Meconi, Honey

Meconi, Honey. 2009. The Ghost of Perfection: Some Thoughts on the Munich Partbooks. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee, 85-101. Farnham.

Meconi, Honey. 2004. Introduction: Borrowing and Early Music. Early Musical Borrowing, 1-6. New York and London: Routledge.

Meconi, Honey (ed.) 2004. Early Musical Borrowing.  New York and London: Routledge.

Meconi, Honey. 2004. Habsburg-Burgundian Manuscripts, Borrowed Material, and the Practice of Naming. Early Music Borrowings, 86-95. New York: Routledge.

Meconi, Honey. 2003. Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court.  Oxford: Oxford University Press.

Meconi, Honey (ed.) 2001. Fortuna desperata: Thirty-six Settings of an Italian Song. Recent Researches in the Music of the Middle Ages and Early Renaissance.  Middleton, WI.

Meconi, Honey. 1992. Is Underlay Necessary? Companion to Medieval and Renaissance Music, edited by Tess Knighton, 284-291. London.

Meconi, Honey. 1986. Style and Authenticity in the Secular Music of Pierre de la Rue. PhD diss., Harvard University.

Meconi, Honey. 1980. La Rue, Pierre de. The New Grove Dictionary of Music and Musicians 2nd Edition, 14: 282-289.