US-NYp Mus. Res. Drexel 4182

Public Library, Music Division, New York, United States

partbook: 17th century and c. 1500 (flyleaves)

Archive	Public Library, Music Division, New York, United States (US-NYp)
Shelfmark	Mus. Res. Drexel 4182
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	145 x 195 mm
Other Identifiers	CCM: NYorkP 4180-5
Copyists	Merro, John Music
Relationships	Merro, John (owner) Drexel, Joseph W. (owner) Rimbault, Edward (1816–1876) (owner)
External Links	Wikipedia (contents & summary of scholarship)
Provenance	Gloucester? England
Contents	258 pieces from 61 composers

General Description

A Tenor partbook from a set of six volumes, including polyphony-bearing flyleaves cut from older, unrelated music manuscript. The original owner and scribe was John Merro. Main corpus copied by John Merro, who also wrote most of LonBL 17792-6; music on flyleaves copied by two or three scribes. Main corpus probably copied in western England, perhaps at Gloucester; flyleaves also of English origin, but specific provenance unknown.

Both flyleaves missing; rear flyleaf may have been one of the Fayrfax fragments now in Cleveland. FallDrex suggests that the Drexel flyleaves may come from a single set of partbooks, so the empty staves may be from one of those.

Owned in 19th century by the antiquarian Edward F. Rimbault; purchased by the Philadelphia banker and philanthropist Joseph W. Drexel (1833-88) at a Sotheby's sale of Rimbault's library in 1877. Drexel collection bequeathed in 1888 to Lenox Library, incorporated since 1895 in New York Public Library.

DIAMM, 2017

Binding

Rebound in 1950 in modern covers of dark brown leather.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 13 (15-18 on flyleaves)

DIAMM, 2017

Foliation

Original ink foliation in each book, with errors and omissions; some modern foliation.

DIAMM, 2017

Decoration

A few small inked initials; no other decoration

DIAMM, 2017

Index

Original index at beginning group pieces by number of voices; within each group, pieces listed in order of appearance (with some inconsistencies)

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 1 Lamentation, 24 motets, 84 anthems, 3 fragmentary English sacred pieces (on flyleaves; see below), 82 English secular pieces, 10 fragmentary English secular pieces (on flyleaves), 25 Italian secular pieces, 31 instrumental pieces (Fantasias, In nomines, etc.), 2 textless fragments (on flyleaves) = 263

Amner-13, Bateson-1, (Bennet)-1, Bruster-1, Bull-1, Byrd-21, (Byrd/R. Farrant/R. Parsons I)-1, Byrd/(Gibbons)-1, Byrd/(T. Mudd II)-1, Byrd/(J. Mundy)-1, Byrd/Tallis-1, Clemens non Papa -3, (Coste)-1, M. East/(Simmes)-1, (Eremita)-1, (Faignient)-1, (Fayrfax)-1, A. Ferrabosco I-2, A. Ferrabosco I/Marenzio-1, A. Ferrabosco I/(Pinello di Ghirardi)-1, A. Ferrabosco II-1, (G. Ferretti)-1, Ford/(Byrd)-1, (A. Gabrieli)-2, (G. Gabrieli)-4, (Ellis Gibbons)-1, Gibbons-11, N. Giles-1, (Hilton the Elder)-1, Hooper/(Fox)-1, Ives-4, M. Jeffries-1, Jenkins-2, R. Johnson I-1, (Lassus)-3, T. Lupo-2, Marenzio-10, Morley-2, J. Mundy-3, (J. Mundy/W. Mundy)-2, (J. Mundy/W. Mundy/Shepherd/R. White)-1, (J. Mundy/Tallis)-1, J. or W.? Mundy [Mr. Mundie]-1, J. or W.? Mundy [Mr. Mundie]/(R. White)-1, W. Mundy-2, W. Mundy/Tallis-1, (W. Mundy/Tallis)-1, (Newark)-1, Nicholson-2, (Norcome)-1, (Palestrina)-7, (Pallavicino)-1, R. Parsons I-4, W. Randall-1, (Shepherd)-3, W.? Smith [Mr. Smithe]-1, Smith of Gloucester-1, Smith of Salop-1, Strogers-1, Strogers/(Shepherd)-1, Tallis-10, (Taverner)-1, Tomkins-21, (E. Tucker)-1, Tye-2, (Orazio Vecchi)-1, Weelkes-11 + 1?, R. White-1, R. White/(Byrd/ R. Parsons I /Strogers)-1, Wilbye -12, anon -47

6 paper partbooks (D-n + i + 190 + i + ii folios, A-ii + 191 + i + ii, T-ii + 196 + ii, B-ii + 192 + i + ii, Q-ii + i + 159 + i + ii, S-ii + i + 111 + i + it), 145 x 195. Original flyleaves cut from older, unrelated music manuscript; polyphony on these leaves included in summary of contents and composers above. Original ink foliation in each book, with errors and omissions; some modern foliation. Rebound in 1950 in modern covers of dark brown leather. Original indices at beginning of T and B books group pieces by number of voices; within each group, pieces listed in order of appearance (with some inconsistencies). Main corpus copied by John Merro, who also wrote most of LonBL 17792-6; music on flyleaves copied by two or three scribes. Staff height 13 (15-18 on flyleaves). A few small inked initials; no other decoration.

First half of 17th century (main corpus); ca. 1500 (flyleaves). Main corpus probably copied in western England, perhaps at Gloucester; flyleaves also of English origin, but specific provenance unknown. The original owner and scribe was John Merro. Owned in 19th century by the antiquarian Edward F. Rimbault; purchased by the Philadelphia banker and philanthropist Joseph W. Drexel (1833-88) at a Sotheby's sale of Rimbault's library in 1877. Drexel collection bequeathed in 1888 to Lenox Library, incorporated since 1895 in New York Public Library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v	O Lord the maker of all things	-	Sheppard, John (ca. 1515–1558) (?) Mundy, John (ca. 1555–1630) (?) White, Robert (ca. 1538–1574) (?) Mundy, William (ca. 1528–ca. 1591)
O Lord the maker of all things Sheppard, John (ca. 1515–1558) (?) Mundy, John (ca. 1555–1630) (?) White, Robert (ca. 1538–1574) (?) Mundy, William (ca. 1528–ca. 1591) Appears on: 1v Genres: Anthem
2	O Lord, give thy Holy Spirit	-	Tallis, Thomas (ca. 1505–1585)
O Lord, give thy Holy Spirit Tallis, Thomas (ca. 1505–1585) Appears on: 2 Genres: Anthem
2v–3	Give alms unto the poor	-	Anonymous
Give alms unto the poor Anonymous Appears on: 2v–3 Genres: Anthem
3v	My God, my God, look upon me	-	Smith of Salop
My God, my God, look upon me Smith of Salop Appears on: 3v
4	If ye love me keep my commandments	-	Tallis, Thomas (ca. 1505–1585)
If ye love me keep my commandments Tallis, Thomas (ca. 1505–1585) Appears on: 4 Genres: Anthem
4v–5	I give you a new commandment	-	Sheppard, John (ca. 1515–1558)
I give you a new commandment Sheppard, John (ca. 1515–1558) Appears on: 4v–5 Genres: Anthem
5v	Hear the voice and prayer	-	Tallis, Thomas (ca. 1505–1585)
Hear the voice and prayer Tallis, Thomas (ca. 1505–1585) Appears on: 5v Genres: Anthem
6–6v	Let us now laud and magnify	-	Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)
Let us now laud and magnify Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?) Appears on: 6–6v Genres: Anthem
7	A new commandment	-	Mundy, William (ca. 1528–ca. 1591)
A new commandment Mundy, William (ca. 1528–ca. 1591) Appears on: 7 Genres: Anthem
7v	This is my commandment	-	Mundy, William (ca. 1528–ca. 1591) (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?) Tallis, Thomas (ca. 1505–1585) (?) Johnson (II), Robert (?) Mundy, John (ca. 1555–1630) (?)
This is my commandment Mundy, William (ca. 1528–ca. 1591) (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?) Tallis, Thomas (ca. 1505–1585) (?) Johnson (II), Robert (?) Mundy, John (ca. 1555–1630) (?) Appears on: 7v Genres: Anthem
8	If ye be risen again	-	Tye, Christopher (ca. 1505–ca. 1573)
If ye be risen again Tye, Christopher (ca. 1505–ca. 1573) Appears on: 8
8v–9	Rejoice in the Lord always	-	Sheppard, John (ca. 1515–1558) (?) Strogers, Nicholas (?)
Rejoice in the Lord always Sheppard, John (ca. 1515–1558) (?) Strogers, Nicholas (?) Appears on: 8v–9 Genres: Anthem
9v	A new commandment	-	Tallis, Thomas (ca. 1505–1585)
A new commandment Tallis, Thomas (ca. 1505–1585) Appears on: 9v Genres: Anthem
10	Submit yourselves one to another	-	Sheppard, John (ca. 1515–1558)
Submit yourselves one to another Sheppard, John (ca. 1515–1558) Appears on: 10 Genres: Anthem
10v–11	He that hath my commandments	-	Mundy, William (ca. 1528–ca. 1591) (?)
He that hath my commandments Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 10v–11 Genres: Anthem
11v	He that hath my commandments	-	Coste, [Thomas?]
He that hath my commandments Coste, [Thomas?] Appears on: 11v Genres: Anthem
12	Behold, it is Christ	-	Mundy, John (ca. 1555–1630)
Behold, it is Christ Mundy, John (ca. 1555–1630) Appears on: 12 Genres: Anthem
12v–13	Praise the Lord, O my soul	-	Mundy, John (ca. 1555–1630)
Praise the Lord, O my soul Mundy, John (ca. 1555–1630) Appears on: 12v–13
13v	O Lord from us	-	Anonymous
O Lord from us Anonymous Appears on: 13v Genres: Anthem
14	I will always give thanks	-	Anonymous
I will always give thanks Anonymous Appears on: 14 Genres: Anthem
14v–15	This sweet and merry month of May	-	Byrd, William (ca. 1540–1623)
This sweet and merry month of May Byrd, William (ca. 1540–1623) Appears on: 14v–15 Genres: Madrigal (English)
15v–16	Every singing bird (= Vezzosi augelli)	-	Marenzio, Luca (ca. 1553–1599)
Every singing bird (= Vezzosi augelli) Marenzio, Luca (ca. 1553–1599) Appears on: 15v–16 Genres: Contrafactum, Madrigal (English)
16v	When first my heedless eyes beheld (= Non vidi mai)	-	Marenzio, Luca (ca. 1553–1599)
When first my heedless eyes beheld (= Non vidi mai) Marenzio, Luca (ca. 1553–1599) Appears on: 16v Genres: Contrafactum, Madrigal (English)
17	O merry world (= I lieti amanti)	-	Marenzio, Luca (ca. 1553–1599)
O merry world (= I lieti amanti) Marenzio, Luca (ca. 1553–1599) Appears on: 17 Genres: Contrafactum, Madrigal (English)
17v	Zephyrus breathing (= Zephiro torna, 1a pars)	-	Marenzio, Luca (ca. 1553–1599)
Zephyrus breathing (= Zephiro torna, 1a pars) Marenzio, Luca (ca. 1553–1599) Appears on: 17v Genres: Contrafactum, Madrigal (English)
18	Fair shepherd's queen (= Madonna sua merce)	-	Marenzio, Luca (ca. 1553–1599)
Fair shepherd's queen (= Madonna sua merce) Marenzio, Luca (ca. 1553–1599) Appears on: 18 Genres: Contrafactum, Madrigal (English)
18v–19	Circumdederunt me - 1a pars (of 2): Circumdederunt me	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Circumdederunt me - 1a pars (of 2): Circumdederunt me Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 18v–19 Genres: Motet
19–19v	Circumdederunt me - 2a pars (of 2): Quoniam tribulatio	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Circumdederunt me - 2a pars (of 2): Quoniam tribulatio Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 19–19v Genres: Motet
20	Saint Marie now - 1a pars (of 3): Saint Marie now	-	Amner, John (1579–1641)
Saint Marie now - 1a pars (of 3): Saint Marie now Amner, John (1579–1641) Appears on: 20 Genres: Anthem
20–20v	Saint Marie now - 2a pars (of 3): At length to Christ	-	Amner, John (1579–1641)
Saint Marie now - 2a pars (of 3): At length to Christ Amner, John (1579–1641) Appears on: 20–20v Genres: Anthem
20v	Saint Marie now - 3a pars (of 3): But he the God of love	-	Amner, John (1579–1641)
Saint Marie now - 3a pars (of 3): But he the God of love Amner, John (1579–1641) Appears on: 20v Genres: Anthem
21–21v	Sweet are the thoughts	-	Amner, John (1579–1641)
Sweet are the thoughts Amner, John (1579–1641) Appears on: 21–21v Genres: Anthem
22	Woe is me that I am constrained	-	Amner, John (1579–1641)
Woe is me that I am constrained Amner, John (1579–1641) Appears on: 22 Genres: Anthem
22v	Come let us rejoice	-	Amner, John (1579–1641)
Come let us rejoice Amner, John (1579–1641) Appears on: 22v Genres: Anthem
23–23v	O griefe if yet my griefe (= Dolor se 'l mio dolor)	-	Donato, Baldassare (ca. 1529–1603) Donato, Baldassare (ca. 1529–1603)
O griefe if yet my griefe (= Dolor se 'l mio dolor) Donato, Baldassare (ca. 1529–1603) Donato, Baldassare (ca. 1529–1603) Appears on: 23–23v Genres: Madrigal
24	My heart, why hast thou	-	Morley, Thomas (ca. 1557–1602)
My heart, why hast thou Morley, Thomas (ca. 1557–1602) Appears on: 24 Genres: Consort song
24v	Still it frieth, yet my heart never dieth	-	Morley, Thomas (ca. 1557–1602)
Still it frieth, yet my heart never dieth Morley, Thomas (ca. 1557–1602) Appears on: 24v Genres: Madrigal (English)
25	O God give ear (5vv)	-	Byrd, William (ca. 1540–1623)
O God give ear (5vv) Byrd, William (ca. 1540–1623) Appears on: 25 Genres: Anthem
25v–26	O mortal man	-	Anonymous
O mortal man Anonymous Appears on: 25v–26 Genres: Anthem
26v–27	O Lord, I bow the knees of my heart	-	Mundy, William (ca. 1528–ca. 1591)
O Lord, I bow the knees of my heart Mundy, William (ca. 1528–ca. 1591) Appears on: 26v–27 Genres: Anthem
27v	Grant unto us, O Lord	-	Strogers, Nicholas
Grant unto us, O Lord Strogers, Nicholas Appears on: 27v Genres: Anthem
28–28v	Wipe away my sins [=Absterge Domine]	-	Tallis, Thomas (ca. 1505–1585)
Wipe away my sins [=Absterge Domine] Tallis, Thomas (ca. 1505–1585) Appears on: 28–28v
29	Deliver me from mine enemies	-	Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)
Deliver me from mine enemies Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Appears on: 29 Genres: Quodlibet
29v–30v	Lord who shall dwell	-	White, Robert (ca. 1538–1574)
Lord who shall dwell White, Robert (ca. 1538–1574) Appears on: 29v–30v Genres: Anthem
31	Prevent us, O Lord	-	Byrd, William (ca. 1540–1623)
Prevent us, O Lord Byrd, William (ca. 1540–1623) Appears on: 31 Genres: Anthem
31v	Blessed be thy name (= Mihi autem nimis)	-	Tallis, Thomas (ca. 1505–1585)
Blessed be thy name (= Mihi autem nimis) Tallis, Thomas (ca. 1505–1585) Appears on: 31v Genres: Anthem, Contrafactum
31v–32	Set up thyself	-	Smith of Gloucester
Set up thyself Smith of Gloucester Appears on: 31v–32 Genres: Anthem
32v	I will sing unto the Lord	-	Amner, John (1579–1641)
I will sing unto the Lord Amner, John (1579–1641) Appears on: 32v Genres: Anthem
33	The heavens stood all amazed	-	Amner, John (1579–1641)
The heavens stood all amazed Amner, John (1579–1641) Appears on: 33 Genres: Anthem
33v–34	Almighty God, the fountain of all wisdom	-	Tomkins, Thomas (1572–1656)
Almighty God, the fountain of all wisdom Tomkins, Thomas (1572–1656) Appears on: 33v–34
34v	He that descended	-	Amner, John (1579–1641)
He that descended Amner, John (1579–1641) Appears on: 34v Genres: Anthem
35	How doth the city	-	Amner, John (1579–1641)
How doth the city Amner, John (1579–1641) Appears on: 35 Genres: Anthem
35v	When Israel came out - 1a pars (of 2): When Israel came out of Egypt	-	East, Michael
When Israel came out - 1a pars (of 2): When Israel came out of Egypt East, Michael Appears on: 35v Genres: Anthem
35v–36	When Israel came out - 2a pars (of 2): What aileth thee	-	East, Michael
When Israel came out - 2a pars (of 2): What aileth thee East, Michael Appears on: 35v–36 Genres: Anthem
36v–37	Rise, O my soul - 1a pars (of 3): Rise, O my soul	-	Simmes, William (?) East, Michael (?)
Rise, O my soul - 1a pars (of 3): Rise, O my soul Simmes, William (?) East, Michael (?) Appears on: 36v–37 Genres: Anthem
37–37v	Rise, O my soul - 2a pars (of 3): And thou, my soul	-	Simmes, William (?) East, Michael (?)
Rise, O my soul - 2a pars (of 3): And thou, my soul Simmes, William (?) East, Michael (?) Appears on: 37–37v Genres: Anthem
38	Rise, O my soul - 3a pars (of 3): To thee, O Jesus	-	Simmes, William (?) East, Michael (?)
Rise, O my soul - 3a pars (of 3): To thee, O Jesus Simmes, William (?) East, Michael (?) Appears on: 38 Genres: Anthem
38v	Do not repine fair sun	-	Gibbons, Orlando (ca. 1583–1625)
Do not repine fair sun Gibbons, Orlando (ca. 1583–1625) Appears on: 38v Genres: Song
43	Vergine bella	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine bella Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 43 Genres: Madrigal (Italian)
43v	Vergine saggia	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine saggia Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 43v Genres: Madrigal (Italian)
44	Vergine pura	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine pura Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 44 Genres: Madrigal (Italian)
44v	Vergine santa	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine santa Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 44v Genres: Madrigal (Italian)
45	Vergine sol' al mondo	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine sol' al mondo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 45 Genres: Madrigal (Italian)
45v	Vergine chiara	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine chiara Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 45v Genres: Madrigal (Italian)
46	Vergine quante lagrime	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vergine quante lagrime Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 46 Genres: Madrigal (Italian)
46v	Fantasia a5 (I)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a5 (I) Lupo, Thomas (ca. 1571–1627) Appears on: 46v Genres: Fantasia
47	Fantasia a5 (II)	-	Lupo, Thomas (ca. 1571–1627)
Fantasia a5 (II) Lupo, Thomas (ca. 1571–1627) Appears on: 47 Genres: Fantasia
47v	Fantasia a5 (III)	-	Dering, Richard
Fantasia a5 (III) Dering, Richard Appears on: 47v Genres: Fantasia
48	Fantasia a5 (IV)	-	Dering, Richard
Fantasia a5 (IV) Dering, Richard Appears on: 48 Genres: Fantasia
48v	The white delightful swan (= Il bianco e dolce cigno)	-	Vecchi, Orazio (1550–1605)
The white delightful swan (= Il bianco e dolce cigno) Vecchi, Orazio (1550–1605) Appears on: 48v Genres: Contrafactum, Madrigal (English)
49	Cinthia thy song (= Cinthia el tuo dolce canto)	-	Croce, Giovanni (ca. 1557–1609)
Cinthia thy song (= Cinthia el tuo dolce canto) Croce, Giovanni (ca. 1557–1609) Appears on: 49 Genres: Contrafactum, Madrigal (English)
49v	Le rossignol plaisant et gratieux	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Le rossignol plaisant et gratieux Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49v Genres: Madrigal
50	When I would thee embrace (= Quand' io voleva)	-	Pinello di Ghirardi, Giovanni Battista
When I would thee embrace (= Quand' io voleva) Pinello di Ghirardi, Giovanni Battista Appears on: 50 Genres: Contrafactum, Madrigal (English)
50v	When shall I cease lamenting (= Chi per voi non sospira)	-	Faignient, Noë
When shall I cease lamenting (= Chi per voi non sospira) Faignient, Noë Appears on: 50v Genres: Contrafactum, Madrigal (English)
51	I must depart (= Io partiro)	-	Marenzio, Luca (ca. 1553–1599)
I must depart (= Io partiro) Marenzio, Luca (ca. 1553–1599) Appears on: 51 Genres: Contrafactum, Madrigal (English)
51v	Susanna fair (= Susanne un jour)	-	Lassus, Orlande de (ca. 1532–1594)
Susanna fair (= Susanne un jour) Lassus, Orlande de (ca. 1532–1594) Appears on: 51v Genres: Contrafactum, Madrigal (English)
52	So gratious	-	Ferretti, Giovanni
So gratious Ferretti, Giovanni Appears on: 52 Genres: Contrafactum, Madrigal (English)
52v	In paradise	-	Anonymous
In paradise Anonymous Appears on: 52v Genres: Consort song
53	Delight is dead	-	Byrd, William (ca. 1540–1623)
Delight is dead Byrd, William (ca. 1540–1623) Appears on: 53 Genres: Consort song
53v	Come pretty babe	-	Byrd, William (ca. 1540–1623)
Come pretty babe Byrd, William (ca. 1540–1623) Appears on: 53v Genres: Consort song
53v–54	Abradad	-	Anonymous
Abradad Anonymous Appears on: 53v–54 Genres: Consort song
54v	Farewell the bliss	-	Anonymous
Farewell the bliss Anonymous Appears on: 54v Genres: Consort song
55	Come Charon come	-	Anonymous
Come Charon come Anonymous Appears on: 55 Genres: Consort song
55v	Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	-	Byrd, William (ca. 1540–1623)
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby Byrd, William (ca. 1540–1623) Appears on: 55v Genres: Song
55v	Lullaby - 2a pars (of 2): Be still, my blessed babe	-	Byrd, William (ca. 1540–1623)
Lullaby - 2a pars (of 2): Be still, my blessed babe Byrd, William (ca. 1540–1623) Appears on: 55v Genres: Song
56	Prostrate, O Lord, I lie	-	Byrd, William (ca. 1540–1623)
Prostrate, O Lord, I lie Byrd, William (ca. 1540–1623) Appears on: 56 Genres: Anthem
56v	In fields abroad	-	Byrd, William (ca. 1540–1623)
In fields abroad Byrd, William (ca. 1540–1623) Appears on: 56v Genres: Song
57	Constant Penelope	-	Byrd, William (ca. 1540–1623)
Constant Penelope Byrd, William (ca. 1540–1623) Appears on: 57 Genres: Consort song
57v–58	O sing unto the Lord a new song	-	Tomkins, Thomas (1572–1656)
O sing unto the Lord a new song Tomkins, Thomas (1572–1656) Appears on: 57v–58 Genres: Anthem
58v	Sing we merrily - 1a pars (of 3): Sing we merrily	-	East, Michael
Sing we merrily - 1a pars (of 3): Sing we merrily East, Michael Appears on: 58v Genres: Anthem
58v–59	Sing we merrily - 2a pars (of 3): Take the psalm	-	East, Michael
Sing we merrily - 2a pars (of 3): Take the psalm East, Michael Appears on: 58v–59 Genres: Anthem
59–59v	Sing we merrily - 3a pars (of 3): Blow up the trumpet	-	East, Michael
Sing we merrily - 3a pars (of 3): Blow up the trumpet East, Michael Appears on: 59–59v Genres: Anthem
61	Why dost thou shoot	-	Wilbye, John (1574–1638)
Why dost thou shoot Wilbye, John (1574–1638) Appears on: 61 Genres: Madrigal (English)
61v	Of joys and pleasing pains	-	Wilbye, John (1574–1638)
Of joys and pleasing pains Wilbye, John (1574–1638) Appears on: 61v Genres: Madrigal (English)
62	My throat is sore	-	Wilbye, John (1574–1638)
My throat is sore Wilbye, John (1574–1638) Appears on: 62 Genres: Madrigal (English)
62v–63	O ye little flocks - 1a pars (of 3): O ye little flocks	-	Amner, John (1579–1641)
O ye little flocks - 1a pars (of 3): O ye little flocks Amner, John (1579–1641) Appears on: 62v–63 Genres: Anthem
63v	O ye little flocks - 2a pars (of 3): Fear not	-	Amner, John (1579–1641)
O ye little flocks - 2a pars (of 3): Fear not Amner, John (1579–1641) Appears on: 63v Genres: Anthem
64	O ye little flocks - 3a pars (of 3): And they cry	-	Amner, John (1579–1641)
O ye little flocks - 3a pars (of 3): And they cry Amner, John (1579–1641) Appears on: 64 Genres: Anthem
64v	Lo how from heaven - 1a pars (of 2): Lo how from heaven	-	Amner, John (1579–1641)
Lo how from heaven - 1a pars (of 2): Lo how from heaven Amner, John (1579–1641) Appears on: 64v Genres: Anthem
65	Lo how from heaven - 2a pars (of 2): I bring you tidings	-	Amner, John (1579–1641)
Lo how from heaven - 2a pars (of 2): I bring you tidings Amner, John (1579–1641) Appears on: 65 Genres: Anthem
65v	A stranger here	-	Amner, John (1579–1641)
A stranger here Amner, John (1579–1641) Appears on: 65v Genres: Anthem
66	My Lord is hence removed	-	Amner, John (1579–1641)
My Lord is hence removed Amner, John (1579–1641) Appears on: 66 Genres: Anthem
66v	Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength Byrd, William (ca. 1540–1623) Appears on: 66v Genres: Anthem
67	Sing joyfully - 2a pars (of 2): Blow the trumpet	-	Byrd, William (ca. 1540–1623)
Sing joyfully - 2a pars (of 2): Blow the trumpet Byrd, William (ca. 1540–1623) Appears on: 67 Genres: Anthem
67v–68	O God, the proud are risen	-	Tomkins, Thomas (1572–1656)
O God, the proud are risen Tomkins, Thomas (1572–1656) Appears on: 67v–68 Genres: Anthem
68v	Christ rising again - 1a pars (of 2): Christ rising again	-	Tallis, Thomas (ca. 1505–1585)
Christ rising again - 1a pars (of 2): Christ rising again Tallis, Thomas (ca. 1505–1585) Appears on: 68v Genres: Anthem
68v–69	Christ rising again - 2a pars (of 2): Christ is risen	-	Tallis, Thomas (ca. 1505–1585)
Christ rising again - 2a pars (of 2): Christ is risen Tallis, Thomas (ca. 1505–1585) Appears on: 68v–69 Genres: Anthem
69v–70	O Lord how long wilt thou forget	-	Anonymous
O Lord how long wilt thou forget Anonymous Appears on: 69v–70 Genres: Anthem
70v	Salvator mundi (I)	-	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 70v Genres: Motet
71–71v	Absterge Domine	-	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 71–71v
72–73	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	-	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 72–73 Genres: Lamentations, Motet
73v	In resurrectione tua	-	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 73v Genres: Motet
73–74v	Adolescentulus sum ego	-	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 73–74v Genres: Motet
75	Jerusalem plantabis vineam (8vv)	-	Anonymous
Jerusalem plantabis vineam (8vv) Anonymous Appears on: 75 Genres: Motet
75v	Credo quod redemptor meus vivit	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 75v Genres: Credo (patrem omnipotentem), Mass Ordinary
76–77	Homo quidam fecit caenam magnam et misit	-	Tallis, Thomas (ca. 1505–1585)
Homo quidam fecit caenam magnam et misit Tallis, Thomas (ca. 1505–1585) Appears on: 76–77 Genres: Motet
77v	In nomine (V) a5	-	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 77v Genres: In nomine, Viol piece
78	In nomine a5	-	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine a5 Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 78 Genres: In nomine
78v	In nomine a5	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
In nomine a5 Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 78v Genres: In nomine
79	In nomine a 5	-	Brewster
In nomine a 5 Brewster Appears on: 79 Genres: In nomine, Viol piece
79v–80	De la court - 1a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 79v–80 Genres: Chanson
80v–81	De la court - 2a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 2a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 80v–81 Genres: Chanson
81v	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 81v Genres: Madrigal (Italian)
82	Ma la fiamma de l'alma	-	Hassler, Hans Leo (1564–1612)
Ma la fiamma de l'alma Hassler, Hans Leo (1564–1612) Appears on: 82 Genres: Madrigal (Italian)
82v–83	Musica e lo mio core	-	Hassler, Hans Leo (1564–1612)
Musica e lo mio core Hassler, Hans Leo (1564–1612) Appears on: 82v–83 Genres: Madrigal (Italian)
83v	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 83v Genres: Madrigal (Italian)
84	[unidentified Italian madrigal]	-	Anonymous
[unidentified Italian madrigal] Anonymous Appears on: 84 Genres: Madrigal (Italian)
84v	Care lagrime mie	-	Hassler, Hans Leo (1564–1612)
Care lagrime mie Hassler, Hans Leo (1564–1612) Appears on: 84v Genres: Madrigal (Italian)
85	Dolorosi martir', fieri tormenti	-	Marenzio, Luca (ca. 1553–1599)
Dolorosi martir', fieri tormenti Marenzio, Luca (ca. 1553–1599) Appears on: 85 Genres: Madrigal (Italian)
85v	Now must I part (= Parto da voi)	-	Marenzio, Luca (ca. 1553–1599)
Now must I part (= Parto da voi) Marenzio, Luca (ca. 1553–1599) Appears on: 85v Genres: Contrafactum, Madrigal
86	So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 86 Genres: Contrafactum, Madrigal (English)
86v	So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 86v Genres: Madrigal (English)
87	I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	-	Marenzio, Luca (ca. 1553–1599)
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) Marenzio, Luca (ca. 1553–1599) Appears on: 87 Genres: Contrafactum, Madrigal
87v	I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	-	Marenzio, Luca (ca. 1553–1599)
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) Marenzio, Luca (ca. 1553–1599) Appears on: 87v Genres: Contrafactum, Madrigal
88–89	Laudate pueri Dominum	-	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: 88–89
89v–90v	Deus misereatur nostri et benedicat nobis	-	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 89v–90v Genres: Anglican Service Music, Motet
91–92	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	-	Sheppard, John (ca. 1515–1558)
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] Sheppard, John (ca. 1515–1558) Appears on: 91–92 Genres: Motet
92v–93	Domine non est exaltatum	-	Mundy, William (ca. 1528–ca. 1591)
Domine non est exaltatum Mundy, William (ca. 1528–ca. 1591) Appears on: 92v–93 Genres: Motet
93v	Libera nos, salva nos [I]	-	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [I] Sheppard, John (ca. 1515–1558) Appears on: 93v Genres: Motet
94	Libera nos, salva nos [II]	-	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 94 Genres: Motet
94	Magnificat a6: (exc) Esurientes	-	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 94 Genres: BVM, Canticle, Magnificat
94v	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 94v Genres: Motet
95	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 95 Genres: Motet
95v	Veni electa mea - 1a pars (of 2): Veni electa mea	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Veni electa mea - 1a pars (of 2): Veni electa mea Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 95v Genres: Motet
96	Veni electa mea - 2a pars (of 2): Audi filia	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Veni electa mea - 2a pars (of 2): Audi filia Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 96 Genres: Motet
96v–97	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	-	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 96v–97 Genres: Motet
97v	Cantate Domino	-	Nicholson, Richard (1563–1639)
Cantate Domino Nicholson, Richard (1563–1639) Appears on: 97v Genres: Anthem
98	Veni in hortum meum	-	Lassus, Orlande de (ca. 1532–1594)
Veni in hortum meum Lassus, Orlande de (ca. 1532–1594) Appears on: 98 Genres: Motet
98v–99v	Blessed art thou that fearest God (II)	-	Anonymous
Blessed art thou that fearest God (II) Anonymous Appears on: 98v–99v
100	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 100 Genres: Motet
100v	Sermone blando [2p. Gloria Patri; 3p. Te iure laudant]	-	Mundy, William (ca. 1528–ca. 1591) (?)
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 100v Genres: Anthem
101	Cante cantate	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Cante cantate Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 101 Genres: Anthem
101v	A knell	-	Johnson (II), Robert (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?)
A knell Johnson (II), Robert (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?) Appears on: 101v
102	Alas, alack, my heart is woe	-	Anonymous
Alas, alack, my heart is woe Anonymous Appears on: 102 Genres: Song
102v–103	Holy Holy Holy, Lord God Almighty	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Holy Holy Holy, Lord God Almighty Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 102v–103 Genres: Anthem
103v	All ye people clap your hands	-	Byrd, William (ca. 1540–1623)
All ye people clap your hands Byrd, William (ca. 1540–1623) Appears on: 103v Genres: Anthem
104	O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	-	Byrd, William (ca. 1540–1623)
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) Byrd, William (ca. 1540–1623) Appears on: 104 Genres: Anthem, Contrafactum
104v–105	O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	-	Byrd, William (ca. 1540–1623)
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) Byrd, William (ca. 1540–1623) Appears on: 104v–105 Genres: Anthem, Contrafactum
105v–106	Out of the deep (I)	-	Byrd, William (ca. 1540–1623)
Out of the deep (I) Byrd, William (ca. 1540–1623) Appears on: 105v–106 Genres: Anthem
106v–107	Behold how good and joyful	-	Anonymous
Behold how good and joyful Anonymous Appears on: 106v–107 Genres: Anthem
107v–108	How long shall mine enemies triumph	-	Byrd, William (ca. 1540–1623)
How long shall mine enemies triumph Byrd, William (ca. 1540–1623) Appears on: 107v–108 Genres: Anthem
108v–109	O Lord, make thy servant, Elizabeth [or James, or King Charles]	-	Byrd, William (ca. 1540–1623)
O Lord, make thy servant, Elizabeth [or James, or King Charles] Byrd, William (ca. 1540–1623) Appears on: 108v–109 Genres: Anthem
109v	O fools can you not	-	Wilbye, John (1574–1638)
O fools can you not Wilbye, John (1574–1638) Appears on: 109v Genres: Madrigal (English)
110	Alas what hope	-	Wilbye, John (1574–1638)
Alas what hope Wilbye, John (1574–1638) Appears on: 110 Genres: Madrigal (English)
110v–111	Lady when I behold	-	Wilbye, John (1574–1638)
Lady when I behold Wilbye, John (1574–1638) Appears on: 110v–111 Genres: Madrigal (English)
111v	Thus saith my Cloris	-	Wilbye, John (1574–1638)
Thus saith my Cloris Wilbye, John (1574–1638) Appears on: 111v Genres: Madrigal (English)
112	Adieu sweet Amaryllis	-	Wilbye, John (1574–1638)
Adieu sweet Amaryllis Wilbye, John (1574–1638) Appears on: 112 Genres: Madrigal (English)
112v	Die hapless man	-	Wilbye, John (1574–1638)
Die hapless man Wilbye, John (1574–1638) Appears on: 112v Genres: Madrigal (English)
113	I fall, I fall, O stay me	-	Wilbye, John (1574–1638)
I fall, I fall, O stay me Wilbye, John (1574–1638) Appears on: 113 Genres: Madrigal (English)
113v	Unkind o stay thy flying	-	Wilbye, John (1574–1638)
Unkind o stay thy flying Wilbye, John (1574–1638) Appears on: 113v Genres: Madrigal (English)
114	Flora gave me fairest flowers	-	Wilbye, John (1574–1638)
Flora gave me fairest flowers Wilbye, John (1574–1638) Appears on: 114 Genres: Madrigal (English)
114v–115	I sung sometimes my thoughts	-	Wilbye, John (1574–1638)
I sung sometimes my thoughts Wilbye, John (1574–1638) Appears on: 114v–115 Genres: Madrigal (English)
115v	When David heard that Absalom	-	Smith, (W. ?)
When David heard that Absalom Smith, (W. ?) Appears on: 115v Genres: Anthem
116–116v	O give thanks unto the Lord for he is gracious	-	Giles, Nathaniel (ca. 1558–1634)
O give thanks unto the Lord for he is gracious Giles, Nathaniel (ca. 1558–1634) Appears on: 116–116v Genres: Anthem
117–117v	Behold, it is Christ	-	Hooper, Edmund
Behold, it is Christ Hooper, Edmund Appears on: 117–117v Genres: Anthem
118–119	Rejoice in the Lord O ye righteous	-	Davies, Hugh
Rejoice in the Lord O ye righteous Davies, Hugh Appears on: 118–119 Genres: Anthem
119v–120	God whom our offences	-	Byrd, William (ca. 1540–1623)
God whom our offences Byrd, William (ca. 1540–1623) Appears on: 119v–120 Genres: Anthem
120v–121v	Hear my crying, O God (2p. O Lord, I will dwell)	-	Anonymous
Hear my crying, O God (2p. O Lord, I will dwell) Anonymous Appears on: 120v–121v Genres: Anthem
122–122v	All people, clap your hands	-	Weelkes, Thomas (ca. 1576–1623)
All people, clap your hands Weelkes, Thomas (ca. 1576–1623) Appears on: 122–122v Genres: Anthem
123–123v	O Lord, rebuke me not in thine indignation	-	Anonymous
O Lord, rebuke me not in thine indignation Anonymous Appears on: 123–123v Genres: Anthem
124–124v	Christ rising - 1a pars (of 2): Christ rising again	-	Tucker, Edmund
Christ rising - 1a pars (of 2): Christ rising again Tucker, Edmund Appears on: 124–124v Genres: Anthem
124v–125	Christ rising - 2a pars (of 2): Christ is risen	-	Tucker, Edmund
Christ rising - 2a pars (of 2): Christ is risen Tucker, Edmund Appears on: 124v–125 Genres: Anthem
125v–127v	The country cry 'God give you good morrow, sir rise'	-	Dering, Richard
The country cry 'God give you good morrow, sir rise' Dering, Richard Appears on: 125v–127v Genres: Song
128–129	The cries of London - 1a pars (of 2): God give you good morrow, my masters	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 1a pars (of 2): God give you good morrow, my masters Gibbons, Orlando (ca. 1583–1625) Appears on: 128–129 Genres: In nomine, Song
129–130	The cries of London - 2a pars (of 2): Will you go with me - A good sausage	-	Gibbons, Orlando (ca. 1583–1625)
The cries of London - 2a pars (of 2): Will you go with me - A good sausage Gibbons, Orlando (ca. 1583–1625) Appears on: 129–130 Genres: Song
130v–131v	The cry of London	-	Anonymous
The cry of London Anonymous Appears on: 130v–131v Genres: Consort song
132	O amica mea - 1a pars (of 2): O amica mea	-	Morley, Thomas (ca. 1557–1602)
O amica mea - 1a pars (of 2): O amica mea Morley, Thomas (ca. 1557–1602) Appears on: 132 Genres: Motet
132v	All at once well met	-	Weelkes, Thomas (ca. 1576–1623)
All at once well met Weelkes, Thomas (ca. 1576–1623) Appears on: 132v Genres: Madrigal (English)
133	To shorten winter's sadness	-	Weelkes, Thomas (ca. 1576–1623)
To shorten winter's sadness Weelkes, Thomas (ca. 1576–1623) Appears on: 133 Genres: Madrigal (English)
133v	Whilst youthful sports are lasting	-	Weelkes, Thomas (ca. 1576–1623)
Whilst youthful sports are lasting Weelkes, Thomas (ca. 1576–1623) Appears on: 133v Genres: Madrigal (English)
134	On the plains, fairy trains	-	Weelkes, Thomas (ca. 1576–1623)
On the plains, fairy trains Weelkes, Thomas (ca. 1576–1623) Appears on: 134 Genres: Madrigal (English)
134v	Hark all ye lovely saints above	-	Weelkes, Thomas (ca. 1576–1623)
Hark all ye lovely saints above Weelkes, Thomas (ca. 1576–1623) Appears on: 134v Genres: Madrigal (English)
135	Say, dainty dames	-	Weelkes, Thomas (ca. 1576–1623)
Say, dainty dames Weelkes, Thomas (ca. 1576–1623) Appears on: 135 Genres: Madrigal (English)
135v	In pride of May	-	Weelkes, Thomas (ca. 1576–1623)
In pride of May Weelkes, Thomas (ca. 1576–1623) Appears on: 135v Genres: Madrigal (English)
136	We shepherds sing	-	Weelkes, Thomas (ca. 1576–1623)
We shepherds sing Weelkes, Thomas (ca. 1576–1623) Appears on: 136 Genres: Madrigal (English)
136v	I love and have my love	-	Weelkes, Thomas (ca. 1576–1623)
I love and have my love Weelkes, Thomas (ca. 1576–1623) Appears on: 136v Genres: Madrigal (English)
137	Give me my heart	-	Weelkes, Thomas (ca. 1576–1623)
Give me my heart Weelkes, Thomas (ca. 1576–1623) Appears on: 137 Genres: Consort song
137v	Now is my Cloris fresh	-	Weelkes, Thomas (ca. 1576–1623)
Now is my Cloris fresh Weelkes, Thomas (ca. 1576–1623) Appears on: 137v Genres: Consort song
138–138v	Cease now delight	-	Weelkes, Thomas (ca. 1576–1623)
Cease now delight Weelkes, Thomas (ca. 1576–1623) Appears on: 138–138v Genres: Song
139	Come clap - 1a pars (of 2): Come clap thy hands	-	Weelkes, Thomas (ca. 1576–1623)
Come clap - 1a pars (of 2): Come clap thy hands Weelkes, Thomas (ca. 1576–1623) Appears on: 139 Genres: Consort song
139v	Come clap - 2a pars (of 2): Phillis hath sworn	-	Weelkes, Thomas (ca. 1576–1623)
Come clap - 2a pars (of 2): Phillis hath sworn Weelkes, Thomas (ca. 1576–1623) Appears on: 139v Genres: Consort song
140–141v	Give sentence with me	-	Randall, William (I)
Give sentence with me Randall, William (I) Appears on: 140–141v Genres: Anthem
142–143	Let God arise	-	Ford, Thomas
Let God arise Ford, Thomas Appears on: 142–143 Genres: Anthem
143v	Too much I once lamented	-	Tomkins, Thomas (1572–1656)
Too much I once lamented Tomkins, Thomas (1572–1656) Appears on: 143v Genres: Consort song
144	To the shady woods	-	Tomkins, Thomas (1572–1656)
To the shady woods Tomkins, Thomas (1572–1656) Appears on: 144 Genres: Consort song
144v	Come shepherds sing with me	-	Tomkins, Thomas (1572–1656)
Come shepherds sing with me Tomkins, Thomas (1572–1656) Appears on: 144v Genres: Consort song
145	Cloris, why still repliest thou no?	-	Tomkins, Thomas (1572–1656)
Cloris, why still repliest thou no? Tomkins, Thomas (1572–1656) Appears on: 145 Genres: Consort song
145v	See the shepherd's queen	-	Tomkins, Thomas (1572–1656)
See the shepherd's queen Tomkins, Thomas (1572–1656) Appears on: 145v Genres: Consort song
146	Phillis now cease	-	Tomkins, Thomas (1572–1656)
Phillis now cease Tomkins, Thomas (1572–1656) Appears on: 146 Genres: Consort song
146v–147	When David heard that Absalom	-	Tomkins, Thomas (1572–1656)
When David heard that Absalom Tomkins, Thomas (1572–1656) Appears on: 146v–147 Genres: Anthem
147v–148	Phillis, yet see him	-	Tomkins, Thomas (1572–1656)
Phillis, yet see him Tomkins, Thomas (1572–1656) Appears on: 147v–148 Genres: Consort song
148v	Fusca, in thy starry eyes	-	Tomkins, Thomas (1572–1656)
Fusca, in thy starry eyes Tomkins, Thomas (1572–1656) Appears on: 148v Genres: Consort song
149	Adieu ye city prisoning towers	-	Tomkins, Thomas (1572–1656)
Adieu ye city prisoning towers Tomkins, Thomas (1572–1656) Appears on: 149 Genres: Consort song
149v–150	When I observe those beauty's wonderments	-	Tomkins, Thomas (1572–1656)
When I observe those beauty's wonderments Tomkins, Thomas (1572–1656) Appears on: 149v–150 Genres: Consort song
150v–151	Music divine, proceeding from above	-	Tomkins, Thomas (1572–1656)
Music divine, proceeding from above Tomkins, Thomas (1572–1656) Appears on: 150v–151 Genres: Consort song
151v–152	Oft did I mar'l [marvel]	-	Tomkins, Thomas (1572–1656)
Oft did I mar'l [marvel] Tomkins, Thomas (1572–1656) Appears on: 151v–152 Genres: Madrigal (English)
152v–153	Woe is me that I am constrained	-	Tomkins, Thomas (1572–1656)
Woe is me that I am constrained Tomkins, Thomas (1572–1656) Appears on: 152v–153 Genres: Anthem
153v–154	It is my well beloved's voice	-	Tomkins, Thomas (1572–1656)
It is my well beloved's voice Tomkins, Thomas (1572–1656) Appears on: 153v–154 Genres: Anthem
154v	Turn unto the Lord our God	-	Tomkins, Thomas (1572–1656)
Turn unto the Lord our God Tomkins, Thomas (1572–1656) Appears on: 154v Genres: Anthem
155	A le guancie di rose	-	Gabrieli, Andrea (ca. 1532–1585)
A le guancie di rose Gabrieli, Andrea (ca. 1532–1585) Appears on: 155 Genres: Canzon
155v–156	Ecco Vinegia bella	-	Gabrieli, Andrea (ca. 1532–1585)
Ecco Vinegia bella Gabrieli, Andrea (ca. 1532–1585) Appears on: 155v–156 Genres: Canzon
156v–157	Sacri di Giove	-	Gabrieli, Giovanni (ca. 1554–1612)
Sacri di Giove Gabrieli, Giovanni (ca. 1554–1612) Appears on: 156v–157 Genres: Canzon
157v–158	O passi sparsi	-	Gabrieli, Andrea (ca. 1532–1585)
O passi sparsi Gabrieli, Andrea (ca. 1532–1585) Appears on: 157v–158 Genres: Madrigal (Italian)
158v–159	Addio dolce mia vita	-	Gabrieli, Giovanni (ca. 1554–1612)
Addio dolce mia vita Gabrieli, Giovanni (ca. 1554–1612) Appears on: 158v–159 Genres: Madrigal (Italian)
159v–160	D'un si bel foco	-	Striggio, Alessandro (ca. 1536–1592)
D'un si bel foco Striggio, Alessandro (ca. 1536–1592) Appears on: 159v–160 Genres: Madrigal (Italian)
160v–161	Quei, vinto dal furor	-	Gabrieli, Andrea (ca. 1532–1585)
Quei, vinto dal furor Gabrieli, Andrea (ca. 1532–1585) Appears on: 160v–161 Genres: Madrigal (Italian)
161v–162	Ecco l'alma beata	-	Croce, Giovanni (ca. 1557–1609)
Ecco l'alma beata Croce, Giovanni (ca. 1557–1609) Appears on: 161v–162 Genres: Madrigal (Italian)
162v–163	Basti fin qui le pen' e i duri affanni (10vv)	-	Marenzio, Luca (ca. 1553–1599)
Basti fin qui le pen' e i duri affanni (10vv) Marenzio, Luca (ca. 1553–1599) Appears on: 162v–163 Genres: Madrigal (Italian)
163v	Lieto godea sedendo	-	Gabrieli, Giovanni (ca. 1554–1612)
Lieto godea sedendo Gabrieli, Giovanni (ca. 1554–1612) Appears on: 163v Genres: Canzon
164	O misero mio core	-	Eremita, Giulio
O misero mio core Eremita, Giulio Appears on: 164 Genres: Madrigal (Italian)
164v–165	Hence stars, too dim of light	-	East, Michael
Hence stars, too dim of light East, Michael Appears on: 164v–165 Genres: Madrigal (English)
165v–166	With angel's face	-	Norcome, Daniel
With angel's face Norcome, Daniel Appears on: 165v–166 Genres: Consort song
166v–167	Lightly she whipped o'er the dales	-	Mundy, John (ca. 1555–1630)
Lightly she whipped o'er the dales Mundy, John (ca. 1555–1630) Appears on: 166v–167 Genres: Consort song
167v–168	Long live fair Oriana	-	Gibbons, Ellis
Long live fair Oriana Gibbons, Ellis Appears on: 167v–168 Genres: Consort song
168v–169	All creatures now are merry minded	-	Bennett, John (fl. 1599-1614)
All creatures now are merry minded Bennett, John (fl. 1599-1614) Appears on: 168v–169 Genres: Madrigal (English)
169v	Fair Oriana, beauty's queen	-	Hilton (Senior), John
Fair Oriana, beauty's queen Hilton (Senior), John Appears on: 169v Genres: Madrigal (English)
170–171	Sing shepherds all and in your roundelays	-	Nicholson, Richard (1563–1639)
Sing shepherds all and in your roundelays Nicholson, Richard (1563–1639) Appears on: 170–171 Genres: Madrigal (English)
171v–172	Tutt' eri foco amore	-	Pallavicino, Benedetto
Tutt' eri foco amore Pallavicino, Benedetto Appears on: 171v–172 Genres: Madrigal (Italian)
172v–173	[untitled madrigal]	-	Anonymous
[untitled madrigal] Anonymous Appears on: 172v–173 Genres: Madrigal (Italian)
173v–174v	O sing unto the Lord a new song (7vv)	-	Amner, John (1579–1641)
O sing unto the Lord a new song (7vv) Amner, John (1579–1641) Appears on: 173v–174v Genres: Anthem
175	Holy Holy Holy Lord God Almighty	-	Bateson, Thomas (ca. 1570–1630)
Holy Holy Holy Lord God Almighty Bateson, Thomas (ca. 1570–1630) Appears on: 175 Genres: Anthem
175v–176	Out of the deep (II)	-	Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?)
Out of the deep (II) Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 175v–176
176v–177	Rejoice in the Lord O ye righteous	-	Jeffries (Jeffreys), Matthew (?)
Rejoice in the Lord O ye righteous Jeffries (Jeffreys), Matthew (?) Appears on: 176v–177 Genres: Anthem
177v–179	O give thanks unto the Lord	-	Mundy, John (ca. 1555–1630)
O give thanks unto the Lord Mundy, John (ca. 1555–1630) Appears on: 177v–179 Genres: Anthem
179v–180	Awake up my glory	-	Davies, Hugh
Awake up my glory Davies, Hugh Appears on: 179v–180 Genres: Anthem
180v	Lord enter not into judgement	-	Tomkins, Thomas (1572–1656)
Lord enter not into judgement Tomkins, Thomas (1572–1656) Appears on: 180v Genres: Anthem
181	O Lord arise	-	Weelkes, Thomas (ca. 1576–1623)
O Lord arise Weelkes, Thomas (ca. 1576–1623) Appears on: 181 Genres: Anthem
181v–183	O praise the Lord, all ye heathen	-	Tomkins, Thomas (1572–1656)
O praise the Lord, all ye heathen Tomkins, Thomas (1572–1656) Appears on: 181v–183 Genres: Anthem
183v–184	Fantasia a6 (III)	-	Byrd, William (ca. 1540–1623)
Fantasia a6 (III) Byrd, William (ca. 1540–1623) Appears on: 183v–184 Genres: Fantasia
184v	Fantasia a5	-	Byrd, William (ca. 1540–1623)
Fantasia a5 Byrd, William (ca. 1540–1623) Appears on: 184v Genres: Fantasia
185	Dorick [fantasy]	-	Bull, John (ca. 1562–1628)
Dorick [fantasy] Bull, John (ca. 1562–1628) Appears on: 185 Genres: Fantasia
185v–186	Fantasia a4 (II)	-	Ives, Simon
Fantasia a4 (II) Ives, Simon Appears on: 185v–186 Genres: Fantasia
186v–187	Fantasia a4 (I)	-	Ives, Simon
Fantasia a4 (I) Ives, Simon Appears on: 186v–187 Genres: Fantasia
187v–188	Fantasia a4 (I)	-	Jenkins, John
Fantasia a4 (I) Jenkins, John Appears on: 187v–188 Genres: Fantasia
188v–189	Fantasia a4 (II)	-	Jenkins, John
Fantasia a4 (II) Jenkins, John Appears on: 188v–189 Genres: Fantasia
189v–190	Fantasia a4 (IV)	-	Ives, Simon
Fantasia a4 (IV) Ives, Simon Appears on: 189v–190 Genres: Fantasia
190v–191	Fantasia a4 (III)	-	Ives, Simon
Fantasia a4 (III) Ives, Simon Appears on: 190v–191 Genres: Fantasia
191v	Fantasia a4	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Fantasia a4 Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 191v Genres: Fantasia

Composer	Compositions
Amner, John (1579-1641)	A stranger here – 65v Come let us rejoice – 22v He that descended – 34v How doth the city – 35 I will sing unto the Lord – 32v Lo how from heaven - 1a pars (of 2): Lo how from heaven – 64v Lo how from heaven - 2a pars (of 2): I bring you tidings – 65 My Lord is hence removed – 66 O sing unto the Lord a new song (7vv) – 173v–174v O ye little flocks - 1a pars (of 3): O ye little flocks – 62v–63 O ye little flocks - 2a pars (of 3): Fear not – 63v O ye little flocks - 3a pars (of 3): And they cry – 64 Saint Marie now - 1a pars (of 3): Saint Marie now – 20 Saint Marie now - 2a pars (of 3): At length to Christ – 20–20v Saint Marie now - 3a pars (of 3): But he the God of love – 20v Sweet are the thoughts – 21–21v The heavens stood all amazed – 33 Woe is me that I am constrained – 22
Anonymous	Abradad – 53v–54 Alas, alack, my heart is woe – 102 Behold how good and joyful – 106v–107 Blessed art thou that fearest God (II) – 98v–99v Come Charon come – 55 Farewell the bliss – 54v Give alms unto the poor – 2v–3 Hear my crying, O God (2p. O Lord, I will dwell) – 120v–121v I will always give thanks – 14 In paradise – 52v Jerusalem plantabis vineam (8vv) – 75 O Lord from us – 13v O Lord how long wilt thou forget – 69v–70 O Lord, rebuke me not in thine indignation – 123–123v O mortal man – 25v–26 The cry of London – 130v–131v [unidentified Italian madrigal] – 81v [unidentified Italian madrigal] – 84 [unidentified Italian madrigal] – 83v [untitled madrigal] – 172v–173
Bateson, Thomas (ca. 1570-1630)	Holy Holy Holy Lord God Almighty – 175
Bennett, John (1599-1614)	All creatures now are merry minded – 168v–169
Brewster	In nomine a 5 – 79
Bull, John (ca. 1562-1628)	Dorick [fantasy] – 185
Byrd, William (ca. 1540-1623)	All ye people clap your hands – 103v Come pretty babe – 53v Constant Penelope – 57 Delight is dead – 53 (?) Deliver me from mine enemies – 29 Fantasia a5 – 184v Fantasia a6 (III) – 183v–184 God whom our offences – 119v–120 How long shall mine enemies triumph – 107v–108 In fields abroad – 56v In nomine (V) a5 – 77v In resurrectione tua – 73v Laudate pueri Dominum – 88–89 Lullaby - 1a pars (of 2): Lullaby, my sweet little baby – 55v Lullaby - 2a pars (of 2): Be still, my blessed babe – 55v O God give ear (5vv) – 25 O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris) – 104 O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui) – 104v–105 O Lord, make thy servant, Elizabeth [or James, or King Charles] – 108v–109 Out of the deep (I) – 105v–106 (?) Out of the deep (II) – 175v–176 Prevent us, O Lord – 31 Prostrate, O Lord, I lie – 56 Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength – 66v Sing joyfully - 2a pars (of 2): Blow the trumpet – 67 This sweet and merry month of May – 14v–15
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Circumdederunt me - 1a pars (of 2): Circumdederunt me – 18v–19 Circumdederunt me - 2a pars (of 2): Quoniam tribulatio – 19–19v Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 94v Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 95 Veni electa mea - 1a pars (of 2): Veni electa mea – 95v Veni electa mea - 2a pars (of 2): Audi filia – 96
Coste, [Thomas?]	He that hath my commandments – 11v
Croce, Giovanni (ca. 1557-1609)	Cinthia thy song (= Cinthia el tuo dolce canto) – 49 Ecco l'alma beata – 161v–162
Davies, Hugh	Awake up my glory – 179v–180 Rejoice in the Lord O ye righteous – 118–119
Dering, Richard	Fantasia a5 (III) – 47v Fantasia a5 (IV) – 48 The country cry 'God give you good morrow, sir rise' – 125v–127v
Donato, Baldassare (ca. 1529-1603)	O griefe if yet my griefe (= Dolor se 'l mio dolor) – 23–23v O griefe if yet my griefe (= Dolor se 'l mio dolor) – 23–23v
East, Michael	Hence stars, too dim of light – 164v–165 (?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 36v–37 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 37–37v (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 38 Sing we merrily - 1a pars (of 3): Sing we merrily – 58v Sing we merrily - 2a pars (of 3): Take the psalm – 58v–59 Sing we merrily - 3a pars (of 3): Blow up the trumpet – 59–59v When Israel came out - 1a pars (of 2): When Israel came out of Egypt – 35v When Israel came out - 2a pars (of 2): What aileth thee – 35v–36
Eremita, Giulio	O misero mio core – 164
Faignient, Noë	When shall I cease lamenting (= Chi per voi non sospira) – 50v
Ferrabosco, Alfonso (the elder) (1543-1588)	Le rossignol plaisant et gratieux – 49v So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol) – 86 So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite) – 86v
Ferrabosco, Alfonso (the younger) (ca. 1575-1628)	Fantasia a4 – 191v In nomine a5 – 78v
Ferretti, Giovanni	So gratious – 52
Ford, Thomas	Let God arise – 142–143
Gabrieli, Andrea (ca. 1532-1585)	A le guancie di rose – 155 Ecco Vinegia bella – 155v–156 O passi sparsi – 157v–158 Quei, vinto dal furor – 160v–161
Gabrieli, Giovanni (ca. 1554-1612)	Addio dolce mia vita – 158v–159 Lieto godea sedendo – 163v Sacri di Giove – 156v–157
Gibbons, Ellis	Long live fair Oriana – 167v–168
Gibbons, Orlando (ca. 1583-1625)	Do not repine fair sun – 38v (?) Out of the deep (II) – 175v–176 The cries of London - 1a pars (of 2): God give you good morrow, my masters – 128–129 The cries of London - 2a pars (of 2): Will you go with me - A good sausage – 129–130
Giles, Nathaniel (ca. 1558-1634)	O give thanks unto the Lord for he is gracious – 116–116v
Hassler, Hans Leo (1564-1612)	Care lagrime mie – 84v Ma la fiamma de l'alma – 82 Musica e lo mio core – 82v–83
Hilton (Senior), John	Fair Oriana, beauty's queen – 169v
Hooper, Edmund	Behold, it is Christ – 117–117v
Ives, Simon	Fantasia a4 (I) – 186v–187 Fantasia a4 (II) – 185v–186 Fantasia a4 (III) – 190v–191 Fantasia a4 (IV) – 189v–190
Jeffries (Jeffreys), Matthew	(?) Rejoice in the Lord O ye righteous – 176v–177
Jenkins, John	Fantasia a4 (I) – 187v–188 Fantasia a4 (II) – 188v–189
Johnson (I), Robert (ca. 1500-ca. 1560)	(?) A knell – 101v (?) This is my commandment – 7v
Johnson (II), Robert	(?) A knell – 101v (?) This is my commandment – 7v
Lassus, Orlande de (ca. 1532-1594)	Angelus ad pastores ait annuntio vobis – 100 Susanna fair (= Susanne un jour) – 51v Veni in hortum meum – 98
Lupo, Thomas (ca. 1571-1627)	Fantasia a5 (I) – 46v Fantasia a5 (II) – 47
Marenzio, Luca (ca. 1553-1599)	Basti fin qui le pen' e i duri affanni (10vv) – 162v–163 Dolorosi martir', fieri tormenti – 85 Every singing bird (= Vezzosi augelli) – 15v–16 Fair shepherd's queen (= Madonna sua merce) – 18 I must depart (= Io partiro) – 51 I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto) – 87 I sang some time - 2a pars (of 2): Because my life (= Che la mia donna) – 87v Now must I part (= Parto da voi) – 85v O merry world (= I lieti amanti) – 17 When first my heedless eyes beheld (= Non vidi mai) – 16v Zephyrus breathing (= Zephiro torna, 1a pars) – 17v
Morley, Thomas (ca. 1557-1602)	My heart, why hast thou – 24 O amica mea - 1a pars (of 2): O amica mea – 132 Still it frieth, yet my heart never dieth – 24v
Mundy, John (ca. 1555-1630)	Behold, it is Christ – 12 (?) Let us now laud and magnify – 6–6v Lightly she whipped o'er the dales – 166v–167 (?) O Lord the maker of all things – 1v O give thanks unto the Lord – 177v–179 Praise the Lord, O my soul – 12v–13 (?) This is my commandment – 7v
Mundy, William (ca. 1528-ca. 1591)	A new commandment – 7 Adolescentulus sum ego – 73–74v Domine non est exaltatum – 92v–93 (?) He that hath my commandments – 10v–11 (?) Let us now laud and magnify – 6–6v O Lord the maker of all things – 1v O Lord, I bow the knees of my heart – 26v–27 (?) Sermone blando [2p. Gloria Patri; 3p. Te iure laudant] – 100v (?) This is my commandment – 7v
Nicholson, Richard (1563-1639)	Cantate Domino – 97v Sing shepherds all and in your roundelays – 170–171
Norcome, Daniel	With angel's face – 165v–166
Palestrina, Giovanni Pierluigi da (1525-1594)	Vergine bella – 43 Vergine chiara – 45v Vergine pura – 44 Vergine quante lagrime – 46 Vergine saggia – 43v Vergine santa – 44v Vergine sol' al mondo – 45
Pallavicino, Benedetto	Tutt' eri foco amore – 171v–172
Parsons (I), Robert (ca. 1535-ca. 1572)	Cante cantate – 101 Credo quod redemptor meus vivit – 75v De la court - 1a pars – 79v–80 De la court - 2a pars – 80v–81 (?) Deliver me from mine enemies – 29 Holy Holy Holy, Lord God Almighty – 102v–103 In nomine a5 – 78
Pinello di Ghirardi, Giovanni Battista	When I would thee embrace (= Quand' io voleva) – 50
Randall, William (I)	Give sentence with me – 140–141v
Sheppard, John (ca. 1515-1558)	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] – 91–92 I give you a new commandment – 4v–5 Libera nos, salva nos [II] – 94 Libera nos, salva nos [I] – 93v Magnificat a6: (exc) Esurientes – 94 (?) O Lord the maker of all things – 1v (?) Rejoice in the Lord always – 8v–9 Submit yourselves one to another – 10
Simmes, William	(?) Rise, O my soul - 1a pars (of 3): Rise, O my soul – 36v–37 (?) Rise, O my soul - 2a pars (of 3): And thou, my soul – 37–37v (?) Rise, O my soul - 3a pars (of 3): To thee, O Jesus – 38
Smith of Gloucester	Set up thyself – 31v–32
Smith of Salop	My God, my God, look upon me – 3v
Smith, (W. ?)	When David heard that Absalom – 115v
Striggio, Alessandro (ca. 1536-1592)	D'un si bel foco – 159v–160
Strogers, Nicholas	Grant unto us, O Lord – 27v (?) Rejoice in the Lord always – 8v–9
Tallis, Thomas (ca. 1505-1585)	A new commandment – 9v Absterge Domine – 71–71v Blessed be thy name (= Mihi autem nimis) – 31v Christ rising again - 1a pars (of 2): Christ rising again – 68v Christ rising again - 2a pars (of 2): Christ is risen – 68v–69 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 96v–97 Hear the voice and prayer – 5v Homo quidam fecit caenam magnam et misit – 76–77 If ye love me keep my commandments – 4 Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 72–73 O Lord, give thy Holy Spirit – 2 Salvator mundi (I) – 70v (?) This is my commandment – 7v Wipe away my sins [=Absterge Domine] – 28–28v
Tomkins, Thomas (1572-1656)	Adieu ye city prisoning towers – 149 Almighty God, the fountain of all wisdom – 33v–34 Cloris, why still repliest thou no? – 145 Come shepherds sing with me – 144v Fusca, in thy starry eyes – 148v It is my well beloved's voice – 153v–154 Lord enter not into judgement – 180v Music divine, proceeding from above – 150v–151 O God, the proud are risen – 67v–68 O praise the Lord, all ye heathen – 181v–183 O sing unto the Lord a new song – 57v–58 Oft did I mar'l [marvel] – 151v–152 Phillis now cease – 146 Phillis, yet see him – 147v–148 See the shepherd's queen – 145v To the shady woods – 144 Too much I once lamented – 143v Turn unto the Lord our God – 154v When David heard that Absalom – 146v–147 When I observe those beauty's wonderments – 149v–150 Woe is me that I am constrained – 152v–153
Tucker, Edmund	Christ rising - 1a pars (of 2): Christ rising again – 124–124v Christ rising - 2a pars (of 2): Christ is risen – 124v–125
Tye, Christopher (ca. 1505-ca. 1573)	If ye be risen again – 8
Vecchi, Orazio (1550-1605)	The white delightful swan (= Il bianco e dolce cigno) – 48v
Weelkes, Thomas (ca. 1576-1623)	All at once well met – 132v All people, clap your hands – 122–122v Cease now delight – 138–138v Come clap - 1a pars (of 2): Come clap thy hands – 139 Come clap - 2a pars (of 2): Phillis hath sworn – 139v Give me my heart – 137 Hark all ye lovely saints above – 134v I love and have my love – 136v In pride of May – 135v Now is my Cloris fresh – 137v O Lord arise – 181 On the plains, fairy trains – 134 Say, dainty dames – 135 To shorten winter's sadness – 133 We shepherds sing – 136 Whilst youthful sports are lasting – 133v
White, Robert (ca. 1538-1574)	Deus misereatur nostri et benedicat nobis – 89v–90v Lord who shall dwell – 29v–30v (?) O Lord the maker of all things – 1v
Wilbye, John (1574-1638)	Adieu sweet Amaryllis – 112 Alas what hope – 110 Die hapless man – 112v Flora gave me fairest flowers – 114 I fall, I fall, O stay me – 113 I sung sometimes my thoughts – 114v–115 Lady when I behold – 110v–111 My throat is sore – 62 O fools can you not – 109v Of joys and pleasing pains – 61v Thus saith my Cloris – 111v Unkind o stay thy flying – 113v Why dost thou shoot – 61

Composition	Composers (? Uncertain)	Folios / Pages
[unidentified Italian madrigal]	Anonymous	81v
[unidentified Italian madrigal]	Anonymous	83v
[unidentified Italian madrigal]	Anonymous	84
[untitled madrigal]	Anonymous	172v–173
A knell	Johnson (II), Robert (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?)	101v
A le guancie di rose	Gabrieli, Andrea (ca. 1532–1585)	155
A new commandment	Mundy, William (ca. 1528–ca. 1591)	7
A new commandment	Tallis, Thomas (ca. 1505–1585)	9v
A stranger here	Amner, John (1579–1641)	65v
Abradad	Anonymous	53v–54
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	71–71v
Addio dolce mia vita	Gabrieli, Giovanni (ca. 1554–1612)	158v–159
Adieu sweet Amaryllis	Wilbye, John (1574–1638)	112
Adieu ye city prisoning towers	Tomkins, Thomas (1572–1656)	149
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	73–74v
Alas what hope	Wilbye, John (1574–1638)	110
Alas, alack, my heart is woe	Anonymous	102
All at once well met	Weelkes, Thomas (ca. 1576–1623)	132v
All creatures now are merry minded	Bennett, John (fl. 1599-1614)	168v–169
All people, clap your hands	Weelkes, Thomas (ca. 1576–1623)	122–122v
All ye people clap your hands	Byrd, William (ca. 1540–1623)	103v
Almighty God, the fountain of all wisdom	Tomkins, Thomas (1572–1656)	33v–34
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	100
Awake up my glory	Davies, Hugh	179v–180
Basti fin qui le pen' e i duri affanni (10vv)	Marenzio, Luca (ca. 1553–1599)	162v–163
Behold how good and joyful	Anonymous	106v–107
Behold, it is Christ	Mundy, John (ca. 1555–1630)	12
Behold, it is Christ	Hooper, Edmund	117–117v
Blessed art thou that fearest God (II)	Anonymous	98v–99v
Blessed be thy name (= Mihi autem nimis)	Tallis, Thomas (ca. 1505–1585)	31v
Cantate Domino	Nicholson, Richard (1563–1639)	97v
Cante cantate	Parsons (I), Robert (ca. 1535–ca. 1572)	101
Care lagrime mie	Hassler, Hans Leo (1564–1612)	84v
Cease now delight	Weelkes, Thomas (ca. 1576–1623)	138–138v
Christ rising - 1a pars (of 2): Christ rising again	Tucker, Edmund	124–124v
Christ rising - 2a pars (of 2): Christ is risen	Tucker, Edmund	124v–125
Christ rising again - 1a pars (of 2): Christ rising again	Tallis, Thomas (ca. 1505–1585)	68v
Christ rising again - 2a pars (of 2): Christ is risen	Tallis, Thomas (ca. 1505–1585)	68v–69
Cinthia thy song (= Cinthia el tuo dolce canto)	Croce, Giovanni (ca. 1557–1609)	49
Circumdederunt me - 1a pars (of 2): Circumdederunt me	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	18v–19
Circumdederunt me - 2a pars (of 2): Quoniam tribulatio	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	19–19v
Cloris, why still repliest thou no?	Tomkins, Thomas (1572–1656)	145
Come Charon come	Anonymous	55
Come clap - 1a pars (of 2): Come clap thy hands	Weelkes, Thomas (ca. 1576–1623)	139
Come clap - 2a pars (of 2): Phillis hath sworn	Weelkes, Thomas (ca. 1576–1623)	139v
Come let us rejoice	Amner, John (1579–1641)	22v
Come pretty babe	Byrd, William (ca. 1540–1623)	53v
Come shepherds sing with me	Tomkins, Thomas (1572–1656)	144v
Constant Penelope	Byrd, William (ca. 1540–1623)	57
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	75v
D'un si bel foco	Striggio, Alessandro (ca. 1536–1592)	159v–160
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	79v–80
De la court - 2a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	80v–81
Delight is dead	Byrd, William (ca. 1540–1623)	53
Deliver me from mine enemies	Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)	29
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	Sheppard, John (ca. 1515–1558)	91–92
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	89v–90v
Die hapless man	Wilbye, John (1574–1638)	112v
Do not repine fair sun	Gibbons, Orlando (ca. 1583–1625)	38v
Dolorosi martir', fieri tormenti	Marenzio, Luca (ca. 1553–1599)	85
Domine non est exaltatum	Mundy, William (ca. 1528–ca. 1591)	92v–93
Dorick [fantasy]	Bull, John (ca. 1562–1628)	185
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	96v–97
Ecco l'alma beata	Croce, Giovanni (ca. 1557–1609)	161v–162
Ecco Vinegia bella	Gabrieli, Andrea (ca. 1532–1585)	155v–156
Every singing bird (= Vezzosi augelli)	Marenzio, Luca (ca. 1553–1599)	15v–16
Fair Oriana, beauty's queen	Hilton (Senior), John	169v
Fair shepherd's queen (= Madonna sua merce)	Marenzio, Luca (ca. 1553–1599)	18
Fantasia a4	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	191v
Fantasia a4 (I)	Ives, Simon	186v–187
Fantasia a4 (I)	Jenkins, John	187v–188
Fantasia a4 (II)	Ives, Simon	185v–186
Fantasia a4 (II)	Jenkins, John	188v–189
Fantasia a4 (III)	Ives, Simon	190v–191
Fantasia a4 (IV)	Ives, Simon	189v–190
Fantasia a5	Byrd, William (ca. 1540–1623)	184v
Fantasia a5 (I)	Lupo, Thomas (ca. 1571–1627)	46v
Fantasia a5 (II)	Lupo, Thomas (ca. 1571–1627)	47
Fantasia a5 (III)	Dering, Richard	47v
Fantasia a5 (IV)	Dering, Richard	48
Fantasia a6 (III)	Byrd, William (ca. 1540–1623)	183v–184
Farewell the bliss	Anonymous	54v
Flora gave me fairest flowers	Wilbye, John (1574–1638)	114
Fusca, in thy starry eyes	Tomkins, Thomas (1572–1656)	148v
Give alms unto the poor	Anonymous	2v–3
Give me my heart	Weelkes, Thomas (ca. 1576–1623)	137
Give sentence with me	Randall, William (I)	140–141v
God whom our offences	Byrd, William (ca. 1540–1623)	119v–120
Grant unto us, O Lord	Strogers, Nicholas	27v
Hark all ye lovely saints above	Weelkes, Thomas (ca. 1576–1623)	134v
He that descended	Amner, John (1579–1641)	34v
He that hath my commandments	Mundy, William (ca. 1528–ca. 1591) (?)	10v–11
He that hath my commandments	Coste, [Thomas?]	11v
Hear my crying, O God (2p. O Lord, I will dwell)	Anonymous	120v–121v
Hear the voice and prayer	Tallis, Thomas (ca. 1505–1585)	5v
Hence stars, too dim of light	East, Michael	164v–165
Holy Holy Holy Lord God Almighty	Bateson, Thomas (ca. 1570–1630)	175
Holy Holy Holy, Lord God Almighty	Parsons (I), Robert (ca. 1535–ca. 1572)	102v–103
Homo quidam fecit caenam magnam et misit	Tallis, Thomas (ca. 1505–1585)	76–77
How doth the city	Amner, John (1579–1641)	35
How long shall mine enemies triumph	Byrd, William (ca. 1540–1623)	107v–108
I fall, I fall, O stay me	Wilbye, John (1574–1638)	113
I give you a new commandment	Sheppard, John (ca. 1515–1558)	4v–5
I love and have my love	Weelkes, Thomas (ca. 1576–1623)	136v
I must depart (= Io partiro)	Marenzio, Luca (ca. 1553–1599)	51
I sang some time - 1a pars (of 2): I sang some time (= Cantai gia lieto)	Marenzio, Luca (ca. 1553–1599)	87
I sang some time - 2a pars (of 2): Because my life (= Che la mia donna)	Marenzio, Luca (ca. 1553–1599)	87v
I sung sometimes my thoughts	Wilbye, John (1574–1638)	114v–115
I will always give thanks	Anonymous	14
I will sing unto the Lord	Amner, John (1579–1641)	32v
If ye be risen again	Tye, Christopher (ca. 1505–ca. 1573)	8
If ye love me keep my commandments	Tallis, Thomas (ca. 1505–1585)	4
In fields abroad	Byrd, William (ca. 1540–1623)	56v
In nomine (V) a5	Byrd, William (ca. 1540–1623)	77v
In nomine a 5	Brewster	79
In nomine a5	Parsons (I), Robert (ca. 1535–ca. 1572)	78
In nomine a5	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	78v
In paradise	Anonymous	52v
In pride of May	Weelkes, Thomas (ca. 1576–1623)	135v
In resurrectione tua	Byrd, William (ca. 1540–1623)	73v
It is my well beloved's voice	Tomkins, Thomas (1572–1656)	153v–154
Jerusalem plantabis vineam (8vv)	Anonymous	75
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	94v
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	95
Lady when I behold	Wilbye, John (1574–1638)	110v–111
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	72–73
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	88–89
Le rossignol plaisant et gratieux	Ferrabosco, Alfonso (the elder) (1543–1588)	49v
Let God arise	Ford, Thomas	142–143
Let us now laud and magnify	Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)	6–6v
Libera nos, salva nos [I]	Sheppard, John (ca. 1515–1558)	93v
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	94
Lieto godea sedendo	Gabrieli, Giovanni (ca. 1554–1612)	163v
Lightly she whipped o'er the dales	Mundy, John (ca. 1555–1630)	166v–167
Lo how from heaven - 1a pars (of 2): Lo how from heaven	Amner, John (1579–1641)	64v
Lo how from heaven - 2a pars (of 2): I bring you tidings	Amner, John (1579–1641)	65
Long live fair Oriana	Gibbons, Ellis	167v–168
Lord enter not into judgement	Tomkins, Thomas (1572–1656)	180v
Lord who shall dwell	White, Robert (ca. 1538–1574)	29v–30v
Lullaby - 1a pars (of 2): Lullaby, my sweet little baby	Byrd, William (ca. 1540–1623)	55v
Lullaby - 2a pars (of 2): Be still, my blessed babe	Byrd, William (ca. 1540–1623)	55v
Ma la fiamma de l'alma	Hassler, Hans Leo (1564–1612)	82
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	94
Music divine, proceeding from above	Tomkins, Thomas (1572–1656)	150v–151
Musica e lo mio core	Hassler, Hans Leo (1564–1612)	82v–83
My God, my God, look upon me	Smith of Salop	3v
My heart, why hast thou	Morley, Thomas (ca. 1557–1602)	24
My Lord is hence removed	Amner, John (1579–1641)	66
My throat is sore	Wilbye, John (1574–1638)	62
Now is my Cloris fresh	Weelkes, Thomas (ca. 1576–1623)	137v
Now must I part (= Parto da voi)	Marenzio, Luca (ca. 1553–1599)	85v
O amica mea - 1a pars (of 2): O amica mea	Morley, Thomas (ca. 1557–1602)	132
O fools can you not	Wilbye, John (1574–1638)	109v
O give thanks unto the Lord	Mundy, John (ca. 1555–1630)	177v–179
O give thanks unto the Lord for he is gracious	Giles, Nathaniel (ca. 1558–1634)	116–116v
O God give ear (5vv)	Byrd, William (ca. 1540–1623)	25
O God, the proud are risen	Tomkins, Thomas (1572–1656)	67v–68
O griefe if yet my griefe (= Dolor se 'l mio dolor)	Donato, Baldassare (ca. 1529–1603) Donato, Baldassare (ca. 1529–1603)	23–23v
O Lord arise	Weelkes, Thomas (ca. 1576–1623)	181
O Lord from us	Anonymous	13v
O Lord how long wilt thou forget	Anonymous	69v–70
O Lord the maker of all things	Sheppard, John (ca. 1515–1558) (?) Mundy, John (ca. 1555–1630) (?) White, Robert (ca. 1538–1574) (?) Mundy, William (ca. 1528–ca. 1591)	1v
O Lord turn - 1a pars (of 2): O Lord, turn thy wrath (=Ne irascaris)	Byrd, William (ca. 1540–1623)	104
O Lord turn - 2a pars (of 2): Bow thine ear (= Civitatis sancti tui)	Byrd, William (ca. 1540–1623)	104v–105
O Lord, give thy Holy Spirit	Tallis, Thomas (ca. 1505–1585)	2
O Lord, I bow the knees of my heart	Mundy, William (ca. 1528–ca. 1591)	26v–27
O Lord, make thy servant, Elizabeth [or James, or King Charles]	Byrd, William (ca. 1540–1623)	108v–109
O Lord, rebuke me not in thine indignation	Anonymous	123–123v
O merry world (= I lieti amanti)	Marenzio, Luca (ca. 1553–1599)	17
O misero mio core	Eremita, Giulio	164
O mortal man	Anonymous	25v–26
O passi sparsi	Gabrieli, Andrea (ca. 1532–1585)	157v–158
O praise the Lord, all ye heathen	Tomkins, Thomas (1572–1656)	181v–183
O sing unto the Lord a new song	Tomkins, Thomas (1572–1656)	57v–58
O sing unto the Lord a new song (7vv)	Amner, John (1579–1641)	173v–174v
O ye little flocks - 1a pars (of 3): O ye little flocks	Amner, John (1579–1641)	62v–63
O ye little flocks - 2a pars (of 3): Fear not	Amner, John (1579–1641)	63v
O ye little flocks - 3a pars (of 3): And they cry	Amner, John (1579–1641)	64
Of joys and pleasing pains	Wilbye, John (1574–1638)	61v
Oft did I mar'l [marvel]	Tomkins, Thomas (1572–1656)	151v–152
On the plains, fairy trains	Weelkes, Thomas (ca. 1576–1623)	134
Out of the deep (I)	Byrd, William (ca. 1540–1623)	105v–106
Out of the deep (II)	Gibbons, Orlando (ca. 1583–1625) (?) Byrd, William (ca. 1540–1623) (?)	175v–176
Phillis now cease	Tomkins, Thomas (1572–1656)	146
Phillis, yet see him	Tomkins, Thomas (1572–1656)	147v–148
Praise the Lord, O my soul	Mundy, John (ca. 1555–1630)	12v–13
Prevent us, O Lord	Byrd, William (ca. 1540–1623)	31
Prostrate, O Lord, I lie	Byrd, William (ca. 1540–1623)	56
Quei, vinto dal furor	Gabrieli, Andrea (ca. 1532–1585)	160v–161
Rejoice in the Lord always	Sheppard, John (ca. 1515–1558) (?) Strogers, Nicholas (?)	8v–9
Rejoice in the Lord O ye righteous	Davies, Hugh	118–119
Rejoice in the Lord O ye righteous	Jeffries (Jeffreys), Matthew (?)	176v–177
Rise, O my soul - 1a pars (of 3): Rise, O my soul	Simmes, William (?) East, Michael (?)	36v–37
Rise, O my soul - 2a pars (of 3): And thou, my soul	Simmes, William (?) East, Michael (?)	37–37v
Rise, O my soul - 3a pars (of 3): To thee, O Jesus	Simmes, William (?) East, Michael (?)	38
Sacri di Giove	Gabrieli, Giovanni (ca. 1554–1612)	156v–157
Saint Marie now - 1a pars (of 3): Saint Marie now	Amner, John (1579–1641)	20
Saint Marie now - 2a pars (of 3): At length to Christ	Amner, John (1579–1641)	20–20v
Saint Marie now - 3a pars (of 3): But he the God of love	Amner, John (1579–1641)	20v
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	70v
Say, dainty dames	Weelkes, Thomas (ca. 1576–1623)	135
See the shepherd's queen	Tomkins, Thomas (1572–1656)	145v
Sermone blando [2p. Gloria Patri; 3p. Te iure laudant]	Mundy, William (ca. 1528–ca. 1591) (?)	100v
Set up thyself	Smith of Gloucester	31v–32
Sing joyfully - 1a pars (of 2): Sing joyfully unto God our strength	Byrd, William (ca. 1540–1623)	66v
Sing joyfully - 2a pars (of 2): Blow the trumpet	Byrd, William (ca. 1540–1623)	67
Sing shepherds all and in your roundelays	Nicholson, Richard (1563–1639)	170–171
Sing we merrily - 1a pars (of 3): Sing we merrily	East, Michael	58v
Sing we merrily - 2a pars (of 3): Take the psalm	East, Michael	58v–59
Sing we merrily - 3a pars (of 3): Blow up the trumpet	East, Michael	59–59v
So far from my delight - 1a pars (of 2): So far from my delight (= Se lungi dal mio sol)	Ferrabosco, Alfonso (the elder) (1543–1588)	86
So far from my delight - 2a pars (of 2): She only doth not feel (= Sola voi no 'l sentite)	Ferrabosco, Alfonso (the elder) (1543–1588)	86v
So gratious	Ferretti, Giovanni	52
Still it frieth, yet my heart never dieth	Morley, Thomas (ca. 1557–1602)	24v
Submit yourselves one to another	Sheppard, John (ca. 1515–1558)	10
Susanna fair (= Susanne un jour)	Lassus, Orlande de (ca. 1532–1594)	51v
Sweet are the thoughts	Amner, John (1579–1641)	21–21v
The country cry 'God give you good morrow, sir rise'	Dering, Richard	125v–127v
The cries of London - 1a pars (of 2): God give you good morrow, my masters	Gibbons, Orlando (ca. 1583–1625)	128–129
The cries of London - 2a pars (of 2): Will you go with me - A good sausage	Gibbons, Orlando (ca. 1583–1625)	129–130
The cry of London	Anonymous	130v–131v
The heavens stood all amazed	Amner, John (1579–1641)	33
The white delightful swan (= Il bianco e dolce cigno)	Vecchi, Orazio (1550–1605)	48v
This is my commandment	Mundy, William (ca. 1528–ca. 1591) (?) Johnson (I), Robert (ca. 1500–ca. 1560) (?) Tallis, Thomas (ca. 1505–1585) (?) Johnson (II), Robert (?) Mundy, John (ca. 1555–1630) (?)	7v
This sweet and merry month of May	Byrd, William (ca. 1540–1623)	14v–15
Thus saith my Cloris	Wilbye, John (1574–1638)	111v
To shorten winter's sadness	Weelkes, Thomas (ca. 1576–1623)	133
To the shady woods	Tomkins, Thomas (1572–1656)	144
Too much I once lamented	Tomkins, Thomas (1572–1656)	143v
Turn unto the Lord our God	Tomkins, Thomas (1572–1656)	154v
Tutt' eri foco amore	Pallavicino, Benedetto	171v–172
Unkind o stay thy flying	Wilbye, John (1574–1638)	113v
Veni electa mea - 1a pars (of 2): Veni electa mea	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	95v
Veni electa mea - 2a pars (of 2): Audi filia	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	96
Veni in hortum meum	Lassus, Orlande de (ca. 1532–1594)	98
Vergine bella	Palestrina, Giovanni Pierluigi da (1525–1594)	43
Vergine chiara	Palestrina, Giovanni Pierluigi da (1525–1594)	45v
Vergine pura	Palestrina, Giovanni Pierluigi da (1525–1594)	44
Vergine quante lagrime	Palestrina, Giovanni Pierluigi da (1525–1594)	46
Vergine saggia	Palestrina, Giovanni Pierluigi da (1525–1594)	43v
Vergine santa	Palestrina, Giovanni Pierluigi da (1525–1594)	44v
Vergine sol' al mondo	Palestrina, Giovanni Pierluigi da (1525–1594)	45
We shepherds sing	Weelkes, Thomas (ca. 1576–1623)	136
When David heard that Absalom	Smith, (W. ?)	115v
When David heard that Absalom	Tomkins, Thomas (1572–1656)	146v–147
When first my heedless eyes beheld (= Non vidi mai)	Marenzio, Luca (ca. 1553–1599)	16v
When I observe those beauty's wonderments	Tomkins, Thomas (1572–1656)	149v–150
When I would thee embrace (= Quand' io voleva)	Pinello di Ghirardi, Giovanni Battista	50
When Israel came out - 1a pars (of 2): When Israel came out of Egypt	East, Michael	35v
When Israel came out - 2a pars (of 2): What aileth thee	East, Michael	35v–36
When shall I cease lamenting (= Chi per voi non sospira)	Faignient, Noë	50v
Whilst youthful sports are lasting	Weelkes, Thomas (ca. 1576–1623)	133v
Why dost thou shoot	Wilbye, John (1574–1638)	61
Wipe away my sins [=Absterge Domine]	Tallis, Thomas (ca. 1505–1585)	28–28v
With angel's face	Norcome, Daniel	165v–166
Woe is me that I am constrained	Amner, John (1579–1641)	22
Woe is me that I am constrained	Tomkins, Thomas (1572–1656)	152v–153
Zephyrus breathing (= Zephiro torna, 1a pars)	Marenzio, Luca (ca. 1553–1599)	17v

Set: Mus. Res. Drexel 4180-4185

Type: Partbooks

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Fallows, David. 1993. The Drexel Fragments of Early Tudor Song. Royal Musical Association Research Chronicle, 26: 5-18. Notes: discussion; contents list (partial); description of MS.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 159,194. Notes: contents list (partial); concordances (partial).

Monson, Craig. 1982. Voices and Viols in England, 1600-1650: The Sources and the Music. Ann Arbor. Pages: 133-58. Notes: discussion (with inventory).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I:172,176; II:76,79,86.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22. American Institute of Musicology. Pages: 56,61,156-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 33-4, 110,135-43,235-7.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: ll, 218; XII,115-7,120-1; XIII.206; XIX,326; XXI, 94-105,203; XXIII,146; XXIX,128,134; XXX, 178. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 14: 359-82. Pages: 363, 365. Notes: contents list (partial); concordances (partial).

Stevens, John E. 1961. Music & Poetry in the Early Tudor Court. Cambridge. Pages: 362,375,378, 426-8.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX,228; XVIII,110; XXII,6-8,46-7, 53-5, 114-32, 173, 177-8, 181, 185-7; XXIII, 126, 128, 133; XXXVI, xix, 160ff; XLIV, 184,186,188-91,194. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XV,1847.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 59-62, 107-10, 166, 172, 175; XVII, 150-3, 158, 162. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description