I-Fd MS 11

Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy

manuscript of polyphony: 1557

Archive Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy (I-Fd)
Shelfmark MS 11
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 535 x 405 mm
Other Identifiers
  • CCM: FlorD 11
Notations
  • black void mensural
Copyists
Provenance
Contents 35 pieces from 21 composers
General Description

Title: 'Motetti diversi per solennità e feste di Santi dell'anno liturgico.' Copied by Gianpiero Masacone, who also copied FlorD 4, 27, and 28; he also may have copied BolC Q21 and ChiN M91. Copied in Florence. The scribe was connected with the Medici court and church of San Lorenzo during the middle decades of the 16th century.

DIAMM, 2017
Physical Description

Folios in poor condition due to ink corrosion; some music illegible. Ff. 111-120 are missing.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Date 1557 in an initial on f. 25.

DIAMM, 2017
Foliation

Original foliation, 1-174 (ff. 111-120 now missing; five folios at end not numbered).

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

Original index on f. 1 groups pieces alphabetically by first letter of text, with subgrouping under letters by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

36 motets

(Arcadelt)-2, (Gombert)-1, (Gombert/Hesdin)-1, (Hellinck)-1, (Josquin)-2, (F. Layolle)-1, (Lhéritier)-2, (Mouton)-2, (Mouton/Richafort)-1, (Richafort)-1, (Silva)-1, (Verdelot)-3, anon-18

164 paper folios of an original 174, 535 x 405. The manuscript is in poor condition; ff. 111-120 are missing. Copied by Gianpiero Masacone, who also copied FlorD 4, 27, and 28; he also may have copied BolC Q21 and ChiN M91. Title: "Motetti diversi per solennità e feste di Santi dell'anno liturgico."

Date 1557 in an initial on f. 25. Copied in Florence; the scribe was connected with the Medici court and church of San Lorenzo during the middle decades of the 16th century.

Vol 4

1 hymn, 33 motets = 34

(Arcadelt)-1, (Arcadelt/Verdelot)-1, (Corteccia)-4 (A. Févin)-1, (Gombert)-1, (Gombert/Hesdin)-1, (Havericq)-1, (Hellinck)-1, (Jhan of Ferrara)-1, Josquin-2, (F. Layolle)-1, (Lhéritier)-2, (Lupi)-1, (Lupus/Richafort)-1, (Morales)-1, (Mouton)-2, (Mou-ton/Richafort)-1, (Richafort/Verdelot)-1, (Silva/Werrecore)-1, (Verdelot)-2, anon-7

iii + 169 + iii paper folios, 535 x 405. Folios in poor condition due to ink corrosion; some music illegible. Original foliation, 1-174 (ff. 111-120 now missing; five folios at end not numbered). Original index on f. 1 groups pieces alphabetically by first letter of text, with subgrouping under letters by order of appearance. Copied mostly by Gianpiero Masacone; see general index for other manuscripts attributed to the same scribe. Inked calligraphic initials.

1557? ("557" appears in initial on f. 25). Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 Gaudent in caelis animae sanctorum [Havericq]
Appears on: 1v–4
Genres: Motet
Source Attribution: [Havericq]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudent in celis anime sanctorum
5v–9 Sancti tui Domine florebunt sicut lilium II: In caelestibus regnis sanctorum [Corteccia]
Appears on: 5v–9
Genres: Motet
Source Attribution: [Corteccia]
Voice: [no designation]
Languages: Latin
Voice Text: Sancti tui domine florebunt sicut lilium II: In celestibus regnis sanctorum
10v–14 Apostolus Andreas Dei famulus ducebatur II: Cum pervenisset ad locum ubi crux Anon.
Appears on: 10v–14
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Apostolus Andreas dei famulus ducebatur II: Cum pervenisset ad locum ubi crux
15v–20 Thomas unus de duodecim qui dicitur II: Et post dies octo iterum erant [Jhan of Ferrara]
Appears on: 15v–20
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Thomas unus de duodecim qui dicitur II: Et post dies octo iterum erant
21v–27 O regem caeli cui talia famulantur II: Natus est nobis hodie salvatorem [Corteccia]
Appears on: 21v–27
Genres: Motet
Source Attribution: [Corteccia]
Voice: [no designation]
Languages: Latin
Voice Text: O regem celi cui talia famulantur II: Natus est nobis hodie salvatorem
27v–30 Noe noe noe parvulus filius hodie natus [F. Layolle]
Appears on: 27v–30
Genres: Motet
Source Attribution: [F. Layolle]
Voice: [no designation]
Languages: Latin
Voice Text: Noe noe noe parvulus filius hodie natus
30v–34 Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) [Josquin/Mouton]
Appears on: 30v–34
Genres: Motet
Source Attribution: [Josquin/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Queramus cum pastoribus verbum 26.10 II: Ubi pascas ubi cubes
35v–38 Hesterna die Dominus natus est in terris (2p. Heri enim rex noster trabea carnis) [Verdelot]
Appears on: 35v–38
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Hesterna die dominus natus est in terris II: Heri enim rex noster trabea carnis
39v–44 Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Josquino (Attribution added to index by later, but still contemporary hand)
Appears on: 39v–44
Genres: Motet
Source Attribution: Josquino (Attribution added to index by later, but still contemporary hand)
Voice: [no designation]
Languages: Latin
Voice Text: Preter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
45v–49 Proba me Domine et scito cor meum Anon. Anonymous
Appears on: 45v–49
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Proba me domine et scito cor meum
50v–54 Si bona suscepimus de manu Domini [Richafort/Verdelot]
Appears on: 50v–54
Genres: Motet
Source Attribution: [Richafort/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
55 Fragment of Pars I of motet on ff. 63v-69 - Anonymous
Appears on: 55
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: Fragment of Pars I of motet on ff. 63v-69
55v–58 Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) [Mouton/Richafort]
Appears on: 55v–58
Genres: Motet
Source Attribution: [Mouton/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Christus resurgens ex mortuis iam non II: Mortuus est enim propter delicta
59v–63 Surrexit pastor bonus qui animam suam (2p. Ecce crucem Domini fugite partes) [Silva/Werrecore]
Appears on: 59v–63
Genres: Motet
Source Attribution: [Silva/Werrecore]
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit pastor bonus qui animam suam II: Ecce crucem domini fugite partes
63v–69 Expurgate vetus fermentum ut sitis nova II: Mortuus est propter delicta nostra Anon. Anonymous
Appears on: 63v–69
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Expurgate vetus fermentum ut sitis nova II: Mortuus est propter delicta nostra
69v–72 Tanto tempore vobiscum sum et non cognovistis Anon. Anonymous
Appears on: 69v–72
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis
72v–75 Dum complerentur dies Pentecostes erant omnes [Arcadelt/Verdelot]
Appears on: 72v–75
Genres: Motet
Source Attribution: [Arcadelt/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies penthecostes erant
75v–79 Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) [Lupus/Richafort]
Appears on: 75v–79
Genres: Motet
Source Attribution: [Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: [J]am non dicam vos servos sed amicos II: [C]um venerit ille spiritus veritatis
79v–85 Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce [Gombert/Hesdin]
Appears on: 79v–85
Genres: Alleluia, Motet
Source Attribution: [Gombert/Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluya. Spiritus domini replevit orbem II: Laudes deo devotas dulci voce
87v–89 Regem confessorum Dominum venite adoremus (2p. Beatus vir qui hodie) [Mouton]
Appears on: 87v–89
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Regem confessorum dominum venite adoremus
89v–94 Dum complerentur dies pentecostes erant II: Spiritus Domini replevit orbem [Lhéritier]
Appears on: 89v–94
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies penthecostes erant II: Spiritus domini replevit orbem
95v–100 Ascendens Christus in altum captivam duxit [A. Févin]
Appears on: 95v–100
Genres: Motet
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendens Christus in altum captivam duxit II: O rex glorie domine virtutum
100v–102 O sacrum convivium in quo Christus sumitur [Arcadelt]
Appears on: 100v–102
Genres: Motet
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus
102v–106 Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) [Hellinck]
Appears on: 102v–106
Genres: Motet
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus contra dominum
107v–110 Gabriel archangelus apparuit Zachariae [Verdelot]
Appears on: 107v–110
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Gabriel archangelus apparuit Zacharie
111v–115 Inter natos mulierum 19.10 - 1a pars (of 2): Inter natos mulierum non surrexit major [Josquin]
Appears on: 111v–115
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit 19.10 II: Fuit homo missus a deo cui nomen
116v–120 Tu es Petrus et super hanc petram II: Quodcumque ligaveris super terram [Gombert/Morales/Moreau]
Appears on: 116v–120
Genres: Motet
Source Attribution: [Gombert/Morales/Moreau]
Voice: [no designation]
Languages: Latin
Voice Text: Tu es Petrus et super hanc petram II: Quodcumque ligaveris super terram
120v–125 Levita Laurentius bonum opus operatus est II: Dispersit dedit pauperibus justitia Anon. Anonymous
Appears on: 120v–125
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Levita Laurentius bonum opus operatus est II: Dispersit dedit pauperibus iustitia
125v–131 Beata es Maria que Dominum portasti II: Ave Maria gratia plena Dominus tecum [Lupi]
Appears on: 125v–131
Genres: Ave Maria, Motet
Source Attribution: [Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Beata es Maria que dominum portasti II: Ave Maria gratia plena dominus tecum
131v–138 O flos campi et lilium convallium II: Quam pulchre sunt mamme tue [Gombert]
Appears on: 131v–138
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: O flos campi et lilium convallium II: Quam pulchre sunt mamme tue
139v–142 Regali ex progenie Maria exorta refulget [Corteccia]
Appears on: 139v–142
Genres: Motet
Source Attribution: [Corteccia]
Voice: [no designation]
Languages: Latin
Voice Text: Regali ex progenie Maria exorta refulget
143v–147 Nigra sum sed formosa filia Jerusalem [Lhéritier]
Appears on: 143v–147
Genres: Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa filia Hierusalem
148v–154 Misit rex incredulus ministros detestabiles II: Quo audito discipuli eius venerunt [Corteccia]
Appears on: 148v–154
Genres: Motet
Source Attribution: [Corteccia]
Voice: [no designation]
Languages: Latin
Voice Text: Misit rex incredulus ministros detestabiles II: Quo audito discipuli eius venerunt
156v–160 Da pacem Domine in diebus nostris Anon. Anonymous
Appears on: 156v–160
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
161v–164 Lauda mater ecclesia lauda Christi 2 Maria soror Lazari quae tot commisit 4 Aegra currit ad medicum vas ferens 7 Uni deo sit gloria pro multiformi Anon. Anonymous
Appears on: 161v–164
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Lauda mater ecclesia lauda Christi] 2 [M]aria soror Lazari quae tot commisit 4 Aegra currit ad medicum vas ferens 7 [U]ni deo sit gloria pro multiformi
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Conseil, Jean (ca. 1498–1534)
Corteccia, (Pier) Francesco
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Layolle, Francesco de
Lheritier, Jean (ca. 1480–ca. 1551)
Lupi, Johannes (ca. 1506–1539)
Morales, Cristóbal de (ca. 1500–1553)
Moreau, Simon
Mouton, Jean (ca. 1459–1522)
Phinot, Dominique
Richafort, Jean (ca. 1480–ca. 1550)
Silva, Andreas de (ca. 1475–ca. 1522)
Verdelot, Philippe (ca. 1480–ca. 1532)
Werrecore, Matthias Hermann
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce 79v–85
Apostolus Andreas Dei famulus ducebatur II: Cum pervenisset ad locum ubi crux 10v–14
Ascendens Christus in altum captivam duxit 95v–100
Beata es Maria que Dominum portasti II: Ave Maria gratia plena Dominus tecum 125v–131
Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) 55v–58
Da pacem Domine in diebus nostris Anonymous 156v–160
Dum complerentur dies pentecostes erant II: Spiritus Domini replevit orbem 89v–94
Dum complerentur dies Pentecostes erant omnes 72v–75
Expurgate vetus fermentum ut sitis nova II: Mortuus est propter delicta nostra Anonymous 63v–69
Fragment of Pars I of motet on ff. 63v-69 Anonymous 55
Gabriel archangelus apparuit Zachariae 107v–110
Gaudent in caelis animae sanctorum 1v–4
Hesterna die Dominus natus est in terris (2p. Heri enim rex noster trabea carnis) 35v–38
Inter natos mulierum 19.10 - 1a pars (of 2): Inter natos mulierum non surrexit major 111v–115
Jam non dicam vos servos sed amicos meos (2p. Cum venerit ille spiritus veritatis) 75v–79
Lauda mater ecclesia lauda Christi 2 Maria soror Lazari quae tot commisit 4 Aegra currit ad medicum vas ferens 7 Uni deo sit gloria pro multiformi Anonymous 161v–164
Levita Laurentius bonum opus operatus est II: Dispersit dedit pauperibus justitia Anonymous 120v–125
Misit rex incredulus ministros detestabiles II: Quo audito discipuli eius venerunt 148v–154
Nigra sum sed formosa filia Jerusalem 143v–147
Noe noe noe parvulus filius hodie natus 27v–30
O flos campi et lilium convallium II: Quam pulchre sunt mamme tue 131v–138
O regem caeli cui talia famulantur II: Natus est nobis hodie salvatorem 21v–27
O sacrum convivium in quo Christus sumitur 100v–102
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) 102v–106
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) 39v–44
Proba me Domine et scito cor meum Anonymous 45v–49
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) 30v–34
Regali ex progenie Maria exorta refulget 139v–142
Regem confessorum Dominum venite adoremus (2p. Beatus vir qui hodie) 87v–89
Sancti tui Domine florebunt sicut lilium II: In caelestibus regnis sanctorum 5v–9
Si bona suscepimus de manu Domini 50v–54
Surrexit pastor bonus qui animam suam (2p. Ecce crucem Domini fugite partes) 59v–63
Tanto tempore vobiscum sum et non cognovistis Anonymous 69v–72
Thomas unus de duodecim qui dicitur II: Et post dies octo iterum erant 15v–20
Tu es Petrus et super hanc petram II: Quodcumque ligaveris super terram 116v–120

denotes primary source study

D'Accone, Frank A. 1988. London, British Library, MS Egerton 3655 [Facsimile reproduction, with introduction]. Renaissance Music in Facsimile.  Garland Publishing Co.

Snow, Robert Joseph. 1983. Toledo Cathedral Ms. Reservado 23: A Lost Manuscript Rediscovered. The Journal of Musicology, 246-77. Pages: 261. Notes: contents list (partial); concordances (partial).

Blackburn, Bonnie J (editor). 1980-. Johannes Lupi: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.xvi. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Crawford, David Eugene. 1979. Review of KirschMS. Journal of the American Musicological Society, 150-5. Pages: 152. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 347,350-1,355,360,362-3,480, 514,799. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1977. The Motet Anthologies of Andrea Antico. A Musical Offering: Essays in Honor of Martin Bernstein, 211-37. New York. Pages: 226-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 105,211-2. Notes: contents list (partial); concordances (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xli,lii,lvii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description