D-Rp B. 220-222 (Tertia Vox)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: Mid-16th century

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	B. 220-222 (Tertia Vox)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	134 x 138 mm
Other Identifiers	CCM: RegB B220-2
Notations	black void mensural
Relationships	? Stomius, Johannes (1502–1562) (compiler)
External Links	images images
External Authorities	RISM Online (sources/1001172502)
Provenance	Salzburg? Austria
Contents	Contains 40 compositions, 39 from 23 composers, 1 is anonymous.

General Description

A Tertia Vox partbook from a set of four volumes. First and last flyleaves in each book glued to front and back covers, respectively. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Some pieces are bicinia and tricinia. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

DIAMM, 2017

Binding

Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties.

DIAMM, 2017

Watermark

arec (StaeMI)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 16

DIAMM, 2017

Foliation

Original ink foliation in each book.

DIAMM, 2017

Decoration

No decorative initials; foliation, attributions, some corrections, and canonic instructions in red.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Mass Ordinary sections, 43 motets, 1 Latin secular piece = 51

Bauldeweyn-1, Bauldeweyn/(Stoltzer)-1, Brück [AB; Arnoldus Brugensis]-8, Conseil [Concilium]-1, Courtois-1, Eckel-1, Eustachius Romanus [Eustachius de Nationibus Rhomanus]-3, Gascongne-1, Josquin-6, Josquin/(Ockeghem)-1, La Rue-1, La Rue/(Pipelare)-1, F. Layolle-5, Maessens-2, Mahu-1, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Silva)-1, Paminger-1, Peschin-4, Rupsch-1, Stomius-3, Unterholtzer-3, (Willaert)-1, anon-2

4 paper partbooks (Prima Vox-ii + 87 + i folios, Secunda Vox-ii + 82 + i, Tertia Vox-ii + 69 + i, Quarta Vox-ii + 33 + i), 134 x 138. First and last flyleaves in each book glued to front and back covers, respectively. Original ink foliation in each book. Original covers of brown leather stamped with ornamental designs and voice designations; remnants of leather ties. No index. Copied by one main scribe and two additional scribes; one of the additional hands also appears in RegB B216-9. Staff height 16. No decorative initials; foliation, attributions, some corrections, and canonic instructions in red. Watermarks are Briquet #481 and #762 (StaeMI). Some pieces are bicinia and tricinia.

Mid 16th century. Perhaps copied in Salzburg; possibly associated with the schoolmaster and composer Johannes Stomius (1502-62).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
[0]–[0]v	Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis)	4	AB [= Bruck]	Bruck, Arnold von (ca. 1500–1554)
Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) Bruck, Arnold von (ca. 1500–1554) Appears on: [0]–[0]v Genres: Motet Source Attribution: AB [= Bruck] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
1–2v	Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis	4	Arnoldus Brugensis	Bruck, Arnold von (ca. 1500–1554)
Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis Bruck, Arnold von (ca. 1500–1554) Appears on: 1–2v Genres: Motet, Pater noster Source Attribution: Arnoldus Brugensis Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Pater noster qui es in coelis
2v–3	Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	4	AB	Bruck, Arnold von (ca. 1500–1554)
Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Bruck, Arnold von (ca. 1500–1554) Appears on: 2v–3 Genres: Ave Maria, Motet Source Attribution: AB Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ave Maria gratia plena dominus tecum
3v–4v	Da pacem Domine in diebus nostris	4	AB	Bruck, Arnold von (ca. 1500–1554)
Da pacem Domine in diebus nostris Bruck, Arnold von (ca. 1500–1554) Appears on: 3v–4v Genres: Motet Source Attribution: AB Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Da pacem domine in diebus nostris
4v–6v	Laudate Dominum omnes gentes, laudate eum	4	AB	Bruck, Arnold von (ca. 1500–1554)
Laudate Dominum omnes gentes, laudate eum Bruck, Arnold von (ca. 1500–1554) Appears on: 4v–6v Genres: Motet Source Attribution: AB Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Laudate dominum omnes gentes laudate eum
6v–11	Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster)	4	AB	Bruck, Arnold von (ca. 1500–1554)
Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster) Bruck, Arnold von (ca. 1500–1554) Appears on: 6v–11 Genres: Motet Source Attribution: AB Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: ... Et benedicat nobis illum II: Benedicat nos deus noster
11–15v	Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat)	4	(Greek) adelon (=unknown)/[Richafort/Rupsch]	Richafort, Jean (ca. 1480–ca. 1550) (?) Rupsch, Conrad (?)
Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) Richafort, Jean (ca. 1480–ca. 1550) (?) Rupsch, Conrad (?) Appears on: 11–15v Genres: Motet Source Attribution: (Greek) adelon (=unknown)/[Richafort/Rupsch] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Cognoscimus domine quia peccavimus II: Vita nostra in dolore suspirat
15v–17v	Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me	4	Franciscus de Layolla	Layolle, Francesco de
Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me Layolle, Francesco de Appears on: 15v–17v Genres: Motet Source Attribution: Franciscus de Layolla Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Domine ne in furore tuo arguas me
17v–21	Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo	4	-	Layolle, Francesco de
Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo Layolle, Francesco de Appears on: 17v–21 Genres: Madrigal Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Laboravi in gemitu meo lavabo
21–22	Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam	4	[F. Layolle]	Layolle, Francesco de
Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam Layolle, Francesco de Appears on: 21–22 Genres: Motet Source Attribution: [F. Layolle] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Peccavimus domine contra legem tuam
22–23	Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum	4	-	Layolle, Francesco de
Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum Layolle, Francesco de Appears on: 22–23 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : O domine O rex regum salva
23–24v	Virgo carens criminibus te precor	4	(Greek) adelon (=unknown) - P. Moulu/[Silva]	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Virgo carens criminibus te precor Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 23–24v Genres: Motet Source Attribution: (Greek) adelon (=unknown) - P. Moulu/[Silva] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Virgo carens criminibus te precor
24v–25v	Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea	4	P. Moulu/[Josquin/Mouton/Verdelot]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 24v–25v Genres: Motet Source Attribution: P. Moulu/[Josquin/Mouton/Verdelot] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quam pulchra es amica mea
25v–27	Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia	4	-	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 25v–27 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Labia tua suavissima
27–29v	Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes)	4	Stephanus Mahu	Mahu, Stephan
Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes) Mahu, Stephan Appears on: 27–29v Genres: Motet Source Attribution: Stephanus Mahu Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Anima mea liquefacta est ut dilectus II: Tulerunt pallium meum custodes
29v–32v	Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima)	4	Jo: Courtois	Courtois, Jean (fl. 1530-1545)
Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima) Courtois, Jean (fl. 1530-1545) Appears on: 29v–32v Genres: Motet Source Attribution: Jo: Courtois Number of voices: 4 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Inviolata integra & casta es Maria II: O rex Christe O redemptor O victima
32v–34	Nigra sum sed formosa filia Jerusalem	4	Fran: de Layolla	Layolle, Francesco de
Nigra sum sed formosa filia Jerusalem Layolle, Francesco de Appears on: 32v–34 Genres: Motet Source Attribution: Fran: de Layolla Number of voices: 4 Voice: Secunda vox Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Nigra sum sed formosa filia Hierusalem
34v	Grates nunc omnes reddamus Domino deo (I)	3	AB	Bruck, Arnold von (ca. 1500–1554)
Grates nunc omnes reddamus Domino deo (I) Bruck, Arnold von (ca. 1500–1554) Appears on: 34v Genres: Motet Source Attribution: AB Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: ... Domino deo General Note note at end "4 vocum grates reperies a principio" (you will find a 4vv Grates at the beginning)
35v–36	Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini	3	(Greek) adelon (=unknown) - Noel Baulduin (in later hand)/[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526) (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini Stoltzer, Thomas (ca. 1480–1526) (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 35v–36 Genres: Motet Source Attribution: (Greek) adelon (=unknown) - Noel Baulduin (in later hand)/[Stoltzer] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Venite filii audite me timorem domini [Pars II of Benedicam dominum in omni tempore]
36v–37	Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures	2	(Greek) tō autō (=by the same)/[Bauldeweyn/Stoltzer]	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?) Appears on: 36v–37 Genres: Motet Source Attribution: (Greek) tō autō (=by the same)/[Bauldeweyn/Stoltzer] Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Oculi domini super iustos et aures [Pars III of Benedicam dominum in omni tempore]
37–38	Virga tua et baculus ipsa me consolata	2	Petrus de La Rue/[Pipelare]	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Virga tua et baculus ipsa me consolata Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 37–38 Genres: Motet Source Attribution: Petrus de La Rue/[Pipelare] Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Virga tua et baculus ipsa me consolata
38v–43	Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum)	3	(Greek) adelon (=unknown)	Anonymous
Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum) Anonymous Appears on: 38v–43 Genres: Motet Source Attribution: (Greek) adelon (=unknown) Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Confitemini domino quoniam bonus quoniam II: Qui traduxit populum suum per desertum
43v–44	Degeneres animos timor arguit	3	Johan: Stomius	Stomius, Johannes (1502–1562)
Degeneres animos timor arguit Stomius, Johannes (1502–1562) Appears on: 43v–44 Genres: Motet Source Attribution: Johan: Stomius Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Degeneres animos timor arguit
44–45	Stat sua cuique dies breve et irreparabile	3	Robertus Underholtzer Salisburgensis	Unterholzer, Rupertus
Stat sua cuique dies breve et irreparabile Unterholzer, Rupertus Appears on: 44–45 Genres: Motet Source Attribution: Robertus Underholtzer Salisburgensis Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Stat sua cuique dies breve & irreparabile
45–46v	Vigilate quia nescitis qua hora Dominus (I)	3	Leonhardus Paminger	Paminger, Leonhard (1495–1567)
Vigilate quia nescitis qua hora Dominus (I) Paminger, Leonhard (1495–1567) Appears on: 45–46v Genres: Motet Source Attribution: Leonhardus Paminger Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Vigilate quia nescitis qua hora dominus
47–47v	Jesus Christus nostra salus quod reclamat	3	Johannes Stomius	Stomius, Johannes (1502–1562)
Jesus Christus nostra salus quod reclamat Stomius, Johannes (1502–1562) Appears on: 47–47v Genres: Motet Source Attribution: Johannes Stomius Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Jesus Christus nostra salus quod reclamat
47v–48	Degeneres animos timor arguit	3	Robertus Underholtzer	Unterholzer, Rupertus
Degeneres animos timor arguit Unterholzer, Rupertus Appears on: 47v–48 Genres: Motet Source Attribution: Robertus Underholtzer Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Degeneres animos timor arguit
48–49v	Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi)	3	(Greek) adelon (=unnknown)/[Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 48–49v Genres: Chanson, Contrafactum, Motet Source Attribution: (Greek) adelon (=unnknown)/[Brumel] Number of voices: 3 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Dulce trium puerorum carmen innocuas
49v–52v	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	3	Gregorius Peschin Bemus	Peschin, Gregor
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) Peschin, Gregor Appears on: 49v–52v Genres: Motet Source Attribution: Gregorius Peschin Bemus Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
52v–54	Dulces exuviae dum fata Deusque	3	Gregorius Peschin	Peschin, Gregor
Dulces exuviae dum fata Deusque Peschin, Gregor Appears on: 52v–54 Genres: Motet Source Attribution: Gregorius Peschin Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Dulces exuviae dum fata deusque
54–54v	Nulla fides pietasque viris qui castra	3	Robertus Underholtzer	Unterholzer, Rupertus
Nulla fides pietasque viris qui castra Unterholzer, Rupertus Appears on: 54–54v Genres: Motet Source Attribution: Robertus Underholtzer Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Nulla fides pietasque viris qui castra
55–57v	Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion	3	Franciscus de Layolla	Layolle, Francesco de
Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion Layolle, Francesco de Appears on: 55–57v Genres: Motet Source Attribution: Franciscus de Layolla Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Tu exurgens domine misereberis Sion [Pars II of Domine exaudi orationem meam]
57v–59v	Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem)	3	Gregorius Peschin	Peschin, Gregor
Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem) Peschin, Gregor Appears on: 57v–59v Genres: Motet Source Attribution: Gregorius Peschin Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Deus qui sedes super thronum et iudicas II: Quia tu solus laborem et dolorem
60–61	Nolite confidere in principibus in filiis	3	Johannes Stomius	Stomius, Johannes (1502–1562)
Nolite confidere in principibus in filiis Stomius, Johannes (1502–1562) Appears on: 60–61 Genres: Motet Source Attribution: Johannes Stomius Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Nolite confidere in principibus in filiis
61v–62v	Quicquid appositum est et quicquid apponetur	3	[Maessens]	Maessens, Pieter
Quicquid appositum est et quicquid apponetur Maessens, Pieter Appears on: 61v–62v Genres: Motet Source Attribution: [Maessens] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quicquid appositum est & quicquid apponetur
62v–64v	Gloria tibi Domine gloria tibi sancte	3	[Maessens]	Maessens, Pieter
Gloria tibi Domine gloria tibi sancte Maessens, Pieter Appears on: 62v–64v Genres: Response Source Attribution: [Maessens] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gloria tibi domine gloria tibi sancte
64v–66v	Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera	3	Noel Baulduin	Bauldeweyn, Noel (ca. 1480–1529)
Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera Bauldeweyn, Noel (ca. 1480–1529) Appears on: 64v–66v Genres: Motet Source Attribution: Noel Baulduin Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Confiteantur tibi domine omnia opera [Pars II of Exaltabo te deus meus rex]
66v–68	Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes	3	Concilium [= Conseil]	Conseil, Jean (ca. 1498–1534)
Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes Conseil, Jean (ca. 1498–1534) Appears on: 66v–68 Genres: Motet Source Attribution: Concilium [= Conseil] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Effunde iram tuam in gentes
68v–69v	Praeceptum novum do vobis ut diligatis	3	G. Peschin	Peschin, Gregor
Praeceptum novum do vobis ut diligatis Peschin, Gregor Appears on: 68v–69v Genres: Motet Source Attribution: G. Peschin Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Praeceptum novum do vobis ut diligatis
[70]	Rex autem David cooperto capite incedens	4	[Willaert]	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: [70] Genres: Motet Source Attribution: [Willaert] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rex autem David cooperto capite incedens

Composer	Compositions
Anonymous	Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum) – 38v–43
Bauldeweyn, Noel (ca. 1480-1529)	(?) Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini – 35v–36 (?) Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures – 36v–37 Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera – 64v–66v
Bruck, Arnold von (ca. 1500-1554)	Da pacem Domine in diebus nostris – 3v–4v Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster) – 6v–11 Grates nunc omnes reddamus Domino deo (I) – 34v Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis) – [0]–[0]v Laudate Dominum omnes gentes, laudate eum – 4v–6v Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis – 1–2v Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 2v–3
Brumel, Antoine (ca. 1460-ca. 1513)	Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi) – 48–49v
Conseil, Jean (ca. 1498-1534)	Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes – 66v–68
Courtois, Jean (1530-1545)	Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima) – 29v–32v
Despres, Josquin (ca. 1450-1521)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 24v–25v (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 25v–27
Layolle, Francesco de	Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion – 55–57v Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me – 15v–17v Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo – 17v–21 Nigra sum sed formosa filia Jerusalem – 32v–34 Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam – 21–22 Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum – 22–23
Maessens, Pieter	Gloria tibi Domine gloria tibi sancte – 62v–64v Quicquid appositum est et quicquid apponetur – 61v–62v
Mahu, Stephan	Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes) – 27–29v
Moulu, Pierre (ca. 1484-ca. 1550)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 24v–25v (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 25v–27 (?) Virgo carens criminibus te precor – 23–24v
Mouton, Jean (ca. 1459-1522)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 24v–25v (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 25v–27
Paminger, Leonhard (1495-1567)	Vigilate quia nescitis qua hora Dominus (I) – 45–46v
Peschin, Gregor	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) – 49v–52v Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem) – 57v–59v Dulces exuviae dum fata Deusque – 52v–54 Praeceptum novum do vobis ut diligatis – 68v–69v
Pipelare, Mattheus (ca. 1450-ca. 1515)	(?) Virga tua et baculus ipsa me consolata – 37–38
Richafort, Jean (ca. 1480-ca. 1550)	(?) Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) – 11–15v
Rue, Pierre de la (ca. 1452-1518)	(?) Virga tua et baculus ipsa me consolata – 37–38
Rupsch, Conrad	(?) Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat) – 11–15v
Silva, Andreas de (ca. 1475-ca. 1522)	(?) Virgo carens criminibus te precor – 23–24v
Stoltzer, Thomas (ca. 1480-1526)	(?) Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini – 35v–36 (?) Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures – 36v–37
Stomius, Johannes (1502-1562)	Degeneres animos timor arguit – 43v–44 Jesus Christus nostra salus quod reclamat – 47–47v Nolite confidere in principibus in filiis – 60–61
Unterholzer, Rupertus	Degeneres animos timor arguit – 47v–48 Nulla fides pietasque viris qui castra – 54–54v Stat sua cuique dies breve et irreparabile – 44–45
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 24v–25v (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 25v–27
Willaert, Adrian (ca. 1490-1562)	(?) Rex autem David cooperto capite incedens – [70]

Composition	Composers (? Uncertain)	Folios / Pages
Anima mea liquefacta est ut dilectus (2p. Tulerunt pallium meum custodes)	Mahu, Stephan	27–29v
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	Peschin, Gregor	49v–52v
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini	Stoltzer, Thomas (ca. 1480–1526) (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	35v–36
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)	36v–37
Cognoscimus Domine quia peccavimus (2p. Vita nostra in dolore suspirat)	Richafort, Jean (ca. 1480–ca. 1550) (?) Rupsch, Conrad (?)	11–15v
Confitemini Domino quoniam bonus quoniam (2p. Qui traduxit populum suum per desertum)	Anonymous	38v–43
Da pacem Domine in diebus nostris	Bruck, Arnold von (ca. 1500–1554)	3v–4v
Degeneres animos timor arguit	Stomius, Johannes (1502–1562)	43v–44
Degeneres animos timor arguit	Unterholzer, Rupertus	47v–48
Deus misereatur nostri illuminet vultum (2p. Benedicat nos Deus noster)	Bruck, Arnold von (ca. 1500–1554)	6v–11
Deus qui sedes super thronum et judicas (2p. Quia tu solus laborem et dolorem)	Peschin, Gregor	57v–59v
Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes	Conseil, Jean (ca. 1498–1534)	66v–68
Domine exaudi (I) - 2a pars (of 3): Tu exurgens Domine misereberis Sion	Layolle, Francesco de	55–57v
Domine ne in furore (I) - 1a pars (of 2): Domine ne in furore tuo arguas me	Layolle, Francesco de	15v–17v
Domine ne in furore (I) - 2a pars (of 2): Laboravi in gemitu meo lavabo	Layolle, Francesco de	17v–21
Dulce trium puerorum carmen innocuas (= Vrai dieu d'amours confortez moi)	Brumel, Antoine (ca. 1460–ca. 1513)	48–49v
Dulces exuviae dum fata Deusque	Peschin, Gregor	52v–54
Exaltabo te Deus meus rex - 2a pars (of 2): Confiteantur tibi Domine omnia opera	Bauldeweyn, Noel (ca. 1480–1529)	64v–66v
Gloria tibi Domine gloria tibi sancte	Maessens, Pieter	62v–64v
Grates nunc omnes reddamus Domino deo (I)	Bruck, Arnold von (ca. 1500–1554)	34v
Grates nunc omnes reddamus Domino deo (III) (2p. Huic oportet ut canamus cum angelis)	Bruck, Arnold von (ca. 1500–1554)	[0]–[0]v
Inviolata integra et casta es Maria (2p. O rex Christe O redemptor O victima)	Courtois, Jean (fl. 1530-1545)	29v–32v
Jesus Christus nostra salus quod reclamat	Stomius, Johannes (1502–1562)	47–47v
Laudate Dominum omnes gentes, laudate eum	Bruck, Arnold von (ca. 1500–1554)	4v–6v
Nigra sum sed formosa filia Jerusalem	Layolle, Francesco de	32v–34
Nolite confidere in principibus in filiis	Stomius, Johannes (1502–1562)	60–61
Nulla fides pietasque viris qui castra	Unterholzer, Rupertus	54–54v
Pater noster / Ave Maria - 1a pars (of 2): Pater noster qui es in caelis	Bruck, Arnold von (ca. 1500–1554)	1–2v
Pater noster / Ave Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Bruck, Arnold von (ca. 1500–1554)	2v–3
Peccavimus Domine - 1a pars (of 2): Peccavimus Domine contra legem tuam	Layolle, Francesco de	21–22
Peccavimus Domine - 2a pars (of 2): O Domine O rex regum salva populum	Layolle, Francesco de	22–23
Praeceptum novum do vobis ut diligatis	Peschin, Gregor	68v–69v
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	24v–25v
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	25v–27
Quicquid appositum est et quicquid apponetur	Maessens, Pieter	61v–62v
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	[70]
Stat sua cuique dies breve et irreparabile	Unterholzer, Rupertus	44–45
Vigilate quia nescitis qua hora Dominus (I)	Paminger, Leonhard (1495–1567)	45–46v
Virga tua et baculus ipsa me consolata	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Rue, Pierre de la (ca. 1452–1518) (?)	37–38
Virgo carens criminibus te precor	Silva, Andreas de (ca. 1475–ca. 1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	23–24v

Set: B. 220-222

Type: Partbooks

No images available

D-Rp B. 220-222 (Prima Vox)

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D-Rp B. 220-222 (Quarta Vox)

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D-Rp B. 220-222 (Secunda Vox)

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D-Rp B. 220-222 (Tertia Vox)

‡ denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 154-164. Notes: contents list; concordances.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai. Munich: Henle. Notes: contents list; description.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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