Title: 'Motetti diversi per solennità e feste di Santi dell'anno liturgico.' Copied by Gianpiero Masacone, who also copied FlorD 4, 27, and 28; he also may have copied BolC Q21 and ChiN M91. Copied in Florence. The scribe was connected with the Medici court and church of San Lorenzo during the middle decades of the 16th century.
I-Fd MS 11
Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy
manuscript of polyphony: 1557
| Archive | Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy (I-Fd) |
|---|---|
| Shelfmark | MS 11 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 535 x 405 mm |
| Other Identifiers |
|
| Notations |
|
| Copyists |
|
| Provenance |
|
| Contents | Contains 35 compositions, 28 from 20 composers, 7 are anonymous. |
General Description
Physical Description
Folios in poor condition due to ink corrosion; some music illegible. Ff. 111-120 are missing.
Notation
black void mensural
Date
Date 1557 in an initial on f. 25.
Foliation
Original foliation, 1-174 (ff. 111-120 now missing; five folios at end not numbered).
Decoration
Inked calligraphic initials.
Index
Original index on f. 1 groups pieces alphabetically by first letter of text, with subgrouping under letters by order of appearance.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
36 motets
(Arcadelt)-2, (Gombert)-1, (Gombert/Hesdin)-1, (Hellinck)-1, (Josquin)-2, (F. Layolle)-1, (Lhéritier)-2, (Mouton)-2, (Mouton/Richafort)-1, (Richafort)-1, (Silva)-1, (Verdelot)-3, anon-18
164 paper folios of an original 174, 535 x 405. The manuscript is in poor condition; ff. 111-120 are missing. Copied by Gianpiero Masacone, who also copied FlorD 4, 27, and 28; he also may have copied BolC Q21 and ChiN M91. Title: "Motetti diversi per solennità e feste di Santi dell'anno liturgico."
Date 1557 in an initial on f. 25. Copied in Florence; the scribe was connected with the Medici court and church of San Lorenzo during the middle decades of the 16th century.
Vol 4
1 hymn, 33 motets = 34
(Arcadelt)-1, (Arcadelt/Verdelot)-1, (Corteccia)-4 (A. Févin)-1, (Gombert)-1, (Gombert/Hesdin)-1, (Havericq)-1, (Hellinck)-1, (Jhan of Ferrara)-1, Josquin-2, (F. Layolle)-1, (Lhéritier)-2, (Lupi)-1, (Lupus/Richafort)-1, (Morales)-1, (Mouton)-2, (Mou-ton/Richafort)-1, (Richafort/Verdelot)-1, (Silva/Werrecore)-1, (Verdelot)-2, anon-7
iii + 169 + iii paper folios, 535 x 405. Folios in poor condition due to ink corrosion; some music illegible. Original foliation, 1-174 (ff. 111-120 now missing; five folios at end not numbered). Original index on f. 1 groups pieces alphabetically by first letter of text, with subgrouping under letters by order of appearance. Copied mostly by Gianpiero Masacone; see general index for other manuscripts attributed to the same scribe. Inked calligraphic initials.
1557? ("557" appears in initial on f. 25). Copied in Florence.
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
D'Accone, Frank A. 1988. London, British Library, MS Egerton 3655 [Facsimile reproduction, with introduction]. Renaissance Music in Facsimile, vol. 7. Garland Publishing Co.
Snow, Robert Joseph. 1983. Toledo Cathedral Ms. Reservado 23: A Lost Manuscript Rediscovered. The Journal of Musicology, 2: 246-77. Pages: 261. Notes: contents list (partial); concordances (partial).
Blackburn, Bonnie J (editor). 1980-. Johannes Lupi: Opera Omnia. Corpus mensurabilis musicae, vol. 84. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.xvi. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Crawford, David Eugene. 1979. Review of KirschMS. Journal of the American Musicological Society, 32: 150-5. Pages: 152. Notes: contents list (partial); concordances (partial).
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 347,350-1,355,360,362-3,480, 514,799. Notes: contents list (partial); concordances (partial).
Picker, Martin. 1977. The Motet Anthologies of Andrea Antico. A Musical Offering: Essays in Honor of Martin Bernstein, 211-37. New York. Pages: 226-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 105,211-2. Notes: contents list (partial); concordances (partial).
Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xli,lii,lvii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description