D-GRu BW 641

Universitätsbibliothek, Greifswald, Germany

partbook: 16th century

Archive	Universitätsbibliothek, Greifswald, Germany (D-GRu)
Shelfmark	BW 641
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	140 x 190 mm
Other Identifiers	CCM: GreifU 640-1 olim (Former shelfmark): Eb 133
Copyists	Soldeke, Joannes Music
Relationships	Soldeke, Joannes (owner) Wolgast City Library (owner) Froboese, Michael (owner)
Provenance	Bavaria, Germany
Contents	96 pieces from 33 composers

General Description

A Bassus partbook from a set originally of four volumes, each consisting of the print RISM 1538/2 plus manuscript additions before and after it. (MS additions in D 86 fols. following print, in B 7 fols. preceding and 74 fols. following print). Copied mostly by Joannes Soldeke, of Barth, a minister (inscription inside front cover of Bassus book), Barth, who purchased printed partbooks in 1539; later additions by several other scribes. Following Soldeke's death (1588), his widow gave partbooks to Michael Froboese, of Wolgast. Froboese donated manuscript to city library in Wolgast, whose holdings later were incorporated in the Universitätsbibliothek in nearby Greifswald.

DIAMM, 2017

Binding

Original leather covers

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

staff height c. 11.

DIAMM, 2017

Foliation

Modern pencil foliation, I-VII, on manuscript folios preceding print; manuscript section following print has original ink foliation, 1-44 + modern pencil foliation, 45-72 (first and last folios unnumbered)

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, I-LVII, with some errors and inconsistencies; some other pieces numbered by modern hand.

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Kyries, 2 Glorias, 3 Te Deums, 8 psalms, 7 hymns, 2 Passions, 39 motets, 17 German sacred pieces = 80

(Barbireau)-1, Brumel-1, Canis [Cornelius]-1, Carler-1, Carpentras-1, Ducis [Benedictus]-1, Eckel-1, Hähnel [Galliculus]-1, Isaac-1, Josquin-1, Leo X-1, Obrecht/(Longaval/Venture)-1, Senfl-2, Stoltzer-1, (Walter)-1, anon-64

2 paper partbooks of an original 4, each consisting of the print RISM 1538/2 plus manuscript additions before the print (D-7 folios, B-0) and after the print (D-84 folios, B-84), 140 x 190. Original numbering of pieces, I-IXIV; discantus book foliation, 1-83; bassus book foliation, I-VII and 1-72. Copied by Joannes Soldeke. Dates [15]39 and 1588 on inside front cover.

The prints were purchased in 1539 by Joannes Soldeke, who copied the manuscript additions between 1539 and 1588. After Soldeke's death in 1588, his widow gave the manuscript to Michael Froboese, who in turn donated it to the library of his home town, Wolgast (16 miles from Greifswald).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
I	Kyrie paschale	Anon.	Anonymous
Kyrie paschale Anonymous Appears on: I Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Greek Voice Text: Kyrie eleison
Iv–III	Te Deum laudamus	Anon.	Anonymous
Te Deum laudamus Anonymous Appears on: Iv–III Genres: Liturgical work, Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Te deum laudamus] Te eternum patrem
IIIv–Vv	Te Deum laudamus	Anon.	Anonymous
Te Deum laudamus Anonymous Appears on: IIIv–Vv Genres: Liturgical work, Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Te deum laudamus] Te eternum patrem
Vv–VII	Te Deum laudamus	Anon.	Anonymous
Te Deum laudamus Anonymous Appears on: Vv–VII Genres: Liturgical work, Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Te deum laudamus] Te eternum patrem
[i]_v	Missa Beata Virgine = Missa Coronata 3.3: Gloria	Josquin/[La Rue]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: [i]_v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Josquin/[La Rue] Voice: [no designation] Languages: Latin Voice Text: Cum sancto spiritu from Missa De beata Virgine 3.3
[i]_v–1	Allein Gott in der Höh sei Ehr' und Dank	Anon.	Anonymous
Allein Gott in der Höh sei Ehr' und Dank Anonymous Appears on: [i]_v–1 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Allene Godt yn der hoye sy ehr
1	Philips wart genennet ick	Anon.	Anonymous
Philips wart genennet ick Anonymous Appears on: 1 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Philips wart genennet ick
1v–2v	Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine	Carpentras/[Josquin]	Carpentras, Elzear Genet (ca. 1470–1548) (?) Despres, Josquin (ca. 1450–1521) (?)
Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine Carpentras, Elzear Genet (ca. 1470–1548) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 1v–2v Genres: Motet Source Attribution: Carpentras/[Josquin] Voice: [no designation] Languages: Latin Voice Text: Bonitatem fecisti cum servo tuo domine 15.5 II: Manus tuae domine faecerunt me
2v–3v	Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me	-	Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?)
Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?) Appears on: 2v–3v Genres: Motet
4–4v	Noe noe noe [= Bonus et rectus Dominus propterea docebit]	Antonius Brummer [= Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Noe noe noe [= Bonus et rectus Dominus propterea docebit] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 4–4v Genres: Cantio Source Attribution: Antonius Brummer [= Brumel] Voice: [no designation] Languages: Latin Voice Text: Noe noe noe [= Bonus et rectus dominus propterea docebit]
4v–5	Si bona suscepimus de manu Domini (2p. Nudus egressus sum de utero matris)	Hugo Carler	Carler, Hugo
Si bona suscepimus de manu Domini (2p. Nudus egressus sum de utero matris) Carler, Hugo Appears on: 4v–5 Genres: Motet Source Attribution: Hugo Carler Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus de manu domini II: Nudus egressus sum de utero matris
5v–6	Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius	Benedictus [Appenzeller]/[Josquin/Vinders]	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Vinders, Jheronimus (fl. c1525-1526) Despres, Josquin (ca. 1450–1521) (?)
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Vinders, Jheronimus (fl. c1525-1526) Despres, Josquin (ca. 1450–1521) (?) Appears on: 5v–6 Genres: Motet Source Attribution: Benedictus [Appenzeller]/[Josquin/Vinders] Voice: [no designation] Languages: Latin Voice Text: Domini est terra et plenitudo eius 16.12 II: Haec est generatio querentium
6–7	Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium	-	Vinders, Jheronimus (fl. c1525-1526) Despres, Josquin (ca. 1450–1521) (?) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?)
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium Vinders, Jheronimus (fl. c1525-1526) Despres, Josquin (ca. 1450–1521) (?) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Appears on: 6–7 Genres: Motet
7–9	Nos qui vivimus benedicimus Domino (2p. Facta est Judea qui convertit)	Cornelius [Canis]	Canis, Cornelius
Nos qui vivimus benedicimus Domino (2p. Facta est Judea qui convertit) Canis, Cornelius Appears on: 7–9 Genres: Motet Source Attribution: Cornelius [Canis] Voice: [no designation] Languages: Latin Voice Text: Nos qui vivimus benedicimus domino II: Facta est Judea qui convertit
9v–10	Si dedero somnum oculis meis	[A. Agricola/Ghiselin]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 9v–10 Genres: Motet Source Attribution: [A. Agricola/Ghiselin] Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis
10–11	Si dormiero (O mitis mater Christi) 14.13	[Isaac/Josquin/La Rue]	Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?)
Si dormiero (O mitis mater Christi) 14.13 Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 10–11 Genres: Motet Source Attribution: [Isaac/Josquin/La Rue] Voice: [no designation] Languages: Latin Voice Text: Si dormiero [= O mitis mater Christi] 14.12
11–12	Si sumpsero pennas meas diluculo	[Obrecht]	Obrecht, Jacobus (ca. 1457–1505)
Si sumpsero pennas meas diluculo Obrecht, Jacobus (ca. 1457–1505) Appears on: 11–12 Genres: Psalm motet Source Attribution: [Obrecht] Voice: [no designation] Languages: Latin Voice Text: Si sumpsero pennas meas diluculo
12v–13v	Mane prima sabbati surgens Dei filius (2p. O beati oculi quibus regem)	Anon.	Anonymous
Mane prima sabbati surgens Dei filius (2p. O beati oculi quibus regem) Anonymous Appears on: 12v–13v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Mane prima sabbathi surgens dei filius II: O beati oculi quibus regem
14–15	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Jacobus Obrecht/[Longaval/Venture]	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 14–15 Genres: Liturgical work, Motet, Passion Source Attribution: Jacobus Obrecht/[Longaval/Venture] Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri Jhesu Christi secundum Matteum II: Apprehendit ergo eum Pilatus III: Orabat autem Jhesus pro crucifigentibus
15–16	Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	-	Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?)
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Appears on: 15–16 Genres: Passion
16v–17v	Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	-	Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525)
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Appears on: 16v–17v Genres: Motet
18	Van allen menschen abgewandt zu dir?	Anon.	Anonymous
Van allen menschen abgewandt zu dir? Anonymous Appears on: 18 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Van allen menschen [abgewandt zu dir?]
18v	An wasserflüssen Babylon da sassen wir	Anon.	Anonymous
An wasserflüssen Babylon da sassen wir Anonymous Appears on: 18v Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Am water floss [= An wasserflüssen Babylon da sassen wir]
19	Capitan (= Capitan Herr Gott vater mein?)	Anon.	Anonymous
Capitan (= Capitan Herr Gott vater mein?) Anonymous Appears on: 19 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Capitan [= Capitan Herr Gott vater mein?]
19v	Mag ich unglucke nicht widerstahn [i]	Anon.	Anonymous
Mag ich unglucke nicht widerstahn [i] Anonymous Appears on: 19v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mag ick unglucke nicht wedder stan
19v–20	Mach ick unglucke nicht widerstehen [ii]	Anon.	Anonymous
Mach ick unglucke nicht widerstehen [ii] Anonymous Appears on: 19v–20 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mach ick unglucke [nicht widerstehen]
20	Mach ick unglucke nicht widerstehen [iii]	Anon.	Anonymous
Mach ick unglucke nicht widerstehen [iii] Anonymous Appears on: 20 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mach ick unglucke [nicht widerstehen]
20v	O Jesu Christ	Anon.	Anonymous
O Jesu Christ Anonymous Appears on: 20v Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: O Jesu Christ
20v–21	Wohl dem, der in Gottes Furcht steht	Anon.	Anonymous
Wohl dem, der in Gottes Furcht steht Anonymous Appears on: 20v–21 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wol deme de yn gades fruchte steit [= Wohl dem der in Gottes furcht steht]
21	Der Heiligen Leben	Anon.	Anonymous
Der Heiligen Leben Anonymous Appears on: 21 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Der hilligen levent
21v	Ach Vater unser im Himmelreich, der du uns	Anon.	Anonymous
Ach Vater unser im Himmelreich, der du uns Anonymous Appears on: 21v Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ach vader unse ym hemmelrick [der du uns]
22	Vater unser im Himmelreich, der du betest	[Weinmann]	Weinmann, Johann (ca. 1477–1542)
Vater unser im Himmelreich, der du betest Weinmann, Johann (ca. 1477–1542) Appears on: 22 Genres: Chorale, Sacred Song Source Attribution: [Weinmann] Voice: [no designation] Languages: German Voice Text: Vader unse ym hemmelrick de du betest
22–22v	Vater unser im Himmelreich, der du uns	Anon.	Anonymous
Vater unser im Himmelreich, der du uns Anonymous Appears on: 22–22v Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Vader unse [im himmelreich der du uns]
23–23v	Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus qui docet	Leo X Papa M:/[A. Févin]	Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?)
Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus qui docet Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?) Appears on: 23–23v Genres: Motet, Psalm Source Attribution: Leo X Papa M:/[A. Févin] Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus deus meus qui docet II: Omnes gentes plaudite manibus
23v–24	Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus	-	Leo X (Medici) (1475–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus Leo X (Medici) (1475–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 23v–24 Genres: Motet, Psalm
24v	Ein feste burg ist unser Gott	Anon.	Anonymous
Ein feste burg ist unser Gott Anonymous Appears on: 24v Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ein vaste borck [= Ein feste burg ist unser Gott]
24v–25	Allein Gott in der Höh sei Ehr' und Dank	Anon.	Anonymous
Allein Gott in der Höh sei Ehr' und Dank Anonymous Appears on: 24v–25 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Allene Godt [in der höhe sey Ehr]
25–25v	Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	[Ducis/Maffoni]	Ducis, Benedictus (?) Maffoni, Hieronymus (?)
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem Ducis, Benedictus (?) Maffoni, Hieronymus (?) Appears on: 25–25v Genres: Motet Source Attribution: [Ducis/Maffoni] Voice: [no designation] Languages: Latin Voice Text: Dilexi quoniam exaudiet dominus vocem II: O Domine libera animam meam
25v–26v	Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	-	Ducis, Benedictus (?) Maffoni, Hieronymus (?)
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Ducis, Benedictus (?) Maffoni, Hieronymus (?) Appears on: 25v–26v Genres: Motet
26v–28	Domine Deus ne disperdas populum tuum (2p. Ne aspicias duritiam populi huius)	Anon.	Anonymous
Domine Deus ne disperdas populum tuum (2p. Ne aspicias duritiam populi huius) Anonymous Appears on: 26v–28 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine deus ne disperdas populum tuum II: Ne aspitias duritiam populi huius
28v–29	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli	[Rein]	Rein, Conrad (ca. 1475–1522)
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli Rein, Conrad (ca. 1475–1522) Appears on: 28v–29 Genres: Motet Source Attribution: [Rein]
29–29v	O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	-	Rein, Conrad (ca. 1475–1522)
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis Rein, Conrad (ca. 1475–1522) Appears on: 29–29v Genres: Motet
29v–30v	O sancta trinitas te decet laus et honor	Anon.	Anonymous
O sancta trinitas te decet laus et honor Anonymous Appears on: 29v–30v Genres: Motet Source Attribution: Anon.
30v–31	Aeterno gratias patri omnes canant ecclesiae	[Walter]	Walter, Johann (1496–1570)
Aeterno gratias patri omnes canant ecclesiae Walter, Johann (1496–1570) Appears on: 30v–31 Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: Latin Voice Text: Eterno gratias patri omnes canant ecclesiae
31–31v	Ad caenam agni providi stolis albis	Anon.	Anonymous
Ad caenam agni providi stolis albis Anonymous Appears on: 31–31v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ad coenam agni providi stolis albis
31v–32	Venite et videte locum ubi positus erat	Anon.	Anonymous
Venite et videte locum ubi positus erat Anonymous Appears on: 31v–32 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Venite et videte locum ubi positus erat
32–32v	Regnum mundi - 1a pars (of 3): Regnum mundi et omnem ornatum saeculi	[Walter]	Walter, Johann (1496–1570)
Regnum mundi - 1a pars (of 3): Regnum mundi et omnem ornatum saeculi Walter, Johann (1496–1570) Appears on: 32–32v Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: Latin Voice Text: Regnum mundi et omnem ornatum seculi II: Quem vidi quem amavi in quem credidi III: Eructavit cor meum verbum bonum dico
32v	Regnum mundi - 2a pars (of 3): Quem vidi quem amavi in quem credidi	-	Walter, Johann (1496–1570)
Regnum mundi - 2a pars (of 3): Quem vidi quem amavi in quem credidi Walter, Johann (1496–1570) Appears on: 32v Genres: Motet
32v–33	Regnum mundi - 3a pars (of 3): Eructavit cor meum verbum bonum dico	-	Walter, Johann (1496–1570)
Regnum mundi - 3a pars (of 3): Eructavit cor meum verbum bonum dico Walter, Johann (1496–1570) Appears on: 32v–33 Genres: Motet
33–33v	O mors ero mors tua morsus tuus ero	[S. Cellarius]	Cellarius, Simon (ca. 1500–1544)
O mors ero mors tua morsus tuus ero Cellarius, Simon (ca. 1500–1544) Appears on: 33–33v Genres: Motet Source Attribution: [S. Cellarius] Voice: [no designation] Languages: Latin Voice Text: O mors ero mors tua morsus tuus ero General Note two parts copied one after the other (33-33v, 33v)
34	O bone Jesu - 1a pars (of 2): O bone Jesu	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
O bone Jesu - 1a pars (of 2): O bone Jesu Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 34 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: O bone Iesu duo in me cognosco II: Tolle a me quod ego adieci quod tu
34v	O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire	-	Senfl, Ludwig (ca. 1486–ca. 1543)
O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 34v Genres: Motet
34v–35v	O admirabile praecium cuius pondere captivitas	Matthias Eckel	Eckel, Matthias
O admirabile praecium cuius pondere captivitas Eckel, Matthias Appears on: 34v–35v Genres: Motet Source Attribution: Matthias Eckel Voice: [no designation] Languages: Latin Voice Text: O admirabile praecium cuius pondere captivitas
35v–36	Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator	[Compère]	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator Compère, Loyset (ca. 1445–1518) Appears on: 35v–36 Genres: Motet Source Attribution: [Compère] Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur II: Adoramus te Christe et benedicimus III: Patris sapientia veritas divina IV: Hora prima ductus est Iesus V: Crucifige clamitant hora tertiarum VI: Hora sexta Iesus est in cruce VII: Hora nona dominus Iesus expiravit VIII: De cruce deponitur hora vespertina IX: Hora completorii datur sepulturae
36–36v	Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus Compère, Loyset (ca. 1445–1518) Appears on: 36–36v Genres: Motet
36v	Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina Compère, Loyset (ca. 1445–1518) Appears on: 36v Genres: Motet
37	Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus Compère, Loyset (ca. 1445–1518) Appears on: 37 Genres: Motet
37–37v	Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum Compère, Loyset (ca. 1445–1518) Appears on: 37–37v Genres: Motet
37v–38	Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est Compère, Loyset (ca. 1445–1518) Appears on: 37v–38 Genres: Motet
38–38v	Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit Compère, Loyset (ca. 1445–1518) Appears on: 38–38v Genres: Motet
38v–39	Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina Compère, Loyset (ca. 1445–1518) Appears on: 38v–39 Genres: Motet
39–39v	Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae Compère, Loyset (ca. 1445–1518) Appears on: 39–39v Genres: Motet
39v–40	Veri adoratores adorabunt patrem in spiritu	[S. Cellarius]	Cellarius, Simon (ca. 1500–1544)
Veri adoratores adorabunt patrem in spiritu Cellarius, Simon (ca. 1500–1544) Appears on: 39v–40 Genres: Motet Source Attribution: [S. Cellarius] Voice: [no designation] Languages: Latin Voice Text: Veri adoratores adorabunt patrem in spiritu
40–41	Ingressus Pilatus - 1a pars (of 3): Ingressus Pilatus cum Jesu in pretorium	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ingressus Pilatus - 1a pars (of 3): Ingressus Pilatus cum Jesu in pretorium Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 40–41 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Ingressus Pylatus cum Iesu in pretorium II: Et cum indutus fuisset exclamaverunt III: Tunc ait illi Pylatus regem vestrum
41–41v	Ingressus Pilatus - 2a pars (of 3): Et cum indutus fuisset exclamaverunt	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ingressus Pilatus - 2a pars (of 3): Et cum indutus fuisset exclamaverunt Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 41–41v Genres: Motet
41v–42	Ingressus Pilatus - 3a pars (of 3): Tunc ait illis Pilatus regem vestrum	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ingressus Pilatus - 3a pars (of 3): Tunc ait illis Pilatus regem vestrum Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 41v–42 Genres: Motet
42–42v	Oblatus est quia ipse voluit et peccata	[Stahel]	Stahel, Johann
Oblatus est quia ipse voluit et peccata Stahel, Johann Appears on: 42–42v Genres: Motet Source Attribution: [Stahel] Voice: [no designation] Languages: Latin Voice Text: Oblatus est quia ipse voluit et peccata
42v–43	Nos autem Gloriari oportet in cruce Vs: Deus misereatur Illuminet vultum suum	[Rener]	Rener, Adam (ca. 1485–ca. 1520)
Nos autem Gloriari oportet in cruce Vs: Deus misereatur Illuminet vultum suum Rener, Adam (ca. 1485–ca. 1520) Appears on: 42v–43 Genres: Introit Source Attribution: [Rener] Voice: [no designation] Languages: Latin Voice Text: (Nos autem) Gloriari oportet in cruce Vs: (Deus misereatur) Illuminet vultum suum (Scribe mistakenly copied versus text of following Introit here) General Note Scribe mistakenly copied versus text of following Introit here
43v	Humiliavit semetipsum Dominus noster Jesus Vs: Misericordias Domini In aeternum	Anon.	Anonymous
Humiliavit semetipsum Dominus noster Jesus Vs: Misericordias Domini In aeternum Anonymous Appears on: 43v Genres: Introit Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Humiliavit semetipsum dominus noster Iesus Vs: (Misericordias domini) In aeternum (Scribe mistakenly copied versus text of preceding Introit here) General Note (Scribe mistakenly copied versus text of preceding Introit here)
44–44v	Tenebrae factae sunt - 1a pars (of 5): Tenebrae factae sunt dum crucifixissent Jesum	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Tenebrae factae sunt - 1a pars (of 5): Tenebrae factae sunt dum crucifixissent Jesum Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 44–44v Genres: Responsory Source Attribution: Ludovicus Senfl Voice: [no designation] Languages: Latin Voice Text: Tenebrae factae sunt dum crucifixissent II: Tunc unus ex militibus lancea latus III: Et velum templi scissum est a summo
44v	Tenebrae factae sunt - 2a pars (of 5): Et inclinato capite emisit spiritum	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Tenebrae factae sunt - 2a pars (of 5): Et inclinato capite emisit spiritum Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 44v Genres: Responsory
44v–45	Tenebrae factae sunt - 3a pars (of 5): Tunc unus ex militibus lancea latus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Tenebrae factae sunt - 3a pars (of 5): Tunc unus ex militibus lancea latus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 44v–45 Genres: Responsory
45v	Tenebrae factae sunt - 4a pars (of 5): Et velum templi scissum est a summo	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Tenebrae factae sunt - 4a pars (of 5): Et velum templi scissum est a summo Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 45v Genres: Responsory
45v–46	Tenebrae factae sunt - 5a pars (of 5): Et omnis terra tremuit	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Tenebrae factae sunt - 5a pars (of 5): Et omnis terra tremuit Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 45v–46 Genres: Responsory
46	Pulchra Sion filia (P110) - 1a pars (of 3): Pulchra Sion filia pro mortali tunica	Ludowicus Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Pulchra Sion filia (P110) - 1a pars (of 3): Pulchra Sion filia pro mortali tunica Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 46 Genres: Responsory Source Attribution: Ludowicus Senfel Voice: [no designation] Languages: Latin Voice Text: Pulchra Syon filia pro mortali tunica II: Ab aestu mundi transfer nos
46	Pulchra Sion filia (P110) - 2a pars (of 3): Ab aestu mundi transfer nos	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Pulchra Sion filia (P110) - 2a pars (of 3): Ab aestu mundi transfer nos Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 46 Genres: Motet
46v–51v	Passio Domini nostri Jesu Christi secundum Marcum (2p. Apprehendit ergo Pilatus Jesum; 3p. Orabat autem Jesus pro crucifigentibus)	Joannes Galliculus [= Hähnel]	Galliculus, Johannes
Passio Domini nostri Jesu Christi secundum Marcum (2p. Apprehendit ergo Pilatus Jesum; 3p. Orabat autem Jesus pro crucifigentibus) Galliculus, Johannes Appears on: 46v–51v Genres: Liturgical work, Passion Source Attribution: Joannes Galliculus [= Hähnel] Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri Jesu Christi secundum Marcum II: Apprehendit ergo Pilatus Jesum III: Orabat autem Jesus pro crucifigentibus
52–52v	Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes)	Tomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes) Stoltzer, Thomas (ca. 1480–1526) Appears on: 52–52v Genres: Motet Source Attribution: Tomas Stoltzer Voice: [no designation] Languages: Latin Voice Text: Laudate dominum omnes gentes laudate eum
53–53v	Viri Galilei quid aspiciens in caelum	Anon.	Anonymous
Viri Galilei quid aspiciens in caelum Anonymous Appears on: 53–53v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Viri Galilei quid aspiciens in coelum
53v–55	In convertendo Dominus captivitatem Sion (2p. Converte Domine captivitatem nostram)	Anon.	Anonymous
In convertendo Dominus captivitatem Sion (2p. Converte Domine captivitatem nostram) Anonymous Appears on: 53v–55 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In convertendo dominus captivitatem Sÿon II: Converte domine captivitatem nostram
55v–56	[A solis ortus cardine] Beatus auctor saeculi	[Resinarius]	Resinarius, Balthasar
[A solis ortus cardine] Beatus auctor saeculi Resinarius, Balthasar Appears on: 55v–56 Genres: Hymn Source Attribution: [Resinarius] Voice: [no designation] Languages: Latin Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus autor seculi servile corpus 4 Domus pudici pectoris templum repente 6 Foeno iacere pertulit praesepe 8 Summo parenti gloria natoque laus
56v–57	Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es)	[Janin]	Janin
Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) Janin Appears on: 56v–57 Genres: Motet Source Attribution: [Janin] Voice: [no designation] Languages: Latin Voice Text: Super salutem et omnem pulchritudinem
57v	Ein frölich wesen hab ich erlesen	Isaac/[Barbireau/Obrecht]	Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Ein frölich wesen hab ich erlesen Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 57v Genres: Song Source Attribution: Isaac/[Barbireau/Obrecht] Voice: [no designation] Languages: German Voice Text: Ein frolich wesenth [hab ich erlesen] [= Een vroelic wesen myn oogskins saghen, Quen dites vous feres vous rien, Se une fois avant]
58–58v	Cum sancto spiritu (from unidentified Mass)	Anon.	Anonymous
Cum sancto spiritu (from unidentified Mass) Anonymous Appears on: 58–58v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Cum sancto spiritu [from unidentified Mass]
58v–59	Benedicite Domino omnes angeli eius Vs: Benedic anima mea Et omnia quae intra	Anon.	Anonymous
Benedicite Domino omnes angeli eius Vs: Benedic anima mea Et omnia quae intra Anonymous Appears on: 58v–59 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicite domino omnes angeli eius Vs: (Benedic anima mea) Et omnia quae intra
59v–60	Kyrie Fons bonitatis	Anon.	Anonymous
Kyrie Fons bonitatis Anonymous Appears on: 59v–60 Genres: Mass Ordinary, Troped Kyrie Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Fons bonitatis
60v–62	Te sanctum Dominum in excelsis laudant (2p. Te decet laus et honor Domine; 3p. Cherubin quoque et seraphin sanctus; 4p. Gloria patri et filio et spiritui)	Anon.	Anonymous
Te sanctum Dominum in excelsis laudant (2p. Te decet laus et honor Domine; 3p. Cherubin quoque et seraphin sanctus; 4p. Gloria patri et filio et spiritui) Anonymous Appears on: 60v–62 Genres: Doxology, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Te sanctum dominum in excelsis laudant II: Te decet laus et honor domine III: Cherubin quoque et seraphin sanctus IV: Gloria patri et filio et spiritui
62v–63, 65v-67v	Victimae paschali laudes (2p. Dic nobis Maria; 3p. Credendum est magis soli)	Anon.	Anonymous
Victimae paschali laudes (2p. Dic nobis Maria; 3p. Credendum est magis soli) Anonymous Appears on: 62v–63, 65v-67v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes immolent Christiani
63v	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus	Anon.	Anonymous
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus Anonymous Appears on: 63v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus auctor [saeculi servile corpus]
64	Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei	Anon.	Anonymous
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei Anonymous Appears on: 64 Genres: Veni creator spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Veni creator spiritus mentes tuorum] 2 Qui paracletus [diceris donum dei]
64v	Dicimus grates tibi summe rerum conditor 4 Hoc tuum munus celebramus una 6 Et tuo templo vigilet ut addas	Anon.	Anonymous
Dicimus grates tibi summe rerum conditor 4 Hoc tuum munus celebramus una 6 Et tuo templo vigilet ut addas Anonymous Appears on: 64v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dicimus grates tibi summe rerum conditor 4 Hoc tuum munus celebramus una 6 Et tuo templo vigilet ut addas
67v–68	Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 67v–68 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Concussum est mare et contremuit terra II: Factum est silentium in coelo
68v–69	Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 68v–69 Genres: Motet
69v–70	Laudemus Dominum quem laudant angeli	Anon.	Anonymous
Laudemus Dominum quem laudant angeli Anonymous Appears on: 69v–70 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudemus dominum quem laudant angeli
70v–71	Dixit Dominus - Donec ponam	-	Anonymous
Dixit Dominus - Donec ponam Anonymous Appears on: 70v–71 Genres: Psalm
71v–72	Ps. 112: Laudate pueri Dominum laudate nomen	Anon.	Anonymous
Ps. 112: Laudate pueri Dominum laudate nomen Anonymous Appears on: 71v–72 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 112: Laudate pueri dominum laudate nomen

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Si dedero somnum oculis meis – 9v–10
Anonymous	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus – 63v Ach Vater unser im Himmelreich, der du uns – 21v Ad caenam agni providi stolis albis – 31–31v Allein Gott in der Höh sei Ehr' und Dank – [i]_v–1 Allein Gott in der Höh sei Ehr' und Dank – 24v–25 An wasserflüssen Babylon da sassen wir – 18v Benedicite Domino omnes angeli eius Vs: Benedic anima mea Et omnia quae intra – 58v–59 Capitan (= Capitan Herr Gott vater mein?) – 19 Cum sancto spiritu (from unidentified Mass) – 58–58v Der Heiligen Leben – 21 Dicimus grates tibi summe rerum conditor 4 Hoc tuum munus celebramus una 6 Et tuo templo vigilet ut addas – 64v Dixit Dominus - Donec ponam – 70v–71 Domine Deus ne disperdas populum tuum (2p. Ne aspicias duritiam populi huius) – 26v–28 Ein feste burg ist unser Gott – 24v Humiliavit semetipsum Dominus noster Jesus Vs: Misericordias Domini In aeternum – 43v In convertendo Dominus captivitatem Sion (2p. Converte Domine captivitatem nostram) – 53v–55 Kyrie Fons bonitatis – 59v–60 Kyrie paschale – I Laudemus Dominum quem laudant angeli – 69v–70 Mach ick unglucke nicht widerstehen [ii] – 19v–20 Mach ick unglucke nicht widerstehen [iii] – 20 Mag ich unglucke nicht widerstahn [i] – 19v Mane prima sabbati surgens Dei filius (2p. O beati oculi quibus regem) – 12v–13v O Jesu Christ – 20v O sancta trinitas te decet laus et honor – 29v–30v Philips wart genennet ick – 1 Ps. 112: Laudate pueri Dominum laudate nomen – 71v–72 Te Deum laudamus – Iv–III Te Deum laudamus – Vv–VII Te Deum laudamus – IIIv–Vv Te sanctum Dominum in excelsis laudant (2p. Te decet laus et honor Domine; 3p. Cherubin quoque et seraphin sanctus; 4p. Gloria patri et filio et spiritui) – 60v–62 Van allen menschen abgewandt zu dir? – 18 Vater unser im Himmelreich, der du uns – 22–22v Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei – 64 Venite et videte locum ubi positus erat – 31v–32 Victimae paschali laudes (2p. Dic nobis Maria; 3p. Credendum est magis soli) – 62v–63, 65v-67v Viri Galilei quid aspiciens in caelum – 53–53v Wohl dem, der in Gottes Furcht steht – 20v–21
Appenzeller, Benedictus (ca. 1480–ca. 1558)	(?) Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 5v–6 (?) Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 6–7
Barbireau, Jacobus (1455–1491)	(?) Ein frölich wesen hab ich erlesen – 57v
Brumel, Antoine (ca. 1460–ca. 1513)	Noe noe noe [= Bonus et rectus Dominus propterea docebit] – 4–4v
Canis, Cornelius	Nos qui vivimus benedicimus Domino (2p. Facta est Judea qui convertit) – 7–9
Carler, Hugo	Si bona suscepimus de manu Domini (2p. Nudus egressus sum de utero matris) – 4v–5
Carpentras, Elzear Genet (ca. 1470–1548)	(?) Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine – 1v–2v (?) Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me – 2v–3v
Cellarius, Simon (ca. 1500–1544)	O mors ero mors tua morsus tuus ero – 33–33v Veri adoratores adorabunt patrem in spiritu – 39v–40
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra – 67v–68 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret – 68v–69
Compère, Loyset (ca. 1445–1518)	Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator – 35v–36 Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus – 36–36v Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina – 36v Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus – 37 Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum – 37–37v Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est – 37v–38 Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit – 38–38v Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina – 38v–39 Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae – 39–39v
Despres, Josquin (ca. 1450–1521)	(?) Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine – 1v–2v (?) Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me – 2v–3v (?) Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 5v–6 (?) Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 6–7 Missa Beata Virgine = Missa Coronata 3.3: Gloria – [i]_v (?) Si dormiero (O mitis mater Christi) 14.13 – 10–11
Ducis, Benedictus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 25–25v (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 25v–26v
Eckel, Matthias	O admirabile praecium cuius pondere captivitas – 34v–35v
Fevin, Antoine de (ca. 1470–ca. 1512)	Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus qui docet – 23–23v Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus – 23v–24
Galliculus, Johannes	Passio Domini nostri Jesu Christi secundum Marcum (2p. Apprehendit ergo Pilatus Jesum; 3p. Orabat autem Jesus pro crucifigentibus) – 46v–51v
Isaac, Heinrich (ca. 1450–1517)	(?) Ein frölich wesen hab ich erlesen – 57v (?) Si dormiero (O mitis mater Christi) 14.13 – 10–11
Janin	Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) – 56v–57
Leo X (Medici) (1475–1521)	(?) Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus qui docet – 23–23v (?) Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus – 23v–24
Longueval, Antoine de (fl. 1498-1525)	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 14–15 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 15–16 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 16v–17v
Maffoni, Hieronymus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 25–25v (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 25v–26v
Obrecht, Jacobus (ca. 1457–1505)	(?) Ein frölich wesen hab ich erlesen – 57v (?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 14–15 (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 15–16 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 16v–17v Si sumpsero pennas meas diluculo – 11–12
Rein, Conrad (ca. 1475–1522)	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli – 28v–29 O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis – 29–29v
Rener, Adam (ca. 1485–ca. 1520)	Nos autem Gloriari oportet in cruce Vs: Deus misereatur Illuminet vultum suum – 42v–43
Resinarius, Balthasar	[A solis ortus cardine] Beatus auctor saeculi – 55v–56
Rue, Pierre de la (ca. 1452–1518)	(?) Si dormiero (O mitis mater Christi) 14.13 – 10–11
Senfl, Ludwig (ca. 1486–ca. 1543)	Ingressus Pilatus - 1a pars (of 3): Ingressus Pilatus cum Jesu in pretorium – 40–41 Ingressus Pilatus - 2a pars (of 3): Et cum indutus fuisset exclamaverunt – 41–41v Ingressus Pilatus - 3a pars (of 3): Tunc ait illis Pilatus regem vestrum – 41v–42 O bone Jesu - 1a pars (of 2): O bone Jesu – 34 O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire – 34v Pulchra Sion filia (P110) - 1a pars (of 3): Pulchra Sion filia pro mortali tunica – 46 Pulchra Sion filia (P110) - 2a pars (of 3): Ab aestu mundi transfer nos – 46 Tenebrae factae sunt - 1a pars (of 5): Tenebrae factae sunt dum crucifixissent Jesum – 44–44v Tenebrae factae sunt - 2a pars (of 5): Et inclinato capite emisit spiritum – 44v Tenebrae factae sunt - 3a pars (of 5): Tunc unus ex militibus lancea latus – 44v–45 Tenebrae factae sunt - 4a pars (of 5): Et velum templi scissum est a summo – 45v Tenebrae factae sunt - 5a pars (of 5): Et omnis terra tremuit – 45v–46
Stahel, Johann	Oblatus est quia ipse voluit et peccata – 42–42v
Stoltzer, Thomas (ca. 1480–1526)	Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes) – 52–52v
Venture, Johannes a la (fl. c1500)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 14–15 (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 15–16 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 16v–17v
Vinders, Jheronimus (fl. c1525-1526)	Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 5v–6 Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 6–7
Walter, Johann (1496–1570)	Aeterno gratias patri omnes canant ecclesiae – 30v–31 Regnum mundi - 1a pars (of 3): Regnum mundi et omnem ornatum saeculi – 32–32v Regnum mundi - 2a pars (of 3): Quem vidi quem amavi in quem credidi – 32v Regnum mundi - 3a pars (of 3): Eructavit cor meum verbum bonum dico – 32v–33
Weinmann, Johann (ca. 1477–1542)	Vater unser im Himmelreich, der du betest – 22

Composition	Composers (? Uncertain)	Folios / Pages
[A solis ortus cardine] Beatus auctor saeculi	Resinarius, Balthasar	55v–56
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus	Anonymous	63v
Ach Vater unser im Himmelreich, der du uns	Anonymous	21v
Ad caenam agni providi stolis albis	Anonymous	31–31v
Aeterno gratias patri omnes canant ecclesiae	Walter, Johann (1496–1570)	30v–31
Allein Gott in der Höh sei Ehr' und Dank	Anonymous	[i]_v–1
Allein Gott in der Höh sei Ehr' und Dank	Anonymous	24v–25
An wasserflüssen Babylon da sassen wir	Anonymous	18v
Benedicite Domino omnes angeli eius Vs: Benedic anima mea Et omnia quae intra	Anonymous	58v–59
Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus qui docet	Fevin, Antoine de (ca. 1470–ca. 1512) Leo X (Medici) (1475–1521) (?)	23–23v
Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus	Leo X (Medici) (1475–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	23v–24
Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine	Carpentras, Elzear Genet (ca. 1470–1548) (?) Despres, Josquin (ca. 1450–1521) (?)	1v–2v
Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me	Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?)	2v–3v
Capitan (= Capitan Herr Gott vater mein?)	Anonymous	19
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	67v–68
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	68v–69
Cum sancto spiritu (from unidentified Mass)	Anonymous	58–58v
Der Heiligen Leben	Anonymous	21
Dicimus grates tibi summe rerum conditor 4 Hoc tuum munus celebramus una 6 Et tuo templo vigilet ut addas	Anonymous	64v
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	Ducis, Benedictus (?) Maffoni, Hieronymus (?)	25–25v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	Ducis, Benedictus (?) Maffoni, Hieronymus (?)	25v–26v
Dixit Dominus - Donec ponam	Anonymous	70v–71
Domine Deus ne disperdas populum tuum (2p. Ne aspicias duritiam populi huius)	Anonymous	26v–28
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Vinders, Jheronimus (fl. c1525-1526) Despres, Josquin (ca. 1450–1521) (?)	5v–6
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium	Vinders, Jheronimus (fl. c1525-1526) Despres, Josquin (ca. 1450–1521) (?) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?)	6–7
Ein feste burg ist unser Gott	Anonymous	24v
Ein frölich wesen hab ich erlesen	Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?)	57v
Humiliavit semetipsum Dominus noster Jesus Vs: Misericordias Domini In aeternum	Anonymous	43v
In convertendo Dominus captivitatem Sion (2p. Converte Domine captivitatem nostram)	Anonymous	53v–55
Ingressus Pilatus - 1a pars (of 3): Ingressus Pilatus cum Jesu in pretorium	Senfl, Ludwig (ca. 1486–ca. 1543)	40–41
Ingressus Pilatus - 2a pars (of 3): Et cum indutus fuisset exclamaverunt	Senfl, Ludwig (ca. 1486–ca. 1543)	41–41v
Ingressus Pilatus - 3a pars (of 3): Tunc ait illis Pilatus regem vestrum	Senfl, Ludwig (ca. 1486–ca. 1543)	41v–42
Kyrie Fons bonitatis	Anonymous	59v–60
Kyrie paschale	Anonymous	I
Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes)	Stoltzer, Thomas (ca. 1480–1526)	52–52v
Laudemus Dominum quem laudant angeli	Anonymous	69v–70
Mach ick unglucke nicht widerstehen [ii]	Anonymous	19v–20
Mach ick unglucke nicht widerstehen [iii]	Anonymous	20
Mag ich unglucke nicht widerstahn [i]	Anonymous	19v
Mane prima sabbati surgens Dei filius (2p. O beati oculi quibus regem)	Anonymous	12v–13v
Missa Beata Virgine = Missa Coronata 3.3: Gloria	Despres, Josquin (ca. 1450–1521)	[i]_v
Noe noe noe [= Bonus et rectus Dominus propterea docebit]	Brumel, Antoine (ca. 1460–ca. 1513)	4–4v
Nos autem Gloriari oportet in cruce Vs: Deus misereatur Illuminet vultum suum	Rener, Adam (ca. 1485–ca. 1520)	42v–43
Nos qui vivimus benedicimus Domino (2p. Facta est Judea qui convertit)	Canis, Cornelius	7–9
O admirabile praecium cuius pondere captivitas	Eckel, Matthias	34v–35v
O bone Jesu - 1a pars (of 2): O bone Jesu	Senfl, Ludwig (ca. 1486–ca. 1543)	34
O bone Jesu - 2a pars (of 2): Per me ivi in peccatum per me redire	Senfl, Ludwig (ca. 1486–ca. 1543)	34v
O Jesu Christ	Anonymous	20v
O mors ero mors tua morsus tuus ero	Cellarius, Simon (ca. 1500–1544)	33–33v
O sancta trinitas te decet laus et honor	Anonymous	29v–30v
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli	Rein, Conrad (ca. 1475–1522)	28v–29
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	Rein, Conrad (ca. 1475–1522)	29–29v
Oblatus est quia ipse voluit et peccata	Stahel, Johann	42–42v
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator	Compère, Loyset (ca. 1445–1518)	35v–36
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus	Compère, Loyset (ca. 1445–1518)	36–36v
Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina	Compère, Loyset (ca. 1445–1518)	36v
Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus	Compère, Loyset (ca. 1445–1518)	37
Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum	Compère, Loyset (ca. 1445–1518)	37–37v
Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est	Compère, Loyset (ca. 1445–1518)	37v–38
Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit	Compère, Loyset (ca. 1445–1518)	38–38v
Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina	Compère, Loyset (ca. 1445–1518)	38v–39
Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae	Compère, Loyset (ca. 1445–1518)	39–39v
Passio Domini nostri Jesu Christi secundum Marcum (2p. Apprehendit ergo Pilatus Jesum; 3p. Orabat autem Jesus pro crucifigentibus)	Galliculus, Johannes	46v–51v
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	14–15
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?)	15–16
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	Obrecht, Jacobus (ca. 1457–1505) (?) Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525)	16v–17v
Philips wart genennet ick	Anonymous	1
Ps. 112: Laudate pueri Dominum laudate nomen	Anonymous	71v–72
Pulchra Sion filia (P110) - 1a pars (of 3): Pulchra Sion filia pro mortali tunica	Senfl, Ludwig (ca. 1486–ca. 1543)	46
Pulchra Sion filia (P110) - 2a pars (of 3): Ab aestu mundi transfer nos	Senfl, Ludwig (ca. 1486–ca. 1543)	46
Regnum mundi - 1a pars (of 3): Regnum mundi et omnem ornatum saeculi	Walter, Johann (1496–1570)	32–32v
Regnum mundi - 2a pars (of 3): Quem vidi quem amavi in quem credidi	Walter, Johann (1496–1570)	32v
Regnum mundi - 3a pars (of 3): Eructavit cor meum verbum bonum dico	Walter, Johann (1496–1570)	32v–33
Si bona suscepimus de manu Domini (2p. Nudus egressus sum de utero matris)	Carler, Hugo	4v–5
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	9v–10
Si dormiero (O mitis mater Christi) 14.13	Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?)	10–11
Si sumpsero pennas meas diluculo	Obrecht, Jacobus (ca. 1457–1505)	11–12
Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es)	Janin	56v–57
Te Deum laudamus	Anonymous	Iv–III
Te Deum laudamus	Anonymous	IIIv–Vv
Te Deum laudamus	Anonymous	Vv–VII
Te sanctum Dominum in excelsis laudant (2p. Te decet laus et honor Domine; 3p. Cherubin quoque et seraphin sanctus; 4p. Gloria patri et filio et spiritui)	Anonymous	60v–62
Tenebrae factae sunt - 1a pars (of 5): Tenebrae factae sunt dum crucifixissent Jesum	Senfl, Ludwig (ca. 1486–ca. 1543)	44–44v
Tenebrae factae sunt - 2a pars (of 5): Et inclinato capite emisit spiritum	Senfl, Ludwig (ca. 1486–ca. 1543)	44v
Tenebrae factae sunt - 3a pars (of 5): Tunc unus ex militibus lancea latus	Senfl, Ludwig (ca. 1486–ca. 1543)	44v–45
Tenebrae factae sunt - 4a pars (of 5): Et velum templi scissum est a summo	Senfl, Ludwig (ca. 1486–ca. 1543)	45v
Tenebrae factae sunt - 5a pars (of 5): Et omnis terra tremuit	Senfl, Ludwig (ca. 1486–ca. 1543)	45v–46
Van allen menschen abgewandt zu dir?	Anonymous	18
Vater unser im Himmelreich, der du betest	Weinmann, Johann (ca. 1477–1542)	22
Vater unser im Himmelreich, der du uns	Anonymous	22–22v
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei	Anonymous	64
Venite et videte locum ubi positus erat	Anonymous	31v–32
Veri adoratores adorabunt patrem in spiritu	Cellarius, Simon (ca. 1500–1544)	39v–40
Victimae paschali laudes (2p. Dic nobis Maria; 3p. Credendum est magis soli)	Anonymous	62v–63, 65v-67v
Viri Galilei quid aspiciens in caelum	Anonymous	53–53v
Wohl dem, der in Gottes Furcht steht	Anonymous	20v–21

Set: BW 640-641

Type: Partbooks

No images available

D-GRu BW 640

No images available

D-GRu BW 641

‡ denotes primary source study

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 188,238. Notes: mention of MS; contents list (partial); concordances (partial).

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 98-9. Notes: contents list (partial); incipits (partial).

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 353. Notes: contents list (partial); concordances (partial).

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Pages: 278. Notes: contents list (partial); concordances (partial); incipits (partial).

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 51-2,438,448-9. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 609,616,662,672-3,679,683,692,736,752-4,792. Notes: contents list (partial); concordances (partial); incipits (partial).

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 187,196-7,528,547. Notes: mention of MS; contents list (partial); incipits (partial).

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II, xiv. Notes: contents list (partial); concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV.xv-xvi. Notes: concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,359,437-8. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI,ix,176. Notes: contents list (partial); concordances (partial); facsimile (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,451. Notes: mention of MS.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 172,179-80,196. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); t.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-GRu BW 641

Universitätsbibliothek, Greifswald, Germany

partbook: 16th century

General Description

Binding

Notation

Ruling

Foliation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note