A Tenor partbook. Music and text incipits copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote MunU 328-31, VienNB Mus. 18745, and VienNB Mus. 18810; additional verses of text, copied by second scribe, follow music for each piece. All repertory is apparently unique to this source. Probably copied in Augsburg or Munich (StaeLW).
| Archive | Zentralbibliothek, Zurich, Switzerland (CH-Zz) |
|---|---|
| Shelfmark | MS G 438 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 150 x 210 mm |
| Other Identifiers |
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| Notations |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
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General Description
Binding
Present covers date from early 19th century.
Watermark
ox head
Notation
black void mensural
Date
Ca. 1524-7 (StaeLW).
Foliation
Original ink foliation, 394-441 (ff. 394, 420, and 425 now missing).
Decoration
No initials or decoration
Index
Original index on first two folios lists 48 pieces (three now missing due to lost folios); pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance
Surface
paper
Census Catalogue of Music Description
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45 German secular pieces
Anonymous
1 paper partbook (T-ii + 45 folios), 150 x 210. Original ink foliation, 394-441 (ff. 394, 420, and 425 now missing). Present covers date from early 19th century. Original index on first two folios lists 48 pieces (three now missing due to lost folios); pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Music and text incipits copied by a single scribe, who also wrote MunU 328-31, VienNB Mus. 18745, and VienNB Mus. 18810; additional verses of text, copied by second scribe, follow music for each piece. No initials or decoration. Watermark: ox head. All repertory apparently unique to this source.
Ca. 1524-7 (StaeLW). Probably copied in Augsburg or Munich (StaeLW).
‡ denotes primary source study
Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.
Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126.
Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 341-3. Notes: contents list; incipits.
Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Notes: physical description; contents list; incipitstranscription (partial); facsimile (partial); mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description