
Jesus Christus nostra salus quod reclamat 45
Laudate Dominum omnes gentes, laudate eum 4v–7
Missa L'ami baudichon 5.1: [Gloria.] Qui tollis peccata mundi 69v–70
Missa L'homme armé I: Pleni sunt caeli (only) 75–76
Missa La sol fa re mi 11.2: Agnus Dei II only 82v
Missa Malheur me bat 9.1: Pleni sunt caeli (only) 68v–69v
Missa N'aurai-je jamais = Missa di dadi 9.3: Agnus Dei II 81v–82
Mulier cupido quod dicit amanti 80–81
Nigra sum sed formosa filia Jerusalem 33–34
Nolite confidere in principibus in filiis 57–58v
Non opus habent qui validi sunt medico 76–77v
Nulla fides pietasque viris qui castra 52–52v
Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis 1–2
Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 2v–3
Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam 21v–22v
Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum 23–24
Praeceptum novum do vobis ut diligatis 66–67
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea 25v–27
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia 27v–28v
Quicquid appositum est et quicquid apponetur 58v–60
Rex autem David cooperto capite incedens [83]
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia) 67v
Stat sua cuique dies breve et irreparabile 42–43
Vigilate quia nescitis qua hora Dominus (I) 43–44v
Virgo carens criminibus te precor 24–25v

Set: B. 220-222

Type: Partbooks

No images available

D-Rp B. 220-222 (Prima Vox)

No images available

D-Rp B. 220-222 (Quarta Vox)

No images available

D-Rp B. 220-222 (Secunda Vox)

No images available

D-Rp B. 220-222 (Tertia Vox)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 154-164. Notes: contents list; concordances.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description