Knighton, Tess

Colton, Lisa. 2020. Making Sense of Omnis/Habenti: An ars nova Motet in England. Music and Instruments of The Middle Ages: Essays in Honour of Christopher Page, edited by Tess Knighton and David Skinner, 221–246. Woodbridge: Boydell & Brewer.

d'Alvarenga, João Pedro. 2011. Manuscripts Oporto, Biblioteca Pública Municipal, MM 40 and MM 76-79: Their Origin, Date, Repertories and Context. Pure Gold: Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner, De Musica. edited by Tess Knighton and Bernadette Nelson,  Kassel: Edition Reichenberger.

Bent, Margaret. 1992. The late-medieval motet. Companion to Medieval and Renaissance Music , edited by Tess Knighton and David Fallows, 114-19. London.

Fallows, David. 1992. Polyphonic Song. Companion to Medieval and Renaissance Music, edited by Tess Knighton and David Fallows, 123–26. London: Dent.

Meconi, Honey. 1992. Is Underlay Necessary? Companion to Medieval and Renaissance Music, edited by Tess Knighton, 284-291. London.

Knighton, Tess. 1983. Music and Musicians at the Court of Fernando of Aragon, 1474-1516. Ph.D., University of Cambridge.