US-NYp Mus. Res. Drexel 4182

Public Library, Music Division, New York, United States

partbook: 17th century and c. 1500 (flyleaves)

Archive Public Library, Music Division, New York, United States (US-NYp)
Shelfmark Mus. Res. Drexel 4182
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Format landscape
Measurements 145 x 195 mm
Other Identifiers
  • CCM: NYorkP 4180-5
Copyists
Relationships
External Links
Provenance
  • Gloucester? England
Contents 258 pieces from 61 composers
General Description

A Tenor partbook from a set of six volumes, including polyphony-bearing flyleaves cut from older, unrelated music manuscript. The original owner and scribe was John Merro. Main corpus copied by John Merro, who also wrote most of LonBL 17792-6; music on flyleaves copied by two or three scribes. Main corpus probably copied in western England, perhaps at Gloucester; flyleaves also of English origin, but specific provenance unknown.

Both flyleaves missing; rear flyleaf may have been one of the Fayrfax fragments now in Cleveland. FallDrex suggests that the Drexel flyleaves may come from a single set of partbooks, so the empty staves may be from one of those.

Owned in 19th century by the antiquarian Edward F. Rimbault; purchased by the Philadelphia banker and philanthropist Joseph W. Drexel (1833-88) at a Sotheby's sale of Rimbault's library in 1877. Drexel collection bequeathed in 1888 to Lenox Library, incorporated since 1895 in New York Public Library.

DIAMM, 2017
Binding

Rebound in 1950 in modern covers of dark brown leather.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13 (15-18 on flyleaves)

DIAMM, 2017
Foliation

Original ink foliation in each book, with errors and omissions; some modern foliation.

DIAMM, 2017
Decoration

A few small inked initials; no other decoration

DIAMM, 2017
Index

Original index at beginning group pieces by number of voices; within each group, pieces listed in order of appearance (with some inconsistencies)

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 1 Lamentation, 24 motets, 84 anthems, 3 fragmentary English sacred pieces (on flyleaves; see below), 82 English secular pieces, 10 fragmentary English secular pieces (on flyleaves), 25 Italian secular pieces, 31 instrumental pieces (Fantasias, In nomines, etc.), 2 textless fragments (on flyleaves) = 263

Amner-13, Bateson-1, (Bennet)-1, Bruster-1, Bull-1, Byrd-21, (Byrd/R. Farrant/R. Parsons I)-1, Byrd/(Gibbons)-1, Byrd/(T. Mudd II)-1, Byrd/(J. Mundy)-1, Byrd/Tallis-1, Clemens non Papa -3, (Coste)-1, M. East/(Simmes)-1, (Eremita)-1, (Faignient)-1, (Fayrfax)-1, A. Ferrabosco I-2, A. Ferrabosco I/Marenzio-1, A. Ferrabosco I/(Pinello di Ghirardi)-1, A. Ferrabosco II-1, (G. Ferretti)-1, Ford/(Byrd)-1, (A. Gabrieli)-2, (G. Gabrieli)-4, (Ellis Gibbons)-1, Gibbons-11, N. Giles-1, (Hilton the Elder)-1, Hooper/(Fox)-1, Ives-4, M. Jeffries-1, Jenkins-2, R. Johnson I-1, (Lassus)-3, T. Lupo-2, Marenzio-10, Morley-2, J. Mundy-3, (J. Mundy/W. Mundy)-2, (J. Mundy/W. Mundy/Shepherd/R. White)-1, (J. Mundy/Tallis)-1, J. or W.? Mundy [Mr. Mundie]-1, J. or W.? Mundy [Mr. Mundie]/(R. White)-1, W. Mundy-2, W. Mundy/Tallis-1, (W. Mundy/Tallis)-1, (Newark)-1, Nicholson-2, (Norcome)-1, (Palestrina)-7, (Pallavicino)-1, R. Parsons I-4, W. Randall-1, (Shepherd)-3, W.? Smith [Mr. Smithe]-1, Smith of Gloucester-1, Smith of Salop-1, Strogers-1, Strogers/(Shepherd)-1, Tallis-10, (Taverner)-1, Tomkins-21, (E. Tucker)-1, Tye-2, (Orazio Vecchi)-1, Weelkes-11 + 1?, R. White-1, R. White/(Byrd/ R. Parsons I /Strogers)-1, Wilbye -12, anon -47

6 paper partbooks (D-n + i + 190 + i + ii folios, A-ii + 191 + i + ii, T-ii + 196 + ii, B-ii + 192 + i + ii, Q-ii + i + 159 + i + ii, S-ii + i + 111 + i + it), 145 x 195. Original flyleaves cut from older, unrelated music manuscript; polyphony on these leaves included in summary of contents and composers above. Original ink foliation in each book, with errors and omissions; some modern foliation. Rebound in 1950 in modern covers of dark brown leather. Original indices at beginning of T and B books group pieces by number of voices; within each group, pieces listed in order of appearance (with some inconsistencies). Main corpus copied by John Merro, who also wrote most of LonBL 17792-6; music on flyleaves copied by two or three scribes. Staff height 13 (15-18 on flyleaves). A few small inked initials; no other decoration.

First half of 17th century (main corpus); ca. 1500 (flyleaves). Main corpus probably copied in western England, perhaps at Gloucester; flyleaves also of English origin, but specific provenance unknown. The original owner and scribe was John Merro. Owned in 19th century by the antiquarian Edward F. Rimbault; purchased by the Philadelphia banker and philanthropist Joseph W. Drexel (1833-88) at a Sotheby's sale of Rimbault's library in 1877. Drexel collection bequeathed in 1888 to Lenox Library, incorporated since 1895 in New York Public Library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v O Lord the maker of all things -
Appears on: 1v
Genres: Anthem
2 O Lord, give thy Holy Spirit -
Appears on: 2
Genres: Anthem
2v–3 Give alms unto the poor - Anonymous
Appears on: 2v–3
Genres: Anthem
3v My God, my God, look upon me -
Appears on: 3v
4 If ye love me keep my commandments -
Appears on: 4
Genres: Anthem
4v–5 I give you a new commandment -
Appears on: 4v–5
Genres: Anthem
5v Hear the voice and prayer -
Appears on: 5v
Genres: Anthem
6–6v Let us now laud and magnify -
Appears on: 6–6v
Genres: Anthem
7 A new commandment -
Appears on: 7
Genres: Anthem
7v This is my commandment -
Appears on: 7v
Genres: Anthem
8 If ye be risen again -
Appears on: 8
8v–9 Rejoice in the Lord always -
Appears on: 8v–9
Genres: Anthem
9v A new commandment -
Appears on: 9v
Genres: Anthem
10 Submit yourselves one to another -
Appears on: 10
Genres: Anthem
10v–11 He that hath my commandments -
Appears on: 10v–11
Genres: Anthem
11v He that hath my commandments -
Appears on: 11v
Genres: Anthem
12 Behold, it is Christ -
Appears on: 12
Genres: Anthem
12v–13 Praise the Lord, O my soul -
Appears on: 12v–13
13v O Lord from us - Anonymous

O Lord from us

Anonymous
Appears on: 13v
Genres: Anthem
14 I will always give thanks - Anonymous
Appears on: 14
Genres: Anthem
14v–15 This sweet and merry month of May -
Appears on: 14v–15
Genres: Madrigal (English)
15v–16 Every singing bird (= Vezzosi augelli) -
Appears on: 15v–16
Genres: Contrafactum, Madrigal (English)
16v When first my heedless eyes beheld (= Non vidi mai) -
Appears on: 16v
Genres: Contrafactum, Madrigal (English)
17 O merry world (= I lieti amanti) -
Appears on: 17
Genres: Contrafactum, Madrigal (English)
17v Zephyrus breathing (= Zephiro torna, 1a pars) -
Appears on: 17v
Genres: Contrafactum, Madrigal (English)
18 Fair shepherd's queen (= Madonna sua merce) -
Appears on: 18
Genres: Contrafactum, Madrigal (English)
18v–19 Circumdederunt me - 1a pars (of 2): Circumdederunt me -
Appears on: 18v–19
Genres: Motet
19–19v Circumdederunt me - 2a pars (of 2): Quoniam tribulatio -
Appears on: 19–19v
Genres: Motet
20 Saint Marie now - 1a pars (of 3): Saint Marie now -
Appears on: 20
Genres: Anthem
20–20v Saint Marie now - 2a pars (of 3): At length to Christ -
Appears on: 20–20v
Genres: Anthem
20v Saint Marie now - 3a pars (of 3): But he the God of love -
Appears on: 20v
Genres: Anthem
21–21v Sweet are the thoughts -
Appears on: 21–21v
Genres: Anthem
22 Woe is me that I am constrained -
Appears on: 22
Genres: Anthem
22v Come let us rejoice -
Appears on: 22v
Genres: Anthem
23–23v O griefe if yet my griefe (= Dolor se 'l mio dolor) -
Appears on: 23–23v
Genres: Madrigal
24 My heart, why hast thou -
Appears on: 24
Genres: Consort song
24v Still it frieth, yet my heart never dieth -
Appears on: 24v
Genres: Madrigal (English)
25 O God give ear (5vv) -
Appears on: 25
Genres: Anthem
25v–26 O mortal man - Anonymous

O mortal man

Anonymous
Appears on: 25v–26
Genres: Anthem
26v–27 O Lord, I bow the knees of my heart -
Appears on: 26v–27
Genres: Anthem
27v Grant unto us, O Lord -
Appears on: 27v
Genres: Anthem
28–28v Wipe away my sins [=Absterge Domine] -
Appears on: 28–28v
29 Deliver me from mine enemies -
Appears on: 29
Genres: Quodlibet
29v–30v Lord who shall dwell -
Appears on: 29v–30v
Genres: Anthem
31 Prevent us, O Lord -
Appears on: 31
Genres: Anthem
31v Blessed be thy name (= Mihi autem nimis) -
Appears on: 31v
Genres: Anthem, Contrafactum
31v–32 Set up thyself -
Appears on: 31v–32
Genres: Anthem
32v I will sing unto the Lord -
Appears on: 32v
Genres: Anthem
33 The heavens stood all amazed -
Appears on: 33
Genres: Anthem
33v–34 Almighty God, the fountain of all wisdom -
Appears on: 33v–34
34v He that descended -
Appears on: 34v
Genres: Anthem
35 How doth the city -
Appears on: 35
Genres: Anthem
35v When Israel came out - 1a pars (of 2): When Israel came out of Egypt -
Appears on: 35v
Genres: Anthem
35v–36 When Israel came out - 2a pars (of 2): What aileth thee -
Appears on: 35v–36
Genres: Anthem
36v–37 Rise, O my soul - 1a pars (of 3): Rise, O my soul -
Appears on: 36v–37
Genres: Anthem
37–37v Rise, O my soul - 2a pars (of 3): And thou, my soul -
Appears on: 37–37v
Genres: Anthem
38 Rise, O my soul - 3a pars (of 3): To thee, O Jesus -
Appears on: 38
Genres: Anthem
38v Do not repine fair sun -
Appears on: 38v
Genres: Song
43 Vergine bella -
Appears on: 43
Genres: Madrigal (Italian)
43v Vergine saggia -
Appears on: 43v
Genres: Madrigal (Italian)
44 Vergine pura -
Appears on: 44
Genres: Madrigal (Italian)
44v Vergine santa -
Appears on: 44v
Genres: Madrigal (Italian)
45 Vergine sol' al mondo -
Appears on: 45
Genres: Madrigal (Italian)
45v Vergine chiara -
Appears on: 45v
Genres: Madrigal (Italian)
46 Vergine quante lagrime -
Appears on: 46
Genres: Madrigal (Italian)
46v Fantasia a5 (I) -
Appears on: 46v
Genres: Fantasia
47 Fantasia a5 (II) -
Appears on: 47
Genres: Fantasia
47v Fantasia a5 (III) -
Appears on: 47v
Genres: Fantasia
48 Fantasia a5 (IV) -
Appears on: 48
Genres: Fantasia
48v The white delightful swan (= Il bianco e dolce cigno) -
Appears on: 48v
Genres: Contrafactum, Madrigal (English)
49 Cinthia thy song (= Cinthia el tuo dolce canto) -
Appears on: 49
Genres: Contrafactum, Madrigal (English)
49v Le rossignol plaisant et gratieux -
Appears on: 49v
Genres: Madrigal
50 When I would thee embrace (= Quand' io voleva) -
Appears on: 50
Genres: Contrafactum, Madrigal (English)
50v When shall I cease lamenting (= Chi per voi non sospira) -
Appears on: 50v
Genres: Contrafactum, Madrigal (English)
51 I must depart (= Io partiro) -
Appears on: 51
Genres: Contrafactum, Madrigal (English)
51v Susanna fair (= Susanne un jour) -
Appears on: 51v
Genres: Contrafactum, Madrigal (English)
52 So gratious -
Appears on: 52
Genres: Contrafactum, Madrigal (English)
52v In paradise - Anonymous

In paradise

Anonymous
Appears on: 52v
Genres: Consort song
53 Delight is dead -
Appears on: 53
Genres: Consort song
53v Come pretty babe -
Appears on: 53v
Genres: Consort song
53v–54 Abradad - Anonymous

Abradad

Anonymous
Appears on: 53v–54
Genres: Consort song
54v Farewell the bliss - Anonymous

Farewell the bliss

Anonymous
Appears on: 54v
Genres: Consort song
55 Come Charon come - Anonymous

Come Charon come

Anonymous
Appears on: 55
Genres: Consort song
55v Lullaby - 1a pars (of 2): Lullaby, my sweet little baby -
Appears on: 55v
Genres: Song
55v Lullaby - 2a pars (of 2): Be still, my blessed babe -
Appears on: 55v
Genres: Song
56 Prostrate, O Lord, I lie -
Appears on: 56
Genres: Anthem
56v In fields abroad -
Appears on: 56v
Genres: Song
57 Constant Penelope -
Appears on: 57
Genres: Consort song
57v–58 O sing unto the Lord a new song -
Appears on: 57v–58
Genres: Anthem
58v Sing we merrily - 1a pars (of 3): Sing we merrily -
Appears on: 58v
Genres: Anthem
58v–59 Sing we merrily - 2a pars (of 3): Take the psalm -
Appears on: 58v–59
Genres: Anthem
59–59v Sing we merrily - 3a pars (of 3): Blow up the trumpet -
Appears on: 59–59v
Genres: Anthem
61 Why dost thou shoot -
Appears on: 61
Genres: Madrigal (English)
61v Of joys and pleasing pains -
Appears on: 61v
Genres: Madrigal (English)
62 My throat is sore -
Appears on: 62
Genres: Madrigal (English)
62v–63 O ye little flocks - 1a pars (of 3): O ye little flocks -
Appears on: 62v–63
Genres: Anthem
63v O ye little flocks - 2a pars (of 3): Fear not -
Appears on: 63v
Genres: Anthem
64 O ye little flocks - 3a pars (of 3): And they cry -
Appears on: 64
Genres: Anthem
64v Lo how from heaven - 1a pars (of 2): Lo how from heaven -
Appears on: 64v
Genres: Anthem
65 Lo how from heaven - 2a pars (of 2): I bring you tidings -
Appears on: 65
Genres: Anthem
65v A stranger here -
Appears on: 65v
Genres: Anthem
66 My Lord is hence removed -
Appears on: 66
Genres: Anthem
66v Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength -
Appears on: 66v
Genres: Anthem
67 Sing joyfully - 2a pars (of 2): Blow the trumpet -
Appears on: 67
Genres: Anthem
67v–68 O God, the proud are risen -
Appears on: 67v–68
Genres: Anthem
68v Christ rising again - 1a pars (of 2): Christ rising again -
Appears on: 68v
Genres: Anthem
68v–69 Christ rising again - 2a pars (of 2): Christ is risen -
Appears on: 68v–69
Genres: Anthem
69v–70 O Lord how long wilt thou forget - Anonymous
Appears on: 69v–70
Genres: Anthem
70v Salvator mundi (I) -
Appears on: 70v
Genres: Motet
71–71v Absterge Domine -
Appears on: 71–71v
72–73 Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem -
Appears on: 72–73
Genres: Lamentations, Motet
73v In resurrectione tua -
Appears on: 73v
Genres: Motet
73–74v Adolescentulus sum ego -
Appears on: 73–74v
Genres: Motet
75 Jerusalem plantabis vineam (8vv) - Anonymous
Appears on: 75
Genres: Motet
75v Credo quod redemptor meus vivit -
Appears on: 75v
Genres: Credo (patrem omnipotentem), Mass Ordinary
76–77 Homo quidam fecit caenam magnam et misit -
Appears on: 76–77
Genres: Motet
77v In nomine (V) a5 -
Appears on: 77v
Genres: In nomine, Viol piece
78 In nomine a5 -
Appears on: 78
Genres: In nomine
78v In nomine a5 -
Appears on: 78v
Genres: In nomine
79 In nomine a 5 -
Appears on: 79
Genres: In nomine, Viol piece
79v–80 De la court - 1a pars -
Appears on: 79v–80
Genres: Chanson
80v–81 De la court - 2a pars -
Appears on: 80v–81
Genres: Chanson
81v [unidentified Italian madrigal] - Anonymous
Appears on: 81v
Genres: Madrigal (Italian)
82 Ma la fiamma de l'alma -
Appears on: 82
Genres: Madrigal (Italian)
82v–83 Musica e lo mio core -
Appears on: 82v–83
Genres: Madrigal (Italian)
83v [unidentified Italian madrigal] - Anonymous
Appears on: 83v
Genres: Madrigal (Italian)
84 [unidentified Italian madrigal] - Anonymous
Appears on: 84
Genres: Madrigal (Italian)
84v Care lagrime mie -
Appears on: 84v
Genres: Madrigal (Italian)
85 Dolorosi martir', fieri tormenti -
Appears on: 85
Genres: Madrigal (Italian)
85v Now must I part (= Parto da voi) -
Appears on: 85v
Genres: Contrafactum, Madrigal
86 So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) -
Appears on: 86
Genres: Contrafactum, Madrigal (English)
86v So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) -
Appears on: 86v
Genres: Madrigal (English)
87 I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) -
Appears on: 87
Genres: Contrafactum, Madrigal
87v I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) -
Appears on: 87v
Genres: Contrafactum, Madrigal
88–89 Laudate pueri Dominum -
Appears on: 88–89
89v–90v Deus misereatur nostri et benedicat nobis -
Appears on: 89v–90v
Genres: Anglican Service Music, Motet
91–92 Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] -
Appears on: 91–92
Genres: Motet
92v–93 Domine non est exaltatum -
Appears on: 92v–93
Genres: Motet
93v Libera nos, salva nos [I] -
Appears on: 93v
Genres: Motet
94 Libera nos, salva nos [II] -
Appears on: 94
Genres: Motet
94 Magnificat a6: (exc) Esurientes -
Appears on: 94
Genres: BVM, Canticle, Magnificat
94v Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide -
Appears on: 94v
Genres: Motet
95 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide -
Appears on: 95
Genres: Motet
95v Veni electa mea - 1a pars (of 2): Veni electa mea -
Appears on: 95v
Genres: Motet
96 Veni electa mea - 2a pars (of 2): Audi filia -
Appears on: 96
Genres: Motet
96v–97 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt -
Appears on: 96v–97
Genres: Motet
97v Cantate Domino -
Appears on: 97v
Genres: Anthem
98 Veni in hortum meum -
Appears on: 98
Genres: Motet
98v–99v Blessed art thou that fearest God (II) - Anonymous
Appears on: 98v–99v
100 Angelus ad pastores ait annuntio vobis -
Appears on: 100
Genres: Motet
100v Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] -
Appears on: 100v
Genres: Anthem
101 Cante cantate -
Appears on: 101
Genres: Anthem
101v A knell -
Appears on: 101v
102 Alas, alack, my heart is woe - Anonymous
Appears on: 102
Genres: Song
102v–103 Holy Holy Holy, Lord God Almighty -
Appears on: 102v–103
Genres: Anthem
103v All ye people clap your hands -
Appears on: 103v
Genres: Anthem
104 O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) -
Appears on: 104
Genres: Anthem, Contrafactum
104v–105 O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) -
Appears on: 104v–105
Genres: Anthem, Contrafactum
105v–106 Out of the deep (I) -
Appears on: 105v–106
Genres: Anthem
106v–107 Behold how good and joyful - Anonymous
Appears on: 106v–107
Genres: Anthem
107v–108 How long shall mine enemies triumph -
Appears on: 107v–108
Genres: Anthem
108v–109 O Lord, make thy servant, Elizabeth [or James, or King Charles] -
Appears on: 108v–109
Genres: Anthem
109v O fools can you not -
Appears on: 109v
Genres: Madrigal (English)
110 Alas what hope -
Appears on: 110
Genres: Madrigal (English)
110v–111 Lady when I behold -
Appears on: 110v–111
Genres: Madrigal (English)
111v Thus saith my Cloris -
Appears on: 111v
Genres: Madrigal (English)
112 Adieu sweet Amaryllis -
Appears on: 112
Genres: Madrigal (English)
112v Die hapless man -
Appears on: 112v
Genres: Madrigal (English)
113 I fall, I fall, O stay me -
Appears on: 113
Genres: Madrigal (English)
113v Unkind o stay thy flying -
Appears on: 113v
Genres: Madrigal (English)
114 Flora gave me fairest flowers -
Appears on: 114
Genres: Madrigal (English)
114v–115 I sung sometimes my thoughts -
Appears on: 114v–115
Genres: Madrigal (English)
115v When David heard that Absalom -
Appears on: 115v
Genres: Anthem
116–116v O give thanks unto the Lord -
Appears on: 116–116v
Genres: Anthem
117–117v Behold, it is Christ -
Appears on: 117–117v
Genres: Anthem
118–119 Rejoice in the Lord O ye righteous -
Appears on: 118–119
Genres: Anthem
119v–120 God whom our offences -
Appears on: 119v–120
Genres: Anthem
120v–121v Hear my crying, O God (2p. O Lord, I will dwell) - Anonymous
Appears on: 120v–121v
Genres: Anthem
122–122v All people, clap your hands -
Appears on: 122–122v
Genres: Anthem
123–123v O Lord, rebuke me not in thine indignation - Anonymous
Appears on: 123–123v
Genres: Anthem
124–124v Christ rising - 1a pars (of 2): Christ rising again -
Appears on: 124–124v
Genres: Anthem
124v–125 Christ rising - 2a pars (of 2): Christ is risen -
Appears on: 124v–125
Genres: Anthem
125v–127v The country cry 'God give you good morrow, sir rise' -
Appears on: 125v–127v
Genres: Song
128–129 The cries of London - 1a pars (of 2): God give you good morrow, my masters -
Appears on: 128–129
Genres: In nomine, Song
129–130 The cries of London - 2a pars (of 2): Will you go with me - A good sausage -
Appears on: 129–130
Genres: Song
130v–131v The cry of London - Anonymous

The cry of London

Anonymous
Appears on: 130v–131v
Genres: Consort song
132 O amica mea - 1a pars (of 2): O amica mea -
Appears on: 132
Genres: Motet
132v All at once well met -
Appears on: 132v
Genres: Madrigal (English)
133 To shorten winter's sadness -
Appears on: 133
Genres: Madrigal (English)
133v Whilst youthful sports are lasting -
Appears on: 133v
Genres: Madrigal (English)
134 On the plains, fairy trains -
Appears on: 134
Genres: Madrigal (English)
134v Hark all ye lovely saints above -
Appears on: 134v
Genres: Madrigal (English)
135 Say, dainty dames -
Appears on: 135
Genres: Madrigal (English)
135v In pride of May -
Appears on: 135v
Genres: Madrigal (English)
136 We shepherds sing -
Appears on: 136
Genres: Madrigal (English)
136v I love and have my love -
Appears on: 136v
Genres: Madrigal (English)
137 Give me my heart -
Appears on: 137
Genres: Consort song
137v Now is my Cloris fresh -
Appears on: 137v
Genres: Consort song
138–138v Cease now delight -
Appears on: 138–138v
Genres: Song
139 Come clap - 1a pars (of 2): Come clap thy hands -
Appears on: 139
Genres: Consort song
139v Come clap - 2a pars (of 2): Phillis hath sworn -
Appears on: 139v
Genres: Consort song
140–141v Give sentence with me -
Appears on: 140–141v
Genres: Anthem
142–143 Let God arise -
Appears on: 142–143
Genres: Anthem
143v Too much I once lamented -
Appears on: 143v
Genres: Consort song
144 To the shady woods -
Appears on: 144
Genres: Consort song
144v Come shepherds sing with me -
Appears on: 144v
Genres: Consort song
145 Cloris, why still repliest thou no? -
Appears on: 145
Genres: Consort song
145v See the shepherd's queen -
Appears on: 145v
Genres: Consort song
146 Phillis now cease -
Appears on: 146
Genres: Consort song
146v–147 When David heard that Absalom -
Appears on: 146v–147
Genres: Anthem
147v–148 Phillis, yet see him -
Appears on: 147v–148
Genres: Consort song
148v Fusca, in thy starry eyes -
Appears on: 148v
Genres: Consort song
149 Adieu ye city prisoning towers -
Appears on: 149
Genres: Consort song
149v–150 When I observe those beauty's wonderments -
Appears on: 149v–150
Genres: Consort song
150v–151 Music divine, proceeding from above -
Appears on: 150v–151
Genres: Consort song
151v–152 Oft did I mar'l [marvel] -
Appears on: 151v–152
Genres: Madrigal (English)
152v–153 Woe is me that I am constrained -
Appears on: 152v–153
Genres: Anthem
153v–154 It is my well beloved's voice -
Appears on: 153v–154
Genres: Anthem
154v Turn unto the Lord our God -
Appears on: 154v
Genres: Anthem
155 A le guancie di rose -
Appears on: 155
Genres: Canzon
155v–156 Ecco Vinegia bella -
Appears on: 155v–156
Genres: Canzon
156v–157 Sacri di Giove -
Appears on: 156v–157
Genres: Canzon
157v–158 O passi sparsi -
Appears on: 157v–158
Genres: Madrigal (Italian)
158v–159 Addio dolce mia vita -
Appears on: 158v–159
Genres: Madrigal (Italian)
159v–160 D'un si bel foco -
Appears on: 159v–160
Genres: Madrigal (Italian)
160v–161 Quei, vinto dal furor -
Appears on: 160v–161
Genres: Madrigal (Italian)
161v–162 Ecco l'alma beata -
Appears on: 161v–162
Genres: Madrigal (Italian)
162v–163 Basti fin qui le pen' e i duri affanni (10vv) -
Appears on: 162v–163
Genres: Madrigal (Italian)
163v Lieto godea sedendo -
Appears on: 163v
Genres: Canzon
164 O misero mio core -
Appears on: 164
Genres: Madrigal (Italian)
164v–165 Hence stars, too dim of light -
Appears on: 164v–165
Genres: Madrigal (English)
165v–166 With angel's face -
Appears on: 165v–166
Genres: Consort song
166v–167 Lightly she whipped o'er the dales -
Appears on: 166v–167
Genres: Consort song
167v–168 Long live fair Oriana -
Appears on: 167v–168
Genres: Consort song
168v–169 All creatures now are merry minded -
Appears on: 168v–169
Genres: Madrigal (English)
169v Fair Oriana, beauty's queen -
Appears on: 169v
Genres: Madrigal (English)
170–171 Sing shepherds all and in your roundelays -
Appears on: 170–171
Genres: Madrigal (English)
171v–172 Tutt' eri foco amore -
Appears on: 171v–172
Genres: Madrigal (Italian)
172v–173 [untitled madrigal] - Anonymous
Appears on: 172v–173
Genres: Madrigal (Italian)
173v–174v O sing unto the Lord a7 -
Appears on: 173v–174v
Genres: Anthem
175 Holy Holy Holy Lord God Almighty -
Appears on: 175
Genres: Anthem
175v–176 Out of the deep (II) -
Appears on: 175v–176
176v–177 Rejoice in the Lord O ye righteous -
Appears on: 176v–177
Genres: Anthem
177v–179 O give thanks unto the Lord -
Appears on: 177v–179
Genres: Anthem
179v–180 Awake up my glory -
Appears on: 179v–180
Genres: Anthem
180v Lord enter not into judgement -
Appears on: 180v
Genres: Anthem
181 O Lord arise -
Appears on: 181
Genres: Anthem
181v–183 O praise the Lord, all ye heathen -
Appears on: 181v–183
Genres: Anthem
183v–184 Fantasia a6 (III) -
Appears on: 183v–184
Genres: Fantasia
184v Fantasia a5 -
Appears on: 184v
Genres: Fantasia
185 Dorick [fantasy] -
Appears on: 185
Genres: Fantasia
185v–186 Fantasia a4 (II) -
Appears on: 185v–186
Genres: Fantasia
186v–187 Fantasia a4 (I) -
Appears on: 186v–187
Genres: Fantasia
187v–188 Fantasia a4 (I) -
Appears on: 187v–188
Genres: Fantasia
188v–189 Fantasia a4 (II) -
Appears on: 188v–189
Genres: Fantasia
189v–190 Fantasia a4 (IV) -
Appears on: 189v–190
Genres: Fantasia
190v–191 Fantasia a4 (III) -
Appears on: 190v–191
Genres: Fantasia
191v Fantasia a4 -
Appears on: 191v
Genres: Fantasia
Composer Compositions
Amner, John (1579–1641)
Anonymous
Bateson, Thomas (ca. 1570–1630)
Bennett, John (fl. 1599-1614)
Brewster
Bull, John (ca. 1562–1628)
Byrd, William (ca. 1540–1623)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Coste, [Thomas?]
Croce, Giovanni (ca. 1557–1609)
Davies, Hugh
Dering, Richard
Donato, Baldassare (ca. 1529–1603)
East, Michael
Eremita, Giulio
Faignient, Noë
Ferrabosco, Alfonso (the elder) (1543–1588)
Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Ferretti, Giovanni
Ford, Thomas
Gabrieli, Andrea (ca. 1532–1585)
Gabrieli, Giovanni (ca. 1554–1612)
Gibbons, Ellis
Gibbons, Orlando (ca. 1583–1625)
Giles, Nathaniel (ca. 1558–1634)
Hassler, Hans Leo (1564–1612)
Hilton (Senior), John
Hooper, Edmund
Ives, Simon
Jeffries (Jeffreys), Matthew
Jenkins, John
Johnson (I), Robert (ca. 1500–ca. 1560)
Johnson (II), Robert
Lassus, Orlande de (ca. 1532–1594)
Lupo, Thomas (ca. 1571–1627)
Marenzio, Luca (ca. 1553–1599)
Morley, Thomas (ca. 1557–1602)
Mundy, John (ca. 1555–1630)
Mundy, William (ca. 1528–ca. 1591)
Nicholson, Richard (1563–1639)
Norcome, Daniel
Palestrina, Giovanni Pierluigi da (1525–1594)
Pallavicino, Benedetto
Parsons (I), Robert (ca. 1535–ca. 1572)
Pinello di Ghirardi, Giovanni Battista
Randall, William (I)
Sheppard, John (ca. 1515–1558)
Simmes, William
Smith of Gloucester
Smith of Salop
Smith, (W. ?)
Striggio, Alessandro (ca. 1536–1592)
Strogers, Nicholas
Tallis, Thomas (ca. 1505–1585)
Tomkins, Thomas (1572–1656)
Tucker, Edmund
Tye, Christopher (ca. 1505–ca. 1573)
Vecchi, Orazio (1550–1605)
Weelkes, Thomas (ca. 1576–1623)
White, Robert (ca. 1538–1574)
Wilbye, John (1574–1638)
Composition Composers (? Uncertain) Folios / Pages
[unidentified Italian madrigal] Anonymous 81v
[unidentified Italian madrigal] Anonymous 83v
[unidentified Italian madrigal] Anonymous 84
[untitled madrigal] Anonymous 172v–173
A knell 101v
A le guancie di rose 155
A new commandment 7
A new commandment 9v
A stranger here 65v
Abradad Anonymous 53v–54
Absterge Domine 71–71v
Addio dolce mia vita 158v–159
Adieu sweet Amaryllis 112
Adieu ye city prisoning towers 149
Adolescentulus sum ego 73–74v
Alas what hope 110
Alas, alack, my heart is woe Anonymous 102
All at once well met 132v
All creatures now are merry minded 168v–169
All people, clap your hands 122–122v
All ye people clap your hands 103v
Almighty God, the fountain of all wisdom 33v–34
Angelus ad pastores ait annuntio vobis 100
Awake up my glory 179v–180
Basti fin qui le pen' e i duri affanni (10vv) 162v–163
Behold how good and joyful Anonymous 106v–107
Behold, it is Christ 12
Behold, it is Christ 117–117v
Blessed art thou that fearest God (II) Anonymous 98v–99v
Blessed be thy name (= Mihi autem nimis) 31v
Cantate Domino 97v
Cante cantate 101
Care lagrime mie 84v
Cease now delight 138–138v
Christ rising - 1a pars (of 2): Christ rising again 124–124v
Christ rising - 2a pars (of 2): Christ is risen 124v–125
Christ rising again - 1a pars (of 2): Christ rising again 68v
Christ rising again - 2a pars (of 2): Christ is risen 68v–69
Cinthia thy song (= Cinthia el tuo dolce canto) 49
Circumdederunt me - 1a pars (of 2): Circumdederunt me 18v–19
Circumdederunt me - 2a pars (of 2): Quoniam tribulatio 19–19v
Cloris, why still repliest thou no? 145
Come Charon come Anonymous 55
Come clap - 1a pars (of 2): Come clap thy hands 139
Come clap - 2a pars (of 2): Phillis hath sworn 139v
Come let us rejoice 22v
Come pretty babe 53v
Come shepherds sing with me 144v
Constant Penelope 57
Credo quod redemptor meus vivit 75v
D'un si bel foco 159v–160
De la court - 1a pars 79v–80
De la court - 2a pars 80v–81
Delight is dead 53
Deliver me from mine enemies 29
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] 91–92
Deus misereatur nostri et benedicat nobis 89v–90v
Die hapless man 112v
Do not repine fair sun 38v
Dolorosi martir', fieri tormenti 85
Domine non est exaltatum 92v–93
Dorick [fantasy] 185
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt 96v–97
Ecco l'alma beata 161v–162
Ecco Vinegia bella 155v–156
Every singing bird (= Vezzosi augelli) 15v–16
Fair Oriana, beauty's queen 169v
Fair shepherd's queen (= Madonna sua merce) 18
Fantasia a4 191v
Fantasia a4 (I) 186v–187
Fantasia a4 (I) 187v–188
Fantasia a4 (II) 185v–186
Fantasia a4 (II) 188v–189
Fantasia a4 (III) 190v–191
Fantasia a4 (IV) 189v–190
Fantasia a5 184v
Fantasia a5 (I) 46v
Fantasia a5 (II) 47
Fantasia a5 (III) 47v
Fantasia a5 (IV) 48
Fantasia a6 (III) 183v–184
Farewell the bliss Anonymous 54v
Flora gave me fairest flowers 114
Fusca, in thy starry eyes 148v
Give alms unto the poor Anonymous 2v–3
Give me my heart 137
Give sentence with me 140–141v
God whom our offences 119v–120
Grant unto us, O Lord 27v
Hark all ye lovely saints above 134v
He that descended 34v
He that hath my commandments 10v–11
He that hath my commandments 11v
Hear my crying, O God (2p. O Lord, I will dwell) Anonymous 120v–121v
Hear the voice and prayer 5v
Hence stars, too dim of light 164v–165
Holy Holy Holy Lord God Almighty 175
Holy Holy Holy, Lord God Almighty 102v–103
Homo quidam fecit caenam magnam et misit 76–77
How doth the city 35
How long shall mine enemies triumph 107v–108
I fall, I fall, O stay me 113
I give you a new commandment 4v–5
I love and have my love 136v
I must depart (= Io partiro) 51
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) 87
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) 87v
I sung sometimes my thoughts 114v–115
I will always give thanks Anonymous 14
I will sing unto the Lord 32v
If ye be risen again 8
If ye love me keep my commandments 4
In fields abroad 56v
In nomine (V) a5 77v
In nomine a 5 79
In nomine a5 78
In nomine a5 78v
In paradise Anonymous 52v
In pride of May 135v
In resurrectione tua 73v
It is my well beloved's voice 153v–154
Jerusalem plantabis vineam (8vv) Anonymous 75
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide 94v
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide 95
Lady when I behold 110v–111
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem 72–73
Laudate pueri Dominum 88–89
Le rossignol plaisant et gratieux 49v
Let God arise 142–143
Let us now laud and magnify 6–6v
Libera nos, salva nos [I] 93v
Libera nos, salva nos [II] 94
Lieto godea sedendo 163v
Lightly she whipped o'er the dales 166v–167
Lo how from heaven - 1a pars (of 2): Lo how from heaven 64v
Lo how from heaven - 2a pars (of 2): I bring you tidings 65
Long live fair Oriana 167v–168
Lord enter not into judgement 180v
Lord who shall dwell 29v–30v
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby 55v
Lullaby - 2a pars (of 2): Be still, my blessed babe 55v
Ma la fiamma de l'alma 82
Magnificat a6: (exc) Esurientes 94
Music divine, proceeding from above 150v–151
Musica e lo mio core 82v–83
My God, my God, look upon me 3v
My heart, why hast thou 24
My Lord is hence removed 66
My throat is sore 62
Now is my Cloris fresh 137v
Now must I part (= Parto da voi) 85v
O amica mea - 1a pars (of 2): O amica mea 132
O fools can you not 109v
O give thanks unto the Lord 116–116v
O give thanks unto the Lord 177v–179
O God give ear (5vv) 25
O God, the proud are risen 67v–68
O griefe if yet my griefe (= Dolor se 'l mio dolor) 23–23v
O Lord arise 181
O Lord from us Anonymous 13v
O Lord how long wilt thou forget Anonymous 69v–70
O Lord the maker of all things 1v
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) 104
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) 104v–105
O Lord, give thy Holy Spirit 2
O Lord, I bow the knees of my heart 26v–27
O Lord, make thy servant, Elizabeth [or James, or King Charles] 108v–109
O Lord, rebuke me not in thine indignation Anonymous 123–123v
O merry world (= I lieti amanti) 17
O misero mio core 164
O mortal man Anonymous 25v–26
O passi sparsi 157v–158
O praise the Lord, all ye heathen 181v–183
O sing unto the Lord a new song 57v–58
O sing unto the Lord a7 173v–174v
O ye little flocks - 1a pars (of 3): O ye little flocks 62v–63
O ye little flocks - 2a pars (of 3): Fear not 63v
O ye little flocks - 3a pars (of 3): And they cry 64
Of joys and pleasing pains 61v
Oft did I mar'l [marvel] 151v–152
On the plains, fairy trains 134
Out of the deep (I) 105v–106
Out of the deep (II) 175v–176
Phillis now cease 146
Phillis, yet see him 147v–148
Praise the Lord, O my soul 12v–13
Prevent us, O Lord 31
Prostrate, O Lord, I lie 56
Quei, vinto dal furor 160v–161
Rejoice in the Lord always 8v–9
Rejoice in the Lord O ye righteous 118–119
Rejoice in the Lord O ye righteous 176v–177
Rise, O my soul - 1a pars (of 3): Rise, O my soul 36v–37
Rise, O my soul - 2a pars (of 3): And thou, my soul 37–37v
Rise, O my soul - 3a pars (of 3): To thee, O Jesus 38
Sacri di Giove 156v–157
Saint Marie now - 1a pars (of 3): Saint Marie now 20
Saint Marie now - 2a pars (of 3): At length to Christ 20–20v
Saint Marie now - 3a pars (of 3): But he the God of love 20v
Salvator mundi (I) 70v
Say, dainty dames 135
See the shepherd's queen 145v
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] 100v
Set up thyself 31v–32
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength 66v
Sing joyfully - 2a pars (of 2): Blow the trumpet 67
Sing shepherds all and in your roundelays 170–171
Sing we merrily - 1a pars (of 3): Sing we merrily 58v
Sing we merrily - 2a pars (of 3): Take the psalm 58v–59
Sing we merrily - 3a pars (of 3): Blow up the trumpet 59–59v
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) 86
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) 86v
So gratious 52
Still it frieth, yet my heart never dieth 24v
Submit yourselves one to another 10
Susanna fair (= Susanne un jour) 51v
Sweet are the thoughts 21–21v
The country cry 'God give you good morrow, sir rise' 125v–127v
The cries of London - 1a pars (of 2): God give you good morrow, my masters 128–129
The cries of London - 2a pars (of 2): Will you go with me - A good sausage 129–130
The cry of London Anonymous 130v–131v
The heavens stood all amazed 33
The white delightful swan (= Il bianco e dolce cigno) 48v
This is my commandment 7v
This sweet and merry month of May 14v–15
Thus saith my Cloris 111v
To shorten winter's sadness 133
To the shady woods 144
Too much I once lamented 143v
Turn unto the Lord our God 154v
Tutt' eri foco amore 171v–172
Unkind o stay thy flying 113v
Veni electa mea - 1a pars (of 2): Veni electa mea 95v
Veni electa mea - 2a pars (of 2): Audi filia 96
Veni in hortum meum 98
Vergine bella 43
Vergine chiara 45v
Vergine pura 44
Vergine quante lagrime 46
Vergine saggia 43v
Vergine santa 44v
Vergine sol' al mondo 45
We shepherds sing 136
When David heard that Absalom 115v
When David heard that Absalom 146v–147
When first my heedless eyes beheld (= Non vidi mai) 16v
When I observe those beauty's wonderments 149v–150
When I would thee embrace (= Quand' io voleva) 50
When Israel came out - 1a pars (of 2): When Israel came out of Egypt 35v
When Israel came out - 2a pars (of 2): What aileth thee 35v–36
When shall I cease lamenting (= Chi per voi non sospira) 50v
Whilst youthful sports are lasting 133v
Why dost thou shoot 61
Wipe away my sins [=Absterge Domine] 28–28v
With angel's face 165v–166
Woe is me that I am constrained 22
Woe is me that I am constrained 152v–153
Zephyrus breathing (= Zephiro torna, 1a pars) 17v

Set: TUDOR PARTBOOKS

Type: Project Collection

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GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

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GB-Lcm [pr. bk.] B190 [Bassus]

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GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

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GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Och Mus. 45

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IRL-Dm [pr. bk.] Z4. 3. 1-5

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US-NYp Mus. Res. Drexel 4182

denotes primary source study

Fallows, David. 1993. The Drexel Fragments of Early Tudor Song. Royal Musical Association Research Chronicle, 5-18. Notes: discussion; contents list (partial); description of MS.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar.  New York. Pages: 159,194. Notes: contents list (partial); concordances (partial).

Monson, Craig. 1982. Voices and Viols in England, 1600-1650: The Sources and the Music.  Ann Arbor. Pages: 133-58. Notes: discussion (with inventory).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music.  London.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I:172,176; II:76,79,86.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents.  American Institute of Musicology. Pages: 56,61,156-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 33-4, 110,135-43,235-7.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: ll, 218; XII,115-7,120-1; XIII.206; XIX,326; XXI, 94-105,203; XXIII,146; XXIX,128,134; XXX, 178. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 363, 365. Notes: contents list (partial); concordances (partial).

Stevens, John E. 1961. Music & Poetry in the Early Tudor Court.  Cambridge. Pages: 362,375,378, 426-8.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: IX,228; XVIII,110; XXII,6-8,46-7, 53-5, 114-32, 173, 177-8, 181, 185-7; XXIII, 126, 128, 133; XXXVI, xix, 160ff; XLIV, 184,186,188-91,194. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XV,1847.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 59-62, 107-10, 166, 172, 175; XVII, 150-3, 158, 162. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description