D-Rp B. 211-215 (D)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: c. 1538-43

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 211-215 (D)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 208 mm
Other Identifiers
  • CCM: RegB B211-5
Notations
  • black void mensural
Copyists
External Links
External Authorities
Provenance
  • Southern Germany or Austria
Contents Contains 158 compositions, 148 from 38 composers, 10 are anonymous.
General Description

A Discantus partbook from a set of five volumes. Recto of first flyleaf in each book now pasted to inside front cover. Copied by two or three scribes. Probably of south German or Austrian origin.

DIAMM, 2017
Binding

Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date '1538.'

DIAMM, 2017
Watermark

resembles Briquet #2515

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

Original ink foliation in each book. Modern pencil pagination.

DIAMM, 2025
Decoration

No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections.

DIAMM, 2017
Index

Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 1 hymn, 76 motets, 1 Latin/German sacred piece,

2 German sacred pieces, 1 Latin secular piece = 82

Appenzeller or Ducis? [Benedictus]-1, Arcadelt-2, (Barra/Elimon)-1, Brück [AB]/Sermisy [Claudius]-1, (Carpentras)-1, (Conseil)-1, Dietrich [Xystus Theoderici]-2, Eckel-1, Finck-10, Finck-Josquin-1, Frosch-2, (Gombert/Josquin/Sermisy)-1, Hähnel [Johannes Galliculus]-4, Hellinck-2, Isaac-1, (Jaquet of Mantua/Manchicourt)-1, Josquin-2, (Josquin/Senfl)-1, Lafage-2, Le Heurteur-1, (Lemlin)-1, (Lupi)-1, Lupus/(Jaquet of Mantua)-1, Mahu-1, Mahu/(Walter)-1, Moulu-1, Mouton-2, Mustateller-1, Ockeghem -2, Othmayr-1, Peschin-B, Richafort-1, Senfl-12, Sermisy [Claudin]-2, Stoltzer-3, (Verdelot)-1, Werrecore [Hermannus Cu]/(StoltzerH, Willaert-2, anon-7

5 paper partbooks (D-iii + 161 folios, A-iii + 169, T-iii + 137, B-iii + 153, Q-iii + 81), 134 x 208. Recto of first flyleaf in each book now pasted to inside front cover. Original ink foliation in each book. Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date "1538." Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by two or three scribes. Staff height 15. No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections. Watermark resembles Briquet #2515 (StaeMI).

Ca. 1538-43 (date 1538 on covers; "1543" on f. 151 of D book). Probably of south German or Austrian origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
inside front board index - - -

index

Appears on: inside front board
1–1v Tu autem cum oraveris 6 Xystus Theodorici [= Dietrich]
Appears on: 1–1v
Genres: Motet
Source Attribution: Xystus Theodorici [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Tu autem cum oraveris intra in cubiculum
2–2v Amen dico vobis quia nemo propheta 6 Eiusdem authoris [= Dietrich]
Appears on: 2–2v
Genres: Motet
Source Attribution: Eiusdem authoris [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Amen dico vobis quia nemo propheta
2v–4 Quod toleras rex alme crucis tormenta 6 (in Greek) adelon (unknown) Anonymous
Appears on: 2v–4
Genres: Motet
Source Attribution: (in Greek) adelon (unknown)
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Quod toleras rex alme crucis tormenta
4–5v Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 5 Lupus/[Jachet of Mantua]
Appears on: 4–5v
Genres: Motet
Source Attribution: Lupus/[Jachet of Mantua]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Loquutus est dominus ad Moysen dicens
5v–7 Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 5 -
Appears on: 5v–7
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Stetit Moÿses coram Pharaone et dixit
7–8 Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 5 Henricus Finck
Appears on: 7–8
Genres: Motet
Source Attribution: Henricus Finck
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Et valde mane una sabbatorum veniunt
8–9 Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 5 -
Appears on: 8–9
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Et ingressae mulieres non invenerunt
9–11 Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 5 HF [= Finck]
Appears on: 9–11
Genres: Responsory
Source Attribution: HF [= Finck]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Verbum caro factum est et habitabit
11–11v Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 5 -
Appears on: 11–11v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: Secunda pars : ... Plenum gratia & veritate
11v–12 Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 5 -
Appears on: 11v–12
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Tertia pars : Quem aethera et terra atque mare
12–13 Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 5 HF
Appears on: 12–13
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Illuminare Hierusalem venit lux tua
13v–14 Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 5 -
Appears on: 13v–14
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Et gloria domini super te Hierusalem
14–14v Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 5 -
Appears on: 14–14v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Tertia pars : Et ambulabunt in lumine tuo et reges
14v–16 Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 5 HF
Appears on: 14v–16
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Christus resurgens ex mortuis Jam non
16–16v Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 5 -
Appears on: 16–16v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Quod enim vivit deo alleluia
16v–17 Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 5 -
Appears on: 16v–17
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Tertia pars : ... Quod enim vivit deo alleluia
17–18 Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 5 HF
Appears on: 17–18
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Ite in orbem universum et predicate
18–18v Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 5 -
Appears on: 18–18v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Qui crediderit et baptizatus fuerit
18v Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 5 -
Appears on: 18v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Tertia pars : In nomine patris et filii et spiritus
19–19v Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 5 HF
Appears on: 19–19v
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Petre amas me tu scis domine quia amo te
19v–20 Petre amas me - 2a pars (of 3): Pasce oves meas 5 -
Appears on: 19v–20
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Pasce oves meas
[-] Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 5 -
Appears on: [-]
Genres: Responsory
Number of voices: 5
General Note

"Tertia pars in Tenor"

20–22v Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 5 Johannes Okegus [= Ockeghem]
Appears on: 20–22v
Genres: Motet
Source Attribution: Johannes Okegus [= Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: g2
Voice Text: Gaude Maria virgo cunctas hereses sola
22v–23 Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 5 -
Appears on: 22v–23
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: (2p.) Gabrielem archangelum te esse
23–23v Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 5 -
Appears on: 23–23v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: (3p.) Uterum tuum de spiritu sancto
23v–24v Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 5 -
Appears on: 23v–24v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: g2
Voice Text: IV: ... Judeus infelix qui dicit
25–25v Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 4 Ludovicus Senflius
Appears on: 25–25v
Genres: Responsory
Source Attribution: Ludovicus Senflius
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Pater peccavi in coelum & coram te
26 Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 5 -
Appears on: 26
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Repetitio : Fac me sicut unum ex mercenariis
26v–27 Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 4 -
Appears on: 26v–27
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Versus : Quanti mercenarii in domo patris
27v–28 Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 4 L.S. [Senfl] / Lupus [Hellinck]
Appears on: 27v–28
Genres: Motet
Source Attribution: L.S. [Senfl] / Lupus [Hellinck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Panis quem ego dabo caro mea est
28–29 Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 4 -
Appears on: 28–29
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Secunda pars : Loquutus est populus ad dominum
29–30 Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 4 Josquin/[Finck]
Appears on: 29–30
Genres: Motet
Source Attribution: Josquin/[Finck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Magnus es tu domine & magnum nomen
30–31 Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 4 -
Appears on: 30–31
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Tu pauperum refugium tu languorum
31–32 Simile est regnum caelorum homini 4 (Greek) adelon (=unknown)/[Carpentras]
Appears on: 31–32
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Carpentras]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Simile est regnum caelorum homini
32v–33 Da pacem Domine (M25) 4 LS [= Senfl]
Appears on: 32v–33
Genres: Motet
Source Attribution: LS [= Senfl]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Da pacem domine in diebus nostris
33–34 Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo 4 (Greek) adelon (=unknown) Anonymous
Appears on: 33–34
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Domine quo ibo a spiritu tuo et quo
34–35 Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo 4 - Anonymous
Appears on: 34–35
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Si sumpsero pennas meas diluculo
35–35v Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 4 Mathias Eckel
Appears on: 35–35v
Genres: Responsory
Source Attribution: Mathias Eckel
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: g2
Voice Text: Inter natos mulierum non surrexit maior
35v–36 Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 4 -
Appears on: 35v–36
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Repetitio : Qui viam domino preparavit in eremo
36 Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 4 -
Appears on: 36
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Versus : Fuit homo missus a deo cui nomen
36v–37v Duo homines ascenderunt in templum 4 -
Appears on: 36v–37v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Duo homines ascenderunt in templum
38–39 In cathedra Moisi omnia quaecunque iusserint 4 -
Appears on: 38–39
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: In cathedra Moysi omnia quaecunque iusserint
39–40v Venite post me qui laboratis et onerati 4 -
Appears on: 39–40v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Venite post me qui laboratis et onerati
40v–42v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 5 Ludovicus Senflius
Appears on: 40v–42v
Genres: Motet
Source Attribution: Ludovicus Senflius
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Omnes gentes plaudite manibus jubilate
42v–45 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 5 -
Appears on: 42v–45
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Ascendit deus in iubilo et dominus
45–46 Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 5 LS
Appears on: 45–46
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Tota pulchra es amica mea et macula
46–47 Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 5 -
Appears on: 46–47
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Secunda pars : Jam enim hiems transiit imber abiit
47–48 Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 5 -
Appears on: 47–48
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Teria pars : Et vox turturis audita est in terra
48–49 Peccata mea domine - 1a pars (of 2): Peccata mea domine 4 Ricafort
Appears on: 48–49
Genres: Motet
Source Attribution: Ricafort
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Peccata mea domine sicut sagittae infixae
49v–50 Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam 4 -
Appears on: 49v–50
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Secunda pars : Quoniam iniquitatem meam ego
50–51 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 4 (Greek) adelon (=unknown)/[Peschin]
Appears on: 50–51
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Peschin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Si bona suscepimus de manu domini
51–52 Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 4 -
Appears on: 51–52
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Secunda pars : Nudus egressus sum de utero matris
52–52v Sic enim Deus dilexit mundum 4 Gregorius Pesthin Bemus
Appears on: 52–52v
Genres: Motet
Source Attribution: Gregorius Pesthin Bemus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Sic enim deus dilexit mundum
53–54 Nesciens mater virgo virum peperit 6 Johannes Froschius
Appears on: 53–54
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: g1
Voice Text: Nesciens mater virgo virum peperit
54v–55 Tua est potentia tuum regnum Dominus 26.17 5 M (=Mouton)/[Josquin]
Appears on: 54v–55
Genres: Motet
Source Attribution: M (=Mouton)/[Josquin]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Tua est potentia tuum regnum domine
55v–56v Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 5 LS
Appears on: 55v–56v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Grates nunc omnes reddamus domino deo
56v–57 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 5 -
Appears on: 56v–57
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Altera pars : Huic oportet ut canamus cum angelis
57–58 Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 5 (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Appears on: 57–58
Genres: Contrafactum, Motet
Source Attribution: (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Date siceram merentibus et vinum his
58v–59 Domine libera animam meam a labiis 5 St. Mahu
Appears on: 58v–59
Genres: Motet
Source Attribution: St. Mahu
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Domine libera animam meam a labiis
59v–60v Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 5 [La Fage]
Appears on: 59v–60v
Genres: Motet
Source Attribution: [La Fage]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Super flumina Babilonis illic sedimus
61–63 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 5 -
Appears on: 61–63
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Pars altera : Si oblitus fuero tui Hierusalem
63–65 Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 5 [Willaert]
Appears on: 63–65
Genres: Motet
Source Attribution: [Willaert]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Verbum iniquum et dolosum longe fac
63–65 Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 5 -
Appears on: 63–65
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Pars altera : Duo rogavi [te] ne deneges mihi
65–66v Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 5 [Verdelot]
Appears on: 65–66v
Genres: Motet
Source Attribution: [Verdelot]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Non turbetur cor vestrum ego vado
65–66v Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 5 -
Appears on: 65–66v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: Ego rogabo patrem [meum] & alium paraclitum
66v–67v Recordare Domine testamenti tui et dic 5 [Arcadelt]
Appears on: 66v–67v
Genres: Motet
Source Attribution: [Arcadelt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Recordare domine testamenti tui
67v–69 Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra - Anon. Anonymous
Appears on: 67v–69
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: g2
Voice Text: Nigra ego sum fateor vaccinia nigra
67v–69 Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre - - Anonymous
Appears on: 67v–69
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: g2
Voice Text: Pars altera : Nigra veni nostroque precor succurre
69v–70 O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 4 HF [= Finck]
Appears on: 69v–70
Genres: Motet
Source Attribution: HF [= Finck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: O domine Jesu Christe adoro te in cruce
70 O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 4 -
Appears on: 70
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : O domine Jesu Christe adoro te in cruce vulnerasti
70v–71 O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 4 -
Appears on: 70v–71
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Tertia pars : O domine Jesu Christe per illam amaritudinem
71–71v O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro 4 -
Appears on: 71–71v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Quarta pars : O domine Jesu Christe adoro te in sepulchro positum
71v O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem 4 -
Appears on: 71v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Quinta pars : O domine Jesu Christe adoro te descendentem ad inferos
71v–72 O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem 4 -
Appears on: 71v–72
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Sexta pars : O domine Jesu Christe adoro te resurgentem a mortuis
72–73 O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 6 -
Appears on: 72–73
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Septima pars : O domine Jesu Christe pastor bone
73–75v Christe qui lux es et dies noctis [M15] 4 LS
Appears on: 73–75v
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Christe qui lux es et dies noctis
76–77 Sum tuus in vita (4vv) [M109] 4 LS
Appears on: 76–77
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Sum tuus in vita tua sunt mea funera
77–77v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 6 Josquin
Appears on: 77–77v
Genres: Chanson, Contrafactum, Motet
Source Attribution: Josquin
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Haec dicit dominus de manu mortis
General Note

Also attributed in other books to Chonradus Rupsch, who was probably responsible for the contrafact version.

78–78v Traditor autem dedit eis signum dicens 5 Anon. Anonymous
Appears on: 78–78v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Traditor autem dedit eis signum dicens
78v–79v Ecce Dominus veniet nolite timere 14.5 5 (Greek) adelon (=unknown) / [Jonckers/Josquin/Senfl]
Appears on: 78v–79v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown) / [Jonckers/Josquin/Senfl]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Ecce dominus veniet nolite timere
79v–80v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 5 Hermannus Cu [= Werrecore]/[Stoltzer]
Appears on: 79v–80v
Genres: Motet
Source Attribution: Hermannus Cu [= Werrecore]/[Stoltzer]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Beati omnes qui timent dominum qui ambulant
80v–81v Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 5 -
Appears on: 80v–81v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Secunda pars : Filii tui sicut novellae olivarum
82–82v Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 4 Johannes Froschius
Appears on: 82–82v
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Qui de terra est loquitur qui de caelo
82v–83 Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 4 -
Appears on: 82v–83
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Et testimonium eius nemo accipit
83v–84 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 6 Thomas Stoltzer
Appears on: 83v–84
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Erzürne dich nit über die bösen sey nit
84–85 Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 6 -
Appears on: 84–85
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Halt dem Herrn still und lass in
85–86v Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 3 -
Appears on: 85–86v
Genres: Motet
Number of voices: 3
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Tertia pars : Der gotlose drowet dem gerechten
86v Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 3 -
Appears on: 86v
Genres: Motet
Number of voices: 3
Voice: [no designation]
Languages: German
Clef: c1
Voice Text: Quarta pars : tacet
86v–88 Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 6 -
Appears on: 86v–88
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Quinta pars : Ich pin iunck gewesen und hab noch
88–89v Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 6 -
Appears on: 88–89v
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Clef: c1
Voice Text: Sexta pars : ... Aber der herr lasst in nit
89v–93 Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 7 -
Appears on: 89v–93
Genres: Motet
Number of voices: 7
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Septima pars : Beware dy frommikait und schaw

Voice: alius Discantus
Languages: German
Mensuration: cut-c
Clef: g2
Voice Text: Beware dy frommikait und schaw
General Note

2 voice parts (Discantus I & II) mostly copied on verso & recto of each opening

93v–94 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 5 Thomas Stoltzer
Appears on: 93v–94
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Herr wie lang wiltu mein so gar vergessen
94v–95 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 5 -
Appears on: 94v–95
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Schaw doch und erhör mich Herr
95v–96 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 5 -
Appears on: 95v–96
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c1
Voice Text: Tertia pars : Ich hoff aber auf deine güte
96–98 Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 4 De la fage
Appears on: 96–98
Genres: Motet
Source Attribution: De la fage
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Vide domine afflictionem nostram
98–98v Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 4 -
Appears on: 98–98v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: Sed veni domine et noli tardare
99–100 Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 4 Claudin [de Sermisy]
Appears on: 99–100
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Homo natus de muliere brevi vivens
100–100v Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non 4 -
Appears on: 100–100v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Homo cum in honore esset non intellexit
101–101v Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 4 Claudin [de Sermisy]
Appears on: 101–101v
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Benedic anima mea domino & omnia quae intra me sunt
101v–102v Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 4 -
Appears on: 101v–102v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Pars altera : Qui redemit de interitu vitam tuam
102v–104 Exaltare super caelos Deus et super omnem 4 [Le] Heurteur
Appears on: 102v–104
Genres: Motet
Source Attribution: [Le] Heurteur
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Exaltare super coelos deus et super omnem
104–105 Lamentabatur Jacob de duobus filiis suis 4 Hadrianus Willart
Appears on: 104–105
Genres: Motet
Source Attribution: Hadrianus Willart
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Lamentabatur Jacob de duobus filiis suis
105v–106v Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 4 [Peschin]
Appears on: 105v–106v
Genres: Motet
Source Attribution: [Peschin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Invocabat autem Samson dominum dicens
106v–107v Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 4 -
Appears on: 106v–107v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: (2p.) Et columnas quibus domus innitebatur
107v–108v Memento mei Domine Deus 5 (Greek) adelon (=unknown) Anonymous
Appears on: 107v–108v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Memento mei domine deus dum veneris
Concordances

identified by MohP & YouL (incorrectly) with the piece by Lemlin in D-Mu 327 & Thomaskirche 49/50; Kolb (2020) correctly identifies this as a different piece,

109–110 Prima die sabbatorum Maria Magdalena 4 Lupus Hellinck
Appears on: 109–110
Genres: Motet
Source Attribution: Lupus Hellinck
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Primo die sabbatorum Maria Magdalena
110–111 Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 4 [Josquin]
Appears on: 110–111
Genres: Responsory
Source Attribution: [Josquin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Clamavi. Ad dominum cum tribularer
111–112 Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 4 -
Appears on: 111–112
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g1
Voice Text: (2p.) Hei mihi quia incolatus meus
112–112v Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 4 -
Appears on: 112–112v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g1
Voice Text: (3p.) Gloria patri & filio
112v Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 4 -
Appears on: 112v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: (4p.) Clamavi et exaudivit me
113–113v Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 6 [Senfl]
Appears on: 113–113v
Genres: Motet
Source Attribution: [Senfl]
Number of voices: 6
Voice: Discantus primus
Languages: Latin
Mensuration: o-2
Clef: g2
Voice Text: Media vita in morte sumus quem querimus
113v–114 Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 6 -
Appears on: 113v–114
Genres: Motet
Number of voices: 6
Voice: Discantus primus
Languages: Latin
Mensuration: c-2
Clef: g2
Voice Text: (2p.) Sancte deus sancte fortis sancte
114v–115 Cavete a scribis qui volunt ambulare 4 J. Galliculus
Appears on: 114v–115
Genres: Motet
Source Attribution: J. Galliculus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Cavete a scribis qui volunt ambulare in stolis et amant salutationes in foris ac primas cathedras in synagogis et primos discubitus in conviviis, qui devorant domos viduarum simulantes longam orationem, hi accipient damnationem maiorem. (Beware of scribes who like walking in fine robes, and love being greeted in the marketplace, and the best seats in the churches, and the best places at parties, who devour the homes of widows and pretend to offer long prayers - they will receive a greater condemnation.)
General Note

note at beginning "Tenor in diapason post ii tempora"; the music is not copied in the Tenor book who must therefore sing from this part, where a 'signum congruentiae' also indicates where his part begins.

115–116 Sive vivamus sive moriamur Domini 4 H. Isaac
Appears on: 115–116
Genres: Motet
Source Attribution: H. Isaac
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Sive vivamus sive moriamur domini
116–118 Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 4 HF [=Finck]
Appears on: 116–118
Genres: Motet
Source Attribution: HF [=Finck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c1
Voice Text: Nisi dominus edificaverit domum in vanum
118–119v Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 4 -
Appears on: 118–119v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secunda pars : Sicut sagittae in manu potentis
120–121v Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 5 LS
Appears on: 120–121v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c1
Voice Text: Saulus autem adhuc spirans minarum
General Note

Tenor 1/2 are both in the Vagans book

Concordances

the motet "Petrus apostolus" in CZ-Hkm II A 41 attributed to Musthateller, differs in a number of ways from this one; Gustavson 1998 nevertheless considers it a concordance (the Senfl catalogue however does not).

120–121v Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 5 -
Appears on: 120–121v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Pars altera : Saule Saule quid me persequeris
General Note

Tenor 1/2 are both in the Vagans book

Concordances

the motet "Petrus apostolus" in CZ-Hkm II A 41 attributed to Musthateller, differs in a number of ways from this one; Gustavson 1998 nevertheless considers it a concordance (the Senfl catalogue however does not).

122v–123v Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 5 [Jaquet of Mantua/Manchicourt]
Appears on: 122v–123v
Genres: Motet
Source Attribution: [Jaquet of Mantua/Manchicourt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Laudem dicite deo nostro omnes sancti
124–124v Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 5 -
Appears on: 124–124v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Secunda pars : Laudate dominum deum omnes gentes
125–126 Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 5 [Conseil]
Appears on: 125–126
Genres: Motet
Source Attribution: [Conseil]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Ego sum qui sum & consilium meum
126–127 Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 5 -
Appears on: 126–127
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Altera pars : Stetit Jesus in medio discipulorum
127–128 Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 5 [Lupi]
Appears on: 127–128
Genres: Motet
Source Attribution: [Lupi]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Apparens Christus post passionem suam
128–129v Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 5 -
Appears on: 128–129v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Pars altera : Et convescens precepit eis
129v–131 Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 5 Anon. Anonymous
Appears on: 129v–131
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: g2
Voice Text: Congregati sunt inimici nostri et gloriantur
131–132 Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda 5 - Anonymous
Appears on: 131–132
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: g2
Voice Text: Altera pars : Tu domine qui superborum corda
132–133v Namque super terram ubi non est veritas 5 Anon. Anonymous
Appears on: 132–133v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Nanque super terram ubi non est veritas
133v–134 Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 6 Archadelt
Appears on: 133v–134
Genres: Contrafactum, Motet
Source Attribution: Archadelt
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Pro peccatis hominum occidit salvator mundi
Concordances

= "Vae quis mane" in Thomaskirche 49/50

134v–135 Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 6 -
Appears on: 134v–135
Genres: Contrafactum, Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Secunda pars : O clemens O pie Jesu Christe
Concordances

= "Vae quis mane" in Thomaskirche 49/50

135–135v Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 4 LS
Appears on: 135–135v
Genres: Responsory
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Illuminare Hierusalem venit lux tua
135v–136 Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 4 -
Appears on: 135v–136
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: (R.) Et gloria domini super te Hierusalem
136 Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 4 -
Appears on: 136
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: (Vs.) Et ambulabunt gentes in lumine tuo
136v–137 Nesciens mater virgo virum peperit 4 LS
Appears on: 136v–137
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Nesciens mater virgo virum peperit
137–138v Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 4 AB (= Bruck)/[Sermisy]
Appears on: 137–138v
Genres: Motet
Source Attribution: AB (= Bruck)/[Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Miserere mei domine et exaudi orationem
138v–139v Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 4 -
Appears on: 138v–139v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Altera pars : Miserere mei deus secundum magnam
139v–140 Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 4 Marcus Mustateller epi[scopi] Granensis musicus quidam
Appears on: 139v–140
Genres: Motet
Source Attribution: Marcus Mustateller epi[scopi] Granensis musicus quidam
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Accessit ad pedes Jesu peccatrix mulier
140–140v Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 4 -
Appears on: 140–140v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: (2p.) Et osculata est & lavit lachrymis
140v–141 Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 4 -
Appears on: 140v–141
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: (3p.) Unde promeruit audire
141–141v Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 4 -
Appears on: 141–141v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: (4p.) Dimissa sunt ei peccata multa
141v–142 Ego sum resurrectio et vita dicit Dominus Jesus 4 Stephanus Mahu/[Walter]
Appears on: 141v–142
Genres: Motet
Source Attribution: Stephanus Mahu/[Walter]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Ego sum resurrectio et vita dicit Jesus
142–143 Doleo super te frater mi Jonathan 4 [Appenzeller]
Appears on: 142–143
Genres: Motet
Source Attribution: [Appenzeller]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Doleo super te frater mi Jonathan
Concordances

RISM 1540/7, 1553/9, 1559/2, all attributed to 'Benedictus' - the last texted 'Doleo super te Absalon', the first 2 texted 'Doleo super te Jesu'

143–144 Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 5 LS
Appears on: 143–144
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: Secundus Discantus
Languages: Latin, German
Mensuration: c-2
Clef: c1
Voice Text: In mitten unsers lebens zeit. Media vita in morte sumus
144–144v Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 5 -
Appears on: 144–144v
Genres: Motet
Number of voices: 5
Voice: Secundus Discantus
Languages: Latin, German
Mensuration: cut-c
Clef: c1
Voice Text: Pars altera : Sancte deus. Heiliger starcker Got
145–146 Spiritus Domini replevit orbem terrarum 4 (Greek) adelon (=unknown) / [Mouton]
Appears on: 145–146
Genres: Motet
Source Attribution: (Greek) adelon (=unknown) / [Mouton]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Spiritus domini replevit orbem terrarum
146–147v Nuptiae factae sunt in Chana Gallileae 4 [Barra/Elimon]
Appears on: 146–147v
Genres: Motet
Source Attribution: [Barra/Elimon]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Nuptiae factae sunt in Cana Galileae
148–149 Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 5 TS [= Stoltzer]
Appears on: 148–149
Genres: Motet
Source Attribution: TS [= Stoltzer]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Levavi oculos meos in montes unde veniet
Concordances

Unclear whether this setting is the one in Grimma 14, or whether that ms has the falsobordone setting which was printed in RISM 1540/5.

149–150 Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 5 -
Appears on: 149–150
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Altera pars : Dominus custodit te dominus protectio
150v–152 Cum ascendisset aurora urgebant angeli 6 G. Peschin
Appears on: 150v–152
Genres: Motet
Source Attribution: G. Peschin
Number of voices: 6
Voice: Discantus primus
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Cum ascendisset aurora urgebant angeli

Voice: alius Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Cum ascendisset aurora urgebant angeli
General Note

parts for Discantus I & II, on opposite sides of each opening

152v Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 5 Petrus Moulou
Appears on: 152v
Genres: Responsory
Source Attribution: Petrus Moulou
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Induta est caro mea vermibus et pulvere
152v–153 Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 5 -
Appears on: 152v–153
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Secinda pars : Dies mei velocius transeunt quam radius textoris
153–153v Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 5 -
Appears on: 153–153v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Tertia pars : Memento domine quia ventus est vita mea
154–154v Quisquis requiem quaeris feminam cave 6 Gaspar Othmair
Appears on: 154–154v
Genres: Motet
Source Attribution: Gaspar Othmair
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Quisquis requiem quaeris feminam cave
154v–155 [Veni sancte spiritus] Reple tuorum corda 7 HF
Appears on: 154v–155
Genres: Motet, Veni sancte spiritus
Source Attribution: HF
Number of voices: 7
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Reple tuorum corda

Voice: Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: intonation [Veni sancte spiritus]: Reple tuorum corda
Concordances

Not the same piece as the one in D-Rtt Freie Kunste Musik 76 (see Gottwald 1962 (GottE))

Layout

2 voice parts copied - [Tenor] on verso and Discantus on opposite recto

155v–156 Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis 6 HF
Appears on: 155v–156
Genres: Responsory
Source Attribution: HF
Number of voices: 6
Voice: Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Beati estis sancti dei omnes qui meruistis

Voice: Tenor secundus
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Beati estis sancti dei omnes qui meruistis
Layout

2 voice-parts copied. Discantus on verso and Tenor secundus on opposite recto

156v–157v Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri 6 -
Appears on: 156v–157v
Genres: Responsory
Number of voices: 6
Voice: Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Repetitio : Ideoque precamur ut memores nostri

Voice: Tenor secundus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Repetitio : Ideoque precamur ut memores nostri
Layout

2 voice-parts copied. Discantus on f. 156v and Tenor secundus on f. 157, then the conclusion of both following one another on two staves on f. 157v

157v–158 Beati estis - 3a pars (of 3): Gaudete et exultate 5 -
Appears on: 157v–158
Genres: Responsory
Number of voices: 5
Voice: [Discantus]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: (Vs.) Gaudete & exultate
General Note

Discantus only copied for final Versus

158v–160 Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 5 [Ockeghem]
Appears on: 158v–160
Genres: Motet
Source Attribution: [Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: Caeleste beneficium introivit in orbem
160–161 Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 5 -
Appears on: 160–161
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: (2p.) Caeleste beneficium accipe Germania grata
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480-ca. 1558)
Arcadelt, Jacques (ca. 1507-1568)
Barra, Hotinet (1510-23)
Bruck, Arnold von (ca. 1500-1554)
Carpentras, Elzear Genet (ca. 1470-1548)
Conseil, Jean (ca. 1498-1534)
Despres, Josquin (ca. 1450-1521)
Dietrich, Sixt (ca. 1493-1548)
Eckel, Matthias
Elimon (Elimot)
Fage, Jean de la
Finck, Heinrich
Frosch, Johannes (ca. 1470-ca. 1532)
Galliculus, Johannes
Gombert, Nicolas (ca. 1495-ca. 1560)
Hellinck, Lupus (ca. 1494-1541)
Heurteur, Guillaume le (1530-1545)
Isaac, Heinrich (ca. 1450-1517)
Jonckers, Maistre Gosse
Lupi, Johannes (ca. 1506-1539)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483-1559)
Moulu, Pierre (ca. 1484-ca. 1550)
Mouton, Jean (ca. 1459-1522)
Mustateller (Muscateller?), Marcus
Ockeghem, Jean de (ca. 1410-1497)
Othmayr, Caspar
Peschin, Gregor
Reitveltus, Bartholomaeus
Richafort, Jean (ca. 1480-ca. 1550)
Senfl, Ludwig (ca. 1486-ca. 1543)
Sermisy, Claudin de (ca. 1490-1562)
Stoltzer, Thomas (ca. 1480-1526)
Verdelot, Philippe (ca. 1480-ca. 1532)
Walter, Johann (1496-1570)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
[Veni sancte spiritus] Reple tuorum corda 154v–155
Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 139v–140
Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 140–140v
Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 140v–141
Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 141–141v
Amen dico vobis quia nemo propheta 2–2v
Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 127–128
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 128–129v
Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis 155v–156
Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri 156v–157v
Beati estis - 3a pars (of 3): Gaudete et exultate 157v–158
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 79v–80v
Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 80v–81v
Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 101–101v
Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 101v–102v
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 158v–160
Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 160–161
Cavete a scribis qui volunt ambulare 114v–115
Christe qui lux es et dies noctis [M15] 73–75v
Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 14v–16
Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 16–16v
Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 16v–17
Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 110–111
Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 111–112
Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 112–112v
Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 112v
Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Anonymous 129v–131
Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda Anonymous 131–132
Cum ascendisset aurora urgebant angeli 150v–152
Da pacem Domine (M25) 32v–33
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 57–58
Doleo super te frater mi Jonathan 142–143
Domine libera animam meam a labiis 58v–59
Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo Anonymous 33–34
Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo Anonymous 34–35
Duo homines ascenderunt in templum 36v–37v
Ecce Dominus veniet nolite timere 14.5 78v–79v
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 125–126
Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 126–127
Ego sum resurrectio et vita dicit Dominus Jesus 141v–142
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 83v–84
Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 84–85
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 85–86v
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 86v
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 86v–88
Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 88–89v
Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 89v–93
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 7–8
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 8–9
Exaltare super caelos Deus et super omnem 102v–104
Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 20–22v
Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 22v–23
Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 23–23v
Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 23v–24v
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 55v–56v
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 56v–57
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 77–77v
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 93v–94
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 94v–95
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 95v–96
Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 99–100
Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non 100–100v
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 135–135v
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 12–13
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 13v–14
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 135v–136
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 14–14v
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 136
In cathedra Moisi omnia quaecunque iusserint 38–39
Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 152v
Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 152v–153
Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 153–153v
Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 35–35v
Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 35v–36
Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 36
Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 105v–106v
Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 106v–107v
Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 17–18
Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 18–18v
Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 18v
Lamentabatur Jacob de duobus filiis suis 104–105
Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 122v–123v
Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 124–124v
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 148–149
Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 149–150
Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 4–5v
Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 5v–7
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 29–30
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 30–31
Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 113–113v
Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 113v–114
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 143–144
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 144–144v
Memento mei Domine Deus Anonymous 107v–108v
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 137–138v
Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 138v–139v
Namque super terram ubi non est veritas Anonymous 132–133v
Nesciens mater virgo virum peperit 53–54
Nesciens mater virgo virum peperit 136v–137
Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra Anonymous 67v–69
Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre Anonymous 67v–69
Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 116–118
Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 118–119v
Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 65–66v
Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 65–66v
Nuptiae factae sunt in Chana Gallileae 146–147v
O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 69v–70
O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 70
O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 70v–71
O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro 71–71v
O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem 71v
O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem 71v–72
O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 72–73
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 40v–42v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 42v–45
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 27v–28
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 28–29
Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 25–25v
Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 26
Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 26v–27
Peccata mea domine - 1a pars (of 2): Peccata mea domine 48–49
Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam 49v–50
Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 19–19v
Petre amas me - 2a pars (of 3): Pasce oves meas 19v–20
Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his [-]
Prima die sabbatorum Maria Magdalena 109–110
Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 133v–134
Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 134v–135
Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 82–82v
Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 82v–83
Quisquis requiem quaeris feminam cave 154–154v
Quod toleras rex alme crucis tormenta Anonymous 2v–4
Recordare Domine testamenti tui et dic 66v–67v
Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 120–121v
Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 120–121v
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 50–51
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 51–52
Sic enim Deus dilexit mundum 52–52v
Simile est regnum caelorum homini 31–32
Sive vivamus sive moriamur Domini 115–116
Spiritus Domini replevit orbem terrarum 145–146
Sum tuus in vita (4vv) [M109] 76–77
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 59v–60v
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 61–63
Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 45–46
Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 46–47
Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 47–48
Traditor autem dedit eis signum dicens Anonymous 78–78v
Tu autem cum oraveris 1–1v
Tua est potentia tuum regnum Dominus 26.17 54v–55
Venite post me qui laboratis et onerati 39–40v
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 9–11
Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 11–11v
Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 11v–12
Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 63–65
Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 63–65
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 96–98
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 98–98v

Set: B. 211-215

Type: Partbooks

No images available

D-Rp B. 211-215 (A)

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D-Rp B. 211-215 (B)

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D-Rp B. 211-215 (D)

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D-Rp B. 211-215 (Q)

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D-Rp B. 211-215 (T)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 129-149. Notes: contents list; concordances.

McDonald, Grantley. 2020. The Library of Johannes Stomius, Lutheran Musical Humanist in Salzburg. Journal of the Alamire Foundation, 12/1: 51-88. Notes: identifies Stomius as the main scribe.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I, 77. Notes: physical description (partial); mention of MS; discussion.

Brzezinska, Barbara. 1976. W Kwestii Autorstwa Motetu 'Date Siceram Moerentibus'. Muzyka, 21/2: 53-65. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 28-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 3-4, 30-1, 45, 52, 68-9, 84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 105-7, 110-1. Notes: contents list (partial); mention of MS; discussion.

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, vii-viii, xii, 66-74. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 87-8, 175-82, 213-4; II, 205-39. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5.  Kassel. Pages: 41-2, 107, 117, 168, 182-4. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7.  Kassel and Basel. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: X, 1695. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 124-5; XI, 123-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 119; XXVI, 154, 164; LXVI, 68-76, 97-103, 174-80; LXX,65-94,97-114,193,197-8. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III, ix, xiv, 88-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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Benjamin Ory

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description