Colton, Lisa

Colton, Lisa. 2020. Making Sense of Omnis/Habenti: An ars nova Motet in England. Music and Instruments of The Middle Ages: Essays in Honour of Christopher Page, edited by Tess Knighton and David Skinner, 221–246. Woodbridge: Boydell & Brewer.

Brauner, Mitchell Paul. 2017. A Tale of Three Manuscripts: On the Origins and Uses of I-Bc Q19, Q20 and Q21. Sources of Identity: Makers, Owners, and Users of Music Sources Before 1600, edited by Lisa Colton and Tim Sheppard, 227–238. Turnhout: Brepols.

Colton, Lisa, and Tim Sheppard (eds.) 2017. Sources of Identity: Makers, Owners, and Users of Music Sources Before 1600.  Turnhout: Brepols.

Corrigan, Ralph Patrick. 2017. The Creation of a Fifteenth-Century Music Book: The Scribe as Producer, Owner and User. Sources of Identity: Makers, Owners, and Users of Music Sources Before 1600, edited by Lisa Colton and Tim Sheppard, 97–132. Turnhout: Brepols.

Colton, Lisa. 2009. Music and identity in medieval Bury St Edmunds. St Edmund, King and Martyr: Changing Images of a Medieval Saint, edited by Anthony Bale, 87-110. York Medieval Press.