I-Fd MS 28

Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy

manuscript of polyphony: c. 1540-55

Archive Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy (I-Fd)
Shelfmark MS 28
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 550 x 410 mm
Other Identifiers
  • CCM: FlorD 28
Notations
  • black void mensural
Copyists
Provenance
Contents Contains 31 compositions from 3 composers.
General Description

A set of Corteccia's hymns, with additions, copied by Gianpiero Masacone, who copied FlorD 4, 11, and 27, and who may also have copied BolC Q21 and ChiN M91. Copied in Florence; the scribe was connected with the Medici court and the church of San Lorenzo during the middle decades of the 16th century.

DIAMM, 2024
Binding

Original covers of parchment pasted to cardboard.

DIAMM, 2017
Watermark

(1) Briquet #6293; (2) Briquet #6086; (3) resembles Briquet #13888

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1540-55 (Crawford).

DIAMM, 2017
Foliation

Two sets of foliation, 1-123 and 1-129

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

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1 Magnificat, 1 psalm, 36 hymns = 38

Benvenutus-1, (Carpentras)-1, (Corteccia)-36

i + 129 + i paper folios, 550 x 410. Two sets of foliation, 1-123 and 1-129. Original covers of parchment pasted to cardboard. No index. Copied by Gianpiero Masacone, who copied FlorD 4, 11, and 27; he also may have copied BolC Q21 and ChiN M91. Watermarks found in the main body of the manuscript are Briquet #6293 and #6086; the watermark on the guard sheets resembles, but is not identical to, Briquet #13888 (Crawford).

Ca. 1540-55 (Crawford). Copied in Florence; the scribe was connected with the Medici court and the church of San Lorenzo during the middle decades of the 16th century.\

Vol 4

1 Magnificat, 1 psalm, 34 hymns = 36

Benvenutus-1, (Carpentras)-1, (Corteccia)-31, anon-3

i + 131 + i paper folios, 550 x 410. Original ink foliation, 1-120, on upper right rectos (several errors, omissions, and inconsistencies; some numbers altered by later hands). Modern pencil foliation, 1-129, on lower center rectos (one folio following f. 114, and one folio following f. 115 unnumbered). Original covers of parchment pasted to cardboard. No index. Copied mostly by Gianpiero Masacone; see general index for other manuscripts copied by the same scribe. Several later additions by other scribes. Inked calligraphic initials. Watermarks: (1) Briquet #6293; (2) Briquet #6086; (3) resembles Briquet #13888 (Crawford).

Mid 16th century. Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xii, passim. Notes: mention of MS; contents list (partial); transcription (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 136. Notes: contents list (partial); concordances (partial); incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description