D-Mu MS 8° 329

Universitätsbibliothek, München (Munich), Germany

partbook: After 1523

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 8° 329
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 139 x 214 mm
Other Identifiers
  • CCM: MunU 328-31
  • olim (Former shelfmark): Cim. 44c
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Bavaria, Germany
Contents 124 pieces from 17 composers
General Description

A Discantus partbook from a set originally of five volumes. Copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438. Perhaps written for Hieronymus Welser; a coat of arms with his name and the year 1527 (in A, T, and B partbooks) was discovered after a restoration in 1974. It seems that Welser sold the partbooks even before binding, probably to Glarean (Meconi 2009). Full texts for many pieces copied separately on rectos of Tenor book after each piece; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810. Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin & Fallows).

DIAMM, 2017
Extent

vi + 100 + i folios

DIAMM, 2023
Binding

Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties

DIAMM, 2017
Watermark

Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Index

Original alphabetical indices on flyleaves I(r)-IV(v) at beginning of each book

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets, 13 German sacred pieces, 106 German secular pieces, 5 French secular pieces, 3 Dutch secular pieces, 2 Italian secular pieces, 14 textless pieces (most entitled "Carmen") = 145 (many incomplete)

(Barbireau/Isaac/Obrecht)-1, (Bauldeweyn/Grefinger)-1, (Bauldeweyn/La Rue)-1, (Brumel)-1, (Finck)-1, (Grefinger/Senfl)-2, (Hofhaimer)-6 + 2?, (Hofhaimer/Isaac)-2, (Isaac)-20 + 1?, (Josquin)-2, (La Rue)-2, (La Rue/Pietrequin)-1, (Rener)-2, (Senfl)-46 + 28?*, (Singer)-1, (Sygler)-1, anon-24

*See BenteNW, 253ff.

4 paper partbooks of an original 5 (D-vi + 100 + i folios, A-v + 73 + i, T-v + 156 + ii, B-v + 85 + ii), 139 x 214. Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals. Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties. Original alphabetical indices on flyleaves at beginning of each book. Copied by a single scribe. Inked calligraphic initials. Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898 (also appears in VienNB 18810). Full texts for many pieces copied separately on rectos of T book; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810.

After 1523 (BenteNW); 1526-30 (GottUM). Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin).

Vol 4

Composers: Change "(Bauldeweyn/La Rue)-1" to "(Bauldeweyn/Büchner/ La Rue)-1."

Physical: Copied by a single scribe, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Elend behend hat sich gewend [Senfl?]
Appears on: 1–1v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Ellend behendt hat sich gewendt
1v–2 All mein Lebtag kein Klag mir so lag [Senfl?]
Appears on: 1v–2
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: All mein lebtag kain clag mir so lag
2 Lust mag mein herz ohn scherz nit haben [Senfl]
Appears on: 2
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Lust mag mein hertz on schertz nit
2v–3 Sing ich nit wol das ist mir laÿd Anon. Anonymous
Appears on: 2v–3
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Sing ich nit wol das ist mir laÿd
3v–4 Sing ich nit wol das ist mir laÿd Anon. Anonymous
Appears on: 3v–4
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Sing ich nit wol das ist mir laÿd
4v–5 Dein treuer Will, den du in still [Senfl?]
Appears on: 4v–5
Genres: Motet
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Dein trewer will den du in still
5–5v Ein Junckfrau mir gefallen tät [Senfl]
Appears on: 5–5v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ain junckfraw mir gefallen thet
5v–6 Sie ist erwählt und wohl bestellt Anon.
Appears on: 5v–6
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Sy ist erwelt und wol bestelt
6v–7 Ursach mich fast zwingt tringt [Senfl?]
Appears on: 6v–7
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Ursach mich fast zwingt tringt
7–7v Es darff nit wort an disem ort [Senfl?]
Appears on: 7–7v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Es darff nit wort an disem ort
7v–8 Wohl kommt der Mai [S349] [Senfl]
Appears on: 7v–8
Genres: Lied
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wol kumpt der maÿ mit mangerlaÿ
8–8v Man hat bis her no further text Anon.
Appears on: 8–8v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Man hat bis her [no further text]
8v–9 Hab grossen dank der liebe Dein [Senfl]
Appears on: 8v–9
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Hab grossen danck der liebe dein
9–9v Erfrew dich werde Christenhait das Got Anon.
Appears on: 9–9v
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Erfrew dich werde Christenhait das Got
9v–10 Ungnad begehr ich nit von ihr, hoff auch [Senfl]
Appears on: 9v–10
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ungnad beger ich nit von ÿr hoff auch
10v–11 Tag und auch nacht leid ich gross not Anon.
Appears on: 10v–11
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Tag und auch nacht leÿd ich gros not
11–11v Schön wol zu loben mit geperd und wol [Senfl?]
Appears on: 11–11v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Schön wol zu loben mit geperd und wol
12–12v Ach Jupiter hetzt du gewalt so manigfalt [Senfl]
Appears on: 12–12v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ach Jupitter hetzt du gewalt so manigfalt
13 Fortuna desperata iniqua e maledecta (S107) [Senfl?]
Appears on: 13
Genres: Chanson
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Italian
Voice Text: Fortuna [desperata iniqua e maledecta]
13v–14 Wann ich lang such der Gsellschaft viel [Senfl]
Appears on: 13v–14
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wann ich lang such der gsellschafft vil
14 Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) [Isaac]
Appears on: 14
Genres: Contrafactum, Kyrie eleison, Mass Ordinary, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Insprugk ich mus dich lassen [= Christe II from Missa Carminum]
14v–15 Bruder Conrat Anon. Anonymous

Bruder Conrat

Anonymous
Appears on: 14v–15
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Bruder Conrat
15–15v Virgo prudentissima quo progrederis quasi aurora / Fortuna desperata (S113) [Senfl?]
Appears on: 15–15v
Genres: Contrafactum, Motet
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Italian
Voice Text: Fortuna [desperata iniqua e maledecta]
16–16v In Gottes namen fahren wir [Isaac]
Appears on: 16–16v
Genres: Sacred Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: In Gottes namen faren wir
17–17v Es wollt ein Maidlein waschen gahn [Isaac]
Appears on: 17–17v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maydlein grasen gan
18–19 Inn meinem sÿnn hadde ick vercoren (i) [Isaac]
Appears on: 18–19
Genres: Lied
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Inn meinem sÿnn [hadde ick vercoren]
19–19v Inn meinem sÿnn hadde ick vercoren (ii) [Isaac]
Appears on: 19–19v
Genres: Lied
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Inn meinem sÿnn [hadde ick vercoren]
20 Den meinen Sack hab ich verloren Anon. Anonymous
Appears on: 20
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Den meinen sack hab ich verloren
20v–21v Allez regrets vuides de ma présence [Senfl]
Appears on: 20v–21v
Genres: Chanson
Source Attribution: [Senfl]
Voice: [no designation]
Languages: French
Voice Text: Alles regretz [vuides de ma présence]
22–22v Entre je suis en grand pensée 28.13 [Josquin]
Appears on: 22–22v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Entre je suis [en grant pensée] 28.13
23–23v Leal schray tante! [La Rue]
Appears on: 23–23v
Genres: Secular
Source Attribution: [La Rue]
Voice: [no designation]
Languages: German
Voice Text: Carmen in re [= Leal schray tante]
23v–24v Secrets regrets de nature ennemis par grief [La Rue]
Appears on: 23v–24v
Genres: Chanson
Source Attribution: [La Rue]
Voice: [no designation]
Languages: French
Voice Text: Carmen in la [= Secretz regretz de nature ennemis par grief]
24v–25 Missa Wohlauf gut Gsell von hinnen: Qui tollis peccata [Isaac]
Appears on: 24v–25
Genres: Agnus Dei, Contrafactum, Mass Ordinary, Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Wol auff gut gsell von hinnen [= Qui tollis peccata from Missa Wohlauff gut gesell von hinnen]
25v–26 Die Brünnlein, die da fliessen [Hofhaimer/Isaac]
Appears on: 25v–26
Genres: Song
Source Attribution: [Hofhaimer/Isaac]
Voice: [no designation]
Languages: German
Voice Text: Die prünlein die da fliessen
26v–27 Parcere prostratis (= Pour vous plaisiers) [Isaac]
Appears on: 26v–27
Genres: Chanson
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Parcere prostratis [= Pour vous plaisiers]
27v–28 Gottes namen faren wir [Senfl]
Appears on: 27v–28
Genres: Chorale, Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Gottes namen faren wir [seiner gnaden]
28v–29 Will niemand singen, so sing aber ich [Senfl]
Appears on: 28v–29
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Will nÿemandt singen so sing aber ich
29v–30 Wann ich des morgens früh aufstan' [S320] [Senfl]
Appears on: 29v–30
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wann ich des morgens früe auff stan
30v Ach Elslein liebes Elslein mein / Es taget vor dem walde / Wann ich des morgens frhüe [S005] [Senfl]
Appears on: 30v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O Elslein [liebes Elslein mein]/Es taget vor dem walde/Wann ich des morgens früe
General Note

with incipit : "O Elslin / primus discantus"

30v–31 So man lang macht betracht und acht [S283, 4vv] [Senfl]
Appears on: 30v–31
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: So man lang macht betracht und acht
31v Geduld und Huld will haben ich und leiden [Senfl]
Appears on: 31v
Genres: Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Geduld umb huld will haben ich
32–32v Mach mich mein glück mit fug und gschick (S216) [Senfl]
Appears on: 32–32v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mach mich mein glück mit fug und gschick
32v–33 Willig geneigt [Senfl?]
Appears on: 32v–33
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Willig genaÿgt
33v Mein Ding erfreut für als auf Erd Anon.
Appears on: 33v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Main ding erfrewt für als auf erd
34–34v Man sing, man sag hab freud all Tag [Senfl]
Appears on: 34–34v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Man sing man sag [hab freud all tag]
34v–35 Es taget vor dem walde steh auff [S92] [Senfl]
Appears on: 34v–35
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Es taget vor dem walde [stand uff]
35v–36 Maria, du bist gnadenvoll / Maria zart von edler Art [S225] [Senfl]
Appears on: 35v–36
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Maria du bist gnaden vol/[Maria zart von edler art]
36v–37 Wohlauf, wir wöllens wecken, dann er ist an der zeit [Senfl]
Appears on: 36v–37
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wol auff wir wöllens wecken [dann er ist an der zeit]
37–37v Ach Gott wem soll ichs klagen das heimliche leiden [Bauldeweyn/Grefinger]
Appears on: 37–37v
Genres: Song
Source Attribution: [Bauldeweyn/Grefinger]
Voice: [no designation]
Languages: German
Voice Text: Ach Got wem soll ichs clagen
38–38v O du armer Judas was hast du getan [Senfl]
Appears on: 38–38v
Genres: Motet, Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O du armer Judas [was hast du getan]
39–41 Tandernacken am rine lagk [Senfl]
Appears on: 39–41
Genres: Contrafactum, Secular
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Tanndernac am rine lagk [= Felices quicunque deo confidere]
41v Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) [Senfl]
Appears on: 41v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein vleÿss und müe ich nÿe hab gspart
42 Mag gleÿch wol sein die schuld seÿ mein [Senfl]
Appears on: 42
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mag gleÿch wol sein die schuld seÿ mein
42v–43 Mein höchste frucht Dein schön und zucht [Rener]
Appears on: 42v–43
Genres: Song
Source Attribution: [Rener]
Voice: [no designation]
Languages: German
Voice Text: Mein höchste frucht dein schön und zucht
43–43v Jetz hat vollbracht Unfall sein Macht [Rener]
Appears on: 43–43v
Genres: Song
Source Attribution: [Rener]
Voice: [no designation]
Languages: German
Voice Text: Jetz hat volpracht unfal sein macht
43v–44 Mag ich dem glück nit danken vil [Senfl?]
Appears on: 43v–44
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Mag ich dem glück nit dancken vil
44v Die not sucht weg der ich jetzt pfleg [Senfl]
Appears on: 44v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Die not sucht weg der ich jetzt pfleg
44v–45 Ursach hab ich zu klagen mich [Senfl?]
Appears on: 44v–45
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Ursach hab ich zu klagen mich
45v Annehmlich schön ich krön ihr Tugend sehr [Senfl]
Appears on: 45v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: An nemlich schön ich krön ÿr tugendt ser
46–46v Mich wundert seer ÿe mer und mer [Senfl]
Appears on: 46–46v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mich wundert seer ÿe mer und mer
47–47v Kundt ich herzlieb erwerben dich [Hofhaimer?]
Appears on: 47–47v
Genres: Song
Source Attribution: [Hofhaimer?]
Voice: [no designation]
Languages: German
Voice Text: Kundt ich hertzlieb erwerben dich
48–48v Ey fraintlichs herz was grossen schmertz Anon.
Appears on: 48–48v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ey fraintlichs hertz was grossen schmertz
48v–49 An aller welte zier in mir wirt gsehen [Senfl]
Appears on: 48v–49
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: An aller welte zier in mir wirt gsehen
49–49v Mach mich mein glück mit fug und gschick (S215) [Senfl]
Appears on: 49–49v
Genres: Lied
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mach mich mein glück mit fug und gschick
49v–50 Das uns der Winter [Senfl?]
Appears on: 49v–50
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Das uns der winter
50v Jetz scheiden bringt mir schwer und macht [Senfl]
Appears on: 50v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Jetzt schaÿden pringt mir schwer
51–51v All mein Gemüht und Sinn setz ich dahin Anon.
Appears on: 51–51v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: All mein gemüet und sÿn setz ich dahin
51v–54v Tandernaken al op den Rijn [Brumel]
Appears on: 51v–54v
Genres: Secular, Song
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Dutch
Voice Text: Tandernac [= Tandernaken al op den Rijn]
54v–55 Der veh lienlin solt sein der lest Anon. Anonymous
Appears on: 54v–55
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der veh lienlin solt sein der lest
55–55v Aus Herzen bin ich dir geneigt Anon. Anonymous
Appears on: 55–55v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Aus hertzen bin ich dir genaÿgt
55v–56 Sich hat hewr gmert und nit verkert Anon. Anonymous
Appears on: 55v–56
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Sich hat hewr gmert und nit verkert
56–56v Kum edle zeit Anon.
Appears on: 56–56v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Kum edle zeÿt
56v–57 Mich freudt ein pild so mild und schön [Senfl?]
Appears on: 56v–57
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Mich frewdt ain pild so mild und schön
57v–58 Dein gestalt fieng mich mit gwalt [Senfl?]
Appears on: 57v–58
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: C dein gestalt fieng mich mit gwalt
58–58v Gsellschafft ist gut gibt hochen mut [Senfl]
Appears on: 58–58v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Gsellschafft ist gut gibt hochen mut
58v–59 Wes ich mich leyd reyd ich die pein [Sygler]
Appears on: 58v–59
Genres: Song
Source Attribution: [Sygler]
Voice: [no designation]
Languages: German
Voice Text: Wes ich mich leyd reyd ich die pein
59–59v O Venus bant O vierich brand Anon. Anonymous
Appears on: 59–59v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, German
Voice Text: O Venus pand [O vierich brand]
60–60v Hab ich Lieb [Isaac]
Appears on: 60–60v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French, German
Voice Text: Hab mich lieb [= Par ung jour de matinée]
60v–61 Auf dieser Erd ist gar kein Lust [Senfl?]
Appears on: 60v–61
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Auff diser erd ist gar kain lust
61v Ein adel plau im Schopf fast grau [Senfl?]
Appears on: 61v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Ain adel plaw im schopff fast graw
62–63 Plus oultre pretens parvenir Anon. Anonymous
Appears on: 62–63
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Plus oultre pretens
63v Es taget vor dem walde stand auff / O Elslin liebes Elslin [S004] [Senfl]
Appears on: 63v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Es taget vor dem walde/O Elslin liebes Elslin
64–64v Erst weis ich was die liebe ist (Carmen in sol) [Hofhaimer/Isaac]
Appears on: 64–64v
Genres: Song
Source Attribution: [Hofhaimer/Isaac]
Voice: [no designation]
Languages: German
Voice Text: Carmen in sol [= Erst weis ich was die liebe ist]
64v–65 Mir leÿt ser an das ich nit kan Anon. Anonymous
Appears on: 64v–65
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Mir leÿt ser an das ich nit kan
65–66 Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das [Finck]
Appears on: 65–66
Genres: Song
Source Attribution: [Finck]
Voice: [no designation]
Languages: German
Voice Text: Eyffrer greiner [= Greiner zanner eifrer wie gefelt dir das]
66v Ein grosser, dicker Kutten Mann Anon. Anonymous
Appears on: 66v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ain grosser dicker kutten man
67–67v Zwischen Berg und tiefe Tal, da liegt [Senfl]
Appears on: 67–67v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Zwischen perg und tieffen tal [da ligt]
68–69v Comme femme desconfortée [Senfl?]
Appears on: 68–69v
Genres: Chanson
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: French
Voice Text: Comme feme [desconfortée sur toutes autres]
69v–70 Ein frölich wesen hab ich erlesen [Barbireau/Isaac/Obrecht]
Appears on: 69v–70
Genres: Song
Source Attribution: [Barbireau/Isaac/Obrecht]
Voice: [no designation]
Languages: German
Voice Text: Ain frölich wesen [hab ich erlesen] [= Een vroelic wesen myn oogskins saghen, Quen dites vous feres vous rien, Se une fois avant]
70v Christ ist erstanden von der marter alle [Isaac]
Appears on: 70v
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
71–71v Es wolt ein maidlein waschen Anon. Anonymous
Appears on: 71–71v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maÿdlin waschen gan
71v–72 Parce Domine parce populo tuo qui pius [Isaac]
Appears on: 71v–72
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Parce domine [parce populo tuo qui pius]
72v–73 Gottes namen fahren wir seiner gnaden [Hofhaimer]
Appears on: 72v–73
Genres: Sacred Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Gottes namen faren wir [seiner gnaden]
73v–74 Carmen in fa = Carmen Hercules [Hofhaimer?]
Appears on: 73v–74
Genres: Song
Source Attribution: [Hofhaimer?]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in fa [= Carmen Hercules]
74v–75 Carmen in re [Hofhaimer]
Appears on: 74v–75
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in re
75v–76 Qui belles amours 28.29 [Josquin]
Appears on: 75v–76
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Qui belles amours 28.28
76v–77 Maudit soit cil qui trouva jaulosie (Carmen in sol) [Isaac]
Appears on: 76v–77
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in sol [= Maudit soit cil qui trouva jaulosie]
77v Lass rauschen lieb, ist acht nit [Isaac]
Appears on: 77v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: La[s] rauschen [lieb ist acht nit]
78 Froh bin ich Dein Herz, liebste mein (I) [Hofhaimer]
Appears on: 78
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
78v–79 Froh bin ich Dein Herz, liebste mein (II) [Hofhaimer]
Appears on: 78v–79
Genres: Lied
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
79–79v Missa Lalahe: Pleni sunt caeli [Isaac]
Appears on: 79–79v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Carmen in fa [= Pleni sunt caeli from Missa Lalahe]
79v–80 Vous marchez du bout du pied marionette [Busnois/Isaac]
Appears on: 79v–80
Genres: Chanson
Source Attribution: [Busnois/Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in fa [= Vous marchez du bout du pie]
80v–81v Ach hulf mich leid und sendlich Klag 28.2 -
Appears on: 80v–81v
Genres: Song
81v–82v En l'ombre d'un buissonet au matinet [Isaac]
Appears on: 81v–82v
Genres: Chanson
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in re [= En l'ombre d'ung buisonnet au matinet]
82v–83 Adieux Florens la jolie = Carmen in sol [La Rue/Pietrequin]
Appears on: 82v–83
Genres: Chanson
Source Attribution: [La Rue/Pietrequin]
Voice: [no designation]
Languages: French
Voice Text: Carmen in sol [= Adieu Florens la yolye]
83v Carmen in fa [Isaac]
Appears on: 83v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in fa
84–84v Carmen in sol [Hofhaimer]
Appears on: 84–84v
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in sol
84v–85 Zwischen Berg und tiefe Tal, da liegt [Isaac]
Appears on: 84v–85
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Zwischen perg und tieffe tal [da ligt]
85v–87 Mit Lust tritt ich in diesen Tanz [Senfl]
Appears on: 85v–87
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mit lust tritt ich an disen dantz
General Note

parts ofr DIacantus primus (verso) & secundus (recto)

87v Es wollt ein Maidlein Wasser hol'n [S100] [Senfl?]
Appears on: 87v
Genres: Lied
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maÿdlin wasser holln
87v–88 Wann Glück wohl wollt als sollt und vor [Senfl?]
Appears on: 87v–88
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Wann glück wol wolt als solt und vor
88v–89 O Herr was last antast uns nemen hie [Senfl?]
Appears on: 88v–89
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: O Herr was last antast uns nemen hie
89v–90v Theur hoch erleicht sein Nam' vergleicht [Senfl]
Appears on: 89v–90v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Theur hoch erleÿcht sein nam vergleÿcht
90v–91 Wann ich nit wer [Senfl]
Appears on: 90v–91
Genres: Lied
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wann ich nit wer des fürwitz gwant
91–91v O schaÿden hin bist mir beschert [Senfl]
Appears on: 91–91v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O schaÿden hin [bist mir beschert]
91v–92 Holdseligs lieb (= Kein lieb ohn treu beleiben) [Senfl]
Appears on: 91v–92
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Holdseligs lieb [= Kein lieb ohn treu beleiben]
92v Es wer mein ger von Herzen ser [Senfl?]
Appears on: 92v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Es wer mein ger von hertzen ser
93–93v Jederman gut auf ubermut will ainr den anderen [Senfl]
Appears on: 93–93v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Jederman gut auf ubermut will ainr den anderen
93v–94 Des claffers art der sich nit spart Anon.
Appears on: 93v–94
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Des claffers art der sich nit spart
94–94v Mein herz in hohen Freuden steht [Senfl]
Appears on: 94–94v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein hertz in hohen frewden [steht]
95–96 Missa Lalahe: Gloria [Isaac]
Appears on: 95–96
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [L]alla hoe hoe [= Gloria from Missa Lalahe]
96–96v Was schat nu das ob ich fürbas [Senfl]
Appears on: 96–96v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Was schat nu das ob ich fürbas
96v–97 Alls ab on sie, die ich mir erwählet [Senfl?]
Appears on: 96v–97
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Alls ab on sÿ die ich mir erwelet
97–97v Ob glück hat neÿd und unfal freyd [Senfl]
Appears on: 97–97v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ob glück hat neÿd und unfal freÿd
Composer Compositions
Anonymous
Barbireau, Jacobus (1455–1491)
Bauldeweyn, Noel (ca. 1480–1529)
Binchois, Gilles (ca. 1400–1460)
Brumel, Antoine (ca. 1460–ca. 1513)
Buchner, Hans
Busnoys, Antoine (ca. 1430–1492)
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Grefinger, Wolfgang
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Obrecht, Jacobus (ca. 1457–1505)
Rener, Adam (ca. 1485–ca. 1520)
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sigler, Hans
Composition Composers (? Uncertain) Folios / Pages
Ach Elslein liebes Elslein mein / Es taget vor dem walde / Wann ich des morgens frhüe [S005] 30v
Ach Gott wem soll ichs klagen das heimliche leiden 37–37v
Ach hulf mich leid und sendlich Klag 28.2 80v–81v
Ach Jupiter hetzt du gewalt so manigfalt 12–12v
Adieux Florens la jolie = Carmen in sol 82v–83
All mein Gemüht und Sinn setz ich dahin 51–51v
All mein Lebtag kein Klag mir so lag 1v–2
Allez regrets vuides de ma présence 20v–21v
Alls ab on sie, die ich mir erwählet 96v–97
An aller welte zier in mir wirt gsehen 48v–49
Annehmlich schön ich krön ihr Tugend sehr 45v
Auf dieser Erd ist gar kein Lust 60v–61
Aus Herzen bin ich dir geneigt Anonymous 55–55v
Bruder Conrat Anonymous 14v–15
Carmen in fa 83v
Carmen in fa = Carmen Hercules 73v–74
Carmen in re 74v–75
Carmen in sol 84–84v
Christ ist erstanden von der marter alle 70v
Comme femme desconfortée 68–69v
Das uns der Winter 49v–50
Dein gestalt fieng mich mit gwalt 57v–58
Dein treuer Will, den du in still 4v–5
Den meinen Sack hab ich verloren Anonymous 20
Der veh lienlin solt sein der lest Anonymous 54v–55
Des claffers art der sich nit spart 93v–94
Die Brünnlein, die da fliessen 25v–26
Die not sucht weg der ich jetzt pfleg 44v
Ein adel plau im Schopf fast grau 61v
Ein frölich wesen hab ich erlesen 69v–70
Ein grosser, dicker Kutten Mann Anonymous 66v
Ein Junckfrau mir gefallen tät 5–5v
Elend behend hat sich gewend 1–1v
En l'ombre d'un buissonet au matinet 81v–82v
Entre je suis en grand pensée 28.13 22–22v
Erfrew dich werde Christenhait das Got 9–9v
Erst weis ich was die liebe ist (Carmen in sol) 64–64v
Es darff nit wort an disem ort 7–7v
Es taget vor dem walde stand auff / O Elslin liebes Elslin [S004] 63v
Es taget vor dem walde steh auff [S92] 34v–35
Es wer mein ger von Herzen ser 92v
Es wollt ein Maidlein waschen gahn 17–17v
Es wollt ein Maidlein Wasser hol'n [S100] 87v
Es wolt ein maidlein waschen Anonymous 71–71v
Ey fraintlichs herz was grossen schmertz 48–48v
Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das 65–66
Fortuna desperata iniqua e maledecta (S107) 13
Froh bin ich Dein Herz, liebste mein (I) 78
Froh bin ich Dein Herz, liebste mein (II) 78v–79
Geduld und Huld will haben ich und leiden 31v
Gottes namen fahren wir seiner gnaden 72v–73
Gottes namen faren wir 27v–28
Gsellschafft ist gut gibt hochen mut 58–58v
Hab grossen dank der liebe Dein 8v–9
Hab ich Lieb 60–60v
Holdseligs lieb (= Kein lieb ohn treu beleiben) 91v–92
In Gottes namen fahren wir 16–16v
Inn meinem sÿnn hadde ick vercoren (i) 18–19
Inn meinem sÿnn hadde ick vercoren (ii) 19–19v
Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) 14
Jederman gut auf ubermut will ainr den anderen 93–93v
Jetz hat vollbracht Unfall sein Macht 43–43v
Jetz scheiden bringt mir schwer und macht 50v
Kum edle zeit 56–56v
Kundt ich herzlieb erwerben dich 47–47v
Lass rauschen lieb, ist acht nit 77v
Leal schray tante! 23–23v
Lust mag mein herz ohn scherz nit haben 2
Mach mich mein glück mit fug und gschick (S215) 49–49v
Mach mich mein glück mit fug und gschick (S216) 32–32v
Mag gleÿch wol sein die schuld seÿ mein 42
Mag ich dem glück nit danken vil 43v–44
Man hat bis her no further text 8–8v
Man sing, man sag hab freud all Tag 34–34v
Maria, du bist gnadenvoll / Maria zart von edler Art [S225] 35v–36
Maudit soit cil qui trouva jaulosie (Carmen in sol) 76v–77
Mein Ding erfreut für als auf Erd 33v
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) 41v
Mein herz in hohen Freuden steht 94–94v
Mein höchste frucht Dein schön und zucht 42v–43
Mich freudt ein pild so mild und schön 56v–57
Mich wundert seer ÿe mer und mer 46–46v
Mir leÿt ser an das ich nit kan Anonymous 64v–65
Missa Lalahe: Gloria 95–96
Missa Lalahe: Pleni sunt caeli 79–79v
Missa Wohlauf gut Gsell von hinnen: Qui tollis peccata 24v–25
Mit Lust tritt ich in diesen Tanz 85v–87
O du armer Judas was hast du getan 38–38v
O Herr was last antast uns nemen hie 88v–89
O schaÿden hin bist mir beschert 91–91v
O Venus bant O vierich brand Anonymous 59–59v
Ob glück hat neÿd und unfal freyd 97–97v
Parce Domine parce populo tuo qui pius 71v–72
Parcere prostratis (= Pour vous plaisiers) 26v–27
Plus oultre pretens parvenir Anonymous 62–63
Qui belles amours 28.29 75v–76
Schön wol zu loben mit geperd und wol 11–11v
Secrets regrets de nature ennemis par grief 23v–24v
Sich hat hewr gmert und nit verkert Anonymous 55v–56
Sie ist erwählt und wohl bestellt 5v–6
Sing ich nit wol das ist mir laÿd Anonymous 2v–3
Sing ich nit wol das ist mir laÿd Anonymous 3v–4
So man lang macht betracht und acht [S283, 4vv] 30v–31
Tag und auch nacht leid ich gross not 10v–11
Tandernacken am rine lagk 39–41
Tandernaken al op den Rijn 51v–54v
Theur hoch erleicht sein Nam' vergleicht 89v–90v
Ungnad begehr ich nit von ihr, hoff auch 9v–10
Ursach hab ich zu klagen mich 44v–45
Ursach mich fast zwingt tringt 6v–7
Virgo prudentissima quo progrederis quasi aurora / Fortuna desperata (S113) 15–15v
Vous marchez du bout du pied marionette 79v–80
Wann Glück wohl wollt als sollt und vor 87v–88
Wann ich des morgens früh aufstan' [S320] 29v–30
Wann ich lang such der Gsellschaft viel 13v–14
Wann ich nit wer 90v–91
Was schat nu das ob ich fürbas 96–96v
Wes ich mich leyd reyd ich die pein 58v–59
Will niemand singen, so sing aber ich 28v–29
Willig geneigt 32v–33
Wohl kommt der Mai [S349] 7v–8
Wohlauf, wir wöllens wecken, dann er ist an der zeit 36v–37
Zwischen Berg und tiefe Tal, da liegt 67–67v
Zwischen Berg und tiefe Tal, da liegt 84v–85

Set: MSS 8° 328-331

Type: Partbooks

No images available

D-Mu MS 8° 328

No images available

D-Mu MS 8° 329

No images available

D-Mu MS 8° 330

No images available

D-Mu MS 8° 331

denotes primary source study

Meconi, Honey. 2009. The Ghost of Perfection: Some Thoughts on the Munich Partbooks. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee, 85-101. Farnham.

Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.

Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126. Notes: identifies scribe as Bernard Rem; proposes Augsburg origin.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg.

Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Pages: 72,75-9,90-1. Notes: facsimile (partial); mention of MS; discussion.

Marx, Hans Joachim. 1980. Neues zur Tabulatur-Handschrift St. Gallen, Stiftsbibliothek, Cod. 530. Archiv für Musikwissenschaft, 264-91. Pages: 269-70, 280-1. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxxiii-xxxiv, 27-8, 30, 49, 78; III, 49, 57, 201. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I, 65ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Smithers, Don. 1970. A Textual-Musical Inventory and Concordance of Munich University MS 328-331. Royal Musical Association Research Chronicle, 34-89. Notes: physical description; contents list; concordances.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 72-4, 267, 295, 313. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 83-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 253-70. Notes: physical description; contents list; concordances; facsimile (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 83-97. Notes: physical description; contents list; concordances.

Parker, Robert LeRoy. 1966. The Polyphonic Lieder of Adam Rener: A Postscript to Recent Studies of the Composer's Works. Paul A Pisk: Essays in His Honor, 38-56. Austin, Texas. Pages: 43, 46. Notes: contents list (partial); concordances (partial); facsimile (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 363-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: V, 163-4, 175 [sometimes erroneously referred to as MSS 228-231]. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IX, 903. Notes: physical description (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109; VI, 56-7, 94, 99. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, xi, 82-106, 124ff; XV, 142ff, LXX, 184-8, 193,209. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).

Moser, Hans Joachim. 1929. Paul Hofhaimer: Ein Lied- und Orgelmeister des Deutschen Humanismus.  Stuttgart and Berlin. Pages: I, 121ff, passim; II, 184-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 455. Notes: physical description (partial).

Bernoulli, Eduard. 1910. Aus Liederbüchern der Humanistenzeit: Eine Bibliographische und Notentypographische Studie.  Leipzig. Pages: 16ff, 33ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XV/XVI, xi, xxii. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Eitner, Robert. 1900. Ein deutsches Liederbuch im Manuscript. Monatshefte für Musikgeschichte, 97-109,113-5. Notes: physical description (partial); contents list; concordances (partial); texts (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 172, passim; LXXII, 101ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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