D-Mu MS 8° 330

Universitätsbibliothek, München (Munich), Germany

partbook: After 1523

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 8° 330
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 139 x 214 mm
Other Identifiers
  • CCM: MunU 328-31
  • olim (Former shelfmark): Cim. 44c
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Bavaria, Germany
Contents 94 pieces from 16 composers
General Description

An Altus partbook from a set originally of five volumes. Copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438. Perhaps written for Hieronymus Welser; a coat of arms with his name and the year 1527 (in A, T, and B partbooks) was discovered after a restoration in 1974. It seems that Welser sold the partbooks even before binding, probably to Glarean (Meconi 2009). Full texts for many pieces copied separately on rectos of Tenor book after each piece; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810. Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin & Fallows).

DIAMM, 2017
Extent

v + 73 + i folios

DIAMM, 2023
Binding

Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties

DIAMM, 2017
Watermark

Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Index

Original alphabetical indices on flyleaves at beginning of each book - I(v)-III(v) in this book

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets, 13 German sacred pieces, 106 German secular pieces, 5 French secular pieces, 3 Dutch secular pieces, 2 Italian secular pieces, 14 textless pieces (most entitled "Carmen") = 145 (many incomplete)

(Barbireau/Isaac/Obrecht)-1, (Bauldeweyn/Grefinger)-1, (Bauldeweyn/La Rue)-1, (Brumel)-1, (Finck)-1, (Grefinger/Senfl)-2, (Hofhaimer)-6 + 2?, (Hofhaimer/Isaac)-2, (Isaac)-20 + 1?, (Josquin)-2, (La Rue)-2, (La Rue/Pietrequin)-1, (Rener)-2, (Senfl)-46 + 28?*, (Singer)-1, (Sygler)-1, anon-24

*See BenteNW, 253ff.

4 paper partbooks of an original 5 (D-vi + 100 + i folios, A-v + 73 + i, T-v + 156 + ii, B-v + 85 + ii), 139 x 214. Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals. Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties. Original alphabetical indices on flyleaves at beginning of each book. Copied by a single scribe. Inked calligraphic initials. Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898 (also appears in VienNB 18810). Full texts for many pieces copied separately on rectos of T book; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810.

After 1523 (BenteNW); 1526-30 (GottUM). Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin).

Vol 4

Composers: Change "(Bauldeweyn/La Rue)-1" to "(Bauldeweyn/Büchner/ La Rue)-1."

Physical: Copied by a single scribe, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Inn meinem sÿnn hadde ick vercoren (i) [Isaac]
Appears on: 1–1v
Genres: Lied
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Inn meinem sÿnn [hadde ick vercoren]
2–2v Inn meinem sÿnn hadde ick vercoren (ii) [Isaac]
Appears on: 2–2v
Genres: Lied
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Inn meinem sÿnn [hadde ick vercoren]
2v Den meinen Sack hab ich verloren Anon. Anonymous
Appears on: 2v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Den meinen sack hab ich verloren
3–3v Allez regrets vuides de ma présence [Senfl]
Appears on: 3–3v
Genres: Chanson
Source Attribution: [Senfl]
Voice: [no designation]
Languages: French
Voice Text: Alles regretz [vuides de ma présence]
3v–4v Entre je suis en grand pensée 28.13 [Josquin]
Appears on: 3v–4v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Entre je suis [en grant pensée] 28.13
4v–5 Leal schray tante! [La Rue]
Appears on: 4v–5
Genres: Secular
Source Attribution: [La Rue]
Voice: [no designation]
Languages: German
Voice Text: Carmen in re [= Leal schray tante]
5v–6 Secrets regrets de nature ennemis par grief [La Rue]
Appears on: 5v–6
Genres: Chanson
Source Attribution: [La Rue]
Voice: [no designation]
Languages: French
Voice Text: Carmen in la [= Secretz regretz de nature ennemis par grief]
6v–7 Fell lurtsch unnd quit [ii] (S105) -
Appears on: 6v–7
Genres: Song
7–7v Gottes namen faren wir [Senfl]
Appears on: 7–7v
Genres: Chorale, Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Gottes namen faren wir [seiner gnaden]
8 Will niemand singen, so sing aber ich [Senfl]
Appears on: 8
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Will nÿemandt singen so sing aber ich
8v–9 Wann ich des morgens früh aufstan' [S320] [Senfl]
Appears on: 8v–9
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wann ich des morgens früe auff stan
9v Ach Elslein liebes Elslein mein / Es taget vor dem walde / Wann ich des morgens frhüe [S005] [Senfl]
Appears on: 9v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O Elslein [liebes Elslein mein]/Es taget vor dem walde/Wann ich des morgens früe
10–10v So man lang macht betracht und acht [S283, 4vv] [Senfl]
Appears on: 10–10v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: So man lang macht betracht und acht
10v–11 Geduld und Huld will haben ich und leiden [Senfl]
Appears on: 10v–11
Genres: Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Geduld umb huld will haben ich
11v–12 Mach mich mein glück mit fug und gschick (S216) [Senfl]
Appears on: 11v–12
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mach mich mein glück mit fug und gschick
12–12v Willig geneigt [Senfl?]
Appears on: 12–12v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Willig genaÿgt
13 Mein Ding erfreut für als auf Erd Anon.
Appears on: 13
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Main ding erfrewt für als auf erd
13v–14 Man sing, man sag hab freud all Tag [Senfl]
Appears on: 13v–14
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Man sing man sag [hab freud all tag]
14–14v Es taget vor dem walde steh auff [S92] [Senfl]
Appears on: 14–14v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Es taget vor dem walde [stand uff]
14v–15v Maria, du bist gnadenvoll / Maria zart von edler Art [S225] [Senfl]
Appears on: 14v–15v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Maria du bist gnaden vol/[Maria zart von edler art]
15v–16 Wohlauf, wir wöllens wecken, dann er ist an der zeit [Senfl]
Appears on: 15v–16
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wol auff wir wöllens wecken [dann er ist an der zeit]
16v–17 Ach Gott wem soll ichs klagen das heimliche leiden [Bauldeweyn/Grefinger]
Appears on: 16v–17
Genres: Song
Source Attribution: [Bauldeweyn/Grefinger]
Voice: [no designation]
Languages: German
Voice Text: Ach Got wem soll ichs clagen
17–17v O du armer Judas was hast du getan [Senfl]
Appears on: 17–17v
Genres: Motet, Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O du armer Judas [was hast du getan]
18–20 Tandernacken am rine lagk [Senfl]
Appears on: 18–20
Genres: Contrafactum, Secular
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Tanndernac am rine lagk [= Felices quicunque deo confidere]
20–20v Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) [Senfl]
Appears on: 20–20v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein vleÿss und müe ich nÿe hab gspart
20v–21 Mag gleÿch wol sein die schuld seÿ mein [Senfl]
Appears on: 20v–21
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mag gleÿch wol sein die schuld seÿ mein
21–21v Mein höchste frucht Dein schön und zucht [Rener]
Appears on: 21–21v
Genres: Song
Source Attribution: [Rener]
Voice: [no designation]
Languages: German
Voice Text: Mein höchste frucht dein schön und zucht
22 Jetz hat vollbracht Unfall sein Macht [Rener]
Appears on: 22
Genres: Song
Source Attribution: [Rener]
Voice: [no designation]
Languages: German
Voice Text: Jetz hat volpracht unfal sein macht
22v–23 Mag ich dem glück nit danken vil [Senfl?]
Appears on: 22v–23
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Mag ich dem glück nit dancken vil
23–23v Die not sucht weg der ich jetzt pfleg [Senfl]
Appears on: 23–23v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Die not sucht weg der ich jetzt pfleg
23v–24 Ursach hab ich zu klagen mich [Senfl?]
Appears on: 23v–24
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Ursach hab ich zu klagen mich
24–24v Annehmlich schön ich krön ihr Tugend sehr [Senfl]
Appears on: 24–24v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: An nemlich schön ich krön ÿr tugendt ser
24v–25v Mich wundert seer ÿe mer und mer [Senfl]
Appears on: 24v–25v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mich wundert seer ÿe mer und mer
26–26v Kundt ich herzlieb erwerben dich [Hofhaimer?]
Appears on: 26–26v
Genres: Song
Source Attribution: [Hofhaimer?]
Voice: [no designation]
Languages: German
Voice Text: Kundt ich hertzlieb erwerben dich
27–27v Ey fraintlichs herz was grossen schmertz Anon.
Appears on: 27–27v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ey fraintlichs hertz was grossen schmertz
27v–28 An aller welte zier in mir wirt gsehen [Senfl]
Appears on: 27v–28
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: An aller welte zier in mir wirt gsehen
28–28v Mach mich mein glück mit fug und gschick (S215) [Senfl]
Appears on: 28–28v
Genres: Lied
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mach mich mein glück mit fug und gschick
28v–29 Das uns der Winter [Senfl?]
Appears on: 28v–29
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Das uns der winter
29v–30 Jetz scheiden bringt mir schwer und macht [Senfl]
Appears on: 29v–30
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Jetzt schaÿden pringt mir schwer
30–30v All mein Gemüht und Sinn setz ich dahin Anon.
Appears on: 30–30v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: All mein gemüet und sÿn setz ich dahin
31 Der veh lienlin solt sein der lest Anon. Anonymous
Appears on: 31
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der veh lienlin solt sein der lest
31v–32 Aus Herzen bin ich dir geneigt Anon. Anonymous
Appears on: 31v–32
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Aus hertzen bin ich dir genaÿgt
32–32v Sich hat hewr gmert und nit verkert Anon. Anonymous
Appears on: 32–32v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Sich hat hewr gmert und nit verkert
32v–33 Kum edle zeit Anon.
Appears on: 32v–33
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Kum edle zeÿt
33v–34 Mich freudt ein pild so mild und schön [Senfl?]
Appears on: 33v–34
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Mich frewdt ain pild so mild und schön
34–34v Dein gestalt fieng mich mit gwalt [Senfl?]
Appears on: 34–34v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: C dein gestalt fieng mich mit gwalt
34v–35 Gsellschafft ist gut gibt hochen mut [Senfl]
Appears on: 34v–35
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Gsellschafft ist gut gibt hochen mut
35v Wes ich mich leyd reyd ich die pein [Sygler]
Appears on: 35v
Genres: Song
Source Attribution: [Sygler]
Voice: [no designation]
Languages: German
Voice Text: Wes ich mich leyd reyd ich die pein
36 O Venus bant O vierich brand Anon. Anonymous
Appears on: 36
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, German
Voice Text: O Venus pand [O vierich brand]
36v Hab ich Lieb [Isaac]
Appears on: 36v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French, German
Voice Text: Hab mich lieb [= Par ung jour de matinée]
37–37v Auf dieser Erd ist gar kein Lust [Senfl?]
Appears on: 37–37v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Auff diser erd ist gar kain lust
37v–38 Ein adel plau im Schopf fast grau [Senfl?]
Appears on: 37v–38
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Ain adel plaw im schopff fast graw
38–39 Plus oultre pretens parvenir Anon. Anonymous
Appears on: 38–39
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Plus oultre pretens
39–39v Es taget vor dem walde stand auff / O Elslin liebes Elslin [S004] [Senfl]
Appears on: 39–39v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Es taget vor dem walde/O Elslin liebes Elslin
39v–40 Mir leÿt ser an das ich nit kan Anon. Anonymous
Appears on: 39v–40
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Mir leÿt ser an das ich nit kan
40–41 Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das [Finck]
Appears on: 40–41
Genres: Song
Source Attribution: [Finck]
Voice: [no designation]
Languages: German
Voice Text: Eyffrer greiner [= Greiner zanner eifrer wie gefelt dir das]
41v Ein grosser, dicker Kutten Mann Anon. Anonymous
Appears on: 41v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ain grosser dicker kutten man
42–42v Zwischen Berg und tiefe Tal, da liegt [Senfl]
Appears on: 42–42v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Zwischen perg und tieffen tal [da ligt]
43–44 Comme femme desconfortée [Senfl?]
Appears on: 43–44
Genres: Chanson
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: French
Voice Text: Comme feme [desconfortée sur toutes autres]
44v–45 Ein frölich wesen hab ich erlesen [Barbireau/Isaac/Obrecht]
Appears on: 44v–45
Genres: Song
Source Attribution: [Barbireau/Isaac/Obrecht]
Voice: [no designation]
Languages: German
Voice Text: Ain frölich wesen [hab ich erlesen] [= Een vroelic wesen myn oogskins saghen, Quen dites vous feres vous rien, Se une fois avant]
45–45v Christ ist erstanden von der marter alle [Isaac]
Appears on: 45–45v
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
46–46v Es wolt ein maidlein waschen Anon. Anonymous
Appears on: 46–46v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maÿdlin waschen gan
46v–47 Parce Domine parce populo tuo qui pius [Isaac]
Appears on: 46v–47
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Parce domine [parce populo tuo qui pius]
47–47v Gottes namen fahren wir seiner gnaden [Hofhaimer]
Appears on: 47–47v
Genres: Sacred Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Gottes namen faren wir [seiner gnaden]
47v–48 Carmen in fa = Carmen Hercules [Hofhaimer?]
Appears on: 47v–48
Genres: Song
Source Attribution: [Hofhaimer?]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in fa [= Carmen Hercules]
48v–49 Carmen in re [Hofhaimer]
Appears on: 48v–49
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in re
49–50 Qui belles amours 28.29 [Josquin]
Appears on: 49–50
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Qui belles amours 28.28
50v–51 Maudit soit cil qui trouva jaulosie (Carmen in sol) [Isaac]
Appears on: 50v–51
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in sol [= Maudit soit cil qui trouva jaulosie]
51–51v Lass rauschen lieb, ist acht nit [Isaac]
Appears on: 51–51v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: La[s] rauschen [lieb ist acht nit]
52 Froh bin ich Dein Herz, liebste mein (I) [Hofhaimer]
Appears on: 52
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
52v Froh bin ich Dein Herz, liebste mein (II) [Hofhaimer]
Appears on: 52v
Genres: Lied
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
52v–53 Vous marchez du bout du pied marionette [Busnois/Isaac]
Appears on: 52v–53
Genres: Chanson
Source Attribution: [Busnois/Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in fa [= Vous marchez du bout du pie]
53v–54 Ach hulf mich leid und sendlich Klag 28.2 -
Appears on: 53v–54
Genres: Song
54v–55v En l'ombre d'un buissonet au matinet [Isaac]
Appears on: 54v–55v
Genres: Chanson
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in re [= En l'ombre d'ung buisonnet au matinet]
55v–56 Adieux Florens la jolie = Carmen in sol [La Rue/Pietrequin]
Appears on: 55v–56
Genres: Chanson
Source Attribution: [La Rue/Pietrequin]
Voice: [no designation]
Languages: French
Voice Text: Carmen in sol [= Adieu Florens la yolye]
56–56v Carmen in fa [Isaac]
Appears on: 56–56v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in fa
56v–57v Carmen in sol [Hofhaimer]
Appears on: 56v–57v
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in sol
57v–58 Zwischen Berg und tiefe Tal, da liegt [Isaac]
Appears on: 57v–58
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Zwischen perg und tieffe tal [da ligt]
58–59 Mit Lust tritt ich in diesen Tanz [Senfl]
Appears on: 58–59
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mit lust tritt ich an disen dantz
59–59v Wann Glück wohl wollt als sollt und vor [Senfl?]
Appears on: 59–59v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Wann glück wol wolt als solt und vor
59v–60v O Herr was last antast uns nemen hie [Senfl?]
Appears on: 59v–60v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: O Herr was last antast uns nemen hie
60v Es wollt ein Maidlein Wasser hol'n [S100] [Senfl?]
Appears on: 60v
Genres: Lied
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maÿdlin wasser holln
61–62 Theur hoch erleicht sein Nam' vergleicht [Senfl]
Appears on: 61–62
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Theur hoch erleÿcht sein nam vergleÿcht
62–62v Wann ich nit wer [Senfl]
Appears on: 62–62v
Genres: Lied
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wann ich nit wer des fürwitz gwant
62v–63 O schaÿden hin bist mir beschert [Senfl]
Appears on: 62v–63
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O schaÿden hin [bist mir beschert]
63–63v Holdseligs lieb (= Kein lieb ohn treu beleiben) [Senfl]
Appears on: 63–63v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Holdseligs lieb [= Kein lieb ohn treu beleiben]
64–64v Es wer mein ger von Herzen ser [Senfl?]
Appears on: 64–64v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Es wer mein ger von hertzen ser
64v–65 Jederman gut auf ubermut will ainr den anderen [Senfl]
Appears on: 64v–65
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Jederman gut auf ubermut will ainr den anderen
65–65v Des claffers art der sich nit spart Anon.
Appears on: 65–65v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Des claffers art der sich nit spart
65v–66v Mein herz in hohen Freuden steht [Senfl]
Appears on: 65v–66v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein hertz in hohen frewden [steht]
66v–67v Missa Lalahe: Gloria [Isaac]
Appears on: 66v–67v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [L]alla hoe hoe [= Gloria from Missa Lalahe]
67v–68 Was schat nu das ob ich fürbas [Senfl]
Appears on: 67v–68
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Was schat nu das ob ich fürbas
68v Alls ab on sie, die ich mir erwählet [Senfl?]
Appears on: 68v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Alls ab on sÿ die ich mir erwelet
68v–69 Ob glück hat neÿd und unfal freyd [Senfl]
Appears on: 68v–69
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ob glück hat neÿd und unfal freÿd
Composer Compositions
Anonymous
Barbireau, Jacobus (1455–1491)
Bauldeweyn, Noel (ca. 1480–1529)
Binchois, Gilles (ca. 1400–1460)
Buchner, Hans
Busnoys, Antoine (ca. 1430–1492)
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Grefinger, Wolfgang
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Obrecht, Jacobus (ca. 1457–1505)
Rener, Adam (ca. 1485–ca. 1520)
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sigler, Hans
Composition Composers (? Uncertain) Folios / Pages
Ach Elslein liebes Elslein mein / Es taget vor dem walde / Wann ich des morgens frhüe [S005] 9v
Ach Gott wem soll ichs klagen das heimliche leiden 16v–17
Ach hulf mich leid und sendlich Klag 28.2 53v–54
Adieux Florens la jolie = Carmen in sol 55v–56
All mein Gemüht und Sinn setz ich dahin 30–30v
Allez regrets vuides de ma présence 3–3v
Alls ab on sie, die ich mir erwählet 68v
An aller welte zier in mir wirt gsehen 27v–28
Annehmlich schön ich krön ihr Tugend sehr 24–24v
Auf dieser Erd ist gar kein Lust 37–37v
Aus Herzen bin ich dir geneigt Anonymous 31v–32
Carmen in fa 56–56v
Carmen in fa = Carmen Hercules 47v–48
Carmen in re 48v–49
Carmen in sol 56v–57v
Christ ist erstanden von der marter alle 45–45v
Comme femme desconfortée 43–44
Das uns der Winter 28v–29
Dein gestalt fieng mich mit gwalt 34–34v
Den meinen Sack hab ich verloren Anonymous 2v
Der veh lienlin solt sein der lest Anonymous 31
Des claffers art der sich nit spart 65–65v
Die not sucht weg der ich jetzt pfleg 23–23v
Ein adel plau im Schopf fast grau 37v–38
Ein frölich wesen hab ich erlesen 44v–45
Ein grosser, dicker Kutten Mann Anonymous 41v
En l'ombre d'un buissonet au matinet 54v–55v
Entre je suis en grand pensée 28.13 3v–4v
Es taget vor dem walde stand auff / O Elslin liebes Elslin [S004] 39–39v
Es taget vor dem walde steh auff [S92] 14–14v
Es wer mein ger von Herzen ser 64–64v
Es wollt ein Maidlein Wasser hol'n [S100] 60v
Es wolt ein maidlein waschen Anonymous 46–46v
Ey fraintlichs herz was grossen schmertz 27–27v
Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das 40–41
Fell lurtsch unnd quit [ii] (S105) 6v–7
Froh bin ich Dein Herz, liebste mein (I) 52
Froh bin ich Dein Herz, liebste mein (II) 52v
Geduld und Huld will haben ich und leiden 10v–11
Gottes namen fahren wir seiner gnaden 47–47v
Gottes namen faren wir 7–7v
Gsellschafft ist gut gibt hochen mut 34v–35
Hab ich Lieb 36v
Holdseligs lieb (= Kein lieb ohn treu beleiben) 63–63v
Inn meinem sÿnn hadde ick vercoren (i) 1–1v
Inn meinem sÿnn hadde ick vercoren (ii) 2–2v
Jederman gut auf ubermut will ainr den anderen 64v–65
Jetz hat vollbracht Unfall sein Macht 22
Jetz scheiden bringt mir schwer und macht 29v–30
Kum edle zeit 32v–33
Kundt ich herzlieb erwerben dich 26–26v
Lass rauschen lieb, ist acht nit 51–51v
Leal schray tante! 4v–5
Mach mich mein glück mit fug und gschick (S215) 28–28v
Mach mich mein glück mit fug und gschick (S216) 11v–12
Mag gleÿch wol sein die schuld seÿ mein 20v–21
Mag ich dem glück nit danken vil 22v–23
Man sing, man sag hab freud all Tag 13v–14
Maria, du bist gnadenvoll / Maria zart von edler Art [S225] 14v–15v
Maudit soit cil qui trouva jaulosie (Carmen in sol) 50v–51
Mein Ding erfreut für als auf Erd 13
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) 20–20v
Mein herz in hohen Freuden steht 65v–66v
Mein höchste frucht Dein schön und zucht 21–21v
Mich freudt ein pild so mild und schön 33v–34
Mich wundert seer ÿe mer und mer 24v–25v
Mir leÿt ser an das ich nit kan Anonymous 39v–40
Missa Lalahe: Gloria 66v–67v
Mit Lust tritt ich in diesen Tanz 58–59
O du armer Judas was hast du getan 17–17v
O Herr was last antast uns nemen hie 59v–60v
O schaÿden hin bist mir beschert 62v–63
O Venus bant O vierich brand Anonymous 36
Ob glück hat neÿd und unfal freyd 68v–69
Parce Domine parce populo tuo qui pius 46v–47
Plus oultre pretens parvenir Anonymous 38–39
Qui belles amours 28.29 49–50
Secrets regrets de nature ennemis par grief 5v–6
Sich hat hewr gmert und nit verkert Anonymous 32–32v
So man lang macht betracht und acht [S283, 4vv] 10–10v
Tandernacken am rine lagk 18–20
Theur hoch erleicht sein Nam' vergleicht 61–62
Ursach hab ich zu klagen mich 23v–24
Vous marchez du bout du pied marionette 52v–53
Wann Glück wohl wollt als sollt und vor 59–59v
Wann ich des morgens früh aufstan' [S320] 8v–9
Wann ich nit wer 62–62v
Was schat nu das ob ich fürbas 67v–68
Wes ich mich leyd reyd ich die pein 35v
Will niemand singen, so sing aber ich 8
Willig geneigt 12–12v
Wohlauf, wir wöllens wecken, dann er ist an der zeit 15v–16
Zwischen Berg und tiefe Tal, da liegt 42–42v
Zwischen Berg und tiefe Tal, da liegt 57v–58

Set: MSS 8° 328-331

Type: Partbooks

No images available

D-Mu MS 8° 328

No images available

D-Mu MS 8° 329

No images available

D-Mu MS 8° 330

No images available

D-Mu MS 8° 331

denotes primary source study

Meconi, Honey. 2009. The Ghost of Perfection: Some Thoughts on the Munich Partbooks. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee, 85-101. Farnham.

Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.

Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126. Notes: identifies scribe as Bernard Rem; proposes Augsburg origin.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II,11, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Pages: 72,75-9,90-1. Notes: facsimile (partial); mention of MS; discussion.

Marx, Hans Joachim. 1980. Neues zur Tabulatur-Handschrift St. Gallen, Stiftsbibliothek, Cod. 530. Archiv für Musikwissenschaft, 264-91. Pages: 269-70, 280-1. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxxiii-xxxiv, 27-8, 30, 49, 78; III, 49, 57, 201. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I, 65ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Smithers, Don. 1970. A Textual-Musical Inventory and Concordance of Munich University MS 328-331. Royal Musical Association Research Chronicle, 34-89. Notes: physical description; contents list; concordances.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 72-4, 267, 295, 313. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 83-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 253-70. Notes: physical description; contents list; concordances; facsimile (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 83-97. Notes: physical description; contents list; concordances.

Parker, Robert LeRoy. 1966. The Polyphonic Lieder of Adam Rener: A Postscript to Recent Studies of the Composer's Works. Paul A Pisk: Essays in His Honor, 38-56. Austin, Texas. Pages: 43, 46. Notes: contents list (partial); concordances (partial); facsimile (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 363-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: V, 163-4, 175 [sometimes erroneously referred to as MSS 228-231]. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IX, 903. Notes: physical description (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109; VI, 56-7, 94, 99. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, xi, 82-106, 124ff; XV, 142ff, LXX, 184-8, 193,209. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).

Moser, Hans Joachim. 1929. Paul Hofhaimer: Ein Lied- und Orgelmeister des Deutschen Humanismus.  Stuttgart and Berlin. Pages: I, 121ff, passim; II, 184-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 455. Notes: physical description (partial).

Bernoulli, Eduard. 1910. Aus Liederbüchern der Humanistenzeit: Eine Bibliographische und Notentypographische Studie.  Leipzig. Pages: 16ff, 33ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XV/XVI, xi, xxii. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Eitner, Robert. 1900. Ein deutsches Liederbuch im Manuscript. Monatshefte für Musikgeschichte, 97-109,113-5. Notes: physical description (partial); contents list; concordances (partial); texts (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 172, passim; LXXII, 101ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description