A set of Corteccia's hymns, with additions, copied by Gianpiero Masacone, who copied FlorD 4, 11, and 27, and who may also have copied BolC Q21 and ChiN M91. Copied in Florence; the scribe was connected with the Medici court and the church of San Lorenzo during the middle decades of the 16th century.
I-Fd MS 28
Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy
manuscript of polyphony: c. 1540-55
| Archive | Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy (I-Fd) |
|---|---|
| Shelfmark | MS 28 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 550 x 410 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Provenance |
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| Contents | Contains 31 compositions from 3 composers. |
General Description
Binding
Original covers of parchment pasted to cardboard.
Watermark
(1) Briquet #6293; (2) Briquet #6086; (3) resembles Briquet #13888
Notation
black void mensural
Date
Ca. 1540-55 (Crawford).
Foliation
Two sets of foliation, 1-123 and 1-129
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Magnificat, 1 psalm, 36 hymns = 38
Benvenutus-1, (Carpentras)-1, (Corteccia)-36
i + 129 + i paper folios, 550 x 410. Two sets of foliation, 1-123 and 1-129. Original covers of parchment pasted to cardboard. No index. Copied by Gianpiero Masacone, who copied FlorD 4, 11, and 27; he also may have copied BolC Q21 and ChiN M91. Watermarks found in the main body of the manuscript are Briquet #6293 and #6086; the watermark on the guard sheets resembles, but is not identical to, Briquet #13888 (Crawford).
Ca. 1540-55 (Crawford). Copied in Florence; the scribe was connected with the Medici court and the church of San Lorenzo during the middle decades of the 16th century.\
Vol 4
1 Magnificat, 1 psalm, 34 hymns = 36
Benvenutus-1, (Carpentras)-1, (Corteccia)-31, anon-3
i + 131 + i paper folios, 550 x 410. Original ink foliation, 1-120, on upper right rectos (several errors, omissions, and inconsistencies; some numbers altered by later hands). Modern pencil foliation, 1-129, on lower center rectos (one folio following f. 114, and one folio following f. 115 unnumbered). Original covers of parchment pasted to cardboard. No index. Copied mostly by Gianpiero Masacone; see general index for other manuscripts copied by the same scribe. Several later additions by other scribes. Inked calligraphic initials. Watermarks: (1) Briquet #6293; (2) Briquet #6086; (3) resembles Briquet #13888 (Crawford).
Mid 16th century. Copied in Florence.
The inventory could not be loaded.
‡ denotes primary source study
Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xii, passim. Notes: mention of MS; contents list (partial); transcription (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 136. Notes: contents list (partial); concordances (partial); incipits (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description