Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Number of voices | Source attribution | Composers (? Uncertain) |
|---|---|---|---|---|
| inside front board | index | - | - | - |
index
Appears on:
inside front board
|
||||
| 1–1v | Tu autem cum oraveris | 6 | Xystus Theodorici [= Dietrich] | |
|
Appears on:
1–1v
Genres:
Motet
Source Attribution:
Xystus Theodorici [= Dietrich]
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Tu autem cum oraveris intra in cubiculum
|
||||
| 2–2v | Amen dico vobis quia nemo propheta | 6 | Eiusdem authoris [= Dietrich] | |
|
Appears on:
2–2v
Genres:
Motet
Source Attribution:
Eiusdem authoris [= Dietrich]
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Amen dico vobis quia nemo propheta
|
||||
| 2v–4 | Quod toleras rex alme crucis tormenta | 6 | (in Greek) adelon (unknown) | Anonymous |
Quod toleras rex alme crucis tormentaAnonymous
Appears on:
2v–4
Genres:
Motet
Source Attribution:
(in Greek) adelon (unknown)
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quod toleras rex alme crucis tormenta
|
||||
| 4–5v | Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens | 5 | Lupus/[Jachet of Mantua] | |
|
Appears on:
4–5v
Genres:
Motet
Source Attribution:
Lupus/[Jachet of Mantua]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Loquutus est dominus ad Moysen dicens
|
||||
| 5v–7 | Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone | 5 | - | |
|
Appears on:
5v–7
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Stetit Moÿses coram Pharaone et dixit
|
||||
| 7–8 | Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt | 5 | Henricus Finck | |
|
Appears on:
7–8
Genres:
Motet
Source Attribution:
Henricus Finck
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
o
Clef:
c1
Voice Text:
Et valde mane una sabbatorum veniunt
|
||||
| 8–9 | Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt | 5 | - | |
|
Appears on:
8–9
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Et ingressae mulieres non invenerunt
|
||||
| 9–11 | Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit | 5 | HF [= Finck] | |
|
Appears on:
9–11
Genres:
Responsory
Source Attribution:
HF [= Finck]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Verbum caro factum est et habitabit
|
||||
| 11–11v | Verbum caro - 2a pars (of 3): In principio erat verbum et verbum | 5 | - | |
|
Appears on:
11–11v
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Secunda pars : ... Plenum gratia & veritate
|
||||
| 11v–12 | Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare | 5 | - | |
|
Appears on:
11v–12
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c1
Voice Text:
Tertia pars : Quem aethera et terra atque mare
|
||||
| 12–13 | Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria | 5 | HF | |
|
Appears on:
12–13
Genres:
Responsory
Source Attribution:
HF
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Illuminare Hierusalem venit lux tua
|
||||
| 13v–14 | Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem | 5 | - | |
|
Appears on:
13v–14
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Secunda pars : Et gloria domini super te Hierusalem
|
||||
| 14–14v | Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo | 5 | - | |
|
Appears on:
14–14v
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Tertia pars : Et ambulabunt in lumine tuo et reges
|
||||
| 14v–16 | Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non | 5 | HF | |
|
Appears on:
14v–16
Genres:
Responsory
Source Attribution:
HF
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Christus resurgens ex mortuis Jam non
|
||||
| 16–16v | Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia | 5 | - | |
|
Appears on:
16–16v
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Quod enim vivit deo alleluia
|
||||
| 16v–17 | Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites | 5 | - | |
|
Appears on:
16v–17
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c1
Voice Text:
Tertia pars : ... Quod enim vivit deo alleluia
|
||||
| 17–18 | Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate | 5 | HF | |
|
Appears on:
17–18
Genres:
Responsory
Source Attribution:
HF
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Ite in orbem universum et predicate
|
||||
| 18–18v | Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit | 5 | - | |
|
Appears on:
18–18v
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Secunda pars : Qui crediderit et baptizatus fuerit
|
||||
| 18v | Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus | 5 | - | |
|
Appears on:
18v
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Tertia pars : In nomine patris et filii et spiritus
|
||||
| 19–19v | Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te | 5 | HF | |
|
Appears on:
19–19v
Genres:
Responsory
Source Attribution:
HF
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Petre amas me tu scis domine quia amo te
|
||||
| 19v–20 | Petre amas me - 2a pars (of 3): Pasce oves meas | 5 | - | |
|
Appears on:
19v–20
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Secunda pars : Pasce oves meas
|
||||
| [-] | Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his | 5 | - | |
|
Appears on:
[-]
Genres:
Responsory
Number of voices:
5
General Note"Tertia pars in Tenor" |
||||
| 20–22v | Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola | 5 | Johannes Okegus [= Ockeghem] | |
|
Appears on:
20–22v
Genres:
Motet
Source Attribution:
Johannes Okegus [= Ockeghem]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
o
Clef:
g2
Voice Text:
Gaude Maria virgo cunctas hereses sola
|
||||
| 22v–23 | Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse | 5 | - | |
|
Appears on:
22v–23
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
(2p.) Gabrielem archangelum te esse
|
||||
| 23–23v | Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto | 5 | - | |
|
Appears on:
23–23v
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
(3p.) Uterum tuum de spiritu sancto
|
||||
| 23v–24v | Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit | 5 | - | |
|
Appears on:
23v–24v
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
g2
Voice Text:
IV: ... Judeus infelix qui dicit
|
||||
| 25–25v | Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te | 4 | Ludovicus Senflius | |
|
Appears on:
25–25v
Genres:
Responsory
Source Attribution:
Ludovicus Senflius
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pater peccavi in coelum & coram te
|
||||
| 26 | Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis | 5 | - | |
|
Appears on:
26
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Repetitio : Fac me sicut unum ex mercenariis
|
||||
| 26v–27 | Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris | 4 | - | |
|
Appears on:
26v–27
Genres:
Responsory
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Versus : Quanti mercenarii in domo patris
|
||||
| 27v–28 | Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo | 4 | L.S. [Senfl] / Lupus [Hellinck] | |
|
Appears on:
27v–28
Genres:
Motet
Source Attribution:
L.S. [Senfl] / Lupus [Hellinck]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Panis quem ego dabo caro mea est
|
||||
| 28–29 | Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum | 4 | - | |
|
Appears on:
28–29
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Loquutus est populus ad dominum
|
||||
| 29–30 | Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen | 4 | Josquin/[Finck] |
Finck, Heinrich
(?)
|
|
Appears on:
29–30
Genres:
Motet
Source Attribution:
Josquin/[Finck]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
o
Clef:
c1
Voice Text:
Magnus es tu domine & magnum nomen
|
||||
| 30–31 | Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum | 4 | - |
Finck, Heinrich
(?)
|
|
Appears on:
30–31
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Tu pauperum refugium tu languorum
|
||||
| 31–32 | Simile est regnum caelorum homini | 4 | (Greek) adelon (=unknown)/[Carpentras] | |
|
Appears on:
31–32
Genres:
Motet
Source Attribution:
(Greek) adelon (=unknown)/[Carpentras]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Simile est regnum caelorum homini
|
||||
| 32v–33 | Da pacem Domine (M25) | 4 | LS [= Senfl] | |
|
Appears on:
32v–33
Genres:
Motet
Source Attribution:
LS [= Senfl]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Da pacem domine in diebus nostris
|
||||
| 33–34 | Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo | 4 | (Greek) adelon (=unknown) | Anonymous |
|
Appears on:
33–34
Genres:
Motet
Source Attribution:
(Greek) adelon (=unknown)
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Domine quo ibo a spiritu tuo et quo
|
||||
| 34–35 | Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo | 4 | - | Anonymous |
|
Appears on:
34–35
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Si sumpsero pennas meas diluculo
|
||||
| 35–35v | Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major | 4 | Mathias Eckel | |
|
Appears on:
35–35v
Genres:
Responsory
Source Attribution:
Mathias Eckel
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
o-2
Clef:
g2
Voice Text:
Inter natos mulierum non surrexit maior
|
||||
| 35v–36 | Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo | 4 | - | |
|
Appears on:
35v–36
Genres:
Responsory
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Repetitio : Qui viam domino preparavit in eremo
|
||||
| 36 | Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen | 4 | - | |
|
Appears on:
36
Genres:
Responsory
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Versus : Fuit homo missus a deo cui nomen
|
||||
| 36v–37v | Duo homines ascenderunt in templum | 4 | - | |
|
Appears on:
36v–37v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Duo homines ascenderunt in templum
|
||||
| 38–39 | In cathedra Moisi omnia quaecunque iusserint | 4 | - | |
|
Appears on:
38–39
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
In cathedra Moysi omnia quaecunque iusserint
|
||||
| 39–40v | Venite post me qui laboratis et onerati | 4 | - | |
|
Appears on:
39–40v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Venite post me qui laboratis et onerati
|
||||
| 40v–42v | Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate | 5 | Ludovicus Senflius | |
|
Appears on:
40v–42v
Genres:
Motet
Source Attribution:
Ludovicus Senflius
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Omnes gentes plaudite manibus jubilate
|
||||
| 42v–45 | Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus | 5 | - | |
|
Appears on:
42v–45
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Ascendit deus in iubilo et dominus
|
||||
| 45–46 | Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea | 5 | LS | |
|
Appears on:
45–46
Genres:
Motet
Source Attribution:
LS
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Tota pulchra es amica mea et macula
|
||||
| 46–47 | Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit | 5 | - | |
|
Appears on:
46–47
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Jam enim hiems transiit imber abiit
|
||||
| 47–48 | Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra | 5 | - | |
|
Appears on:
47–48
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Teria pars : Et vox turturis audita est in terra
|
||||
| 48–49 | Peccata mea domine - 1a pars (of 2): Peccata mea domine | 4 | Ricafort | |
|
Appears on:
48–49
Genres:
Motet
Source Attribution:
Ricafort
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Peccata mea domine sicut sagittae infixae
|
||||
| 49v–50 | Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam | 4 | - | |
|
Appears on:
49v–50
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Quoniam iniquitatem meam ego
|
||||
| 50–51 | Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini | 4 | (Greek) adelon (=unknown)/[Peschin] | |
|
Appears on:
50–51
Genres:
Motet
Source Attribution:
(Greek) adelon (=unknown)/[Peschin]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Si bona suscepimus de manu domini
|
||||
| 51–52 | Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris | 4 | - | |
|
Appears on:
51–52
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Nudus egressus sum de utero matris
|
||||
| 52–52v | Sic enim Deus dilexit mundum | 4 | Gregorius Pesthin Bemus | |
|
Appears on:
52–52v
Genres:
Motet
Source Attribution:
Gregorius Pesthin Bemus
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Sic enim deus dilexit mundum
|
||||
| 53–54 | Nesciens mater virgo virum peperit | 6 | Johannes Froschius | |
|
Appears on:
53–54
Genres:
Motet
Source Attribution:
Johannes Froschius
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
o-2
Clef:
g1
Voice Text:
Nesciens mater virgo virum peperit
|
||||
| 54v–55 | Tua est potentia tuum regnum Dominus 26.17 | 5 | M (=Mouton)/[Josquin] | |
|
Appears on:
54v–55
Genres:
Motet
Source Attribution:
M (=Mouton)/[Josquin]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Tua est potentia tuum regnum domine
|
||||
| 55v–56v | Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo | 5 | LS | |
|
Appears on:
55v–56v
Genres:
Motet
Source Attribution:
LS
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Grates nunc omnes reddamus domino deo
|
||||
| 56v–57 | Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis | 5 | - | |
|
Appears on:
56v–57
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Altera pars : Huic oportet ut canamus cum angelis
|
||||
| 57–58 | Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) | 5 | (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy] | |
|
Appears on:
57–58
Genres:
Contrafactum, Motet
Source Attribution:
(Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Date siceram merentibus et vinum his
|
||||
| 58v–59 | Domine libera animam meam a labiis | 5 | St. Mahu | |
|
Appears on:
58v–59
Genres:
Motet
Source Attribution:
St. Mahu
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Domine libera animam meam a labiis
|
||||
| 59v–60v | Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus | 5 | [La Fage] | |
|
Appears on:
59v–60v
Genres:
Motet
Source Attribution:
[La Fage]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Super flumina Babilonis illic sedimus
|
||||
| 61–63 | Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero | 5 | - | |
|
Appears on:
61–63
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars altera : Si oblitus fuero tui Hierusalem
|
||||
| 63–65 | Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum | 5 | [Willaert] | |
|
Appears on:
63–65
Genres:
Motet
Source Attribution:
[Willaert]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Verbum iniquum et dolosum longe fac
|
||||
| 63–65 | Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi | 5 | - | |
|
Appears on:
63–65
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars altera : Duo rogavi [te] ne deneges mihi
|
||||
| 65–66v | Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado | 5 | [Verdelot] | |
|
Appears on:
65–66v
Genres:
Motet
Source Attribution:
[Verdelot]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Non turbetur cor vestrum ego vado
|
||||
| 65–66v | Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum | 5 | - | |
|
Appears on:
65–66v
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Ego rogabo patrem [meum] & alium paraclitum
|
||||
| 66v–67v | Recordare Domine testamenti tui et dic | 5 | [Arcadelt] | |
|
Appears on:
66v–67v
Genres:
Motet
Source Attribution:
[Arcadelt]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Recordare domine testamenti tui
|
||||
| 67v–69 | Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra | - | Anon. | Anonymous |
|
Appears on:
67v–69
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
g2
Voice Text:
Nigra ego sum fateor vaccinia nigra
|
||||
| 67v–69 | Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre | - | - | Anonymous |
|
Appears on:
67v–69
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
g2
Voice Text:
Pars altera : Nigra veni nostroque precor succurre
|
||||
| 69v–70 | O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem | 4 | HF [= Finck] | |
|
Appears on:
69v–70
Genres:
Motet
Source Attribution:
HF [= Finck]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
O domine Jesu Christe adoro te in cruce
|
||||
| 70 | O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum | 4 | - | |
|
Appears on:
70
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : O domine Jesu Christe adoro te in cruce vulnerasti
|
||||
| 70v–71 | O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem | 4 | - | |
|
Appears on:
70v–71
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Tertia pars : O domine Jesu Christe per illam amaritudinem
|
||||
| 71–71v | O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro | 4 | - | |
|
Appears on:
71–71v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Quarta pars : O domine Jesu Christe adoro te in sepulchro positum
|
||||
| 71v | O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem | 4 | - | |
|
Appears on:
71v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quinta pars : O domine Jesu Christe adoro te descendentem ad inferos
|
||||
| 71v–72 | O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem | 4 | - | |
|
Appears on:
71v–72
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Sexta pars : O domine Jesu Christe adoro te resurgentem a mortuis
|
||||
| 72–73 | O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone | 6 | - | |
|
Appears on:
72–73
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Septima pars : O domine Jesu Christe pastor bone
|
||||
| 73–75v | Christe qui lux es et dies noctis [M15] | 4 | LS | |
|
Appears on:
73–75v
Genres:
Motet
Source Attribution:
LS
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Christe qui lux es et dies noctis
|
||||
| 76–77 | Sum tuus in vita (4vv) [M109] | 4 | LS | |
|
Appears on:
76–77
Genres:
Motet
Source Attribution:
LS
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Sum tuus in vita tua sunt mea funera
|
||||
| 77–77v | Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] | 6 | Josquin | |
|
Appears on:
77–77v
Genres:
Chanson, Contrafactum, Motet
Source Attribution:
Josquin
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Haec dicit dominus de manu mortis
General NoteAlso attributed in other books to Chonradus Rupsch, who was probably responsible for the contrafact version. |
||||
| 78–78v | Traditor autem dedit eis signum dicens | 5 | Anon. | Anonymous |
Traditor autem dedit eis signum dicensAnonymous
Appears on:
78–78v
Genres:
Motet
Source Attribution:
Anon.
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Traditor autem dedit eis signum dicens
|
||||
| 78v–79v | Ecce Dominus veniet nolite timere 14.5 | 5 | (Greek) adelon (=unknown) / [Jonckers/Josquin/Senfl] | |
|
Appears on:
78v–79v
Genres:
Motet
Source Attribution:
(Greek) adelon (=unknown) / [Jonckers/Josquin/Senfl]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ecce dominus veniet nolite timere
|
||||
| 79v–80v | Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant | 5 | Hermannus Cu [= Werrecore]/[Stoltzer] | |
|
Appears on:
79v–80v
Genres:
Motet
Source Attribution:
Hermannus Cu [= Werrecore]/[Stoltzer]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Beati omnes qui timent dominum qui ambulant
|
||||
| 80v–81v | Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum | 5 | - | |
|
Appears on:
80v–81v
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Filii tui sicut novellae olivarum
|
||||
| 82–82v | Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo | 4 | Johannes Froschius | |
|
Appears on:
82–82v
Genres:
Motet
Source Attribution:
Johannes Froschius
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Qui de terra est loquitur qui de caelo
|
||||
| 82v–83 | Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit | 4 | - | |
|
Appears on:
82v–83
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Et testimonium eius nemo accipit
|
||||
| 83v–84 | Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen | 6 | Thomas Stoltzer | |
|
Appears on:
83v–84
Genres:
Motet
Source Attribution:
Thomas Stoltzer
Number of voices:
6
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Erzürne dich nit über die bösen sey nit
|
||||
| 84–85 | Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still | 6 | - | |
|
Appears on:
84–85
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Halt dem Herrn still und lass in
|
||||
| 85–86v | Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten | 3 | - | |
|
Appears on:
85–86v
Genres:
Motet
Number of voices:
3
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Tertia pars : Der gotlose drowet dem gerechten
|
||||
| 86v | Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen | 3 | - | |
|
Appears on:
86v
Genres:
Motet
Number of voices:
3
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Quarta pars : tacet
|
||||
| 86v–88 | Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen | 6 | - | |
|
Appears on:
86v–88
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quinta pars : Ich pin iunck gewesen und hab noch
|
||||
| 88–89v | Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht | 6 | - | |
|
Appears on:
88–89v
Genres:
Motet
Number of voices:
6
Voice:
[no designation]
Languages:
German
Clef:
c1
Voice Text:
Sexta pars : ... Aber der herr lasst in nit
|
||||
| 89v–93 | Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit | 7 | - | |
|
Appears on:
89v–93
Genres:
Motet
Number of voices:
7
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Septima pars : Beware dy frommikait und schaw
Voice:
alius Discantus
Languages:
German
Mensuration:
cut-c
Clef:
g2
Voice Text:
Beware dy frommikait und schaw
General Note2 voice parts (Discantus I & II) mostly copied on verso & recto of each opening |
||||
| 93v–94 | Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen | 5 | Thomas Stoltzer | |
|
Appears on:
93v–94
Genres:
Motet
Source Attribution:
Thomas Stoltzer
Number of voices:
5
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Herr wie lang wiltu mein so gar vergessen
|
||||
| 94v–95 | Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich | 5 | - | |
|
Appears on:
94v–95
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Schaw doch und erhör mich Herr
|
||||
| 95v–96 | Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte | 5 | - | |
|
Appears on:
95v–96
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Tertia pars : Ich hoff aber auf deine güte
|
||||
| 96–98 | Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore | 4 | De la fage | |
|
Appears on:
96–98
Genres:
Motet
Source Attribution:
De la fage
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Vide domine afflictionem nostram
|
||||
| 98–98v | Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare | 4 | - | |
|
Appears on:
98–98v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Sed veni domine et noli tardare
|
||||
| 99–100 | Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens | 4 | Claudin [de Sermisy] | |
|
Appears on:
99–100
Genres:
Motet
Source Attribution:
Claudin [de Sermisy]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Homo natus de muliere brevi vivens
|
||||
| 100–100v | Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non | 4 | - | |
|
Appears on:
100–100v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Homo cum in honore esset non intellexit
|
||||
| 101–101v | Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae | 4 | Claudin [de Sermisy] | |
|
Appears on:
101–101v
Genres:
Motet
Source Attribution:
Claudin [de Sermisy]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Benedic anima mea domino & omnia quae intra me sunt
|
||||
| 101v–102v | Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam | 4 | - | |
|
Appears on:
101v–102v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars altera : Qui redemit de interitu vitam tuam
|
||||
| 102v–104 | Exaltare super caelos Deus et super omnem | 4 | [Le] Heurteur | |
|
Appears on:
102v–104
Genres:
Motet
Source Attribution:
[Le] Heurteur
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Exaltare super coelos deus et super omnem
|
||||
| 104–105 | Lamentabatur Jacob de duobus filiis suis | 4 | Hadrianus Willart | |
|
Appears on:
104–105
Genres:
Motet
Source Attribution:
Hadrianus Willart
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Lamentabatur Jacob de duobus filiis suis
|
||||
| 105v–106v | Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens | 4 | [Peschin] | |
|
Appears on:
105v–106v
Genres:
Motet
Source Attribution:
[Peschin]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Invocabat autem Samson dominum dicens
|
||||
| 106v–107v | Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur | 4 | - | |
|
Appears on:
106v–107v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
(2p.) Et columnas quibus domus innitebatur
|
||||
| 107v–108v | Memento mei Domine Deus | 5 | (Greek) adelon (=unknown) | Anonymous |
Memento mei Domine DeusAnonymous
Appears on:
107v–108v
Genres:
Motet
Source Attribution:
(Greek) adelon (=unknown)
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Memento mei domine deus dum veneris
Concordancesidentified by MohP & YouL (incorrectly) with the piece by Lemlin in D-Mu 327 & Thomaskirche 49/50; Kolb (2020) correctly identifies this as a different piece, |
||||
| 109–110 | Prima die sabbatorum Maria Magdalena | 4 | Lupus Hellinck | |
|
Appears on:
109–110
Genres:
Motet
Source Attribution:
Lupus Hellinck
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Primo die sabbatorum Maria Magdalena
|
||||
| 110–111 | Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer | 4 | [Josquin] | |
|
Appears on:
110–111
Genres:
Responsory
Source Attribution:
[Josquin]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Clamavi. Ad dominum cum tribularer
|
||||
| 111–112 | Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus | 4 | - | |
|
Appears on:
111–112
Genres:
Responsory
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g1
Voice Text:
(2p.) Hei mihi quia incolatus meus
|
||||
| 112–112v | Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio | 4 | - | |
|
Appears on:
112–112v
Genres:
Responsory
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g1
Voice Text:
(3p.) Gloria patri & filio
|
||||
| 112v | Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me | 4 | - | |
|
Appears on:
112v
Genres:
Responsory
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
(4p.) Clamavi et exaudivit me
|
||||
| 113–113v | Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus | 6 | [Senfl] | |
|
Appears on:
113–113v
Genres:
Motet
Source Attribution:
[Senfl]
Number of voices:
6
Voice:
Discantus primus
Languages:
Latin
Mensuration:
o-2
Clef:
g2
Voice Text:
Media vita in morte sumus quem querimus
|
||||
| 113v–114 | Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis | 6 | - | |
|
Appears on:
113v–114
Genres:
Motet
Number of voices:
6
Voice:
Discantus primus
Languages:
Latin
Mensuration:
c-2
Clef:
g2
Voice Text:
(2p.) Sancte deus sancte fortis sancte
|
||||
| 114v–115 | Cavete a scribis qui volunt ambulare | 4 | J. Galliculus | |
|
Appears on:
114v–115
Genres:
Motet
Source Attribution:
J. Galliculus
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Cavete a scribis qui volunt ambulare in stolis et amant salutationes in foris ac primas cathedras in synagogis et primos discubitus in conviviis, qui devorant domos viduarum simulantes longam orationem, hi accipient damnationem maiorem.
(Beware of scribes who like walking in fine robes, and love being greeted in the marketplace, and the best seats in the churches, and the best places at parties, who devour the homes of widows and pretend to offer long prayers - they will receive a greater condemnation.)
General Notenote at beginning "Tenor in diapason post ii tempora"; the music is not copied in the Tenor book who must therefore sing from this part, where a 'signum congruentiae' also indicates where his part begins. |
||||
| 115–116 | Sive vivamus sive moriamur Domini | 4 | H. Isaac | |
|
Appears on:
115–116
Genres:
Motet
Source Attribution:
H. Isaac
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Sive vivamus sive moriamur domini
|
||||
| 116–118 | Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum | 4 | HF [=Finck] | |
|
Appears on:
116–118
Genres:
Motet
Source Attribution:
HF [=Finck]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-2
Clef:
c1
Voice Text:
Nisi dominus edificaverit domum in vanum
|
||||
| 118–119v | Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis | 4 | - | |
|
Appears on:
118–119v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secunda pars : Sicut sagittae in manu potentis
|
||||
| 120–121v | Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus | 5 | LS | |
|
Appears on:
120–121v
Genres:
Motet
Source Attribution:
LS
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
o
Clef:
c1
Voice Text:
Saulus autem adhuc spirans minarum
General NoteTenor 1/2 are both in the Vagans book Concordancesthe motet "Petrus apostolus" in CZ-Hkm II A 41 attributed to Musthateller, differs in a number of ways from this one; Gustavson 1998 nevertheless considers it a concordance (the Senfl catalogue however does not). |
||||
| 120–121v | Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus | 5 | - | |
|
Appears on:
120–121v
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Pars altera : Saule Saule quid me persequeris
General NoteTenor 1/2 are both in the Vagans book Concordancesthe motet "Petrus apostolus" in CZ-Hkm II A 41 attributed to Musthateller, differs in a number of ways from this one; Gustavson 1998 nevertheless considers it a concordance (the Senfl catalogue however does not). |
||||
| 122v–123v | Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti | 5 | [Jaquet of Mantua/Manchicourt] | |
|
Appears on:
122v–123v
Genres:
Motet
Source Attribution:
[Jaquet of Mantua/Manchicourt]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Laudem dicite deo nostro omnes sancti
|
||||
| 124–124v | Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes | 5 | - | |
|
Appears on:
124–124v
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Secunda pars : Laudate dominum deum omnes gentes
|
||||
| 125–126 | Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum | 5 | [Conseil] | |
|
Appears on:
125–126
Genres:
Motet
Source Attribution:
[Conseil]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ego sum qui sum & consilium meum
|
||||
| 126–127 | Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum | 5 | - | |
|
Appears on:
126–127
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Altera pars : Stetit Jesus in medio discipulorum
|
||||
| 127–128 | Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam | 5 | [Lupi] | |
|
Appears on:
127–128
Genres:
Motet
Source Attribution:
[Lupi]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Apparens Christus post passionem suam
|
||||
| 128–129v | Apparens Christus - 2a pars (of 2): Et convescens praecepit eis | 5 | - | |
|
Appears on:
128–129v
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars altera : Et convescens precepit eis
|
||||
| 129v–131 | Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur | 5 | Anon. | Anonymous |
|
Appears on:
129v–131
Genres:
Motet
Source Attribution:
Anon.
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
g2
Voice Text:
Congregati sunt inimici nostri et gloriantur
|
||||
| 131–132 | Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda | 5 | - | Anonymous |
|
Appears on:
131–132
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
g2
Voice Text:
Altera pars : Tu domine qui superborum corda
|
||||
| 132–133v | Namque super terram ubi non est veritas | 5 | Anon. | Anonymous |
Namque super terram ubi non est veritasAnonymous
Appears on:
132–133v
Genres:
Motet
Source Attribution:
Anon.
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Nanque super terram ubi non est veritas
|
||||
| 133v–134 | Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) | 6 | Archadelt | |
|
Appears on:
133v–134
Genres:
Contrafactum, Motet
Source Attribution:
Archadelt
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Pro peccatis hominum occidit salvator mundi
Concordances= "Vae quis mane" in Thomaskirche 49/50 |
||||
| 134v–135 | Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) | 6 | - | |
|
Appears on:
134v–135
Genres:
Contrafactum, Motet
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Secunda pars : O clemens O pie Jesu Christe
Concordances= "Vae quis mane" in Thomaskirche 49/50 |
||||
| 135–135v | Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua | 4 | LS | |
|
Appears on:
135–135v
Genres:
Responsory
Source Attribution:
LS
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Illuminare Hierusalem venit lux tua
|
||||
| 135v–136 | Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem | 4 | - | |
|
Appears on:
135v–136
Genres:
Responsory
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
(R.) Et gloria domini super te Hierusalem
|
||||
| 136 | Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo | 4 | - | |
|
Appears on:
136
Genres:
Responsory
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
(Vs.) Et ambulabunt gentes in lumine tuo
|
||||
| 136v–137 | Nesciens mater virgo virum peperit | 4 | LS | |
|
Appears on:
136v–137
Genres:
Motet
Source Attribution:
LS
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Nesciens mater virgo virum peperit
|
||||
| 137–138v | Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem | 4 | AB (= Bruck)/[Sermisy] | |
|
Appears on:
137–138v
Genres:
Motet
Source Attribution:
AB (= Bruck)/[Sermisy]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Miserere mei domine et exaudi orationem
|
||||
| 138v–139v | Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam | 4 | - | |
|
Appears on:
138v–139v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Altera pars : Miserere mei deus secundum magnam
|
||||
| 139v–140 | Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier | 4 | Marcus Mustateller epi[scopi] Granensis musicus quidam | |
|
Appears on:
139v–140
Genres:
Motet
Source Attribution:
Marcus Mustateller epi[scopi] Granensis musicus quidam
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c1
Voice Text:
Accessit ad pedes Jesu peccatrix mulier
|
||||
| 140–140v | Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis | 4 | - | |
|
Appears on:
140–140v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
(2p.) Et osculata est & lavit lachrymis
|
||||
| 140v–141 | Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire | 4 | - | |
|
Appears on:
140v–141
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
(3p.) Unde promeruit audire
|
||||
| 141–141v | Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa | 4 | - | |
|
Appears on:
141–141v
Genres:
Motet
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
(4p.) Dimissa sunt ei peccata multa
|
||||
| 141v–142 | Ego sum resurrectio et vita dicit Dominus Jesus | 4 | Stephanus Mahu/[Walter] |
Mahu, Stephan
(?)
|
|
Appears on:
141v–142
Genres:
Motet
Source Attribution:
Stephanus Mahu/[Walter]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Ego sum resurrectio et vita dicit Jesus
|
||||
| 142–143 | Doleo super te frater mi Jonathan | 4 | [Appenzeller] | |
|
Appears on:
142–143
Genres:
Motet
Source Attribution:
[Appenzeller]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Doleo super te frater mi Jonathan
ConcordancesRISM 1540/7, 1553/9, 1559/2, all attributed to 'Benedictus' - the last texted 'Doleo super te Absalon', the first 2 texted 'Doleo super te Jesu' |
||||
| 143–144 | Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens | 5 | LS | |
|
Appears on:
143–144
Genres:
Motet
Source Attribution:
LS
Number of voices:
5
Voice:
Secundus Discantus
Languages:
Latin, German
Mensuration:
c-2
Clef:
c1
Voice Text:
In mitten unsers lebens zeit. Media vita in morte sumus
|
||||
| 144–144v | Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott | 5 | - | |
|
Appears on:
144–144v
Genres:
Motet
Number of voices:
5
Voice:
Secundus Discantus
Languages:
Latin, German
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pars altera : Sancte deus. Heiliger starcker Got
|
||||
| 145–146 | Spiritus Domini replevit orbem terrarum | 4 | (Greek) adelon (=unknown) / [Mouton] | |
|
Appears on:
145–146
Genres:
Motet
Source Attribution:
(Greek) adelon (=unknown) / [Mouton]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Spiritus domini replevit orbem terrarum
|
||||
| 146–147v | Nuptiae factae sunt in Chana Gallileae | 4 | [Barra/Elimon] |
Elimon (Elimot)
(?)
|
|
Appears on:
146–147v
Genres:
Motet
Source Attribution:
[Barra/Elimon]
Number of voices:
4
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Nuptiae factae sunt in Cana Galileae
|
||||
| 148–149 | Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet | 5 | TS [= Stoltzer] | |
|
Appears on:
148–149
Genres:
Motet
Source Attribution:
TS [= Stoltzer]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Levavi oculos meos in montes unde veniet
ConcordancesUnclear whether this setting is the one in Grimma 14, or whether that ms has the falsobordone setting which was printed in RISM 1540/5. |
||||
| 149–150 | Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio | 5 | - | |
|
Appears on:
149–150
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Altera pars : Dominus custodit te dominus protectio
|
||||
| 150v–152 | Cum ascendisset aurora urgebant angeli | 6 | G. Peschin | |
|
Appears on:
150v–152
Genres:
Motet
Source Attribution:
G. Peschin
Number of voices:
6
Voice:
Discantus primus
Languages:
Latin
Mensuration:
cut-c
Clef:
g2
Voice Text:
Cum ascendisset aurora urgebant angeli
Voice:
alius Discantus
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Cum ascendisset aurora urgebant angeli
General Noteparts for Discantus I & II, on opposite sides of each opening |
||||
| 152v | Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere | 5 | Petrus Moulou | |
|
Appears on:
152v
Genres:
Responsory
Source Attribution:
Petrus Moulou
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Induta est caro mea vermibus et pulvere
|
||||
| 152v–153 | Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam | 5 | - | |
|
Appears on:
152v–153
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Secinda pars : Dies mei velocius transeunt quam radius textoris
|
||||
| 153–153v | Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita | 5 | - | |
|
Appears on:
153–153v
Genres:
Responsory
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Tertia pars : Memento domine quia ventus est vita mea
|
||||
| 154–154v | Quisquis requiem quaeris feminam cave | 6 | Gaspar Othmair | |
|
Appears on:
154–154v
Genres:
Motet
Source Attribution:
Gaspar Othmair
Number of voices:
6
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Quisquis requiem quaeris feminam cave
|
||||
| 154v–155 | [Veni sancte spiritus] Reple tuorum corda | 7 | HF | |
|
Appears on:
154v–155
Genres:
Motet, Veni sancte spiritus
Source Attribution:
HF
Number of voices:
7
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Reple tuorum corda
Voice:
Discantus
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
intonation [Veni sancte spiritus]: Reple tuorum corda
ConcordancesNot the same piece as the one in D-Rtt Freie Kunste Musik 76 (see Gottwald 1962 (GottE)) Layout2 voice parts copied - [Tenor] on verso and Discantus on opposite recto |
||||
| 155v–156 | Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis | 6 | HF | |
|
Appears on:
155v–156
Genres:
Responsory
Source Attribution:
HF
Number of voices:
6
Voice:
Discantus
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Beati estis sancti dei omnes qui meruistis
Voice:
Tenor secundus
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Beati estis sancti dei omnes qui meruistis
Layout2 voice-parts copied. Discantus on verso and Tenor secundus on opposite recto |
||||
| 156v–157v | Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri | 6 | - | |
|
Appears on:
156v–157v
Genres:
Responsory
Number of voices:
6
Voice:
Discantus
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Repetitio : Ideoque precamur ut memores nostri
Voice:
Tenor secundus
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Repetitio : Ideoque precamur ut memores nostri
Layout2 voice-parts copied. Discantus on f. 156v and Tenor secundus on f. 157, then the conclusion of both following one another on two staves on f. 157v |
||||
| 157v–158 | Beati estis - 3a pars (of 3): Gaudete et exultate | 5 | - | |
|
Appears on:
157v–158
Genres:
Responsory
Number of voices:
5
Voice:
[Discantus]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
(Vs.) Gaudete & exultate
General NoteDiscantus only copied for final Versus |
||||
| 158v–160 | Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem | 5 | [Ockeghem] | |
|
Appears on:
158v–160
Genres:
Motet
Source Attribution:
[Ockeghem]
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
o
Clef:
c2
Voice Text:
Caeleste beneficium introivit in orbem
|
||||
| 160–161 | Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania | 5 | - | |
|
Appears on:
160–161
Genres:
Motet
Number of voices:
5
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
(2p.) Caeleste beneficium accipe Germania grata
|
||||