I-Fd MS 27

Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy

manuscript of polyphony: 1564-8

Archive Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy (I-Fd)
Shelfmark MS 27
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 550 x 410 mm
Other Identifiers
  • CCM: FlorD 27
Notations
  • black void mensural
Copyists
Provenance
Contents 34 pieces from 10 composers Contains 2 uninventoried works or miscellaneous sections.
General Description

The main scribe was Gianpiero Masacone, whose name appears in several of the initials; this same scribe copied FlorD 4, 11, and 28; he may also have copied BolC Q21 and ChiN M91. The first piece, in a different hand, was probably added to the manuscript later; the last piece is also a later addition. Copied in Florence; the scribe was connected with the Medici court and church of San Lorenzo during the middle decades of the 16th century.

DIAMM, 2017
Watermark

Staff height ca. 32

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1564-8 (dates in manuscript)

DIAMM, 2017
Foliation

The first 11 folios have new foliation in red; an older foliation, 1-143, begins on f. 11'. Index on first flyleaf, in a later hand.

DIAMM, 2017
Decoration

Fancy decorated initials.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

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19 Magnificats, 7 psalms, 8 motets = 34

Benvenutus-1, Carpentras-6, Carpentras/(Jaquet of Mantua)-1, Colin-1, Corteccia [Corts]-1, Lhéritier-1, Morales-6, Verdelot-2, (Willaert)-1, anon-14. Seven of the anonymous pieces are erroneously attributed to Verdelot by BragardE; see BökMPV, 234-9.

162 paper folios, 550 x 410. The first 11 folios have new foliation in red; an older foliation, 1-143, begins on f. 11'. Index on first flyleaf, in a later hand. The main scribe was Gianpiero Masacone, whose name appears in several of the initials; this same scribe copied FlorD 4, 11, and 28; he may also have copied BolC Q21 and ChiN M91. The first piece, in a different hand, was probably added to the manuscript later; the last piece is also a later addition, from the 17th century (BökMPV). Fanciful decorated initials.

1564-8 (dates in manuscript). Copied in Florence; the scribe was connected with the Medici court and church of San Lorenzo during the middle decades of the 16th century.

Vol 4

19 Magnificats, 7 psalms, 7 motets = 33

Benvenutus-1, Carpentras-6, Carpentras/(Jaquet of Mantua)-1, Colin-1, Corteccia-5 + 1?, Federighi? [Del Priore]-1,* Lhéritier-1, Morales-6, (Obrecht/Willaert)-1, Verdelot-2, anon-7**

*Magnificat on ff. 85'-90 attributed to "Del Priore" in index; reference probably to ecclesiastical title of Michele Federighi, prior at Church of San Lorenzo, Florence (Edmond Strainchamps).

**Several anonymous pieces erroneously attributed to Verdelot by BragardE; see BökMPV, 234-9.

i + 167 + i paper folios, 540 x 410. First 11 folios have modern foliation in red ink, 1-11; series of original foliation follows, 1-143, continued by later hand through "156." Index on recto of front flyleaf, copied by later (17th-century?) hand, lists pieces in order of appearance. Copied mostly by Gianpiero Masacone, whose name appears in several initials; see general index for other manuscripts attributed to the same scribe. Later additions by several other scribes. Staff height ca. 32. Inked calligraphic initials.

1564-8 (main corpus, based on dates in manuscript); several pieces added in late 16th or 17th century. Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

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Known compositions

Composition Composers (? Uncertain) Folios / Pages Source Attribution
Credidi Anonymous 113v–116 -
Cum ortus fuerit Anonymous 148v–149 -
Haec est virgo sapiens Anonymous 144v–146 -
In exitu Israel Anonymous 2–? -
In exitu Israel (tone 7) Anonymous 118v–124 -
In exitu Israel (tone 8) Anonymous 124v–129 -
Iste sanctus pro lege Dei Anonymous 134v–136 -
Isti sunt sancti 136v–139 Francisco Cort.
Istorum est enim regnum caelorum Anonymous 139v–142 -
Lauda Jerusalem Dominum Anonymous 116v–118 -
Laudate Dominum omnes gentes Anonymous 112v–113 -
Laudate Dominum omnes gentes, laudate eum 129v–131 Verdelot
Magnificat 155v–156? Joannes Benvenutus
Magnificat octavi toni: Et exultavit [K.652] 90v–94 Carpentras
Magnificat octavi toni: Et exultavit [K.921] 83v–90 Morales
Magnificat octavi toni: Et exultavit spiritus meus 99v–106 Leritier
Magnificat primi toni: Et exultavit [K.914] 5v–6 Morales
Magnificat quarti toni: Et exultavit [K.646] 42v–48 Carpentras
Magnificat quarti toni: Et exultavit [K.647] 37v–42 Carpentras
Magnificat quinti toni: Et exultavit [K.285] Anonymous 149v–155 -
Magnificat quinti toni: Et exultavit [K.648] 48v–55 Carpentras
Magnificat quinti toni: Et exultavit [K.918] 55v–61 Morales
Magnificat secundi toni: Et exultavit [K.644] 18v–23 Carpentras
Magnificat septimi toni: Et exultavit [K.650] 75v–83 Carpentras
Magnificat septimi toni: Et exultavit [K.920] 68v–75 Morales
Magnificat sexti toni: Et exultavit [K.919] 61v–68 Morales
Magnificat tertii toni: Et exultavit [K.645] 25v–31 Carpentras
Magnificat tertii toni: Et exultavit [K.916] 31v–37 Morales
Magnificat tone 1 & 6: Et exultavit 12v–18 P. Colin
Magnificat tone 6: Et exultavit 106v–112 Verdelot
Magnificat: Et exultavit 94v–99 Del Priore [=Federighi?]
Pater noster qui es in caelis Anonymous 131v–134 -
Sacerdos et pontifex Anonymous 142v–144 -
Veni electa mea Anonymous 146v–148 -

Known composers

Composers (? Uncertain) Folios / Pages Item title Attribution in Source
Works by [-] - -
Works by [-] - -

Composer Compositions
Anonymous
Benvenutus, Joannes
Carpentras, Elzear Genet (ca. 1470–1548)
Colin, Pierre (fl. 1538–1572)
Corteccia, (Pier) Francesco
Federighi, Michele
Lheritier, Jean (ca. 1480–ca. 1551)
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Credidi Anonymous 113v–116
Cum ortus fuerit Anonymous 148v–149
Haec est virgo sapiens Anonymous 144v–146
In exitu Israel Anonymous 2–?
In exitu Israel (tone 7) Anonymous 118v–124
In exitu Israel (tone 8) Anonymous 124v–129
Iste sanctus pro lege Dei Anonymous 134v–136
Isti sunt sancti 136v–139
Istorum est enim regnum caelorum Anonymous 139v–142
Lauda Jerusalem Dominum Anonymous 116v–118
Laudate Dominum omnes gentes Anonymous 112v–113
Laudate Dominum omnes gentes, laudate eum 129v–131
Magnificat 155v–156?
Magnificat octavi toni: Et exultavit [K.652] 90v–94
Magnificat octavi toni: Et exultavit [K.921] 83v–90
Magnificat octavi toni: Et exultavit spiritus meus 99v–106
Magnificat primi toni: Et exultavit [K.914] 5v–6
Magnificat quarti toni: Et exultavit [K.646] 42v–48
Magnificat quarti toni: Et exultavit [K.647] 37v–42
Magnificat quinti toni: Et exultavit [K.285] Anonymous 149v–155
Magnificat quinti toni: Et exultavit [K.648] 48v–55
Magnificat quinti toni: Et exultavit [K.918] 55v–61
Magnificat secundi toni: Et exultavit [K.644] 18v–23
Magnificat septimi toni: Et exultavit [K.650] 75v–83
Magnificat septimi toni: Et exultavit [K.920] 68v–75
Magnificat sexti toni: Et exultavit [K.919] 61v–68
Magnificat tertii toni: Et exultavit [K.645] 25v–31
Magnificat tertii toni: Et exultavit [K.916] 31v–37
Magnificat tone 1 & 6: Et exultavit 12v–18
Magnificat tone 6: Et exultavit 106v–112
Magnificat: Et exultavit 94v–99
Pater noster qui es in caelis Anonymous 131v–134
Sacerdos et pontifex Anonymous 142v–144
Veni electa mea Anonymous 146v–148

denotes primary source study

Cummings, Anthony M. 1981. Toward an Interpretation of the Sixteenth-Century Motet. Journal of the American Musicological Society, 43-59. Pages: 54-7. Notes: contents list (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 360-l,426-32,799. Notes: contents list (partial); concordances (partial).

Fenlon, Iain, and James Haar. 1978. Fonti e Cronologia dei Madrigali di Costanzo Festa. Revista Italiana di Musicologia, 212-42. Pages: 223. Notes: mention of MS.

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xi, 1-12. Notes: mention of MS; transcription (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xli,lii,37-45. Notes: mention of MS; contents list (partial); transcription (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 234-9. Notes: physical description (partial); contents list (partial); incipits (partial); mention of MS; discussion.

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,i-ii,79-86; II,157-70. Notes: mention of MS; contents list (partial); transcription (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 136. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Bragard, Anne-Marie. 1964. Etude bio-bibliographique sur Philippe Verdelot, musicien français de la Renaissance.  russels. Pages: 14, 19. Notes: physical description; contents list (partial); concordances (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XVII, 46, 48. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description