DK-Kk R.151 (previously MS Gamle kongelige Samling 1873, 4° [Discantus])

Det Kongelige Bibliotek, Copenhagen (København), Denmark

partbook: 1556

Archive Det Kongelige Bibliotek, Copenhagen (København), Denmark (DK-Kk)
Shelfmark R.151 (previously MS Gamle kongelige Samling 1873, 4° [Discantus])
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 188 x 248 mm
Other Identifiers
  • CCM: CopKB 1873
  • olim (Former shelfmark): MS Gamle kongelige Samling 1873, 4°
Notations
  • black void mensural
Relationships
External Authorities
Provenance
Contents 163 pieces from 53 composers
General Description

A Discantus partbook from a set originally of six volumes. Contents broadly organised in sections by number of voices: 5vv, then 6, 7 and 8vv. Where compositions are in 2 partes, the 2a pars is often separated from the 1a pars. Copied for the Danish court chapel in Copenhagen (CreAC). Much of the repertory was copied from Phalèse prints of 1553-5.

DIAMM, 2025
Extent

D 194ff; T 170ff; B 178ff; Q 177ff; S 163ff.

DIAMM, 2025
Binding

Covers of brown tooled leather on wood, with clasps. Several layers, in several hands.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered

DIAMM, 2017
Foliation

Old and new foliation

DIAMM, 2017
Decoration

monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Gilt-edged pages.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

62 motets, 13 German sacred pieces, I German/Latin sacred piece (with Latin incipit only in this source), 50 French secular pieces, 5 German secular pieces, 2 Italian secular pieces (all of the preceding have text incipits or titles only), 29 textless pieces = 162

[The second parts for many of the motets are copied in separate groups, but the first and second parts are counted as single pieces in the above summary].

Amsfortius [Franzeisscus]-2, (Baston)-3, (Braetel)-1, (Briant)-1, (Beutel)-1, Canis-3, (Chastelain)-1, Clemens non Papa-20, (Cornel de Milan)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Crecquillon-12, Crespel-6, (Ducis)-1, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-2, (Hellinck)-1, C. Hollander-3, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, Jhan of Ferrara [Galli]-1, Josquin-8, L'Archier-2, (Lattre)-1, (Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Senfl)-4, Stoltzer-1, Tubal-1, Vinders [Vindtner]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-62

5 paper partbooks of an original 6 (D-ii + 194 folios, T-ii + 170, B-i + 103, Q-ii + 177, Sii + 164), ca. 188 x 248 (B measures 182 x 256). Old and new foliation; pieces numbered. Covers of brown tooled leather on wood, with clasps. Several layers, in several hands. Gilt-edged pages. Manuscript contains date 1556, monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Instruments are specified for some of the pieces. Manuscript is related to CopKB 1872. Much of the repertory was copied from Phalèse prints of 1553-5.

Copying begun in 1556. Copied for the Danish court chapel in Copenhagen (CreAC).

Vol. 4

Contents: 59 motets,* 10 German sacred pieces, 1 German/Latin sacred piece (with Latin incipit only in this source), 52 French secular pieces, 5 German secular pieces, 6 Italian secular pieces (all of preceding have text incipits or titles only, or are without text or title in this source), 31 textless pieces = 164

*Second partes for some motets copied separately in this source, but first and second partes counted as single items in above summary.

Composers: (Abell)-1, Amsfortius [Frantzeisscus]-1, (Appenzeller)-1, (Arcadelt) -1, (Baston)-2, (Baston/Cleve)-1, (Beutel)-1, (Braetel)-1, (Briant)-1, Canis-3, (Chastelain)-1, Clemens non Papa-19, (Clemens non Papa/Crecquillon)-1, (Cornel de Milan)-1, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales) -1 [2 voices added by Bruck], Crecquillon-13, Crespel-6, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-3, (Gombert/Josquin)-1, (Grefinger/Senfl)-1, (Hellinck/Senfl/Verdelot)-1, C. Hollander-S, Qanequin-Verdelot)-1, (Jaquet of Mantua)-1, Josquin-8, (Josquin/Senfl)-2, L'Archier-2, (Lassus)-2, (Lattre)-1, Le Cocq [Galli]-1, (Gerard Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Rore)-1, (Senfl)-2, Stoltzer-1, Tubal-1, (Verdelot)-1, Vinders [Ieronimus Vindter]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-52

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Le bon espoir que j'ai de parvenir [Baston]
Appears on: 1
Genres: Chanson
Source Attribution: [Baston]
Voice: [no designation]
Languages: French
Voice Text: Le bon espoir [que j'ay de parvenir]
1v Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo [Crecquillon]
Appears on: 1v
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Deus virtutum [convertere respice de celo]
1v Adjuva nos Deus salutaris noster [Crecquillon]
Appears on: 1v
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva nos deus salutaris noster
2 Un coeur en deuil je porte en un champ [Gerard Le Cocq]
Appears on: 2
Genres: Chanson
Source Attribution: [Gerard Le Cocq]
Voice: [no designation]
Languages: French
Voice Text: Ung cuer en dueil ie porte [en ung champ]
2v J'ai veu sans yeulx morir un mort [Crecquillon]
Appears on: 2v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Jay veu sans [yeulx morir ung mort]
2v Dieu me fault il tant de mal supporter [Crecquillon]
Appears on: 2v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Dieu me fault [il tant de mal supporter]
3 Laultrier mi cheminoie mon chemin devers [Clemens non Papa]
Appears on: 3
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Laultrier mi [cheminoie mon chemin devers]
3v Chant musical in'ention divine n'est desprise [Crespel]
Appears on: 3v
Genres: Chanson
Source Attribution: [Crespel]
Voice: [no designation]
Languages: French
Voice Text: Chant musical [in'ention divine n'est desprise]
4 Je changeray quoy qu'il m'en doibt advenir [Crecquillon]
Appears on: 4
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Je changeray [quoy qu'il m'en doibt advenir]
4v Vostre a jamais par heritage me poves [Baston]
Appears on: 4v
Genres: Chanson
Source Attribution: [Baston]
Voice: [no designation]
Languages: French
Voice Text: Vostre a iamais [par heritage me poves]
4v Belle donne moi un regard tant seullement [Canis]
Appears on: 4v
Genres: Chanson
Source Attribution: [Canis]
Voice: [no designation]
Languages: French
Voice Text: Belle donne moy [ung regard tant seullement]
5 Dites pourquoi vostre amitié se fache [Crecquillon]
Appears on: 5
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Dictes pourquoy [vostre amytie se fache]
5v Je ne desire que la mortt Puisque je vis [Chastelain]
Appears on: 5v
Genres: Chanson
Source Attribution: [Chastelain]
Voice: [no designation]
Languages: French
Voice Text: Je ne desire que la mortt [puis que je vis]
5v [untexted] Anon. Anonymous

[untexted]

Anonymous
Appears on: 5v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
5v Pardonne moi madame et ma maistresse [Crecquillon]
Appears on: 5v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Pardonne moy [madame et ma maistresse]
6 O triste ennuye qui me tient en souffrance [Crecquillon]
Appears on: 6
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: O triste ennuye qui [me tient en souffrance]
6v Pour parvenir bon peid bon oeil avoir [Canis]
Appears on: 6v
Genres: Chanson
Source Attribution: [Canis]
Voice: [no designation]
Languages: French
Voice Text: Pour parvenir [bon peid bon oeil avoir]
6v A l'advenir tousjours je poursuyvray [Crespel]
Appears on: 6v
Genres: Chanson
Source Attribution: [Crespel]
Voice: [no designation]
Languages: French
Voice Text: A ladvenir tousiours [je poursuyvray]
7 Sur toutes fleurs j'aime la marguerite [Crespel]
Appears on: 7
Genres: Chanson
Source Attribution: [Crespel]
Voice: [no designation]
Languages: French
Voice Text: Sur toutes fleurs iaime [la marguerite]
7v Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate [Clemens non Papa]
Appears on: 7v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Pastores quidnam vidistis [annunciate nobis]
7v Or puisqu' ennuye te detient en souffrance [Crecquillon]
Appears on: 7v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Or puis que [enuye te tient en souffrance]
8 Dame d'honneur de beauté l'outre passe [Crespel]
Appears on: 8
Genres: Chanson
Source Attribution: [Crespel]
Voice: [no designation]
Languages: French
Voice Text: Dame dhonneur [de beaulte lvoultre passe]
8v Le departier est sans departement [Cornel de Milan]
Appears on: 8v
Genres: Chanson
Source Attribution: [Cornel de Milan]
Voice: [no designation]
Languages: French
Voice Text: Le departier [est sans departement]
9 Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) [Josquin]
Appears on: 9
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Faulte dargent [cest douleur non pareille] 29.7
9v Tua est potentia tuum regnum Dominus 26.17 [Mouton]
Appears on: 9v
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potencia [tuum regnum domine]
9v Dormend' un giorno a Baia a l'ombr' Amore [Verdelot]
Appears on: 9v
Genres: Madrigal (Italian)
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Italian
Voice Text: Dormend un giorno [a Baia a l'ombr'amore]
10 Je lay ayme et tousjours laymeray le mien [C. Hollander]
Appears on: 10
Genres: Chanson
Source Attribution: [C. Hollander]
Voice: [no designation]
Languages: French
Voice Text: Je lay ayme [et tousjours laymeray le mien]
10v Aimer est ma vie en despit d'ennuye [Clemens non Papa]
Appears on: 10v
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Aymer est ma vie [en despit denuye]
10v Je changerai quelque chose qu'on pense Crequilon
Appears on: 10v
Genres: Chanson
Source Attribution: Crequilon
Voice: [no designation]
Languages: French
Voice Text: Je changeray [quelque chose qu'on pense]
11 Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus Lupi
Appears on: 11
Genres: Motet
Source Attribution: Lupi
Voice: [no designation]
Languages: Latin
Voice Text: Pastores loquebantur ad invicem [transeamus]
11v La [Las] non ailleurs le triste coeur demeure Clemens non Papa
Appears on: 11v
Genres: Chanson
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: French
Voice Text: Las non ailleurs [la triste cueur demeure]
11v So ich betracht und acht der alten Gesang [Braetel]
Appears on: 11v
Genres: Song
Source Attribution: [Braetel]
Voice: [no designation]
Languages: German
Voice Text: So ich betracht und acht der alten gesang
12 Hellas dama Anon. Anonymous

Hellas dama

Anonymous
Appears on: 12
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Hellas dama
12v N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 [Josquin]
Appears on: 12v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Nesse point [ung grant desplaisir] 29.17
13 Quant me souvient de ma triste fortune [Briant]
Appears on: 13
Genres: Chanson
Source Attribution: [Briant]
Voice: [no designation]
Languages: French
Voice Text: Quant me souvient [de ma triste fortune]
13 Fors seulement l'attente que je meure 27.10 [A. Févin/Josquin]
Appears on: 13
Genres: Chanson
Source Attribution: [A. Févin/Josquin]
Voice: [no designation]
Languages: French
Voice Text: Fors seulement [lvattente que je meure] 27.10
13v O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa Clemens [non Papa]
Appears on: 13v
Genres: Motet
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: O Maria [vernans rosa porta coeli speciosa]
14 O Maria vernans - 2a pars (of 2): Tu lux pulchra Clemens [non Papa]
Appears on: 14
Genres: Motet
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Tu lux pulchra [tu medela tu pax]
14v–15 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) [Josquin]
Appears on: 14v–15
Genres: Motet, Stabat Mater
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa [iuxta crucem] 25.9 II: Christe verbum fons amoris [me sentire]
15v–16 In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) [Hellinck/Senfl/Verdelot]
Appears on: 15v–16
Genres: Motet
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi [non confundar] II: Quoniam fortitudo mea [et refugium]
16v–17 Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 [Josquin]
Appears on: 16v–17
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Propter peccata [quae peccastis]/La passe tantz 29.12
17v–18 De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) [Josquin/Senfl]
Appears on: 17v–18
Genres: Motet
Source Attribution: [Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis [clamavi ad te domine] 15.14 II: A custodia matutina [usque ad noctem]
18v Nun bitten wir den heiligen geist (6vv) [Walter]
Appears on: 18v
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Nun bitten wir den heilligen geyst
18v Vater unser im Himmelreich, der du uns Anon. Anonymous
Appears on: 18v
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Vatter unsser im himmelreich [der du uns]
19 Amor se mai Anon. Anonymous

Amor se mai

Anonymous
Appears on: 19
Genres: Italian secular
Source Attribution: Anon.
Voice: [no designation]
Languages: Italian
Voice Text: Amor se mai
19v–20 Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) [Baston/Cleve]
Appears on: 19v–20
Genres: Motet
Source Attribution: [Baston/Cleve]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbatum [Maria Magdalena] II: Et valde mane [una sabbatorum veniunt]
20v–21 Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) Clemens non Papa
Appears on: 20v–21
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem [universum praedicate dicentes] II: Signa eos [qui in me credent]
21v–22 Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) [Clemens non Papa]
Appears on: 21v–22
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria [ibant] II: Cito euntes dicite discipulis [eius]
22v Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) [C. Festa]
Appears on: 22v
Genres: Motet
Source Attribution: [C. Festa]
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem [quae occidis prophetas et lapidas] [= Florentia tempus est penitentie]
23–23v Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) [Janequin-Verdelot]
Appears on: 23–23v
Genres: Chanson
Source Attribution: [Janequin-Verdelot]
Voice: [no designation]
Languages: French, German
Voice Text: Die Schlacht Poffia: [Escoutez tous gentilz galloys la victoire du noble roy] II: [Fan fan fan frere le le lan fan]
24 Ach Maidlein rein ich hab allein [Grefinger/Senfl]
Appears on: 24
Genres: Song
Source Attribution: [Grefinger/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ach meydlein rein wer ich allein
24v–57v blank pages - -

blank pages

Appears on: 24v–57v
58 En quam honesta et jucunda res est Anon.
Appears on: 58
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Enquam honesta [et iucunda res est]
58v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] [Josquin]
Appears on: 58v
Genres: Chanson, Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Hec dicit dominus [de manu mortis] 30.6 [= Videte omnes populi, Nimphes nappés néridriades driades]
58v Verbum Domini manet in aeternam [Walter]
Appears on: 58v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum domini manet in aeternam
59 Wir glauben all an einen Gott [Credo] (I) (4vv) [Walter]
Appears on: 59
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Wir glauben all ann einen Gott
59v D'amour me plains et non de vous m'amie [LvArchier]
Appears on: 59v
Genres: Chanson
Source Attribution: [LvArchier]
Voice: [no designation]
Languages: French
Voice Text: Damours me plain [= D'amour me plains et non de vous]
60 Si par souffrir je puis avoir du bien [Clemens non Papa]
Appears on: 60
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Si par souffrir [je puis avoir du bien]
60v Mais languirai-je toujours, vrai Dieu [Waelrant]
Appears on: 60v
Genres: Chanson
Source Attribution: [Waelrant]
Voice: [no designation]
Languages: French
Voice Text: Mais languiraige [tousjours vray dieu]
61 Celle que m'a tant pourmene a eu pitie [C. Hollander]
Appears on: 61
Genres: Chanson
Source Attribution: [C. Hollander]
Voice: [no designation]
Languages: French
Voice Text: Celle qui ma tant [pourmenee a eu pitie]
61v J'ai veu le cerf du bois saillir et boire [Crespel]
Appears on: 61v
Genres: Chanson
Source Attribution: [Crespel]
Voice: [no designation]
Languages: French
Voice Text: Jay veu le cerf [du bois saillir et boire]
62 Me retirer d'elle ne m'est possible [Clemens non Papa]
Appears on: 62
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Me retirer [delle ne m'est possible]
62v–63 Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) [Clemens non Papa]
Appears on: 62v–63
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ave martyr [gloriosa Barbaraque generosa] II: Ave Barbara [serena pulchra quasi luna]
63v Au departir triste deuil a presse Anon. Anonymous
Appears on: 63v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Au despartir [triste deuil a presse]
64 Creator omnium Deus (6vv) [Willaert]
Appears on: 64
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Creator omnium deus terribilis [et fortis]
64v Pour souhaitter je ne demande mieulx 30.8 [Josquin]
Appears on: 64v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Pour souhaitter [je ne demande mieulx] 30.8
64v Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 64v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Petite camusette [à la mort m'avez mis] 30.7
65v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crequillon
Appears on: 65v
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Domine da nobis [auxilium de tribulatione]
66 Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt Gomberth
Appears on: 66
Genres: Motet
Source Attribution: Gomberth
Voice: [no designation]
Languages: Latin
Voice Text: Peccata mea sicut [sagittae infixa sunt]
66v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Morales
Appears on: 66v
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum [qui ambulant]
67 Ecce nunc benedicite Dominum omnes servi Domini Matthias Eckel
Appears on: 67
Genres: Motet
Source Attribution: Matthias Eckel
Voice: [no designation]
Languages: Latin
Voice Text: Ecce nunc benedicite [dominum omnes servi]
67v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea Crequillon
Appears on: 67v
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Tibi subiecta sit [anima mea]
68 Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco Gomberth
Appears on: 68
Genres: Motet
Source Attribution: Gomberth
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Quoniam iniquitatem [meam ego cognosco]
68v Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet Morales
Appears on: 68v
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Ecce sic benedicetur [homo qui timet]
69 Forte fortune fors un vouloir [C.] Hollandre
Appears on: 69
Genres: Chanson
Source Attribution: [C.] Hollandre
Voice: [no designation]
Languages: French
Voice Text: Forte fortune fors [ung vouloir]
69v Le content est riche en ce monde Crespel
Appears on: 69v
Genres: Chanson
Source Attribution: Crespel
Voice: [no designation]
Languages: French
Voice Text: Le content est riche en ce monde
70 Vivre ne puis sur terre car mort suis Galli [= Le Cocq]
Appears on: 70
Genres: Chanson
Source Attribution: Galli [= Le Cocq]
Voice: [no designation]
Languages: French
Voice Text: Vivre ne puis [sur terre car mort suis]
70v Tous les plaisirs qu'en languer je soubstiens Tubal
Appears on: 70v
Genres: Chanson
Source Attribution: Tubal
Voice: [no designation]
Languages: French
Voice Text: Tous les plaisirs [qu'en languer je soubstiens]
71 Arousez vous violettes? Anon. Anonymous
Appears on: 71
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [Arousez vous violettes?]
71v Si me tenes tant de rigueur madame Crequillon
Appears on: 71v
Genres: Chanson
Source Attribution: Crequillon
Voice: [no designation]
Languages: French
Voice Text: Si me tenes tant de riguer [madame]
72 Quem nos merito Periculum ... Inviolata integra Anon. Anonymous
Appears on: 72
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quem nos merito [Periculum ... Inviolata integra]
72v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine Gombert
Appears on: 72v
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Oculi omnium in te sperant domine
73 Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Crequillon
Appears on: 73
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri [et gloriantur]
73v Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Jaquet of Mantua]
Appears on: 73v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Surge Petre [et indue te vestimentis tuis]
74 Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Canis
Appears on: 74
Genres: Motet
Source Attribution: Canis
Voice: [no designation]
Languages: Latin
Voice Text: Domine quis habitabit [in tabernaculo tuo]
74v Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt Gombert
Appears on: 74v
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Qui edunt me [adhuc esuriunt]
75 Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine Crequillon
Appears on: 75
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Tua est potentia [tuum regnum domine]
75v Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves [Jaquet of Mantua]
Appears on: 75v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Si diligis me [Simon Petre pasce oves]
76 Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus Canis
Appears on: 76
Genres: Motet
Source Attribution: Canis
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Ad nihilum deductus est [in conspectu]
76v Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum [Manchicourt]
Appears on: 76v
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Jerusalem [quia venit lumen]
77 Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige [Waelrant]
Appears on: 77
Genres: Motet
Source Attribution: [Waelrant]
Voice: [no designation]
Languages: Latin
Voice Text: Verba mea auribus perceipe [domine intellige]
77v Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anon. Anonymous
Appears on: 77v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria [succurre miseris iuva]
78 Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna [Clemens non Papa]
Appears on: 78
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Clemens et benigna [jugi laude digna]
78v Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient [Manchicourt]
Appears on: 78v
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Filii tui de longe venient
79 Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo [Waelrant]
Appears on: 79
Genres: Motet
Source Attribution: [Waelrant]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Introibo in domum tuam [adorabo]
79v Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anon. Anonymous
Appears on: 79v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Beata dei genitrix [Maria virgo]
80 Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia [Clemens non Papa]
Appears on: 80
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Nos a miseria [perduc ad gaudia]
80v A qui me dois je retirer Puisque mon ami [Clemens non Papa]
Appears on: 80v
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: A qui me doibs ie retirer [puis que mon amy]
81 Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol [Wismes]
Appears on: 81
Genres: Motet
Source Attribution: [Wismes]
Voice: [no designation]
Languages: Latin
Voice Text: Que est ista que processit [sicut sol]
81v Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol [Manchicourt]
Appears on: 81v
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Que est ista que ascendit sicut sol
82 Si seulle estois plaine de desconfort (?= J'ay veu le cerf) [Lattre]
Appears on: 82
Genres: Chanson
Source Attribution: [Lattre]
Voice: [no designation]
Languages: French
Voice Text: Si seulle estois [plaine de desconfort]
82v Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/ Senfl]
Appears on: 82v
Genres: Motet
Source Attribution: [Jonckers/Josquin/ Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet [nolite timere] 14.5
General Note

additioonal 6th voice added to the usual 5vv -- as also in DK-Kk MS Gamle kongelige Samling 1872, 4°

83 Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam [Wismes]
Appears on: 83
Genres: Motet
Source Attribution: [Wismes]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Sicut dies verni [circundabant eam]
83v Quae est ista - 2a pars (of 2): Ista est speciosa inter filias [Manchicourt]
Appears on: 83v
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Ista est speciosa [inter filias]
83v–84 In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Josquin
Appears on: 83v–84
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore [stetit Jesus in medio] 19.5
84v Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus [Manchicourt]
Appears on: 84v
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Sustinuimus pacem et non venit quesivimus
85 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 85
Genres: Motet
Source Attribution: [Beutel]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit coenam magnam [et misit]
85v Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu [Clemens non Papa]
Appears on: 85v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Fremuit spiritus Ihesu [et turbavit seipsum]
86 Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula [Manchicourt]
Appears on: 86
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea [et macula]
86v Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum [Manchicourt]
Appears on: 86v
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Nos alium deum nescimus preter dominum
87 Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum [Beutel]
Appears on: 87
Genres: Motet
Source Attribution: [Beutel]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Venite et comedite [et bibite vinum]
87v Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari [Clemens non Papa]
Appears on: 87v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Videns dominus [flentes sorores]
88 Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes [Manchicourt]
Appears on: 88
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Flores apparuerunt [vinee florentes]
88v Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc Larchier
Appears on: 88v
Genres: Motet
Source Attribution: Larchier
Voice: [no designation]
Languages: Latin
Voice Text: Nisi quia dominus erat in nobis [dicat nunc]
89 Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet Clemens non Papa
Appears on: 89
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Levavi oculos meos in montes [unde veniet]
89v Constitues eos principes super omnem terram [Gombert]
Appears on: 89v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Constitues eos [principes super omnem terram]
90 Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine Cle. non Papa
Appears on: 90
Genres: Motet
Source Attribution: Cle. non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Hic est vere martir qui pro Christi nomine
90v Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos Larchier
Appears on: 90v
Genres: Motet
Source Attribution: Larchier
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Benedictus dominus [qui non dedit nos]
91–91v Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est Clemens non Papa
Appears on: 91–91v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Anima nostra sicut [passer erepta est]
92 Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum Cle. non Papa
Appears on: 92
Genres: Motet
Source Attribution: Cle. non Papa
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Omnipotens Deus qui [beatum Sebastianum]
92v Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi [Clemens non Papa]
Appears on: 92v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima [quo progrederis quasi]
93 Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque [Appenzeller]
Appears on: 93
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella [dei mater alma atque]
93v Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 93v
Genres: Alleluia, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Philippe qui videt me alleluia
94 Je n'ai quelque cause de joie [Wismes]
Appears on: 94
Genres: Chanson
Source Attribution: [Wismes]
Voice: [no designation]
Languages: French
Voice Text: Je nay quelque cause de ioye
94v Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula [Clemens non Papa]
Appears on: 94v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Pulchra es amica mea [et macula]
95 Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis [Appenzeller]
Appears on: 95
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: (2p) Virgo singularis [inter omnes mitis]
96 Christ ist erstanden von der marter alle Frantzeisscus [Amsfortius]
Appears on: 96
Genres: Hymn, Motet, Sacred Song
Source Attribution: Frantzeisscus [Amsfortius]
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
96 Christ ist erstanden von der marter alle Johan Paston
Appears on: 96
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
96v Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anon. Anonymous
Appears on: 96v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Zu Gott mein trost allein ich stell II: Sunst anders kein heilandt nicht ist
97 Toujours leal a ma maitresse tant que au corps [Courtois]
Appears on: 97
Genres: Chanson
Source Attribution: [Courtois]
Voice: [no designation]
Languages: French
Voice Text: Tout ior lial [= Tout iour leal a ma maistresse]
97v–98 Christ lag in Todesbanden für unser Sünd Johan Paston
Appears on: 97v–98
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
Voice: [no designation]
Languages: German
Voice Text: Christ lag in todesbanden [für unser Sünd]
97v–98 Congratulamini mihi omnes (2p. Tulerunt Dominum) [Lassus]
Appears on: 97v–98
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini [mihi omnes qui diligitis] II: Tulerunt [dominum meum] et nescio ubi
98v Quare tristis es anima mea [Lassus]
Appears on: 98v
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Quare tristis es anima mea
99 Vous qui Anon. Anonymous

Vous qui

Anonymous
Appears on: 99
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Vous qui
99v Mentre per questi monti Anon. Anonymous
Appears on: 99v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: Italian
Voice Text: Mentre per questi monti
100 Sancta Trinitas unus Deus miserere nobis (6vv) [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
Appears on: 100
Genres: Motet
Source Attribution: [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas [unus deus miserere] 26.12
General Note

Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

100v–101 blank pages - -

blank pages

Appears on: 100v–101
101v An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen [Wannenmacher]
Appears on: 101v
Genres: Song
Source Attribution: [Wannenmacher]
Voice: [no designation]
Languages: German
Voice Text: Du schnode tochter Babilon [zerbrochen] [Pars V of An Wasserflüssen Babylon]
101v Ein Kindelein so löbelich / Der Tag ist so freudenreich Anon. Anonymous
Appears on: 101v
Genres: Motet, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ein Kindelin so löbelich/Der tag ist so freudenreich
102 In dulci jubilo nun singet und seid froh [Abell]
Appears on: 102
Genres: Motet
Source Attribution: [Abell]
Voice: [no designation]
Languages: Latin, German
Voice Text: In dulci iubilo [nu singet und seid froh]
102 Gelobet seist Du, Jesu Christ, dass Du Mensch Anon. Anonymous
Appears on: 102
Genres: Chorale, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Gelobett seÿstu Jhesu Christ [dass du mensch]
102v–129v blank pages - -

blank pages

Appears on: 102v–129v
130 O mors inevitabilis mors amara mors crudelis Ieronimus Vindter [= Vinders]
Appears on: 130
Genres: Motet
Source Attribution: Ieronimus Vindter [= Vinders]
Voice: [no designation]
Languages: Italian
Voice Text: O mors inevitabilis [mors amara mors crudelis]
130v Ego flos campi et lilium convalium Clemens non Papa
Appears on: 130v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Ego flos campi [et lilium convallium]
131 Was wird es doch des wunders noch [S329 - 4vv/7vv] [Senfl]
Appears on: 131
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Was wirt es doch [des wunders noch]
131 Mich wundert gar hart umb den roten Anon. Anonymous
Appears on: 131
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Mich wundert gar hartt umb den roten
131v Parcere prostratis Anon. Anonymous

Parcere prostratis

Anonymous
Appears on: 131v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Parcere prostratis
132 Wer ich ein falck so wolt ich mich Anon. Anonymous
Appears on: 132
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wer ich ein falckh [so wolt ich mich]
132v Nesciens mater virgo virum peperit T: Stolzer
Appears on: 132v
Genres: Motet
Source Attribution: T: Stolzer
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater [virgo virum peperit]
133–150v blank pages - -

blank pages

Appears on: 133–150v
151 Mon petit coeur n'est pas a moi [Rore]
Appears on: 151
Genres: Chanson
Source Attribution: [Rore]
Voice: [no designation]
Languages: French
Voice Text: Mon pettit [cueur n'est pas a moy]
151v Amour au coeur me poingt quand bien [Clemens non Papa]
Appears on: 151v
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Amour au cueur [me poingt quant bien]
152 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 152
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam [vos servos sed amicos]
152v–153 Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) [Clemens non Papa/ Crecquillon]
Appears on: 152v–153
Genres: Motet
Source Attribution: [Clemens non Papa/ Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi [in caelum et coram te] II: Quanti mercenarii [in domo patris]
153v Su su su / A la battaglia Anon. Anonymous
Appears on: 153v
Genres: Italian secular
Source Attribution: Anon.
Voice: [no designation]
Languages: Italian
Voice Text: Su su su/A la battaglia
154 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 154
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Tulerunt dominum meum et nescio ubi] 14.7 [= Lugebat David Absalom pius pater]
154v–166v blank pages - -

blank pages

Appears on: 154v–166v
167–169v Welsch danz Anon. Anonymous

Welsch danz

Anonymous
Appears on: 167–169v
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Welsch danz
167–169v English dance Anon. Anonymous

English dance

Anonymous
Appears on: 167–169v
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Englisch tanz
167–169v 23 other untitled dances Anon. Anonymous
Appears on: 167–169v
Genres: Dance
Source Attribution: Anon.
170–191 blank pages - -

blank pages

Appears on: 170–191
191v untexted Discantus Anon. -

untexted Discantus

Appears on: 191v
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless [D incomplete]
194 Si pur ti guardo dolce anima mia Anon.
Appears on: 194
Genres: Italian secular
Source Attribution: Anon.
Voice: [no designation]
Languages: Italian
Voice Text: Si pur ti guardo [dolce anima mia]
Composer Compositions
Abell, David (fl. 16th century)
Amsfortius, Franciscus Marcellus
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Beutel (Bultel), Jacob
Bratel, Ulrich
Briant, Denis
Bruck, Arnold von (ca. 1500–1554)
Canis, Cornelius
Chastelain, Charles (ca. 1490–1578)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Crespel, Jean
Despres, Josquin (ca. 1450–1521)
Donato, Baldassare (ca. 1529–1603)
Eckel, Matthias
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Fevin, Robert de (fl. 1500-1515)
Galli, Antonius
Gombert, Nicolas (ca. 1495–ca. 1560)
Grefinger, Wolfgang
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Janequin, Clement (ca. 1485–ca. 1558)
Jonckers, Maistre Gosse
Larchier, Jean
Lassus, Orlande de (ca. 1532–1594)
Le Cocq, Gerard
Lupi, Johannes (ca. 1506–1539)
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Milan, Cornelius de
Morales, Cristóbal de (ca. 1500–1553)
Mouton, Jean (ca. 1459–1522)
Pastrana, Pedro de (1490–ca. 1558)
Petit (de Latre), Jehan
Phinot, Dominique
Rore, Cipriano de (ca. 1515–1565)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Tubal, Adrian
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Waelrant, Hubert (ca. 1517–1595)
Walter, Johann (1496–1570)
Wannenmacher, Johannes (ca. 1485–1551)
Willaert, Adrian (ca. 1490–1562)
Wisme (Vuismes), Nicholas de
Composition Composers (? Uncertain) Folios / Pages
23 other untitled dances Anonymous 167–169v
[untexted] Anonymous 5v
A l'advenir tousjours je poursuyvray 6v
A qui me dois je retirer Puisque mon ami 80v
Ach Maidlein rein ich hab allein 24
Adjuva nos Deus salutaris noster 1v
Aimer est ma vie en despit d'ennuye 10v
Amor se mai Anonymous 19
Amour au coeur me poingt quand bien 151v
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen 101v
Arousez vous violettes? Anonymous 71
Au departir triste deuil a presse Anonymous 63v
Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque 93
Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis 95
Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) 62v–63
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 66v
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet 68v
Belle donne moi un regard tant seullement 4v
Celle que m'a tant pourmene a eu pitie 61
Chant musical in'ention divine n'est desprise 3v
Christ ist erstanden von der marter alle 96
Christ ist erstanden von der marter alle 96
Christ lag in Todesbanden für unser Sünd 97v–98
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 78
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 80
Congratulamini mihi omnes (2p. Tulerunt Dominum) 97v–98
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 73
Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine 75
Constitues eos principes super omnem terram 89v
Creator omnium Deus (6vv) 64
D'amour me plains et non de vous m'amie 59v
Dame d'honneur de beauté l'outre passe 8
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) 17v–18
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) 9
Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo 1v
Dieu me fault il tant de mal supporter 2v
Dites pourquoi vostre amitié se fache 5
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 65v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 67v
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 74
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus 76
Dormend' un giorno a Baia a l'ombr' Amore 9v
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) 19v–20
Ecce Dominus veniet nolite timere 14.5 82v
Ecce nunc benedicite Dominum omnes servi Domini 67
Ego flos campi et lilium convalium 130v
Ein Kindelein so löbelich / Der Tag ist so freudenreich Anonymous 101v
En quam honesta et jucunda res est 58
English dance Anonymous 167–169v
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) 23–23v
Fors seulement l'attente que je meure 27.10 13
Forte fortune fors un vouloir 69
Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu 85v
Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari 87v
Gelobet seist Du, Jesu Christ, dass Du Mensch Anonymous 102
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 58v
Hellas dama Anonymous 12
Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine 90
Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum 92
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 85
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 87
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 76v
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 78v
In dulci jubilo nun singet und seid froh 102
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio 83v–84
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 15v–16
Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) 20v–21
J'ai veu le cerf du bois saillir et boire 61v
J'ai veu sans yeulx morir un mort 2v
Jam non dicam vos servos sed amicos (8vv) 152
Je changerai quelque chose qu'on pense 10v
Je changeray quoy qu'il m'en doibt advenir 4
Je lay ayme et tousjours laymeray le mien 10
Je n'ai quelque cause de joie 94
Je ne desire que la mortt Puisque je vis 5v
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) 22v
La [Las] non ailleurs le triste coeur demeure 11v
Laultrier mi cheminoie mon chemin devers 3
Le bon espoir que j'ai de parvenir 1
Le content est riche en ce monde 69v
Le departier est sans departement 8v
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 89
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est 91–91v
Mais languirai-je toujours, vrai Dieu 60v
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) 21v–22
Me retirer d'elle ne m'est possible 62
Mentre per questi monti Anonymous 99v
Mich wundert gar hart umb den roten Anonymous 131
Mon petit coeur n'est pas a moi 151
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 12v
Nesciens mater virgo virum peperit 132v
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc 88v
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos 90v
Nun bitten wir den heiligen geist (6vv) 18v
O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa 13v
O Maria vernans - 2a pars (of 2): Tu lux pulchra 14
O mors inevitabilis mors amara mors crudelis 130
O triste ennuye qui me tient en souffrance 6
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 72v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 74v
Or puisqu' ennuye te detient en souffrance 7v
Parcere prostratis Anonymous 131v
Pardonne moi madame et ma maistresse 5v
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 11
Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate 7v
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) 152v–153
Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt 66
Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco 68
Petite camusette à la mort m'avez mis 30.7 64v
Philippe qui videt me alleluia (6vv, M84) 93v
Pour parvenir bon peid bon oeil avoir 6v
Pour souhaitter je ne demande mieulx 30.8 64v
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 16v–17
Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol 81v
Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol 81
Quae est ista - 2a pars (of 2): Ista est speciosa inter filias 83v
Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam 83
Quant me souvient de ma triste fortune 13
Quare tristis es anima mea 98v
Quem nos merito Periculum ... Inviolata integra Anonymous 72
Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anonymous 77v
Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anonymous 79v
Sancta Trinitas unus Deus miserere nobis (6vv) 100
Si me tenes tant de rigueur madame 71v
Si par souffrir je puis avoir du bien 60
Si pur ti guardo dolce anima mia 194
Si seulle estois plaine de desconfort (?= J'ay veu le cerf) 82
So ich betracht und acht der alten Gesang 11v
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 14v–15
Su su su / A la battaglia Anonymous 153v
Sur toutes fleurs j'aime la marguerite 7
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 73v
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves 75v
Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus 84v
Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum 86v
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula 86
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes 88
Toujours leal a ma maitresse tant que au corps 97
Tous les plaisirs qu'en languer je soubstiens 70v
Tua est potentia tuum regnum Dominus 26.17 9v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 154
Un coeur en deuil je porte en un champ 2
Vater unser im Himmelreich, der du uns Anonymous 18v
Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige 77
Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo 79
Verbum Domini manet in aeternam 58v
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi 92v
Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula 94v
Vivre ne puis sur terre car mort suis 70
Vostre a jamais par heritage me poves 4v
Vous qui Anonymous 99
Was wird es doch des wunders noch [S329 - 4vv/7vv] 131
Welsch danz Anonymous 167–169v
Wer ich ein falck so wolt ich mich Anonymous 132
Wir glauben all an einen Gott [Credo] (I) (4vv) 59
Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anonymous 96v

denotes primary source study

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191,218-9,442,460,489-90,546. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 94. Notes: mention of MS.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers.  The Hague. Pages: 337-44. Notes: physical description; contents list; incipitsst of contents (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV,30-l, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700.  Copenhagen. Pages: 130ff. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description