The main scribe was Gianpiero Masacone, whose name appears in several of the initials; this same scribe copied FlorD 4, 11, and 28; he may also have copied BolC Q21 and ChiN M91. The first piece, in a different hand, was probably added to the manuscript later; the last piece is also a later addition. Copied in Florence; the scribe was connected with the Medici court and church of San Lorenzo during the middle decades of the 16th century.
I-Fd MS 27
Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy
manuscript of polyphony: 1564-8
| Archive | Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy (I-Fd) |
|---|---|
| Shelfmark | MS 27 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 550 x 410 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Provenance |
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| Contents | Contains 34 compositions, 20 from 9 composers, 14 are anonymous. Contains uninventoried compositions from 4 composers. |
General Description
Watermark
Staff height ca. 32
Notation
black void mensural
Date
1564-8 (dates in manuscript)
Foliation
The first 11 folios have new foliation in red; an older foliation, 1-143, begins on f. 11'. Index on first flyleaf, in a later hand.
Decoration
Fancy decorated initials.
Surface
Paper
Census Catalogue of Music Description
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19 Magnificats, 7 psalms, 8 motets = 34
Benvenutus-1, Carpentras-6, Carpentras/(Jaquet of Mantua)-1, Colin-1, Corteccia [Corts]-1, Lhéritier-1, Morales-6, Verdelot-2, (Willaert)-1, anon-14. Seven of the anonymous pieces are erroneously attributed to Verdelot by BragardE; see BökMPV, 234-9.
162 paper folios, 550 x 410. The first 11 folios have new foliation in red; an older foliation, 1-143, begins on f. 11'. Index on first flyleaf, in a later hand. The main scribe was Gianpiero Masacone, whose name appears in several of the initials; this same scribe copied FlorD 4, 11, and 28; he may also have copied BolC Q21 and ChiN M91. The first piece, in a different hand, was probably added to the manuscript later; the last piece is also a later addition, from the 17th century (BökMPV). Fanciful decorated initials.
1564-8 (dates in manuscript). Copied in Florence; the scribe was connected with the Medici court and church of San Lorenzo during the middle decades of the 16th century.
Vol 4
19 Magnificats, 7 psalms, 7 motets = 33
Benvenutus-1, Carpentras-6, Carpentras/(Jaquet of Mantua)-1, Colin-1, Corteccia-5 + 1?, Federighi? [Del Priore]-1,* Lhéritier-1, Morales-6, (Obrecht/Willaert)-1, Verdelot-2, anon-7**
*Magnificat on ff. 85'-90 attributed to "Del Priore" in index; reference probably to ecclesiastical title of Michele Federighi, prior at Church of San Lorenzo, Florence (Edmond Strainchamps).
**Several anonymous pieces erroneously attributed to Verdelot by BragardE; see BökMPV, 234-9.
i + 167 + i paper folios, 540 x 410. First 11 folios have modern foliation in red ink, 1-11; series of original foliation follows, 1-143, continued by later hand through "156." Index on recto of front flyleaf, copied by later (17th-century?) hand, lists pieces in order of appearance. Copied mostly by Gianpiero Masacone, whose name appears in several initials; see general index for other manuscripts attributed to the same scribe. Later additions by several other scribes. Staff height ca. 32. Inked calligraphic initials.
1564-8 (main corpus, based on dates in manuscript); several pieces added in late 16th or 17th century. Copied in Florence.
The inventory could not be loaded.
‡ denotes primary source study
Cummings, Anthony M. 1981. Toward an Interpretation of the Sixteenth-Century Motet. Journal of the American Musicological Society, 34: 43-59. Pages: 54-7. Notes: contents list (partial); mention of MS; discussion.
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 360-l,426-32,799. Notes: contents list (partial); concordances (partial).
Fenlon, Iain, and James Haar. 1978. Fonti e Cronologia dei Madrigali di Costanzo Festa. Revista Italiana di Musicologia, 13: 212-42. Pages: 223. Notes: mention of MS.
Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xi, 1-12. Notes: mention of MS; transcription (partial).
Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xli,lii,37-45. Notes: mention of MS; contents list (partial); transcription (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 234-9. Notes: physical description (partial); contents list (partial); incipits (partial); mention of MS; discussion.
Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,i-ii,79-86; II,157-70. Notes: mention of MS; contents list (partial); transcription (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 136. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).
Bragard, Anne-Marie. 1964. Etude bio-bibliographique sur Philippe Verdelot, musicien français de la Renaissance. russels. Pages: 14, 19. Notes: physical description; contents list (partial); concordances (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII, 46, 48. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description